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Dihlavi Stock Photos and Images
RMRY4T2N–A King Receiving Three Men, page from the Khamsa of Amir Khusrau Dihlavi, 1450-1500. India, Sultanate school, second half of 15th century. Ink and color on paper; overall: 28.6 x 21.6 cm (11 1/4 x 8 1/2 in
RMKWDJGR–BAHRAM GUR SEES HERD OF DEER MESMERIZED BY DILARAMS MUSIC, by Miskin, 1570-99, watercolor painting. Persian Sasanian King Bahram Gur with his beautiful slave girl, Dilaram, who could make animals sleep or awaken with the sound of her music. This painting is from 16th c. Mughal Emperor Akbar’s personal copy of the Indian poet, Amir Khusrau Dihlavis, KHAMSA (BSLOC 2017 16 18)
RF2HW8NWM–Art inspired by Khizr Comes to the Ascetic's Cell', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, ca. 1450, Attributed to Northern India, Ink and opaque watercolor on paper, Page:, Codices, This painting illustrates an episode from a five-part poem written by Amir Khusrau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKWDM7K–BAHRAM GUR SEES HERD OF DEER MESMERIZED BY DILARAMS MUSIC, by Miskin, 1570-99, watercolor painting. Persian Sasanian King Bahram Gur with his beautiful slave girl, Dilaram, who could make animals sleep or awaken with the sound of her music. This painting is from 16th c. Mughal Emperor Akbar’s personal copy of the Indian poet, Amir Khusrau Dihlavis, KHAMSA (BSLOC 2017 16 18)
RMMX2C68–. English: A page from a manuscript of the Hasht-Bihisht (Eight Paradises), part of the Quintet of Amir Khusrow Dihlavi Bahram Gur is visiting the princess in the green pavilion. Dimensions: 20.6 cm x 12.2 cm Edwin Binney 3rd Collection . text: 1302; this manuscript: c.1690. Amir Khusrow Dihlavi 68 Bahram Gur in the Green Pavillion c.1690
RM2BT1X0C–Khizr Comes to the Ascetic's Cell, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, ca. 1450.
RM2B626BN–Alexander the Great is Lowered into the Sea, illustration by Mukunda, inspired by, Amir Khusrau Dihlavi, 1597-1598
RM2X2EE5N–Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: THE KHAMSAS OF NIZAMI (D.1209) AND AMIR KHUSRAW DIHLAVI (D.1325) Colophon signed Muhammad Husayn Dar Al-Marzi on the order of Lutfallah Muzahhib (the illuminator) Shirazi, Shiraz, Iran, dated between the last day Dhu'l Ga'da ah 1033/14 September 1624 ad and 1 Dhu'l Ga'da ah 1035/15 July 1626 ad Estimate: £500,000-700,000. Credit: Malcolm Park/Alamy Live News
RMPAR6M6–'Laila Visiting Majnun in the Desert', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi. Author: Amir Khusrau Dihlavi (1253-1325). Calligrapher: Ala al-Din Muhammad. Dimensions: 8 1/2 x 5 1/4in. (21.6 x 13.3cm). Date: 1520-25. Museum: Metropolitan Museum of Art, New York, USA.
RM2AWPGNM–Folio from a Khamsa (Quintet) of Amir Khusraw Dihlavi; Majnun throwing himself onto Layla's grave
RM2B029X9–Nizami Ganjavi (1141-1209) or Amīr Khusraw Dihlavī, whose formal name was Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī, was a 12th-century Persian poet. Nezāmi is considered the greatest romantic epic poet in Persian literature, who brought a colloquial and realistic style to the Persian epic. His heritage is widely appreciated and shared by Afghanistan, Azerbaijan, Iran, Kurdistan and Tajikistan.
RM2EHFCAR–Painting depicts Bahram Gur (central figure) on horseback hunting three doe, from a Khamseh of Amir Khusrau Dihlavi..
RMRY7YER–Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi, c. 1590–1600. Attributed to Sanwalah (Indian, active c. 1580–1600). Opaque watercolor, ink and gold on paper; page: 24.9 x 16.8 cm (9 13/16 x 6 5/8 in.); painting: 18.6 x 16.2 cm (7 5/16 x 6 3/8 in
RMKWDJHA–ALEXANDER FIGHTS A SEA BATTLE, by Dharmadas, 1590s, Indian, Mughul watercolor painting. Battle scene of Alexander the Great, depicted with costumes and weapons of the 16th century. Alexander constructed a tower with a revolving mirror to fight Mediterranean pirates (BSLOC 2017 16 29)
RM2T8YXGH–Illuminated Manuscript, Five poems (quintet), An illustrated copy of the Khamsah (Quintet) of Amīr Khusraw Dihlavī (d.725 AH / 1325 CE) penned by Pīr Ḥusayn al-Kātib al-Shīrāzī in 935 AH / 1529 CE. This codex opens with a double-page decoration and has four other illuminated incipit pages introducing the individual books. There are 13 illustrations and the whole is bound in 19th century lacquer covers decorated with hunting scenes
RF2HW8KTB–Art inspired by Laila Visiting Majnun in the Desert', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1520–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 8 1/2 x 5 1/4in. (21.6 x 13.3cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKWDM8B–ALEXANDER FIGHTS A SEA BATTLE, by Dharmadas, 1590s, Indian, Mughul watercolor painting. Battle scene of Alexander the Great, depicted with costumes and weapons of the 16th century. Alexander constructed a tower with a revolving mirror to fight Mediterranean pirates (BSLOC 2017 16 29)
RF2HW8KR5–Art inspired by Alexander is Lowered into the Sea', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, watercolor, gold on paper, 9 3/8 x 6 1/4in. (23.8 x 15.9cm), Codices, Painting attributed to Mukunda, The Khamsa of the Indian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMW54PN–. English: A page from a manuscript of the Hasht-Bihisht (Eight Paradises), part of the Quintet of Amir Khusrow Dihlavi Bahram Gur is visiting the princess in the green pavilion. Dimensions: 20.6 cm x 12.2 cm Edwin Binney 3rd Collection . text: 1302; this manuscript: c.1690. Amir Khusrow Dihlavi 68 Bahram Gur in the Green Pavillion c.1690
RF2HW8KT4–Art inspired by A Bathhouse Keeper is Consumed by Passion for his Beloved', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Made in present-day Pakistan, Lahore, Main support: Ink, opaque watercolor and gold on paper, Image: H. 10 in. (25.4 cm), Codices, Painted by Nar, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2BT29GW–The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597-98.
RM2B626BB–Alexander the Great fights a Sea Battle, illustration by Dharmadas, inspired by Amir Khusrau Dihlavi, 1597-1598
RM2X2F10J–Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: THE KHAMSAS OF NIZAMI (D.1209) AND AMIR KHUSRAW DIHLAVI (D.1325) Colophon signed Muhammad Husayn Dar Al-Marzi on the order of Lutfallah Muzahhib (the illuminator) Shirazi, Shiraz, Iran, dated between the last day Dhu'l Ga'da ah 1033/14 September 1624 ad and 1 Dhu'l Ga'da ah 1035/15 July 1626 ad. Estimate: £500,000-700,000. Credit: Malcolm Park/Alamy Live News
RMPAXTKC–'Khizr Comes to the Ascetic's Cell', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi. Author: Amir Khusrau Dihlavi (1253-1325). Dimensions: Page: H. 13 1/2 in. (34.3 cm) W. 10 1/4 in. (26 cm) Painting: H. 3 3/4 in. (9.5 cm) W. 8 1/16 in. (20.5 cm). Date: ca. 1450. This painting illustrates an episode from a five-part poem written by Amir Khusrau Dihlavi between 1298 and 1302. In the painting, a young man named Khizr is admonished by an ascetic to be faithful and disregard the opinion of others. The page comes from a book attributed to northern India in the fifteenth century, alth
RMJ4684M–Painting depicts Bahram Gur (central figure) on horseback hunting three doe, from a Khamseh of Amir Khusrau Dihlavi.
RM2B029X6–Nizami Ganjavi (1141-1209) or Amīr Khusraw Dihlavī, whose formal name was Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī, was a 12th-century Persian poet. Nezāmi is considered the greatest romantic epic poet in Persian literature, who brought a colloquial and realistic style to the Persian epic. His heritage is widely appreciated and shared by Afghanistan, Azerbaijan, Iran, Kurdistan and Tajikistan.
RMRBPJAX–‘Khusrau Arriving at Shirin's Palace‘, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
RM2H0YCNP–Calligraphy of a ghazal of Amir Khusrau Dihlavi (Indian, 1253–1325) (verso), c. 1760. India, Farrukhabad, Mughal, 18th century. Ink, gum tempera, and gold on paper; overall: 25.4 x 19.7 cm (10 x 7 3/4 in.).
RM2T8YXGM–Illuminated Manuscript, Five poems (quintet), An illustrated copy of the Khamsah (Quintet) of Amīr Khusraw Dihlavī (d.725 AH / 1325 CE) penned by Pīr Ḥusayn al-Kātib al-Shīrāzī in 935 AH / 1529 CE. This codex opens with a double-page decoration and has four other illuminated incipit pages introducing the individual books. There are 13 illustrations and the whole is bound in 19th century lacquer covers decorated with hunting scenes
RM2H112E6–An East African King Receives Three Emissaries, from a Khamsa of Amir Khusrau Dihlavi, c. 1450. India, Sultanate period. Gum tempera and ink on paper; overall: 28.6 x 21.6 cm (11 1/4 x 8 1/2 in.).
RM2HH6DC6–'Laila Visiting Majnun in the Desert', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi 1520–25 Ala al-Din Muhammad Although the manuscript was copied at Balkh and completed in 1503 or 1504, the miniature must have been added after the capture of that city by the Safavid, Shah Isma'il in 1510. The tall baton of the cap around which the turban was wound, only appears when the Safavids imposed the Shi'a sect of Islam as the official state religion. The miniature, probably painted in Herat, is still very much in the fifteenth century court style of that city.. 'Laila Visiting Majnun in the D
RMMY70D1–. English: A page from a manuscript of the Hasht-Bihisht (Eight Paradises), part of the Quintet of Amir Khusrow Dihlavi Bahram Gur is visiting the princess in the green pavilion. Dimensions: 20.6 cm x 12.2 cm Edwin Binney 3rd Collection . text: 1302; this manuscript: c.1690. Amir Khusrow Dihlavi 59 Bahram Gur in the Green Pavillion c.1690
RF2HW8KTF–Art inspired by Alexander Fights a Sea Battle', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, H. 9 3/4 in. (24.8 cm), Codices, Dharmadas, In the episode illustrated, Alexander the Great has, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMYN6KW–. English: Album leaf; painting depicts Bahram Gur (central figure) on horseback hunting three doe, from a Khamseh of Amir Khusrau Dihlavi. Behind the hunter stand two attendants on horseback, and one on foot. In the far distance two hunters stand behind a rocky hill. A stream, rocky hills, and minimal folliage decorate the background. Two columns, each composing of three lines of text, appear in the top right corner. Painted in opaque watercolours, gold leaf, and ink on paper. circa 1610. Amir Khusrau Dihlavi. 404 Painting depicts Bahram Gur (central figure) on horseback hunting three doe, fr
RF2HW8KRK–Art inspired by A Muslim Pilgrim Learns a Lesson in Piety from a Brahman', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Image: Ink, opaque watercolor, and gold on paper, H. 9 7/8 in. (25.1 cm), Codices, Painting by Basawan (Indian, active ca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B626B4–Alexander the Great visits the Sage Plato in his Mountain Cave, illustration by Basawan, inspired by, Amir Khusrau Dihlavi, 1597-1598
RF2HW8KRC–Art inspired by A King Offers to Make Amends to a Bereaved Mother', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, H. 9 3/4 in. .(24.8 cm), Codices, Painting attributed to Miskin (active ca. 1570, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2X2EE5M–Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: THE KHAMSAS OF NIZAMI (D.1209) AND AMIR KHUSRAW DIHLAVI (D.1325) Colophon signed Muhammad Husayn Dar Al-Marzi on the order of Lutfallah Muzahhib (the illuminator) Shirazi, Shiraz, Iran, dated between the last day Dhu'l Ga'da ah 1033/14 September 1624 ad and 1 Dhu'l Ga'da ah 1035/15 July 1626 ad Estimate: £500,000-700,000. Credit: Malcolm Park/Alamy Live News
RMPAAG7N–'A King Offers to Make Amends to a Bereaved Mother', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi. Artist: Painting attributed to Miskin (active ca. 1570-1604). Dimensions: H. 9 3/4 in. .(24.8 cm) W. 6 1/4 in. (15.9 cm). Poet: Amir Khusrau Dihlavi (1253-1325). Date: 1597-98. In this dramatic painting, a king submits to justice after having accidentally killed a shepherd while hunting. He offers the boy's grieving mother a choice: to take his sword and cut off his head, which will fall in the golden dish between them, or to accept the second dish filled with gold. Some of the margina
RM2P2HHEA–Nizamuddin Awliya with three attendants. From a Khamsa (Quintet) by Amir Khusraw Dihlavi, c. 1450. Found in the collection of the Smithsonian National Museum.
RM2PKA38D–Fratricide Witnesses the Loyalty of Two Friends 1597-1598 (Mughal) by Amir Khusraw Dihlavi
RM2HJ4J80–'Alexander Visits the Sage Plato in his Mountain Cave', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi 1597–98 Amir Khusrau Dihlavi The Khamsa of the Indian poet Amir Khusrau includes a section on the philosopher-king Alexander the Great, who in Khusrau’s telling of his life led expeditions to China, Russia, and the Western Isles, and also undertook quests of a spiritual dimension. Here, the turbaned king is seated on the right, listening to the sage Plato, who offers advice on rulership but also warns of Alexander’s impending death.. 'Alexander Visits the Sage Plato in his Mountain Cav
RM2T8YXJ8–Illuminated Manuscript, Five poems (quintet), An illustrated copy of the Khamsah (Quintet) of Amīr Khusraw Dihlavī (d.725 AH / 1325 CE) penned by Pīr Ḥusayn al-Kātib al-Shīrāzī in 935 AH / 1529 CE. This codex opens with a double-page decoration and has four other illuminated incipit pages introducing the individual books. There are 13 illustrations and the whole is bound in 19th century lacquer covers decorated with hunting scenes. Iskandar (Alexander the Great) entertains Kanīfū
RMMXE7HR–. English: Album leaf; painting depicts Bahram Gur (central figure) on horseback hunting three doe, from a Khamseh of Amir Khusrau Dihlavi. Behind the hunter stand two attendants on horseback, and one on foot. In the far distance two hunters stand behind a rocky hill. A stream, rocky hills, and minimal folliage decorate the background. Two columns, each composing of three lines of text, appear in the top right corner. Painted in opaque watercolours, gold leaf, and ink on paper. circa 1610. Amir Khusrau Dihlavi. 463 Painting depicts Bahram Gur (central figure) on horseback hunting three doe, fr
RF2HW8KT9–Art inspired by Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: ink, opaque watercolor, and gold on paper, 9 5/8 x 5 15/16in. (24.5 x 15.1cm), Codices, Attributed to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2X2EE5P–Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: THE KHAMSAS OF NIZAMI (D.1209) AND AMIR KHUSRAW DIHLAVI (D.1325) Colophon signed Muhammad Husayn Dar Al-Marzi on the order of Lutfallah Muzahhib (the illuminator) Shirazi, Shiraz, Iran, dated between the last day Dhu'l Ga'da ah 1033/14 September 1624 ad and 1 Dhu'l Ga'da ah 1035/15 July 1626 ad Estimate: £500,000-700,000. Credit: Malcolm Park/Alamy Live News
RMPB0R6W–'Alexander Fights a Sea Battle', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi. Artist: Dharmadas. Dimensions: H. 9 3/4 in. (24.8 cm) W. 6 1/4 in. (15.9 cm). Poet: Amir Khusrau Dihlavi (1253-1325). Date: 1597-98. In the episode illustrated, Alexander the Great has ordered the construction of a tall tower surmounted by a revolving mirror in order to battle the pirates menacing the Mediterranean Sea. The protagonists appear as contemporary Indians wearing turbans and tunics, rather than ancient Greeks, and one of the fighters uses a gun, an invention from nearly two millennia after Ale
RM2C721MT–Laila Visiting Majnun in the Desert, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1520-25.
RM2HJ3C59–'A King Offers to Make Amends to a Bereaved Mother', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi 1597–98 Amir Khusrau Dihlavi In this dramatic painting, a king submits to justice after having accidentally killed a shepherd while hunting. He offers the boy's grieving mother a choice: to take his sword and cut off his head, which will fall in the golden dish between them, or to accept the second dish filled with gold. Some of the marginal figures are of European inspiration, while the rocks are Persian and the main figures are typically Mughal.. 'A King Offers to Make Amends to a Berea
RM2T8YXHN–Illuminated Manuscript, Five poems (quintet), An illustrated copy of the Khamsah (Quintet) of Amīr Khusraw Dihlavī (d.725 AH / 1325 CE) penned by Pīr Ḥusayn al-Kātib al-Shīrāzī in 935 AH / 1529 CE. This codex opens with a double-page decoration and has four other illuminated incipit pages introducing the individual books. There are 13 illustrations and the whole is bound in 19th century lacquer covers decorated with hunting scenes. Iskandar (Alexander the Great) lassoes a Chinese warrior
RMMTX1GC–. English: Album leaf; painting depicts Bahram Gur (central figure) on horseback hunting three doe, from a Khamseh of Amir Khusrau Dihlavi. Behind the hunter stand two attendants on horseback, and one on foot. In the far distance two hunters stand behind a rocky hill. A stream, rocky hills, and minimal folliage decorate the background. Two columns, each composing of three lines of text, appear in the top right corner. Painted in opaque watercolours, gold leaf, and ink on paper. circa 1610. Amir Khusrau Dihlavi. 463 Painting depicts Bahram Gur (central figure) on horseback hunting three doe, fr
RF2HW8KT6–Art inspired by Alexander Visits the Sage Plato in his Mountain Cave', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, Page: 9 7/8 x 6 1/4 in. (25.1 x 15.9 cm), Codices, attributed to Basawan (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2X2EE5H–Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: THE KHAMSAS OF NIZAMI (D.1209) AND AMIR KHUSRAW DIHLAVI (D.1325) Colophon signed Muhammad Husayn Dar Al-Marzi on the order of Lutfallah Muzahhib (the illuminator) Shirazi, Shiraz, Iran, dated between the last day Dhu'l Ga'da ah 1033/14 September 1624 ad and 1 Dhu'l Ga'da ah 1035/15 July 1626 ad Estimate: £500,000-700,000. Credit: Malcolm Park/Alamy Live News
RMPB1W60–'The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi. Artist: Painting by Manohar (active ca. 1582-1624). Calligrapher: Muhammad Husain Kashmiri (active ca. 1560-1611). Dimensions: H. 9 3/4 in. (24.8 cm) W. 6 1/4 in. (15.9 cm). Poet: Amir Khusrau Dihlavi (1253-1325). Date: 1597-98. Approximately one century after the Persian poet Nizami wrote his Khamsa (Quintet), the Indian poet Amir Khusrau Dihlavi composed a response using Nizami's structure but varying his stories s
RM2BT12RW–Alexander is Lowered into the Sea, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597-98.
RM2PKA3D3–A Virtuous Woman Placates the King by Plucking Out Her Eyes 1597-1598 (Mughal) by Amir Khusraw Dihlavi
RMRBPJB0–‘Khusrau Arriving at Shirin's Palace‘, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
RMRBPDAM–‘Laila Visiting Majnun in the Desert‘, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
RM2T8YXJD–Illuminated Manuscript, Five poems (quintet), An illustrated copy of the Khamsah (Quintet) of Amīr Khusraw Dihlavī (d.725 AH / 1325 CE) penned by Pīr Ḥusayn al-Kātib al-Shīrāzī in 935 AH / 1529 CE. This codex opens with a double-page decoration and has four other illuminated incipit pages introducing the individual books. There are 13 illustrations and the whole is bound in 19th century lacquer covers decorated with hunting scenes. The prophet Khiz̤r paying a visit to a pious man
RM2HJ2X2K–'Khizr Comes to the Ascetic's Cell', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi ca. 1450 Amir Khusrau Dihlavi This painting illustrates an episode from a five-part poem written by Amir Khusrau Dihlavi between 1298 and 1302. In the painting, a young man named Khizr is admonished by an ascetic to be faithful and disregard the opinion of others. The page comes from a book attributed to northern India in the fifteenth century, although it displays many features of contemporary Iranian painting, such as large-scale plants and a single-color background.. 'Khizr Comes to the Ascetic's Cell
RF2HW8N2D–Art inspired by Entertainment in a Garden', Folio from a Khamsa of Amir Khusrau Dihlavi, Matla' al-Anvar, second half 16th century, Attributed to Iran, Shiraz, Opaque watercolor and gold on paper, OveralL. 12 5/8 x 7 1/8 in. (32.1 x 18.1 cm), Codices, Rulers sometimes held semi-public, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAP0CE–'A Bathhouse Keeper is Consumed by Passion for his Beloved', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi. Artist: Painted by Nar Singh. Dimensions: Image: H. 10 in. (25.4 cm) W. 6 1/2 in. (16.5 cm) Page: H. 11 1/4 in. (28.6 cm) W. 7 7/8 in. (20 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Poet: Amir Khusrau Dihlavi (1253-1325). Date: 1597-98. Matla' al-Anwar (Rising of the Luminaries), the first poem of Amir Khusrau Dihlavi's Quintet, is comprised of 3310 verses compiled approximately in twenty Maqalat (didactic discourses). Matla' al-Anwar is a response by Amir
RM2BT101X–A Bathhouse Keeper is Consumed by Passion for his Beloved, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597-98.
RM2T8YXJ9–Illuminated Manuscript, Five poems (quintet), An illustrated copy of the Khamsah (Quintet) of Amīr Khusraw Dihlavī (d.725 AH / 1325 CE) penned by Pīr Ḥusayn al-Kātib al-Shīrāzī in 935 AH / 1529 CE. This codex opens with a double-page decoration and has four other illuminated incipit pages introducing the individual books. There are 13 illustrations and the whole is bound in 19th century lacquer covers decorated with hunting scenes. Laylá and Majnūn fall in love at school
RM2HHEN3B–'A Bathhouse Keeper is Consumed by Passion for his Beloved', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi 1597–98 Amir Khusrau Dihlavi Matla’ al-Anwar (Rising of the Luminaries), the first poem of Amir Khusrau Dihlavi’s Quintet, is comprised of 3310 verses compiled approximately in twenty Maqalat (didactic discourses). Matla’ al-Anwar is a response by Amir Khusrau to Nizami Ganjavi’s Makhzan al-Asrar. Painted at Lahore by Nar sing, this painting shows a bathhouse keeper who falls in love when he sees the king on his visit with his retinue. Attention gained by the King, stokes the heat
RMRBPDAP–‘Laila Visiting Majnun in the Desert‘, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
RF2HW8KRW–Art inspired by The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 9 3/4 in. (24.8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB9P7A–'Entertainment in a Garden', Folio from a Khamsa of Amir Khusrau Dihlavi, Matla' al-Anvar. Author: Amir Khusrau Dihlavi (1253-1325). Dimensions: OveralL. 12 5/8 x 7 1/8 in. (32.1 x 18.1 cm) Dimensions of painting: 9 5/8 x 5 3/4in. (24.4 x 14.6cm) Dimensions of painting: 13 5/8 x 8 1/4in. (34.6 x 21cm). Date: second half 16th century. Rulers sometimes held semi-public bazms (feasts) involving large numbers of guests. Here the ruler is seated on a hexagonal platform atop a tree and accompanied by attendants. This whimsical portrayal of an outdoor bazm includes charming details such as childre
RM2BT12T1–Alexander Fights a Sea Battle, Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597-98.
RM2T8YXJ7–Illuminated Manuscript, Five poems (quintet), An illustrated copy of the Khamsah (Quintet) of Amīr Khusraw Dihlavī (d.725 AH / 1325 CE) penned by Pīr Ḥusayn al-Kātib al-Shīrāzī in 935 AH / 1529 CE. This codex opens with a double-page decoration and has four other illuminated incipit pages introducing the individual books. There are 13 illustrations and the whole is bound in 19th century lacquer covers decorated with hunting scenes. Khusraw meets Shīrīn by chance while hunting
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