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Count of romont Stock Photos and Images
Portrait of James of Savoy, Count of Romont (front), Complete Coat of arms of Jacob of Savoy, held by two lions in front of black ground (back), c. 1475, mixed technique on oak, 34 x 24.5 cm, unmarked., Above and below the back coat of arms: Jaques • de • Savoy, Conte • de • Romont, Niederländischer Meister, 15. Jh., Hans Memling, (Kopie nach / copy after), Seligenstadt um 1440–1494 Brügge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-james-of-savoy-count-of-romont-front-complete-coat-of-arms-of-jacob-of-savoy-held-by-two-lions-in-front-of-black-ground-back-c-1475-mixed-technique-on-oak-34-x-245-cm-unmarked-above-and-below-the-back-coat-of-arms-jaques-de-savoy-conte-de-romont-niederlndischer-meister-15-jh-hans-memling-kopie-nach-copy-after-seligenstadt-um-14401494-brgge-image328706885.htmlRM2A2NTYH–Portrait of James of Savoy, Count of Romont (front), Complete Coat of arms of Jacob of Savoy, held by two lions in front of black ground (back), c. 1475, mixed technique on oak, 34 x 24.5 cm, unmarked., Above and below the back coat of arms: Jaques • de • Savoy, Conte • de • Romont, Niederländischer Meister, 15. Jh., Hans Memling, (Kopie nach / copy after), Seligenstadt um 1440–1494 Brügge
Portrait of Jacob of Savoy - Count of Romont 1475 after Hans Memling ( Memlinc ) 1430 – 1494 German Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jacob-of-savoy-count-of-romont-1475-after-hans-memling-memlinc-1430-1494-german-germany-image503283783.htmlRM2M6PFGR–Portrait of Jacob of Savoy - Count of Romont 1475 after Hans Memling ( Memlinc ) 1430 – 1494 German Germany
. English: Tournai or Southern Netherlands, 1463-1478 Embroidery in different techniques, gold thread and silk, shield shaped hood: 55 x 55 cm fragments of orphrey: 46 x 32 cm (each) Historical Museum of Bern , Inv. 308A-B Provenance Embroidered at the commission of Jacques of Savoy (1450-1486), Count of Romont, and presented by him to the Bishop of Lausanne; Lausanne Cathedral Treasury; in 1536, following the Protestant conquest of Lausanne, taken to Bern; since 1882 in the possession of the museum. . 24 September 2013, 22:26:10. Tournai embroiderer after Rogier van der Weyden Fragment of a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-tournai-or-southern-netherlands-1463-1478-embroidery-in-different-techniques-gold-thread-and-silk-shield-shaped-hood-55-x-55-cm-fragments-of-orphrey-46-x-32-cm-each-historical-museum-of-bern-inv-308a-b-provenance-embroidered-at-the-commission-of-jacques-of-savoy-1450-1486-count-of-romont-and-presented-by-him-to-the-bishop-of-lausanne-lausanne-cathedral-treasury-in-1536-following-the-protestant-conquest-of-lausanne-taken-to-bern-since-1882-in-the-possession-of-the-museum-24-september-2013-222610-tournai-embroiderer-after-rogier-van-der-weyden-fragment-of-a-image184982347.htmlRMMMXJTB–. English: Tournai or Southern Netherlands, 1463-1478 Embroidery in different techniques, gold thread and silk, shield shaped hood: 55 x 55 cm fragments of orphrey: 46 x 32 cm (each) Historical Museum of Bern , Inv. 308A-B Provenance Embroidered at the commission of Jacques of Savoy (1450-1486), Count of Romont, and presented by him to the Bishop of Lausanne; Lausanne Cathedral Treasury; in 1536, following the Protestant conquest of Lausanne, taken to Bern; since 1882 in the possession of the museum. . 24 September 2013, 22:26:10. Tournai embroiderer after Rogier van der Weyden Fragment of a
Portrait of James of Savoy, Count of Romont (front), Complete Coat of arms of Jacob of Savoy, held by two lions in front of black ground (back), c. 1475, mixed technique on oak, 34 x 24.5 cm, unmarked., Above and below the back coat of arms: Jaques • de • Savoy, Conte • de • Romont, Niederländischer Meister, 15. Jh., Hans Memling, (Kopie nach / copy after), Seligenstadt um 1440–1494 Brügge, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-james-of-savoy-count-of-romont-front-complete-coat-of-arms-of-jacob-of-savoy-held-by-two-lions-in-front-of-black-ground-back-c-1475-mixed-technique-on-oak-34-x-245-cm-unmarked-above-and-below-the-back-coat-of-arms-jaques-de-savoy-conte-de-romont-niederlndischer-meister-15-jh-hans-memling-kopie-nach-copy-after-seligenstadt-um-14401494-brgge-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-t-image349799140.htmlRF2B92MAC–Portrait of James of Savoy, Count of Romont (front), Complete Coat of arms of Jacob of Savoy, held by two lions in front of black ground (back), c. 1475, mixed technique on oak, 34 x 24.5 cm, unmarked., Above and below the back coat of arms: Jaques • de • Savoy, Conte • de • Romont, Niederländischer Meister, 15. Jh., Hans Memling, (Kopie nach / copy after), Seligenstadt um 1440–1494 Brügge, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern t
. The Library of historic characters and famous events of all nations. uke, being thus deprived of the servdces of thebastard and of the Count de Romont, was left but twentythousand men to oppose to more than thirty thousand. Therear-guard of the Swiss, which had not yet been engaged,made a movement which placed them in the rear of theBurgundians, so as to cut ofif their retreat. They thusfound themselves hemmed in on both sides, and met on thethird by the garrison of Morat. The fourth was the lake.In the plain between, there was resistance, and a fearfulresistance—the dukes guard fought till Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-library-of-historic-characters-and-famous-events-of-all-nations-uke-being-thus-deprived-of-the-servdces-of-thebastard-and-of-the-count-de-romont-was-left-but-twentythousand-men-to-oppose-to-more-than-thirty-thousand-therear-guard-of-the-swiss-which-had-not-yet-been-engagedmade-a-movement-which-placed-them-in-the-rear-of-theburgundians-so-as-to-cut-ofif-their-retreat-they-thusfound-themselves-hemmed-in-on-both-sides-and-met-on-thethird-by-the-garrison-of-morat-the-fourth-was-the-lakein-the-plain-between-there-was-resistance-and-a-fearfulresistancethe-dukes-guard-fought-till-image336893027.htmlRM2AG2PDR–. The Library of historic characters and famous events of all nations. uke, being thus deprived of the servdces of thebastard and of the Count de Romont, was left but twentythousand men to oppose to more than thirty thousand. Therear-guard of the Swiss, which had not yet been engaged,made a movement which placed them in the rear of theBurgundians, so as to cut ofif their retreat. They thusfound themselves hemmed in on both sides, and met on thethird by the garrison of Morat. The fourth was the lake.In the plain between, there was resistance, and a fearfulresistance—the dukes guard fought till
. The library of historic characters and famous events of all nations and all ages . duke, being thus deprived of the services of thebastard and of the Count de Romont, was left but twentythousand men to oppose to more than thirty thousand. Therear-guard of the Swiss, which had not yet been engaged,made a movement which placed them in the rear of theBurgundians, so as to cut off their retreat. They thusfound themselves hemmed in on both sides, and met on thethird by the garrison of Morat. The fourth was the lake.In the plain between, there was resistance, and a fearfulresistance—the dukes guar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-library-of-historic-characters-and-famous-events-of-all-nations-and-all-ages-duke-being-thus-deprived-of-the-services-of-thebastard-and-of-the-count-de-romont-was-left-but-twentythousand-men-to-oppose-to-more-than-thirty-thousand-therear-guard-of-the-swiss-which-had-not-yet-been-engagedmade-a-movement-which-placed-them-in-the-rear-of-theburgundians-so-as-to-cut-off-their-retreat-they-thusfound-themselves-hemmed-in-on-both-sides-and-met-on-thethird-by-the-garrison-of-morat-the-fourth-was-the-lakein-the-plain-between-there-was-resistance-and-a-fearfulresistancethe-dukes-guar-image369990018.htmlRM2CDXE16–. The library of historic characters and famous events of all nations and all ages . duke, being thus deprived of the services of thebastard and of the Count de Romont, was left but twentythousand men to oppose to more than thirty thousand. Therear-guard of the Swiss, which had not yet been engaged,made a movement which placed them in the rear of theBurgundians, so as to cut off their retreat. They thusfound themselves hemmed in on both sides, and met on thethird by the garrison of Morat. The fourth was the lake.In the plain between, there was resistance, and a fearfulresistance—the dukes guar
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