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Date ca 5th century a d Stock Photos and Images
Stamp seal, Sasanian, Sasanian, Date ca. 5th century A.D., Iran or Mesopotamia, Sasanian, Agate, 0.47 in. (1.19 cm), Stone-Stamp Seals-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th-century-ad-iran-or-mesopotamia-sasanian-agate-047-in-119-cm-stone-stamp-seals-inscribed-image344674157.htmlRM2B0N7B9–Stamp seal, Sasanian, Sasanian, Date ca. 5th century A.D., Iran or Mesopotamia, Sasanian, Agate, 0.47 in. (1.19 cm), Stone-Stamp Seals-Inscribed
Plate with a hunting scene from the tale of Bahram Gur and Azadeh. Culture: Sasanian. Dimensions: Height 1.62 in. (4.11 cm), Diameter 7.9 in. (20.1 cm). Date: ca. 5th century A.D.. The imagery on this plate represents the earliest known depiction of a well-known episode from the story of Bahram Gur or Bahram V, the Sasanian king (r. 420 -438). The story seems to have been popular for centuries--both in Sasanian times and under the Islamic rule that followed--but was only recorded in the Shahnamah, or Book of Kings, by Firdausi in the early eleventh century A.D., centuries after this plate was Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-with-a-hunting-scene-from-the-tale-of-bahram-gur-and-azadeh-culture-sasanian-dimensions-height-162-in-411-cm-diameter-79-in-201-cm-date-ca-5th-century-ad-the-imagery-on-this-plate-represents-the-earliest-known-depiction-of-a-well-known-episode-from-the-story-of-bahram-gur-or-bahram-v-the-sasanian-king-r-420-438-the-story-seems-to-have-been-popular-for-centuries-both-in-sasanian-times-and-under-the-islamic-rule-that-followed-but-was-only-recorded-in-the-shahnamah-or-book-of-kings-by-firdausi-in-the-early-eleventh-century-ad-centuries-after-this-plate-was-image225383759.htmlRMR2K37Y–Plate with a hunting scene from the tale of Bahram Gur and Azadeh. Culture: Sasanian. Dimensions: Height 1.62 in. (4.11 cm), Diameter 7.9 in. (20.1 cm). Date: ca. 5th century A.D.. The imagery on this plate represents the earliest known depiction of a well-known episode from the story of Bahram Gur or Bahram V, the Sasanian king (r. 420 -438). The story seems to have been popular for centuries--both in Sasanian times and under the Islamic rule that followed--but was only recorded in the Shahnamah, or Book of Kings, by Firdausi in the early eleventh century A.D., centuries after this plate was
Stamp seal, Sasanian, Sasanian, Date ca. 5th century A.D., Iran, Sasanian, Hematite, 0.04 x 0.05 in. (0.1 x 0.13 cm), Stone-Stamp Seals-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th-century-ad-iran-sasanian-hematite-004-x-005-in-01-x-013-cm-stone-stamp-seals-inscribed-image344674221.htmlRM2B0N7DH–Stamp seal, Sasanian, Sasanian, Date ca. 5th century A.D., Iran, Sasanian, Hematite, 0.04 x 0.05 in. (0.1 x 0.13 cm), Stone-Stamp Seals-Inscribed
Rhyton in the form of a Saiga antelope head. Culture: Sasanian. Dimensions: 11.1 x 7.09 in. (28.19 x 18.01 cm). Date: ca. 5th-6th century A.D.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rhyton-in-the-form-of-a-saiga-antelope-head-culture-sasanian-dimensions-111-x-709-in-2819-x-1801-cm-date-ca-5th-6th-century-ad-museum-metropolitan-museum-of-art-new-york-usa-image213108241.htmlRMPAKWMH–Rhyton in the form of a Saiga antelope head. Culture: Sasanian. Dimensions: 11.1 x 7.09 in. (28.19 x 18.01 cm). Date: ca. 5th-6th century A.D.. Museum: Metropolitan Museum of Art, New York, USA.
Stamp seal, Sasanian, Sasanian, Date ca. 5th century A.D., Iran or Mesopotamia, Sasanian, Marble, red, white and black, 0.47 x 0.75 in. (1.19 x 1.91 cm), Stone-Stamp Seals-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th-century-ad-iran-or-mesopotamia-sasanian-marble-red-white-and-black-047-x-075-in-119-x-191-cm-stone-stamp-seals-inscribed-image344674106.htmlRM2B0N79E–Stamp seal, Sasanian, Sasanian, Date ca. 5th century A.D., Iran or Mesopotamia, Sasanian, Marble, red, white and black, 0.47 x 0.75 in. (1.19 x 1.91 cm), Stone-Stamp Seals-Inscribed
Plate with youths and winged horses. Culture: Sasanian. Dimensions: H. 5.2 x Diam. 21 cm, 572g (2 1/16 x 8 1/4 in.). Date: ca. 5th-6th century A.D.. This gilded silver Sasanian plate features an unusual scene that borrows from Graeco-Roman prototypes and possibly Iranian ones as well. Two youths stand on platforms facing one another, each holding a staff and the reins of a winged horse, reminiscent of representations of the hero Bellerophon and Pegasus as well as of the Dioskouroi (the divine twins Castor and Pollux). Both horses bend their necks down to drink from a large vessel supported by Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-with-youths-and-winged-horses-culture-sasanian-dimensions-h-52-x-diam-21-cm-572g-2-116-x-8-14-in-date-ca-5th-6th-century-ad-this-gilded-silver-sasanian-plate-features-an-unusual-scene-that-borrows-from-graeco-roman-prototypes-and-possibly-iranian-ones-as-well-two-youths-stand-on-platforms-facing-one-another-each-holding-a-staff-and-the-reins-of-a-winged-horse-reminiscent-of-representations-of-the-hero-bellerophon-and-pegasus-as-well-as-of-the-dioskouroi-the-divine-twins-castor-and-pollux-both-horses-bend-their-necks-down-to-drink-from-a-large-vessel-supported-by-image213082051.htmlRMPAJM97–Plate with youths and winged horses. Culture: Sasanian. Dimensions: H. 5.2 x Diam. 21 cm, 572g (2 1/16 x 8 1/4 in.). Date: ca. 5th-6th century A.D.. This gilded silver Sasanian plate features an unusual scene that borrows from Graeco-Roman prototypes and possibly Iranian ones as well. Two youths stand on platforms facing one another, each holding a staff and the reins of a winged horse, reminiscent of representations of the hero Bellerophon and Pegasus as well as of the Dioskouroi (the divine twins Castor and Pollux). Both horses bend their necks down to drink from a large vessel supported by
Stamp seal, Sasanian, Sasanian, Date ca. 5th century A.D., Iran, Sasanian, Hematite, 0.55 x 0.43 x 0.51 in. (1.4 x 1.09 x 1.3 cm), Stone-Stamp Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th-century-ad-iran-sasanian-hematite-055-x-043-x-051-in-14-x-109-x-13-cm-stone-stamp-seals-image344673990.htmlRM2B0N75A–Stamp seal, Sasanian, Sasanian, Date ca. 5th century A.D., Iran, Sasanian, Hematite, 0.55 x 0.43 x 0.51 in. (1.4 x 1.09 x 1.3 cm), Stone-Stamp Seals
Plate with king hunting rams. Culture: Sasanian. Dimensions: H. 1 7/8 in. (4.6 cm), Diam. 8 5/8 in. (21.9 cm). Date: ca. A.D. mid-5th-mid-6th century. The king as hunter had become a standard royal image on silver plates during the reign of Shapur II (A.D. 310-379). The theme, symbolizing the prowess of Sasanian rulers, was used to decorate these royal plates, which were often sent as gifts to neighboring courts. The king has various royal attributes: a crown and fillet, covered globe, nimbus with beaded border, and beaded chest halter with fluttering ribbons. The identity of the Sasanian kin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-with-king-hunting-rams-culture-sasanian-dimensions-h-1-78-in-46-cm-diam-8-58-in-219-cm-date-ca-ad-mid-5th-mid-6th-century-the-king-as-hunter-had-become-a-standard-royal-image-on-silver-plates-during-the-reign-of-shapur-ii-ad-310-379-the-theme-symbolizing-the-prowess-of-sasanian-rulers-was-used-to-decorate-these-royal-plates-which-were-often-sent-as-gifts-to-neighboring-courts-the-king-has-various-royal-attributes-a-crown-and-fillet-covered-globe-nimbus-with-beaded-border-and-beaded-chest-halter-with-fluttering-ribbons-the-identity-of-the-sasanian-kin-image213366418.htmlRMPB3K16–Plate with king hunting rams. Culture: Sasanian. Dimensions: H. 1 7/8 in. (4.6 cm), Diam. 8 5/8 in. (21.9 cm). Date: ca. A.D. mid-5th-mid-6th century. The king as hunter had become a standard royal image on silver plates during the reign of Shapur II (A.D. 310-379). The theme, symbolizing the prowess of Sasanian rulers, was used to decorate these royal plates, which were often sent as gifts to neighboring courts. The king has various royal attributes: a crown and fillet, covered globe, nimbus with beaded border, and beaded chest halter with fluttering ribbons. The identity of the Sasanian kin
Incantation bowl with Aramaic inscription, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Ceramic, 2.75 in. (6.99 cm), Ceramics-Vessels-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/incantation-bowl-with-aramaic-inscription-sasanian-sasanian-date-ca-5th6th-century-ad-mesopotamia-ctesiphon-sasanian-ceramic-275-in-699-cm-ceramics-vessels-inscribed-image344666989.htmlRM2B0MX79–Incantation bowl with Aramaic inscription, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Ceramic, 2.75 in. (6.99 cm), Ceramics-Vessels-Inscribed
Wall panel with wings and a Pahlavi device encircled by pearls. Culture: Sasanian. Dimensions: H. 15 3/8 x W. 16 1/4 in. (39 x 41.3 cm). Date: ca. 6th century A.D.. Beginning in the 5th century, monograms became popular motifs used in the mold-made stucco wall panels that decorated the palaces and houses of the Sasanian elite, and many had symbolic meanings. This panel from the iwan (vaulted hall) of a large house at Umm ez-Za'tir, near the Taq-i Kisra at Ctesiphon, features a group of letters in the Persian script and a lunar crescent above symmetrical feathered wings and encircled by pearls Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wall-panel-with-wings-and-a-pahlavi-device-encircled-by-pearls-culture-sasanian-dimensions-h-15-38-x-w-16-14-in-39-x-413-cm-date-ca-6th-century-ad-beginning-in-the-5th-century-monograms-became-popular-motifs-used-in-the-mold-made-stucco-wall-panels-that-decorated-the-palaces-and-houses-of-the-sasanian-elite-and-many-had-symbolic-meanings-this-panel-from-the-iwan-vaulted-hall-of-a-large-house-at-umm-ez-zatir-near-the-taq-i-kisra-at-ctesiphon-features-a-group-of-letters-in-the-persian-script-and-a-lunar-crescent-above-symmetrical-feathered-wings-and-encircled-by-pearls-image213083028.htmlRMPAJNG4–Wall panel with wings and a Pahlavi device encircled by pearls. Culture: Sasanian. Dimensions: H. 15 3/8 x W. 16 1/4 in. (39 x 41.3 cm). Date: ca. 6th century A.D.. Beginning in the 5th century, monograms became popular motifs used in the mold-made stucco wall panels that decorated the palaces and houses of the Sasanian elite, and many had symbolic meanings. This panel from the iwan (vaulted hall) of a large house at Umm ez-Za'tir, near the Taq-i Kisra at Ctesiphon, features a group of letters in the Persian script and a lunar crescent above symmetrical feathered wings and encircled by pearls
Incantation bowl with Aramaic inscription, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Mesopotamia, Sasanian, Ceramic, paint, 2.13 in. (5.41 cm), Ceramics-Vessels-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/incantation-bowl-with-aramaic-inscription-sasanian-sasanian-date-ca-5th6th-century-ad-mesopotamia-sasanian-ceramic-paint-213-in-541-cm-ceramics-vessels-inscribed-image344667875.htmlRM2B0MYAY–Incantation bowl with Aramaic inscription, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Mesopotamia, Sasanian, Ceramic, paint, 2.13 in. (5.41 cm), Ceramics-Vessels-Inscribed
![Standing Lamp with a Cross on a Pricket Stand. Culture: Byzantine. Dimensions: Overall: 17 3/16 x 8 3/8 x 6 7/16 in. (43.6 x 21.3 x 16.3 cm) stand only: 11 11/16 x 6 7/16 in. (29.7 x 16.3 cm) lamp only: 6 1/8 x 8 3/8 x 3 1/4 in. (15.6 x 21.3 x 8.3 cm). Date: 5th century. Standing lamps decorated with crosses and supported on footed bases were common in the early Byzantine world. Bishop Theodoret of Cyrrhus in Syria (d. ca. 466) described Saint Symeon Stylites, who lived atop a column, as 'this dazzling lamp, [who] as if placed on a lampstand, has sent out rays in all directions likes the su Stock Photo](https://c8.alamy.com/comp/PA929M/standing-lamp-with-a-cross-on-a-pricket-stand-culture-byzantine-dimensions-overall-17-316-x-8-38-x-6-716-in-436-x-213-x-163-cm-stand-only-11-1116-x-6-716-in-297-x-163-cm-lamp-only-6-18-x-8-38-x-3-14-in-156-x-213-x-83-cm-date-5th-century-standing-lamps-decorated-with-crosses-and-supported-on-footed-bases-were-common-in-the-early-byzantine-world-bishop-theodoret-of-cyrrhus-in-syria-d-ca-466-described-saint-symeon-stylites-who-lived-atop-a-column-as-this-dazzling-lamp-who-as-if-placed-on-a-lampstand-has-sent-out-rays-in-all-directions-likes-the-su-PA929M.jpg "Standing Lamp with a Cross on a Pricket Stand. Culture: Byzantine. Dimensions: Overall: 17 3/16 x 8 3/8 x 6 7/16 in. (43.6 x 21.3 x 16.3 cm) stand only: 11 11/16 x 6 7/16 in. (29.7 x 16.3 cm) lamp only: 6 1/8 x 8 3/8 x 3 1/4 in. (15.6 x 21.3 x 8.3 cm). Date: 5th century. Standing lamps decorated with crosses and supported on footed bases were common in the early Byzantine world. Bishop Theodoret of Cyrrhus in Syria (d. ca. 466) described Saint Symeon Stylites, who lived atop a column, as 'this dazzling lamp, [who] as if placed on a lampstand, has sent out rays in all directions likes the su Stock Photo")
Standing Lamp with a Cross on a Pricket Stand. Culture: Byzantine. Dimensions: Overall: 17 3/16 x 8 3/8 x 6 7/16 in. (43.6 x 21.3 x 16.3 cm) stand only: 11 11/16 x 6 7/16 in. (29.7 x 16.3 cm) lamp only: 6 1/8 x 8 3/8 x 3 1/4 in. (15.6 x 21.3 x 8.3 cm). Date: 5th century. Standing lamps decorated with crosses and supported on footed bases were common in the early Byzantine world. Bishop Theodoret of Cyrrhus in Syria (d. ca. 466) described Saint Symeon Stylites, who lived atop a column, as 'this dazzling lamp, [who] as if placed on a lampstand, has sent out rays in all directions likes the su Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-lamp-with-a-cross-on-a-pricket-stand-culture-byzantine-dimensions-overall-17-316-x-8-38-x-6-716-in-436-x-213-x-163-cm-stand-only-11-1116-x-6-716-in-297-x-163-cm-lamp-only-6-18-x-8-38-x-3-14-in-156-x-213-x-83-cm-date-5th-century-standing-lamps-decorated-with-crosses-and-supported-on-footed-bases-were-common-in-the-early-byzantine-world-bishop-theodoret-of-cyrrhus-in-syria-d-ca-466-described-saint-symeon-stylites-who-lived-atop-a-column-as-this-dazzling-lamp-who-as-if-placed-on-a-lampstand-has-sent-out-rays-in-all-directions-likes-the-su-image212870384.htmlRMPA929M–Standing Lamp with a Cross on a Pricket Stand. Culture: Byzantine. Dimensions: Overall: 17 3/16 x 8 3/8 x 6 7/16 in. (43.6 x 21.3 x 16.3 cm) stand only: 11 11/16 x 6 7/16 in. (29.7 x 16.3 cm) lamp only: 6 1/8 x 8 3/8 x 3 1/4 in. (15.6 x 21.3 x 8.3 cm). Date: 5th century. Standing lamps decorated with crosses and supported on footed bases were common in the early Byzantine world. Bishop Theodoret of Cyrrhus in Syria (d. ca. 466) described Saint Symeon Stylites, who lived atop a column, as 'this dazzling lamp, [who] as if placed on a lampstand, has sent out rays in all directions likes the su
Incantation bowl with Mandaic inscription, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Ceramic, 3.25 in. (8.26 cm), Ceramics-Vessels-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/incantation-bowl-with-mandaic-inscription-sasanian-sasanian-date-ca-5th6th-century-ad-mesopotamia-ctesiphon-sasanian-ceramic-325-in-826-cm-ceramics-vessels-inscribed-image344665735.htmlRM2B0MTJF–Incantation bowl with Mandaic inscription, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Ceramic, 3.25 in. (8.26 cm), Ceramics-Vessels-Inscribed
Bone pin. Culture: Roman. Dimensions: H.: 2 3/8 in. (6 cm). Date: ca. A.D. 300-450. Similar pins found in excavations in Rome have been dated to the late Roman period (4th-5th century A.D.). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bone-pin-culture-roman-dimensions-h-2-38-in-6-cm-date-ca-ad-300-450-similar-pins-found-in-excavations-in-rome-have-been-dated-to-the-late-roman-period-4th-5th-century-ad-museum-metropolitan-museum-of-art-new-york-usa-image212911957.htmlRMPAAYAD–Bone pin. Culture: Roman. Dimensions: H.: 2 3/8 in. (6 cm). Date: ca. A.D. 300-450. Similar pins found in excavations in Rome have been dated to the late Roman period (4th-5th century A.D.). Museum: Metropolitan Museum of Art, New York, USA.
Vessel, Kushano-Sasanian (?), Date ca. early 5th century A.D., Bactria-Margiana, Ceramic, 7.09 x 5.51 in. (18.01 x 14 cm), Ceramics-Vessels Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vessel-kushano-sasanian-date-ca-early-5th-century-ad-bactria-margiana-ceramic-709-x-551-in-1801-x-14-cm-ceramics-vessels-image344666793.htmlRM2B0MX09–Vessel, Kushano-Sasanian (?), Date ca. early 5th century A.D., Bactria-Margiana, Ceramic, 7.09 x 5.51 in. (18.01 x 14 cm), Ceramics-Vessels
Glass bead. Culture: Roman. Dimensions: Diam.: 1 7/16 in. (3.6 cm). Date: ca. 3rd-5th century A.D.. Translucent deep blue green; blobs or crumbs in opaque white, red, yellow, and grey blue. Flattened doughnut shape; off-center vertical hole, larger on one side than the other. Numerous blobs of varying sizes applied randomly over entire surface, most marvered but a few in relief. Intact, except for one chip in edge of hole; pitting of some blobs, dulling, and small patches of creamy weathering. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-bead-culture-roman-dimensions-diam-1-716-in-36-cm-date-ca-3rd-5th-century-ad-translucent-deep-blue-green-blobs-or-crumbs-in-opaque-white-red-yellow-and-grey-blue-flattened-doughnut-shape-off-center-vertical-hole-larger-on-one-side-than-the-other-numerous-blobs-of-varying-sizes-applied-randomly-over-entire-surface-most-marvered-but-a-few-in-relief-intact-except-for-one-chip-in-edge-of-hole-pitting-of-some-blobs-dulling-and-small-patches-of-creamy-weathering-museum-metropolitan-museum-of-art-new-york-usa-image213321294.htmlRMPB1HDJ–Glass bead. Culture: Roman. Dimensions: Diam.: 1 7/16 in. (3.6 cm). Date: ca. 3rd-5th century A.D.. Translucent deep blue green; blobs or crumbs in opaque white, red, yellow, and grey blue. Flattened doughnut shape; off-center vertical hole, larger on one side than the other. Numerous blobs of varying sizes applied randomly over entire surface, most marvered but a few in relief. Intact, except for one chip in edge of hole; pitting of some blobs, dulling, and small patches of creamy weathering. Museum: Metropolitan Museum of Art, New York, USA.
Bracelet, Sasanian or early Islamic, Date ca. 5th–6th century or 11th century A.D., Iran, Silver, 0.28 x 3.82 in. (0.71 x 9.7 cm), Metalwork-Ornaments Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bracelet-sasanian-or-early-islamic-date-ca-5th6th-century-or-11th-century-ad-iran-silver-028-x-382-in-071-x-97-cm-metalwork-ornaments-image344667561.htmlRM2B0MXYN–Bracelet, Sasanian or early Islamic, Date ca. 5th–6th century or 11th century A.D., Iran, Silver, 0.28 x 3.82 in. (0.71 x 9.7 cm), Metalwork-Ornaments
Round Seal. Culture: India. Dimensions: D. 3/8 in. (1 cm); Diam. 1 3/4 in. (4.4 cm). Date: ca. 5th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-seal-culture-india-dimensions-d-38-in-1-cm-diam-1-34-in-44-cm-date-ca-5th-century-museum-metropolitan-museum-of-art-new-york-usa-image213315066.htmlRMPB19F6–Round Seal. Culture: India. Dimensions: D. 3/8 in. (1 cm); Diam. 1 3/4 in. (4.4 cm). Date: ca. 5th century. Museum: Metropolitan Museum of Art, New York, USA.
Pin, Sasanian or Islamic, late Sasanian–early Islamic, Date ca. 5th–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian or Islamic, Copper, 7.12 in. (18.08 cm), Metalwork-Ornaments Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pin-sasanian-or-islamic-late-sasanianearly-islamic-date-ca-5th7th-century-ad-iran-qasr-i-abu-nasr-sasanian-or-islamic-copper-712-in-1808-cm-metalwork-ornaments-image344675030.htmlRM2B0N8EE–Pin, Sasanian or Islamic, late Sasanian–early Islamic, Date ca. 5th–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian or Islamic, Copper, 7.12 in. (18.08 cm), Metalwork-Ornaments
Haniwa (Hollow Clay Sculpture) of a Shaman. Culture: Japan. Dimensions: H. 15 7/8 in. (40.3 cm); W. 8 1/2 in. (21.6 cm); D. 4 in. (10.2 cm). Date: 5th-early 6th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/haniwa-hollow-clay-sculpture-of-a-shaman-culture-japan-dimensions-h-15-78-in-403-cm-w-8-12-in-216-cm-d-4-in-102-cm-date-5th-early-6th-century-museum-metropolitan-museum-of-art-new-york-usa-image213204766.htmlRMPAT8RX–Haniwa (Hollow Clay Sculpture) of a Shaman. Culture: Japan. Dimensions: H. 15 7/8 in. (40.3 cm); W. 8 1/2 in. (21.6 cm); D. 4 in. (10.2 cm). Date: 5th-early 6th century. Museum: Metropolitan Museum of Art, New York, USA.
Stamp seal, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Iran or Mesopotamia, Sasanian, Agate, 0.59 x 0.87 in. (1.5 x 2.21 cm), Stone-Stamp Seals-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th6th-century-ad-iran-or-mesopotamia-sasanian-agate-059-x-087-in-15-x-221-cm-stone-stamp-seals-inscribed-image344674105.htmlRM2B0N79D–Stamp seal, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Iran or Mesopotamia, Sasanian, Agate, 0.59 x 0.87 in. (1.5 x 2.21 cm), Stone-Stamp Seals-Inscribed
Molded Appliqué Ornament. Culture: West China. Dimensions: 2 3/4 x 1 1/2 in. (7 x 3.8 cm). Date: ca. 2nd-5th century. This appliqué of a floret and streamers issuing from an ornamental disk comes from the distinctive unglazed earthenware vessels found at the village of Yotkan, near the present-day oasis town of Khotan, in what is now China's Xinjiang Uygur Autonomous Region. Yotkan is the site of the ancient capital of the kingdom of Khotan, a major Buddhist center in its time and an important relay station on the southern branch of the overland Silk Road. Museum: Metropolitan Museum of Art, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/molded-appliqu-ornament-culture-west-china-dimensions-2-34-x-1-12-in-7-x-38-cm-date-ca-2nd-5th-century-this-appliqu-of-a-floret-and-streamers-issuing-from-an-ornamental-disk-comes-from-the-distinctive-unglazed-earthenware-vessels-found-at-the-village-of-yotkan-near-the-present-day-oasis-town-of-khotan-in-what-is-now-chinas-xinjiang-uygur-autonomous-region-yotkan-is-the-site-of-the-ancient-capital-of-the-kingdom-of-khotan-a-major-buddhist-center-in-its-time-and-an-important-relay-station-on-the-southern-branch-of-the-overland-silk-road-museum-metropolitan-museum-of-art-image212914539.htmlRMPAB2JK–Molded Appliqué Ornament. Culture: West China. Dimensions: 2 3/4 x 1 1/2 in. (7 x 3.8 cm). Date: ca. 2nd-5th century. This appliqué of a floret and streamers issuing from an ornamental disk comes from the distinctive unglazed earthenware vessels found at the village of Yotkan, near the present-day oasis town of Khotan, in what is now China's Xinjiang Uygur Autonomous Region. Yotkan is the site of the ancient capital of the kingdom of Khotan, a major Buddhist center in its time and an important relay station on the southern branch of the overland Silk Road. Museum: Metropolitan Museum of Art,
Stamp seal, Sasanian, Sasanian, Date ca. 4th–5th century A.D., Iran or Mesopotamia, Sasanian, Chalcedony, gray, 0.5 x 0.44 in. (1.27 x 1.12 cm), Stone-Stamp Seals-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-4th5th-century-ad-iran-or-mesopotamia-sasanian-chalcedony-gray-05-x-044-in-127-x-112-cm-stone-stamp-seals-inscribed-image344666503.htmlRM2B0MWHY–Stamp seal, Sasanian, Sasanian, Date ca. 4th–5th century A.D., Iran or Mesopotamia, Sasanian, Chalcedony, gray, 0.5 x 0.44 in. (1.27 x 1.12 cm), Stone-Stamp Seals-Inscribed
Sotoori-hime (early 5th century), One of the Three Gods of PoetryFrom the Spring Rain Collection (Harusame shu), vol. 1. Artist: Yashima Gakutei (Japanese, 1786?-1868). Culture: Japan. Dimensions: 8 x 5 3/8 in. (20.3 x 13.7 cm). Date: ca. 1820s. Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year's greeting card. The poems, most commonly kyoka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sotoori-hime-early-5th-century-one-of-the-three-gods-of-poetryfrom-the-spring-rain-collection-harusame-shu-vol-1-artist-yashima-gakutei-japanese-1786-1868-culture-japan-dimensions-8-x-5-38-in-203-x-137-cm-date-ca-1820s-surimono-are-privately-published-woodblock-prints-usually-commissioned-by-individual-poets-or-poetry-groups-as-a-form-of-new-years-greeting-card-the-poems-most-commonly-kyoka-witty-thirty-one-syllable-verse-inscribed-on-the-prints-usually-include-felicitous-imagery-connected-with-spring-which-in-the-lunar-calendar-begins-on-the-first-day-of-th-image213327383.htmlRMPB1W73–Sotoori-hime (early 5th century), One of the Three Gods of PoetryFrom the Spring Rain Collection (Harusame shu), vol. 1. Artist: Yashima Gakutei (Japanese, 1786?-1868). Culture: Japan. Dimensions: 8 x 5 3/8 in. (20.3 x 13.7 cm). Date: ca. 1820s. Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year's greeting card. The poems, most commonly kyoka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of th
Stamp seal, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Iran, Sasanian, Quartz, agate, 0.79 x 0.47 x 0.63 in. (2.01 x 1.19 x 1.6 cm), Stone-Stamp Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th6th-century-ad-iran-sasanian-quartz-agate-079-x-047-x-063-in-201-x-119-x-16-cm-stone-stamp-seals-image344673988.htmlRM2B0N758–Stamp seal, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Iran, Sasanian, Quartz, agate, 0.79 x 0.47 x 0.63 in. (2.01 x 1.19 x 1.6 cm), Stone-Stamp Seals
Terracotta oil lamp. Culture: Roman. Dimensions: Overall: 2 x 3 3/4 in. (5.1 x 9.5 cm). Date: ca. 5th-7th century A.D.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-oil-lamp-culture-roman-dimensions-overall-2-x-3-34-in-51-x-95-cm-date-ca-5th-7th-century-ad-museum-metropolitan-museum-of-art-new-york-usa-image213332117.htmlRMPB2385–Terracotta oil lamp. Culture: Roman. Dimensions: Overall: 2 x 3 3/4 in. (5.1 x 9.5 cm). Date: ca. 5th-7th century A.D.. Museum: Metropolitan Museum of Art, New York, USA.
Stamp seal, Sasanian, Sasanian, Date ca. 5th–7th century A.D., Iran, Sasanian, Agate, banded, 0.98 x 0.87 x 1.18 in. (2.49 x 2.21 x 3 cm), Stone-Stamp Seals-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th7th-century-ad-iran-sasanian-agate-banded-098-x-087-x-118-in-249-x-221-x-3-cm-stone-stamp-seals-inscribed-image344674015.htmlRM2B0N767–Stamp seal, Sasanian, Sasanian, Date ca. 5th–7th century A.D., Iran, Sasanian, Agate, banded, 0.98 x 0.87 x 1.18 in. (2.49 x 2.21 x 3 cm), Stone-Stamp Seals-Inscribed
Plasma ring stone. Culture: Roman. Dimensions: L. 1.3 cm. Date: ca. 1st century B.C.-3rd century A.D.. Copy of the 5th century B.C. chryselephantine statue of Athena Parthenos by Pheidias. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plasma-ring-stone-culture-roman-dimensions-l-13-cm-date-ca-1st-century-bc-3rd-century-ad-copy-of-the-5th-century-bc-chryselephantine-statue-of-athena-parthenos-by-pheidias-museum-metropolitan-museum-of-art-new-york-usa-image212916219.htmlRMPAB4PK–Plasma ring stone. Culture: Roman. Dimensions: L. 1.3 cm. Date: ca. 1st century B.C.-3rd century A.D.. Copy of the 5th century B.C. chryselephantine statue of Athena Parthenos by Pheidias. Museum: Metropolitan Museum of Art, New York, USA.
Stamp seal, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Iran, Sasanian, Quartz, rock crystal, 0.63 x 0.39 x 0.55 in. (1.6 x 0.99 x 1.4 cm), Stone-Stamp Seals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th6th-century-ad-iran-sasanian-quartz-rock-crystal-063-x-039-x-055-in-16-x-099-x-14-cm-stone-stamp-seals-image344673995.htmlRM2B0N75F–Stamp seal, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Iran, Sasanian, Quartz, rock crystal, 0.63 x 0.39 x 0.55 in. (1.6 x 0.99 x 1.4 cm), Stone-Stamp Seals
Niche with the Seated Bodhisattva Shakyamuni Flanked by Devotees and an Elephant. Culture: Afghanistan (Hadda). Dimensions: H. 16 9/16 in. (42 cm); W. 18 1/4 in. (46.4 cm); D. 10 in. (25.4 cm). Date: ca. 4th-5th century. The lunette embellished the high base of a Buddhist stupa (relic mound) and would have been viewed from below during ritual circumnambulation. Shakyamuni is shown as a bodhisattva wearing the jeweled turban and textiles of a prince. The naturalistic anatomy and the complex classical treatment of interacting devotees seem remarkable given that the relief was sculpted about the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niche-with-the-seated-bodhisattva-shakyamuni-flanked-by-devotees-and-an-elephant-culture-afghanistan-hadda-dimensions-h-16-916-in-42-cm-w-18-14-in-464-cm-d-10-in-254-cm-date-ca-4th-5th-century-the-lunette-embellished-the-high-base-of-a-buddhist-stupa-relic-mound-and-would-have-been-viewed-from-below-during-ritual-circumnambulation-shakyamuni-is-shown-as-a-bodhisattva-wearing-the-jeweled-turban-and-textiles-of-a-prince-the-naturalistic-anatomy-and-the-complex-classical-treatment-of-interacting-devotees-seem-remarkable-given-that-the-relief-was-sculpted-about-the-image212912999.htmlRMPAB0KK–Niche with the Seated Bodhisattva Shakyamuni Flanked by Devotees and an Elephant. Culture: Afghanistan (Hadda). Dimensions: H. 16 9/16 in. (42 cm); W. 18 1/4 in. (46.4 cm); D. 10 in. (25.4 cm). Date: ca. 4th-5th century. The lunette embellished the high base of a Buddhist stupa (relic mound) and would have been viewed from below during ritual circumnambulation. Shakyamuni is shown as a bodhisattva wearing the jeweled turban and textiles of a prince. The naturalistic anatomy and the complex classical treatment of interacting devotees seem remarkable given that the relief was sculpted about the
Stamp seal, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Iran, Sasanian, Quartz, chalcedony, 0.71 x 0.43 x 0.55 in. (1.8 x 1.09 x 1.4 cm), Stone-Stamp Seals-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-seal-sasanian-sasanian-date-ca-5th6th-century-ad-iran-sasanian-quartz-chalcedony-071-x-043-x-055-in-18-x-109-x-14-cm-stone-stamp-seals-inscribed-image344673993.htmlRM2B0N75D–Stamp seal, Sasanian, Sasanian, Date ca. 5th–6th century A.D., Iran, Sasanian, Quartz, chalcedony, 0.71 x 0.43 x 0.55 in. (1.8 x 1.09 x 1.4 cm), Stone-Stamp Seals-Inscribed
Glass pendant in the form of a miniature jug or gourd. Culture: Roman. Dimensions: Other: 11/16 x 5/8 x 7/16 in. (1.8 x 1.6 x 1.2 cm). Date: ca 4th-5th century A.D.. Deep cobalt blue, appearing black, with same color handle; trail in pale blue. Thick, bulging rim; concave neck; piriform body; rounded bottom; large ring handle (for suspension) trailed on to top of body, neck, and underside of rim. Applied, marvered trail wound spirally on body. Complete, except for large, weathered chip in body; some pitting, dulling, and encrustation. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-pendant-in-the-form-of-a-miniature-jug-or-gourd-culture-roman-dimensions-other-1116-x-58-x-716-in-18-x-16-x-12-cm-date-ca-4th-5th-century-ad-deep-cobalt-blue-appearing-black-with-same-color-handle-trail-in-pale-blue-thick-bulging-rim-concave-neck-piriform-body-rounded-bottom-large-ring-handle-for-suspension-trailed-on-to-top-of-body-neck-and-underside-of-rim-applied-marvered-trail-wound-spirally-on-body-complete-except-for-large-weathered-chip-in-body-some-pitting-dulling-and-encrustation-museum-metropolitan-museum-of-art-new-york-usa-image213206092.htmlRMPATAF8–Glass pendant in the form of a miniature jug or gourd. Culture: Roman. Dimensions: Other: 11/16 x 5/8 x 7/16 in. (1.8 x 1.6 x 1.2 cm). Date: ca 4th-5th century A.D.. Deep cobalt blue, appearing black, with same color handle; trail in pale blue. Thick, bulging rim; concave neck; piriform body; rounded bottom; large ring handle (for suspension) trailed on to top of body, neck, and underside of rim. Applied, marvered trail wound spirally on body. Complete, except for large, weathered chip in body; some pitting, dulling, and encrustation. Museum: Metropolitan Museum of Art, New York, USA.
Glass pendant in the form of a miniature jug or gourd, Roman, Late Imperial, Date ca. 4th–5th century A.D., Roman, Glass; rod-formed and trailed, Other: 11/16 x 1/2 x 7/16 in. (1.7 x 1.3 x 1.1 cm), Glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-pendant-in-the-form-of-a-miniature-jug-or-gourd-roman-late-imperial-date-ca-4th5th-century-ad-roman-glass-rod-formed-and-trailed-other-1116-x-12-x-716-in-17-x-13-x-11-cm-glass-image344664911.htmlRM2B0MRH3–Glass pendant in the form of a miniature jug or gourd, Roman, Late Imperial, Date ca. 4th–5th century A.D., Roman, Glass; rod-formed and trailed, Other: 11/16 x 1/2 x 7/16 in. (1.7 x 1.3 x 1.1 cm), Glass
Glass pendant in the form of a miniature jug or gourd. Culture: Roman. Dimensions: Other: 11/16 x 1/2 x 7/16 in. (1.7 x 1.3 x 1.1 cm). Date: ca. 4th-5th century A.D.. Deep purple, with same color handle; trail in opaque white. Thick, bulging rim; concave neck; irregular globular body; uneven rounded bottom; large ring handle (for suspension) pressed into top of body, neck, and underside of rim. Applied, marvered trail wound spirally from rim to edge of bottom. Complete, except for large, weathered chip in side of rim; severe pitting and dulling. Museum: Metropolitan Museum of Art, New Yor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-pendant-in-the-form-of-a-miniature-jug-or-gourd-culture-roman-dimensions-other-1116-x-12-x-716-in-17-x-13-x-11-cm-date-ca-4th-5th-century-ad-deep-purple-with-same-color-handle-trail-in-opaque-white-thick-bulging-rim-concave-neck-irregular-globular-body-uneven-rounded-bottom-large-ring-handle-for-suspension-pressed-into-top-of-body-neck-and-underside-of-rim-applied-marvered-trail-wound-spirally-from-rim-to-edge-of-bottom-complete-except-for-large-weathered-chip-in-side-of-rim-severe-pitting-and-dulling-museum-metropolitan-museum-of-art-new-yor-image213248753.htmlRMPAX8XW–Glass pendant in the form of a miniature jug or gourd. Culture: Roman. Dimensions: Other: 11/16 x 1/2 x 7/16 in. (1.7 x 1.3 x 1.1 cm). Date: ca. 4th-5th century A.D.. Deep purple, with same color handle; trail in opaque white. Thick, bulging rim; concave neck; irregular globular body; uneven rounded bottom; large ring handle (for suspension) pressed into top of body, neck, and underside of rim. Applied, marvered trail wound spirally from rim to edge of bottom. Complete, except for large, weathered chip in side of rim; severe pitting and dulling. Museum: Metropolitan Museum of Art, New Yor
Pan fragments, Sasanian or Islamic, late Sasanian–early Islamic, Date ca. 5th–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian or Islamic, Ceramic, a) H. 5.3 cm x W. 13.8 cm x Th. 1.4 cm, b) 5.3 cm x 15.3 cm x Th. 1.4 cm, c) 9.9 cm x 6.6 cm x Th. 1.2 cm, d) 5.3 cm x 7.5 cm x Th. 1.4 cm, Ceramics-Vessels Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pan-fragments-sasanian-or-islamic-late-sasanianearly-islamic-date-ca-5th7th-century-ad-iran-qasr-i-abu-nasr-sasanian-or-islamic-ceramic-a-h-53-cm-x-w-138-cm-x-th-14-cm-b-53-cm-x-153-cm-x-th-14-cm-c-99-cm-x-66-cm-x-th-12-cm-d-53-cm-x-75-cm-x-th-14-cm-ceramics-vessels-image344675025.htmlRM2B0N8E9–Pan fragments, Sasanian or Islamic, late Sasanian–early Islamic, Date ca. 5th–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian or Islamic, Ceramic, a) H. 5.3 cm x W. 13.8 cm x Th. 1.4 cm, b) 5.3 cm x 15.3 cm x Th. 1.4 cm, c) 9.9 cm x 6.6 cm x Th. 1.2 cm, d) 5.3 cm x 7.5 cm x Th. 1.4 cm, Ceramics-Vessels
Round Seal. Culture: India. Dimensions: H. 1 3/8 in. (3.5 cm); W. 1 1/8 in. (2.9 cm); D. 3/8 in. (1 cm). Date: ca. 6th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-seal-culture-india-dimensions-h-1-38-in-35-cm-w-1-18-in-29-cm-d-38-in-1-cm-date-ca-6th-century-museum-metropolitan-museum-of-art-new-york-usa-image213326868.htmlRMPB1TGM–Round Seal. Culture: India. Dimensions: H. 1 3/8 in. (3.5 cm); W. 1 1/8 in. (2.9 cm); D. 3/8 in. (1 cm). Date: ca. 6th century. Museum: Metropolitan Museum of Art, New York, USA.
Bone pin, ca. A.D. 300–450, Roman, Ivory or bone, H.: 2 3/8 in. (6 cm), Similar pins found in excavations in Rome have been date Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bone-pin-ca-ad-300450-roman-ivory-or-bone-h-2-38-in-6-cm-similar-pins-162412550.htmlRMKC6ET6–Bone pin, ca. A.D. 300–450, Roman, Ivory or bone, H.: 2 3/8 in. (6 cm), Similar pins found in excavations in Rome have been date
Falcon head, fitting from furniture or shrine. Dimensions: H. 4.9 cm (1 15/16 in.); W. 3.5 cm (1 3/8 in.); D. 5.9 cm (2 5/16 in.) H. (with tang): 6.5 cm (2 9/16 in.). Date: ca. 712-343 B.C.. This falcon head is an attachment that would have been part of a larger, more imposing piece of cult equipment, possibly part of a piece of furniture, a shrine.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/falcon-head-fitting-from-furniture-or-shrine-dimensions-h-49-cm-1-1516-in-w-35-cm-1-38-in-d-59-cm-2-516-in-h-with-tang-65-cm-2-916-in-date-ca-712-343-bc-this-falcon-head-is-an-attachment-that-would-have-been-part-of-a-larger-more-imposing-piece-of-cult-equipment-possibly-part-of-a-piece-of-furniture-a-shrine-museum-metropolitan-museum-of-art-new-york-usa-image212876582.htmlRMPA9A72–Falcon head, fitting from furniture or shrine. Dimensions: H. 4.9 cm (1 15/16 in.); W. 3.5 cm (1 3/8 in.); D. 5.9 cm (2 5/16 in.) H. (with tang): 6.5 cm (2 9/16 in.). Date: ca. 712-343 B.C.. This falcon head is an attachment that would have been part of a larger, more imposing piece of cult equipment, possibly part of a piece of furniture, a shrine.. Museum: Metropolitan Museum of Art, New York, USA.
Terracotta stamnos (jar). Culture: Greek, Attic. Dimensions: H. 14 3/8 in. (36.5 cm); diameter of mouth 8 3/4 in. (22.2 cm); diameter of foot 5 15/16 in. (15.1 cm). Date: ca. 480 B.C.. Obverse, men and women Reverse, men and youths The Copenhagen and Syriskos Painters were characterized by J. D. Beazley, the authority on Greek vase-painting, as 'brothers.' They belonged to the same workshop, and in some cases as in this stamnos, Beazley was unable to make an attribution to one or the other. Some scholars have speculated that they were one artist. The subject matter shows two aspects of a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-stamnos-jar-culture-greek-attic-dimensions-h-14-38-in-365-cm-diameter-of-mouth-8-34-in-222-cm-diameter-of-foot-5-1516-in-151-cm-date-ca-480-bc-obverse-men-and-women-reverse-men-and-youths-the-copenhagen-and-syriskos-painters-were-characterized-by-j-d-beazley-the-authority-on-greek-vase-painting-as-brothers-they-belonged-to-the-same-workshop-and-in-some-cases-as-in-this-stamnos-beazley-was-unable-to-make-an-attribution-to-one-or-the-other-some-scholars-have-speculated-that-they-were-one-artist-the-subject-matter-shows-two-aspects-of-a-image213110179.htmlRMPAM05R–Terracotta stamnos (jar). Culture: Greek, Attic. Dimensions: H. 14 3/8 in. (36.5 cm); diameter of mouth 8 3/4 in. (22.2 cm); diameter of foot 5 15/16 in. (15.1 cm). Date: ca. 480 B.C.. Obverse, men and women Reverse, men and youths The Copenhagen and Syriskos Painters were characterized by J. D. Beazley, the authority on Greek vase-painting, as 'brothers.' They belonged to the same workshop, and in some cases as in this stamnos, Beazley was unable to make an attribution to one or the other. Some scholars have speculated that they were one artist. The subject matter shows two aspects of a
Sacred animal mummy bundle containing shrews. Dimensions: L. 15.5 × W. 11.5 × H. 7 cm (6 1/8 × 4 1/2 × 2 3/4 in.). Date: ca. 400 B.C.-100 A.D.. Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull . Those individuals were duly mummifed when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium BC, many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of that god and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacred-animal-mummy-bundle-containing-shrews-dimensions-l-155-w-115-h-7-cm-6-18-4-12-2-34-in-date-ca-400-bc-100-ad-animal-cults-the-egyptians-considered-certain-individual-animals-to-be-living-manifestations-of-a-god-such-as-since-earliest-times-the-apis-bull-those-individuals-were-duly-mummifed-when-they-died-and-buried-for-eternal-life-then-replaced-by-another-single-living-manifestation-during-the-first-millennium-bc-many-multiples-of-animals-associated-with-certain-gods-were-specially-raised-in-temple-precincts-as-simultaneous-avatars-of-that-god-and-image213163966.htmlRMPAPCPP–Sacred animal mummy bundle containing shrews. Dimensions: L. 15.5 × W. 11.5 × H. 7 cm (6 1/8 × 4 1/2 × 2 3/4 in.). Date: ca. 400 B.C.-100 A.D.. Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull . Those individuals were duly mummifed when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium BC, many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of that god and
Sacred animal mummy in the form of a falcon. Dimensions: H. 37.5 cm (14 3/4 in.); W. 9 cm (3 9/16 in.); D. 6.7 cm (2 5/8 in.). Date: ca. 400 B.C.-100 A.D.. Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull . Those individuals were duly mummifed when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium BC, many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacred-animal-mummy-in-the-form-of-a-falcon-dimensions-h-375-cm-14-34-in-w-9-cm-3-916-in-d-67-cm-2-58-in-date-ca-400-bc-100-ad-animal-cults-the-egyptians-considered-certain-individual-animals-to-be-living-manifestations-of-a-god-such-as-since-earliest-times-the-apis-bull-those-individuals-were-duly-mummifed-when-they-died-and-buried-for-eternal-life-then-replaced-by-another-single-living-manifestation-during-the-first-millennium-bc-many-multiples-of-animals-associated-with-certain-gods-were-specially-raised-in-temple-precincts-as-simultaneous-avatars-of-t-image213324295.htmlRMPB1N8R–Sacred animal mummy in the form of a falcon. Dimensions: H. 37.5 cm (14 3/4 in.); W. 9 cm (3 9/16 in.); D. 6.7 cm (2 5/8 in.). Date: ca. 400 B.C.-100 A.D.. Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull . Those individuals were duly mummifed when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium BC, many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of t
Kanagawa yori Yokohama...ken no zu A Distant View of Yokohama from Kanagawa. Artist: Utagawa Yoshitora (Japanese, active ca. 1850-80). Culture: Japan. Dimensions: Image (a): 14 3/8 x 9 5/8 in. (36.5 x 24.4 cm) Image (b): 14 5/8 x 9 3/4 in. (37.1 x 24.8 cm) Image (c): 14 1/4 x 10 1/8 in. (36.2 x 25.7 cm). Date: 5th month, 1860. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kanagawa-yori-yokohamaken-no-zu-a-distant-view-of-yokohama-from-kanagawa-artist-utagawa-yoshitora-japanese-active-ca-1850-80-culture-japan-dimensions-image-a-14-38-x-9-58-in-365-x-244-cm-image-b-14-58-x-9-34-in-371-x-248-cm-image-c-14-14-x-10-18-in-362-x-257-cm-date-5th-month-1860-museum-metropolitan-museum-of-art-new-york-usa-image213197263.htmlRMPARY7Y–Kanagawa yori Yokohama...ken no zu A Distant View of Yokohama from Kanagawa. Artist: Utagawa Yoshitora (Japanese, active ca. 1850-80). Culture: Japan. Dimensions: Image (a): 14 3/8 x 9 5/8 in. (36.5 x 24.4 cm) Image (b): 14 5/8 x 9 3/4 in. (37.1 x 24.8 cm) Image (c): 14 1/4 x 10 1/8 in. (36.2 x 25.7 cm). Date: 5th month, 1860. Museum: Metropolitan Museum of Art, New York, USA.
Incense burner. Dimensions: H. 10 7/8 × W. 9 5/16 × D. 9 1/8 in. (27.7 × 23.7 × 23.2 cm) Base: 5 13/16 in. (14.8 cm) Lip diameter: 6 9/16 in. (16.6 cm). Date: ca. mid-1st millennium B.C.. This bronze incense burner from southwestern Arabia consists of a cylindrical cup set on a conical base. A rectangular architectural form suggesting a facade extends upward from the cup's front. Its face is decorated with two serpents flanking a round disk set within a crescent, all in low relief. Cast separately, an ibex standing on a plinth projects from the front of the incense burner and may serve as a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/incense-burner-dimensions-h-10-78-w-9-516-d-9-18-in-277-237-232-cm-base-5-1316-in-148-cm-lip-diameter-6-916-in-166-cm-date-ca-mid-1st-millennium-bc-this-bronze-incense-burner-from-southwestern-arabia-consists-of-a-cylindrical-cup-set-on-a-conical-base-a-rectangular-architectural-form-suggesting-a-facade-extends-upward-from-the-cups-front-its-face-is-decorated-with-two-serpents-flanking-a-round-disk-set-within-a-crescent-all-in-low-relief-cast-separately-an-ibex-standing-on-a-plinth-projects-from-the-front-of-the-incense-burner-and-may-serve-as-a-image213104975.htmlRMPAKNFY–Incense burner. Dimensions: H. 10 7/8 × W. 9 5/16 × D. 9 1/8 in. (27.7 × 23.7 × 23.2 cm) Base: 5 13/16 in. (14.8 cm) Lip diameter: 6 9/16 in. (16.6 cm). Date: ca. mid-1st millennium B.C.. This bronze incense burner from southwestern Arabia consists of a cylindrical cup set on a conical base. A rectangular architectural form suggesting a facade extends upward from the cup's front. Its face is decorated with two serpents flanking a round disk set within a crescent, all in low relief. Cast separately, an ibex standing on a plinth projects from the front of the incense burner and may serve as a
Sword Guard (Tsuba). Culture: Japanese. Date: ca. 3rd century-538. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sword-guard-tsuba-culture-japanese-date-ca-3rd-century-538-museum-metropolitan-museum-of-art-new-york-usa-image212871718.htmlRMPA941A–Sword Guard (Tsuba). Culture: Japanese. Date: ca. 3rd century-538. Museum: Metropolitan Museum of Art, New York, USA.
Bodhisattva with Crossed Ankles. Culture: China. Dimensions: H. 51 in. (129.5 cm); W. 22 7/8 in. (58.1 cm); D. 18 in. (45.7 cm). Date: ca. 480-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bodhisattva-with-crossed-ankles-culture-china-dimensions-h-51-in-1295-cm-w-22-78-in-581-cm-d-18-in-457-cm-date-ca-480-90-museum-metropolitan-museum-of-art-new-york-usa-image212901137.htmlRMPAADG1–Bodhisattva with Crossed Ankles. Culture: China. Dimensions: H. 51 in. (129.5 cm); W. 22 7/8 in. (58.1 cm); D. 18 in. (45.7 cm). Date: ca. 480-90. Museum: Metropolitan Museum of Art, New York, USA.
Sword Guard (Tsuba). Culture: Japanese. Dimensions: H. 3 5/8 in. (9.2 cm); W. 3 1/4 in. (8.3 cm); thickness 1/4 in. (0.6 cm); Wt. 2.8 oz. (79.4 g). Date: ca. 3rd century-538. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sword-guard-tsuba-culture-japanese-dimensions-h-3-58-in-92-cm-w-3-14-in-83-cm-thickness-14-in-06-cm-wt-28-oz-794-g-date-ca-3rd-century-538-museum-metropolitan-museum-of-art-new-york-usa-image213081147.htmlRMPAJK4Y–Sword Guard (Tsuba). Culture: Japanese. Dimensions: H. 3 5/8 in. (9.2 cm); W. 3 1/4 in. (8.3 cm); thickness 1/4 in. (0.6 cm); Wt. 2.8 oz. (79.4 g). Date: ca. 3rd century-538. Museum: Metropolitan Museum of Art, New York, USA.
Sword Guard (Tsuba). Culture: Japanese. Dimensions: H. 2 7/8 in. (7.3 cm); W. 2 1/4 in. (5.7 cm); thickness 1/8 in. (0.3 cm); Wt. 1.9 oz. (53.9 g). Date: ca. 3rd century-538. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sword-guard-tsuba-culture-japanese-dimensions-h-2-78-in-73-cm-w-2-14-in-57-cm-thickness-18-in-03-cm-wt-19-oz-539-g-date-ca-3rd-century-538-museum-metropolitan-museum-of-art-new-york-usa-image212904376.htmlRMPAAHKM–Sword Guard (Tsuba). Culture: Japanese. Dimensions: H. 2 7/8 in. (7.3 cm); W. 2 1/4 in. (5.7 cm); thickness 1/8 in. (0.3 cm); Wt. 1.9 oz. (53.9 g). Date: ca. 3rd century-538. Museum: Metropolitan Museum of Art, New York, USA.
Sword Guard (Tsuba). Culture: Japanese. Dimensions: 17.222.4: H. 3 3/8 in. (8.6 cm); W. 2 3/4 in. (9.5 cm); Wt. 2.2 oz. (62.4 g) 17.222.5: H. 3 in. (7.6 cm); W. 2 1/4 in. (5.7 cm); Wt. 2.1 oz. (59.5 g). Date: ca. 3rd century-538. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sword-guard-tsuba-culture-japanese-dimensions-172224-h-3-38-in-86-cm-w-2-34-in-95-cm-wt-22-oz-624-g-172225-h-3-in-76-cm-w-2-14-in-57-cm-wt-21-oz-595-g-date-ca-3rd-century-538-museum-metropolitan-museum-of-art-new-york-usa-image213081200.htmlRMPAJK6T–Sword Guard (Tsuba). Culture: Japanese. Dimensions: 17.222.4: H. 3 3/8 in. (8.6 cm); W. 2 3/4 in. (9.5 cm); Wt. 2.2 oz. (62.4 g) 17.222.5: H. 3 in. (7.6 cm); W. 2 1/4 in. (5.7 cm); Wt. 2.1 oz. (59.5 g). Date: ca. 3rd century-538. Museum: Metropolitan Museum of Art, New York, USA.
Orosia Mounted Russian. Artist: Utagawa Yoshitora (Japanese, active ca. 1850-80). Culture: Japan. Dimensions: Image: 14 × 10 in. (35.6 × 25.4 cm). Date: 5th month, 1861. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orosia-mounted-russian-artist-utagawa-yoshitora-japanese-active-ca-1850-80-culture-japan-dimensions-image-14-10-in-356-254-cm-date-5th-month-1861-museum-metropolitan-museum-of-art-new-york-usa-image213259089.htmlRMPAXP41–Orosia Mounted Russian. Artist: Utagawa Yoshitora (Japanese, active ca. 1850-80). Culture: Japan. Dimensions: Image: 14 × 10 in. (35.6 × 25.4 cm). Date: 5th month, 1861. Museum: Metropolitan Museum of Art, New York, USA.
Rue Traversine (from the Rue d'Arras). Artist: Charles Marville (French, Paris 1813-1879 Paris). Dimensions: 34.8 x 27.5 cm (13 11/16 x 10 13/16 in. ). Date: ca. 1868. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rue-traversine-from-the-rue-darras-artist-charles-marville-french-paris-1813-1879-paris-dimensions-348-x-275-cm-13-1116-x-10-1316-in-date-ca-1868-museum-metropolitan-museum-of-art-new-york-usa-image213181122.htmlRMPAR6KE–Rue Traversine (from the Rue d'Arras). Artist: Charles Marville (French, Paris 1813-1879 Paris). Dimensions: 34.8 x 27.5 cm (13 11/16 x 10 13/16 in. ). Date: ca. 1868. Museum: Metropolitan Museum of Art, New York, USA.
Chandelier. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: H. 14 7/8 in. (37.8 cm); Diam. 26 1/4 in. (66.7 cm). Maker: Tiffany Glass and Decorating Company (American, 1892-1902). Date: ca. 1899. The artist-designer Louis Comfort Tiffany designed this leaded-glass shade made by his firm Tiffany Glass and Decorating Company around 1899. The shade displays zigzag patterning featured on Native American baskets, which is reinforced by the bold colors of red, black, and yellow. The lamp hung at 'Wawapek,' the home of Robert and Em Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chandelier-culture-american-designer-designed-by-louis-comfort-tiffany-american-new-york-1848-1933-new-york-dimensions-h-14-78-in-378-cm-diam-26-14-in-667-cm-maker-tiffany-glass-and-decorating-company-american-1892-1902-date-ca-1899-the-artist-designer-louis-comfort-tiffany-designed-this-leaded-glass-shade-made-by-his-firm-tiffany-glass-and-decorating-company-around-1899-the-shade-displays-zigzag-patterning-featured-on-native-american-baskets-which-is-reinforced-by-the-bold-colors-of-red-black-and-yellow-the-lamp-hung-at-wawapek-the-home-of-robert-and-em-image213171817.htmlRMPAPPR5–Chandelier. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: H. 14 7/8 in. (37.8 cm); Diam. 26 1/4 in. (66.7 cm). Maker: Tiffany Glass and Decorating Company (American, 1892-1902). Date: ca. 1899. The artist-designer Louis Comfort Tiffany designed this leaded-glass shade made by his firm Tiffany Glass and Decorating Company around 1899. The shade displays zigzag patterning featured on Native American baskets, which is reinforced by the bold colors of red, black, and yellow. The lamp hung at 'Wawapek,' the home of Robert and Em
Saint Jerome Listening to the Trumpet of the Last Judgment. Jusepe de Ribera; Spanish, 1588-1652. Date: 1622-1625. Dimensions: 310 x 231 mm. Etching on paper. Origin: Spain. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-jerome-listening-to-the-trumpet-of-the-last-judgment-jusepe-de-ribera-spanish-1588-1652-date-1622-1625-dimensions-310-x-231-mm-etching-on-paper-origin-spain-museum-the-chicago-art-institute-image239874806.htmlRMRX76NA–Saint Jerome Listening to the Trumpet of the Last Judgment. Jusepe de Ribera; Spanish, 1588-1652. Date: 1622-1625. Dimensions: 310 x 231 mm. Etching on paper. Origin: Spain. Museum: The Chicago Art Institute.
Search Results for Date ca 5th century a d Stock Photos and Images (52)
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