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Cycladic period Stock Photos and Images
Female statue of the Early Cycladic folded-arm type. Parian marble. 2700-2300 BC. National Archaeological Museum of Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-female-statue-of-the-early-cycladic-folded-arm-type-parian-marble-168320171.htmlRMKNRJ2K–Female statue of the Early Cycladic folded-arm type. Parian marble. 2700-2300 BC. National Archaeological Museum of Athens. Greece.
Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-violin-shaped-figurine-early-cycladic-period-i-grotta-pelos-phase-3200-2800-bc-national-archaeological-museum-athens-image336192366.htmlRF2AEXTP6–Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.
Phithos. Unknown (Cyclades, Greece). 7th century BC. Decoration with orientalizing relief. Panel central: Perseus (left, wearing a hat, winged boots and the kibisis slung over his shoulder) averts his gaze as he kills Medusa, figured here as a female centaur. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-phithos-unknown-cyclades-greece-7th-century-bc-decoration-with-orientalizing-165927510.htmlRMKHXJ6E–Phithos. Unknown (Cyclades, Greece). 7th century BC. Decoration with orientalizing relief. Panel central: Perseus (left, wearing a hat, winged boots and the kibisis slung over his shoulder) averts his gaze as he kills Medusa, figured here as a female centaur. Louvre Museum. Paris. France.
Male Figurine possesses a sash and a small triangular dagger Early Cycladic II period 2800-2300 BC Museum Athens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/male-figurine-possesses-a-sash-and-a-small-triangular-dagger-early-cycladic-ii-period-2800-2300-bc-museum-athens-image592950310.htmlRM2WCK64P–Male Figurine possesses a sash and a small triangular dagger Early Cycladic II period 2800-2300 BC Museum Athens
Female statue of the Early Cycladic folded-arm type; Parian marble. Amorgos, Early Cycladic II period (Keros-Syros Culture, 2800-2300 BC). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-statue-of-the-early-cycladic-folded-arm-type-parian-marble-amorgos-early-cycladic-ii-period-keros-syros-culture-2800-2300-bc-image433198732.htmlRM2G4NWB8–Female statue of the Early Cycladic folded-arm type; Parian marble. Amorgos, Early Cycladic II period (Keros-Syros Culture, 2800-2300 BC).
Ceramic Vessel, for domestic use, Early Cycladic II period, 2500 BC, Kastraki Polichniou on Naxos, National Archaeological Museum in Athens.Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceramic-vessel-for-domestic-use-early-cycladic-ii-period-2500-bc-kastraki-polichniou-on-naxos-national-archaeological-museum-in-athensgreece-image476171581.htmlRM2JJKDKW–Ceramic Vessel, for domestic use, Early Cycladic II period, 2500 BC, Kastraki Polichniou on Naxos, National Archaeological Museum in Athens.Greece.
Violin-shaped Cycladic figurines depicting female idols. Early Cycladic I period, Grotta-Pelos culture, 3200-2800 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/violin-shaped-cycladic-figurines-depicting-female-idols-early-cycladic-i-period-grotta-pelos-culture-3200-2800-bc-image328353854.htmlRM2A25PKA–Violin-shaped Cycladic figurines depicting female idols. Early Cycladic I period, Grotta-Pelos culture, 3200-2800 BC.
One of the oldest arts practiced in Sifnos, the very Cycladic period angioplasty. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-of-the-oldest-arts-practiced-in-sifnos-the-very-cycladic-period-75278758.htmlRMEAD6R2–One of the oldest arts practiced in Sifnos, the very Cycladic period angioplasty.
Ceramic Frying Pan, Cycladic Civilization, 2800 - 2300 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceramic-frying-pan-cycladic-civilization-2800-2300-bc-image224930623.htmlRFR1XD8F–Ceramic Frying Pan, Cycladic Civilization, 2800 - 2300 BC.
Figurine, Early Cycladic II Period, c2800-c2300BC. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figurine-early-cycladic-ii-period-c2800-c2300bc-artist-unknown-image186200985.htmlRMMPX575–Figurine, Early Cycladic II Period, c2800-c2300BC. Artist: Unknown.
Greece. Cycladic civilization. 3rd millenium BC. Marble head from Amorgos. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greece-cycladic-civilization-3rd-millenium-bc-marble-head-from-amorgos-74766513.htmlRME9HWCH–Greece. Cycladic civilization. 3rd millenium BC. Marble head from Amorgos. National Archaeological Museum. Athens. Greece.
Cycladic period human figures isolated on white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-period-human-figures-isolated-on-white-background-image446561442.htmlRF2GXEHJX–Cycladic period human figures isolated on white background
Double Flute Player. Cycladic statuette. Marble. Ca. 2700-2300 BC. Early Cycladic II Culture. From Keros, The Cyclades, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-flute-player-cycladic-statuette-marble-ca-2700-2300-bc-early-cycladic-ii-culture-from-keros-the-cyclades-greece-image179684585.htmlRMMC99EH–Double Flute Player. Cycladic statuette. Marble. Ca. 2700-2300 BC. Early Cycladic II Culture. From Keros, The Cyclades, Greece.
Marble statuette of a standing male figure playing a musical instrument (the double flute) of the Early Cycladic II period (2800-2300 BC), Athens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statuette-of-a-standing-male-figure-playing-a-musical-instrument-the-double-flute-of-the-early-cycladic-ii-period-2800-2300-bc-athens-image407002418.htmlRM2EJ4FMJ–Marble statuette of a standing male figure playing a musical instrument (the double flute) of the Early Cycladic II period (2800-2300 BC), Athens.
Female Cycladic Idol, attributed to Goulandris Master. Early Cycladic II. 2800-2300 BC. From Island of Amorgos (Cycladic Islands). National Archaeological Museum. Athens, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-cycladic-idol-attributed-to-goulandris-master-early-cycladic-ii-2800-2300-bc-from-island-of-amorgos-cycladic-islands-national-archaeological-museum-athens-greece-image342171529.htmlRM2ATK77N–Female Cycladic Idol, attributed to Goulandris Master. Early Cycladic II. 2800-2300 BC. From Island of Amorgos (Cycladic Islands). National Archaeological Museum. Athens, Greece.
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170262.htmlRMMTE9G6–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
Cycladic relief. Pithos. Depiction of Potnia Theron, the Mistress of the Animals. Goddess of nature, crowned with flowers and shotts, flanked by two rampant lionesses and two submissive women. Second half 7th century BC. Island of Delos. National Archaeological Museum. Athens, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-relief-pithos-depiction-of-potnia-theron-the-mistress-of-the-animals-goddess-of-nature-crowned-with-flowers-and-shotts-flanked-by-two-rampant-lionesses-and-two-submissive-women-second-half-7th-century-bc-island-of-delos-national-archaeological-museum-athens-greece-image337428821.htmlRM2AGY5W9–Cycladic relief. Pithos. Depiction of Potnia Theron, the Mistress of the Animals. Goddess of nature, crowned with flowers and shotts, flanked by two rampant lionesses and two submissive women. Second half 7th century BC. Island of Delos. National Archaeological Museum. Athens, Greece.
Art inspired by Terracotta kernos (vase for multiple offerings), Early Cycladic III–Middle Cycladic I, ca. 2300–2200 B.C., Cycladic, Terracotta, Overall: 13 5/8 in. (34.6 cm), Vases, Although the kernos was used in widely disparate regions during the prehistoric period, particularly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-terracotta-kernos-vase-for-multiple-offerings-early-cycladic-iiimiddle-cycladic-i-ca-23002200-bc-cycladic-terracotta-overall-13-58-in-346-cm-vases-although-the-kernos-was-used-in-widely-disparate-regions-during-the-prehistoric-period-particularly-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462934399.htmlRF2HW4DFB–Art inspired by Terracotta kernos (vase for multiple offerings), Early Cycladic III–Middle Cycladic I, ca. 2300–2200 B.C., Cycladic, Terracotta, Overall: 13 5/8 in. (34.6 cm), Vases, Although the kernos was used in widely disparate regions during the prehistoric period, particularly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
CYCLADIC ART. Female figurine of the canonical type by the Goulandris master. Spedos variety. Early Bronze Age, Early Cycladic II period 2800-2300 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-art-female-figurine-of-the-canonical-type-by-the-goulandris-master-spedos-variety-early-bronze-age-early-cycladic-ii-period-2800-2300-image609180881.htmlRM2XB2GC1–CYCLADIC ART. Female figurine of the canonical type by the Goulandris master. Spedos variety. Early Bronze Age, Early Cycladic II period 2800-2300
Art inspired by Marble bowl, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Marble, Overall: 2 1/4 x 5 3/4 in. (5.7 x 14.6 cm), Miscellaneous-Stone Vases, Handmade bowls such as this were among the most popular stone vessels in the Early Cycladic II period. Many examples with known, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-marble-bowl-early-cycladic-ii-ca-27002400-bc-cycladic-marble-overall-2-14-x-5-34-in-57-x-146-cm-miscellaneous-stone-vases-handmade-bowls-such-as-this-were-among-the-most-popular-stone-vessels-in-the-early-cycladic-ii-period-many-examples-with-known-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790592.htmlRF2HTWX3C–Art inspired by Marble bowl, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Marble, Overall: 2 1/4 x 5 3/4 in. (5.7 x 14.6 cm), Miscellaneous-Stone Vases, Handmade bowls such as this were among the most popular stone vessels in the Early Cycladic II period. Many examples with known, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-violin-shaped-figurine-early-cycladic-period-i-grotta-pelos-phase-3200-2800-bc-national-archaeological-museum-athens-image337052064.htmlRF2AGA19M–Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.
Marble bowl, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Marble, Overall: 2 1/4 x 5 3/4 in. (5.7 x 14.6 cm), Miscellaneous Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-marble-bowl-early-cycladic-ii-ca-27002400-bc-cycladic-marble-overall-162379558.htmlRMKC50NX–Marble bowl, Early Cycladic II, ca. 2700–2400 B.C., Cycladic, Marble, Overall: 2 1/4 x 5 3/4 in. (5.7 x 14.6 cm), Miscellaneous
Cycladic Art. Ancient period II. Greece. Man with a glass. Canonical style. Belongs to the Syros phase (2800-2300 b.C.). Museum of Cycladic and Ancient Greek Art. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-art-ancient-period-ii-greece-man-with-a-glass-canonical-style-belongs-to-the-syros-phase-2800-2300-bc-museum-of-cycladic-and-ancient-greek-art-athens-greece-image209612627.htmlRMP50K17–Cycladic Art. Ancient period II. Greece. Man with a glass. Canonical style. Belongs to the Syros phase (2800-2300 b.C.). Museum of Cycladic and Ancient Greek Art. Athens. Greece.
Cycladic Art. Ancient period II. Greece. Man with a glass. Canonical style. Belongs to the Syros phase (2800-2300 b.C.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cycladic-art-ancient-period-ii-greece-man-with-a-glass-canonical-style-27236824.htmlRMBG8MRM–Cycladic Art. Ancient period II. Greece. Man with a glass. Canonical style. Belongs to the Syros phase (2800-2300 b.C.).
Marble statuette ,male figure playing a musical instrument, lyre or harp, Keros, Early Cycladic II period, (Keros - Syros culture, 2800 - 2300 B.C. National Archaeological Museum in Athens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statuette-male-figure-playing-a-musical-instrument-lyre-or-harp-keros-early-cycladic-ii-period-keros-syros-culture-2800-2300-bc-national-archaeological-museum-in-athens-image476171580.htmlRM2JJKDKT–Marble statuette ,male figure playing a musical instrument, lyre or harp, Keros, Early Cycladic II period, (Keros - Syros culture, 2800 - 2300 B.C. National Archaeological Museum in Athens.
Violin-shaped Cycladic figurines depicting female idols. Early Cycladic I period, Grotta-Pelos culture, 3200-2800 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/violin-shaped-cycladic-figurines-depicting-female-idols-early-cycladic-i-period-grotta-pelos-culture-3200-2800-bc-image328353856.htmlRM2A25PKC–Violin-shaped Cycladic figurines depicting female idols. Early Cycladic I period, Grotta-Pelos culture, 3200-2800 BC.
One of the oldest arts practiced in Sifnos, the very Cycladic period angioplasty. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-of-the-oldest-arts-practiced-in-sifnos-the-very-cycladic-period-75278765.htmlRMEAD6R9–One of the oldest arts practiced in Sifnos, the very Cycladic period angioplasty.
Standing female figure of soft limestone known as the Zintilis idol Chalcolithic period 3900-2500 BC Athens, Museum, Greek, Greece. . Museum of Cycladic Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-female-figure-of-soft-limestone-known-as-the-zintilis-idol-chalcolithic-period-3900-2500-bc-athens-museum-greek-greece-museum-of-cycladic-art-image564742324.htmlRM2RPP6GM–Standing female figure of soft limestone known as the Zintilis idol Chalcolithic period 3900-2500 BC Athens, Museum, Greek, Greece. . Museum of Cycladic Art
Kernos, Early Cycladic III Period (c2300 BC-c2100 BC). Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kernos-early-cycladic-iii-period-c2300-bc-c2100-bc-artist-unknown-image186168174.htmlRMMPTKBA–Kernos, Early Cycladic III Period (c2300 BC-c2100 BC). Artist: Unknown.
Greece in the Bronze Age Political Map, 2400 to 3000 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-in-the-bronze-age-political-map-2400-to-3000-bc-image212176325.htmlRFP95D1W–Greece in the Bronze Age Political Map, 2400 to 3000 BC
Head of a Cycladic statue. Sculptured nose, mouth and ears. Painted eyes and red vertical striations on the right cheek. Parian marble; found on Amorgos. Early Cycladic II period (Keros-Syros culture) 2800-2300 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-head-of-a-cycladic-statue-sculptured-nose-mouth-and-ears-painted-eyes-57432228.htmlRMD9C7B0–Head of a Cycladic statue. Sculptured nose, mouth and ears. Painted eyes and red vertical striations on the right cheek. Parian marble; found on Amorgos. Early Cycladic II period (Keros-Syros culture) 2800-2300 BC
Milos island, Greece - September 1 2015: Ancient greek vase pithos isolated on black background - Late Cycladic period - Milos i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-milos-island-greece-september-1-2015-ancient-greek-vase-pithos-isolated-115818168.htmlRMGMBY74–Milos island, Greece - September 1 2015: Ancient greek vase pithos isolated on black background - Late Cycladic period - Milos i
Panoramic view from Oia's cliffs, overlooking the island of Santorini. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-panoramic-view-from-oias-cliffs-overlooking-the-island-of-santorini-176638197.htmlRFM7AFR1–Panoramic view from Oia's cliffs, overlooking the island of Santorini.
Original late 1950's early1960's souvenir postcard of windmill with working sails, used to mill wheat. Greek island of Mykonos, Cyclades, Greece, this image shows the last working years of this windmill. The windmills are iconic features of Mykonos. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-late-1950s-early1960s-souvenir-postcard-of-windmill-with-working-sails-used-to-mill-wheat-greek-island-of-mykonos-cyclades-greece-this-image-shows-the-last-working-years-of-this-windmill-the-windmills-are-iconic-features-of-mykonos-image563493176.htmlRM2RMN988–Original late 1950's early1960's souvenir postcard of windmill with working sails, used to mill wheat. Greek island of Mykonos, Cyclades, Greece, this image shows the last working years of this windmill. The windmills are iconic features of Mykonos.
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170289.htmlRMMTE9H5–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
The “cup-bearer” (special figure type), Early Cycladic II period (ca. 2600 BC). Museum of Cycladic Art, Athens, Greece . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cup-bearer-special-figure-type-early-cycladic-ii-period-ca-2600-bc-museum-of-cycladic-art-athens-greece-image435316268.htmlRF2G86A9G–The “cup-bearer” (special figure type), Early Cycladic II period (ca. 2600 BC). Museum of Cycladic Art, Athens, Greece .
Tourist items representing Cycladic idols. Hand made & representing the neolithic, Cycladic & Archaic period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tourist-items-representing-cycladic-idols-hand-made-representing-the-neolithic-cycladic-archaic-period-image454166831.htmlRM2HAW2BY–Tourist items representing Cycladic idols. Hand made & representing the neolithic, Cycladic & Archaic period.
CYCLADIC ART. Female figurine of the canonical type by the Goulandris master. Spedos variety. Early Bronze Age, Early Cycladic II period 2800-2300 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-art-female-figurine-of-the-canonical-type-by-the-goulandris-master-spedos-variety-early-bronze-age-early-cycladic-ii-period-2800-2300-image609180884.htmlRM2XB2GC4–CYCLADIC ART. Female figurine of the canonical type by the Goulandris master. Spedos variety. Early Bronze Age, Early Cycladic II period 2800-2300
Ægean archæeology; an introduction to the archæeology of prehistoric Greece . to the islands and the mainland. Left to themselves the Melians had not been able,owing to greater poverty and lack of opportunity, tokeep up the impulse which had pushed their culture atfirst a little ahead of that of Crete. Their pottery ofthe later Early Cycladic period and the MiddleCycladic, corresponding in time to E.M.III-M.M.II,was, though characteristic, undistinguished, and ratherarchaic in comparison with that of Crete. There is stillan early character about it. Typical vases are big group-pots or kernoi ( Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gean-archeology-an-introduction-to-the-archeology-of-prehistoric-greece-to-the-islands-and-the-mainland-left-to-themselves-the-melians-had-not-been-ableowing-to-greater-poverty-and-lack-of-opportunity-tokeep-up-the-impulse-which-had-pushed-their-culture-atfirst-a-little-ahead-of-that-of-crete-their-pottery-ofthe-later-early-cycladic-period-and-the-middlecycladic-corresponding-in-time-to-emiii-mmiiwas-though-characteristic-undistinguished-and-ratherarchaic-in-comparison-with-that-of-crete-there-is-stillan-early-character-about-it-typical-vases-are-big-group-pots-or-kernoi-image338368839.htmlRM2AJE0WB–Ægean archæeology; an introduction to the archæeology of prehistoric Greece . to the islands and the mainland. Left to themselves the Melians had not been able,owing to greater poverty and lack of opportunity, tokeep up the impulse which had pushed their culture atfirst a little ahead of that of Crete. Their pottery ofthe later Early Cycladic period and the MiddleCycladic, corresponding in time to E.M.III-M.M.II,was, though characteristic, undistinguished, and ratherarchaic in comparison with that of Crete. There is stillan early character about it. Typical vases are big group-pots or kernoi (
Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeologic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-terracotta-frying-pan-with-incied-spiral-decoration-from-chalandriani-syros-early-cycladic-period-ii-2800-2300-bc-national-archaeologic-image337053588.htmlRF2AGA384–Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeologic
Terracotta jug ca. 2300–1900 B.C. Cycladic The kernos, the jar, and the jug were found together in 1829 on Melos by the British naval captain Richard Copeland, whose widow gave them to Eton College in 1857. Of the three, the kernos is the most intriguing and complex. Although kernoi were used in widely disparate regions during the prehistoric period, particularly impressive examples have come to light in the Cyclades, and this is one of the largest, most elaborate and elegant kernoi to have survived. The twenty-five flask-like containers around the central bowl were probably used to hold offer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-jug-ca-23001900-bc-cycladic-the-kernos-the-jar-and-the-jug-were-found-together-in-1829-on-melos-by-the-british-naval-captain-richard-copeland-whose-widow-gave-them-to-eton-college-in-1857-of-the-three-the-kernos-is-the-most-intriguing-and-complex-although-kernoi-were-used-in-widely-disparate-regions-during-the-prehistoric-period-particularly-impressive-examples-have-come-to-light-in-the-cyclades-and-this-is-one-of-the-largest-most-elaborate-and-elegant-kernoi-to-have-survived-the-twenty-five-flask-like-containers-around-the-central-bowl-were-probably-used-to-hold-offer-image458264523.htmlRM2HHFN23–Terracotta jug ca. 2300–1900 B.C. Cycladic The kernos, the jar, and the jug were found together in 1829 on Melos by the British naval captain Richard Copeland, whose widow gave them to Eton College in 1857. Of the three, the kernos is the most intriguing and complex. Although kernoi were used in widely disparate regions during the prehistoric period, particularly impressive examples have come to light in the Cyclades, and this is one of the largest, most elaborate and elegant kernoi to have survived. The twenty-five flask-like containers around the central bowl were probably used to hold offer
Terracotta kernos (vase for multiple offerings). Culture: Cycladic. Dimensions: Overall: 13 5/8 in. (34.6 cm) Other: 14in. (35.5cm). Date: ca. 2300-2200 B.C.. Although the kernos was used in widely disparate regions during the prehistoric period, particularly impressive examples have come to light in the Cyclades, and this is one of the grandest preserved. The receptacles probably contained foodstuffs of various kinds or perhaps of flowers. The kernos was found, together with the jar (2004.363.2) and the jug (2004.363.3) displayed nearby in this gallery, in 1829 in a tomb on Melos by Capta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-kernos-vase-for-multiple-offerings-culture-cycladic-dimensions-overall-13-58-in-346-cm-other-14in-355cm-date-ca-2300-2200-bc-although-the-kernos-was-used-in-widely-disparate-regions-during-the-prehistoric-period-particularly-impressive-examples-have-come-to-light-in-the-cyclades-and-this-is-one-of-the-grandest-preserved-the-receptacles-probably-contained-foodstuffs-of-various-kinds-or-perhaps-of-flowers-the-kernos-was-found-together-with-the-jar-20043632-and-the-jug-20043633-displayed-nearby-in-this-gallery-in-1829-in-a-tomb-on-melos-by-capta-image213144568.htmlRMPANG20–Terracotta kernos (vase for multiple offerings). Culture: Cycladic. Dimensions: Overall: 13 5/8 in. (34.6 cm) Other: 14in. (35.5cm). Date: ca. 2300-2200 B.C.. Although the kernos was used in widely disparate regions during the prehistoric period, particularly impressive examples have come to light in the Cyclades, and this is one of the grandest preserved. The receptacles probably contained foodstuffs of various kinds or perhaps of flowers. The kernos was found, together with the jar (2004.363.2) and the jug (2004.363.3) displayed nearby in this gallery, in 1829 in a tomb on Melos by Capta
Clay figurine of wild goat with harmonious plasticity, from the vaulted tomb at Porti Messara, Prepalatial period (2500-2000 BC) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-clay-figurine-of-wild-goat-with-harmonious-plasticity-from-the-vaulted-131008975.htmlRMHH3Y7Y–Clay figurine of wild goat with harmonious plasticity, from the vaulted tomb at Porti Messara, Prepalatial period (2500-2000 BC)
Beautiful mosaic (Roman Period) on the terrace of the Archaeological museum of Naxos island, Chora of Naxos, Cyclades, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beautiful-mosaic-roman-period-on-the-terrace-of-the-archaeological-85572757.htmlRMEY64WW–Beautiful mosaic (Roman Period) on the terrace of the Archaeological museum of Naxos island, Chora of Naxos, Cyclades, Greece.
Athens, Greece. 23rd May, 2018. Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/athens-greece-23rd-may-2018-marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185985723.htmlRMMPGAK7–Athens, Greece. 23rd May, 2018. Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
One of the oldest arts practiced in Sifnos, the very Cycladic period angioplasty. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-of-the-oldest-arts-practiced-in-sifnos-the-very-cycladic-period-75278754.htmlRMEAD6PX–One of the oldest arts practiced in Sifnos, the very Cycladic period angioplasty.
Large Jug with a cylindrical body and ribbed strap handle Roman period 2nd century AD Athens, Museum, Greek, Greece. Museum of Cycladic Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/large-jug-with-a-cylindrical-body-and-ribbed-strap-handle-roman-period-2nd-century-ad-athens-museum-greek-greece-museum-of-cycladic-art-image565074044.htmlRM2RR99KT–Large Jug with a cylindrical body and ribbed strap handle Roman period 2nd century AD Athens, Museum, Greek, Greece. Museum of Cycladic Art
Cycladic figurine, Early Cycladic I Period, c3100-c2800BC. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-figurine-early-cycladic-i-period-c3100-c2800bc-artist-unknown-image186201119.htmlRMMPX5BY–Cycladic figurine, Early Cycladic I Period, c3100-c2800BC. Artist: Unknown.
Group of Syros female statuette Early Cycladic II 2700 - 2300 BC Type Spédos Cyclades Greece Greek Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-group-of-syros-female-statuette-early-cycladic-ii-2700-2300-bc-type-43780412.htmlRMCF6AA4–Group of Syros female statuette Early Cycladic II 2700 - 2300 BC Type Spédos Cyclades Greece Greek
Chora in Astypalea, Island, old couple is going for a walk and holding hands, romantic, sunset, cycladic greek twon, traditional Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chora-in-astypalea-island-old-couple-is-going-for-a-walk-and-holding-hands-romantic-sunset-cycladic-greek-twon-traditional-image591633628.htmlRF2WAF6MC–Chora in Astypalea, Island, old couple is going for a walk and holding hands, romantic, sunset, cycladic greek twon, traditional
Boeotian Pyxis with Lid 740 BC (Late Geometric period) Water-birds are depicted within panels, Athens, Museum, Greek, Greece. . Museum of Cycladic Art,( container for personal items ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boeotian-pyxis-with-lid-740-bc-late-geometric-period-water-birds-are-depicted-within-panels-athens-museum-greek-greece-museum-of-cycladic-art-container-for-personal-items-image565074053.htmlRM2RR99M5–Boeotian Pyxis with Lid 740 BC (Late Geometric period) Water-birds are depicted within panels, Athens, Museum, Greek, Greece. . Museum of Cycladic Art,( container for personal items )
Narrow street in chora in Astypalea City under the castle, eating stray cats and motorcycle between the white traditinal cycladic houses, Greece, cat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/narrow-street-in-chora-in-astypalea-city-under-the-castle-eating-stray-cats-and-motorcycle-between-the-white-traditinal-cycladic-houses-greece-cat-image591633630.htmlRF2WAF6ME–Narrow street in chora in Astypalea City under the castle, eating stray cats and motorcycle between the white traditinal cycladic houses, Greece, cat
The Ptolemaic Garrison Gymnasium, an exercise area dating from the Hellenistic period, Ancient Thera, Santorini, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ptolemaic-garrison-gymnasium-an-exercise-area-dating-from-the-hellenistic-period-ancient-thera-santorini-greece-image223512438.htmlRMPYHTB2–The Ptolemaic Garrison Gymnasium, an exercise area dating from the Hellenistic period, Ancient Thera, Santorini, Greece.
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170218.htmlRMMTE9EJ–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
Female figurine of the canonical type (Dokathismata variety), Early Cycladic II period (ca. 2400 BC). Museum of Cycladic Art, Athens, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-figurine-of-the-canonical-type-dokathismata-variety-early-cycladic-ii-period-ca-2400-bc-museum-of-cycladic-art-athens-greece-image435316195.htmlRF2G86A6Y–Female figurine of the canonical type (Dokathismata variety), Early Cycladic II period (ca. 2400 BC). Museum of Cycladic Art, Athens, Greece.
Tourist items representing Cycladic idols. Hand made & representing the neolithic, Cycladic & Archaic period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tourist-items-representing-cycladic-idols-hand-made-representing-the-neolithic-cycladic-archaic-period-image454166769.htmlRM2HAW29N–Tourist items representing Cycladic idols. Hand made & representing the neolithic, Cycladic & Archaic period.
CYCLADIC ART, Female figurine, from the early cycladid II period Syros phase, (2800-2300 BC) Canonical type, Dokathismata variety. Atributed to the As Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-art-female-figurine-from-the-early-cycladid-ii-period-syros-phase-2800-2300-bc-canonical-type-dokathismata-variety-atributed-to-the-as-image609180810.htmlRM2XB2G9E–CYCLADIC ART, Female figurine, from the early cycladid II period Syros phase, (2800-2300 BC) Canonical type, Dokathismata variety. Atributed to the As
. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . Fig. 534. Griffin at a Flying Gallop on Dagger-blade, Mycenae.. Fig. 535. Bird-Griffin. On Melian Vase of Early Middle Cycladic III Date. these lines, which had some relation to natural features in their originalform, into decorative coils that fall about the neck and spread along thelower part of the wings. The evidence supplied by the Melian ceramicdesign of the begfinnino- of the Third Cycladic Period, repeated in Fig-. 533, i, ^9°^^. , . ., Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-palace-of-minos-a-comparative-account-of-the-successive-stages-of-the-early-cretan-civilization-as-illustrated-by-the-discoveries-at-knossos-fig-534-griffin-at-a-flying-gallop-on-dagger-blade-mycenae-fig-535-bird-griffin-on-melian-vase-of-early-middle-cycladic-iii-date-these-lines-which-had-some-relation-to-natural-features-in-their-originalform-into-decorative-coils-that-fall-about-the-neck-and-spread-along-thelower-part-of-the-wings-the-evidence-supplied-by-the-melian-ceramicdesign-of-the-begfinnino-of-the-third-cycladic-period-repeated-in-fig-533-i-9-image369748658.htmlRM2CDFE56–. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . Fig. 534. Griffin at a Flying Gallop on Dagger-blade, Mycenae.. Fig. 535. Bird-Griffin. On Melian Vase of Early Middle Cycladic III Date. these lines, which had some relation to natural features in their originalform, into decorative coils that fall about the neck and spread along thelower part of the wings. The evidence supplied by the Melian ceramicdesign of the begfinnino- of the Third Cycladic Period, repeated in Fig-. 533, i, ^9°^^. , . .,
Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-terracotta-frying-pan-with-incied-star-decoration-from-chalandriani-syros-early-cycladic-period-ii-2800-2300-bc-national-archaeological-image336192653.htmlRF2AEXW4D–Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological
Terracotta kernos (vase for multiple offerings) ca. 2300–2200 B.C. Cycladic Although the kernos was used in widely disparate regions during the prehistoric period, particularly impressive examples have come to light in the Cyclades, and this is one of the grandest preserved. The receptacles probably contained foodstuffs of various kinds or perhaps of flowers.The kernos was found, together with the jar (2004.363.2) and the jug (2004.363.3) displayed nearby in this gallery, in 1829 in a tomb on Melos by Captain Copeland, a British naval officer. In 1857 his widow gave the objects to Eton College Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-kernos-vase-for-multiple-offerings-ca-23002200-bc-cycladic-although-the-kernos-was-used-in-widely-disparate-regions-during-the-prehistoric-period-particularly-impressive-examples-have-come-to-light-in-the-cyclades-and-this-is-one-of-the-grandest-preserved-the-receptacles-probably-contained-foodstuffs-of-various-kinds-or-perhaps-of-flowersthe-kernos-was-found-together-with-the-jar-20043632-and-the-jug-20043633-displayed-nearby-in-this-gallery-in-1829-in-a-tomb-on-melos-by-captain-copeland-a-british-naval-officer-in-1857-his-widow-gave-the-objects-to-eton-college-image458590366.htmlRM2HJ2GKA–Terracotta kernos (vase for multiple offerings) ca. 2300–2200 B.C. Cycladic Although the kernos was used in widely disparate regions during the prehistoric period, particularly impressive examples have come to light in the Cyclades, and this is one of the grandest preserved. The receptacles probably contained foodstuffs of various kinds or perhaps of flowers.The kernos was found, together with the jar (2004.363.2) and the jug (2004.363.3) displayed nearby in this gallery, in 1829 in a tomb on Melos by Captain Copeland, a British naval officer. In 1857 his widow gave the objects to Eton College
Greece. Cycladic civilization. 3rd millenium BC. Marble head from Amorgos. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greece-cycladic-civilization-3rd-millenium-bc-marble-head-from-amorgos-national-archaeological-museum-athens-greece-image210597673.htmlRMP6HFDD–Greece. Cycladic civilization. 3rd millenium BC. Marble head from Amorgos. National Archaeological Museum. Athens. Greece.
Vases of veined stone in various shapes from Mochlos in Eastern Crete. Porti and Platanos Messara, preparatial period 2500-1800. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vases-of-veined-stone-in-various-shapes-from-mochlos-in-eastern-crete-131008990.htmlRMHH3Y8E–Vases of veined stone in various shapes from Mochlos in Eastern Crete. Porti and Platanos Messara, preparatial period 2500-1800.
Beautiful mosaic (Roman Period) on the terrace of the Archaeological museum of Naxos island, Chora of Naxos, Cyclades, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beautiful-mosaic-roman-period-on-the-terrace-of-the-archaeological-48363281.htmlRMCPK3T1–Beautiful mosaic (Roman Period) on the terrace of the Archaeological museum of Naxos island, Chora of Naxos, Cyclades, Greece.
Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-23rd-may-2018-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185982486.htmlRMMPG6FJ–Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
Harpist of Keros, Parian Marble, Seated on Elephant Throne with Stringed Lyre or Harp, Found Island of Keros, From the Grave of Keros, 2800 - 2300 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harpist-of-keros-parian-marble-seated-on-elephant-throne-with-stringed-lyre-or-harp-found-island-of-keros-from-the-grave-of-keros-2800-2300-bc-image212176326.htmlRFP95D1X–Harpist of Keros, Parian Marble, Seated on Elephant Throne with Stringed Lyre or Harp, Found Island of Keros, From the Grave of Keros, 2800 - 2300 BC.
Greece. Tiryns. Mycenaean city (3rd millennium B.C.). Cyclopean wall (1400-1200 B.C.). Peloponnese. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greece-tiryns-mycenaean-city-3rd-millennium-bc-cyclopean-wall-1400-37685772.htmlRMC58MGC–Greece. Tiryns. Mycenaean city (3rd millennium B.C.). Cyclopean wall (1400-1200 B.C.). Peloponnese.
Cycladic figurine, Early Cycladic II Period, c2800-c2300BC. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-figurine-early-cycladic-ii-period-c2800-c2300bc-artist-unknown-image186200986.htmlRMMPX576–Cycladic figurine, Early Cycladic II Period, c2800-c2300BC. Artist: Unknown.
Terracotta kernos (vase for multiple offerings), ca. 2300–2200 B.C Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-terracotta-kernos-vase-for-multiple-offerings-ca-23002200-bc-162419017.htmlRMKC6R35–Terracotta kernos (vase for multiple offerings), ca. 2300–2200 B.C
Naoussa Harbour Paros Cyclades Island Greece Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-naoussa-harbour-paros-cyclades-island-greece-19626999.htmlRFB3X2C7–Naoussa Harbour Paros Cyclades Island Greece
Jug with attached decoration figures on shoulder Red slip and Bichrome ware Cypro Classical I-II 480-310 BC circa 400 BC' Athens, Museum, Greek, Greece. . Museum of Cycladic Art Red Slip Ware' jug with plastic decoration of a female figurine on the shoulder is a typical example of Cypriot pottery in the Classical period (480-325 BC). Most jugs of this kind carry female figures holding an oinochoe, which also functions as the spout through which the contents are poured. Fewer examples feature an animal head. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jug-with-attached-decoration-figures-on-shoulder-red-slip-and-bichrome-ware-cypro-classical-i-ii-480-310-bc-circa-400-bc-athens-museum-greek-greece-museum-of-cycladic-art-red-slip-ware-jug-with-plastic-decoration-of-a-female-figurine-on-the-shoulder-is-a-typical-example-of-cypriot-pottery-in-the-classical-period-480-325-bc-most-jugs-of-this-kind-carry-female-figures-holding-an-oinochoe-which-also-functions-as-the-spout-through-which-the-contents-are-poured-fewer-examples-feature-an-animal-head-image564742338.htmlRM2RPP6H6–Jug with attached decoration figures on shoulder Red slip and Bichrome ware Cypro Classical I-II 480-310 BC circa 400 BC' Athens, Museum, Greek, Greece. . Museum of Cycladic Art Red Slip Ware' jug with plastic decoration of a female figurine on the shoulder is a typical example of Cypriot pottery in the Classical period (480-325 BC). Most jugs of this kind carry female figures holding an oinochoe, which also functions as the spout through which the contents are poured. Fewer examples feature an animal head.
Church of Agia Kyriaki, Porto, Tinos, Greece Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-agia-kyriaki-porto-tinos-greece-12566335.htmlRFAAAADM–Church of Agia Kyriaki, Porto, Tinos, Greece
The Ptolemaic Garrison Gymnasium, an exercise area dating from the Hellenistic period, Ancient Thera, Santorini, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ptolemaic-garrison-gymnasium-an-exercise-area-dating-from-the-hellenistic-period-ancient-thera-santorini-greece-image223512383.htmlRMPYHT93–The Ptolemaic Garrison Gymnasium, an exercise area dating from the Hellenistic period, Ancient Thera, Santorini, Greece.
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170238.htmlRMMTE9FA–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
Female figurine of the canonical type (Dokathismata variety), Early Cycladic II period (ca. 2400 BC). Museum of Cycladic Art, Athens, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-figurine-of-the-canonical-type-dokathismata-variety-early-cycladic-ii-period-ca-2400-bc-museum-of-cycladic-art-athens-greece-image435316253.htmlRF2G86A91–Female figurine of the canonical type (Dokathismata variety), Early Cycladic II period (ca. 2400 BC). Museum of Cycladic Art, Athens, Greece.
Tourist items representing Cycladic idols. Hand made & representing the neolithic, Cycladic & Archaic period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tourist-items-representing-cycladic-idols-hand-made-representing-the-neolithic-cycladic-archaic-period-image454166842.htmlRM2HAW2CA–Tourist items representing Cycladic idols. Hand made & representing the neolithic, Cycladic & Archaic period.
CYCLADIC ART, Female figurine, from the early cycladid II period Syros phase, (2800-2300 BC) Canonical type, Dokathismata variety. Atributed to the As Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-art-female-figurine-from-the-early-cycladid-ii-period-syros-phase-2800-2300-bc-canonical-type-dokathismata-variety-atributed-to-the-as-image609180807.htmlRM2XB2G9B–CYCLADIC ART, Female figurine, from the early cycladid II period Syros phase, (2800-2300 BC) Canonical type, Dokathismata variety. Atributed to the As
Ægean archæeology; an introduction to the archæeology of prehistoric Greece . Fig.21.—Melos; I,frescofragment with sketch ofswallow. Scale . 2, frag-ment with sketch of dol-phin. Phylakopi. Scale.Athens Museum. POTTERY 87 the next period the native Cycladic art has disappeared,all the pottery being either imported Cretan L.M.I ornative imitations of it. The Cretan influence passed on to the mainland.While the Peloponnesians were still using their nativeUrfirnis-waie the influence of the Cyclades had come tothem, and the development of a native style of matt-painted vases {Mattmalerei), after Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gean-archeology-an-introduction-to-the-archeology-of-prehistoric-greece-fig21melos-ifrescofragment-with-sketch-ofswallow-scale-2-frag-ment-with-sketch-of-dol-phin-phylakopi-scaleathens-museum-pottery-87-the-next-period-the-native-cycladic-art-has-disappearedall-the-pottery-being-either-imported-cretan-lmi-ornative-imitations-of-it-the-cretan-influence-passed-on-to-the-mainlandwhile-the-peloponnesians-were-still-using-their-nativeurfirnis-waie-the-influence-of-the-cyclades-had-come-tothem-and-the-development-of-a-native-style-of-matt-painted-vases-mattmalerei-after-image338368553.htmlRM2AJE0F5–Ægean archæeology; an introduction to the archæeology of prehistoric Greece . Fig.21.—Melos; I,frescofragment with sketch ofswallow. Scale . 2, frag-ment with sketch of dol-phin. Phylakopi. Scale.Athens Museum. POTTERY 87 the next period the native Cycladic art has disappeared,all the pottery being either imported Cretan L.M.I ornative imitations of it. The Cretan influence passed on to the mainland.While the Peloponnesians were still using their nativeUrfirnis-waie the influence of the Cyclades had come tothem, and the development of a native style of matt-painted vases {Mattmalerei), after
Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeologic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-terracotta-frying-pan-with-incied-spiral-decoration-from-chalandriani-syros-early-cycladic-period-ii-2800-2300-bc-national-archaeologic-image337054242.htmlRF2AGA43E–Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeologic
Greek Orthodox Church atop hill hillside coast coastline shore shoreline Ios in the Cyclade Island Group Greece Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greek-orthodox-church-atop-hill-hillside-coast-coastline-shore-shoreline-19972966.htmlRMB4DRM6–Greek Orthodox Church atop hill hillside coast coastline shore shoreline Ios in the Cyclade Island Group Greece Europe
Female statue of the Early Cycladic folded-arm type. Parian marble. 2700-2300 BC. National Archaeological Museum of Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-statue-of-the-early-cycladic-folded-arm-type-parian-marble-2700-2300-bc-national-archaeological-museum-of-athens-greece-image211311512.htmlRMP7P1YM–Female statue of the Early Cycladic folded-arm type. Parian marble. 2700-2300 BC. National Archaeological Museum of Athens. Greece.
View of Astypalea Island, Greece, Chora with castle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-astypalea-island-greece-chora-with-castle-image591633605.htmlRF2WAF6KH–View of Astypalea Island, Greece, Chora with castle
Beautiful mosaic (Roman Period) on the terrace of the Archaeological museum of Naxos island, Chora of Naxos, Cyclades, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beautiful-mosaic-roman-period-on-the-terrace-of-the-archaeological-48363302.htmlRMCPK3TP–Beautiful mosaic (Roman Period) on the terrace of the Archaeological museum of Naxos island, Chora of Naxos, Cyclades, Greece.
Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-23rd-may-2018-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185982472.htmlRMMPG6F4–Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
Small chapel in Fira Santorini Greece Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-small-chapel-in-fira-santorini-greece-europe-137649589.htmlRFHYXDCN–Small chapel in Fira Santorini Greece Europe
Greece. Tiryns. Mycenaean city (3rd millennium B.C.). Cyclopean wall (1400-1200 B.C.). Peloponnese. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greece-tiryns-mycenaean-city-3rd-millennium-bc-cyclopean-wall-1400-37685796.htmlRMC58MH8–Greece. Tiryns. Mycenaean city (3rd millennium B.C.). Cyclopean wall (1400-1200 B.C.). Peloponnese.
Zoomorphic (sheep) Kernos, Early Cycladic I Period, c3100-2800BC. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zoomorphic-sheep-kernos-early-cycladic-i-period-c3100-2800bc-artist-unknown-image186201042.htmlRMMPX596–Zoomorphic (sheep) Kernos, Early Cycladic I Period, c3100-2800BC. Artist: Unknown.
Jug with attached decoration figures on shoulder Red slip and Bichrome ware Cypro Classical I-II 480-310 BC circa 400 BC' Athens, Museum, Greek, Greece. . Museum of Cycladic Art Red Slip Ware' jug with plastic decoration of a female figurine on the shoulder is a typical example of Cypriot pottery in the Classical period (480-325 BC). Most jugs of this kind carry female figures holding an oinochoe, which also functions as the spout through which the contents are poured. Fewer examples feature an animal head. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jug-with-attached-decoration-figures-on-shoulder-red-slip-and-bichrome-ware-cypro-classical-i-ii-480-310-bc-circa-400-bc-athens-museum-greek-greece-museum-of-cycladic-art-red-slip-ware-jug-with-plastic-decoration-of-a-female-figurine-on-the-shoulder-is-a-typical-example-of-cypriot-pottery-in-the-classical-period-480-325-bc-most-jugs-of-this-kind-carry-female-figures-holding-an-oinochoe-which-also-functions-as-the-spout-through-which-the-contents-are-poured-fewer-examples-feature-an-animal-head-image564742334.htmlRM2RPP6H2–Jug with attached decoration figures on shoulder Red slip and Bichrome ware Cypro Classical I-II 480-310 BC circa 400 BC' Athens, Museum, Greek, Greece. . Museum of Cycladic Art Red Slip Ware' jug with plastic decoration of a female figurine on the shoulder is a typical example of Cypriot pottery in the Classical period (480-325 BC). Most jugs of this kind carry female figures holding an oinochoe, which also functions as the spout through which the contents are poured. Fewer examples feature an animal head.
Church, Porto Greek Island of Tinos Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-porto-greek-island-of-tinos-12550613.htmlRFAA8KKJ–Church, Porto Greek Island of Tinos
Ruins at the Sanctuary of Temple of Apollo Pythios. Ancient Thera. Santorini. Greece. The sanctuary was developed during the Hellenistic period in hon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-at-the-sanctuary-of-temple-of-apollo-pythios-ancient-thera-santorini-greece-the-sanctuary-was-developed-during-the-hellenistic-period-in-hon-image223510775.htmlRMPYHP7K–Ruins at the Sanctuary of Temple of Apollo Pythios. Ancient Thera. Santorini. Greece. The sanctuary was developed during the Hellenistic period in hon
Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-image187170279.htmlRMMTE9GR–Marble Statue of Amorgos., Early Cycladic II period. 2800-2300 B.C. 'Countless Aspects of Beauty' in Ancient Art at the National Archaeological Museum
Tourist items representing Cycladic idols. Hand made & representing the neolithic, Cycladic & Archaic period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tourist-items-representing-cycladic-idols-hand-made-representing-the-neolithic-cycladic-archaic-period-image454166755.htmlRM2HAW297–Tourist items representing Cycladic idols. Hand made & representing the neolithic, Cycladic & Archaic period.
CYCLADIC ART. Figurine of a worrior or hunter, of the Post-canonical type, Chalandriani variety. Early Bronze Age, Early late Cycladic II period 2700 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-art-figurine-of-a-worrior-or-hunter-of-the-post-canonical-type-chalandriani-variety-early-bronze-age-early-late-cycladic-ii-period-2700-image609180972.htmlRM2XB2GF8–CYCLADIC ART. Figurine of a worrior or hunter, of the Post-canonical type, Chalandriani variety. Early Bronze Age, Early late Cycladic II period 2700
Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeologic Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cycladic-terracotta-frying-pan-with-incied-spiral-decoration-from-chalandriani-syros-early-cycladic-period-ii-2800-2300-bc-national-archaeologic-image336192617.htmlRF2AEXW35–Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeologic
Double Flute Player. Cycladic statuette. Marble. Ca. 2700-2300 BC. Early Cycladic II Culture. From Keros, The Cyclades, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-flute-player-cycladic-statuette-marble-ca-2700-2300-bc-early-cycladic-ii-culture-from-keros-the-cyclades-greece-image211234994.htmlRMP7JGAX–Double Flute Player. Cycladic statuette. Marble. Ca. 2700-2300 BC. Early Cycladic II Culture. From Keros, The Cyclades, Greece.
Astypalea Island, Greece beach Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/astypalea-island-greece-beach-image591633585.htmlRF2WAF6JW–Astypalea Island, Greece beach
Beautiful mosaic (Roman Period) on the terrace of the Archaeological museum of Naxos island, Chora of Naxos, Cyclades, Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beautiful-mosaic-roman-period-on-the-terrace-of-the-archaeological-85573096.htmlRMEY65A0–Beautiful mosaic (Roman Period) on the terrace of the Archaeological museum of Naxos island, Chora of Naxos, Cyclades, Greece.
Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-statue-of-amorgos-early-cycladic-ii-period-23rd-may-2018-2800-2300-bc-countless-aspects-of-beauty-in-ancient-art-at-the-national-archaeological-museum-of-athensthe-exhibition-will-be-showing-different-expressions-of-aesthetics-in-heterogeneous-environments-the-way-the-human-form-appears-in-neolithic-culture-but-also-its-evolution-in-cycladic-and-mycenaean-society-as-in-historical-timesthe-exhibition-open-at-26th-of-may-credit-aristidis-vafeiadakiszuma-wirealamy-live-news-image185982478.htmlRMMPG6FA–Marble Statue of Amorgos., Early Cycladic II period. 23rd May, 2018. 2800-2300 B.C. ''Countless Aspects of Beauty'' in Ancient Art at the National Archaeological Museum of Athens.The exhibition will be showing different expressions of aesthetics in heterogeneous environments. The way the human form appears in Neolithic culture but also its evolution in Cycladic and Mycenaean society, as in historical times.The exhibition open at 26th of May. Credit: Aristidis Vafeiadakis/ZUMA Wire/Alamy Live News
Greece. Tiryns. Mycenaean city (3rd millennium B.C.). Cyclopean wall (1400-1200 B.C.). Peloponnese. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-greece-tiryns-mycenaean-city-3rd-millennium-bc-cyclopean-wall-1400-37685820.htmlRMC58MJ4–Greece. Tiryns. Mycenaean city (3rd millennium B.C.). Cyclopean wall (1400-1200 B.C.). Peloponnese.
Church of Agia Kyriaki, Porto, Tinos, Greece Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-agia-kyriaki-porto-tinos-greece-12566325.htmlRFAAAACP–Church of Agia Kyriaki, Porto, Tinos, Greece
Ruins at the Sanctuary of Temple of Apollo Pythios. Ancient Thera. Santorini. Greece. The sanctuary was developed during the Hellenistic period in hon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-at-the-sanctuary-of-temple-of-apollo-pythios-ancient-thera-santorini-greece-the-sanctuary-was-developed-during-the-hellenistic-period-in-hon-image223510810.htmlRMPYHP8X–Ruins at the Sanctuary of Temple of Apollo Pythios. Ancient Thera. Santorini. Greece. The sanctuary was developed during the Hellenistic period in hon
Search Results for Cycladic period Stock Photos and Images (455)
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