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Cream paper mounted Stock Photos and Images
Drawing, Brush and gouache on cream paper, mounted on cream paper, Large roses in oval shape, all in deep fuchsia., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-large-roses-in-oval-shape-all-in-deep-fuchsia-france-and-usa-late-19th-century-textile-designs-drawing-image391257732.htmlRM2DMF96C–Drawing, Brush and gouache on cream paper, mounted on cream paper, Large roses in oval shape, all in deep fuchsia., France and USA, late 19th century, textile designs, Drawing
. English: Title: 6th corps, headquarters at opening of battle, Winchester Abstract/medium: 1 drawing on cream paper mounted on tan paper : pencil ; 6.9 x 8.3 cm. (sheet). . 1864. Waud, Alfred R. (Alfred Rudolph), 1828-1891, artist 23 6th corps, headquarters at opening of battle, Winchester LCCN2004660835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-title-6th-corps-headquarters-at-opening-of-battle-winchester-abstractmedium-1-drawing-on-cream-paper-mounted-on-tan-paper-pencil-69-x-83-cm-sheet-1864-waud-alfred-r-alfred-rudolph-1828-1891-artist-23-6th-corps-headquarters-at-opening-of-battle-winchester-lccn2004660835-image206555918.htmlRMP01C52–. English: Title: 6th corps, headquarters at opening of battle, Winchester Abstract/medium: 1 drawing on cream paper mounted on tan paper : pencil ; 6.9 x 8.3 cm. (sheet). . 1864. Waud, Alfred R. (Alfred Rudolph), 1828-1891, artist 23 6th corps, headquarters at opening of battle, Winchester LCCN2004660835
Fort Sumter, December 9th 1863, View of entrance to Three Gun Bat'y Abstract/medium: 1 drawing on cream paper mounted on tan paper : black and brown ink ; 31.4 x 35.8 cm. (sheet). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fort-sumter-december-9th-1863-view-of-entrance-to-three-gun-baty-abstractmedium-1-drawing-on-cream-paper-mounted-on-tan-paper-black-and-brown-ink-314-x-358-cm-sheet-image265089285.htmlRMWB7T2D–Fort Sumter, December 9th 1863, View of entrance to Three Gun Bat'y Abstract/medium: 1 drawing on cream paper mounted on tan paper : black and brown ink ; 31.4 x 35.8 cm. (sheet).
Inspired by Samuel Fleet Homestead, Frances Flora Palmer, American, 1812-1876, Transparent and opaque watercolor over graphite on cream, moderately thick, slightly textured wove paper mounted to Japanese paper., ca. 1850s, 18 3/8 x 27 1/4 in., 46.7 x 69.2 cm, american, American watercolor, buggy, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-samuel-fleet-homestead-frances-flora-palmer-american-1812-1876-transparent-and-opaque-watercolor-over-graphite-on-cream-moderately-thick-slightly-textured-wove-paper-mounted-to-japanese-paper-ca-1850s-18-38-x-27-14-in-467-x-692-cm-american-american-watercolor-buggy-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254505.htmlRF2HK4RPH–Inspired by Samuel Fleet Homestead, Frances Flora Palmer, American, 1812-1876, Transparent and opaque watercolor over graphite on cream, moderately thick, slightly textured wove paper mounted to Japanese paper., ca. 1850s, 18 3/8 x 27 1/4 in., 46.7 x 69.2 cm, american, American watercolor, buggy, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing; brush and gouache on cream paper, mounted on cream paper; 23 x 20.7 cm (9 1/16 x 8 1/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-23-x-207-cm-9-116-x-8-18-in-image546127353.htmlRM2PME709–Drawing; brush and gouache on cream paper, mounted on cream paper; 23 x 20.7 cm (9 1/16 x 8 1/8 in.)
Print made by John Dean, 1754–1798, British, Mrs. Elliot, 1779. Mezzotint on medium, slightly textured, cream paper mounted on medium, slightly textured, cream laid paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-john-dean-17541798-british-mrs-elliot-1779-mezzotint-on-medium-slightly-textured-cream-paper-mounted-on-medium-slightly-textured-cream-laid-paper-image398443902.htmlRM2E46K7A–Print made by John Dean, 1754–1798, British, Mrs. Elliot, 1779. Mezzotint on medium, slightly textured, cream paper mounted on medium, slightly textured, cream laid paper.
Sleeping Woman. Dated: c. 1863. Dimensions: overall: 25 x 17.7 cm (9 13/16 x 6 15/16 in.). Medium: chalk and charcoal on cream wove paper mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleeping-woman-dated-c-1863-dimensions-overall-25-x-177-cm-9-1316-x-6-1516-in-medium-chalk-and-charcoal-on-cream-wove-paper-mounted-on-paperboard-museum-national-gallery-of-art-washington-dc-author-whistler-james-abbott-mcneill-image225578896.htmlRMR30054–Sleeping Woman. Dated: c. 1863. Dimensions: overall: 25 x 17.7 cm (9 13/16 x 6 15/16 in.). Medium: chalk and charcoal on cream wove paper mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL.
Drypoint on ivory wove paper mounted on cream wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drypoint-on-ivory-wove-paper-mounted-on-cream-wove-paper-image384034914.htmlRM2D8P8CJ–Drypoint on ivory wove paper mounted on cream wove paper
London, UK. 21st Mar, 2023. Figure 8. JK709 Cream, 2010 - Jae Ko-Gi, 氣 Vital Force runs from 22 March - 9 May 2023 at Opera Gallery, London. This is the Korean/American artist's first exhibition in London and features wall-mounted works and freestanding sculptures, and ribbon installations made of recycled paper soaked in vats of ink. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-21st-mar-2023-figure-8-jk709-cream-2010-jae-ko-gi-vital-force-runs-from-22-march-9-may-2023-at-opera-gallery-london-this-is-the-koreanamerican-artists-first-exhibition-in-london-and-features-wall-mounted-works-and-freestanding-sculptures-and-ribbon-installations-made-of-recycled-paper-soaked-in-vats-of-ink-credit-guy-bellalamy-live-news-image543527484.htmlRM2PG7PRT–London, UK. 21st Mar, 2023. Figure 8. JK709 Cream, 2010 - Jae Ko-Gi, 氣 Vital Force runs from 22 March - 9 May 2023 at Opera Gallery, London. This is the Korean/American artist's first exhibition in London and features wall-mounted works and freestanding sculptures, and ribbon installations made of recycled paper soaked in vats of ink. Credit: Guy Bell/Alamy Live News
Checkerboard and Playing Cards, Artist: Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine), Paris 1915, Medium: Gouache, graphite, and resin on cream-colored wove paper, mounted to paperboard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-checkerboard-and-playing-cards-artist-juan-gris-spanish-madrid-18871927-168251138.htmlRMKNME16–Checkerboard and Playing Cards, Artist: Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine), Paris 1915, Medium: Gouache, graphite, and resin on cream-colored wove paper, mounted to paperboard
Zenobia Surrounded by Mounted Soldiers, n.d. Attributed to Justus van Egmont. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zenobia-surrounded-by-mounted-soldiers-nd-attributed-to-justus-van-egmont-image491541188.htmlRM2KFKHPC–Zenobia Surrounded by Mounted Soldiers, n.d. Attributed to Justus van Egmont.
A hall table dressed with tacky ornaments Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-hall-table-dressed-with-tacky-ornaments-image9820906.htmlRFAYWDJB–A hall table dressed with tacky ornaments
hand washing station on hospital ward with antiseptic gel dispenser handbasin sink paper towel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-washing-station-on-hospital-ward-with-antiseptic-gel-dispenser-12411915.htmlRMA9NXWG–hand washing station on hospital ward with antiseptic gel dispenser handbasin sink paper towel
Constitutional by Adelaide Claxton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/constitutional-by-adelaide-claxton-image559648328.htmlRM2REE548–Constitutional by Adelaide Claxton
Kohler design center in Wisconsin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kohler-design-center-in-wisconsin-image185267630.htmlRMMNBJN2–Kohler design center in Wisconsin
Drawing, Brush and gouache on cream paper, mounted on cream paper, Two rinceaux of purple and green flowers on tan ground., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-two-rinceaux-of-purple-and-green-flowers-on-tan-ground-france-and-usa-late-19th-century-textile-designs-drawing-image391422253.htmlRM2DMPR25–Drawing, Brush and gouache on cream paper, mounted on cream paper, Two rinceaux of purple and green flowers on tan ground., France and USA, late 19th century, textile designs, Drawing
. Portrait of Caspar Olevian, gouache and watercolor on cream laid paper mounted on laid paper. . 1566. German School Casparus Oleviaianus 1566 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-caspar-olevian-gouache-and-watercolor-on-cream-laid-paper-mounted-on-laid-paper-1566-german-school-casparus-oleviaianus-1566-image184944336.htmlRMMMTXAT–. Portrait of Caspar Olevian, gouache and watercolor on cream laid paper mounted on laid paper. . 1566. German School Casparus Oleviaianus 1566
Geraldine Farrar / copyrighted 1898 by Addie K. Robinson Abstract/medium: 1 photographic print : platinum 16.4 x 11.6 cm. mounted on thick cream paper, 35.4 x 27.9 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/geraldine-farrar-copyrighted-1898-by-addie-k-robinson-abstractmedium-1-photographic-print-platinum-164-x-116-cm-mounted-on-thick-cream-paper-354-x-279-cm-image266533459.htmlRMWDHJ43–Geraldine Farrar / copyrighted 1898 by Addie K. Robinson Abstract/medium: 1 photographic print : platinum 16.4 x 11.6 cm. mounted on thick cream paper, 35.4 x 27.9 cm.
Inspired by Anemones, Grasses and Flowers, Robert Brandegee, American, 1849-1922, Graphite on cream, moderately thick, smooth wove paper mounted to paper., April 15, 1867, Sheet, drawing: 4 1/4 x 6 5/8 in., 10.8 x 16.8 cm, American, botanical, botany, drawing, fine lines, flower, graphite, grass, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-anemones-grasses-and-flowers-robert-brandegee-american-1849-1922-graphite-on-cream-moderately-thick-smooth-wove-paper-mounted-to-paper-april-15-1867-sheet-drawing-4-14-x-6-58-in-108-x-168-cm-american-botanical-botany-drawing-fine-lines-flower-graphite-grass-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459261780.htmlRF2HK552C–Inspired by Anemones, Grasses and Flowers, Robert Brandegee, American, 1849-1922, Graphite on cream, moderately thick, smooth wove paper mounted to paper., April 15, 1867, Sheet, drawing: 4 1/4 x 6 5/8 in., 10.8 x 16.8 cm, American, botanical, botany, drawing, fine lines, flower, graphite, grass, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing; brush and gouache on cream paper, mounted on cream paper; 19 x 15.4 cm (7 1/2 x 6 1/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-19-x-154-cm-7-12-x-6-116-in-image546140753.htmlRM2PMET2W–Drawing; brush and gouache on cream paper, mounted on cream paper; 19 x 15.4 cm (7 1/2 x 6 1/16 in.)
Print made by William Holl, 1807–1871, British, Portrait of J.M.W. Turner, undated. Line engraving, stipple engraving and etching on very thin, smooth, cream paper mounted on wove paper. portrait. Turner, Joseph Mallord William (1775–1851), landscape and history painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-william-holl-18071871-british-portrait-of-jmw-turner-undated-line-engraving-stipple-engraving-and-etching-on-very-thin-smooth-cream-paper-mounted-on-wove-paper-portrait-turner-joseph-mallord-william-17751851-landscape-and-history-painter-image398423812.htmlRM2E45NHT–Print made by William Holl, 1807–1871, British, Portrait of J.M.W. Turner, undated. Line engraving, stipple engraving and etching on very thin, smooth, cream paper mounted on wove paper. portrait. Turner, Joseph Mallord William (1775–1851), landscape and history painter
The Three Sleepers: Sophia Finlay, Harriet Farnie and Brownie. Dated: c. 1845. Dimensions: overall: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.). Medium: salted paper print from paper negative mounted on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: David Octavius Hill and Robert Adamson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-three-sleepers-sophia-finlay-harriet-farnie-and-brownie-dated-c-1845-dimensions-overall-206-x-156-cm-8-18-x-6-18-in-medium-salted-paper-print-from-paper-negative-mounted-on-cream-laid-paper-museum-national-gallery-of-art-washington-dc-author-david-octavius-hill-and-robert-adamson-image225462008.htmlRMR2PK2G–The Three Sleepers: Sophia Finlay, Harriet Farnie and Brownie. Dated: c. 1845. Dimensions: overall: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.). Medium: salted paper print from paper negative mounted on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: David Octavius Hill and Robert Adamson.
London, UK. 21st Mar, 2023. Figure 8. JK709 Cream, 2010 - Jae Ko-Gi, 氣 Vital Force runs from 22 March - 9 May 2023 at Opera Gallery, London. This is the Korean/American artist's first exhibition in London and features wall-mounted works and freestanding sculptures, and ribbon installations made of recycled paper soaked in vats of ink. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-21st-mar-2023-figure-8-jk709-cream-2010-jae-ko-gi-vital-force-runs-from-22-march-9-may-2023-at-opera-gallery-london-this-is-the-koreanamerican-artists-first-exhibition-in-london-and-features-wall-mounted-works-and-freestanding-sculptures-and-ribbon-installations-made-of-recycled-paper-soaked-in-vats-of-ink-credit-guy-bellalamy-live-news-image543527606.htmlRM2PG7R06–London, UK. 21st Mar, 2023. Figure 8. JK709 Cream, 2010 - Jae Ko-Gi, 氣 Vital Force runs from 22 March - 9 May 2023 at Opera Gallery, London. This is the Korean/American artist's first exhibition in London and features wall-mounted works and freestanding sculptures, and ribbon installations made of recycled paper soaked in vats of ink. Credit: Guy Bell/Alamy Live News
Mounted Mameluke Chieftain Calling for Aid, 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mounted-mameluke-chieftain-calling-for-aid-1817-image553409699.htmlRM2R49YM3–Mounted Mameluke Chieftain Calling for Aid, 1817.
hand washing station on hospital ward with antiseptic gel dispenser handbasin sink paper towel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-washing-station-on-hospital-ward-with-antiseptic-gel-dispenser-12411914.htmlRMA9NXTY–hand washing station on hospital ward with antiseptic gel dispenser handbasin sink paper towel
Indecision by Adelaide Claxton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indecision-by-adelaide-claxton-image559648339.htmlRM2REE54K–Indecision by Adelaide Claxton
Drawing, Brush and gouache on cream paper, mounted on cream paper, Large peach-colored blossom on green stem on cream ground., USA, Europe, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-large-peach-colored-blossom-on-green-stem-on-cream-ground-usa-europe-late-19th-century-textile-designs-drawing-image391350277.htmlRM2DMKF7H–Drawing, Brush and gouache on cream paper, mounted on cream paper, Large peach-colored blossom on green stem on cream ground., USA, Europe, late 19th century, textile designs, Drawing
. English: A princess practices calligraphy, c.1740 Source: http://www.christies.com/LotFinder/lfsearch coa/LotDescription.aspx?intObjectId=5057623 (downloaded Mar. 2008) 'THE LESSON. MURSHIDABAD, MUGHAL INDIA, CIRCA 1740. Gouache heightened with gold on paper, a mullah sitting on a terrace with a grey shawl draped over his cream robes, teaches the art of calligraphy to a princess finely dressed in a gold brocade coat and seated against a gold cushion with a gold pen-case beside her, her fellow pupils sit around her, turquoise border with gold floral illumination, slight staining, mounted, fra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-princess-practices-calligraphy-c1740-source-httpwwwchristiescomlotfinderlfsearch-coalotdescriptionaspxintobjectid=5057623-downloaded-mar-2008-the-lesson-murshidabad-mughal-india-circa-1740-gouache-heightened-with-gold-on-paper-a-mullah-sitting-on-a-terrace-with-a-grey-shawl-draped-over-his-cream-robes-teaches-the-art-of-calligraphy-to-a-princess-finely-dressed-in-a-gold-brocade-coat-and-seated-against-a-gold-cushion-with-a-gold-pen-case-beside-her-her-fellow-pupils-sit-around-her-turquoise-border-with-gold-floral-illumination-slight-staining-mounted-fra-image184996102.htmlRMMMY8BJ–. English: A princess practices calligraphy, c.1740 Source: http://www.christies.com/LotFinder/lfsearch coa/LotDescription.aspx?intObjectId=5057623 (downloaded Mar. 2008) 'THE LESSON. MURSHIDABAD, MUGHAL INDIA, CIRCA 1740. Gouache heightened with gold on paper, a mullah sitting on a terrace with a grey shawl draped over his cream robes, teaches the art of calligraphy to a princess finely dressed in a gold brocade coat and seated against a gold cushion with a gold pen-case beside her, her fellow pupils sit around her, turquoise border with gold floral illumination, slight staining, mounted, fra
![Girl sitting cross-legged, book in her lap, looking at the camera] / EW Abstract/medium: 1 photographic print : platinum 17 x 12 cm. mounted on brown paper, 36 x 26 cm., with cream intermediate mount. Stock Photo](https://c8.alamy.com/comp/WDK21R/girl-sitting-cross-legged-book-in-her-lap-looking-at-the-camera-ew-abstractmedium-1-photographic-print-platinum-17-x-12-cm-mounted-on-brown-paper-36-x-26-cm-with-cream-intermediate-mount-WDK21R.jpg "Girl sitting cross-legged, book in her lap, looking at the camera] / EW Abstract/medium: 1 photographic print : platinum 17 x 12 cm. mounted on brown paper, 36 x 26 cm., with cream intermediate mount. Stock Photo")
Girl sitting cross-legged, book in her lap, looking at the camera] / EW Abstract/medium: 1 photographic print : platinum 17 x 12 cm. mounted on brown paper, 36 x 26 cm., with cream intermediate mount. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girl-sitting-cross-legged-book-in-her-lap-looking-at-the-camera-ew-abstractmedium-1-photographic-print-platinum-17-x-12-cm-mounted-on-brown-paper-36-x-26-cm-with-cream-intermediate-mount-image266564755.htmlRMWDK21R–Girl sitting cross-legged, book in her lap, looking at the camera] / EW Abstract/medium: 1 photographic print : platinum 17 x 12 cm. mounted on brown paper, 36 x 26 cm., with cream intermediate mount.
Inspired by Loving Moon, Oscar Florianus Bluemner, American, born Prussia, 1867-1938, Watercolor, possibly with a surface coating, on cream, medium weight, slightly textured wove paper mounted to thick black woodpulp board, 1927, 9 15/16 x 13 5/16 in., 25.2 x 33.8 cm, Abstract Art, blue, modernist, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-loving-moon-oscar-florianus-bluemner-american-born-prussia-1867-1938-watercolor-possibly-with-a-surface-coating-on-cream-medium-weight-slightly-textured-wove-paper-mounted-to-thick-black-woodpulp-board-1927-9-1516-x-13-516-in-252-x-338-cm-abstract-art-blue-modernist-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459246223.htmlRF2HK4D6R–Inspired by Loving Moon, Oscar Florianus Bluemner, American, born Prussia, 1867-1938, Watercolor, possibly with a surface coating, on cream, medium weight, slightly textured wove paper mounted to thick black woodpulp board, 1927, 9 15/16 x 13 5/16 in., 25.2 x 33.8 cm, Abstract Art, blue, modernist, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing; brush and gouache on cream paper, mounted on cream paper; 40 x 25.3 cm (15 3/4 x 9 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-40-x-253-cm-15-34-x-9-1516-in-image546110965.htmlRM2PMDE31–Drawing; brush and gouache on cream paper, mounted on cream paper; 40 x 25.3 cm (15 3/4 x 9 15/16 in.)
Print made by Thomas Gaugain, 1748–1812, French, Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7), 1797. Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen. alcohol , bonnet , Dancing , drinking , glasses (drinking glasses) , lantern , literary theme , men , servants Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-thomas-gaugain-17481812-french-diligence-and-dissipation-the-wanton-revelling-with-her-companions-plate7-1797-stipple-engraving-open-letter-proofs-on-medium-slightly-textured-cream-paper-mounted-on-linen-alcohol-bonnet-dancing-drinking-glasses-drinking-glasses-lantern-literary-theme-men-servants-image398394320.htmlRM2E44C0G–Print made by Thomas Gaugain, 1748–1812, French, Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7), 1797. Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen. alcohol , bonnet , Dancing , drinking , glasses (drinking glasses) , lantern , literary theme , men , servants
Vertical rectangle. Design for a shell-shaped wall-mounted basin, supported by a cupid below. At top, bust of a cupid with wings framing the face against the background of a shell. Pen and brown ink, brush and gray wash on cream laid paper on secondary paper support. Date: 17th-19th century. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vertical-rectangle-design-for-a-shell-shaped-wall-mounted-basin-supported-by-a-cupid-below-at-top-bust-of-a-cupid-with-wings-framing-the-face-against-the-background-of-a-shell-pen-and-brown-ink-brush-and-gray-wash-on-cream-laid-paper-on-secondary-paper-support-date-17th-19th-century-museum-cooper-hewitt-smithsonian-design-museum-image554749224.htmlRM2R6F088–Vertical rectangle. Design for a shell-shaped wall-mounted basin, supported by a cupid below. At top, bust of a cupid with wings framing the face against the background of a shell. Pen and brown ink, brush and gray wash on cream laid paper on secondary paper support. Date: 17th-19th century. Museum: Cooper Hewitt, Smithsonian Design Museum.
London, UK. 21st Mar, 2023. JK2138 Magenta, 2022 and Figure 8. JK709 Cream, 2010 - Jae Ko-Gi, 氣 Vital Force runs from 22 March - 9 May 2023 at Opera Gallery, London. This is the Korean/American artist's first exhibition in London and features wall-mounted works and freestanding sculptures, and ribbon installations made of recycled paper soaked in vats of ink. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-21st-mar-2023-jk2138-magenta-2022-and-figure-8-jk709-cream-2010-jae-ko-gi-vital-force-runs-from-22-march-9-may-2023-at-opera-gallery-london-this-is-the-koreanamerican-artists-first-exhibition-in-london-and-features-wall-mounted-works-and-freestanding-sculptures-and-ribbon-installations-made-of-recycled-paper-soaked-in-vats-of-ink-credit-guy-bellalamy-live-news-image543527480.htmlRM2PG7PRM–London, UK. 21st Mar, 2023. JK2138 Magenta, 2022 and Figure 8. JK709 Cream, 2010 - Jae Ko-Gi, 氣 Vital Force runs from 22 March - 9 May 2023 at Opera Gallery, London. This is the Korean/American artist's first exhibition in London and features wall-mounted works and freestanding sculptures, and ribbon installations made of recycled paper soaked in vats of ink. Credit: Guy Bell/Alamy Live News
Mounted Hunters with Dogs, 1830/40. Attributed to Henry Alken. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mounted-hunters-with-dogs-183040-attributed-to-henry-alken-image491541405.htmlRM2KFKJ25–Mounted Hunters with Dogs, 1830/40. Attributed to Henry Alken.
Plums and Apple 1864 by William Cruickshank Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plums-and-apple-1864-by-william-cruickshank-image559693310.htmlRM2REG6EP–Plums and Apple 1864 by William Cruickshank
Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Red and orange flowers with white highlights on green vines on black ground., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-graphite-on-cream-paper-mounted-on-cream-paper-red-and-orange-flowers-with-white-highlights-on-green-vines-on-black-ground-france-and-usa-late-19th-century-textile-designs-drawing-image391416129.htmlRM2DMPF7D–Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Red and orange flowers with white highlights on green vines on black ground., France and USA, late 19th century, textile designs, Drawing
. English: A portrait of Takoji Holkar smoking a hookah under a canopy, India, Delhi, early 19th century Estimate: 2,000 - 3,000 GBP LOT SOLD. 6,000 GBP (Hammer Price with Buyer's Premium) Gouache with gold on paper, inscription of identification in nast`aliq at upper centre 'Takoji Howalkar Subedar', mounted on an album page with borders of stout cream paper decorated with gold flowers, reverse with an inscription in an English hand in brown ink (probably William Fraser's hand) 'Tukojee Holker' painting: 28 by 19cm. leaf: 45.9 by 30.4cm. early 19th century. India, Delhi 21 A portrait of Takoj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-portrait-of-takoji-holkar-smoking-a-hookah-under-a-canopy-india-delhi-early-19th-century-estimate-2000-3000-gbp-lot-sold-6000-gbp-hammer-price-with-buyers-premium-gouache-with-gold-on-paper-inscription-of-identification-in-nast`aliq-at-upper-centre-takoji-howalkar-subedar-mounted-on-an-album-page-with-borders-of-stout-cream-paper-decorated-with-gold-flowers-reverse-with-an-inscription-in-an-english-hand-in-brown-ink-probably-william-frasers-hand-tukojee-holker-painting-28-by-19cm-leaf-459-by-304cm-early-19th-century-india-delhi-21-a-portrait-of-takoj-image187624846.htmlRMMW71BA–. English: A portrait of Takoji Holkar smoking a hookah under a canopy, India, Delhi, early 19th century Estimate: 2,000 - 3,000 GBP LOT SOLD. 6,000 GBP (Hammer Price with Buyer's Premium) Gouache with gold on paper, inscription of identification in nast`aliq at upper centre 'Takoji Howalkar Subedar', mounted on an album page with borders of stout cream paper decorated with gold flowers, reverse with an inscription in an English hand in brown ink (probably William Fraser's hand) 'Tukojee Holker' painting: 28 by 19cm. leaf: 45.9 by 30.4cm. early 19th century. India, Delhi 21 A portrait of Takoj
Gertrude Käsebier, head-and-shoulders profile portrait, facing left Abstract/medium: 1 photographic print : platinum 23 x 17 cm.mounted on thin cream paper, 33 x 22 cm., with brown and gray intermediate mounts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gertrude-ksebier-head-and-shoulders-profile-portrait-facing-left-abstractmedium-1-photographic-print-platinum-23-x-17-cmmounted-on-thin-cream-paper-33-x-22-cm-with-brown-and-gray-intermediate-mounts-image266544809.htmlRMWDJ4HD–Gertrude Käsebier, head-and-shoulders profile portrait, facing left Abstract/medium: 1 photographic print : platinum 23 x 17 cm.mounted on thin cream paper, 33 x 22 cm., with brown and gray intermediate mounts.
Inspired by Forest Scene with Rocky Brook, William Trost Richards, American, 1833-1905, Charcoal on cream, moderately thick, slightly textured wove paper mounted to paper., ca. 1864-67, Sheet, drawing: 22 13/16 x 17 13/16 in., 57.9 x 45.2 cm, American, drawing, fine lines, forest, leaves, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-forest-scene-with-rocky-brook-william-trost-richards-american-1833-1905-charcoal-on-cream-moderately-thick-slightly-textured-wove-paper-mounted-to-paper-ca-1864-67-sheet-drawing-22-1316-x-17-1316-in-579-x-452-cm-american-drawing-fine-lines-forest-leaves-trees-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459259060.htmlRF2HK51H8–Inspired by Forest Scene with Rocky Brook, William Trost Richards, American, 1833-1905, Charcoal on cream, moderately thick, slightly textured wove paper mounted to paper., ca. 1864-67, Sheet, drawing: 22 13/16 x 17 13/16 in., 57.9 x 45.2 cm, American, drawing, fine lines, forest, leaves, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing; brush and gouache on cream paper, mounted on cream paper; 22.6 x 20.7 cm (8 7/8 x 8 1/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-226-x-207-cm-8-78-x-8-18-in-image546142630.htmlRM2PMEXDX–Drawing; brush and gouache on cream paper, mounted on cream paper; 22.6 x 20.7 cm (8 7/8 x 8 1/8 in.)
Print made by John Dixon, ca. 1740–1811, Irish, Mrs. Blake as Juno, 1771. Mezzotint (third state) on medium, slightly textured, cream paper mounted on moderately thick, slightly textured, beige wove paper. beads , birds , braids , clouds , goddess , heaven , peacock (bird) , portrait , religious and mythological subject , robes , sky , stola. Juno Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-john-dixon-ca-17401811-irish-mrs-blake-as-juno-1771-mezzotint-third-state-on-medium-slightly-textured-cream-paper-mounted-on-moderately-thick-slightly-textured-beige-wove-paper-beads-birds-braids-clouds-goddess-heaven-peacock-bird-portrait-religious-and-mythological-subject-robes-sky-stola-juno-image398424107.htmlRM2E45P0B–Print made by John Dixon, ca. 1740–1811, Irish, Mrs. Blake as Juno, 1771. Mezzotint (third state) on medium, slightly textured, cream paper mounted on moderately thick, slightly textured, beige wove paper. beads , birds , braids , clouds , goddess , heaven , peacock (bird) , portrait , religious and mythological subject , robes , sky , stola. Juno
Worth Going For, Maine. Dated: 1880s. Dimensions: sheet (trimmed to image): 14.4 x 19.4 cm (5 11/16 x 7 5/8 in.) mount: 28.2 x 35.7 cm (11 1/8 x 14 1/16 in.). Medium: albumen print mounted on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: American 19th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/worth-going-for-maine-dated-1880s-dimensions-sheet-trimmed-to-image-144-x-194-cm-5-1116-x-7-58-in-mount-282-x-357-cm-11-18-x-14-116-in-medium-albumen-print-mounted-on-cream-laid-paper-museum-national-gallery-of-art-washington-dc-author-american-19th-century-image225587049.htmlRMR30AG9–Worth Going For, Maine. Dated: 1880s. Dimensions: sheet (trimmed to image): 14.4 x 19.4 cm (5 11/16 x 7 5/8 in.) mount: 28.2 x 35.7 cm (11 1/8 x 14 1/16 in.). Medium: albumen print mounted on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: American 19th Century.
Portrait of a kneeling holy man, from the Prince Salim Album, c. 1556-60; border c. 1602. One of the few surviving works that appear to have been made by an artist brought from Iran by Akbar’s father, Humayun, shortly after his arrival in Mughal India, this page was mounted into the Prince Salim Album in his breakaway court in Allahabad. The flowing lyrical contour lines, penetrating expression, and soft yet wiry texture of the beard reveal the hand of a master. The verse written above and below the painting is a quotation from a poetic sermon of the Persian author Sana’i, who li Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-kneeling-holy-man-from-the-prince-salim-album-c-1556-60-border-c-1602-one-of-the-few-surviving-works-that-appear-to-have-been-made-by-an-artist-brought-from-iran-by-akbarx2019s-father-humayun-shortly-after-his-arrival-in-mughal-india-this-page-was-mounted-into-the-prince-salim-album-in-his-breakaway-court-in-allahabad-the-flowing-lyrical-contour-lines-penetrating-expression-and-soft-yet-wiry-texture-of-the-beard-reveal-the-hand-of-a-master-the-verse-written-above-and-below-the-painting-is-a-quotation-from-a-poetic-sermon-of-the-persian-author-sanax2019i-who-li-image330113310.htmlRM2A51XW2–Portrait of a kneeling holy man, from the Prince Salim Album, c. 1556-60; border c. 1602. One of the few surviving works that appear to have been made by an artist brought from Iran by Akbar’s father, Humayun, shortly after his arrival in Mughal India, this page was mounted into the Prince Salim Album in his breakaway court in Allahabad. The flowing lyrical contour lines, penetrating expression, and soft yet wiry texture of the beard reveal the hand of a master. The verse written above and below the painting is a quotation from a poetic sermon of the Persian author Sana’i, who li
A Present by Adelaide Claxton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-present-by-adelaide-claxton-image559648323.htmlRM2REE543–A Present by Adelaide Claxton
Drawing, Brush and gouache on cream paper, mounted on cream paper, Left, delicate flowers on vines; center, five vertical zigzags; right, delicate vines with no flowers., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-left-delicate-flowers-on-vines-center-five-vertical-zigzags-right-delicate-vines-with-no-flowers-france-and-usa-late-19th-century-textile-designs-drawing-image391297422.htmlRM2DMH3RX–Drawing, Brush and gouache on cream paper, mounted on cream paper, Left, delicate flowers on vines; center, five vertical zigzags; right, delicate vines with no flowers., France and USA, late 19th century, textile designs, Drawing
. English: A portrait of Takoji Holkar smoking a hookah under a canopy, India, Delhi, early 19th century Estimate: 2,000 - 3,000 GBP LOT SOLD. 6,000 GBP (Hammer Price with Buyer's Premium) Gouache with gold on paper, inscription of identification in nast`aliq at upper centre 'Takoji Howalkar Subedar', mounted on an album page with borders of stout cream paper decorated with gold flowers, reverse with an inscription in an English hand in brown ink (probably William Fraser's hand) 'Tukojee Holker' painting: 28 by 19cm. leaf: 45.9 by 30.4cm. early 19th century. India, Delhi 18 A portrait of Takoj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-portrait-of-takoji-holkar-smoking-a-hookah-under-a-canopy-india-delhi-early-19th-century-estimate-2000-3000-gbp-lot-sold-6000-gbp-hammer-price-with-buyers-premium-gouache-with-gold-on-paper-inscription-of-identification-in-nast`aliq-at-upper-centre-takoji-howalkar-subedar-mounted-on-an-album-page-with-borders-of-stout-cream-paper-decorated-with-gold-flowers-reverse-with-an-inscription-in-an-english-hand-in-brown-ink-probably-william-frasers-hand-tukojee-holker-painting-28-by-19cm-leaf-459-by-304cm-early-19th-century-india-delhi-18-a-portrait-of-takoj-image188901157.htmlRMMY959W–. English: A portrait of Takoji Holkar smoking a hookah under a canopy, India, Delhi, early 19th century Estimate: 2,000 - 3,000 GBP LOT SOLD. 6,000 GBP (Hammer Price with Buyer's Premium) Gouache with gold on paper, inscription of identification in nast`aliq at upper centre 'Takoji Howalkar Subedar', mounted on an album page with borders of stout cream paper decorated with gold flowers, reverse with an inscription in an English hand in brown ink (probably William Fraser's hand) 'Tukojee Holker' painting: 28 by 19cm. leaf: 45.9 by 30.4cm. early 19th century. India, Delhi 18 A portrait of Takoj
ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park. Red paper laminate (cardboard) box with removable top, with printed black text on brown paper front, back and top. Holds 36 stereoviews (albumen silver prints) of the major scenic views of Yellowstone Park mounted on cream cardboard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thirtysix-selected-haynes-stereoscopic-views-of-the-yellowstone-national-park-red-paper-laminate-cardboard-box-with-removable-top-with-printed-black-text-on-brown-paper-front-back-and-top-holds-36-stereoviews-albumen-silver-prints-of-the-major-scenic-views-of-yellowstone-park-mounted-on-cream-cardboard-image353503623.htmlRM2BF3DDB–ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park. Red paper laminate (cardboard) box with removable top, with printed black text on brown paper front, back and top. Holds 36 stereoviews (albumen silver prints) of the major scenic views of Yellowstone Park mounted on cream cardboard.
Inspired by Tiger Walking to the Left, Tigre marchant vers la gauche, Antoine-Louis Barye, French, 1795-1875, Pastel and watercolor on cream-colored wove paper mounted on thin paperboard, France, n.d., 10 3/8 x 14 9/16 in., 26.4 x 37 cm, Animal, Barye, European, French, growl, Landscape, pastel, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-tiger-walking-to-the-left-tigre-marchant-vers-la-gauche-antoine-louis-barye-french-1795-1875-pastel-and-watercolor-on-cream-colored-wove-paper-mounted-on-thin-paperboard-france-nd-10-38-x-14-916-in-264-x-37-cm-animal-barye-european-french-growl-landscape-pastel-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252728.htmlRF2HK4NF4–Inspired by Tiger Walking to the Left, Tigre marchant vers la gauche, Antoine-Louis Barye, French, 1795-1875, Pastel and watercolor on cream-colored wove paper mounted on thin paperboard, France, n.d., 10 3/8 x 14 9/16 in., 26.4 x 37 cm, Animal, Barye, European, French, growl, Landscape, pastel, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing; brush and gouache on cream paper, mounted on cream paper; 28.5 x 24.6 cm (11 1/4 x 9 11/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-285-x-246-cm-11-14-x-9-1116-in-image546134550.htmlRM2PMEG5A–Drawing; brush and gouache on cream paper, mounted on cream paper; 28.5 x 24.6 cm (11 1/4 x 9 11/16 in.)
Felix Vallotton, The Bath (Le Bain), 1894, Woodcut on cream wove paper, mounted on paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/felix-vallotton-the-bath-le-bain-1894-woodcut-on-cream-wove-paper-mounted-on-paper-image537628287.htmlRM2P6K2A7–Felix Vallotton, The Bath (Le Bain), 1894, Woodcut on cream wove paper, mounted on paper.
Béatrice. Dated: 1899. Dimensions: image: 16.7 x 9 cm (6 9/16 x 3 9/16 in.) sheet: 18.8 x 10.4 cm (7 3/8 x 4 1/8 in.) mount: 37.8 x 27.8 cm (14 7/8 x 10 15/16 in.). Medium: photogravure in sepia on chine collé mounted on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: Mathilde Weil. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/batrice-dated-1899-dimensions-image-167-x-9-cm-6-916-x-3-916-in-sheet-188-x-104-cm-7-38-x-4-18-in-mount-378-x-278-cm-14-78-x-10-1516-in-medium-photogravure-in-sepia-on-chine-coll-mounted-on-cream-wove-paper-museum-national-gallery-of-art-washington-dc-author-mathilde-weil-image225508190.htmlRMR2TNYX–Béatrice. Dated: 1899. Dimensions: image: 16.7 x 9 cm (6 9/16 x 3 9/16 in.) sheet: 18.8 x 10.4 cm (7 3/8 x 4 1/8 in.) mount: 37.8 x 27.8 cm (14 7/8 x 10 15/16 in.). Medium: photogravure in sepia on chine collé mounted on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: Mathilde Weil.
Drapery Study of a Standing Figure Facing Right, in Profile, late 1460s-early 1470s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drapery-study-of-a-standing-figure-facing-right-in-profile-late-1460s-early-1470s-image462397551.htmlRM2HT80P7–Drapery Study of a Standing Figure Facing Right, in Profile, late 1460s-early 1470s.
Mare and Foal by Arthur James Stark Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mare-and-foal-by-arthur-james-stark-image559674905.htmlRM2REFB1D–Mare and Foal by Arthur James Stark
Drawing, Brush and gouache on cream paper, mounted on cream paper, Geometric maze-like patterns in brown, blue, green, and yellow on black ground. Lower section, vegetal patterns in yellow and red., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-geometric-maze-like-patterns-in-brown-blue-green-and-yellow-on-black-ground-lower-section-vegetal-patterns-in-yellow-and-red-france-and-usa-late-19th-century-textile-designs-drawing-image391211050.htmlRM2DMD5K6–Drawing, Brush and gouache on cream paper, mounted on cream paper, Geometric maze-like patterns in brown, blue, green, and yellow on black ground. Lower section, vegetal patterns in yellow and red., France and USA, late 19th century, textile designs, Drawing
. English: A portrait of Takoji Holkar smoking a hookah under a canopy, India, Delhi, early 19th century Estimate: 2,000 - 3,000 GBP LOT SOLD. 6,000 GBP (Hammer Price with Buyer's Premium) Gouache with gold on paper, inscription of identification in nast`aliq at upper centre 'Takoji Howalkar Subedar', mounted on an album page with borders of stout cream paper decorated with gold flowers, reverse with an inscription in an English hand in brown ink (probably William Fraser's hand) 'Tukojee Holker' painting: 28 by 19cm. leaf: 45.9 by 30.4cm. early 19th century. India, Delhi 21 A portrait of Takoj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-portrait-of-takoji-holkar-smoking-a-hookah-under-a-canopy-india-delhi-early-19th-century-estimate-2000-3000-gbp-lot-sold-6000-gbp-hammer-price-with-buyers-premium-gouache-with-gold-on-paper-inscription-of-identification-in-nast`aliq-at-upper-centre-takoji-howalkar-subedar-mounted-on-an-album-page-with-borders-of-stout-cream-paper-decorated-with-gold-flowers-reverse-with-an-inscription-in-an-english-hand-in-brown-ink-probably-william-frasers-hand-tukojee-holker-painting-28-by-19cm-leaf-459-by-304cm-early-19th-century-india-delhi-21-a-portrait-of-takoj-image188154349.htmlRMMX34P5–. English: A portrait of Takoji Holkar smoking a hookah under a canopy, India, Delhi, early 19th century Estimate: 2,000 - 3,000 GBP LOT SOLD. 6,000 GBP (Hammer Price with Buyer's Premium) Gouache with gold on paper, inscription of identification in nast`aliq at upper centre 'Takoji Howalkar Subedar', mounted on an album page with borders of stout cream paper decorated with gold flowers, reverse with an inscription in an English hand in brown ink (probably William Fraser's hand) 'Tukojee Holker' painting: 28 by 19cm. leaf: 45.9 by 30.4cm. early 19th century. India, Delhi 21 A portrait of Takoj
ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park. Research in ProgressRed paper laminate (cardboard) box with removable top, with printed black text on brown paper front, back and top. Holds 36 stereoviews (albumen silver prints) of the major scenic views of Yellowstone Park mounted on cream cardboard. ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thirtysix-selected-haynes-stereoscopic-views-of-the-yellowstone-national-park-research-in-progressred-paper-laminate-cardboard-box-with-removable-top-with-printed-black-text-on-brown-paper-front-back-and-top-holds-36-stereoviews-albumen-silver-prints-of-the-major-scenic-views-of-yellowstone-park-mounted-on-cream-cardboard-thirtysix-selected-haynes-stereoscopic-views-of-the-yellowstone-national-park-image352146735.htmlRM2BCWJN3–ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park. Research in ProgressRed paper laminate (cardboard) box with removable top, with printed black text on brown paper front, back and top. Holds 36 stereoviews (albumen silver prints) of the major scenic views of Yellowstone Park mounted on cream cardboard. ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park
Art inspired by St. Paschal Baylon Adoring the Blessed Sacrament, 17th century, Pen and brown ink, gray and cream oil paint, on paper, mounted on wood, 16 7/16 x 12 3/8 in. (41.7 x 31.5 cm), Drawings, Claude François (French, Amiens, 1615–1685, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-st-paschal-baylon-adoring-the-blessed-sacrament-17th-century-pen-and-brown-ink-gray-and-cream-oil-paint-on-paper-mounted-on-wood-16-716-x-12-38-in-417-x-315-cm-drawings-claude-franois-french-amiens-16151685-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949725.htmlRF2HW552N–Art inspired by St. Paschal Baylon Adoring the Blessed Sacrament, 17th century, Pen and brown ink, gray and cream oil paint, on paper, mounted on wood, 16 7/16 x 12 3/8 in. (41.7 x 31.5 cm), Drawings, Claude François (French, Amiens, 1615–1685, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing; brush and gouache on cream paper, mounted on cream paper; (oval): 34.5 x 26 cm (13 9/16 x 10 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-oval-345-x-26-cm-13-916-x-10-14-in-image546122584.htmlRM2PME0X0–Drawing; brush and gouache on cream paper, mounted on cream paper; (oval): 34.5 x 26 cm (13 9/16 x 10 1/4 in.)
John Constable, Cloud Study, c. 1821–22, oil on cream laid paper, mounted on canvas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-constable-cloud-study-c-182122-oil-on-cream-laid-paper-mounted-on-canvas-image537610930.htmlRM2P6J86A–John Constable, Cloud Study, c. 1821–22, oil on cream laid paper, mounted on canvas.
Wet Night, Columbus Circle, New York. Dated: 1899. Dimensions: image: 16.3 x 12.2 cm (6 7/16 x 4 13/16 in.) sheet: 18.4 x 13.5 cm (7 1/4 x 5 5/16 in.) mount: 37.9 x 27.8 cm (14 15/16 x 10 15/16 in.). Medium: photogravure on chine collé mounted on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: William A. Fraser. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wet-night-columbus-circle-new-york-dated-1899-dimensions-image-163-x-122-cm-6-716-x-4-1316-in-sheet-184-x-135-cm-7-14-x-5-516-in-mount-379-x-278-cm-14-1516-x-10-1516-in-medium-photogravure-on-chine-coll-mounted-on-cream-wove-paper-museum-national-gallery-of-art-washington-dc-author-william-a-fraser-image225563238.htmlRMR2Y85X–Wet Night, Columbus Circle, New York. Dated: 1899. Dimensions: image: 16.3 x 12.2 cm (6 7/16 x 4 13/16 in.) sheet: 18.4 x 13.5 cm (7 1/4 x 5 5/16 in.) mount: 37.9 x 27.8 cm (14 15/16 x 10 15/16 in.). Medium: photogravure on chine collé mounted on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: William A. Fraser.
Woman with Broom and Little Girl, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-with-broom-and-little-girl-nd-image457043921.htmlRM2HFG455–Woman with Broom and Little Girl, n.d.
Allegorical Scene by Robert Smirke Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegorical-scene-by-robert-smirke-image560009121.htmlRM2RF2H9N–Allegorical Scene by Robert Smirke
Drawing, Louis Apollinaire Sicard, French, 1807–1881, Lyon, Brush and gouache on cream paper, mounted on cream paper, Partial depiction of pink blossoms and green leaves. On right, four birds in gray-black., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-louis-apollinaire-sicard-french-18071881-lyon-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-partial-depiction-of-pink-blossoms-and-green-leaves-on-right-four-birds-in-gray-black-france-and-usa-late-19th-century-textile-designs-drawing-image391256706.htmlRM2DMF7WP–Drawing, Louis Apollinaire Sicard, French, 1807–1881, Lyon, Brush and gouache on cream paper, mounted on cream paper, Partial depiction of pink blossoms and green leaves. On right, four birds in gray-black., France and USA, late 19th century, textile designs, Drawing
. English: A portrait of Takoji Holkar smoking a hookah under a canopy, India, Delhi, early 19th century Estimate: 2,000 - 3,000 GBP LOT SOLD. 6,000 GBP (Hammer Price with Buyer's Premium) Gouache with gold on paper, inscription of identification in nast`aliq at upper centre 'Takoji Howalkar Subedar', mounted on an album page with borders of stout cream paper decorated with gold flowers, reverse with an inscription in an English hand in brown ink (probably William Fraser's hand) 'Tukojee Holker' painting: 28 by 19cm. leaf: 45.9 by 30.4cm. . early 19th century. India, Delhi 21 A portrait of Ta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-portrait-of-takoji-holkar-smoking-a-hookah-under-a-canopy-india-delhi-early-19th-century-estimate-2000-3000-gbp-lot-sold-6000-gbp-hammer-price-with-buyers-premium-gouache-with-gold-on-paper-inscription-of-identification-in-nast`aliq-at-upper-centre-takoji-howalkar-subedar-mounted-on-an-album-page-with-borders-of-stout-cream-paper-decorated-with-gold-flowers-reverse-with-an-inscription-in-an-english-hand-in-brown-ink-probably-william-frasers-hand-tukojee-holker-painting-28-by-19cm-leaf-459-by-304cm-early-19th-century-india-delhi-21-a-portrait-of-ta-image184879547.htmlRMMMNYMY–. English: A portrait of Takoji Holkar smoking a hookah under a canopy, India, Delhi, early 19th century Estimate: 2,000 - 3,000 GBP LOT SOLD. 6,000 GBP (Hammer Price with Buyer's Premium) Gouache with gold on paper, inscription of identification in nast`aliq at upper centre 'Takoji Howalkar Subedar', mounted on an album page with borders of stout cream paper decorated with gold flowers, reverse with an inscription in an English hand in brown ink (probably William Fraser's hand) 'Tukojee Holker' painting: 28 by 19cm. leaf: 45.9 by 30.4cm. . early 19th century. India, Delhi 21 A portrait of Ta
Odilon Redon. The Ford Landscape with Horsemen. 1866. France. Etching on mounted cream China paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odilon-redon-the-ford-landscape-with-horsemen-1866-france-etching-on-mounted-cream-china-paper-image337992881.htmlRM2AHTWA9–Odilon Redon. The Ford Landscape with Horsemen. 1866. France. Etching on mounted cream China paper
Inspired by Tiger Reclining, Tigre couché, Antoine-Louis Barye, French, 1795-1875, Watercolor on thin cream-colored wove paper mounted on thick pulpboard, France, n.d., Sheet: 12 9/16 x 19 15/16 in., 31.9 x 50.6 cm, animal, Antoine-Louis Barye, barye, beast, big, cat, cats, european, feline, french, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-tiger-reclining-tigre-couch-antoine-louis-barye-french-1795-1875-watercolor-on-thin-cream-colored-wove-paper-mounted-on-thick-pulpboard-france-nd-sheet-12-916-x-19-1516-in-319-x-506-cm-animal-antoine-louis-barye-barye-beast-big-cat-cats-european-feline-french-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459243440.htmlRF2HK49KC–Inspired by Tiger Reclining, Tigre couché, Antoine-Louis Barye, French, 1795-1875, Watercolor on thin cream-colored wove paper mounted on thick pulpboard, France, n.d., Sheet: 12 9/16 x 19 15/16 in., 31.9 x 50.6 cm, animal, Antoine-Louis Barye, barye, beast, big, cat, cats, european, feline, french, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing; brush and gouache on cream paper, mounted on cream paper; 30.3 x 20.1 cm (11 15/16 x 7 15/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-303-x-201-cm-11-1516-x-7-1516-in-image546122325.htmlRM2PME0GN–Drawing; brush and gouache on cream paper, mounted on cream paper; 30.3 x 20.1 cm (11 15/16 x 7 15/16 in.)
Lionel Bicknell Constable, Tree in a Landsdcape, c. 1850, oil on cream wove paper, mounted on panel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lionel-bicknell-constable-tree-in-a-landsdcape-c-1850-oil-on-cream-wove-paper-mounted-on-panel-image537612088.htmlRM2P6J9KM–Lionel Bicknell Constable, Tree in a Landsdcape, c. 1850, oil on cream wove paper, mounted on panel.
Weeping Magdalen. Dated: 1899. Dimensions: image: 10.6 x 15.1 cm (4 3/16 x 5 15/16 in.) sheet: 12.9 x 16.4 cm (5 1/16 x 6 7/16 in.) mount: 27.8 x 37.8 cm (10 15/16 x 14 7/8 in.). Medium: photogravure in red on chine collé mounted on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles I. Berg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weeping-magdalen-dated-1899-dimensions-image-106-x-151-cm-4-316-x-5-1516-in-sheet-129-x-164-cm-5-116-x-6-716-in-mount-278-x-378-cm-10-1516-x-14-78-in-medium-photogravure-in-red-on-chine-coll-mounted-on-cream-wove-paper-museum-national-gallery-of-art-washington-dc-author-charles-i-berg-image225587328.htmlRMR30AX8–Weeping Magdalen. Dated: 1899. Dimensions: image: 10.6 x 15.1 cm (4 3/16 x 5 15/16 in.) sheet: 12.9 x 16.4 cm (5 1/16 x 6 7/16 in.) mount: 27.8 x 37.8 cm (10 15/16 x 14 7/8 in.). Medium: photogravure in red on chine collé mounted on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles I. Berg.
Man in Ballet Costume Wearing a Turban, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-in-ballet-costume-wearing-a-turban-nd-image462397509.htmlRM2HT80MN–Man in Ballet Costume Wearing a Turban, n.d.
Tintern Abbey by Joseph Clarendon Smith Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tintern-abbey-by-joseph-clarendon-smith-image559756231.htmlRM2REK2NY–Tintern Abbey by Joseph Clarendon Smith
Drawing, Brush and gouache on cream paper, mounted on cream paper, Large feather-like leaf formation in black, green, purple, and gold, surrounded by various sprays of wild flowers in yellow, purple, and gray on cream ground., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-large-feather-like-leaf-formation-in-black-green-purple-and-gold-surrounded-by-various-sprays-of-wild-flowers-in-yellow-purple-and-gray-on-cream-ground-france-and-usa-late-19th-century-textile-designs-drawing-image391363700.htmlRM2DMM4B0–Drawing, Brush and gouache on cream paper, mounted on cream paper, Large feather-like leaf formation in black, green, purple, and gold, surrounded by various sprays of wild flowers in yellow, purple, and gray on cream ground., France and USA, late 19th century, textile designs, Drawing
. English: Lot Description GURU TEG BAHADUR, THE NINTH SIKH GURU MUGHAL INDIA, 18TH CENTURY Gouache heightened with gold on paper, a single turbanned figure wearing elegant white robes with floral illumination stands on a grassy knoll at sunset, one hand holds a small jewel, the other rests on the hilt of a katar, a long sword also hangs from his belt, laid down within gold illuminated cream borders, small areas of staining, mounted Miniature 8 x 4½in. (20.2 x 11.4cm.); folio 10 1/8 x 6 5/8in. (25.3 x 16.6cm.) . 18th century. MUGHAL INDIA, 18TH CENTURY 223 Guru teg bahadur Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-lot-description-guru-teg-bahadur-the-ninth-sikh-guru-mughal-india-18th-century-gouache-heightened-with-gold-on-paper-a-single-turbanned-figure-wearing-elegant-white-robes-with-floral-illumination-stands-on-a-grassy-knoll-at-sunset-one-hand-holds-a-small-jewel-the-other-rests-on-the-hilt-of-a-katar-a-long-sword-also-hangs-from-his-belt-laid-down-within-gold-illuminated-cream-borders-small-areas-of-staining-mounted-miniature-8-x-4in-202-x-114cm-folio-10-18-x-6-58in-253-x-166cm-18th-century-mughal-india-18th-century-223-guru-teg-bahadur-image188843169.htmlRMMY6FAW–. English: Lot Description GURU TEG BAHADUR, THE NINTH SIKH GURU MUGHAL INDIA, 18TH CENTURY Gouache heightened with gold on paper, a single turbanned figure wearing elegant white robes with floral illumination stands on a grassy knoll at sunset, one hand holds a small jewel, the other rests on the hilt of a katar, a long sword also hangs from his belt, laid down within gold illuminated cream borders, small areas of staining, mounted Miniature 8 x 4½in. (20.2 x 11.4cm.); folio 10 1/8 x 6 5/8in. (25.3 x 16.6cm.) . 18th century. MUGHAL INDIA, 18TH CENTURY 223 Guru teg bahadur
Pieter Tanjé. The Three Graces. 1726–1761. Netherlands. Red chalk on cream laid paper, edge mounted Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-tanj-the-three-graces-17261761-netherlands-red-chalk-on-cream-laid-paper-edge-mounted-image337931102.htmlRM2AHP2FX–Pieter Tanjé. The Three Graces. 1726–1761. Netherlands. Red chalk on cream laid paper, edge mounted
Art inspired by The Rehearsal Onstage, ca. 1874, Pastel over brush-and-ink drawing on thin cream-colored wove paper, laid down on bristol board and mounted on canvas, 21 x 28 1/2 in. (53.3 x 72.4 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-rehearsal-onstage-ca-1874-pastel-over-brush-and-ink-drawing-on-thin-cream-colored-wove-paper-laid-down-on-bristol-board-and-mounted-on-canvas-21-x-28-12-in-533-x-724-cm-drawings-edgar-degas-french-paris-18341917-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814978.htmlRF2HTY16A–Art inspired by The Rehearsal Onstage, ca. 1874, Pastel over brush-and-ink drawing on thin cream-colored wove paper, laid down on bristol board and mounted on canvas, 21 x 28 1/2 in. (53.3 x 72.4 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing; brush and gouache on cream paper, mounted on cream paper; 25.5 x 21.2 cm (10 1/16 x 8 3/8 in.), irregular Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-255-x-212-cm-10-116-x-8-38-in-irregular-image546110268.htmlRM2PMDD64–Drawing; brush and gouache on cream paper, mounted on cream paper; 25.5 x 21.2 cm (10 1/16 x 8 3/8 in.), irregular
Unknown, Iron Works, c. 1815-1830, watercolor over graphite, with gum arabic on beige wove paper mounted on cream paperboard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-iron-works-c-1815-1830-watercolor-over-graphite-with-gum-arabic-on-beige-wove-paper-mounted-on-cream-paperboard-image537617736.htmlRM2P6JGWC–Unknown, Iron Works, c. 1815-1830, watercolor over graphite, with gum arabic on beige wove paper mounted on cream paperboard.
Niagara Falls. Dated: 1899. Dimensions: image: 12.5 x 16.9 cm (4 15/16 x 6 5/8 in.) sheet: 14.2 x 18.5 cm (5 9/16 x 7 5/16 in.) mount: 27.8 x 37.8 cm (10 15/16 x 14 7/8 in.). Medium: photogravure in sepia on chine collé mounted on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: William D. Murphy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niagara-falls-dated-1899-dimensions-image-125-x-169-cm-4-1516-x-6-58-in-sheet-142-x-185-cm-5-916-x-7-516-in-mount-278-x-378-cm-10-1516-x-14-78-in-medium-photogravure-in-sepia-on-chine-coll-mounted-on-cream-wove-paper-museum-national-gallery-of-art-washington-dc-author-william-d-murphy-image225730945.htmlRMR36X3D–Niagara Falls. Dated: 1899. Dimensions: image: 12.5 x 16.9 cm (4 15/16 x 6 5/8 in.) sheet: 14.2 x 18.5 cm (5 9/16 x 7 5/16 in.) mount: 27.8 x 37.8 cm (10 15/16 x 14 7/8 in.). Medium: photogravure in sepia on chine collé mounted on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: William D. Murphy.
Two Little Girls with Bonnets, 1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-little-girls-with-bonnets-1883-image457043932.htmlRM2HFG45G–Two Little Girls with Bonnets, 1883.
The Village of Chiddingstone, Kent by George Wallwyn Shepheard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-village-of-chiddingstone-kent-by-george-wallwyn-shepheard-image559653066.htmlRM2REEB5E–The Village of Chiddingstone, Kent by George Wallwyn Shepheard
Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Two horizontal bands; both bordered by gold frame, purple curved lines around red and gold floral medallion motifs on black ground. Left band is wider., USA, Europe, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-graphite-on-cream-paper-mounted-on-cream-paper-two-horizontal-bands-both-bordered-by-gold-frame-purple-curved-lines-around-red-and-gold-floral-medallion-motifs-on-black-ground-left-band-is-wider-usa-europe-late-19th-century-textile-designs-drawing-image391421776.htmlRM2DMPPD4–Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Two horizontal bands; both bordered by gold frame, purple curved lines around red and gold floral medallion motifs on black ground. Left band is wider., USA, Europe, late 19th century, textile designs, Drawing
. English: Lot Description GURU TEG BAHADUR, THE NINTH SIKH GURU MUGHAL INDIA, 18TH CENTURY Gouache heightened with gold on paper, a single turbanned figure wearing elegant white robes with floral illumination stands on a grassy knoll at sunset, one hand holds a small jewel, the other rests on the hilt of a katar, a long sword also hangs from his belt, laid down within gold illuminated cream borders, small areas of staining, mounted Miniature 8 x 4½in. (20.2 x 11.4cm.); folio 10 1/8 x 6 5/8in. (25.3 x 16.6cm.) . 18th century. MUGHAL INDIA, 18TH CENTURY 258 Guru teg bahadur Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-lot-description-guru-teg-bahadur-the-ninth-sikh-guru-mughal-india-18th-century-gouache-heightened-with-gold-on-paper-a-single-turbanned-figure-wearing-elegant-white-robes-with-floral-illumination-stands-on-a-grassy-knoll-at-sunset-one-hand-holds-a-small-jewel-the-other-rests-on-the-hilt-of-a-katar-a-long-sword-also-hangs-from-his-belt-laid-down-within-gold-illuminated-cream-borders-small-areas-of-staining-mounted-miniature-8-x-4in-202-x-114cm-folio-10-18-x-6-58in-253-x-166cm-18th-century-mughal-india-18th-century-258-guru-teg-bahadur-image188117547.htmlRMMX1DRR–. English: Lot Description GURU TEG BAHADUR, THE NINTH SIKH GURU MUGHAL INDIA, 18TH CENTURY Gouache heightened with gold on paper, a single turbanned figure wearing elegant white robes with floral illumination stands on a grassy knoll at sunset, one hand holds a small jewel, the other rests on the hilt of a katar, a long sword also hangs from his belt, laid down within gold illuminated cream borders, small areas of staining, mounted Miniature 8 x 4½in. (20.2 x 11.4cm.); folio 10 1/8 x 6 5/8in. (25.3 x 16.6cm.) . 18th century. MUGHAL INDIA, 18TH CENTURY 258 Guru teg bahadur
Odilon Redon. St.-Jean-Pied-de-Port. 1866. France. Etching on mounted cream China paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odilon-redon-st-jean-pied-de-port-1866-france-etching-on-mounted-cream-china-paper-image337992942.htmlRM2AHTWCE–Odilon Redon. St.-Jean-Pied-de-Port. 1866. France. Etching on mounted cream China paper
Art inspired by Forest Scene with Rocky Brook, William Trost Richards, American, 1833-1905, Charcoal on cream, moderately thick, slightly textured wove paper mounted to paper., ca. 1864-67, Sheet, drawing: 22 13/16 x 17 13/16 in., 57.9 x 45.2 cm, American, drawing, fine lines, forest, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-forest-scene-with-rocky-brook-william-trost-richards-american-1833-1905-charcoal-on-cream-moderately-thick-slightly-textured-wove-paper-mounted-to-paper-ca-1864-67-sheet-drawing-22-1316-x-17-1316-in-579-x-452-cm-american-drawing-fine-lines-forest-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570855.htmlRF2HKK78R–Art inspired by Forest Scene with Rocky Brook, William Trost Richards, American, 1833-1905, Charcoal on cream, moderately thick, slightly textured wove paper mounted to paper., ca. 1864-67, Sheet, drawing: 22 13/16 x 17 13/16 in., 57.9 x 45.2 cm, American, drawing, fine lines, forest, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing; brush and gouache, graphite on cream paper, mounted on cream paper; 16.7 x 31.6 cm (6 9/16 x 12 7/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-graphite-on-cream-paper-mounted-on-cream-paper-167-x-316-cm-6-916-x-12-716-in-image546116147.htmlRM2PMDMM3–Drawing; brush and gouache, graphite on cream paper, mounted on cream paper; 16.7 x 31.6 cm (6 9/16 x 12 7/16 in.)
unknown artist, (convict at Norfolk) eighteenth century, Pine Tree, undated. Watercolor and graphite on medium, slightly textured, cream laid paper mounted on fabric. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-convict-at-norfolk-eighteenth-century-pine-tree-undated-watercolor-and-graphite-on-medium-slightly-textured-cream-laid-paper-mounted-on-fabric-image398444206.htmlRM2E46KJ6–unknown artist, (convict at Norfolk) eighteenth century, Pine Tree, undated. Watercolor and graphite on medium, slightly textured, cream laid paper mounted on fabric.
Vision, plate eight from In Dreams. Odilon Redon; French, 1840-1916. Date: 1879. Dimensions: 276 × 199 mm. Lithograph on mounted cream China paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vision-plate-eight-from-in-dreams-odilon-redon-french-1840-1916-date-1879-dimensions-276-199-mm-lithograph-on-mounted-cream-china-paper-origin-france-museum-the-chicago-art-institute-image239919651.htmlRMRX97XY–Vision, plate eight from In Dreams. Odilon Redon; French, 1840-1916. Date: 1879. Dimensions: 276 × 199 mm. Lithograph on mounted cream China paper. Origin: France. Museum: The Chicago Art Institute.
Battle Scene with Charging General on Horseback in Foreground, Artillery and Cannons in Background, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-scene-with-charging-general-on-horseback-in-foreground-artillery-and-cannons-in-background-nd-image462412023.htmlRM2HT8K73–Battle Scene with Charging General on Horseback in Foreground, Artillery and Cannons in Background, n.d.
Caulking the Schooner, Falmouth Harbour by Joseph Severn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caulking-the-schooner-falmouth-harbour-by-joseph-severn-image559703134.htmlRM2REGK1J–Caulking the Schooner, Falmouth Harbour by Joseph Severn
Drawing, Brush and gouache on cream paper, mounted on cream paper, Large red abstract shape surrounded by delicate black rinceaux patterning, stylized fleur-de-lys-like flowers in red, blue, green, and cream on green ground., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-large-red-abstract-shape-surrounded-by-delicate-black-rinceaux-patterning-stylized-fleur-de-lys-like-flowers-in-red-blue-green-and-cream-on-green-ground-france-and-usa-late-19th-century-textile-designs-drawing-image391208980.htmlRM2DMD318–Drawing, Brush and gouache on cream paper, mounted on cream paper, Large red abstract shape surrounded by delicate black rinceaux patterning, stylized fleur-de-lys-like flowers in red, blue, green, and cream on green ground., France and USA, late 19th century, textile designs, Drawing
. English: Lot Description GURU TEG BAHADUR, THE NINTH SIKH GURU MUGHAL INDIA, 18TH CENTURY Gouache heightened with gold on paper, a single turbanned figure wearing elegant white robes with floral illumination stands on a grassy knoll at sunset, one hand holds a small jewel, the other rests on the hilt of a katar, a long sword also hangs from his belt, laid down within gold illuminated cream borders, small areas of staining, mounted Miniature 8 x 4½in. (20.2 x 11.4cm.); folio 10 1/8 x 6 5/8in. (25.3 x 16.6cm.) . 18th century. MUGHAL INDIA, 18TH CENTURY 258 Guru teg bahadur Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-lot-description-guru-teg-bahadur-the-ninth-sikh-guru-mughal-india-18th-century-gouache-heightened-with-gold-on-paper-a-single-turbanned-figure-wearing-elegant-white-robes-with-floral-illumination-stands-on-a-grassy-knoll-at-sunset-one-hand-holds-a-small-jewel-the-other-rests-on-the-hilt-of-a-katar-a-long-sword-also-hangs-from-his-belt-laid-down-within-gold-illuminated-cream-borders-small-areas-of-staining-mounted-miniature-8-x-4in-202-x-114cm-folio-10-18-x-6-58in-253-x-166cm-18th-century-mughal-india-18th-century-258-guru-teg-bahadur-image187569347.htmlRMMW4EH7–. English: Lot Description GURU TEG BAHADUR, THE NINTH SIKH GURU MUGHAL INDIA, 18TH CENTURY Gouache heightened with gold on paper, a single turbanned figure wearing elegant white robes with floral illumination stands on a grassy knoll at sunset, one hand holds a small jewel, the other rests on the hilt of a katar, a long sword also hangs from his belt, laid down within gold illuminated cream borders, small areas of staining, mounted Miniature 8 x 4½in. (20.2 x 11.4cm.); folio 10 1/8 x 6 5/8in. (25.3 x 16.6cm.) . 18th century. MUGHAL INDIA, 18TH CENTURY 258 Guru teg bahadur
Rodolphe Bresdin. The Good Samaritan. 1845–1885. France. Etching on ivory chine, mounted on cream laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rodolphe-bresdin-the-good-samaritan-18451885-france-etching-on-ivory-chine-mounted-on-cream-laid-paper-image337920730.htmlRM2AHNH9E–Rodolphe Bresdin. The Good Samaritan. 1845–1885. France. Etching on ivory chine, mounted on cream laid paper
Art inspired by Anemones, Grasses and Flowers, Robert Brandegee, American, 1849-1922, Graphite on cream, moderately thick, smooth wove paper mounted to paper., April 15, 1867, Sheet, drawing: 4 1/4 x 6 5/8 in., 10.8 x 16.8 cm, American, botanical, botany, drawing, fine lines, flower, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-anemones-grasses-and-flowers-robert-brandegee-american-1849-1922-graphite-on-cream-moderately-thick-smooth-wove-paper-mounted-to-paper-april-15-1867-sheet-drawing-4-14-x-6-58-in-108-x-168-cm-american-botanical-botany-drawing-fine-lines-flower-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459572247.htmlRF2HKK92F–Art inspired by Anemones, Grasses and Flowers, Robert Brandegee, American, 1849-1922, Graphite on cream, moderately thick, smooth wove paper mounted to paper., April 15, 1867, Sheet, drawing: 4 1/4 x 6 5/8 in., 10.8 x 16.8 cm, American, botanical, botany, drawing, fine lines, flower, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing; brush and gouache on cream paper, mounted on cream paper; 18.9 x 16.5 cm (7 7/16 x 6 1/2 in.), irregular Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-on-cream-paper-mounted-on-cream-paper-189-x-165-cm-7-716-x-6-12-in-irregular-image546137270.htmlRM2PMEKJE–Drawing; brush and gouache on cream paper, mounted on cream paper; 18.9 x 16.5 cm (7 7/16 x 6 1/2 in.), irregular
Joseph Severn, 1793–1879, British, Caulking the Schooner, Falmouth Harbour, undated. Watercolor on medium, slightly textured, cream wove paper mounted on board. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-severn-17931879-british-caulking-the-schooner-falmouth-harbour-undated-watercolor-on-medium-slightly-textured-cream-wove-paper-mounted-on-board-image398381273.htmlRM2E43RAH–Joseph Severn, 1793–1879, British, Caulking the Schooner, Falmouth Harbour, undated. Watercolor on medium, slightly textured, cream wove paper mounted on board.
Alexandre Lenoir. Jacques Louis David; French, 1748-1825. Date: 1805-1822. Dimensions: 168 × 112 mm. Graphite, on off-white laid paper, edge mounted on cream wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexandre-lenoir-jacques-louis-david-french-1748-1825-date-1805-1822-dimensions-168-112-mm-graphite-on-off-white-laid-paper-edge-mounted-on-cream-wove-paper-origin-france-museum-the-chicago-art-institute-image240112263.htmlRMRXJ1HY–Alexandre Lenoir. Jacques Louis David; French, 1748-1825. Date: 1805-1822. Dimensions: 168 × 112 mm. Graphite, on off-white laid paper, edge mounted on cream wove paper. Origin: France. Museum: The Chicago Art Institute.
Othello's Speech to the Senators of Venice, c. 1844. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/othellos-speech-to-the-senators-of-venice-c-1844-image462411743.htmlRM2HT8JW3–Othello's Speech to the Senators of Venice, c. 1844.
A Sussex Barn by Robert Bevan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sussex-barn-by-robert-bevan-image559639822.htmlRM2REDP8E–A Sussex Barn by Robert Bevan
Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Partial design. String of pearls with large floral gold pendant with pearls, emeralds, and rubies. Left, curved band framed by gold chains and filled with blue flowers and gray leaves on white ground., France and USA, late 19th century, textile designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-brush-and-gouache-graphite-on-cream-paper-mounted-on-cream-paper-partial-design-string-of-pearls-with-large-floral-gold-pendant-with-pearls-emeralds-and-rubies-left-curved-band-framed-by-gold-chains-and-filled-with-blue-flowers-and-gray-leaves-on-white-ground-france-and-usa-late-19th-century-textile-designs-drawing-image391436013.htmlRM2DMRCHH–Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Partial design. String of pearls with large floral gold pendant with pearls, emeralds, and rubies. Left, curved band framed by gold chains and filled with blue flowers and gray leaves on white ground., France and USA, late 19th century, textile designs, Drawing
Search Results for Cream paper mounted Stock Photos and Images (4,489)
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