Alamy logo

De occupation Stock Photos and Images

(10)See de occupation stock video clips

De occupation Stock Photos and Images

Baron de Frangipani takes leave of the soil as the Spanish occupation leaves Frankenthal, 1652, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 155 mm Stock Photo
RM2JBXNJW–Baron de Frangipani takes leave of the soil as the Spanish occupation leaves Frankenthal, 1652, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 155 mm
The person portrayed is seated turned to the right He wears a toga and a bef Beneath the portrait his name and occupation, Portrait of P Hofstede de Groot, print maker: Jan Ensing, (mentioned on object), Jan Ensing, (mentioned on object), Groningen, 1829 - 1894, paper, h 495 mm - w 355 mm Stock Photo
RM2JE3W5R–The person portrayed is seated turned to the right He wears a toga and a bef Beneath the portrait his name and occupation, Portrait of P Hofstede de Groot, print maker: Jan Ensing, (mentioned on object), Jan Ensing, (mentioned on object), Groningen, 1829 - 1894, paper, h 495 mm - w 355 mm
Face of the occupation of the ice, against the dike and crossing of the stone guardhouse, outside the Water Gate at Gorinchem, 20.n February 1799. Design for a print, View of the occupation of the ice outside the Water Gate in Gorinchem, Den 20.n February 1799., draughtsman: Cornelis de Jonker, 1807, paper, brush, pen, h 453 mm × w 600 mm Stock Photo
RM2JC09PE–Face of the occupation of the ice, against the dike and crossing of the stone guardhouse, outside the Water Gate at Gorinchem, 20.n February 1799. Design for a print, View of the occupation of the ice outside the Water Gate in Gorinchem, Den 20.n February 1799., draughtsman: Cornelis de Jonker, 1807, paper, brush, pen, h 453 mm × w 600 mm
Banknote, 5 Francs, Frank, Louise Marie Thérèse Charlotte Isabelle d'Orléans, Société Générale de Belgique, mint authority, Max Weber (1864-1920), Artist, 08.01.1915, paper, printing, width 126 mm, height 79 mm, Mint territory, Belgium, Kingdom (German occupation, 1914-1918), Finance, queen; empress, portrait, bank-note, money, ruler, sovereign, The Vienna Collection Stock Photo
RM2T8XYBA–Banknote, 5 Francs, Frank, Louise Marie Thérèse Charlotte Isabelle d'Orléans, Société Générale de Belgique, mint authority, Max Weber (1864-1920), Artist, 08.01.1915, paper, printing, width 126 mm, height 79 mm, Mint territory, Belgium, Kingdom (German occupation, 1914-1918), Finance, queen; empress, portrait, bank-note, money, ruler, sovereign, The Vienna Collection
Atlanta, Ga. Chevaux-de-frise on Marietta Street; photographic wagons and darkroom beyond, Photograph of the War in the West. These photographs are of Sherman in Atlanta, September-November, 1864. After three and a half months of incessant maneuvering and much hard fighting, Sherman forced Hood to abandon the munitions center of the Confederacy. Sherman remained there, resting his war-worn men and accumulating supplies, for nearly two and a half months. During the occupation, George N. Barnard, official photographer of the Chief Engineer's Office Stock Photo
RM2WRBKMJ–Atlanta, Ga. Chevaux-de-frise on Marietta Street; photographic wagons and darkroom beyond, Photograph of the War in the West. These photographs are of Sherman in Atlanta, September-November, 1864. After three and a half months of incessant maneuvering and much hard fighting, Sherman forced Hood to abandon the munitions center of the Confederacy. Sherman remained there, resting his war-worn men and accumulating supplies, for nearly two and a half months. During the occupation, George N. Barnard, official photographer of the Chief Engineer's Office
Atlanta, Ga. Confederate palisades and chevaux-de-frise near Potter house, Photograph of the War in the West. These photographs are of Sherman in Atlanta, September-November, 1864. After three and a half months of incessant maneuvering and much hard fighting, Sherman forced Hood to abandon the munitions center of the Confederacy. Sherman remained there, resting his war-worn men and accumulating supplies, for nearly two and a half months. During the occupation, George N. Barnard, official photographer of the Chief Engineer's Office Stock Photo
RM2WRBKXM–Atlanta, Ga. Confederate palisades and chevaux-de-frise near Potter house, Photograph of the War in the West. These photographs are of Sherman in Atlanta, September-November, 1864. After three and a half months of incessant maneuvering and much hard fighting, Sherman forced Hood to abandon the munitions center of the Confederacy. Sherman remained there, resting his war-worn men and accumulating supplies, for nearly two and a half months. During the occupation, George N. Barnard, official photographer of the Chief Engineer's Office
The overtaking of the Dutch troops by the civic musicians in Deventer, on 26 April 1814 A Dutch battalion of infantry preceded by an officer Baron Sweerts de Landas on horseback is being ushered into the city by a band of musicians With cheering people in front of the ramparts of Deventer Visible from left to right: the Midden- or Binnenbrinkpoort, the old Binnenbrinkpoort and the tower of the Lebuinuskerk on the Grote Kerkhof with flag and the Broederenkerk On the right a Jewish peddler, The overtaking of the Dutch occupation by the corps of civilian musicians within Deventer, April 26, 1814 Stock Photo
RM2JE3TT3–The overtaking of the Dutch troops by the civic musicians in Deventer, on 26 April 1814 A Dutch battalion of infantry preceded by an officer Baron Sweerts de Landas on horseback is being ushered into the city by a band of musicians With cheering people in front of the ramparts of Deventer Visible from left to right: the Midden- or Binnenbrinkpoort, the old Binnenbrinkpoort and the tower of the Lebuinuskerk on the Grote Kerkhof with flag and the Broederenkerk On the right a Jewish peddler, The overtaking of the Dutch occupation by the corps of civilian musicians within Deventer, April 26, 1814
Cartoon on the Pope and Cardinals, in connection with the resistance to the occupation of Parma by Austria, after the death of the Duke of Parma, June 1731. The visually impaired Pope (with three glasses) wants to sign a document but is blown sand in the eyes by cardinals. On the sheet under the plate the explanation of the figures 1-9 in Dutch, according to the Haagse Courant of 13 July 1731., Cartoon on the Pope and Cardinals, 1731 The very sacred and very venerable secret consistory, print maker: anonymous, publisher: Johannes de Ruyter, (mentioned on object), print maker: Jan Ruyter, ( Stock Photo
RM2JE4XTT–Cartoon on the Pope and Cardinals, in connection with the resistance to the occupation of Parma by Austria, after the death of the Duke of Parma, June 1731. The visually impaired Pope (with three glasses) wants to sign a document but is blown sand in the eyes by cardinals. On the sheet under the plate the explanation of the figures 1-9 in Dutch, according to the Haagse Courant of 13 July 1731., Cartoon on the Pope and Cardinals, 1731 The very sacred and very venerable secret consistory, print maker: anonymous, publisher: Johannes de Ruyter, (mentioned on object), print maker: Jan Ruyter, (
The person portrayed is sitting on a chair, resting his left arm on a book lying on the table. In his right hand he holds a pair of gloves. Below the portrait his signature and occupation. Portrait of Petrus Julianus Franciscus de Geest, print maker: Wilhelmus Cornelis Chimaer van Oudendorp, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), print maker: Netherlands, printer: Amsterdam, 1855, paper, h 555 mm × w 400 mm Stock Photo
RM2JC8HKM–The person portrayed is sitting on a chair, resting his left arm on a book lying on the table. In his right hand he holds a pair of gloves. Below the portrait his signature and occupation. Portrait of Petrus Julianus Franciscus de Geest, print maker: Wilhelmus Cornelis Chimaer van Oudendorp, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), print maker: Netherlands, printer: Amsterdam, 1855, paper, h 555 mm × w 400 mm
Sheet with six representations of the events in and around Amsterdam with the arrival of the Prussian troops in October 1787. Four square scenes of the fighting in the vicinity of Amsterdam. In the centre two medallions with the Shrimp targets and the occupation of the Leidsepoort by the Prussians on 10 October 1787, Monument to Amsterdam, 1787 Monument to Amsterdam MDCCLXXXVII., print maker: Mathias de Sallieth, (mentioned on object), intermediary draughtsman: Jacobus van Meurs, (mentioned on object), Rotterdam, 1788, paper, etching, engraving, h 391 mm × w 425 mm Stock Photo
RM2JE53TX–Sheet with six representations of the events in and around Amsterdam with the arrival of the Prussian troops in October 1787. Four square scenes of the fighting in the vicinity of Amsterdam. In the centre two medallions with the Shrimp targets and the occupation of the Leidsepoort by the Prussians on 10 October 1787, Monument to Amsterdam, 1787 Monument to Amsterdam MDCCLXXXVII., print maker: Mathias de Sallieth, (mentioned on object), intermediary draughtsman: Jacobus van Meurs, (mentioned on object), Rotterdam, 1788, paper, etching, engraving, h 391 mm × w 425 mm
Page 1 of 1