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Sidewall, Machine-printed and flocked, An assortment of wallpapers, many still layered together. Ranging in date from c. 1860-1915., possibly USA, 1860–1915, Wallcoverings, Sidewall Stock Photo
RM2DN6A2J–Sidewall, Machine-printed and flocked, An assortment of wallpapers, many still layered together. Ranging in date from c. 1860-1915., possibly USA, 1860–1915, Wallcoverings, Sidewall
Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period. Stock Photo
RMR7DT1H–Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period.
Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period. Stock Photo
RMR7D34H–Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period.
Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period. Stock Photo
RMR7D34J–Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period.
Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period. Stock Photo
RMR7DT1N–Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period.
Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period. Stock Photo
RMR7DT1M–Lazio Viterbo Ronciglione SS. Annunziata, this is my Italy, the italian country of visual history, Post-medieval Architecture, painting. This church, dating from the 17th century, is also known by the name of S. Costanzo. The wall frescoes within the church date from the same period.
Sidewall, Machine-printed paper, Group of four wallpaper fragments, each cut in the shape of a doll dress. Were among the toys of Willie Banning who died at age 4 in 1864. Papers appear to date from early 1860s; in shades of blue, brown and gray., USA, 1860–64, Wallcoverings, Sidewall Stock Photo
RM2DM9XDN–Sidewall, Machine-printed paper, Group of four wallpaper fragments, each cut in the shape of a doll dress. Were among the toys of Willie Banning who died at age 4 in 1864. Papers appear to date from early 1860s; in shades of blue, brown and gray., USA, 1860–64, Wallcoverings, Sidewall
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7B9–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7BA–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AH–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AR–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7B1–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7A9–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7BF–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7B5–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AC–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AG–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7A3–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7B2–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7BE–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AF–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AX–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7A2–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AK–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7B6–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AA–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AT–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AY–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7B4–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7B3–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AP–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7AD–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7BD–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century. Stock Photo
RMR7F7BG–Sardinia Nuoro Bosa S. Pietro Extramuros, this is my Italy, the italian country of visual history, Medieval Medieval architecture and architectural sculpture dating from three separate building campaigns main body is Lombard-Romanesque 11th century, campanile and apse date from the later 12th century, and misc. Gothic/Cistercian elements are from the first half of the 13th century.
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJB–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWK1–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJH–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJY–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJN–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJ8–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJ4–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJW–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJ9–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJP–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJE–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJC–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJR–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJM–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJ6–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJ7–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJX–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJ3–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJJ–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985 Stock Photo
RMR7DWJK–Lazio Viterbo Tarquinia S. Maria di Castello, this is my Italy, the italian country of visual history, Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Photo 1984, 1985
John of Gaunt's Gateway, Tutbury Castle. A Largely Ruinous Medieval Castle at Tutbury, Staffordshire, England, in the Ownership of the Duchy of Lancaster. Tutbury Castle Became the Headquarters of Henry De Ferrers and Was the Centre of the Wapentake of Appletree, which Included Duffield Frith. Apart from the 12th Century Chapel the Ruins Date from the 14th and 15th Centuries When the Castle Was Rebuilt. Mary, Queen of Scots, Was Imprisoned in the Castle in the 16th Century. UK Stock Photo
RMRYD871–John of Gaunt's Gateway, Tutbury Castle. A Largely Ruinous Medieval Castle at Tutbury, Staffordshire, England, in the Ownership of the Duchy of Lancaster. Tutbury Castle Became the Headquarters of Henry De Ferrers and Was the Centre of the Wapentake of Appletree, which Included Duffield Frith. Apart from the 12th Century Chapel the Ruins Date from the 14th and 15th Centuries When the Castle Was Rebuilt. Mary, Queen of Scots, Was Imprisoned in the Castle in the 16th Century. UK
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WEN–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WNN–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WJ7–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WN7–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WM8–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WKK–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WFP–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WJG–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WKM–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WH0–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WGH–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WMK–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WHJ–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WN4–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WG9–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WH8–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WHG–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WJJ–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WFR–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WK9–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WH4–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WJP–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WHY–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WMT–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WF8–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WG8–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WM4–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WEW–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WGN–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WFT–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WHM–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WFA–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WK8–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WF7–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WMM–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WN6–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WEM–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WGF–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WM2–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WJ3–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WK2–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce. Stock Photo
RMR73WKJ–Umbria Terni Collestatte S. Croce, this is my Italy, the italian country of visual history, Church and tower date from the 16th century. Exterior photos show facade and rear of the church as well as the campanile. Interior views of nave. Major paintings have as subjects Eternal Father surrounded by saints and angels, with Madonna and Child with 4 saints the Adoration of the Christ child by the shepherds and St. Francis receiving the stigmata. Terracotta statues of S. Francis and perhaps S. Croce.
Negative - Woman in Red Cross Uniform, Nareen, Victoria, circa 1914-1918, Photograph of a woman wearing the uniform of a Voluntary Aid Detachment (VAD) nurse's apron and veil, with a red cross on an armband, apparently taken at Nareen, Victoria. Although the photograph is dated to 1905, the Australian branch of the Red Cross was only established in 1914, so the photograph is unlikely to date from 1905, and is more likely to have been taken during World War I Stock Photo
RM2A2WRN1–Negative - Woman in Red Cross Uniform, Nareen, Victoria, circa 1914-1918, Photograph of a woman wearing the uniform of a Voluntary Aid Detachment (VAD) nurse's apron and veil, with a red cross on an armband, apparently taken at Nareen, Victoria. Although the photograph is dated to 1905, the Australian branch of the Red Cross was only established in 1914, so the photograph is unlikely to date from 1905, and is more likely to have been taken during World War I
Tuscany Siena Sinalunga S. Bernardino, this is my Italy, the italian country of visual history, Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include 4 of the Stations of the Cross, located in the vestibule and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Photo 1983. Stock Photo
RMR73C8Y–Tuscany Siena Sinalunga S. Bernardino, this is my Italy, the italian country of visual history, Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include 4 of the Stations of the Cross, located in the vestibule and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Photo 1983.
Tuscany Siena Sinalunga S. Bernardino, this is my Italy, the italian country of visual history, Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include 4 of the Stations of the Cross, located in the vestibule and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Photo 1983. Stock Photo
RMR73C73–Tuscany Siena Sinalunga S. Bernardino, this is my Italy, the italian country of visual history, Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include 4 of the Stations of the Cross, located in the vestibule and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Photo 1983.
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