Quick filters:
Page 1 of 7
Coquetry Stock Photos and Images
RM2JE55YN–Man with toothbrush admires his teeth in the mirror Ma foi! It is, as we say, a veritable ranking of perles! (...), Vanity (series title) Coquetry (series title on object), print maker: Honoré Daumier, (mentioned on object), printer: Aubert & Cie., (mentioned on object), publisher: Bauger, (mentioned on object), Paris, 1840, paper, letterpress printing, h 363 mm × w 245 mm
RF2HW99HH–Art inspired by Figure 78: Scene of coquetry, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.3 cm (11 1/4 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien Tournachon (French, 1825–1903, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA9BYE–Figure 78: Scene of coquetry. Artist: Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806-1875); Adrien Tournachon (French, 1825-1903). Dimensions: Image (Oval): 28.5 × 20.3 cm (11 1/4 × 8 in.) Sheet: 30.1 × 21.9 cm (11 7/8 × 8 5/8 in.) Mount: 40.2 × 28.6 cm (15 13/16 × 11 1/4 in.). Date: 1854-56, printed 1862. Museum: Metropolitan Museum of Art, New York, USA.
RM2C2JNJE–Painting of a flirtatious 19th century woman looking in a mirror by Vicente Palmaroli (1834-1896) Spanish painter of the romantic period that evolved into the costumbrista painting. Old 19th century engraved illustration, El Mundo Ilustrado 1880
RMKC7X3R–Figure 78: Scene of coquetry, Guillaume-Benjamin-Amand Duchenne de Boulogne, 1854–56, printed 1862
RF2JD3JM1–Attractive barefoot brown-haired woman wearing white outfit in white studio. Body and skin care cosmetics ad. Copy space
RF2JAM23A–Vertical of calm, serious dark-haired woman looking at camera, wearing denim jeans jacket. Hugging herself. Close-up
RFHE581D–This painting, titled Flirtation, was done by the English Victorian historical and portrait painter John Seymour Lucas (1849-1923). The painting dates to 1885. Lucas is noted for his close knowledge of the costumes of certain periods. Flirtation represents a country squire paying court to a tenant-farmer's attractive daughter under the pretense of taking some refreshment. The accomplished man of the world, wholly at his ease, and the girl in an attitude hovering between surprise and coquetry, are admirably conceived.
RMP6H2F6–Fabric shop workers. Women in muslin dresses, bonnets and shawls embroidering, sewing, cutting cloth and wrapping bolts of fabric. 'If ever coquetry were lost by women, one would find it again at the ladies counter.' Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.
RM2B99WF1–Album six subjects women from nature: coquetry Achille Devéria (1800-1857) et Rose-Joseph Lemercier (1803-1887). Album avec six sujets de femmes nues : la coquetterie. Lithographie sur chine, 1829. Paris, musée Carnavalet.
RM2A7R5XY–Fabric shop workers. Women in muslin dresses, bonnets and shawls embroidering, sewing, cutting cloth and wrapping bolts of fabric. 'If ever coquetry were lost by women, one would find it again at the ladies counter.' Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.
RF2NED1D9–tenderness pleasure on face of sly look of middle-aged woman sincere smile raised one shoulder up looks askance coquetry pretty woman on white background pleasant product purchase excellent emotion
RMH416D8–Woman, young, long-haired, curls, laugh, half portrait, women's portrait, 26 years, hairs, brown-haired, curls, mane, curly hairstyle, view camera, seduction, stimulus, challenging, enticing, provocation, Beauty, cosmetics, studio, fullness, coquetry, 20-
RM2AHPETP–Honoré-Victorin Daumier. “I say to myself would anybody imagine that we are coming from the Rue des Lombards ... We really don't look like confectioners at all,” plate 2 from Coquetry. 1839. France. Lithograph in black on white wove paper
RFDJCF9E–View from behind of a young couple sitting drinking at the bar in a nightclub with a display of alcoholic beverages behind them
RF2X2FERB–working women, business, career, lifestyle, cinematic chic, body language, bright, lifestyle, caucasian, chic, colored, code, cute, meeting,
RM2JAWD4A–Coquetry Charpentier, E., Colin Leloir, Heloise Suzanne (1820 1874), Litographic Plant: Kaeppelin Desmaisons
RF2F3JH3A–Painting acrylic canvas portrait of woman abstraction. Emotional flirtation, joy, coquetry.
RM2HHWPPW–Figure 78: Scene of coquetry 1854–56, printed 1862 Guillaume-Benjamin-Amand Duchenne de Boulogne French. Figure 78: Scene of coquetry 623068
RF2C515HN–Painting acrylic canvas portrait of woman abstraction. Emotional flirtation, joy, coquetry.
RM2WBTM2C–Photo production of Coquetry, Anonymous, After Buhler, 1870 - 1900 Photograph. visit card cardboard. photographic support albumen print painting, drawing and the graphic arts. girl (child between toddler and youth). making up
RF2A6NRF4–beautiful door full of coquetry, carved and ferronated glass protection, white cotton curtains, number thirty bis
RMP6HBKX–Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. 'These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.' Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.
RM2A7R5Y5–Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. 'These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.' Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.
RFWB12RY–Purple lily or hemerocallis flowers in the garden. Flowers bloom in summer. Tongue flower coquetry.
RMCPN98M–allegories, little girl in the guise of a flower, hair and skirt decorated with lily of the valley, France, circa 1895, Additional-Rights-Clearences-Not Available
RF2X2FAA7–working women, business, career, lifestyle, cinematic chic, body language, bright, lifestyle, caucasian, chic, colored, code, cute, meeting,
RME5HM60–Europe. Hunting couple, early 14th century. Middle Ages. Engraving. 19th century. Later colouration.
RM2ANETGB–Embroidery and lace: their manufacture and history from the remotest antiquity to the present dayA handbook for amateurs, collectors and general readers . authors, in thereign of Tiberius, criticises the coquetry of women whenthey attended public worship in wearing these head veils,perfectly transparent and slightly ornamented withembroidery. These veils were the prototypes of themantillas at present worn by womenin southern countries of Europe. Phrygia.—From the shores ofPhrygia, Asiatic and Babylonianembroideries were shipped forGreece and Italy. The Romansdenominated such embroideriesphrygi
RM2WBYYNX–Male and Woman in Kokette attitude on the French Coast, Anonymous, 1902 photograph Part of photo album of an army exercise in Southwest France in 1902. France paper. photographic support Coquetry. coastal structures (+ landscape with figures, staffage) France
RM2T2ER0Y–Parasol American 1860–69 The marquise parasol was named after Madame de Pompadour, who purportedly invented it for the purposes of coquetry. The top could be tilted in various angles for flirtation and protection from the sun. The embossed floral motif on the lining edge of this parasol is a lovely accompaniment to the marquise.
RMPA9K78–Parasol. Culture: American. Date: 1860-69. The marquise parasol was named after Madame de Pompadour, who purportedly invented it for the purposes of coquetry. The top could be tilted in various angles for flirtation and protection from the sun. The embossed floral motif on the lining edge of this parasol is a lovely accompaniment to the marquise. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHRPNJ–Parasol 1860–69 American The marquise parasol was named after Madame de Pompadour, who purportedly invented it for the purposes of coquetry. The top could be tilted in various angles for flirtation and protection from the sun. The embossed floral motif on the lining edge of this parasol is a lovely accompaniment to the marquise.. Parasol 158202
RM2WG9C9W–Coquette, François Boucher, After Jean Antoine Watteau, 1713 - 1755 print In a landscape there is a young woman in the midst of a young man, a middle -aged man and an old man. The men admire her. Around the show a ornamental frame with trees, draperies and two faces. paper etching Coquetry. landscapes (+ landscape with figures, staffage)
RFWB11FK–Purple lily or hemerocallis flowers in the garden. Flowers bloom in summer. Tongue flower coquetry.
RM2HH3NYA–Dress ca. 1760 British Monochrome, but in a bright canary yellow guaranteed to catch anyone's attention across a room, this exceptionally well-preserved robe à la française with trimmings represents the apogee of the form. The absence of ornament, other than basic ruffles, makes this a museum object easy to read: it is a perfect teaching example, free from distractions and affirming thereby the adorned beauty of eighteenth-century silhouette and style, so often masked under frills and coquetry.. Dress. British. ca. 1760. silk, linen, cotton
RF2X2GDXF–working women, business, career, lifestyle, cinematic chic, body language, bright, lifestyle, caucasian, chic, colored, code, cute, meeting,
RM2ANFX35–The art of the Dresden gallery; notes and observations upon the old and modern masters and paintings in the royal collection . As we stand and look upon that significant lineof Correggios pictures hanging in this hall, itseems as if we had a mental history of Correggiobefore us. The first — the lovely Madonna of St.Francis — was painted when Correggio was onlytwenty, and it has the restraint and timidity of thespring, — the beginning, — yet with all its promise,too. Some pious souls have objected to the Ma-donna as having too much coquetry in her expres-sion, and perhaps if one were looking fo
RM2X444N2–RECORD DATE NOT STATED partnership and relationship between two people, man and woman being together partnership and relationship between two people
RM2X3B0CA–partnership and relationship between two people, man and woman being together partnership and relationship between two people
RFBC9Y9D–young beautiful woman with photo camera in hands taking a picture of herself on black background
RMRXN066–'I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,' plate 2 from Coquetry. Honoré Victorin Daumier; French, 1808-1879. Date: 1839. Dimensions: 262 × 200 mm (image); 334 × 249 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute. Author: Honoré-Victorin Daumier.
RFWB11FF–Purple lily or hemerocallis flowers in the garden. Flowers bloom in summer. Tongue flower coquetry.
RF2X2FMAX–working women, business, career, lifestyle, cinematic chic, body language, bright, lifestyle, caucasian, chic, colored, code, cute, meeting,
RM2ANBG03–The standard operas, their plots and their music; . n the distancewith harp accompaniment ( Fior di Giaggolo ). As sheapproaches the pair the song grows livelier, and at its closeshe banters poor Santuzza with biting sarcasms, and assailsTurridu with all the arts of coquetry. She passes into thechurch, confident that the infatuated Turridu will follow her.An impassioned duo of great power follows, in which San-tuzza pleads with him to love her, but all in vain. He rushesinto the church. She attempts to follow him, but falls uponthe steps just as Alfio comes up. To him she relates thestory of h
Search Results for Coquetry Stock Photos and Images (631)
Page 1 of 7