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Della robbia workshop Stock Photos and Images
Triton carrying a nymph, tondo, Luca della Robbia (workshop of), 1500 - 1549, terracotta (clay material), d 56.5 cm × d 11.5 cm × w 26 kg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triton-carrying-a-nymph-tondo-luca-della-robbia-workshop-of-1500-1549-terracotta-clay-material-d-565-cm-d-115-cm-w-26-kg-image261328707.htmlRMW54FC3–Triton carrying a nymph, tondo, Luca della Robbia (workshop of), 1500 - 1549, terracotta (clay material), d 56.5 cm × d 11.5 cm × w 26 kg
Virgin and Child. Marble medaillon with ceramic frame. 16th Cent. Della Robbia workshop and marble by Andrea Sansovino. Museum, Lisbon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-marble-medaillon-with-ceramic-frame-16th-cent-della-robbia-workshop-and-marble-by-andrea-sansovino-museum-lisbon-image347973594.htmlRM2B63FTA–Virgin and Child. Marble medaillon with ceramic frame. 16th Cent. Della Robbia workshop and marble by Andrea Sansovino. Museum, Lisbon.
Roundels with Classical Heads c. 1520-5. Workshop of Giovanni della Robbia (1469-1529/30) These heads resemble a series of saints produced by the della Robbia workshop. Religious figures often appeared on the outside of houses as an expression of the family's piety. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roundels-with-classical-heads-c-1520-5-workshop-of-giovanni-della-57406659.htmlRMD9B2NR–Roundels with Classical Heads c. 1520-5. Workshop of Giovanni della Robbia (1469-1529/30) These heads resemble a series of saints produced by the della Robbia workshop. Religious figures often appeared on the outside of houses as an expression of the family's piety.
Della Robbia (Workshop of) (Florence, 1435-1525). Two Adoring Angels (ca. 1510). Terracotta. 93.5 x 54 x 27 cm y 99 x 57 x 24 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/della-robbia-workshop-of-florence-1435-1525-two-adoring-angels-ca-1510-terracotta-935-x-54-x-27-cm-y-99-x-57-x-24-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236898375.htmlRMRNBJ87–Della Robbia (Workshop of) (Florence, 1435-1525). Two Adoring Angels (ca. 1510). Terracotta. 93.5 x 54 x 27 cm y 99 x 57 x 24 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
Kneeling Ange; from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kneeling-ange-from-the-workshop-of-andrea-della-robbia-1470-1525-an-122928338.htmlRMH3YT9P–Kneeling Ange; from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century
13 Adoring Angels, Della Robbia workshop, Florence, c. 1510 AD, terracotta - Museo Nacional Centro de Arte Reina Sofía - Madrid, Spain - DSC08547 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/13-adoring-angels-della-robbia-workshop-florence-c-1510-ad-terracotta-museo-nacional-centro-de-arte-reina-sofa-madrid-spain-dsc08547-image211319768.htmlRMP7PCEG–13 Adoring Angels, Della Robbia workshop, Florence, c. 1510 AD, terracotta - Museo Nacional Centro de Arte Reina Sofía - Madrid, Spain - DSC08547
Madonna and Child tondo, Luca della Robbia workshop, c. 1440, terracotta set in concrete - University of Arizona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-tondo-luca-della-robbia-workshop-c-1440-terracotta-set-in-concrete-university-of-arizona-image397783888.htmlRM2E34HBC–Madonna and Child tondo, Luca della Robbia workshop, c. 1440, terracotta set in concrete - University of Arizona
Italy Tuscany Arezzo : National Museum of Medieval and Modern Art: Workshop of Andrea della Robbia: Madonna with Child and Saints Sebastiano and Giuliano Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-tuscany-arezzo-national-museum-of-medieval-and-modern-art-workshop-of-andrea-della-robbia-madonna-with-child-and-saints-sebastiano-and-giuliano-image332119382.htmlRM2A899JE–Italy Tuscany Arezzo : National Museum of Medieval and Modern Art: Workshop of Andrea della Robbia: Madonna with Child and Saints Sebastiano and Giuliano
Adoring Angels, Della Robbia workshop, Florence, c. 1510 AD, terracotta - Museo Nacional Centro de Arte Reina Sofía - Madrid, Spain - DSC08547. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoring-angels-della-robbia-workshop-florence-c-1510-ad-terracotta-museo-nacional-centro-de-arte-reina-sofa-madrid-spain-dsc08547-image213979405.htmlRMPC3GWH–Adoring Angels, Della Robbia workshop, Florence, c. 1510 AD, terracotta - Museo Nacional Centro de Arte Reina Sofía - Madrid, Spain - DSC08547.
Ceramic relief of Our Lady of the Cushion (15th century) Andrea della Robbia workshop,at the Capilla de Santiago,The Seville Cathedral Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceramic-relief-of-our-lady-of-the-cushion-15th-century-andrea-della-robbia-workshopat-the-capilla-de-santiagothe-seville-cathedral-image451454212.htmlRM2H6DECM–Ceramic relief of Our Lady of the Cushion (15th century) Andrea della Robbia workshop,at the Capilla de Santiago,The Seville Cathedral
Della Robbia Florence 15th century Virgin Adoring the Child and two putti Italy Italian ( workshop ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-della-robbia-florence-15th-century-virgin-adoring-the-child-and-two-95735437.htmlRMFFN3EN–Della Robbia Florence 15th century Virgin Adoring the Child and two putti Italy Italian ( workshop )
Workshop of Andrea della Robbia (1435-1525). Italian sculptor. Madonna and Child, early 1500s. Relief. Maiolica. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-workshop-of-andrea-della-robbia-1435-1525-italian-sculptor-madonna-104427169.htmlRMG1W1WN–Workshop of Andrea della Robbia (1435-1525). Italian sculptor. Madonna and Child, early 1500s. Relief. Maiolica. The State Hermitage Museum. Saint Petersburg. Russia.
Terracotta Sculpture depicting The Lamentation Over The Dead Christ from The Workshop of Andrea della Robbia dated 1510-15 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-sculpture-depicting-the-lamentation-over-the-dead-christ-from-the-workshop-of-andrea-della-robbia-dated-1510-15-image214442876.htmlRMPCTM24–Terracotta Sculpture depicting The Lamentation Over The Dead Christ from The Workshop of Andrea della Robbia dated 1510-15
Florence. Italy. Bust of a Saint (1465-1470) by the workshop of Luca della Robbia, Museo Nazionale del Bargello. Glazed terracotta, from the pharmacy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-florence-italy-bust-of-a-saint-1465-1470-by-the-workshop-of-luca-della-177122398.htmlRMM84HBX–Florence. Italy. Bust of a Saint (1465-1470) by the workshop of Luca della Robbia, Museo Nazionale del Bargello. Glazed terracotta, from the pharmacy
Saint St Sebastien Workshop Bottega XVI Century della Robbia Italian Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saint-st-sebastien-workshop-bottega-xvi-century-della-robbia-italian-43735295.htmlRMCF48PR–Saint St Sebastien Workshop Bottega XVI Century della Robbia Italian Italy
Inspired by Mother of Sorrows, workshop of Andrea della Robbia, Italian, 1435–1525, c.1525, Glazed terracotta, Made in Florence, Tuscany, Italy, Europe, Sculpture, 31 11/16 x 15 3/4 x 8 in. (80.5 x 40 x 20.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-mother-of-sorrows-workshop-of-andrea-della-robbia-italian-14351525-c1525-glazed-terracotta-made-in-florence-tuscany-italy-europe-sculpture-31-1116-x-15-34-x-8-in-805-x-40-x-203-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459272779.htmlRF2HK5K37–Inspired by Mother of Sorrows, workshop of Andrea della Robbia, Italian, 1435–1525, c.1525, Glazed terracotta, Made in Florence, Tuscany, Italy, Europe, Sculpture, 31 11/16 x 15 3/4 x 8 in. (80.5 x 40 x 20.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Darius I Workshop ( Andrea della Robbia 1435 – 1525 was an Italian Renaissance sculptor, especially in ceramics. ) Florence Italy Italian ( Darius I Great King, King of Kings, King of Persia, King of Lands, King of Babylon Pharaoh of Egypt ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-darius-i-workshop-andrea-della-robbia-1435-1525-was-an-italian-renaissance-173482125.htmlRMM26P65–Darius I Workshop ( Andrea della Robbia 1435 – 1525 was an Italian Renaissance sculptor, especially in ceramics. ) Florence Italy Italian ( Darius I Great King, King of Kings, King of Persia, King of Lands, King of Babylon Pharaoh of Egypt )
Art inspired by Tondo, ca. 1500–1520, Tin-glazed terracotta, Diam. 57.5 cm, Sculpture-Terracotta, Workshop of Giovanni della Robbia (Italian, Florence 1469–1529/30 Florence), The della Robbia were a family of Florentine sculptors who were famous for their tin-glazed terracotta relief, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tondo-ca-15001520-tin-glazed-terracotta-diam-575-cm-sculpture-terracotta-workshop-of-giovanni-della-robbia-italian-florence-1469152930-florence-the-della-robbia-were-a-family-of-florentine-sculptors-who-were-famous-for-their-tin-glazed-terracotta-relief-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031639.htmlRF2HW8WG7–Art inspired by Tondo, ca. 1500–1520, Tin-glazed terracotta, Diam. 57.5 cm, Sculpture-Terracotta, Workshop of Giovanni della Robbia (Italian, Florence 1469–1529/30 Florence), The della Robbia were a family of Florentine sculptors who were famous for their tin-glazed terracotta relief, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Terracotta Sculpture depicting The Lamentation Over The Dead Christ from The Workshop of Andrea della Robbia dated 1510-15 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-sculpture-depicting-the-lamentation-over-the-dead-christ-from-the-workshop-of-andrea-della-robbia-dated-1510-15-image209063230.htmlRMP43J7X–Terracotta Sculpture depicting The Lamentation Over The Dead Christ from The Workshop of Andrea della Robbia dated 1510-15
Maria with child, knee-length knee, Luca della Robbia (workshop of), 1500 - 1525, glaze, h 69 cm × w 49.5 cm × d 12 cm × w 22 kg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-with-child-knee-length-knee-luca-della-robbia-workshop-of-1500-1525-glaze-h-69-cm-w-495-cm-d-12-cm-w-22-kg-image261328778.htmlRMW54FEJ–Maria with child, knee-length knee, Luca della Robbia (workshop of), 1500 - 1525, glaze, h 69 cm × w 49.5 cm × d 12 cm × w 22 kg
Head of Darius III, king of Persia. Polychromed glazed clay, medaillon 16th cent. Andrea Della Robbia workshop. Arte Antiga, Lisbon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-darius-iii-king-of-persia-polychromed-glazed-clay-medaillon-16th-cent-andrea-della-robbia-workshop-arte-antiga-lisbon-image347973591.htmlRM2B63FT7–Head of Darius III, king of Persia. Polychromed glazed clay, medaillon 16th cent. Andrea Della Robbia workshop. Arte Antiga, Lisbon.
Art inspired by Mother of Sorrows, workshop of Andrea della Robbia, Italian, 1435-1525, c.1525, Glazed terracotta, Made in Florence, Tuscany, Italy, Europe, Sculpture, 31 11/16 x 15 3/4 x 8 in. (80.5 x 40 x 20.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mother-of-sorrows-workshop-of-andrea-della-robbia-italian-1435-1525-c1525-glazed-terracotta-made-in-florence-tuscany-italy-europe-sculpture-31-1116-x-15-34-x-8-in-805-x-40-x-203-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459584827.htmlRF2HKKW3R–Art inspired by Mother of Sorrows, workshop of Andrea della Robbia, Italian, 1435-1525, c.1525, Glazed terracotta, Made in Florence, Tuscany, Italy, Europe, Sculpture, 31 11/16 x 15 3/4 x 8 in. (80.5 x 40 x 20.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Factitious triptych with doors with paints added. Glazed terracotta. 1475. Della Robbia workshop. Museu Pedralbes, Barcelona. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/factitious-triptych-with-doors-with-paints-added-glazed-terracotta-1475-della-robbia-workshop-museu-pedralbes-barcelona-spain-image333667342.htmlRM2AART2P–Factitious triptych with doors with paints added. Glazed terracotta. 1475. Della Robbia workshop. Museu Pedralbes, Barcelona. Spain.
Kneeling Ange; from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kneeling-ange-from-the-workshop-of-andrea-della-robbia-1470-1525-an-122928336.htmlRMH3YT9M–Kneeling Ange; from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century
Adoration of the Christ Child. Andrea della Robbia (Workshop of); Italian, 1435-1525. Date: 1479-1525. Dimensions: 67 × 44.5 cm (26 3/8 × 17 1/2 in.). Terracotta and polychrome. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoration-of-the-christ-child-andrea-della-robbia-workshop-of-italian-1435-1525-date-1479-1525-dimensions-67-445-cm-26-38-17-12-in-terracotta-and-polychrome-origin-italy-museum-the-chicago-art-institute-image239834735.htmlRMRX5BJ7–Adoration of the Christ Child. Andrea della Robbia (Workshop of); Italian, 1435-1525. Date: 1479-1525. Dimensions: 67 × 44.5 cm (26 3/8 × 17 1/2 in.). Terracotta and polychrome. Origin: Italy. Museum: The Chicago Art Institute.
Workshop of Andrea Della Robbia (1435-1525) St Mary Magdalene receiving her last Communion. Tin glazed terracotta, about 1490. According to a medieval Life, Saint Mary Magdalene spent the last years of her life as a penitent hermit in Provence. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-workshop-of-andrea-della-robbia-1435-1525-st-mary-magdalene-receiving-57348486.htmlRMD98CG6–Workshop of Andrea Della Robbia (1435-1525) St Mary Magdalene receiving her last Communion. Tin glazed terracotta, about 1490. According to a medieval Life, Saint Mary Magdalene spent the last years of her life as a penitent hermit in Provence.
Pelican, medaillon. Florence (1501-1525). Polychrome and glazed baked clay. Workshop of Andrea della Robbia (1435-1525). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pelican-medaillon-florence-1501-1525-polychrome-and-glazed-baked-clay-176150052.htmlRMM6G958–Pelican, medaillon. Florence (1501-1525). Polychrome and glazed baked clay. Workshop of Andrea della Robbia (1435-1525).
Adoring Angels, Della Robbia workshop, Florence, c. 1510 AD, terracotta - Museo Nacional Centro de Arte Reina Sofía - Madrid, Spain - DSC08547. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoring-angels-della-robbia-workshop-florence-c-1510-ad-terracotta-museo-nacional-centro-de-arte-reina-sofa-madrid-spain-dsc08547-image231096251.htmlRMRBY9HF–Adoring Angels, Della Robbia workshop, Florence, c. 1510 AD, terracotta - Museo Nacional Centro de Arte Reina Sofía - Madrid, Spain - DSC08547.
Ceramic relief of Our Lady of the Cushion (15th century) Andrea della Robbia workshop,at the Capilla de Santiago,The Seville Cathedral Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceramic-relief-of-our-lady-of-the-cushion-15th-century-andrea-della-robbia-workshopat-the-capilla-de-santiagothe-seville-cathedral-image451454210.htmlRM2H6DECJ–Ceramic relief of Our Lady of the Cushion (15th century) Andrea della Robbia workshop,at the Capilla de Santiago,The Seville Cathedral
Italian Renaissance sculptor Luca della Robbia depicted in the ceiling fresco in the Vasari Corridor in the Uffizi Gallery (Galleria degli Uffizi) in Florence, Tuscany, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italian-renaissance-sculptor-luca-della-robbia-depicted-in-the-ceiling-fresco-in-the-vasari-corridor-in-the-uffizi-gallery-galleria-degli-uffizi-in-florence-tuscany-italy-image185878225.htmlRMMPBDG1–Italian Renaissance sculptor Luca della Robbia depicted in the ceiling fresco in the Vasari Corridor in the Uffizi Gallery (Galleria degli Uffizi) in Florence, Tuscany, Italy.
Italy Tuscany Sansepolcro Museum Piero della Francesca Nativity and Adoration of the Shepherds. Workshop of Andrea della Robbia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-tuscany-sansepolcro-museum-piero-della-francesca-nativity-and-146391323.htmlRMJE4KHF–Italy Tuscany Sansepolcro Museum Piero della Francesca Nativity and Adoration of the Shepherds. Workshop of Andrea della Robbia
Andrea della Robbia (workshop) - Pair of Adoring Angels Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-della-robbia-workshop-pair-of-adoring-angels-image594366749.htmlRM2WEYMRW–Andrea della Robbia (workshop) - Pair of Adoring Angels
Della Robbia workshop. Bas-relief: 'The Virgin and the Child' (Back). Enameled terracotta, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. Bas-relief: the Virgin and the Child Bas-relief, back, terracotta emaillee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/della-robbia-workshop-bas-relief-the-virgin-and-the-child-back-enameled-terracotta-16th-century-museum-of-fine-arts-of-the-city-of-paris-petit-palais-bas-relief-the-virgin-and-the-child-bas-relief-back-terracotta-emaillee-image596792724.htmlRM2WJX75T–Della Robbia workshop. Bas-relief: 'The Virgin and the Child' (Back). Enameled terracotta, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. Bas-relief: the Virgin and the Child Bas-relief, back, terracotta emaillee
San Sebastiano - Saint Sebastian 1450 15th Century by workshop Andrea della Robbia, Fine Art Museum, Italy, Italian, Saint, Sebastian, (died c. 268 AD), Christian saint and martyr, Killed during the Roman, Emperor, Diocletian, persecution of Christians, He criticized the emperor, clubbed to death ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/san-sebastiano-saint-sebastian-1450-15th-century-by-workshop-andrea-della-robbia-fine-art-museum-italy-italian-saint-sebastian-died-c-268-ad-christian-saint-and-martyr-killed-during-the-roman-emperor-diocletian-persecution-of-christians-he-criticized-the-emperor-clubbed-to-death-image523010454.htmlRM2NAW54P–San Sebastiano - Saint Sebastian 1450 15th Century by workshop Andrea della Robbia, Fine Art Museum, Italy, Italian, Saint, Sebastian, (died c. 268 AD), Christian saint and martyr, Killed during the Roman, Emperor, Diocletian, persecution of Christians, He criticized the emperor, clubbed to death )
Madonna and Child, workshop of Andrea della Robbia, Florence, 16th century Nelson Atkins Museum of Art DSC08530 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-and-child-workshop-of-andrea-della-robbia-florence-16th-century-140214498.htmlRMJ4390J–Madonna and Child, workshop of Andrea della Robbia, Florence, 16th century Nelson Atkins Museum of Art DSC08530
Priscian teaching Grammar: Lucca della Robbia, 1437-39. Pisano 1290 – 1348 is sculptor architect and Workshop began about 1336 with the reliefs for the Campanile ( The Cattedrale di Santa Maria del Fiore of Florence )1336 Florence Italy ( Museo dell' Opera del Duomo ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-priscian-teaching-grammar-lucca-della-robbia-1437-39-pisano-1290-1348-163153735.htmlRMKDC873–Priscian teaching Grammar: Lucca della Robbia, 1437-39. Pisano 1290 – 1348 is sculptor architect and Workshop began about 1336 with the reliefs for the Campanile ( The Cattedrale di Santa Maria del Fiore of Florence )1336 Florence Italy ( Museo dell' Opera del Duomo )
Madonna and Child with God the Father and Cherubim, workshop of Andrea della Robbia, c. 1480, glazed terra cotta National Gallery of Art, Washington DSC08821 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-and-child-with-god-the-father-and-cherubim-workshop-of-andrea-140152676.htmlRMJ40E4M–Madonna and Child with God the Father and Cherubim, workshop of Andrea della Robbia, c. 1480, glazed terra cotta National Gallery of Art, Washington DSC08821
Head of an Apostle, Andrea della Robbia and workshop, 1470s, glazed terracotta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-an-apostle-andrea-della-robbia-and-workshop-1470s-glazed-terracotta-image353152381.htmlRM2BEFDD1–Head of an Apostle, Andrea della Robbia and workshop, 1470s, glazed terracotta
Adoration of the Christ Child, after 1479, Andrea della Robbia (Workshop of), Italian, 1435-1525, Italy, Terracotta and polychrome, 67 × 44.5 cm (26 3/8 × 17 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoration-of-the-christ-child-after-1479-andrea-della-robbia-workshop-of-italian-1435-1525-italy-terracotta-and-polychrome-67-445-cm-26-38-17-12-in-image328640576.htmlRM2A2JTBC–Adoration of the Christ Child, after 1479, Andrea della Robbia (Workshop of), Italian, 1435-1525, Italy, Terracotta and polychrome, 67 × 44.5 cm (26 3/8 × 17 1/2 in
Madonna and Child, workshop of Andrea della Robbia, Florence, 16th century - Nelson-Atkins Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-workshop-of-andrea-della-robbia-florence-16th-century-nelson-atkins-image397762141.htmlRM2E33HJN–Madonna and Child, workshop of Andrea della Robbia, Florence, 16th century - Nelson-Atkins
Triton carrying a nymph, tondo, Luca della Robbia (workshop of), 1500 - 1549, terracotta (clay material), d 56.5 cm × d 11.5 cm × w 26 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triton-carrying-a-nymph-tondo-luca-della-robbia-workshop-of-1500-1549-terracotta-clay-material-d-565-cm-d-115-cm-w-26-kg-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349946272.htmlRF2B99C14–Triton carrying a nymph, tondo, Luca della Robbia (workshop of), 1500 - 1549, terracotta (clay material), d 56.5 cm × d 11.5 cm × w 26 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Madonna and Child with God the Father and Cherubim, workshop of Andrea della Robbia, c. 1480, glazed terra cotta - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-with-god-the-father-and-cherubim-workshop-of-andrea-della-robbia-c-1480-glazed-terra-cotta-image397767529.htmlRM2E33TF5–Madonna and Child with God the Father and Cherubim, workshop of Andrea della Robbia, c. 1480, glazed terra cotta -
The workshop of Andrea della Robbia: The Birth of Jesus, Old Masters Collection, in Zagreb, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-workshop-of-andrea-della-robbia-the-birth-of-jesus-old-masters-87255030.htmlRFF1XPK2–The workshop of Andrea della Robbia: The Birth of Jesus, Old Masters Collection, in Zagreb, Croatia
Workshop of Andrea della Robbia (1435-1525). Italian sculptor. Madonna and Child, early 1500s. Relief. Maiolica. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/workshop-of-andrea-della-robbia-1435-1525-italian-sculptor-madonna-and-child-early-1500s-relief-maiolica-the-state-hermitage-museum-saint-petersburg-russia-image220227866.htmlRMPP86TX–Workshop of Andrea della Robbia (1435-1525). Italian sculptor. Madonna and Child, early 1500s. Relief. Maiolica. The State Hermitage Museum. Saint Petersburg. Russia.
Workshop of Andrea Della Robbia (1435-1525) St Mary Magdalene receiving her last Communion. Tin glazed terracotta, about 1490. According to a medieval Life, Saint Mary Magdalene spent the last years of her life as a penitent hermit in Provence. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-workshop-of-andrea-della-robbia-1435-1525-st-mary-magdalene-receiving-57348484.htmlRMD98CG4–Workshop of Andrea Della Robbia (1435-1525) St Mary Magdalene receiving her last Communion. Tin glazed terracotta, about 1490. According to a medieval Life, Saint Mary Magdalene spent the last years of her life as a penitent hermit in Provence.
Tabernacle front, fragment. Florence (1501-1525). Polychrome and glazed baked clay. Workshop of Andrea della Robbia (1435-1525). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tabernacle-front-fragment-florence-1501-1525-polychrome-and-glazed-176150038.htmlRMM6G94P–Tabernacle front, fragment. Florence (1501-1525). Polychrome and glazed baked clay. Workshop of Andrea della Robbia (1435-1525).
Sculpture of St Bartholomew from the workshop of Andrea della Robbia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculpture-of-st-bartholomew-from-the-workshop-of-andrea-della-robbia-image377032169.htmlRM2CWB8AH–Sculpture of St Bartholomew from the workshop of Andrea della Robbia
workshop of Lucca della Robbia 15th century bust of Saint in exquisitely colored glazed terracotta Bargello Museum Florence Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-workshop-of-lucca-della-robbia-15th-century-bust-of-saint-in-exquisitely-76520738.htmlRMECDPYE–workshop of Lucca della Robbia 15th century bust of Saint in exquisitely colored glazed terracotta Bargello Museum Florence
madonna and child with angels, workshop of Luca della Robbia, 15th century, Bargello Museum Florence, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-and-child-with-angels-workshop-of-luca-della-robbia-15th-century-84491856.htmlRMEWCX68–madonna and child with angels, workshop of Luca della Robbia, 15th century, Bargello Museum Florence, Italy
Italy Tuscany Sansepolcro Museum Piero della Francesca Nativity and Adoration of the Shepherds. Workshop of Andrea della Robbia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-tuscany-sansepolcro-museum-piero-della-francesca-nativity-and-146391330.htmlRMJE4KHP–Italy Tuscany Sansepolcro Museum Piero della Francesca Nativity and Adoration of the Shepherds. Workshop of Andrea della Robbia
Workshop of Andrea della Robbia. Adoration of the Christ Child. 1479–1525. Italy. Terracotta and polychrome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/workshop-of-andrea-della-robbia-adoration-of-the-christ-child-14791525-italy-terracotta-and-polychrome-image337960806.htmlRM2AHRCCP–Workshop of Andrea della Robbia. Adoration of the Christ Child. 1479–1525. Italy. Terracotta and polychrome
Della Robbia workshop. Bas-relief: 'The Virgin and the Child' (Back). Enameled terracotta, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. Bas-relief: the Virgin and the Child Bas-relief, back, terracotta emaillee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/della-robbia-workshop-bas-relief-the-virgin-and-the-child-back-enameled-terracotta-16th-century-museum-of-fine-arts-of-the-city-of-paris-petit-palais-bas-relief-the-virgin-and-the-child-bas-relief-back-terracotta-emaillee-image596790374.htmlRM2WJX45X–Della Robbia workshop. Bas-relief: 'The Virgin and the Child' (Back). Enameled terracotta, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. Bas-relief: the Virgin and the Child Bas-relief, back, terracotta emaillee
Tondo, ca. 1500-1520. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tondo-ca-1500-1520-image336840871.htmlRM2AG0BY3–Tondo, ca. 1500-1520.
. Catalogue of the furniture, marbles, bronzes, clocks, candelabra, majolica, porcelain, glass, jewelery, goldsmith's and silversmith's work, ivories, medals, illuminations, miniatures, and objects of art generally, in the Wallace collection . ive series representing the Twelve Ccesars. Another medallion of this series is in the collection of the BaronessAlphonse de Rothschild at Paris. French. Second Half of XVI Century. 36. Higli Relief in glazed terra-cotta : The Virgin and Child. From the Della Robbia workshop.Florentine School. End of XV Century. CASS A LUSTRED MAJOLICA OF GUBBIO AND DE-R Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-of-the-furniture-marbles-bronzes-clocks-candelabra-majolica-porcelain-glass-jewelery-goldsmiths-and-silversmiths-work-ivories-medals-illuminations-miniatures-and-objects-of-art-generally-in-the-wallace-collection-ive-series-representing-the-twelve-ccesars-another-medallion-of-this-series-is-in-the-collection-of-the-baronessalphonse-de-rothschild-at-paris-french-second-half-of-xvi-century-36-higli-relief-in-glazed-terra-cotta-the-virgin-and-child-from-the-della-robbia-workshopflorentine-school-end-of-xv-century-cass-a-lustred-majolica-of-gubbio-and-de-r-image371623055.htmlRM2CGGTYY–. Catalogue of the furniture, marbles, bronzes, clocks, candelabra, majolica, porcelain, glass, jewelery, goldsmith's and silversmith's work, ivories, medals, illuminations, miniatures, and objects of art generally, in the Wallace collection . ive series representing the Twelve Ccesars. Another medallion of this series is in the collection of the BaronessAlphonse de Rothschild at Paris. French. Second Half of XVI Century. 36. Higli Relief in glazed terra-cotta : The Virgin and Child. From the Della Robbia workshop.Florentine School. End of XV Century. CASS A LUSTRED MAJOLICA OF GUBBIO AND DE-R
Music and Poetry (represented by Orpheus): Lucca della Robbia, 1437-39. Pisano 1290 – 1348 is sculptor architect and Workshop began about 1336 with the reliefs for the Campanile ( The Cattedrale di Santa Maria del Fiore of Florence )1336 Florence Italy ( Museo dell' Opera del Duomo ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-music-and-poetry-represented-by-orpheus-lucca-della-robbia-1437-39-163153740.htmlRMKDC878–Music and Poetry (represented by Orpheus): Lucca della Robbia, 1437-39. Pisano 1290 – 1348 is sculptor architect and Workshop began about 1336 with the reliefs for the Campanile ( The Cattedrale di Santa Maria del Fiore of Florence )1336 Florence Italy ( Museo dell' Opera del Duomo )
Madonna and Child with God the Father and Cherubim, workshop of Andrea della Robbia, c. 1480, glazed terra cotta National Gallery of Art, Washington DSC08822 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-and-child-with-god-the-father-and-cherubim-workshop-of-andrea-140152677.htmlRMJ40E4N–Madonna and Child with God the Father and Cherubim, workshop of Andrea della Robbia, c. 1480, glazed terra cotta National Gallery of Art, Washington DSC08822
Hall Of Italian Art,The Hermitage, St. Petersburg, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hall-of-italian-artthe-hermitage-st-petersburg-russia-image181064466.htmlRMMEG5G2–Hall Of Italian Art,The Hermitage, St. Petersburg, Russia
Coat of arms with griffin of the Martelli family, The coat of arms with the back part of a lion and a bird head with ears and bird claws is turned to the left and placed against a smooth, slightly concave background. He stands on the left hind leg and has pulled up the right one, hits with the bird's claws forward and has an open mouth, in which the tongue is visible. Tail and wings are pointed up., Luca della Robbia (workshop of), Florence, c. 1470 - c. 1480, h 124.5 cm × w 79 cm, 48.5 kg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coat-of-arms-with-griffin-of-the-martelli-family-the-coat-of-arms-with-the-back-part-of-a-lion-and-a-bird-head-with-ears-and-bird-claws-is-turned-to-the-left-and-placed-against-a-smooth-slightly-concave-background-he-stands-on-the-left-hind-leg-and-has-pulled-up-the-right-one-hits-with-the-birds-claws-forward-and-has-an-open-mouth-in-which-the-tongue-is-visible-tail-and-wings-are-pointed-up-luca-della-robbia-workshop-of-florence-c-1470-c-1480-h-1245-cm-w-79-cm-485-kg-image261361684.htmlRMW561DT–Coat of arms with griffin of the Martelli family, The coat of arms with the back part of a lion and a bird head with ears and bird claws is turned to the left and placed against a smooth, slightly concave background. He stands on the left hind leg and has pulled up the right one, hits with the bird's claws forward and has an open mouth, in which the tongue is visible. Tail and wings are pointed up., Luca della Robbia (workshop of), Florence, c. 1470 - c. 1480, h 124.5 cm × w 79 cm, 48.5 kg
Statue of St Bartholomew. It was created in the workshop of Andrea della Robbia c1470-1525. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-st-bartholomew-it-was-created-in-the-workshop-of-andrea-della-robbia-c1470-1525-image398487304.htmlRF2E48JHC–Statue of St Bartholomew. It was created in the workshop of Andrea della Robbia c1470-1525.
Tondo, Workshop of Giovanni della Robbia, ca. 1500–1520 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tondo-workshop-of-giovanni-della-robbia-ca-15001520-162337037.htmlRMKC32F9–Tondo, Workshop of Giovanni della Robbia, ca. 1500–1520
Maria with child, knee-length knee, Luca della Robbia (workshop of), 1500 - 1525, glaze, h 69 cm × w 49.5 cm × d 12 cm × w 22 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-with-child-knee-length-knee-luca-della-robbia-workshop-of-1500-1525-glaze-h-69-cm-w-495-cm-d-12-cm-w-22-kg-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349946374.htmlRF2B99C4P–Maria with child, knee-length knee, Luca della Robbia (workshop of), 1500 - 1525, glaze, h 69 cm × w 49.5 cm × d 12 cm × w 22 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Nativity, Workshop of Andrea della Robbia, late 15th–early 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-nativity-workshop-of-andrea-della-robbia-late-15thearly-16th-century-162537794.htmlRMKCC6H6–Nativity, Workshop of Andrea della Robbia, late 15th–early 16th century
Tondo. Artist: Workshop of Giovanni della Robbia (Italian, Florence 1469-1529/30 Florence). Dimensions: Diam. 57.5 cm. Date: ca. 1500-1520. The della Robbia were a family of Florentine sculptors who were famous for their tin-glazed terracotta relief sculptures. The family expanded the traditional blue and white palette of glazes to a broader range of colors, as seen in the present work, which was produced by the workshop of Giovanni della Robbia. The tondo bears the emblem associated with the church of San Lorenzo in Florence or with its dependency -- the suburban church of San Marco Vecchio. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tondo-artist-workshop-of-giovanni-della-robbia-italian-florence-1469-152930-florence-dimensions-diam-575-cm-date-ca-1500-1520-the-della-robbia-were-a-family-of-florentine-sculptors-who-were-famous-for-their-tin-glazed-terracotta-relief-sculptures-the-family-expanded-the-traditional-blue-and-white-palette-of-glazes-to-a-broader-range-of-colors-as-seen-in-the-present-work-which-was-produced-by-the-workshop-of-giovanni-della-robbia-the-tondo-bears-the-emblem-associated-with-the-church-of-san-lorenzo-in-florence-or-with-its-dependency-the-suburban-church-of-san-marco-vecchio-image213208207.htmlRMPATD6R–Tondo. Artist: Workshop of Giovanni della Robbia (Italian, Florence 1469-1529/30 Florence). Dimensions: Diam. 57.5 cm. Date: ca. 1500-1520. The della Robbia were a family of Florentine sculptors who were famous for their tin-glazed terracotta relief sculptures. The family expanded the traditional blue and white palette of glazes to a broader range of colors, as seen in the present work, which was produced by the workshop of Giovanni della Robbia. The tondo bears the emblem associated with the church of San Lorenzo in Florence or with its dependency -- the suburban church of San Marco Vecchio.
Virgin Adoring the Christ Child, Workshop of Andrea della Robbia, after 1479 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-virgin-adoring-the-christ-child-workshop-of-andrea-della-robbia-after-162536423.htmlRMKCC4T7–Virgin Adoring the Christ Child, Workshop of Andrea della Robbia, after 1479
Madonna and Child with God the Father and Cherubim, workshop of Andrea della Robbia, c. 1480, glazed terra cotta - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-with-god-the-father-and-cherubim-workshop-of-andrea-della-robbia-c-1480-glazed-terra-cotta-image397767534.htmlRM2E33TFA–Madonna and Child with God the Father and Cherubim, workshop of Andrea della Robbia, c. 1480, glazed terra cotta -
Sculpture of St Bartholomew from the workshop of Andrea della Robbia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculpture-of-st-bartholomew-from-the-workshop-of-andrea-della-robbia-image377032188.htmlRM2CWB8B8–Sculpture of St Bartholomew from the workshop of Andrea della Robbia
workshop of Andrea della Robbia, Italian, 1435-1525, Head of a Youth, between mid-15th and early 16th century, Enameled terracotta, Overall: 6 1/2 × 22 inches (16.5 × 55.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/workshop-of-andrea-della-robbia-italian-1435-1525-head-of-a-youth-between-mid-15th-and-early-16th-century-enameled-terracotta-overall-6-12-22-inches-165-559-cm-image328726156.htmlRM2A2PNFT–workshop of Andrea della Robbia, Italian, 1435-1525, Head of a Youth, between mid-15th and early 16th century, Enameled terracotta, Overall: 6 1/2 × 22 inches (16.5 × 55.9 cm
The workshop of Andrea della Robbia: The Birth of Jesus, Old Masters Collection, Croatian Academy of Sciences in Zagreb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-workshop-of-andrea-della-robbia-the-birth-of-jesus-old-masters-collection-croatian-academy-of-sciences-in-zagreb-image402440531.htmlRF2EAMN03–The workshop of Andrea della Robbia: The Birth of Jesus, Old Masters Collection, Croatian Academy of Sciences in Zagreb
Della Robbia workshop. Bas-relief: 'The Virgin and the Child' (Back). Enameled terracotta, northern Italy, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. Bas-relief: the Virgin and the Child Bas-relief, back, terracotta emaillee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/della-robbia-workshop-bas-relief-the-virgin-and-the-child-back-enameled-terracotta-northern-italy-16th-century-museum-of-fine-arts-of-the-city-of-paris-petit-palais-bas-relief-the-virgin-and-the-child-bas-relief-back-terracotta-emaillee-image596786670.htmlRM2WJWYDJ–Della Robbia workshop. Bas-relief: 'The Virgin and the Child' (Back). Enameled terracotta, northern Italy, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. Bas-relief: the Virgin and the Child Bas-relief, back, terracotta emaillee
Adoration of the Christ Child, after 1479. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoration-of-the-christ-child-after-1479-image444273686.htmlRM2GPPBHA–Adoration of the Christ Child, after 1479.
![Firenze - Ciesa di S. Lucia - S. Lucia E Due Angeli della Robbia '[Florence. The church of St. Lucy - della Robbia (workshop), St. Lucia and two angels on tympanum, 15th century]; around 1910 (1880-00-00-1920-00-00; ; Di 81823 MNW; all rights reserved. Stock Photo](https://c8.alamy.com/comp/2WP6C0K/firenze-ciesa-di-s-lucia-s-lucia-e-due-angeli-della-robbia-florence-the-church-of-st-lucy-della-robbia-workshop-st-lucia-and-two-angels-on-tympanum-15th-century-around-1910-1880-00-00-1920-00-00-di-81823-mnw-all-rights-reserved-2WP6C0K.jpg "Firenze - Ciesa di S. Lucia - S. Lucia E Due Angeli della Robbia '[Florence. The church of St. Lucy - della Robbia (workshop), St. Lucia and two angels on tympanum, 15th century]; around 1910 (1880-00-00-1920-00-00; ; Di 81823 MNW; all rights reserved. Stock Photo")
Firenze - Ciesa di S. Lucia - S. Lucia E Due Angeli della Robbia '[Florence. The church of St. Lucy - della Robbia (workshop), St. Lucia and two angels on tympanum, 15th century]; around 1910 (1880-00-00-1920-00-00; ; Di 81823 MNW; all rights reserved. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/firenze-ciesa-di-s-lucia-s-lucia-e-due-angeli-della-robbia-florence-the-church-of-st-lucy-della-robbia-workshop-st-lucia-and-two-angels-on-tympanum-15th-century-around-1910-1880-00-00-1920-00-00-di-81823-mnw-all-rights-reserved-image598816083.htmlRM2WP6C0K–Firenze - Ciesa di S. Lucia - S. Lucia E Due Angeli della Robbia '[Florence. The church of St. Lucy - della Robbia (workshop), St. Lucia and two angels on tympanum, 15th century]; around 1910 (1880-00-00-1920-00-00; ; Di 81823 MNW; all rights reserved.
Logic and Dialectic (represented by Plato and Aristotle): Lucca della Robbia, 1437-39. Pisano 1290 – 1348 is sculptor architect and Workshop began about 1336 with the reliefs for the Campanile ( The Cattedrale di Santa Maria del Fiore of Florence )1336 Florence Italy ( Museo dell' Opera del Duomo ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-logic-and-dialectic-represented-by-plato-and-aristotle-lucca-della-163153739.htmlRMKDC877–Logic and Dialectic (represented by Plato and Aristotle): Lucca della Robbia, 1437-39. Pisano 1290 – 1348 is sculptor architect and Workshop began about 1336 with the reliefs for the Campanile ( The Cattedrale di Santa Maria del Fiore of Florence )1336 Florence Italy ( Museo dell' Opera del Duomo )
Minutes Institut in Legnica. A fragment of the exhibition Arts from the 15th and 16th centuries, incl. Wooden sarcophagus from the ascore Bion decoration Figuraln, attributed to Baccio Bandinellem (1488-1560) and a figure of the Ango from the Lucca della workshop (around 1400-1482); Birk, Louis; 1840s (1840-00-00-1850-00-00);Bandinelli, Baccio (1488-1560) - reproduction, Legnica (Dolnośląskie Voivodeship), minutes (family) - collection, Robbia, Luca Della (1399 cars 1400-1482) - reproduction, exhibitions, collections, museums, artistic crafts, sarcophagi, sarcophagus, interiors, photosensitive Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minutes-institut-in-legnica-a-fragment-of-the-exhibition-arts-from-the-15th-and-16th-centuries-incl-wooden-sarcophagus-from-the-ascore-bion-decoration-figuraln-attributed-to-baccio-bandinellem-1488-1560-and-a-figure-of-the-ango-from-the-lucca-della-workshop-around-1400-1482-birk-louis-1840s-1840-00-00-1850-00-00bandinelli-baccio-1488-1560-reproduction-legnica-dolnolskie-voivodeship-minutes-family-collection-robbia-luca-della-1399-cars-1400-1482-reproduction-exhibitions-collections-museums-artistic-crafts-sarcophagi-sarcophagus-interiors-photosensitive-image598727695.htmlRM2WP2B7Y–Minutes Institut in Legnica. A fragment of the exhibition Arts from the 15th and 16th centuries, incl. Wooden sarcophagus from the ascore Bion decoration Figuraln, attributed to Baccio Bandinellem (1488-1560) and a figure of the Ango from the Lucca della workshop (around 1400-1482); Birk, Louis; 1840s (1840-00-00-1850-00-00);Bandinelli, Baccio (1488-1560) - reproduction, Legnica (Dolnośląskie Voivodeship), minutes (family) - collection, Robbia, Luca Della (1399 cars 1400-1482) - reproduction, exhibitions, collections, museums, artistic crafts, sarcophagi, sarcophagus, interiors, photosensitive
Hall Of Italian Art,The Hermitage, St. Petersburg, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hall-of-italian-artthe-hermitage-st-petersburg-russia-image476789588.htmlRM2JKKHYG–Hall Of Italian Art,The Hermitage, St. Petersburg, Russia
Minerbetti coat of arms ca. 1510 Workshop of Giovanni della Robbia Italian. Minerbetti coat of arms 193620 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minerbetti-coat-of-arms-ca-1510-workshop-of-giovanni-della-robbia-italian-minerbetti-coat-of-arms-193620-image458632033.htmlRM2HJ4DRD–Minerbetti coat of arms ca. 1510 Workshop of Giovanni della Robbia Italian. Minerbetti coat of arms 193620
. Florence in poetry, history and art . esigned for the organ loftof the Cathedral, but for years cast aside tomake room for some celebration of royalty, andare now shown in the Cathedral Museum. Donatello stands forth as sculptor for sculp-ture s sake—and not as a decorator of architec-ture. He revived the classic idea of the art, andthe artists of Florence have erected as a memo-rial his bust before the door of his workshop,which was not far from the Duomo. Only fourteen years younger than Donatellowas Luca della Robbia. He also executed inmarble-relief a series of Singing and DancingBoys an Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/florence-in-poetry-history-and-art-esigned-for-the-organ-loftof-the-cathedral-but-for-years-cast-aside-tomake-room-for-some-celebration-of-royalty-andare-now-shown-in-the-cathedral-museum-donatello-stands-forth-as-sculptor-for-sculp-ture-s-sakeand-not-as-a-decorator-of-architec-ture-he-revived-the-classic-idea-of-the-art-andthe-artists-of-florence-have-erected-as-a-memo-rial-his-bust-before-the-door-of-his-workshopwhich-was-not-far-from-the-duomo-only-fourteen-years-younger-than-donatellowas-luca-della-robbia-he-also-executed-inmarble-relief-a-series-of-singing-and-dancingboys-an-image372460001.htmlRM2CHY0EW–. Florence in poetry, history and art . esigned for the organ loftof the Cathedral, but for years cast aside tomake room for some celebration of royalty, andare now shown in the Cathedral Museum. Donatello stands forth as sculptor for sculp-ture s sake—and not as a decorator of architec-ture. He revived the classic idea of the art, andthe artists of Florence have erected as a memo-rial his bust before the door of his workshop,which was not far from the Duomo. Only fourteen years younger than Donatellowas Luca della Robbia. He also executed inmarble-relief a series of Singing and DancingBoys an
Madonna and Child early 16th century Probably workshop of Giovanni della Robbia Italian. Madonna and Child 197028 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-early-16th-century-probably-workshop-of-giovanni-della-robbia-italian-madonna-and-child-197028-image458024560.htmlRM2HH4R00–Madonna and Child early 16th century Probably workshop of Giovanni della Robbia Italian. Madonna and Child 197028
Adoration of the Christ Child, after 1479, Andrea della Robbia (Workshop of), Italian, 1435-1525, Italy, Terracotta and polychrome, 67 × 44.5 cm (26 3/8 × 17 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adoration-of-the-christ-child-after-1479-andrea-della-robbia-workshop-of-italian-1435-1525-italy-terracotta-and-polychrome-67-445-cm-26-38-17-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349711411.htmlRF2B8XMD7–Adoration of the Christ Child, after 1479, Andrea della Robbia (Workshop of), Italian, 1435-1525, Italy, Terracotta and polychrome, 67 × 44.5 cm (26 3/8 × 17 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Tondo. Cantagalli, Ulisses (1839-1901/4), company owner, Della Robbia, Andrea (1435-1525), workshop Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tondo-cantagalli-ulisses-1839-19014-company-owner-della-robbia-andrea-1435-1525-workshop-image480429618.htmlRM2JWHCTJ–Tondo. Cantagalli, Ulisses (1839-1901/4), company owner, Della Robbia, Andrea (1435-1525), workshop
Dovizia. Artist: After an original by Donatello (Italian, Florence ca. 1386-1466 Florence). Culture: Italian, Florence. Dimensions: Overall (Confirmed): H. 28 x W. 13 1/2 x D. 9 in., 27lb. (71.1 x 34.3 x 22.9 cm, 12.2471kg). Maker: Workshop of Giovanni della Robbia (Italian, Florence 1469-1529/30 Florence). Date: late 15th-early 16th century. This statuette is one of a number of della Robbia reductions of Donatello's lost statue Dovizia (Abundance), a work of about 1430 that stood on a column in the Mercato Vecchio in Florence. A child who originally grasped our Dovizia's skirt has since brok Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dovizia-artist-after-an-original-by-donatello-italian-florence-ca-1386-1466-florence-culture-italian-florence-dimensions-overall-confirmed-h-28-x-w-13-12-x-d-9-in-27lb-711-x-343-x-229-cm-122471kg-maker-workshop-of-giovanni-della-robbia-italian-florence-1469-152930-florence-date-late-15th-early-16th-century-this-statuette-is-one-of-a-number-of-della-robbia-reductions-of-donatellos-lost-statue-dovizia-abundance-a-work-of-about-1430-that-stood-on-a-column-in-the-mercato-vecchio-in-florence-a-child-who-originally-grasped-our-dovizias-skirt-has-since-brok-image213073191.htmlRMPAJ90R–Dovizia. Artist: After an original by Donatello (Italian, Florence ca. 1386-1466 Florence). Culture: Italian, Florence. Dimensions: Overall (Confirmed): H. 28 x W. 13 1/2 x D. 9 in., 27lb. (71.1 x 34.3 x 22.9 cm, 12.2471kg). Maker: Workshop of Giovanni della Robbia (Italian, Florence 1469-1529/30 Florence). Date: late 15th-early 16th century. This statuette is one of a number of della Robbia reductions of Donatello's lost statue Dovizia (Abundance), a work of about 1430 that stood on a column in the Mercato Vecchio in Florence. A child who originally grasped our Dovizia's skirt has since brok
Art inspired by Nativity, late 15th–early 16th century, Italian, Florence, Glazed terracotta, Overall: 14 × 19 3/4 × 1 1/2 in. (35.6 × 50.2 × 3.8 cm), Sculpture, Workshop of Andrea della Robbia (Italian, 1435–1525), From the predella of an altarpiece, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-nativity-late-15thearly-16th-century-italian-florence-glazed-terracotta-overall-14-19-34-1-12-in-356-502-38-cm-sculpture-workshop-of-andrea-della-robbia-italian-14351525-from-the-predella-of-an-altarpiece-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462922516.htmlRF2HW3XB0–Art inspired by Nativity, late 15th–early 16th century, Italian, Florence, Glazed terracotta, Overall: 14 × 19 3/4 × 1 1/2 in. (35.6 × 50.2 × 3.8 cm), Sculpture, Workshop of Andrea della Robbia (Italian, 1435–1525), From the predella of an altarpiece, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Assumption of the Virgin late 15th–early 16th century Workshop of Andrea della Robbia Italian. The Assumption of the Virgin 186236 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-assumption-of-the-virgin-late-15thearly-16th-century-workshop-of-andrea-della-robbia-italian-the-assumption-of-the-virgin-186236-image458542341.htmlRM2HJ0BC5–The Assumption of the Virgin late 15th–early 16th century Workshop of Andrea della Robbia Italian. The Assumption of the Virgin 186236
Sculpture of St Bartholomew from the workshop of Andrea della Robbia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculpture-of-st-bartholomew-from-the-workshop-of-andrea-della-robbia-image377032196.htmlRM2CWB8BG–Sculpture of St Bartholomew from the workshop of Andrea della Robbia
workshop of Giovanni della Robbia, Italian, 1469-1530, Tabernacle Support, 1510/1520, Enameled or tin-glazed? terracotta, Overall: 12 1/8 × 22 3/8 × 3 1/2 inches (30.8 × 56.8 × 8.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/workshop-of-giovanni-della-robbia-italian-1469-1530-tabernacle-support-15101520-enameled-or-tin-glazed-terracotta-overall-12-18-22-38-3-12-inches-308-568-89-cm-image328739374.htmlRM2A2RABX–workshop of Giovanni della Robbia, Italian, 1469-1530, Tabernacle Support, 1510/1520, Enameled or tin-glazed? terracotta, Overall: 12 1/8 × 22 3/8 × 3 1/2 inches (30.8 × 56.8 × 8.9 cm
Statue of Saint Bartholomew from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-statue-of-saint-bartholomew-from-the-workshop-of-andrea-della-robbia-122928143.htmlRMH3YT2R–Statue of Saint Bartholomew from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century
Art inspired by Virgin Adoring the Christ Child, after 1479, Italian, Florence, Glazed terracotta, Overall: 29 1/2 × 20 1/16 × 5 in. (74.9 × 51 × 12.7 cm), Sculpture, Workshop of Andrea della Robbia (Italian, 1435–1525), This is a possibly unique variant of several types of variants, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-virgin-adoring-the-christ-child-after-1479-italian-florence-glazed-terracotta-overall-29-12-20-116-5-in-749-51-127-cm-sculpture-workshop-of-andrea-della-robbia-italian-14351525-this-is-a-possibly-unique-variant-of-several-types-of-variants-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921793.htmlRF2HW3WD5–Art inspired by Virgin Adoring the Christ Child, after 1479, Italian, Florence, Glazed terracotta, Overall: 29 1/2 × 20 1/16 × 5 in. (74.9 × 51 × 12.7 cm), Sculpture, Workshop of Andrea della Robbia (Italian, 1435–1525), This is a possibly unique variant of several types of variants, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Nativity late 15th–early 16th century Workshop of Andrea della Robbia Italian From the predella of an altarpiece.. Nativity 208764 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nativity-late-15thearly-16th-century-workshop-of-andrea-della-robbia-italian-from-the-predella-of-an-altarpiece-nativity-208764-image458264367.htmlRM2HHFMTF–Nativity late 15th–early 16th century Workshop of Andrea della Robbia Italian From the predella of an altarpiece.. Nativity 208764
Coat of arms with griffin of the Martelli family, The coat of arms with the back part of a lion and a bird head with ears and bird claws is turned to the left and placed against a smooth, slightly concave background. He stands on the left hind leg and has pulled up the right one, hits with the bird's claws forward and has an open mouth, in which the tongue is visible. Tail and wings are pointed up., Luca della Robbia (workshop of), Florence, c. 1470 - c. 1480, h 124.5 cm × w 79 cm, 48.5 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coat-of-arms-with-griffin-of-the-martelli-family-the-coat-of-arms-with-the-back-part-of-a-lion-and-a-bird-head-with-ears-and-bird-claws-is-turned-to-the-left-and-placed-against-a-smooth-slightly-concave-background-he-stands-on-the-left-hind-leg-and-has-pulled-up-the-right-one-hits-with-the-birds-claws-forward-and-has-an-open-mouth-in-which-the-tongue-is-visible-tail-and-wings-are-pointed-up-luca-della-robbia-workshop-of-florence-c-1470-c-1480-h-1245-cm-w-79-cm-485-kg-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-image349969530.htmlRF2B9ADKP–Coat of arms with griffin of the Martelli family, The coat of arms with the back part of a lion and a bird head with ears and bird claws is turned to the left and placed against a smooth, slightly concave background. He stands on the left hind leg and has pulled up the right one, hits with the bird's claws forward and has an open mouth, in which the tongue is visible. Tail and wings are pointed up., Luca della Robbia (workshop of), Florence, c. 1470 - c. 1480, h 124.5 cm × w 79 cm, 48.5 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art
Workshop of Giovanni della Robbia, Pietà, Italian, Florence, Workshop of Giovanni della Robbia (Italian, Florence 1469–1529/30 Florence), early 16th century, Italian, Florence, Terracotta, painted, Overall: 40 1/2 × 67 3/8 in. (102.9 × 171.1 cm), Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/workshop-of-giovanni-della-robbia-piet-italian-florence-workshop-of-giovanni-della-robbia-italian-florence-1469152930-florence-early-16th-century-italian-florence-terracotta-painted-overall-40-12-67-38-in-1029-1711-cm-sculpture-image344597028.htmlRM2B0HN0M–Workshop of Giovanni della Robbia, Pietà, Italian, Florence, Workshop of Giovanni della Robbia (Italian, Florence 1469–1529/30 Florence), early 16th century, Italian, Florence, Terracotta, painted, Overall: 40 1/2 × 67 3/8 in. (102.9 × 171.1 cm), Sculpture
Statue of Saint Bartholomew from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-statue-of-saint-bartholomew-from-the-workshop-of-andrea-della-robbia-122928144.htmlRMH3YT2T–Statue of Saint Bartholomew from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century
Madonna and Child ca. 1480–90 Workshop of Andrea della Robbia Italian The composition of this tondo is derived from a medallion by Andrea della Robbia now in the Philadelphia Museum of Art.. Madonna and Child 200557 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-ca-148090-workshop-of-andrea-della-robbia-italian-the-composition-of-this-tondo-is-derived-from-a-medallion-by-andrea-della-robbia-now-in-the-philadelphia-museum-of-art-madonna-and-child-200557-image458154115.htmlRM2HHAM6Y–Madonna and Child ca. 1480–90 Workshop of Andrea della Robbia Italian The composition of this tondo is derived from a medallion by Andrea della Robbia now in the Philadelphia Museum of Art.. Madonna and Child 200557
Floating angel, The angel holds an indefinable object in front of her (a fragment of). He has raised the left leg with the knee forward and the other with his foot swinging backwards. The upper part of the other wing is visible behind the nimbus. The angel wears over an undergarment, of which only the sleeves and part of the skirt can be seen through a split in the upper garment (according to the colors), a second garment with half sleeves and a collar. That is what the sleeveless outer garment is about, which is looped around the waist and hips. A part of this garment protruding backwards is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/floating-angel-the-angel-holds-an-indefinable-object-in-front-of-her-a-fragment-of-he-has-raised-the-left-leg-with-the-knee-forward-and-the-other-with-his-foot-swinging-backwards-the-upper-part-of-the-other-wing-is-visible-behind-the-nimbus-the-angel-wears-over-an-undergarment-of-which-only-the-sleeves-and-part-of-the-skirt-can-be-seen-through-a-split-in-the-upper-garment-according-to-the-colors-a-second-garment-with-half-sleeves-and-a-collar-that-is-what-the-sleeveless-outer-garment-is-about-which-is-looped-around-the-waist-and-hips-a-part-of-this-garment-protruding-backwards-is-image349948231.htmlRF2B99EF3–Floating angel, The angel holds an indefinable object in front of her (a fragment of). He has raised the left leg with the knee forward and the other with his foot swinging backwards. The upper part of the other wing is visible behind the nimbus. The angel wears over an undergarment, of which only the sleeves and part of the skirt can be seen through a split in the upper garment (according to the colors), a second garment with half sleeves and a collar. That is what the sleeveless outer garment is about, which is looped around the waist and hips. A part of this garment protruding backwards is
Pietà early 16th century Workshop of Giovanni della Robbia Italian. Pietà. Workshop of Giovanni della Robbia (Italian, Florence 1469–1529/30 Florence). Italian, Florence. early 16th century. Terracotta, painted. Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piet-early-16th-century-workshop-of-giovanni-della-robbia-italian-piet-workshop-of-giovanni-della-robbia-italian-florence-1469152930-florence-italian-florence-early-16th-century-terracotta-painted-sculpture-image458449251.htmlRM2HHT4KF–Pietà early 16th century Workshop of Giovanni della Robbia Italian. Pietà. Workshop of Giovanni della Robbia (Italian, Florence 1469–1529/30 Florence). Italian, Florence. early 16th century. Terracotta, painted. Sculpture
Christ and the Samaritan Woman at the Well, c. 1500-1530. Workshop of Giovanni della Robbia (Italian, 1469-1529/30). Polychromed terracotta; overall: 221 x 177.8 x 27.9 cm (87 x 70 x 11 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-samaritan-woman-at-the-well-c-1500-1530-workshop-of-giovanni-della-robbia-italian-1469-152930-polychromed-terracotta-overall-221-x-1778-x-279-cm-87-x-70-x-11-in-image448095555.htmlRM2H10ECK–Christ and the Samaritan Woman at the Well, c. 1500-1530. Workshop of Giovanni della Robbia (Italian, 1469-1529/30). Polychromed terracotta; overall: 221 x 177.8 x 27.9 cm (87 x 70 x 11 in.).
Probably workshop of Giovanni della Robbia, Madonna and Child, Italian, Florence, Probably workshop of Giovanni della Robbia (Italian, Florence 1469–1529/30 Florence), early 16th century, Italian, Florence, Glazed terracotta, 28 1/4 × 17 3/4 in. (71.8 × 45.1 cm), Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/probably-workshop-of-giovanni-della-robbia-madonna-and-child-italian-florence-probably-workshop-of-giovanni-della-robbia-italian-florence-1469152930-florence-early-16th-century-italian-florence-glazed-terracotta-28-14-17-34-in-718-451-cm-sculpture-image344607206.htmlRM2B0J606–Probably workshop of Giovanni della Robbia, Madonna and Child, Italian, Florence, Probably workshop of Giovanni della Robbia (Italian, Florence 1469–1529/30 Florence), early 16th century, Italian, Florence, Glazed terracotta, 28 1/4 × 17 3/4 in. (71.8 × 45.1 cm), Sculpture
Statue of Saint Bartholomew from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-statue-of-saint-bartholomew-from-the-workshop-of-andrea-della-robbia-122928142.htmlRMH3YT2P–Statue of Saint Bartholomew from the workshop of Andrea della Robbia (1470-1525) an Italian Renaissance sculptor. Dated 16th Century
Floating angel, The angel holds in front of her (a fragment of) an indefinable object. He has raised the right leg with the knee forward and the other with his foot swinging backwards. The upper part of the other wing is visible behind the nimbus. The angel wears over an undergarment, of which only the sleeves and part of the skirt can be seen through a split in the upper garment (according to the colors), a second garment with half sleeves and a collar. That is what the sleeveless outer garment is about, which is looped around the waist and hips. A part of this garment protruding backwards is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/floating-angel-the-angel-holds-in-front-of-her-a-fragment-of-an-indefinable-object-he-has-raised-the-right-leg-with-the-knee-forward-and-the-other-with-his-foot-swinging-backwards-the-upper-part-of-the-other-wing-is-visible-behind-the-nimbus-the-angel-wears-over-an-undergarment-of-which-only-the-sleeves-and-part-of-the-skirt-can-be-seen-through-a-split-in-the-upper-garment-according-to-the-colors-a-second-garment-with-half-sleeves-and-a-collar-that-is-what-the-sleeveless-outer-garment-is-about-which-is-looped-around-the-waist-and-hips-a-part-of-this-garment-protruding-backwards-is-image349948232.htmlRF2B99EF4–Floating angel, The angel holds in front of her (a fragment of) an indefinable object. He has raised the right leg with the knee forward and the other with his foot swinging backwards. The upper part of the other wing is visible behind the nimbus. The angel wears over an undergarment, of which only the sleeves and part of the skirt can be seen through a split in the upper garment (according to the colors), a second garment with half sleeves and a collar. That is what the sleeveless outer garment is about, which is looped around the waist and hips. A part of this garment protruding backwards is
Minutoli Institute in Legnica. Fragment of exhibit of 15th and 16th century works of art, e. g. wooden sarcophagus with bas-relief figure decoration ascribed to Baccio Bandinelli (1488-1560) and angel figure from the workshop of Luca della Robbia (c. 1400??????. Birk, Louis, photographer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minutoli-institute-in-legnica-fragment-of-exhibit-of-15th-and-16th-century-works-of-art-e-g-wooden-sarcophagus-with-bas-relief-figure-decoration-ascribed-to-baccio-bandinelli-1488-1560-and-angel-figure-from-the-workshop-of-luca-della-robbia-c-1400-birk-louis-photographer-image480367017.htmlRM2JWEH0W–Minutoli Institute in Legnica. Fragment of exhibit of 15th and 16th century works of art, e. g. wooden sarcophagus with bas-relief figure decoration ascribed to Baccio Bandinelli (1488-1560) and angel figure from the workshop of Luca della Robbia (c. 1400??????. Birk, Louis, photographer
Virgin Adoring the Christ Child after 1479 Workshop of Andrea della Robbia Italian This is one of several types of variants deriving from the so-called La Verna altarpiece, executed by Andrea del Robbia in 1479 for the Brizi Chapel in the Chiesa Maggiore at La Verna. See also 65.181.23 and 39.186.2.. Virgin Adoring the Christ Child. Workshop of Andrea della Robbia (Italian, 1435–1525). Italian, Florence. after 1479. Glazed terracotta. Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-adoring-the-christ-child-after-1479-workshop-of-andrea-della-robbia-italian-this-is-one-of-several-types-of-variants-deriving-from-the-so-called-la-verna-altarpiece-executed-by-andrea-del-robbia-in-1479-for-the-brizi-chapel-in-the-chiesa-maggiore-at-la-verna-see-also-6518123-and-391862-virgin-adoring-the-christ-child-workshop-of-andrea-della-robbia-italian-14351525-italian-florence-after-1479-glazed-terracotta-sculpture-image458453892.htmlRM2HHTAH8–Virgin Adoring the Christ Child after 1479 Workshop of Andrea della Robbia Italian This is one of several types of variants deriving from the so-called La Verna altarpiece, executed by Andrea del Robbia in 1479 for the Brizi Chapel in the Chiesa Maggiore at La Verna. See also 65.181.23 and 39.186.2.. Virgin Adoring the Christ Child. Workshop of Andrea della Robbia (Italian, 1435–1525). Italian, Florence. after 1479. Glazed terracotta. Sculpture
Virgin Adoring the Christ Child after 1479 Workshop of Andrea della Robbia Italian This is a possibly unique variant of several types of variants deriving from the so-called La Verna altarpiece, executed by Andrea del Robbia in 1479 for the Brizi Chapel in the Chiesa Maggiore at La Verna. See also 65.181.24 and 39.186.2. Gilt wood frame not original.. Virgin Adoring the Christ Child. Workshop of Andrea della Robbia (Italian, 1435–1525). Italian, Florence. after 1479. Glazed terracotta. Sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-adoring-the-christ-child-after-1479-workshop-of-andrea-della-robbia-italian-this-is-a-possibly-unique-variant-of-several-types-of-variants-deriving-from-the-so-called-la-verna-altarpiece-executed-by-andrea-del-robbia-in-1479-for-the-brizi-chapel-in-the-chiesa-maggiore-at-la-verna-see-also-6518124-and-391862-gilt-wood-frame-not-original-virgin-adoring-the-christ-child-workshop-of-andrea-della-robbia-italian-14351525-italian-florence-after-1479-glazed-terracotta-sculpture-image458592624.htmlRM2HJ2KG0–Virgin Adoring the Christ Child after 1479 Workshop of Andrea della Robbia Italian This is a possibly unique variant of several types of variants deriving from the so-called La Verna altarpiece, executed by Andrea del Robbia in 1479 for the Brizi Chapel in the Chiesa Maggiore at La Verna. See also 65.181.24 and 39.186.2. Gilt wood frame not original.. Virgin Adoring the Christ Child. Workshop of Andrea della Robbia (Italian, 1435–1525). Italian, Florence. after 1479. Glazed terracotta. Sculpture
Search Results for Della robbia workshop Stock Photos and Images (107)
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