RMER7A2B–Chateau aerien. Ballon captif e cloisons etanches, systeme Tobiansky. Exposition universelle 1894. Belgian poster shows an air station suspended by a captive balloon at the 1894 world's fair in Antwerp, Belgium. Advertises Alfred Tobiansky d'Altoff's pate
RMKC6XDM–Gold ornament with cloisons, 3rd–4th century A.D. or later
RF2HTWJ1T–Art inspired by Two gold beads, Late Classical?, possibly 4th–3rd century B.C., Greek?, Gold, Other (each): 11/16 in. (1.7 cm), Gold and Silver, The cloisons were originally inlaid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA96TG–Two gold beads. Culture: Greek?. Dimensions: Other (each): 11/16 in. (1.7 cm). Date: possibly 4th-3rd century B.C.. The cloisons were originally inlaid. Museum: Metropolitan Museum of Art, New York, USA.
RMPA93RM–301 Chateau aérien. Ballon captif à cloisons étanches, système Tobiansky LCCN2002716359
RFP7D92D–Woman gluing tiny shaped cloisonne wires to a copper vase creating a intricately constructed pattern for a enamel cloisonne vase, Beijing, China
RMP92JR8–Chateau aérien. Ballon captif à cloisons étanches, système Tobiansky. Exposition universelle 1894. -Belgian poster shows an air station suspended by a captive balloon
RMWA9DFN–Chateau aérien. Ballon captif à cloisons étanches, système Tobiansky; Belgian poster shows an air station suspended by a captive balloon at the 1894 world's fair in Antwerp, Belgium. Advertises Alfred Tobiansky d'Altoff's patented device for moving passengers from a platform on the ground to the air station.
RMW797A6–A Chinese worker adds cloisons according to the pattern previously transferred to the workpiece in the biggest cloisonne factory, Beijing Enamel Facto
RM2H19GEG–Close-up of a finished cloisonne vase showing the gold electroplated edges of the cloisons. Beijing, China.
RM2X01HNN–Chateau aérien. Ballon captif à cloisons étanches, système Tobiansky. Exposition universelle 1894.
RM2HHPRM5–Two gold beads possibly 4th–3rd century B.C. Greek? The cloisons were originally inlaid.. Two gold beads. Greek?. possibly 4th–3rd century B.C.. Gold. Late Classical?. Gold and Silver
RM2WX3FBC–A detail of the Virgin, a piece of cloisonné enamel on gold from the Byzantine period, specifically the 11th century, originating from Djumati, Georgia. Cloisonné, a technique used for decorative purposes in metalwork, involves creating compartments (cloisons) with metal wires or strips placed on a metal object and filling these compartments with enamel paste. The object is then fired, allowing the enamel to melt and fill the cloisons, and polished to reveal a vibrant, intricate design upon cooling.
RM2TAED6D–France, Guyane, église aux cloisons de bois polychrome Saint-Joseph d'Iracoubo
RM2WX3FBE–A detail of Christ, a piece of cloisonné enamel on gold from the Byzantine period, specifically the 11th century, originating from Djumati, Georgia. Cloisonné, a technique used for decorative purposes in metalwork, involves creating compartments (cloisons) with metal wires or strips placed on a metal object and filling these compartments with enamel paste. The object is then fired, allowing the enamel to melt and fill the cloisons, and polished to reveal a vibrant, intricate design upon cooling.
RM2A52RX3–Vase with Three Rams Heads, 1736-1795. In cloisonné enamelling, the decorative patterns are outlined by soldering metal wires (usually copper) to a metal base, creating a network of cells, or cloisons, to be filled with powdered enamels. After firing, the enamels are polished to create a smooth surface level with the cloisons. The exposed metal surfaces are gilt.
RMKNCMDP–Gold ornament with cloisons MET DP136023 246102
RM2TA0C4Y–Fabrication des cloisons du nouvel IMOCA Safran au chantier C3 technologies de La Rochelle le 28 mai 2014 - Photo Olivier Blanchet / DPPI - Anthony Loque (Technicien composite), Xavier Lamiraud (Technicien composite), Jean Marie Buignet (responsable)
RMKNCNG4–Gold ring- 3 box settings on the bezel and cloisons on the sides MET DP135926 243484
RMW9H23K–Archive image from page 476 of Métamorphoses mœurs et instincts des. Métamorphoses mœurs et instincts des insectes (insectes, myriapodes, arachnides, crustacés) CUbiodiversity1118075 Year: 1868 ( LES HYMÉNOPTÈRES. 437 empare. Dans tous les cas, une fois le local acquis, l'Ilyméno- ptère établit ses cellules, en fabriquant des cloisons avec de la sciure de bois qu'elle agglutine au moyen de sa salive. tE XYLOCOPE VIOLET {Xylocopaviolacea). Chez les Antliophorcs, dont la conformation diffère peu de celle des Xylocopcs, les mandibules sont étroites, pointues et munies d'une seule dent au b
RMKC6X98–Gold ring: 3 box settings on the bezel and cloisons on the sides, 6th century B.C
RF2HW4670–Art inspired by Gold ornament with cloisons, Late Imperial or Late Antique, 3rd–4th century A.D. or later, Roman, Gold, Other: 1 11/16 in. (4.3 cm), Gold and Silver, Oblong bead ornament, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAM4E2–Gold ornament with cloisons. Culture: Roman. Dimensions: Other: 1 11/16 in. (4.3 cm). Date: 3rd-4th century A.D. or later. Oblong bead ornament. Museum: Metropolitan Museum of Art, New York, USA.
RF2HTYWWB–Art inspired by Vessel Lid, 2nd–3rd century, Roman, Champlevé enamel, floating cloisons, copper alloy, Overall (handle up): 1 5/16 x 1 in. (3.3 x 2.5 cm), Enamels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC7G4M–Purse Mount, first half of the 7th century, Made in Northern France, Frankish, base silver or copper alloy (frame and cloisons
RF2HW44N4–Art inspired by Gold ring: 3 box settings on the bezel and cloisons on the sides, Archaic, 6th century B.C., Cypriot, Gold, sard, glass paste, Other: 7/8 in. (2.2 cm), Gold and Silver, Two elements of the bezel are filled with plasma and glass paste, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRPT38J–Chateau aérien. Ballon captif à cloisons étanches, système Tobiansky. Exposition universelle 1894. -Belgian poster shows an air station suspended by a captive balloon
RF2HTYNM3–Art inspired by Purse Mount, first half of the 7th century, Made in Northern France, Frankish, base silver or copper alloy (frame and cloisons), glass, Overall: 4 13/16 x 1 1/8 x 3/8 in. (12.3 x 2.8 x 1 cm), Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMW797CC–A Chinese worker adds cloisons according to the pattern previously transferred to a cloisonne artwork in the biggest cloisonne factory, Beijing Enamel
RM2H19GFC–A bronze vase with the cloisons sintered on to be made into cloisonne in a workshop in Beijing, China.
RM2HHPT30–Gold ornament with cloisons 3rd–4th century A.D. or later Roman Oblong bead ornament.. Gold ornament with cloisons. Roman. 3rd–4th century A.D. or later. Gold. Late Imperial or Late Antique. Gold and Silver
RMT2PA3W–Large dagger (Khanjar). Jauhar or Damascus steel blade. Hilt and scabbard with enamel in gilt cloisons. Qajar Iran 1800-50
RM2TAED6X–France, Guyane, église aux cloisons de bois polychrome Saint-Joseph d'Iracoubo
RMG1CXEF–Large dagger with a Damascus steel blade from Qajar, Iran. Dated 19th Century
RF2M72N33–Macro view of a small antique cloisonne vase with multicolored enamel on a gold base, showing wear from age
RMKHW53W–Large dagger known as a Khanjar, made from Damascus Steel with an enamel hilt and scabbard. From Qajar, Iran. Dated 19th Century
RM2TA0C4T–Fabrication des cloisons du nouvel IMOCA Safran au chantier C3 technologies de La Rochelle le 28 mai 2014 - Photo Olivier Blanchet / DPPI - Anthony Loque (Technicien composite), Xavier Lamiraud (Technicien composite), Jean Marie Buignet (responsable)
RMKNCNGJ–Gold ring- 3 box settings on the bezel and cloisons on the sides MET DP147602 243484
RMW23H91–Archive image from page 165 of Dansk botanisk arkiv (1913-1981). Dansk botanisk arkiv danskbotaniskark03dans Year: 1913-1981 Fig. 152. Thailes de Lithothamnium occidentale (grandeur naturelle). - ment gonflées, elles mesurent 10 å 20/, jusqu'å 32 {i de longueur et Q klOfj. de largeur; elles sont en somme de taille tres variable; les cloisons ne se colorent pas fortement par les réactifs. L'espéce a montre jusqu'ici des conceptacles jeunes ou mal développés; cependant dans une coupe j'ai observe une tétraspore qui mesurait 180// de longueur 30 fi et lö/j. de largeur. S t. J a n: Au large d'An
RMKNYJHK–Disk Brooch MET dp30520 465584 Frankish, Disk Brooch, 6th century, Copper alloy cloisons, side and back; glass and patterned copper alloy, Overall: 1 3/8 x 13/16 in. (3.5 x 2 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.259)
RM2AJF9NB–European enamels . SHRINE OF ST. BENIGNUS AT SIEGBURG. MEDIEVAL ENAMELS cloisons. Unfortunately all the figures have dis-appeared, but the enamelled portions that remain area very beautiful example of German work towardsthe end of the twelfth century. There is also herea free use of letters and patterns in oxidized copper,showing brown upon a ground formed by gildingthe metal. The green is very skilfully shaded intolight green and passes into yellow. In looking at these representations of foliage inblue and green with shaded stems and leaves, it isobvious that they have been adapted from the w
RMPAAH96–Gold ring: 3 box settings on the bezel and cloisons on the sides. Culture: Cypriot. Dimensions: Other: 7/8 in. (2.2 cm). Date: 6th century B.C.. Two elements of the bezel are filled with plasma and glass paste. Museum: Metropolitan Museum of Art, New York, USA.
RMC516WE–Cloisonne clock & vase display / vases for sale in the tourist gift shop; the Summer Palace (Yihe Yuan Yiheyuan) Beijing, China
RMKC7X67–Disk Brooch, 6th century, Frankish, Copper alloy cloisons, side and back; glass and patterned copper alloy, Overall: 1 3/8 x 13
RM2D6DHFX–Purse Mount, Frankish, first half of the 7th century.
RMKCE3WX–Vessel Lid, 2nd–3rd century, Roman, Champlevé enamel, floating cloisons, copper alloy, Overall (handle up): 1 5/16 x 1 in. (3.3
RF2HTYTE9–Art inspired by Disk Brooch, 6th century, Frankish, Copper alloy cloisons, side and back; glass and patterned copper alloy, Overall: 1 3/8 x 13/16 in. (3.5 x 2 cm), Metalwork-Copper, Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the Franks, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DMRXYC–Tile, Earthenware, copper, Light buff earthenware body with press-molded design of trees in a landscape. Various mat glazes inlight green, dark green, brown and blues defined by raised partitions. The design of this tile is associated with a group of eight tiles that when placed together form a fireplace frieze entitled 'The Pines'. Each element of the design is segmentsed by cloisons of clay, the raised contours partitioning the inlaid glazes. Copper frame., Boston, Massachusetts, USA, ca. 1902, tiles, Decorative Arts, Tile
RMW797CP–A Chinese worker adds cloisons according to the pattern previously transferred to a cloisonne artwork in the biggest cloisonne factory, Beijing Enamel
RM2H19GEC–A bronze vase with the cloisons sintered on to be made into cloisonne in a workshop in Beijing, China.
RM2HHPRF9–Gold pendant or clasp? 3rd century B.C.? Greek This intriguing object has a loop for attachment only at the top. In addition to decoration with gold wire, there are three vertically aligned cloisons that have lost their inlays.. Gold pendant or clasp?. Greek. 3rd century B.C.?. Gold. Hellenistic. Gold and Silver
RMKC6XDW–Two gold beads, Late Classical?, possibly 4th–3rd century B.C., Greek?, Gold, Other (each): 11/16 in. (1.7 cm), Gold and Silver
RF2F4EGX8–Publicité ancienne RUFILUX , panneau de particules de bois décoratif . 1963
RMKCDP5J–Plaque with the Virgin and Child, early 16th century
RMKHW53Y–Large dagger known as a Khanjar, made from Damascus Steel with an enamel hilt and scabbard. From Qajar, Iran. Dated 19th Century
RM2TA0C64–Fabrication des cloisons du nouvel IMOCA Safran au chantier C3 technologies de La Rochelle le 28 mai 2014 - Photo Olivier Blanchet / DPPI - Anthony Loque (Technicien composite), Xavier Lamiraud (Technicien composite), Jean Marie Buignet (responsable)
RMKC6XDE–Gold pendant or clasp?, Hellenistic, 3rd century B.C.?, Greek, Gold, H.: 1/2 x 9/16 in. (1.3 x 1.4 cm), Gold and Silver
RMW0P4YR–Archive image from page 10 of Description des mollusques fossiles qui. Description des mollusques fossiles qui se trouvent dans les grès verts des environs de Genève descriptiondesmo01pict Year: 1847-1853 PI. 1. JÎCLÔler ad-nai. dtL U luJ,. Xah SchmidÀ Gtnift Fi.l, Belemnites minimus. Fi. 2, Nautilus Neckerianus . Fig.3. N. Saussnreanus. Fi.4. N. lihodani. Fi.S a 7. Cloisons de Nautiles.
RMKNMRCY–Disk Brooch MET dp30520 465584 Frankish, Disk Brooch, 6th century, Copper alloy cloisons, side and back; glass and patterned copper alloy, Overall: 1 3/8 x 13/16 in. (3.5 x 2 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.259)
RM2AG39E9–. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. steel, by being hammered intoengraved hollows which have been undercut with a roughened ground.The processes of Enamelling are very various. In the cloison process:bent bands or fillets of metal (cloisons) are soldered-on to the metalground, and the hollows or cells thus formed are filled vpith pulve-rised glass paste (glass coloured with metallic oxides) which are thenvitrified by heat. In the sunk or champ-lev6 process: the hollowsin the metallic gro
RMPB5X8R–Gold pendant or clasp?. Culture: Greek. Dimensions: H.: 1/2 x 9/16 in. (1.3 x 1.4 cm). Date: 3rd century B.C.?. This intriguing object has a loop for attachment only at the top. In addition to decoration with gold wire, there are three vertically aligned cloisons that have lost their inlays. Museum: Metropolitan Museum of Art, New York, USA.
RMKC47RR–One of a Pair of Vases with Dragon Handles, 19th century
RMPFB99N–. Description des mollusques fossiles qui se trouvent dans les grès verts des environs de Genève. PI. 1.. JÎCLÔ^ler ad-nai. dtL U luJ,. Xah SchmidÀ Gtnift Fi^.l, Belemnites minimus. Fi^. 2, Nautilus Neckerianus . Fig.3. N. Saussnreanus. Fi^.4. N. lihodani. Fi^.S a 7. Cloisons de Nautiles.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Pictet, François Jules, 1809-1872; Roux, William. Genève
RM2E2JW2E–Disk Brooch, Frankish, 6th century.
RMC516FB–Cloisonne vase display / vases for sale in the tourist gift shop at the Summer Palace (Yihe Yuan Yiheyuan) Beijing, China.
RF2HW90W5–Art inspired by Plaque with the Virgin and Child, early 16th century, Swiss, Plique à jour enamel, metal cloisons, mounted on modern glass, Overall: 10 7/16 x 8 5/8 x 3/16 in. (26.5 x 21.9 x 0.5 cm), Enamels-Émail de plique, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2M72N35–Macro abstract texture background of antique cloisonne with multicolored enamel on a gold base, showing some wear from age
RF2HTWJ1M–Art inspired by Gold pendant or clasp?, Hellenistic, 3rd century B.C.?, Greek, Gold, H.: 1/2 x 9/16 in. (1.3 x 1.4 cm), Gold and Silver, This intriguing object has a loop for attachment only at the top. In addition to decoration with gold wire, there are three vertically aligned, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H19GFH–An artisan attaches cloisons or wire strip to make the design for a cloissone vase in a workshop in Beijing, China.
RM2HHPT8C–Gold ring: 3 box settings on the bezel and cloisons on the sides 6th century B.C. Cypriot Two elements of the bezel are filled with plasma and glass paste.. Gold ring: 3 box settings on the bezel and cloisons on the sides. Cypriot. 6th century B.C.. Gold, sard, glass paste. Archaic. Gold and Silver
RF2HW3957–Art inspired by One of a Pair of Vases with Dragon Handles, Qing dynasty (1644–1911), 19th century, China, Cloisonné enamel with gilt bronze and champlevé, H. 18 3/8 in. (46.7 cm), Cloisonné, Cloisonné is a technique for creating designs on metal whereby enclosures made from copper or, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HHFHN2–Purse Mount first half of the 7th century Frankish. Purse Mount 464857 Frankish, Purse Mount, first half of the 7th century, base silver or copper alloy (frame and cloisons), glass, Overall: 4 13/16 x 1 1/8 x 3/8 in. (12.3 x 2.8 x 1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.163)
RM2T2F69P–Wall panel with poetic scenery of autumn China late 18th century This panel is a rare and extraordinary example of cloisonné enamel work created by the imperial workshops in Beijing during the late eighteenth century. The exceptional tonal range and gradation of color in the enameling and the particularized shapes of the finely tooled metal cloisons indicate a level of craftsmanship only achieved in the imperial workshop. The intricately described “blue-and-green” style landscape with its keenly observed details was undoubtedly based on a pictorial model created by an artist attached to the im
RM2TA0C60–Fabrication des cloisons du nouvel IMOCA Safran au chantier C3 technologies de La Rochelle le 28 mai 2014 - Photo Olivier Blanchet / DPPI - Anthony Loque (Technicien composite), Xavier Lamiraud (Technicien composite), Jean Marie Buignet (responsable)
RM2HJ3PWN–One of a Pair of Vases with Dragon Handles 19th century China Cloisonné is a technique for creating designs on metal whereby enclosures made from copper or bronze wire that has been bent or hammered into a desired pattern are filled with colored glass paste. Known as cloisons (French for 'partitions'), the enclosures are generally pasted or soldered onto the metal body. The glass paste, or enamel, is colored with metallic oxide and painted into the contained areas. The vessel is then fired, usually at a relatively low temperature, about 800 degrees centigrade. As enamels commonly shrink during
RMKHW545–Large dagger known as a Khanjar, made from Damascus Steel with an enamel hilt and scabbard. From Qajar, Iran. Dated 19th Century
RMW1BP3B–Archive image from page 44 of Deuxième expédition antarctique francaise (1908-1910). Deuxième expÃdition antarctique francaise (1908-1910) . deuximeexpdi1913cfran Year: 1913 MÃLOBÃSIÃES. 37 Les cellules sont gÃnÃralement au même niveau dans toutes les files cellulaires, surtout vers la partie supÃrieure du tissu : les cloisons se colorent fortement par les rÃactifs. On distingue très nettement deux pores dans chaque cellule. Dans son ensemble, le tissu du L. coiispeclum est constituà par des files toujours distinctes de grandes cellules rectangulaires. Dans certaines coupes, au-dessus des
RM2AJFBBF–European enamels . MEDIEVAL ENAMELS admirable example of the influence of the Byzantinestyle on European work of the eleventh century.One of the most remarkable pieces is a brooch con-sisting of an eagle within a broad ring. The head,body, wings, and tail are of enamel on cloisons ofgold. The enamel is partly opaque, partly trans-parent. The colours are blue, green, and opaque red.Jewels are mixed in with the enamel, and the wholeis set off with gold filigree. The enamels are not simply laid on the body ofthe work, but are done on separate pieces of gold,and then burnished into or let into the
RMPAKRFE–Disk Brooch. Culture: Frankish. Dimensions: Overall: 1 3/8 x 13/16 in. (3.5 x 2 cm). Date: 6th century. Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the Franks. Jewelers would solder small compartments arranged in geometric patterns onto the surface of a metal disk. In those cells, or cloisons, they would place a textured piece of gold foil, which would show through the thin translucent garnet that would then be set on top. Museum: Metropolitan Museum of Art, New York, USA.
RMC516MR–Cloisonne vase display / vases for sale in the tourist gift shop at the Summer Palace (Yihe Yuan Yiheyuan) Beijing, China.
RM2H19GF1–An artisan attaches cloisons or wire strip to make the design for a cloissone vase in a workshop in Beijing, China.
RM2TA0C5W–Fabrication des cloisons du nouvel IMOCA Safran au chantier C3 technologies de La Rochelle le 28 mai 2014 - Photo Olivier Blanchet / DPPI - Anthony Loque (Technicien composite), Xavier Lamiraud (Technicien composite), Jean Marie Buignet (responsable)
RM2HJ17W7–Incense Burner from a Set of Five-Piece Altar Set (Wugong) China Cloisonné is the technique of creating designs on metal vessels with colored glass paste placed within enclosures made of copper or bronze wires, which have been bent or hammered into the desired patterns. Known as cloisons (French for 'partitions'), the enclosures are generally either glued or soldered onto the metal body. The glass paste, or enamel—which gets its color from metallic oxides—is painted into the contained areas of the design. The vessel is usually fired at a relatively low temperature, about 800 degrees Celsius. E
RMW167P7–Archive image from page 227 of Dictionnaire de physiologie (1902). Dictionnaire de physiologie . dictionnairedeph05rich Year: 1902 Fir,. 92.— Coupe des vésicules séminales. 1, cavité des vésicules. — 2, épithé- lium. — 3, cloisons conjonctives avec fibres musculaires lisses. FiG. 93. — Coupe de la prostate (schématique). A. urèthre. — 1, tunique externe (fibres mus- culaires striées en avant et sur les côtés). — 2, tubes glandulaires. — 3, fibres mus- culaires lisses de la trame. côtés de la crête uréthrale ou verumontanum. G. Walker fait remarquer que le produit de sécrétion est déversé a
RM2AKWNF5–The arts and crafts of our Teutonic forefathers . III 112 109. COLOURED GLASS BEAD NECKLACEWITH PENDANTS, MUNICH HI. FIBULA FROM PERAN BY VILLACH,SHOWING CHAMPLEVE AND CLOI-SONNE TECHNIQUE. IIO. INLAID PECTORAL OF THE I2TH DY-NASTY OF EGYPT, CAIRO MUSEUM. 112. CLOISONNE ENAMEL ON FIBULA FROMSZILAGY SOMLYO IN HUNGARY,FOURTH OR FIFTH CENTURY, A.D. INLAYING land champleve and Byzantine cloIsonn6 enamelsof the later middle ages. The technique of inlaying is quite simple in the-ory, but the construction of the cloisons and the ac-curate adjustment to these of the pieces that haveto fill them is a m
RMPA8D72–One of a Pair of Vases with Dragon Handles. Culture: China. Dimensions: H. 18 1/2 in. (47 cm); Diam. 13 in. (33 cm); Diam. of rim 6 1/4 in. (15.9 cm); Diam. of foot 7 3/8 in. (18.7 cm). Date: 19th century. Cloisonné is a technique for creating designs on metal whereby enclosures made from copper or bronze wire that has been bent or hammered into a desired pattern are filled with colored glass paste. Known as cloisons (French for 'partitions'), the enclosures are generally pasted or soldered onto the metal body. The glass paste, or enamel, is colored with metallic oxide and painted into the co
RMPFXHP2–. Me?tamorphoses mœurs et instincts des insectes (insectes, myriapodes, arachnides, crustace?s). Insects; Insects; Myriapoda; Arachnida; Crustacea. LES HYMÉNOPTÈRES. 437 empare. Dans tous les cas, une fois le local acquis, l'Ilyméno- ptère établit ses cellules, en fabriquant des cloisons avec de la sciure de bois qu'elle agglutine au moyen de sa salive.. tE XYLOCOPE VIOLET {Xylocopaviolacea). Chez les Antliophorcs, dont la conformation diffère peu de celle des Xylocopcs, les mandibules sont étroites, pointues et munies d'une seule dent au bord interne. Ces Insectes abondent surtout dans les pa
RMC516K8–Adult woman / female tourist with large / big cloisonne vase display / for sale in gift shop at the Summer Palace Beijing, China
RM2H19GFX–A finished cloisonne vase showing the gold electroplated edges of the cloisons. Beijing, China.
RM2TA0C5R–Fabrication des cloisons du nouvel IMOCA Safran au chantier C3 technologies de La Rochelle le 28 mai 2014 - Photo Olivier Blanchet / DPPI - Anthony Loque (Technicien composite), Xavier Lamiraud (Technicien composite), Jean Marie Buignet (responsable)
RM2HHA75A–Disk Brooch second half 6th century Frankish Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the Franks. Jewelers would solder small compartments arranged in geometric patterns onto the surface of a metal disk. In those cells, or cloisons, they would place a textured piece of gold foil, which would show through the thin translucent garnet that would then be set on top.. Disk Brooch. Frankish. second half 6th century. Silver-gilt, garnets with patterned foil backings, and pearl. Metalwork-Silver
RM2HHW0H3–Vase from a Set of Five-Piece Altar Set (Wugong) 18th century China Cloisonné is the technique of creating designs on metal vessels with colored glass paste placed within enclosures made of copper or bronze wires, which have been bent or hammered into the desired patterns. Known as cloisons (French for 'partitions'), the enclosures are generally either glued or soldered onto the metal body. The glass paste, or enamel—which gets its color from metallic oxides—is painted into the contained areas of the design. The vessel is usually fired at a relatively low temperature, about 800 degrees Celsius
RM2AXFPJ8–Manual of Egyptian archæology and guide to the study of antiquities in EgyptFor the use of students and travellers . Fig. 333.—Bracelet of QueenAahhotep. lapis lazuli, and carnelianare inserted in gold cloisons. The hair of the Queen was drawn through a massive gold crown, scarcely larger than a bracelet. On the oblong plaque fixed to the circlet is the name of Aahmes inlaid in blue paste,while a small sphinx at each end, appear to keep watch and ward over him (fig. 334). A thick flexible gold chain was twisted round the neck, finished at each end by the head of a goose which served to fasten
RMPAM24D–Incense Burner from a Set of Five-Piece Altar Set (Wugong). Culture: China. Dimensions: H. 14 1/2 in. (36.8 cm); W. 11 in. (27.9 cm). Cloisonné is the technique of creating designs on metal vessels with colored glass paste placed within enclosures made of copper or bronze wires, which have been bent or hammered into the desired patterns. Known as cloisons (French for 'partitions'), the enclosures are generally either glued or soldered onto the metal body. The glass paste, or enamel--which gets its color from metallic oxides--is painted into the contained areas of the design. The vessel is usu
RMPFGM4G–. Dansk botanisk arkiv. Plants; Plants -- Denmark. F. Børgesen: Rhodophyceæ of the Danish W. Indies. 163 différentes files; les cloisons se colorent fortement par les réactifs colorants. Vers la partie supérieure de la coupe, le tissu prend un aspect plus compact: les files sont plus serrées et les cellules se dispo- sent dans leur ensemble en rangées horizontales; les cellules pour- vues chacune d'un pore, mesurent 10 ä 22// x 5 ä 12//, Enfin å ce second tissu ou périthalle secondaire, fait suite une écorce formée de tres petites cellules rectangulaires tres serrées, plus larges que hautes et
RMC516P8–Adult woman / female / girl shop assistant with display & counter. The Cloisonne gift shop in the Summer Palace Beijing, China.
RM2H19GED–An artisan shapes a cloison or wire strip to make the design for a cloissone vase in a workshop in Beijing, China.
RM2TA0C4F–Fabrication des cloisons du nouvel IMOCA Safran au chantier C3 technologies de La Rochelle le 28 mai 2014 - Photo Olivier Blanchet / DPPI - Anthony Loque (Technicien composite), Xavier Lamiraud (Technicien composite), Jean Marie Buignet (responsable)
RM2HHW0J2–Vase from a Set of Five-Piece Altar Set (Wugong) 18th century China Cloisonné is the technique of creating designs on metal vessels with colored glass paste placed within enclosures made of copper or bronze wires, which have been bent or hammered into the desired patterns. Known as cloisons (French for 'partitions'), the enclosures are generally either glued or soldered onto the metal body. The glass paste, or enamel—which gets its color from metallic oxides—is painted into the contained areas of the design. The vessel is usually fired at a relatively low temperature, about 800 degrees Celsius
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