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Daimyo of the edo period Stock Photos and Images
Japan: Matsudaira Harusato (1751-1818), Daimyo of Matsue Domain (r.1767-1806). Hanging scroll painting, early 19th century. Matsudaira Harusato, also known by Matsudaira Fumai, was a Japanese daimyo of the Edo period. By the time he succeeded his father as lord, Matsue had been reduced to a state of poverty, something he set about reversing quickly. His reforms were swiftly accomplished and production of the fief's major products increased. Matsudaira was an advocate of chanoyu, the Japanese tea ceremony, and wrote treatises about it. He became a tea master under the name Fumai. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-matsudaira-harusato-1751-1818-daimyo-of-matsue-domain-r1767-1806-hanging-scroll-painting-early-19th-century-matsudaira-harusato-also-known-by-matsudaira-fumai-was-a-japanese-daimyo-of-the-edo-period-by-the-time-he-succeeded-his-father-as-lord-matsue-had-been-reduced-to-a-state-of-poverty-something-he-set-about-reversing-quickly-his-reforms-were-swiftly-accomplished-and-production-of-the-fiefs-major-products-increased-matsudaira-was-an-advocate-of-chanoyu-the-japanese-tea-ceremony-and-wrote-treatises-about-it-he-became-a-tea-master-under-the-name-fumai-image344234447.htmlRM2B016FB–Japan: Matsudaira Harusato (1751-1818), Daimyo of Matsue Domain (r.1767-1806). Hanging scroll painting, early 19th century. Matsudaira Harusato, also known by Matsudaira Fumai, was a Japanese daimyo of the Edo period. By the time he succeeded his father as lord, Matsue had been reduced to a state of poverty, something he set about reversing quickly. His reforms were swiftly accomplished and production of the fief's major products increased. Matsudaira was an advocate of chanoyu, the Japanese tea ceremony, and wrote treatises about it. He became a tea master under the name Fumai.
Portrait of Matsudaira Yoshinaga (1828-1890) Japanese daimyo of the Edo period. He was head of the Fukui Domain in Echizen Province. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-matsudaira-yoshinaga-1828-1890-japanese-daimyo-of-the-104159083.htmlRMG1CRY7–Portrait of Matsudaira Yoshinaga (1828-1890) Japanese daimyo of the Edo period. He was head of the Fukui Domain in Echizen Province. Dated 19th Century
Art inspired by A Daimyo Talking to One of His Retainers, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 10 1/8 in. (38.7 x 25.7 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-daimyo-talking-to-one-of-his-retainers-edo-period-16151868-japan-polychrome-woodblock-print-ink-and-color-on-paper-15-14-x-10-18-in-387-x-257-cm-prints-katsukawa-shunk-japanese-17431812-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462917967.htmlRF2HW3MGF–Art inspired by A Daimyo Talking to One of His Retainers, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 10 1/8 in. (38.7 x 25.7 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Matsudaira Yoshinaga (1828-1890) Japanese daimyo of the Edo period. He was head of the Fukui Domain in Echizen Province. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-matsudaira-yoshinaga-1828-1890-japanese-daimyo-of-the-edo-period-he-was-head-of-the-fukui-domain-in-echizen-province-dated-19th-century-image330685613.htmlRM2A600TD–Portrait of Matsudaira Yoshinaga (1828-1890) Japanese daimyo of the Edo period. He was head of the Fukui Domain in Echizen Province. Dated 19th Century
Art inspired by The Second Sakata Hangoro as a Daimyo Attired in a Kamishimo, Edo period (1615–1868), 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 9/16 x 5 7/8 in. (31.9 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-second-sakata-hangoro-as-a-daimyo-attired-in-a-kamishimo-edo-period-16151868-1770-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-916-x-5-78-in-319-x-149-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905276.htmlRF2HW34B8–Art inspired by The Second Sakata Hangoro as a Daimyo Attired in a Kamishimo, Edo period (1615–1868), 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 9/16 x 5 7/8 in. (31.9 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Japan: Oda Nobunaga (23 June 1534 - 21 June 1582), initiator of the unification of Japan in the 16th century. Handscroll painting, Edo period. Oda Nobunaga was the initiator of the unification of Japan under the rule of the shogun in the late 16th century. He was also a major daimyo during the Sengoku period of Japanese history. He was the second son of Oda Nobuhide, a deputy shugo (military governor) with land holdings in Owari Province. Nobunaga lived a life of continuous military conquest, eventually conquering a third of Japanese daimyo before his death in 1582. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-oda-nobunaga-23-june-1534-21-june-1582-initiator-of-the-unification-of-japan-in-the-16th-century-handscroll-painting-edo-period-oda-nobunaga-was-the-initiator-of-the-unification-of-japan-under-the-rule-of-the-shogun-in-the-late-16th-century-he-was-also-a-major-daimyo-during-the-sengoku-period-of-japanese-history-he-was-the-second-son-of-oda-nobuhide-a-deputy-shugo-military-governor-with-land-holdings-in-owari-province-nobunaga-lived-a-life-of-continuous-military-conquest-eventually-conquering-a-third-of-japanese-daimyo-before-his-death-in-1582-image344234376.htmlRM2B016CT–Japan: Oda Nobunaga (23 June 1534 - 21 June 1582), initiator of the unification of Japan in the 16th century. Handscroll painting, Edo period. Oda Nobunaga was the initiator of the unification of Japan under the rule of the shogun in the late 16th century. He was also a major daimyo during the Sengoku period of Japanese history. He was the second son of Oda Nobuhide, a deputy shugo (military governor) with land holdings in Owari Province. Nobunaga lived a life of continuous military conquest, eventually conquering a third of Japanese daimyo before his death in 1582.
This image shows: “Arts and crafts from the Tokugawa period: Gold lacquer and trade work—bottom row, from left to right: inside of a writing box cover with coral inlay (about 1700)—box with morning glory inlaid with mother-of-pearl (about 1630)— Writing box lid with coral inlay (about 1680). Top Row (middle): medicine box with gold foil top (beginning of 17th century)—Top Row (right and left): box with wrought iron with brass inlay (end of 16th -beginning of 17th century). The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the ru Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-image-shows-arts-and-crafts-from-the-tokugawa-period-gold-lacquer-and-trade-workbottom-row-from-left-to-right-inside-of-a-writing-box-cover-with-coral-inlay-about-1700box-with-morning-glory-inlaid-with-mother-of-pearl-about-1630-writing-box-lid-with-coral-inlay-about-1680-top-row-middle-medicine-box-with-gold-foil-top-beginning-of-17th-centurytop-row-right-and-left-box-with-wrought-iron-with-brass-inlay-end-of-16th-beginning-of-17th-century-the-edo-period-or-tokugawa-period-is-the-period-between-1603-and-1867-in-the-history-of-japan-when-japan-was-under-the-ru-image498608460.htmlRF2KY5G50–This image shows: “Arts and crafts from the Tokugawa period: Gold lacquer and trade work—bottom row, from left to right: inside of a writing box cover with coral inlay (about 1700)—box with morning glory inlaid with mother-of-pearl (about 1630)— Writing box lid with coral inlay (about 1680). Top Row (middle): medicine box with gold foil top (beginning of 17th century)—Top Row (right and left): box with wrought iron with brass inlay (end of 16th -beginning of 17th century). The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the ru
Japan: Tokugawa Mitsukini (11 July 1628 - 14 January 1701), Daimyo of Mito (r. 1661-1691). Illustration, c. late 19th century. Tokugawa Mitsukuni, also known as Mito Komon and born Chomaru, was an important daimyo known for his influence in the politics of the early Edo period. The third son of Tokugawa Yorifusa (who in turn was the eleventh son of Shogun Tokugawa Ieyasu), Mitsukuni succeeded him to become the second daimyo of the Mito Domain. He was responsible for assembling scholars to compile a concise record of Japanese history, which was called 'Dai Nihonshi'. He is venerated as a kami. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-tokugawa-mitsukini-11-july-1628-14-january-1701-daimyo-of-mito-r-1661-1691-illustration-c-late-19th-century-tokugawa-mitsukuni-also-known-as-mito-komon-and-born-chomaru-was-an-important-daimyo-known-for-his-influence-in-the-politics-of-the-early-edo-period-the-third-son-of-tokugawa-yorifusa-who-in-turn-was-the-eleventh-son-of-shogun-tokugawa-ieyasu-mitsukuni-succeeded-him-to-become-the-second-daimyo-of-the-mito-domain-he-was-responsible-for-assembling-scholars-to-compile-a-concise-record-of-japanese-history-which-was-called-dai-nihonshi-he-is-venerated-as-a-kami-image344234396.htmlRM2B016DG–Japan: Tokugawa Mitsukini (11 July 1628 - 14 January 1701), Daimyo of Mito (r. 1661-1691). Illustration, c. late 19th century. Tokugawa Mitsukuni, also known as Mito Komon and born Chomaru, was an important daimyo known for his influence in the politics of the early Edo period. The third son of Tokugawa Yorifusa (who in turn was the eleventh son of Shogun Tokugawa Ieyasu), Mitsukuni succeeded him to become the second daimyo of the Mito Domain. He was responsible for assembling scholars to compile a concise record of Japanese history, which was called 'Dai Nihonshi'. He is venerated as a kami.
Kubo Shunman, Woman from Daimyo Household with Attendants, Japan, Edo period (1615–1868), Kubo Shunman (Japanese, 1757–1820), 1796, year of the dragon, Japan, Polychrome woodblock print (surimono); ink and color on paper, Image: 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kubo-shunman-woman-from-daimyo-household-with-attendants-japan-edo-period-16151868-kubo-shunman-japanese-17571820-1796-year-of-the-dragon-japan-polychrome-woodblock-print-surimono-ink-and-color-on-paper-image-5-12-x-7-38-in-14-x-187-cm-prints-image344665911.htmlRM2B0MTTR–Kubo Shunman, Woman from Daimyo Household with Attendants, Japan, Edo period (1615–1868), Kubo Shunman (Japanese, 1757–1820), 1796, year of the dragon, Japan, Polychrome woodblock print (surimono); ink and color on paper, Image: 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints
Japan: Kato Kiyomasa (25 July 1562 - 2 August 1611), daimyo of Kumamoto and builder of Kumamoto Castle. Hanging scroll painting, early 17th century. Kato Kiyomasa was a daimyo of the Sengoku and Edo periods. One of Toyotomi Hideyoshi's 'Seven Spears of Shizugatake', he served as one of the three senior commanders during the Seven-Year War (1592-1598) against the Korean dynasty of Joseon. Alongside Konishi Yukinaga, he captured Seoul, Busan and many other crucial cities. He defeated the last Korean regulars in the Battle of Imjin River and pacified Hamgyong. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-kato-kiyomasa-25-july-1562-2-august-1611-daimyo-of-kumamoto-and-builder-of-kumamoto-castle-hanging-scroll-painting-early-17th-century-kato-kiyomasa-was-a-daimyo-of-the-sengoku-and-edo-periods-one-of-toyotomi-hideyoshis-seven-spears-of-shizugatake-he-served-as-one-of-the-three-senior-commanders-during-the-seven-year-war-1592-1598-against-the-korean-dynasty-of-joseon-alongside-konishi-yukinaga-he-captured-seoul-busan-and-many-other-crucial-cities-he-defeated-the-last-korean-regulars-in-the-battle-of-imjin-river-and-pacified-hamgyong-image344234884.htmlRM2B01730–Japan: Kato Kiyomasa (25 July 1562 - 2 August 1611), daimyo of Kumamoto and builder of Kumamoto Castle. Hanging scroll painting, early 17th century. Kato Kiyomasa was a daimyo of the Sengoku and Edo periods. One of Toyotomi Hideyoshi's 'Seven Spears of Shizugatake', he served as one of the three senior commanders during the Seven-Year War (1592-1598) against the Korean dynasty of Joseon. Alongside Konishi Yukinaga, he captured Seoul, Busan and many other crucial cities. He defeated the last Korean regulars in the Battle of Imjin River and pacified Hamgyong.
So Yoshitoshi (1568 - 1615 AD) was a So clan daimyo (feudal lord) of the domain of Tsushima on Tsushima Island at the of Japan's Sengoku period; and into the Edo period. His name is sometimes read as Yoshitomo. Under the influence of Konishi Yukinaga, he was baptized and accepted the name 'Dario'. He took part in Toyotomi Hideyoshi's invasions of Korea in the 1590s, and led a force in the Siege of Busan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/so-yoshitoshi-1568-1615-ad-was-a-so-clan-daimyo-feudal-lord-of-the-domain-of-tsushima-on-tsushima-island-at-the-of-japans-sengoku-period-and-into-the-edo-period-his-name-is-sometimes-read-as-yoshitomo-under-the-influence-of-konishi-yukinaga-he-was-baptized-and-accepted-the-name-dario-he-took-part-in-toyotomi-hideyoshis-invasions-of-korea-in-the-1590s-and-led-a-force-in-the-siege-of-busan-image482122866.htmlRM2K0AGHP–So Yoshitoshi (1568 - 1615 AD) was a So clan daimyo (feudal lord) of the domain of Tsushima on Tsushima Island at the of Japan's Sengoku period; and into the Edo period. His name is sometimes read as Yoshitomo. Under the influence of Konishi Yukinaga, he was baptized and accepted the name 'Dario'. He took part in Toyotomi Hideyoshi's invasions of Korea in the 1590s, and led a force in the Siege of Busan.
Japan: Matsudaira Katamori (15 February 1836 - 5 December 1893), Daimyo of Aizu (r. 1852-1868). Photographic portrait, 17 September 1863. Matsudaira Katamori, born Keinosuke, was a samurai who lived in the last days of the Edo period and the early to mid Meiji period. He was the 9th daimyo of the Aizu Domain and the Military Commissioner of Kyoto. Katamori fought against the new Meiji Government during the Boshin War, but was severely defeated at the Battle of Aizu. He was spared and released after years of house arrest, and he later became the Chief of the Toshogu Shrine. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-matsudaira-katamori-15-february-1836-5-december-1893-daimyo-of-aizu-r-1852-1868-photographic-portrait-17-september-1863-matsudaira-katamori-born-keinosuke-was-a-samurai-who-lived-in-the-last-days-of-the-edo-period-and-the-early-to-mid-meiji-period-he-was-the-9th-daimyo-of-the-aizu-domain-and-the-military-commissioner-of-kyoto-katamori-fought-against-the-new-meiji-government-during-the-boshin-war-but-was-severely-defeated-at-the-battle-of-aizu-he-was-spared-and-released-after-years-of-house-arrest-and-he-later-became-the-chief-of-the-toshogu-shrine-image344234434.htmlRM2B016EX–Japan: Matsudaira Katamori (15 February 1836 - 5 December 1893), Daimyo of Aizu (r. 1852-1868). Photographic portrait, 17 September 1863. Matsudaira Katamori, born Keinosuke, was a samurai who lived in the last days of the Edo period and the early to mid Meiji period. He was the 9th daimyo of the Aizu Domain and the Military Commissioner of Kyoto. Katamori fought against the new Meiji Government during the Boshin War, but was severely defeated at the Battle of Aizu. He was spared and released after years of house arrest, and he later became the Chief of the Toshogu Shrine.
Shell Game (Kaiawase) Set, Edo period (1615–1868), 18th century, Japan, Clam shells painted in gold and color, Each approx.: H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-shell-game-kaiawase-set-edo-period-16151868-18th-century-japan-clam-162336779.htmlRMKC3263–Shell Game (Kaiawase) Set, Edo period (1615–1868), 18th century, Japan, Clam shells painted in gold and color, Each approx.: H
Japan: Tokugawa Nariaki (4 April 1800 - 29 September 1860), Daimyo of Mito Domain (r. 1829-1844). Portrait, mid-19th century. Tokugawa Nariaki, born Torasaburo and also known as Keisaburo, was a prominent Japanese daimyo who ruled the Mito domain (now Ibaraki prefecture). He became daimyo in 1829, and was leader of the Joi ('expel the barbarian') party, who were xenophobic and favoured restoring power to the Emperor as well as isolating Japan from the world. His actions led to the rise of nationalism and the Meiji Restoration. His son, Tokugawa Yoshinobu, would become Japan's last shogun. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-tokugawa-nariaki-4-april-1800-29-september-1860-daimyo-of-mito-domain-r-1829-1844-portrait-mid-19th-century-tokugawa-nariaki-born-torasaburo-and-also-known-as-keisaburo-was-a-prominent-japanese-daimyo-who-ruled-the-mito-domain-now-ibaraki-prefecture-he-became-daimyo-in-1829-and-was-leader-of-the-joi-expel-the-barbarian-party-who-were-xenophobic-and-favoured-restoring-power-to-the-emperor-as-well-as-isolating-japan-from-the-world-his-actions-led-to-the-rise-of-nationalism-and-the-meiji-restoration-his-son-tokugawa-yoshinobu-would-become-japans-last-shogun-image344234445.htmlRM2B016F9–Japan: Tokugawa Nariaki (4 April 1800 - 29 September 1860), Daimyo of Mito Domain (r. 1829-1844). Portrait, mid-19th century. Tokugawa Nariaki, born Torasaburo and also known as Keisaburo, was a prominent Japanese daimyo who ruled the Mito domain (now Ibaraki prefecture). He became daimyo in 1829, and was leader of the Joi ('expel the barbarian') party, who were xenophobic and favoured restoring power to the Emperor as well as isolating Japan from the world. His actions led to the rise of nationalism and the Meiji Restoration. His son, Tokugawa Yoshinobu, would become Japan's last shogun.
Tokugawa bakuhu keijizufu, published in Meiji 26 (1893), Private Collection. It showing crime and punishment during Edo Period. After questioning, it turned out that samurai and woman have been planning to takeover a Daimyo family. They are stripped of clothes. It is custom. And kicked in the garden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tokugawa-bakuhu-keijizufu-published-in-meiji-26-1893-private-collection-it-showing-crime-and-punishment-during-edo-period-after-questioning-it-turned-out-that-samurai-and-woman-have-been-planning-to-takeover-a-daimyo-family-they-are-stripped-of-clothes-it-is-custom-and-kicked-in-the-garden-image215189073.htmlRMPE2KT1–Tokugawa bakuhu keijizufu, published in Meiji 26 (1893), Private Collection. It showing crime and punishment during Edo Period. After questioning, it turned out that samurai and woman have been planning to takeover a Daimyo family. They are stripped of clothes. It is custom. And kicked in the garden.
Japan: Oda Nagamasu (1548 - 24 January 1622), Late Sengoku-Early Edo Period daimyo. Hanging scroll painting, 1622. Oda Nagamasu, childhood name Gengorō and also known as Yūraku or Urakusai, was a Japanese daimyo who lived from the late Sengoku period through the early Edo period. A brother of Oda Nobunaga. Nagamasu converted to Christianity in 1588 and took the baptismal name of John. Nagamasu was an accomplished practitioner of the tea ceremony, which he studied under the master, Sen no Rikyū. He eventually started his own school of the tea ceremony. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-oda-nagamasu-1548-24-january-1622-late-sengoku-early-edo-period-daimyo-hanging-scroll-painting-1622-oda-nagamasu-childhood-name-gengor-and-also-known-as-yraku-or-urakusai-was-a-japanese-daimyo-who-lived-from-the-late-sengoku-period-through-the-early-edo-period-a-brother-of-oda-nobunaga-nagamasu-converted-to-christianity-in-1588-and-took-the-baptismal-name-of-john-nagamasu-was-an-accomplished-practitioner-of-the-tea-ceremony-which-he-studied-under-the-master-sen-no-riky-he-eventually-started-his-own-school-of-the-tea-ceremony-image344245431.htmlRM2B01MFK–Japan: Oda Nagamasu (1548 - 24 January 1622), Late Sengoku-Early Edo Period daimyo. Hanging scroll painting, 1622. Oda Nagamasu, childhood name Gengorō and also known as Yūraku or Urakusai, was a Japanese daimyo who lived from the late Sengoku period through the early Edo period. A brother of Oda Nobunaga. Nagamasu converted to Christianity in 1588 and took the baptismal name of John. Nagamasu was an accomplished practitioner of the tea ceremony, which he studied under the master, Sen no Rikyū. He eventually started his own school of the tea ceremony.
1:30 scale architectural model of the residence of daimyo Matsudaira Tadamasa display in Edo-Tokyo Museum.Tokyo.Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/130-scale-architectural-model-of-the-residence-of-daimyo-matsudaira-tadamasa-display-in-edo-tokyo-museumtokyojapan-image384609028.htmlRM2D9MCMM–1:30 scale architectural model of the residence of daimyo Matsudaira Tadamasa display in Edo-Tokyo Museum.Tokyo.Japan
Hodogaya. Artist: Utagawa Yoshiiku (Japanese, 1833-1904). Culture: Japan. Dimensions: 9 5/16 x 14 in. (23.6 x 35.5 cm). Date: 1865. Yoshiiku, one of Kuniyoshi's best disciples, was active from the end of Edo to the Meiji period, and depicted a wide range of subject matter: beauties, actors, foreigners, and illustrations for newspapers. Here, he mixes traditional and new motifs together; the retinue of a samurai lord is marching along the Tokaido highway, and curious foreigners are watching the procession near the Hodogaya station, a few miles from Yokohama. Museum: Metropolitan Museum of Art, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hodogaya-artist-utagawa-yoshiiku-japanese-1833-1904-culture-japan-dimensions-9-516-x-14-in-236-x-355-cm-date-1865-yoshiiku-one-of-kuniyoshis-best-disciples-was-active-from-the-end-of-edo-to-the-meiji-period-and-depicted-a-wide-range-of-subject-matter-beauties-actors-foreigners-and-illustrations-for-newspapers-here-he-mixes-traditional-and-new-motifs-together-the-retinue-of-a-samurai-lord-is-marching-along-the-tokaido-highway-and-curious-foreigners-are-watching-the-procession-near-the-hodogaya-station-a-few-miles-from-yokohama-museum-metropolitan-museum-of-art-image213149088.htmlRMPANNRC–Hodogaya. Artist: Utagawa Yoshiiku (Japanese, 1833-1904). Culture: Japan. Dimensions: 9 5/16 x 14 in. (23.6 x 35.5 cm). Date: 1865. Yoshiiku, one of Kuniyoshi's best disciples, was active from the end of Edo to the Meiji period, and depicted a wide range of subject matter: beauties, actors, foreigners, and illustrations for newspapers. Here, he mixes traditional and new motifs together; the retinue of a samurai lord is marching along the Tokaido highway, and curious foreigners are watching the procession near the Hodogaya station, a few miles from Yokohama. Museum: Metropolitan Museum of Art,
Sugekari Park Garden - This Edo period daimyo garden was once the residence of the Oka clan then later in the Meiji period, a Japanese style teahouse Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sugekari-park-garden-this-edo-period-daimyo-garden-was-once-the-residence-of-the-oka-clan-then-later-in-the-meiji-period-a-japanesestyle-teahouse-image224676536.htmlRMR1EW60–Sugekari Park Garden - This Edo period daimyo garden was once the residence of the Oka clan then later in the Meiji period, a Japanese style teahouse
. 細川重賢画像 江戸時代の大名。肥後熊本藩第六代藩主。Shigekata Hosokawa is Daimyo at Edo Period. 天明年間1786年頃。AC1786.. Unknown 555 Shigekata Hosokawa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shigekata-hosokawa-is-daimyo-at-edo-period-1786ac1786-unknown-555-shigekata-hosokawa-image187999884.htmlRMMWT3NG–. 細川重賢画像 江戸時代の大名。肥後熊本藩第六代藩主。Shigekata Hosokawa is Daimyo at Edo Period. 天明年間1786年頃。AC1786.. Unknown 555 Shigekata Hosokawa
Ukiyo e. Nihonbashi Bridge in Tokyo. Woodcut (woodcut) by Utagawa Hiroshige (1833–34). Dimensions: H. 9 1/2 in. (24.1 cm); W. 13 7/8 in. (35.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ukiyo-e-nihonbashi-bridge-in-tokyo-woodcut-woodcut-by-utagawa-hiroshige-183334-dimensions-h-9-12-in-241-cm-w-13-78-in-352-cm-image328193665.htmlRF2A1XEA9–Ukiyo e. Nihonbashi Bridge in Tokyo. Woodcut (woodcut) by Utagawa Hiroshige (1833–34). Dimensions: H. 9 1/2 in. (24.1 cm); W. 13 7/8 in. (35.2 cm)
Hiroshima Castle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hiroshima-castle-image332162073.htmlRF2A8B835–Hiroshima Castle
Boys Play-acting a Daimyo Procession, 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boys-play-acting-a-daimyo-procession-19th-century-image382596608.htmlRM2D6CNTG–Boys Play-acting a Daimyo Procession, 19th century.
Art inspired by The Third Otani Hiroji as a Daimyo Standing on the Engawa, Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 17/32 in. (31.4 x 14.1 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-third-otani-hiroji-as-a-daimyo-standing-on-the-engawa-edo-period-16151868-ca-1771-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-1132-x-5-1732-in-314-x-141-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905270.htmlRF2HW34B2–Art inspired by The Third Otani Hiroji as a Daimyo Standing on the Engawa, Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 17/32 in. (31.4 x 14.1 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Museum inside Nagoya Castle in Japan. A reconstructed interior room. The Daimyo's residence with wooden paneling and tatami mats. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-museum-inside-nagoya-castle-in-japan-a-reconstructed-interior-room-84443397.htmlRMEWAMBH–Museum inside Nagoya Castle in Japan. A reconstructed interior room. The Daimyo's residence with wooden paneling and tatami mats.
Art inspired by Round Casket with Daimyo Crest of Hawk Feathers and a Heian Mirror, Edo period (1615–1868), 1615–1868, Japan, Gold maki-e on black lacquer, Diam. 14 7/8 in. (37.8 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-round-casket-with-daimyo-crest-of-hawk-feathers-and-a-heian-mirror-edo-period-16151868-16151868-japan-gold-maki-e-on-black-lacquer-diam-14-78-in-378-cm-lacquer-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908938.htmlRF2HW3922–Art inspired by Round Casket with Daimyo Crest of Hawk Feathers and a Heian Mirror, Edo period (1615–1868), 1615–1868, Japan, Gold maki-e on black lacquer, Diam. 14 7/8 in. (37.8 cm), Lacquer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
This image shows: “Date Masamune (1566-1636). colored life-size wooden statue in the Zuiganji temple in Matsushima near Sendai. Japanese woodcut.” Date Masamune was a regional ruler of Japan's Azuchi–Momoyama period through early Edo period. Heir to a long line of powerful daimyō in the Tōhoku region, he went on to found the modern-day city of Sendai. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-image-shows-date-masamune-1566-1636-colored-life-size-wooden-statue-in-the-zuiganji-temple-in-matsushima-near-sendai-japanese-woodcut-date-masamune-was-a-regional-ruler-of-japans-azuchimomoyama-period-through-early-edo-period-heir-to-a-long-line-of-powerful-daimy-in-the-thoku-region-he-went-on-to-found-the-modern-day-city-of-sendai-image498608608.htmlRF2KY5GA8–This image shows: “Date Masamune (1566-1636). colored life-size wooden statue in the Zuiganji temple in Matsushima near Sendai. Japanese woodcut.” Date Masamune was a regional ruler of Japan's Azuchi–Momoyama period through early Edo period. Heir to a long line of powerful daimyō in the Tōhoku region, he went on to found the modern-day city of Sendai.
Art inspired by Boys Play-acting a Daimyo Procession, Edo period (1615–1868), 19th century, Japan, Pentaptych of polychrome woodblock prints; ink and color on paper, 14 5/8 x 50 in. (37.1 x 127 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-boys-play-acting-a-daimyo-procession-edo-period-16151868-19th-century-japan-pentaptych-of-polychrome-woodblock-prints-ink-and-color-on-paper-14-58-x-50-in-371-x-127-cm-prints-utagawa-kuniyoshi-japanese-17971861-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910213.htmlRF2HW3AKH–Art inspired by Boys Play-acting a Daimyo Procession, Edo period (1615–1868), 19th century, Japan, Pentaptych of polychrome woodblock prints; ink and color on paper, 14 5/8 x 50 in. (37.1 x 127 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The statue of Hidemoto Mori, a senior retainer (Daimyo) of the Toyotomi clan throughout the latter Sengoku period, in sunny day. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-statue-of-hidemoto-mori-a-senior-retainer-daimyo-of-the-toyotomi-clan-throughout-the-latter-sengoku-period-in-sunny-day-image471474466.htmlRF2JB1EDP–The statue of Hidemoto Mori, a senior retainer (Daimyo) of the Toyotomi clan throughout the latter Sengoku period, in sunny day.
Art inspired by The Actor Nakamura Nakazo as a Daimyo, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-actor-nakamura-nakazo-as-a-daimyo-edo-period-16151868-ca-1791-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-732-x-5-34-in-311-x-146-cm-prints-katsukawa-shunk-japanese-17431812-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462906229.htmlRF2HW35H9–Art inspired by The Actor Nakamura Nakazo as a Daimyo, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Honda Tadakatsu (March 17, 1548 - December 3, 1610), also called Honda Heihachiro, was a Japanese samurai, general and daimyo of the late Sengoku through early Edo periods, who served Tokugawa Ieyasu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/honda-tadakatsu-march-17-1548-december-3-1610-also-called-honda-heihachiro-was-a-japanese-samurai-general-and-daimyo-of-the-late-sengoku-through-early-edo-periods-who-served-tokugawa-ieyasu-image482075298.htmlRM2K08BXX–Honda Tadakatsu (March 17, 1548 - December 3, 1610), also called Honda Heihachiro, was a Japanese samurai, general and daimyo of the late Sengoku through early Edo periods, who served Tokugawa Ieyasu
Farmers' Lives in the Twelve Months, 農耕作月次図屏風, Edo period (1615–1868), late 17th–early 18th century, Japan, Pair of six-panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-farmers-lives-in-the-twelve-months-edo-period-16151868-late-17thearly-162363232.htmlRMKC47XT–Farmers' Lives in the Twelve Months, 農耕作月次図屏風, Edo period (1615–1868), late 17th–early 18th century, Japan, Pair of six-panel
![[ 1910s Japan - Traditional Japanese Villa ] — Iso Residence at the Iso Teien (磯庭園) in Kagoshima. The residence and the garden were constructed in 1658 by the Shimazu (also Shimadzu) Clan, one of the most powerful feudal clans during the Edo Period (1603-1867). The building in the photo is a reconstruction of the mid 1880s. 20th century vintage postcard. Stock Photo](https://c8.alamy.com/comp/W8NT3D/1910s-japan-traditional-japanese-villa-iso-residence-at-the-iso-teien-in-kagoshima-the-residence-and-the-garden-were-constructed-in-1658-by-the-shimazu-also-shimadzu-clan-one-of-the-most-powerful-feudal-clans-during-the-edo-period-1603-1867-the-building-in-the-photo-is-a-reconstruction-of-the-mid-1880s-20th-century-vintage-postcard-W8NT3D.jpg "[ 1910s Japan - Traditional Japanese Villa ] — Iso Residence at the Iso Teien (磯庭園) in Kagoshima. The residence and the garden were constructed in 1658 by the Shimazu (also Shimadzu) Clan, one of the most powerful feudal clans during the Edo Period (1603-1867). The building in the photo is a reconstruction of the mid 1880s. 20th century vintage postcard. Stock Photo")
[ 1910s Japan - Traditional Japanese Villa ] — Iso Residence at the Iso Teien (磯庭園) in Kagoshima. The residence and the garden were constructed in 1658 by the Shimazu (also Shimadzu) Clan, one of the most powerful feudal clans during the Edo Period (1603-1867). The building in the photo is a reconstruction of the mid 1880s. 20th century vintage postcard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1910s-japan-traditional-japanese-villa-iso-residence-at-the-iso-teien-in-kagoshima-the-residence-and-the-garden-were-constructed-in-1658-by-the-shimazu-also-shimadzu-clan-one-of-the-most-powerful-feudal-clans-during-the-edo-period-1603-1867-the-building-in-the-photo-is-a-reconstruction-of-the-mid-1880s-20th-century-vintage-postcard-image263552673.htmlRMW8NT3D–[ 1910s Japan - Traditional Japanese Villa ] — Iso Residence at the Iso Teien (磯庭園) in Kagoshima. The residence and the garden were constructed in 1658 by the Shimazu (also Shimadzu) Clan, one of the most powerful feudal clans during the Edo Period (1603-1867). The building in the photo is a reconstruction of the mid 1880s. 20th century vintage postcard.
Young Woman Carries Adorned Pole for a Procession, Utagawa Toyohiro, Japanese, 1773-1829, Woodblock print, narrow koban tate-e surimono-style printing, Japan, ca. 1805-6, Edo Period, 9 1/4 x 3 3/8 in., 23.5 x 8.6 cm, asian, daimyo, IMLS, japan, japanese, pole, print, procession, woman, woodblock Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-carries-adorned-pole-for-a-procession-utagawa-toyohiro-japanese-1773-1829-woodblock-print-narrow-koban-tate-e-surimono-style-printing-japan-ca-1805-6-edo-period-9-14-x-3-38-in-235-x-86-cm-asian-daimyo-imls-japan-japanese-pole-print-procession-woman-woodblock-image454270161.htmlRM2HB1P69–Young Woman Carries Adorned Pole for a Procession, Utagawa Toyohiro, Japanese, 1773-1829, Woodblock print, narrow koban tate-e surimono-style printing, Japan, ca. 1805-6, Edo Period, 9 1/4 x 3 3/8 in., 23.5 x 8.6 cm, asian, daimyo, IMLS, japan, japanese, pole, print, procession, woman, woodblock
Japan: Oda Nagamasu (1548 - 24 January 1622), Late Sengoku-Early Edo Period daimyo. Hanging scroll painting, 1622. Oda Nagamasu, childhood name Gengorō and also known as Yūraku or Urakusai, was a Japanese daimyo who lived from the late Sengoku period through the early Edo period. A brother of Oda Nobunaga. Nagamasu converted to Christianity in 1588 and took the baptismal name of John. Nagamasu was an accomplished practitioner of the tea ceremony, which he studied under the master, Sen no Rikyū. He eventually started his own school of the tea ceremony. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-oda-nagamasu-1548-24-january-1622-late-sengoku-early-edo-period-daimyo-hanging-scroll-painting-1622-oda-nagamasu-childhood-name-gengor-and-also-known-as-yraku-or-urakusai-was-a-japanese-daimyo-who-lived-from-the-late-sengoku-period-through-the-early-edo-period-a-brother-of-oda-nobunaga-nagamasu-converted-to-christianity-in-1588-and-took-the-baptismal-name-of-john-nagamasu-was-an-accomplished-practitioner-of-the-tea-ceremony-which-he-studied-under-the-master-sen-no-riky-he-eventually-started-his-own-school-of-the-tea-ceremony-image344245430.htmlRM2B01MFJ–Japan: Oda Nagamasu (1548 - 24 January 1622), Late Sengoku-Early Edo Period daimyo. Hanging scroll painting, 1622. Oda Nagamasu, childhood name Gengorō and also known as Yūraku or Urakusai, was a Japanese daimyo who lived from the late Sengoku period through the early Edo period. A brother of Oda Nobunaga. Nagamasu converted to Christianity in 1588 and took the baptismal name of John. Nagamasu was an accomplished practitioner of the tea ceremony, which he studied under the master, Sen no Rikyū. He eventually started his own school of the tea ceremony.
1:30 scale architectural model of the residence of daimyo Matsudaira Tadamasa display in Edo-Tokyo Museum.Tokyo.Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/130-scale-architectural-model-of-the-residence-of-daimyo-matsudaira-tadamasa-display-in-edo-tokyo-museumtokyojapan-image384609013.htmlRM2D9MCM5–1:30 scale architectural model of the residence of daimyo Matsudaira Tadamasa display in Edo-Tokyo Museum.Tokyo.Japan
Japan: 'Sekigahara Kassen Byobu'. Folding screen painting, 19th century. The Battle of Sekigahara, popularly known as Tenka Wakeme no Tatakai or 'the Battle for the Sundered Realm', was a decisive battle on October 21, 1600, which cleared the path to the Shogunate for Tokugawa Ieyasu. Though it would take three more years for Ieyasu to consolidate his position of power over the Toyotomi clan and the daimyo, Sekigahara is widely considered to be the unofficial beginning of the Tokugawa bakufu, the last shogunate to control Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-sekigahara-kassen-byobu-folding-screen-painting-19th-century-the-battle-of-sekigahara-popularly-known-as-tenka-wakeme-no-tatakai-or-the-battle-for-the-sundered-realm-was-a-decisive-battle-on-october-21-1600-which-cleared-the-path-to-the-shogunate-for-tokugawa-ieyasu-though-it-would-take-three-more-years-for-ieyasu-to-consolidate-his-position-of-power-over-the-toyotomi-clan-and-the-daimyo-sekigahara-is-widely-considered-to-be-the-unofficial-beginning-of-the-tokugawa-bakufu-the-last-shogunate-to-control-japan-image344234435.htmlRM2B016EY–Japan: 'Sekigahara Kassen Byobu'. Folding screen painting, 19th century. The Battle of Sekigahara, popularly known as Tenka Wakeme no Tatakai or 'the Battle for the Sundered Realm', was a decisive battle on October 21, 1600, which cleared the path to the Shogunate for Tokugawa Ieyasu. Though it would take three more years for Ieyasu to consolidate his position of power over the Toyotomi clan and the daimyo, Sekigahara is widely considered to be the unofficial beginning of the Tokugawa bakufu, the last shogunate to control Japan.
Tokugawa bakuhu keijizufu, published in Meiji 26 (1893), Private Collection. It showing crime and punishment during Edo Period. A woman trying to kill another woman with knife in daimyo's house. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tokugawa-bakuhu-keijizufu-published-in-meiji-26-1893-private-collection-it-showing-crime-and-punishment-during-edo-period-a-woman-trying-to-kill-another-woman-with-knife-in-daimyos-house-image215189042.htmlRMPE2KPX–Tokugawa bakuhu keijizufu, published in Meiji 26 (1893), Private Collection. It showing crime and punishment during Edo Period. A woman trying to kill another woman with knife in daimyo's house.
Japan: Tokugawa Ienobu (11 June 1662 - 12 November 1712), sixth ruler of the Tokugawa Shogunate (r. 1709-1712). Hanging scroll painting, 18th century. Tokugawa Ienobu, born Toramatsu, was the sixth shogun of the Tokugawa dynasty and the eldest son of Tokugawa Tsunashige, the daimyo of Kofu and middle brother of shoguns Tokugawa Ietsuna and Tokugawa Tsunayoshi. When the latter uncle died without an heir in 1709, Ienobu was chosen to succeed him. Ienobu immediately began his reign by abolishing the most controversial edicts and laws of his predecessor as well as reforming the judicial system. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-tokugawa-ienobu-11-june-1662-12-november-1712-sixth-ruler-of-the-tokugawa-shogunate-r-1709-1712-hanging-scroll-painting-18th-century-tokugawa-ienobu-born-toramatsu-was-the-sixth-shogun-of-the-tokugawa-dynasty-and-the-eldest-son-of-tokugawa-tsunashige-the-daimyo-of-kofu-and-middle-brother-of-shoguns-tokugawa-ietsuna-and-tokugawa-tsunayoshi-when-the-latter-uncle-died-without-an-heir-in-1709-ienobu-was-chosen-to-succeed-him-ienobu-immediately-began-his-reign-by-abolishing-the-most-controversial-edicts-and-laws-of-his-predecessor-as-well-as-reforming-the-judicial-system-image344234287.htmlRM2B0169K–Japan: Tokugawa Ienobu (11 June 1662 - 12 November 1712), sixth ruler of the Tokugawa Shogunate (r. 1709-1712). Hanging scroll painting, 18th century. Tokugawa Ienobu, born Toramatsu, was the sixth shogun of the Tokugawa dynasty and the eldest son of Tokugawa Tsunashige, the daimyo of Kofu and middle brother of shoguns Tokugawa Ietsuna and Tokugawa Tsunayoshi. When the latter uncle died without an heir in 1709, Ienobu was chosen to succeed him. Ienobu immediately began his reign by abolishing the most controversial edicts and laws of his predecessor as well as reforming the judicial system.
Armor (Gusoku). Armorer: Helmet and mask inscribed by Jo Michitaka (Japanese, Edo period, active 19th century). Culture: Japanese. Date: 19th century. This armor bears the wisteria badge of the Okubo family, <i>daimyo</i> (lords) of Karasuyama. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armor-gusoku-armorer-helmet-and-mask-inscribed-by-jo-michitaka-japanese-edo-period-active-19th-century-culture-japanese-date-19th-century-this-armor-bears-the-wisteria-badge-of-the-okubo-family-idaimyoi-lords-of-karasuyama-museum-metropolitan-museum-of-art-new-york-usa-image213264294.htmlRMPAY0NX–Armor (Gusoku). Armorer: Helmet and mask inscribed by Jo Michitaka (Japanese, Edo period, active 19th century). Culture: Japanese. Date: 19th century. This armor bears the wisteria badge of the Okubo family, <i>daimyo</i> (lords) of Karasuyama. Museum: Metropolitan Museum of Art, New York, USA.
Sugekari Park Garden - This Edo period daimyo garden was once the residence of the Oka clan then later in the Meiji period, a Japanese style teahouse Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sugekari-park-garden-this-edo-period-daimyo-garden-was-once-the-residence-of-the-oka-clan-then-later-in-the-meiji-period-a-japanesestyle-teahouse-image224676528.htmlRMR1EW5M–Sugekari Park Garden - This Edo period daimyo garden was once the residence of the Oka clan then later in the Meiji period, a Japanese style teahouse
. 細川重賢画像 江戸時代の大名。肥後熊本藩第六代藩主。Shigekata Hosokawa is Daimyo at Edo Period. 天明年間1786年頃。AC1786.. Unknown 555 Shigekata Hosokawa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shigekata-hosokawa-is-daimyo-at-edo-period-1786ac1786-unknown-555-shigekata-hosokawa-image187482551.htmlRMMW0FWB–. 細川重賢画像 江戸時代の大名。肥後熊本藩第六代藩主。Shigekata Hosokawa is Daimyo at Edo Period. 天明年間1786年頃。AC1786.. Unknown 555 Shigekata Hosokawa
Matsuyama Castle, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matsuyama-castle-japan-image374060018.htmlRF2CMFWAA–Matsuyama Castle, Japan
Onko azuma no hana Shogatsu Gantan Shoko hatsu tojo no zu, 1888, Artist Yōshū ( Toyohara ) Chikanobu (1838–1912). First visit of local Daimyo to Shogun for new year greeting. Retainers had to wait boss in front of gate. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/onko-azuma-no-hana-shogatsu-gantan-shoko-hatsu-tojo-no-zu-1888-artist-ysh-toyohara-chikanobu-18381912-first-visit-of-local-daimyo-to-shogun-for-new-year-greeting-retainers-had-to-wait-boss-in-front-of-gate-image210006356.htmlRMP5JH70–Onko azuma no hana Shogatsu Gantan Shoko hatsu tojo no zu, 1888, Artist Yōshū ( Toyohara ) Chikanobu (1838–1912). First visit of local Daimyo to Shogun for new year greeting. Retainers had to wait boss in front of gate.
Chôbunsai Eishi. A Woman's Poetry Party. 1788–1798. Japan. Color woodblock print; oban triptych Generally, the groups of women depicted in prints were courtesans and their attendants, possibly waiting for male guests. In this unusual print, well-dressed women of the upper classes arrive in the large open parlor of the palace of a daimyo (a provincial governor) near the sea at Suma. The three votive-style hangings in the tokonoma (alcove) in the right background indicate the poetry party. Shown are three ancient poets revered in the Edo period eighth-century Kakinomoto no Hitomaro and Yamabe no Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chbunsai-eishi-a-womans-poetry-party-17881798-japan-color-woodblock-print-oban-triptych-generally-the-groups-of-women-depicted-in-prints-were-courtesans-and-their-attendants-possibly-waiting-for-male-guests-in-this-unusual-print-well-dressed-women-of-the-upper-classes-arrive-in-the-large-open-parlor-of-the-palace-of-a-daimyo-a-provincial-governor-near-the-sea-at-suma-the-three-votive-style-hangings-in-the-tokonoma-alcove-in-the-right-background-indicate-the-poetry-party-shown-are-three-ancient-poets-revered-in-the-edo-period-eighth-century-kakinomoto-no-hitomaro-and-yamabe-no-image338002415.htmlRM2AHW9ER–Chôbunsai Eishi. A Woman's Poetry Party. 1788–1798. Japan. Color woodblock print; oban triptych Generally, the groups of women depicted in prints were courtesans and their attendants, possibly waiting for male guests. In this unusual print, well-dressed women of the upper classes arrive in the large open parlor of the palace of a daimyo (a provincial governor) near the sea at Suma. The three votive-style hangings in the tokonoma (alcove) in the right background indicate the poetry party. Shown are three ancient poets revered in the Edo period eighth-century Kakinomoto no Hitomaro and Yamabe no
Kyogen Performers, 19th century. Suehirogari, a daimyo master sends his servant, Tarokaja, to buy a suehiro, he is tricked by a dishonest merchant into buying an old umbrella. Edo period (1615-1868) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kyogen-performers-19th-century-suehirogari-a-daimyo-master-sends-his-servant-tarokaja-to-buy-a-suehiro-he-is-tricked-by-a-dishonest-merchant-into-buying-an-old-umbrella-edo-period-1615-1868-image343010353.htmlRM2AX1D5N–Kyogen Performers, 19th century. Suehirogari, a daimyo master sends his servant, Tarokaja, to buy a suehiro, he is tricked by a dishonest merchant into buying an old umbrella. Edo period (1615-1868)
Museum inside Nagoya Castle in Japan. A reconstructed interior room. The Daimyo's residence with wooden sliding doors and tatami mats. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-museum-inside-nagoya-castle-in-japan-a-reconstructed-interior-room-84443396.htmlRMEWAMBG–Museum inside Nagoya Castle in Japan. A reconstructed interior room. The Daimyo's residence with wooden sliding doors and tatami mats.
Shimonoseki, Yamaguchi, JAPAN - Sep 25 2020 : The statue of Hidemoto Mori, a senior retainer (Daimyo) of the Toyotomi clan, in sunny day. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shimonoseki-yamaguchi-japan-sep-25-2020-the-statue-of-hidemoto-mori-a-senior-retainer-daimyo-of-the-toyotomi-clan-in-sunny-day-image471474422.htmlRF2JB1EC6–Shimonoseki, Yamaguchi, JAPAN - Sep 25 2020 : The statue of Hidemoto Mori, a senior retainer (Daimyo) of the Toyotomi clan, in sunny day.
Art inspired by Children Play-acting a Daimyo Procession, Edo period (1615–1868), ca. 1763, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 16 1/2 in. (30.8 x 41.9 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-children-play-acting-a-daimyo-procession-edo-period-16151868-ca-1763-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-18-x-16-12-in-308-x-419-cm-prints-torii-kiyomitsu-japanese-17351785-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462906103.htmlRF2HW35CR–Art inspired by Children Play-acting a Daimyo Procession, Edo period (1615–1868), ca. 1763, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 16 1/2 in. (30.8 x 41.9 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Daimyo Procession to Edo 2019 by Hishikawa School Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daimyo-procession-to-edo-2019-by-hishikawa-school-image591183771.htmlRM2W9PMX3–Daimyo Procession to Edo 2019 by Hishikawa School
Art inspired by The Actor Bando Mitsugoro I as a Man in Daimyo Attire, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-actor-bando-mitsugoro-i-as-a-man-in-daimyo-attire-edo-period-16151868-ca-1778-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-732-x-5-58-in-311-x-143-cm-prints-katsukawa-shunk-japanese-17431812-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462906201.htmlRF2HW35G9–Art inspired by The Actor Bando Mitsugoro I as a Man in Daimyo Attire, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Actor Nakamura Nakazo as a Daimyo ca. 1791 Katsukawa Shunk? Japanese. The Actor Nakamura Nakazo as a Daimyo. Katsukawa Shunk? (Japanese, 1743–1812). Japan. ca. 1791. Woodblock print; ink and color on paper. Edo period (1615–1868). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-nakamura-nakazo-as-a-daimyo-ca-1791-katsukawa-shunk-japanese-the-actor-nakamura-nakazo-as-a-daimyo-katsukawa-shunk-japanese-17431812-japan-ca-1791-woodblock-print-ink-and-color-on-paper-edo-period-16151868-prints-image458119982.htmlRM2HH94KX–The Actor Nakamura Nakazo as a Daimyo ca. 1791 Katsukawa Shunk? Japanese. The Actor Nakamura Nakazo as a Daimyo. Katsukawa Shunk? (Japanese, 1743–1812). Japan. ca. 1791. Woodblock print; ink and color on paper. Edo period (1615–1868). Prints
Art inspired by Women Parading in an Imitation of the Cortege of a Daimyo, Edo period (1615–1868), ca. 1797, Japan, Pentaptych of polychrome woodblock prints; ink and color on paper, 15 7/32 x 50 1/2 in. (38.7 x 128.3 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-women-parading-in-an-imitation-of-the-cortege-of-a-daimyo-edo-period-16151868-ca-1797-japan-pentaptych-of-polychrome-woodblock-prints-ink-and-color-on-paper-15-732-x-50-12-in-387-x-1283-cm-prints-utagawa-toyokuni-i-japanese-17691825-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462904546.htmlRF2HW33D6–Art inspired by Women Parading in an Imitation of the Cortege of a Daimyo, Edo period (1615–1868), ca. 1797, Japan, Pentaptych of polychrome woodblock prints; ink and color on paper, 15 7/32 x 50 1/2 in. (38.7 x 128.3 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Seki: Early Departure of a Daimyō, from the series Fifty-three Stations of the Tōkaidō Road, From the series: 'Fifty-three Stations of the Tokaido', Utagawa Hiroshige, Ando, Japanese, 1797-1858, Color woodblock print on paper, Japan, ca. 1833-1834, Edo Period, Sheet: 10 x 14 3/4 in., 25.4 x 37.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seki-early-departure-of-a-daimy-from-the-series-fifty-three-stations-of-the-tkaid-road-from-the-series-fifty-three-stations-of-the-tokaido-utagawa-hiroshige-ando-japanese-1797-1858-color-woodblock-print-on-paper-japan-ca-1833-1834-edo-period-sheet-10-x-14-34-in-254-x-373-cm-image454275357.htmlRM2HB20RW–Seki: Early Departure of a Daimyō, from the series Fifty-three Stations of the Tōkaidō Road, From the series: 'Fifty-three Stations of the Tokaido', Utagawa Hiroshige, Ando, Japanese, 1797-1858, Color woodblock print on paper, Japan, ca. 1833-1834, Edo Period, Sheet: 10 x 14 3/4 in., 25.4 x 37.3 cm
1:30 scale architectural model of the residence of daimyo Matsudaira Tadamasa display in Edo-Tokyo Museum.Tokyo.Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/130-scale-architectural-model-of-the-residence-of-daimyo-matsudaira-tadamasa-display-in-edo-tokyo-museumtokyojapan-image384609022.htmlRM2D9MCME–1:30 scale architectural model of the residence of daimyo Matsudaira Tadamasa display in Edo-Tokyo Museum.Tokyo.Japan
![[ 1880s Japan - Street in Edo ] — Engraving by E. Therond, showing a pre-Meiji street scene in Edo (current Tokyo). Published in 'Voyages and travels, or, Scenes in many lands' edited by Leo de Colange and published in 1887 (Meiji 20). 19th century vintage newspaper illustration. Stock Photo](https://c8.alamy.com/comp/W9H37N/1880s-japan-street-in-edo-engraving-by-e-therond-showing-a-pre-meiji-street-scene-in-edo-current-tokyo-published-in-voyages-and-travels-or-scenes-in-many-lands-edited-by-leo-de-colange-and-published-in-1887-meiji-20-19th-century-vintage-newspaper-illustration-W9H37N.jpg "[ 1880s Japan - Street in Edo ] — Engraving by E. Therond, showing a pre-Meiji street scene in Edo (current Tokyo). Published in 'Voyages and travels, or, Scenes in many lands' edited by Leo de Colange and published in 1887 (Meiji 20). 19th century vintage newspaper illustration. Stock Photo")
[ 1880s Japan - Street in Edo ] — Engraving by E. Therond, showing a pre-Meiji street scene in Edo (current Tokyo). Published in 'Voyages and travels, or, Scenes in many lands' edited by Leo de Colange and published in 1887 (Meiji 20). 19th century vintage newspaper illustration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1880s-japan-street-in-edo-engraving-by-e-therond-showing-a-pre-meiji-street-scene-in-edo-current-tokyo-published-in-voyages-and-travels-or-scenes-in-many-lands-edited-by-leo-de-colange-and-published-in-1887-meiji-20-19th-century-vintage-newspaper-illustration-image264063177.htmlRMW9H37N–[ 1880s Japan - Street in Edo ] — Engraving by E. Therond, showing a pre-Meiji street scene in Edo (current Tokyo). Published in 'Voyages and travels, or, Scenes in many lands' edited by Leo de Colange and published in 1887 (Meiji 20). 19th century vintage newspaper illustration.
Yuihonjin was where VIPs and daimyo stayed during the Edo period along the historic Tokaido Road, and its remains have been preserved. The front gate, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yuihonjin-was-where-vips-and-daimyo-stayed-during-the-edo-period-along-the-historic-tokaido-road-and-its-remains-have-been-preserved-the-front-gate-image432412793.htmlRM2G3E2X1–Yuihonjin was where VIPs and daimyo stayed during the Edo period along the historic Tokaido Road, and its remains have been preserved. The front gate,
Japan: Tokugawa Yoshimune (27 November 1684 - 12 July 1751), eighth ruler of the Tokugawa Shogunate (r. 1716-1751). Hanging scroll painting by Kano Tadanobu (1823-1880), 19th century. Tokugawa Yoshimune, born Genroku, was the eighth shogun of the Tokugawa shogunate and the son of Tokugawa Mitsusada, the daimyo of Kii and grandson of Tokugawa Ieyasu. Yoshimune succeeded his brothers as daimyo of Kii in 1705, and when boy-shogun Tokugawa Ietsugu died in 1716, he was chosen to be the new shogun. Considered among the best of the Tokugawa shoguns, he started the Kyoho Reforms in 1736. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-tokugawa-yoshimune-27-november-1684-12-july-1751-eighth-ruler-of-the-tokugawa-shogunate-r-1716-1751-hanging-scroll-painting-by-kano-tadanobu-1823-1880-19th-century-tokugawa-yoshimune-born-genroku-was-the-eighth-shogun-of-the-tokugawa-shogunate-and-the-son-of-tokugawa-mitsusada-the-daimyo-of-kii-and-grandson-of-tokugawa-ieyasu-yoshimune-succeeded-his-brothers-as-daimyo-of-kii-in-1705-and-when-boy-shogun-tokugawa-ietsugu-died-in-1716-he-was-chosen-to-be-the-new-shogun-considered-among-the-best-of-the-tokugawa-shoguns-he-started-the-kyoho-reforms-in-1736-image344234291.htmlRM2B0169R–Japan: Tokugawa Yoshimune (27 November 1684 - 12 July 1751), eighth ruler of the Tokugawa Shogunate (r. 1716-1751). Hanging scroll painting by Kano Tadanobu (1823-1880), 19th century. Tokugawa Yoshimune, born Genroku, was the eighth shogun of the Tokugawa shogunate and the son of Tokugawa Mitsusada, the daimyo of Kii and grandson of Tokugawa Ieyasu. Yoshimune succeeded his brothers as daimyo of Kii in 1705, and when boy-shogun Tokugawa Ietsugu died in 1716, he was chosen to be the new shogun. Considered among the best of the Tokugawa shoguns, he started the Kyoho Reforms in 1736.
![Armor (Gusoku). Armorer: Helmet bowl signed Saotome Iyetada (Japanese, Edo period, active early-mid-19th century); Breastplate inscribed inside, Myochin Munesuke (Japanese, Edo period, 1688-1735). Culture: Japanese. Dimensions: H. 67 1/2 in. (171.5 cm). Date: 16th and 18th centuries. This example comes from the armory of Date Yoshimura (1703-1746), <i>daimyo</i> (lord) of Sendai. The helmet bowl, signed Saotome Iye[tada?], dates from the sixteenth century; the remainder of the armor was constructed in the eighteenth century. The breastplate is inscribed inside with the armorer's name, Myochin Stock Photo](https://c8.alamy.com/comp/PANMF3/armor-gusoku-armorer-helmet-bowl-signed-saotome-iyetada-japanese-edo-period-active-early-mid-19th-century-breastplate-inscribed-inside-myochin-munesuke-japanese-edo-period-1688-1735-culture-japanese-dimensions-h-67-12-in-1715-cm-date-16th-and-18th-centuries-this-example-comes-from-the-armory-of-date-yoshimura-1703-1746-idaimyoi-lord-of-sendai-the-helmet-bowl-signed-saotome-iye-tada-dates-from-the-sixteenth-century-the-remainder-of-the-armor-was-constructed-in-the-eighteenth-century-the-breastplate-is-inscribed-inside-with-the-armorers-name-myochin-PANMF3.jpg "Armor (Gusoku). Armorer: Helmet bowl signed Saotome Iyetada (Japanese, Edo period, active early-mid-19th century); Breastplate inscribed inside, Myochin Munesuke (Japanese, Edo period, 1688-1735). Culture: Japanese. Dimensions: H. 67 1/2 in. (171.5 cm). Date: 16th and 18th centuries. This example comes from the armory of Date Yoshimura (1703-1746), <i>daimyo</i> (lord) of Sendai. The helmet bowl, signed Saotome Iye[tada?], dates from the sixteenth century; the remainder of the armor was constructed in the eighteenth century. The breastplate is inscribed inside with the armorer's name, Myochin Stock Photo")
Armor (Gusoku). Armorer: Helmet bowl signed Saotome Iyetada (Japanese, Edo period, active early-mid-19th century); Breastplate inscribed inside, Myochin Munesuke (Japanese, Edo period, 1688-1735). Culture: Japanese. Dimensions: H. 67 1/2 in. (171.5 cm). Date: 16th and 18th centuries. This example comes from the armory of Date Yoshimura (1703-1746), <i>daimyo</i> (lord) of Sendai. The helmet bowl, signed Saotome Iye[tada?], dates from the sixteenth century; the remainder of the armor was constructed in the eighteenth century. The breastplate is inscribed inside with the armorer's name, Myochin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armor-gusoku-armorer-helmet-bowl-signed-saotome-iyetada-japanese-edo-period-active-early-mid-19th-century-breastplate-inscribed-inside-myochin-munesuke-japanese-edo-period-1688-1735-culture-japanese-dimensions-h-67-12-in-1715-cm-date-16th-and-18th-centuries-this-example-comes-from-the-armory-of-date-yoshimura-1703-1746-idaimyoi-lord-of-sendai-the-helmet-bowl-signed-saotome-iye-tada-dates-from-the-sixteenth-century-the-remainder-of-the-armor-was-constructed-in-the-eighteenth-century-the-breastplate-is-inscribed-inside-with-the-armorers-name-myochin-image213148071.htmlRMPANMF3–Armor (Gusoku). Armorer: Helmet bowl signed Saotome Iyetada (Japanese, Edo period, active early-mid-19th century); Breastplate inscribed inside, Myochin Munesuke (Japanese, Edo period, 1688-1735). Culture: Japanese. Dimensions: H. 67 1/2 in. (171.5 cm). Date: 16th and 18th centuries. This example comes from the armory of Date Yoshimura (1703-1746), <i>daimyo</i> (lord) of Sendai. The helmet bowl, signed Saotome Iye[tada?], dates from the sixteenth century; the remainder of the armor was constructed in the eighteenth century. The breastplate is inscribed inside with the armorer's name, Myochin
Kagoshima, Japan. 13th Mar, 2023. A statue of Shimazu Tadayoshi (å³¶æ´¥å¿ ç¾ © å…¬åƒ) a Japanese daimyo from the feudalism Edo period. (Credit Image: © Taidgh Barron/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE! Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kagoshima-japan-13th-mar-2023-a-statue-of-shimazu-tadayoshi-a-japanese-daimyo-from-the-feudalism-edo-period-credit-image-taidgh-barronzuma-press-wire-editorial-usage-only!-not-for-commercial-usage!-image565825832.htmlRM2RTFGHC–Kagoshima, Japan. 13th Mar, 2023. A statue of Shimazu Tadayoshi (å³¶æ´¥å¿ ç¾ © å…¬åƒ) a Japanese daimyo from the feudalism Edo period. (Credit Image: © Taidgh Barron/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!
. 細川重賢画像 江戸時代の大名。肥後熊本藩第六代藩主。Shigekata Hosokawa is Daimyo at Edo Period. 天明年間1786年頃。AC1786.. Unknown 485 Shigekata Hosokawa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shigekata-hosokawa-is-daimyo-at-edo-period-1786ac1786-unknown-485-shigekata-hosokawa-image188745411.htmlRMMY22KF–. 細川重賢画像 江戸時代の大名。肥後熊本藩第六代藩主。Shigekata Hosokawa is Daimyo at Edo Period. 天明年間1786年頃。AC1786.. Unknown 485 Shigekata Hosokawa
Matsuyama Castle, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matsuyama-castle-japan-image374060031.htmlRF2CMFWAR–Matsuyama Castle, Japan
nagano, japan, 2022/12/02 , exterior of Former Matsushiro Literary and Military School was the Han school of Matsushiro Domain under the Edo period To Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nagano-japan-20221202-exterior-of-former-matsushiro-literary-and-military-school-was-the-han-school-of-matsushiro-domain-under-the-edo-period-to-image460769834.htmlRF2HNHTHE–nagano, japan, 2022/12/02 , exterior of Former Matsushiro Literary and Military School was the Han school of Matsushiro Domain under the Edo period To
View of ancient, sculptural trees at the water's edge in Ritsurin, a stolling-style garden from the Edo period and one of Japan's top ten gardens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-ancient-sculptural-trees-at-the-waters-edge-in-ritsurin-a-stolling-style-garden-from-the-edo-period-and-one-of-japans-top-ten-gardens-image558002681.htmlRF2RBR635–View of ancient, sculptural trees at the water's edge in Ritsurin, a stolling-style garden from the Edo period and one of Japan's top ten gardens.
Seki, from the series The Fifty-Three Stations of the Tokaido, c. 1848-49. This print from one of Hiroshige’s later Tokaido series completely reconceives the scene at Seki. An earlier series showed an entourage of a daimyo, preparing to leave an inn, but this view plunges the station into the depths of a dark winter. Daimyo were regional military rulers during Japan’s Edo period. As the central government required them to live in the capital, Edo, in alternating years, daimyo processions along the Tokaido thoroughfare were a frequent sight. This print, however, emphasizes the pil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seki-from-the-series-the-fifty-three-stations-of-the-tokaido-c-1848-49-this-print-from-one-of-hiroshigex2019s-later-tokaido-series-completely-reconceives-the-scene-at-seki-an-earlier-series-showed-an-entourage-of-a-daimyo-preparing-to-leave-an-inn-but-this-view-plunges-the-station-into-the-depths-of-a-dark-winter-daimyo-were-regional-military-rulers-during-japanx2019s-edo-period-as-the-central-government-required-them-to-live-in-the-capital-edo-in-alternating-years-daimyo-processions-along-the-tokaido-thoroughfare-were-a-frequent-sight-this-print-however-emphasizes-the-pil-image330117542.htmlRM2A52486–Seki, from the series The Fifty-Three Stations of the Tokaido, c. 1848-49. This print from one of Hiroshige’s later Tokaido series completely reconceives the scene at Seki. An earlier series showed an entourage of a daimyo, preparing to leave an inn, but this view plunges the station into the depths of a dark winter. Daimyo were regional military rulers during Japan’s Edo period. As the central government required them to live in the capital, Edo, in alternating years, daimyo processions along the Tokaido thoroughfare were a frequent sight. This print, however, emphasizes the pil
Hiroshima Castle, a feudal Japanese fort also known as Carp Castle, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hiroshima-castle-a-feudal-japanese-fort-also-known-as-carp-castle-japan-image425300620.htmlRF2FKX37T–Hiroshima Castle, a feudal Japanese fort also known as Carp Castle, Japan.
Shimonoseki, Yamaguchi, JAPAN - Sep 25 2020 : The statue of Hidemoto Mori, a senior retainer (Daimyo) of the Toyotomi clan, in sunny day. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shimonoseki-yamaguchi-japan-sep-25-2020-the-statue-of-hidemoto-mori-a-senior-retainer-daimyo-of-the-toyotomi-clan-in-sunny-day-image471474419.htmlRF2JB1EC3–Shimonoseki, Yamaguchi, JAPAN - Sep 25 2020 : The statue of Hidemoto Mori, a senior retainer (Daimyo) of the Toyotomi clan, in sunny day.
The Daimyo Clock Museum Yanaka Tokyo Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-daimyo-clock-museum-yanaka-tokyo-japan-134571776.htmlRMHPX7JT–The Daimyo Clock Museum Yanaka Tokyo Japan
The Third Otani Hiroji as a Daimyo Standing on the Engawa 1918 by Katsukawa Shunsho Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-third-otani-hiroji-as-a-daimyo-standing-on-the-engawa-1918-by-katsukawa-shunsho-image574978045.htmlRM2TBCEA5–The Third Otani Hiroji as a Daimyo Standing on the Engawa 1918 by Katsukawa Shunsho
Osaka Castle, Japanese hill-top fort with a famous medieval edo keep. Osaka City, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/osaka-castle-japanese-hill-top-fort-with-a-famous-medieval-edo-keep-osaka-city-japan-image425301459.htmlRF2FKX49R–Osaka Castle, Japanese hill-top fort with a famous medieval edo keep. Osaka City, Japan.
Boys Play-acting a Daimyo Procession 19th century Utagawa Kuniyoshi Japanese. Boys Play-acting a Daimyo Procession. Utagawa Kuniyoshi (Japanese, 1797–1861). Japan. 19th century. Pentaptych of woodblock prints; ink and color on paper. Edo period (1615–1868). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boys-play-acting-a-daimyo-procession-19th-century-utagawa-kuniyoshi-japanese-boys-play-acting-a-daimyo-procession-utagawa-kuniyoshi-japanese-17971861-japan-19th-century-pentaptych-of-woodblock-prints-ink-and-color-on-paper-edo-period-16151868-prints-image458016073.htmlRM2HH4C4W–Boys Play-acting a Daimyo Procession 19th century Utagawa Kuniyoshi Japanese. Boys Play-acting a Daimyo Procession. Utagawa Kuniyoshi (Japanese, 1797–1861). Japan. 19th century. Pentaptych of woodblock prints; ink and color on paper. Edo period (1615–1868). Prints
Art inspired by The Third Ichikawa Yaozō as a Daimyo Standing Under a Maple Tree, Edo period (1615–1868), ca. 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-third-ichikawa-yaoz-as-a-daimyo-standing-under-a-maple-tree-edo-period-16151868-ca-1783-japan-polychrome-woodblock-print-ink-and-color-on-paper-12-58-x-5-34-in-321-x-146-cm-prints-katsukawa-shunsh-japanese-17261792-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905054.htmlRF2HW343A–Art inspired by The Third Ichikawa Yaozō as a Daimyo Standing Under a Maple Tree, Edo period (1615–1868), ca. 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Nihonbashi: Daimyō Procession Setting Out, from the series Fifty-three Stations of the Tōkaidō Road, From the series: 'Tokaido go ju san tsugi no uchi', Utagawa Hiroshige, Ando, Japanese, 1797-1858, Color woodblock print on paper, Japan, ca. 1833-1834, Edo Period, 9 3/8 x 14 1/4 in., 23.8 x 36.2 cm, 19th Century, Ando, Asian art, bridge, crowd, daily life, figures, Hiroshige, IMLS, Japan, Japanese, Japanese culture, people, print, street life, utagawa, wood, woodblock, woodblock print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nihonbashi-daimy-procession-setting-out-from-the-series-fifty-three-stations-of-the-tkaid-road-from-the-series-tokaido-go-ju-san-tsugi-no-uchi-utagawa-hiroshige-ando-japanese-1797-1858-color-woodblock-print-on-paper-japan-ca-1833-1834-edo-period-9-38-x-14-14-in-238-x-362-cm-19th-century-ando-asian-art-bridge-crowd-daily-life-figures-hiroshige-imls-japan-japanese-japanese-culture-people-print-street-life-utagawa-wood-woodblock-woodblock-print-image454280395.htmlRM2HB277R–Nihonbashi: Daimyō Procession Setting Out, from the series Fifty-three Stations of the Tōkaidō Road, From the series: 'Tokaido go ju san tsugi no uchi', Utagawa Hiroshige, Ando, Japanese, 1797-1858, Color woodblock print on paper, Japan, ca. 1833-1834, Edo Period, 9 3/8 x 14 1/4 in., 23.8 x 36.2 cm, 19th Century, Ando, Asian art, bridge, crowd, daily life, figures, Hiroshige, IMLS, Japan, Japanese, Japanese culture, people, print, street life, utagawa, wood, woodblock, woodblock print
Woman from Daimyo Household with Attendants 1796, year of the dragon Kubo Shunman Japanese. Woman from Daimyo Household with Attendants. Kubo Shunman (Japanese, 1757–1820). Japan. 1796, year of the dragon. Woodblock print (surimono); ink and color on paper. Edo period (1615–1868). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-from-daimyo-household-with-attendants-1796-year-of-the-dragon-kubo-shunman-japanese-woman-from-daimyo-household-with-attendants-kubo-shunman-japanese-17571820-japan-1796-year-of-the-dragon-woodblock-print-surimono-ink-and-color-on-paper-edo-period-16151868-prints-image457895599.htmlRM2HGXXE7–Woman from Daimyo Household with Attendants 1796, year of the dragon Kubo Shunman Japanese. Woman from Daimyo Household with Attendants. Kubo Shunman (Japanese, 1757–1820). Japan. 1796, year of the dragon. Woodblock print (surimono); ink and color on paper. Edo period (1615–1868). Prints
A Daimyo Talking to One of His Retainers, Katsukawa Shunkō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-daimyo-talking-to-one-of-his-retainers-katsukawa-shunk-162413792.htmlRMKC6GCG–A Daimyo Talking to One of His Retainers, Katsukawa Shunkō
The Actor Bando Mitsugoro I as a Man in Daimyo Attire ca. 1778 Katsukawa Shunk? Japanese. The Actor Bando Mitsugoro I as a Man in Daimyo Attire. Katsukawa Shunk? (Japanese, 1743–1812). Japan. ca. 1778. Woodblock print; ink and color on paper. Edo period (1615–1868). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-bando-mitsugoro-i-as-a-man-in-daimyo-attire-ca-1778-katsukawa-shunk-japanese-the-actor-bando-mitsugoro-i-as-a-man-in-daimyo-attire-katsukawa-shunk-japanese-17431812-japan-ca-1778-woodblock-print-ink-and-color-on-paper-edo-period-16151868-prints-image458100634.htmlRM2HH880X–The Actor Bando Mitsugoro I as a Man in Daimyo Attire ca. 1778 Katsukawa Shunk? Japanese. The Actor Bando Mitsugoro I as a Man in Daimyo Attire. Katsukawa Shunk? (Japanese, 1743–1812). Japan. ca. 1778. Woodblock print; ink and color on paper. Edo period (1615–1868). Prints
Japan: Lady Ohatsu (1570 - 30 September 1633), wife of Kyogoku Takatsugu. Hanging scroll painting, 17th century. Ohatsu or Ohatsu-no-kata was a prominently placed figure in the late Sengoku period. In 1587 she married Kyōgoku Takatsugu, a daimyo in Omi province, holding Ōtsu castle for the Toyotomi clan. After her husband's death in 1609, Ohatsu remained abreast of the political intrigues of her day. Ohatsu's close family ties to both the Toyotomi clan and the Tokugawa clan uniquely positioned her to serve as an intermediary between the rivals until 1615, when the Toyotomi were wiped out. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-lady-ohatsu-1570-30-september-1633-wife-of-kyogoku-takatsugu-hanging-scroll-painting-17th-century-ohatsu-or-ohatsu-no-kata-was-a-prominently-placed-figure-in-the-late-sengoku-period-in-1587-she-married-kygoku-takatsugu-a-daimyo-in-omi-province-holding-tsu-castle-for-the-toyotomi-clan-after-her-husbands-death-in-1609-ohatsu-remained-abreast-of-the-political-intrigues-of-her-day-ohatsus-close-family-ties-to-both-the-toyotomi-clan-and-the-tokugawa-clan-uniquely-positioned-her-to-serve-as-an-intermediary-between-the-rivals-until-1615-when-the-toyotomi-were-wiped-out-image344234392.htmlRM2B016DC–Japan: Lady Ohatsu (1570 - 30 September 1633), wife of Kyogoku Takatsugu. Hanging scroll painting, 17th century. Ohatsu or Ohatsu-no-kata was a prominently placed figure in the late Sengoku period. In 1587 she married Kyōgoku Takatsugu, a daimyo in Omi province, holding Ōtsu castle for the Toyotomi clan. After her husband's death in 1609, Ohatsu remained abreast of the political intrigues of her day. Ohatsu's close family ties to both the Toyotomi clan and the Tokugawa clan uniquely positioned her to serve as an intermediary between the rivals until 1615, when the Toyotomi were wiped out.
The Second Sakata Hangoro as a Daimyo Attired in a Kamishimo, Katsukawa Shunshō, 1770 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-second-sakata-hangoro-as-a-daimyo-attired-in-a-kamishimo-katsukawa-162413759.htmlRMKC6GBB–The Second Sakata Hangoro as a Daimyo Attired in a Kamishimo, Katsukawa Shunshō, 1770
The Actor Nakamura Nakazo as a Daimyo. Artist: Katsukawa Shunko (Japanese, 1743-1812). Culture: Japan. Dimensions: 12 7/32 x 5 3/4 in. (31.1 x 14.6 cm). Date: ca. 1791. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-nakamura-nakazo-as-a-daimyo-artist-katsukawa-shunko-japanese-1743-1812-culture-japan-dimensions-12-732-x-5-34-in-311-x-146-cm-date-ca-1791-museum-metropolitan-museum-of-art-new-york-usa-image213250216.htmlRMPAXAR4–The Actor Nakamura Nakazo as a Daimyo. Artist: Katsukawa Shunko (Japanese, 1743-1812). Culture: Japan. Dimensions: 12 7/32 x 5 3/4 in. (31.1 x 14.6 cm). Date: ca. 1791. Museum: Metropolitan Museum of Art, New York, USA.
. 酒井忠恭。江戸時代の大名。Sakai Tadazumi was Daimyo of Japan at Edo Period. Unknown date. Unknown 585 Tadadumi Sakai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sakai-tadazumi-was-daimyo-of-japan-at-edo-period-unknown-date-unknown-585-tadadumi-sakai-image188010367.htmlRMMWTH3Y–. 酒井忠恭。江戸時代の大名。Sakai Tadazumi was Daimyo of Japan at Edo Period. Unknown date. Unknown 585 Tadadumi Sakai
Matsuyama Castle, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matsuyama-castle-japan-image374060048.htmlRF2CMFWBC–Matsuyama Castle, Japan
Yuihonjin was where VIPs and daimyo stayed during the Edo period along the historic Tokaido Road, and its remains have been preserved. The front gate, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yuihonjin-was-where-vips-and-daimyo-stayed-during-the-edo-period-along-the-historic-tokaido-road-and-its-remains-have-been-preserved-the-front-gate-image432412795.htmlRM2G3E2X3–Yuihonjin was where VIPs and daimyo stayed during the Edo period along the historic Tokaido Road, and its remains have been preserved. The front gate,
Kagoshima, Japan. 13th Mar, 2023. A statue of Shimazu Tadayoshi (å³¶æ´¥å¿ ç¾ © å…¬åƒ) a Japanese daimyo from the feudalism Edo period. (Credit Image: © Taidgh Barron/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE! Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kagoshima-japan-13th-mar-2023-a-statue-of-shimazu-tadayoshi-a-japanese-daimyo-from-the-feudalism-edo-period-credit-image-taidgh-barronzuma-press-wire-editorial-usage-only!-not-for-commercial-usage!-image565825916.htmlRM2RTFGMC–Kagoshima, Japan. 13th Mar, 2023. A statue of Shimazu Tadayoshi (å³¶æ´¥å¿ ç¾ © å…¬åƒ) a Japanese daimyo from the feudalism Edo period. (Credit Image: © Taidgh Barron/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!
![No. 3: Kato Kiyomasa, from the series "Three Tales of Valor (Buyu sanban tsuzuki)", Japan, 1820. Stock Photo](https://c8.alamy.com/comp/2HFFKBT/no-3-kato-kiyomasa-from-the-series-quotthree-tales-of-valor-buyu-sanban-tsuzukiquot-japan-1820-2HFFKBT.jpg "No. 3: Kato Kiyomasa, from the series "Three Tales of Valor (Buyu sanban tsuzuki)", Japan, 1820. Stock Photo")
No. 3: Kato Kiyomasa, from the series "Three Tales of Valor (Buyu sanban tsuzuki)", Japan, 1820. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no-3-kato-kiyomasa-from-the-series-quotthree-tales-of-valor-buyu-sanban-tsuzukiquot-japan-1820-image457033916.htmlRM2HFFKBT–No. 3: Kato Kiyomasa, from the series "Three Tales of Valor (Buyu sanban tsuzuki)", Japan, 1820.
nagano, japan, 2022/12/02 , exterior of Former Matsushiro Literary and Military School was the Han school of Matsushiro Domain under the Edo period To Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nagano-japan-20221202-exterior-of-former-matsushiro-literary-and-military-school-was-the-han-school-of-matsushiro-domain-under-the-edo-period-to-image460769865.htmlRF2HNHTJH–nagano, japan, 2022/12/02 , exterior of Former Matsushiro Literary and Military School was the Han school of Matsushiro Domain under the Edo period To
Ritsurin Garden in Takamatsu: one of Japan's treasures with its feudal origins in the 16th century and some of the best pine trees in Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ritsurin-garden-in-takamatsu-one-of-japans-treasures-with-its-feudal-origins-in-the-16th-century-and-some-of-the-best-pine-trees-in-japan-image558002680.htmlRF2RBR634–Ritsurin Garden in Takamatsu: one of Japan's treasures with its feudal origins in the 16th century and some of the best pine trees in Japan.
The Daimyo Clock Museum Yanaka Tokyo Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-daimyo-clock-museum-yanaka-tokyo-japan-134571779.htmlRMHPX7JY–The Daimyo Clock Museum Yanaka Tokyo Japan
Woman from Daimyo Household with Attendants 2012 by Kubo Shunman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-from-daimyo-household-with-attendants-2012-by-kubo-shunman-image574980830.htmlRM2TBCHWJ–Woman from Daimyo Household with Attendants 2012 by Kubo Shunman
Matsumoto Castle, known as The Crow Castle surrounded by a water moat and featuring a edo style red bridge. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matsumoto-castle-known-as-the-crow-castle-surrounded-by-a-water-moat-and-featuring-a-edo-style-red-bridge-image425300904.htmlRF2FKX3J0–Matsumoto Castle, known as The Crow Castle surrounded by a water moat and featuring a edo style red bridge.
Tokaido Gojusantsugi Seki Artist Hiroshige Utagawa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tokaido-gojusantsugi-seki-artist-hiroshige-utagawa-image209327799.htmlRMP4FKMR–Tokaido Gojusantsugi Seki Artist Hiroshige Utagawa
Art inspired by On a Balcony a Woman is Seated Playing a Tsuzumi, below a Man in Daimyo Costume is Seated upon a Black Lacquer Box, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 10 1/8 in. (38.4 x 25.7 cm), Prints, Torii Kiyonaga, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-on-a-balcony-a-woman-is-seated-playing-a-tsuzumi-below-a-man-in-daimyo-costume-is-seated-upon-a-black-lacquer-box-edo-period-16151868-ca-1790-japan-polychrome-woodblock-print-ink-and-color-on-paper-15-18-x-10-18-in-384-x-257-cm-prints-torii-kiyonaga-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462906343.htmlRF2HW35NB–Art inspired by On a Balcony a Woman is Seated Playing a Tsuzumi, below a Man in Daimyo Costume is Seated upon a Black Lacquer Box, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 10 1/8 in. (38.4 x 25.7 cm), Prints, Torii Kiyonaga, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Yamauchi Yodo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-yamauchi-yodo-120002144.htmlRMGY6FXT–Portrait of Yamauchi Yodo
Art inspired by Woman Dancer in Daimyo's Palace, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 7 1/4 in. (18.4 cm); W. 12 3/8 in. (31.4 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-woman-dancer-in-daimyos-palace-edo-period-16151868-japan-polychrome-woodblock-print-ink-and-color-on-paper-h-7-14-in-184-cm-w-12-38-in-314-cm-prints-suzuki-harunobu-japanese-17251770-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462761684.htmlRF2HTTH70–Art inspired by Woman Dancer in Daimyo's Palace, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 7 1/4 in. (18.4 cm); W. 12 3/8 in. (31.4 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kurayashiki, from Settsu meisho zue, published in 1798 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kurayashiki-from-settsu-meisho-zue-published-in-1798-image208838522.htmlRMP3NBJJ–Kurayashiki, from Settsu meisho zue, published in 1798
Art inspired by Daimyo's Processions Passing along the Tōkaidō, Edo period (1615–1868), 19th century, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (d): 14 3/8 x 9 3/4 in. (36.5 x 24.8 cm), Prints, Utagawa (Gountei) Sadahide (Japanese, 1807–1878/79, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-daimyos-processions-passing-along-the-tkaid-edo-period-16151868-19th-century-japan-triptych-of-polychrome-woodblock-prints-ink-and-color-on-paper-image-d-14-38-x-9-34-in-365-x-248-cm-prints-utagawa-gountei-sadahide-japanese-1807187879-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921259.htmlRF2HW3TP3–Art inspired by Daimyo's Processions Passing along the Tōkaidō, Edo period (1615–1868), 19th century, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (d): 14 3/8 x 9 3/4 in. (36.5 x 24.8 cm), Prints, Utagawa (Gountei) Sadahide (Japanese, 1807–1878/79, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Japan: Lady Ohatsu (1570 - 30 September 1633), wife of Kyogoku Takatsugu. Hanging scroll painting, 17th century. Ohatsu or Ohatsu-no-kata was a prominently placed figure in the late Sengoku period. In 1587 she married Kyōgoku Takatsugu, a daimyo in Omi province, holding Ōtsu castle for the Toyotomi clan. After her husband's death in 1609, Ohatsu remained abreast of the political intrigues of her day. Ohatsu's close family ties to both the Toyotomi clan and the Tokugawa clan uniquely positioned her to serve as an intermediary between the rivals until 1615, when the Toyotomi were wiped out. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-lady-ohatsu-1570-30-september-1633-wife-of-kyogoku-takatsugu-hanging-scroll-painting-17th-century-ohatsu-or-ohatsu-no-kata-was-a-prominently-placed-figure-in-the-late-sengoku-period-in-1587-she-married-kygoku-takatsugu-a-daimyo-in-omi-province-holding-tsu-castle-for-the-toyotomi-clan-after-her-husbands-death-in-1609-ohatsu-remained-abreast-of-the-political-intrigues-of-her-day-ohatsus-close-family-ties-to-both-the-toyotomi-clan-and-the-tokugawa-clan-uniquely-positioned-her-to-serve-as-an-intermediary-between-the-rivals-until-1615-when-the-toyotomi-were-wiped-out-image344234393.htmlRM2B016DD–Japan: Lady Ohatsu (1570 - 30 September 1633), wife of Kyogoku Takatsugu. Hanging scroll painting, 17th century. Ohatsu or Ohatsu-no-kata was a prominently placed figure in the late Sengoku period. In 1587 she married Kyōgoku Takatsugu, a daimyo in Omi province, holding Ōtsu castle for the Toyotomi clan. After her husband's death in 1609, Ohatsu remained abreast of the political intrigues of her day. Ohatsu's close family ties to both the Toyotomi clan and the Tokugawa clan uniquely positioned her to serve as an intermediary between the rivals until 1615, when the Toyotomi were wiped out.
The Third Otani Hiroji as a Daimyo Standing on the Engawa, Katsukawa Shunshō, ca. 1771 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-third-otani-hiroji-as-a-daimyo-standing-on-the-engawa-katsukawa-162413696.htmlRMKC6G94–The Third Otani Hiroji as a Daimyo Standing on the Engawa, Katsukawa Shunshō, ca. 1771
The Third Ichikawa Yaozo as a Daimyo Standing Under a Maple Tree. Artist: Katsukawa Shunsho (Japanese, 1726-1792). Culture: Japan. Dimensions: 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm). Date: ca. 1783. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-third-ichikawa-yaozo-as-a-daimyo-standing-under-a-maple-tree-artist-katsukawa-shunsho-japanese-1726-1792-culture-japan-dimensions-12-58-x-5-34-in-321-x-146-cm-date-ca-1783-museum-metropolitan-museum-of-art-new-york-usa-image212869415.htmlRMPA9133–The Third Ichikawa Yaozo as a Daimyo Standing Under a Maple Tree. Artist: Katsukawa Shunsho (Japanese, 1726-1792). Culture: Japan. Dimensions: 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm). Date: ca. 1783. Museum: Metropolitan Museum of Art, New York, USA.
Woman Dancer in Daimyo's Palace, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 7 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-woman-dancer-in-daimyos-palace-edo-period-16151868-japan-polychrome-162411451.htmlRMKC6DCY–Woman Dancer in Daimyo's Palace, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 7 1/4 in
. 酒井忠恭。江戸時代の大名。Sakai Tadazumi was Daimyo of Japan at Edo Period. Unknown date. Unknown 585 Tadadumi Sakai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sakai-tadazumi-was-daimyo-of-japan-at-edo-period-unknown-date-unknown-585-tadadumi-sakai-image187500817.htmlRMMW1B5N–. 酒井忠恭。江戸時代の大名。Sakai Tadazumi was Daimyo of Japan at Edo Period. Unknown date. Unknown 585 Tadadumi Sakai
Search Results for Daimyo of the edo period Stock Photos and Images (443)
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