Civilización mesopotámica Stock Photos and Images
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Civilización mesopotámica Stock Photos and Images
Assyrian civilization. Mesopotamia. Assyrian empire Government, religion and customs. Engraving. La Civilizacion (The Civilization), volume I, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrian-civilization-mesopotamia-assyrian-empire-government-religion-and-customs-engraving-la-civilizacion-the-civilization-volume-i-1881-image227912623.htmlRMR6P8TF–Assyrian civilization. Mesopotamia. Assyrian empire Government, religion and customs. Engraving. La Civilizacion (The Civilization), volume I, 1881.
Assyrian civilization. Mesopotamia. Assyrian empire Government, religion and customs. Engraving. Later colouration. La Civilizacion (The Civilization), volume I, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrian-civilization-mesopotamia-assyrian-empire-government-religion-and-customs-engraving-later-colouration-la-civilizacion-the-civilization-volume-i-1881-image436610979.htmlRM2GA99N7–Assyrian civilization. Mesopotamia. Assyrian empire Government, religion and customs. Engraving. Later colouration. La Civilizacion (The Civilization), volume I, 1881.
Cabeza de Gudea. Príncipe, lugal o ensi de Lagash. 2150-2100 a. C. Periodo Neosumerio. Diorita. Museo Arqueológico Nacional. Madrid. España. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cabeza-de-gudea-prncipe-lugal-o-ensi-de-lagash-2150-2100-a-c-periodo-neosumerio-diorita-museo-arqueolgico-nacional-madrid-espaa-image231295713.htmlRMRC8C15–Cabeza de Gudea. Príncipe, lugal o ensi de Lagash. 2150-2100 a. C. Periodo Neosumerio. Diorita. Museo Arqueológico Nacional. Madrid. España.
ARTE MESOPOTAMICO-SUMERIO. GUDEA. Estatua sedente de la diosa Ba'u, esposa del dios Ningirsu. Realizada en diorita. Hacia el 2120 a. C. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-sumerio-gudea-estatua-sedente-de-la-diosa-bau-esposa-del-dios-ningirsu-realizada-en-diorita-hacia-el-2120-a-c-museo-del-louvre-pars-francia-image209661828.htmlRMP52WPC–ARTE MESOPOTAMICO-SUMERIO. GUDEA. Estatua sedente de la diosa Ba'u, esposa del dios Ningirsu. Realizada en diorita. Hacia el 2120 a. C. Museo del Louvre. París. Francia.
Mesopotamia. Bronze Age. Mary (modern Tell Hariri). Ancient Semitic city. Syria. Ruins. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-bronze-age-mary-modern-tell-hariri-ancient-semitic-city-syria-ruins-image220244919.htmlRMPP90HY–Mesopotamia. Bronze Age. Mary (modern Tell Hariri). Ancient Semitic city. Syria. Ruins.
Statue of Puzur Ishtar, governor of Mari, Neo-sumerian art. Period Ur III, between 2100-200 BC. Istanbul Archaeology Museums. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-puzur-ishtar-governor-of-mari-neo-sumerian-art-period-ur-iii-between-2100-200-bc-istanbul-archaeology-museums-image211451821.htmlRMP80CXN–Statue of Puzur Ishtar, governor of Mari, Neo-sumerian art. Period Ur III, between 2100-200 BC. Istanbul Archaeology Museums.
Statue bearing an inscription on the back: Satam, son of Lu-Barab, son of Lugal-Kisal-si, king of Uruk, servant of Girim-si, prince of Uruk. Limestone, Early Dynastic III, ca. 2400 BC. Louvre Museum. Paris, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-bearing-an-inscription-on-the-back-satam-son-of-lu-barab-son-of-lugal-kisal-si-king-of-uruk-servant-of-girim-si-prince-of-uruk-limestone-early-dynastic-iii-ca-2400-bc-louvre-museum-paris-france-image211243816.htmlRMP7JYJ0–Statue bearing an inscription on the back: Satam, son of Lu-Barab, son of Lugal-Kisal-si, king of Uruk, servant of Girim-si, prince of Uruk. Limestone, Early Dynastic III, ca. 2400 BC. Louvre Museum. Paris, France.
ARTE MESOPOTAMICO. SUMERIO. 'CABEZA DE GUDEA', príncipe, patesi o ensi de Lagash. (Hacia a. C 2120). Llamada la 'Afeitada'. Diorita. Hacia el 2120 a. C. Procedente de la ciudad de Tello (antigua Girsu). Irak. Mesopotamia. Museo del Louvre. París Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-sumerio-cabeza-de-gudea-prncipe-patesi-o-ensi-de-lagash-hacia-a-c-2120-llamada-la-afeitada-diorita-hacia-el-2120-a-c-procedente-de-la-ciudad-de-tello-antigua-girsu-irak-mesopotamia-museo-del-louvre-pars-francia-image209661821.htmlRMP52WP5–ARTE MESOPOTAMICO. SUMERIO. 'CABEZA DE GUDEA', príncipe, patesi o ensi de Lagash. (Hacia a. C 2120). Llamada la 'Afeitada'. Diorita. Hacia el 2120 a. C. Procedente de la ciudad de Tello (antigua Girsu). Irak. Mesopotamia. Museo del Louvre. París Francia.
Mesopotamia. Bronze Age. Mary (modern Tell Hariri). Ancient Semitic city. Royal Palace. Throne room. Syria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-bronze-age-mary-modern-tell-hariri-ancient-semitic-city-royal-palace-throne-room-syria-image220244861.htmlRMPP90FW–Mesopotamia. Bronze Age. Mary (modern Tell Hariri). Ancient Semitic city. Royal Palace. Throne room. Syria.
Ancient Mesopotamia. Nineveh (near the present-day Mosul, Iraq). Panoramic view of the city alongside the Tigris River. Engraving by Aubert. Later colouration. 'La Tierra Santa y los lugares recorridos por los profetas, por los apóstoles y por los cruzados' (The Holy Land and the sites traversed by the prophets, by the apostles and by the crusaders). Published in Barcelona by the printing house of Joaquin Verdaguer, 1840. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-mesopotamia-nineveh-near-the-present-day-mosul-iraq-panoramic-view-of-the-city-alongside-the-tigris-river-engraving-by-aubert-later-colouration-la-tierra-santa-y-los-lugares-recorridos-por-los-profetas-por-los-apstoles-y-por-los-cruzados-the-holy-land-and-the-sites-traversed-by-the-prophets-by-the-apostles-and-by-the-crusaders-published-in-barcelona-by-the-printing-house-of-joaquin-verdaguer-1840-image601508890.htmlRM2WXH2MA–Ancient Mesopotamia. Nineveh (near the present-day Mosul, Iraq). Panoramic view of the city alongside the Tigris River. Engraving by Aubert. Later colouration. 'La Tierra Santa y los lugares recorridos por los profetas, por los apóstoles y por los cruzados' (The Holy Land and the sites traversed by the prophets, by the apostles and by the crusaders). Published in Barcelona by the printing house of Joaquin Verdaguer, 1840.
Near East. Terracota figurines. From Mesopotamia and Iran. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-east-terracota-figurines-from-mesopotamia-and-iran-the-state-hermitage-museum-saint-petersburg-russia-image211199098.htmlRMP7GXGX–Near East. Terracota figurines. From Mesopotamia and Iran. The State Hermitage Museum. Saint Petersburg. Russia.
Near East. Terracota figurines. From Mesopotamia and Iran. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-east-terracota-figurines-from-mesopotamia-and-iran-the-state-hermitage-museum-saint-petersburg-russia-image211199097.htmlRMP7GXGW–Near East. Terracota figurines. From Mesopotamia and Iran. The State Hermitage Museum. Saint Petersburg. Russia.
Ancient Mesopotamia. Nineveh (near the present-day Mosul, Iraq). Panoramic view of the city alongside the Tigris River. Engraving by Aubert. 'La Tierra Santa y los lugares recorridos por los profetas, por los apóstoles y por los cruzados' (The Holy Land and the sites traversed by the prophets, by the apostles and by the crusaders). Published in Barcelona by the printing house of Joaquin Verdaguer, 1840. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-mesopotamia-nineveh-near-the-present-day-mosul-iraq-panoramic-view-of-the-city-alongside-the-tigris-river-engraving-by-aubert-la-tierra-santa-y-los-lugares-recorridos-por-los-profetas-por-los-apstoles-y-por-los-cruzados-the-holy-land-and-the-sites-traversed-by-the-prophets-by-the-apostles-and-by-the-crusaders-published-in-barcelona-by-the-printing-house-of-joaquin-verdaguer-1840-image601048956.htmlRM2WWT424–Ancient Mesopotamia. Nineveh (near the present-day Mosul, Iraq). Panoramic view of the city alongside the Tigris River. Engraving by Aubert. 'La Tierra Santa y los lugares recorridos por los profetas, por los apóstoles y por los cruzados' (The Holy Land and the sites traversed by the prophets, by the apostles and by the crusaders). Published in Barcelona by the printing house of Joaquin Verdaguer, 1840.
Ashur-nasir-pal II o Asurnasirpal. Reinó Asiria entre 883 a. C. y 859 a. C. Fundó la ciudad de Kalhu (la actual Nimrud), a la que convirtió en capital del reino. Relieve de Asurnasirpal II junto a un escudero. Fachada del Palacio de Nimrud. Arte neo-asirio. Fechado hacia el 865 a. C. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ashur-nasir-pal-ii-o-asurnasirpal-rein-asiria-entre-883-a-c-y-859-a-c-fund-la-ciudad-de-kalhu-la-actual-nimrud-a-la-que-convirti-en-capital-del-reino-relieve-de-asurnasirpal-ii-junto-a-un-escudero-fachada-del-palacio-de-nimrud-arte-neo-asirio-fechado-hacia-el-865-a-c-museo-del-louvre-pars-francia-image209661803.htmlRMP52WNF–Ashur-nasir-pal II o Asurnasirpal. Reinó Asiria entre 883 a. C. y 859 a. C. Fundó la ciudad de Kalhu (la actual Nimrud), a la que convirtió en capital del reino. Relieve de Asurnasirpal II junto a un escudero. Fachada del Palacio de Nimrud. Arte neo-asirio. Fechado hacia el 865 a. C. Museo del Louvre. París. Francia.
ARTE MESOPOTAMICO-SUMERIO. GUDEA. Estatua sedente de la diosa Ba'u, esposa del dios Ningirsu. Realizada en diorita. Hacia el 2120 a. C. Detalle con inscripción cuneiforme. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-sumerio-gudea-estatua-sedente-de-la-diosa-bau-esposa-del-dios-ningirsu-realizada-en-diorita-hacia-el-2120-a-c-detalle-con-inscripcin-cuneiforme-museo-del-louvre-pars-francia-image209661829.htmlRMP52WPD–ARTE MESOPOTAMICO-SUMERIO. GUDEA. Estatua sedente de la diosa Ba'u, esposa del dios Ningirsu. Realizada en diorita. Hacia el 2120 a. C. Detalle con inscripción cuneiforme. Museo del Louvre. París. Francia.
ARTE MESOPOTAMICO. SUMERIO. Escultura de GUDEA, príncipe, patesi o ensi de Lagash. (Hacia a. C 2120). Escultura realizada en diorita, llamada la'colosal'. Dedicada a la diosa Ningirsu. Tello, antigua ciudad de Girsú. (Irak). Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-sumerio-escultura-de-gudea-prncipe-patesi-o-ensi-de-lagash-hacia-a-c-2120-escultura-realizada-en-diorita-llamada-lacolosal-dedicada-a-la-diosa-ningirsu-tello-antigua-ciudad-de-girs-irak-museo-del-louvre-pars-francia-image209661822.htmlRMP52WP6–ARTE MESOPOTAMICO. SUMERIO. Escultura de GUDEA, príncipe, patesi o ensi de Lagash. (Hacia a. C 2120). Escultura realizada en diorita, llamada la'colosal'. Dedicada a la diosa Ningirsu. Tello, antigua ciudad de Girsú. (Irak). Museo del Louvre. París. Francia.
Mesopotamia. Sumerian stele. Ur-Nanshe king of Lagash with his family. Limetone. 2550 BC. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-sumerian-stele-ur-nanshe-king-of-lagash-with-his-family-limetone-2550-bc-louvre-museum-paris-france-image211294177.htmlRMP7N7TH–Mesopotamia. Sumerian stele. Ur-Nanshe king of Lagash with his family. Limetone. 2550 BC. Louvre Museum. Paris. France.
Near East. Terracota figurines. From Mesopotamia and Iran. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-east-terracota-figurines-from-mesopotamia-and-iran-the-state-hermitage-museum-saint-petersburg-russia-image211199099.htmlRMP7GXGY–Near East. Terracota figurines. From Mesopotamia and Iran. The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. School mathematical tablets. Clay. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-school-mathematical-tablets-clay-the-state-hermitage-museum-saint-petersburg-russia-image211199023.htmlRMP7GXE7–Sumer. Mesopotamia. School mathematical tablets. Clay. The state Hermitage Museum. Saint Petersburg. Russia.
Mesopotamian Art. Sumerian ruler. 3rd Millenium B.C. Ny Carlsberg Glyptotek. Copenhagen. Denmark. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-sumerian-ruler-3rd-millenium-bc-ny-carlsberg-glyptotek-copenhagen-denmark-image209707868.htmlRMP550EM–Mesopotamian Art. Sumerian ruler. 3rd Millenium B.C. Ny Carlsberg Glyptotek. Copenhagen. Denmark.
Sumer. Mesopotamia. Clay nails. Cone-shaped and inscribed with cuneiform writing. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-clay-nails-cone-shaped-and-inscribed-with-cuneiform-writing-the-state-hermitage-museum-saint-petersburg-russia-image211199030.htmlRMP7GXEE–Sumer. Mesopotamia. Clay nails. Cone-shaped and inscribed with cuneiform writing. The state Hermitage Museum. Saint Petersburg. Russia.
Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 BC. from Nimrud. Istanbul Archaeological Museum. Turkey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chaldean-assyrian-relief-sculpture-slab-from-the-northwest-palace-of-king-ashurnasirpal-ii-of-a-genie-standing-881-859-bc-from-nimrud-istanbul-archaeological-museum-turkey-image211066344.htmlRMP7AW7M–Chaldean Assyrian relief sculpture slab from the northwest palace of King Ashurnasirpal II of a Genie standing. 881-859 BC. from Nimrud. Istanbul Archaeological Museum. Turkey.
Limestone stele of king of Assyria Sennacherib (705-681 BCE) from Nineveh. Sargonid dynsty. Conmemore a victory. The relief represents the king praying before divine symbols. Limestone stele of king os Assyria Sennacherib (705-681 BCE) from Nineveh. Sargonid dynsty. Conmemore a victory. The relief represents the king praying before divine symbols. Ancient Orient Museum, Istanbul Archaeological Museums, Turkey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/limestone-stele-of-king-of-assyria-sennacherib-705-681-bce-from-nineveh-sargonid-dynsty-conmemore-a-victory-the-relief-represents-the-king-praying-before-divine-symbols-limestone-stele-of-king-os-assyria-sennacherib-705-681-bce-from-nineveh-sargonid-dynsty-conmemore-a-victory-the-relief-represents-the-king-praying-before-divine-symbols-ancient-orient-museum-istanbul-archaeological-museums-turkey-image220440924.htmlRMPPHXJ4–Limestone stele of king of Assyria Sennacherib (705-681 BCE) from Nineveh. Sargonid dynsty. Conmemore a victory. The relief represents the king praying before divine symbols. Limestone stele of king os Assyria Sennacherib (705-681 BCE) from Nineveh. Sargonid dynsty. Conmemore a victory. The relief represents the king praying before divine symbols. Ancient Orient Museum, Istanbul Archaeological Museums, Turkey.
Gudea, prince of Kingdom of Lagash. Seated statue dedicated to the god Ningishzida. C. 2120 BC. Diorite. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gudea-prince-of-kingdom-of-lagash-seated-statue-dedicated-to-the-god-ningishzida-c-2120-bc-diorite-louvre-museum-paris-france-image211294354.htmlRMP7N82X–Gudea, prince of Kingdom of Lagash. Seated statue dedicated to the god Ningishzida. C. 2120 BC. Diorite. Louvre Museum. Paris. France.
Neo-Asirian period. Stele with cuneiform inscription. 8th century. Archeological Museum Istambul. Turkey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/neo-asirian-period-stele-with-cuneiform-inscription-8th-century-archeological-museum-istambul-turkey-image220297783.htmlRMPPBC1Y–Neo-Asirian period. Stele with cuneiform inscription. 8th century. Archeological Museum Istambul. Turkey.
Mesopotamia. Terracotta figurine representing an harpist. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-terracotta-figurine-representing-an-harpist-the-state-hermitage-museum-saint-petersburg-russia-image211199024.htmlRMP7GXE8–Mesopotamia. Terracotta figurine representing an harpist. The state Hermitage Museum. Saint Petersburg. Russia.
Archers of the Royal Guard. Relief from the Palace of Ashurbanipal, Niniveh, Iraq. 7th century BC. Louvre Museum. Paris, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archers-of-the-royal-guard-relief-from-the-palace-of-ashurbanipal-niniveh-iraq-7th-century-bc-louvre-museum-paris-france-image220437366.htmlRMPPHP32–Archers of the Royal Guard. Relief from the Palace of Ashurbanipal, Niniveh, Iraq. 7th century BC. Louvre Museum. Paris, France.
ARTE MESOPOTAMICO. ASIRIO. GENIO ALADO. Relieve del Paladio de Sargón II en Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Fachada norte.713-706 a.C. (Siglo VIII a.C). Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-asirio-genio-alado-relieve-del-paladio-de-sargn-ii-en-dur-sharrukin-antigua-asiria-actual-khorsabad-en-irak-713-716-a-c-fachada-norte713-706-ac-siglo-viii-ac-museo-del-louvre-pars-francia-image220375555.htmlRMPPEY7F–ARTE MESOPOTAMICO. ASIRIO. GENIO ALADO. Relieve del Paladio de Sargón II en Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Fachada norte.713-706 a.C. (Siglo VIII a.C). Museo del Louvre. París. Francia.
Mari, Old Babylonian diorite statue of governor Tura-Dagan with cuneiform inscription, 2nd millenium BC. Museum of the Ancient Orient. Istabul, Turkey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mari-old-babylonian-diorite-statue-of-governor-tura-dagan-with-cuneiform-inscription-2nd-millenium-bc-museum-of-the-ancient-orient-istabul-turkey-image211234980.htmlRMP7JGAC–Mari, Old Babylonian diorite statue of governor Tura-Dagan with cuneiform inscription, 2nd millenium BC. Museum of the Ancient Orient. Istabul, Turkey.
Mesopotamia. Halaf culture. (ca 6000-5300 BC). Neolithic. Syria. Orthostat. Winged god and fantastic animals. Temple of Tell Hall. Basalt. 9th century BC. Pergamon Museum. Museum Island. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-halaf-culture-ca-6000-5300-bc-neolithic-syria-orthostat-winged-god-and-fantastic-animals-temple-of-tell-hall-basalt-9th-century-bc-pergamon-museum-museum-island-berlin-germany-image220344292.htmlRMPPDFB0–Mesopotamia. Halaf culture. (ca 6000-5300 BC). Neolithic. Syria. Orthostat. Winged god and fantastic animals. Temple of Tell Hall. Basalt. 9th century BC. Pergamon Museum. Museum Island. Berlin. Germany.
SARGON II. Rey de Asiria del (722 a. c. a 705 a. C.). Relieve de un dignatario ante el monarca asirio Sargón II. Palacio. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. (S. VIII a. C). Antigua Mesopotamia. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sargon-ii-rey-de-asiria-del-722-a-c-a-705-a-c-relieve-de-un-dignatario-ante-el-monarca-asirio-sargn-ii-palacio-dur-sharrukin-antigua-asiria-actual-khorsabad-en-irak-713-716-a-c-s-viii-a-c-antigua-mesopotamia-museo-del-louvre-pars-francia-image220373469.htmlRMPPETH1–SARGON II. Rey de Asiria del (722 a. c. a 705 a. C.). Relieve de un dignatario ante el monarca asirio Sargón II. Palacio. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. (S. VIII a. C). Antigua Mesopotamia. Museo del Louvre. París. Francia.
Mesopotamian art. Bust of a ruler, dated between 2300 and 2000 BC. Early Bronze Age. It comes from Iran (?). Metropolitan Museum of Art. New York. United States. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-bust-of-a-ruler-dated-between-2300-and-2000-bc-early-bronze-age-it-comes-from-iran-metropolitan-museum-of-art-new-york-united-states-image209577390.htmlRMP4Y22P–Mesopotamian art. Bust of a ruler, dated between 2300 and 2000 BC. Early Bronze Age. It comes from Iran (?). Metropolitan Museum of Art. New York. United States.
Slaves or prisoners on construction work. Relief. Palace Khorsabad, of Sargon. 8th century BC. Museum of Louvre. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/slaves-or-prisoners-on-construction-work-relief-palace-khorsabad-of-sargon-8th-century-bc-museum-of-louvre-paris-france-image220244850.htmlRMPP90FE–Slaves or prisoners on construction work. Relief. Palace Khorsabad, of Sargon. 8th century BC. Museum of Louvre. Paris. France.
Mesopotamian. Samarran culture. (ca 5500-4800 BC). Iraq. The Samarra bowl, 5000 a.C. Decorated with the swastika in the center of the design. Pergamon Museum. Museum Island. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-samarran-culture-ca-5500-4800-bc-iraq-the-samarra-bowl-5000-ac-decorated-with-the-swastika-in-the-center-of-the-design-pergamon-museum-museum-island-berlin-germany-image209705863.htmlRMP54WY3–Mesopotamian. Samarran culture. (ca 5500-4800 BC). Iraq. The Samarra bowl, 5000 a.C. Decorated with the swastika in the center of the design. Pergamon Museum. Museum Island. Berlin. Germany.
Sumer. Mesopotamia. Near East. Hexagonal clay prism with an abstract from a lexical list of professions, titles, and social characteristics. Lagash. Sargonic period. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-hexagonal-clay-prism-with-an-abstract-from-a-lexical-list-of-professions-titles-and-social-characteristics-lagash-sargonic-period-the-state-hermitage-museum-saint-petersburg-russia-image211198950.htmlRMP7GXBJ–Sumer. Mesopotamia. Near East. Hexagonal clay prism with an abstract from a lexical list of professions, titles, and social characteristics. Lagash. Sargonic period. The state Hermitage Museum. Saint Petersburg. Russia.
Near East. Mesopotamia. Sumer. Clay cone of Enanatum I (king of Lagash 1st Dynasty of Lagash)with a building inscription devoted to the construction of the temple of the goddess Inanna in Lagash. Iraq. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-east-mesopotamia-sumer-clay-cone-of-enanatum-i-king-of-lagash-1st-dynasty-of-lagashwith-a-building-inscription-devoted-to-the-construction-of-the-temple-of-the-goddess-inanna-in-lagash-iraq-the-state-hermitage-museum-saint-petersburg-russia-image211199114.htmlRMP7GXHE–Near East. Mesopotamia. Sumer. Clay cone of Enanatum I (king of Lagash 1st Dynasty of Lagash)with a building inscription devoted to the construction of the temple of the goddess Inanna in Lagash. Iraq. The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. Bowl with a votive inscription of Rimush (23th century BC) : 'Rimush, king of Kish'. Alabaster, Lagash. Sargonic Period. Akkadian Empire. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-bowl-with-a-votive-inscription-of-rimush-23th-century-bc-rimush-king-of-kish-alabaster-lagash-sargonic-period-akkadian-empire-the-state-hermitage-museum-saint-petersburg-russia-image211199033.htmlRMP7GXEH–Sumer. Mesopotamia. Bowl with a votive inscription of Rimush (23th century BC) : 'Rimush, king of Kish'. Alabaster, Lagash. Sargonic Period. Akkadian Empire. The state Hermitage Museum. Saint Petersburg. Russia.
ARTE MESOPOTAMICO. ASIRIO. Relieves del Palacio de Sargon II: TORO GUARDIAN ANDROCEFALO Y Gilhamesh. Palacio de Sargon II. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Siglo VIII a. C. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-asirio-relieves-del-palacio-de-sargon-ii-toro-guardian-androcefalo-y-gilhamesh-palacio-de-sargon-ii-dur-sharrukin-antigua-asiria-actual-khorsabad-en-irak-713-716-a-c-siglo-viii-a-c-museo-del-louvre-pars-francia-image220381337.htmlRMPPF6J1–ARTE MESOPOTAMICO. ASIRIO. Relieves del Palacio de Sargon II: TORO GUARDIAN ANDROCEFALO Y Gilhamesh. Palacio de Sargon II. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Siglo VIII a. C. Museo del Louvre. París. Francia.
Neo-Babylonina Empire. Glased terracotta lion from the processional way from the temple of Marduk to the Ishtar Gate. Babylon. 604-562 BC. Museum of the Ancient Orient, Istanbul. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/neo-babylonina-empire-glased-terracotta-lion-from-the-processional-way-from-the-temple-of-marduk-to-the-ishtar-gate-babylon-604-562-bc-museum-of-the-ancient-orient-istanbul-image211294338.htmlRMP7N82A–Neo-Babylonina Empire. Glased terracotta lion from the processional way from the temple of Marduk to the Ishtar Gate. Babylon. 604-562 BC. Museum of the Ancient Orient, Istanbul.
Sumer. Mesopotamia. Presargonic period of Akkad. Administrative document. Lagash. Near East. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-presargonic-period-of-akkad-administrative-document-lagash-near-east-the-state-hermitage-museum-saint-petersburg-russia-image211198940.htmlRMP7GXB8–Sumer. Mesopotamia. Presargonic period of Akkad. Administrative document. Lagash. Near East. The State Hermitage Museum. Saint Petersburg. Russia.
Mesopotamian. Protohistory. Samarran culture. (ca 5500-4800 BC). Iraq. The Samarra bowl, 5000 a.C. Decorated with the swastika in the center of the design. Detail. Pergamon Museum. Museum Island. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-protohistory-samarran-culture-ca-5500-4800-bc-iraq-the-samarra-bowl-5000-ac-decorated-with-the-swastika-in-the-center-of-the-design-detail-pergamon-museum-museum-island-berlin-germany-image209705865.htmlRMP54WY5–Mesopotamian. Protohistory. Samarran culture. (ca 5500-4800 BC). Iraq. The Samarra bowl, 5000 a.C. Decorated with the swastika in the center of the design. Detail. Pergamon Museum. Museum Island. Berlin. Germany.
ARTE MESOPOTAMICO. ASIRIO. TORO ANDROCEFALO, guardian de la entrada del Palacio de Sargón II. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Siglo VIII a. C. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-asirio-toro-androcefalo-guardian-de-la-entrada-del-palacio-de-sargn-ii-dur-sharrukin-antigua-asiria-actual-khorsabad-en-irak-713-716-a-c-siglo-viii-a-c-museo-del-louvre-pars-francia-image220375101.htmlRMPPEXK9–ARTE MESOPOTAMICO. ASIRIO. TORO ANDROCEFALO, guardian de la entrada del Palacio de Sargón II. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Siglo VIII a. C. Museo del Louvre. París. Francia.
ARTE MESOPOTAMICO. ASIRIO. TOROS ANDROCEFALOS, guardianes de las entradas del Palacio de Sargón II. Korsabad. Siglo VIII a. C. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-asirio-toros-androcefalos-guardianes-de-las-entradas-del-palacio-de-sargn-ii-korsabad-siglo-viii-a-c-museo-del-louvre-pars-francia-image220381620.htmlRMPPF704–ARTE MESOPOTAMICO. ASIRIO. TOROS ANDROCEFALOS, guardianes de las entradas del Palacio de Sargón II. Korsabad. Siglo VIII a. C. Museo del Louvre. París. Francia.
Sumer. Mesopotamia. Near East. Clay tablet. Measuring of fields belongins to the temple household of the goddes. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-clay-tablet-measuring-of-fields-belongins-to-the-temple-household-of-the-goddes-the-state-hermitage-museum-saint-petersburg-russia-image211199027.htmlRMP7GXEB–Sumer. Mesopotamia. Near East. Clay tablet. Measuring of fields belongins to the temple household of the goddes. The State Hermitage Museum. Saint Petersburg. Russia.
Mesopotamian Art. Gudea, a ruler (ensi) of the state of Lagash in Southern Mesopotamia who rule ca 2144-2124 BC. Telloh. Sumer. Ny Carlsberg Glyptotek. Denmark. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-gudea-a-ruler-ensi-of-the-state-of-lagash-in-southern-mesopotamia-who-rule-ca-2144-2124-bc-telloh-sumer-ny-carlsberg-glyptotek-denmark-image209707869.htmlRMP550EN–Mesopotamian Art. Gudea, a ruler (ensi) of the state of Lagash in Southern Mesopotamia who rule ca 2144-2124 BC. Telloh. Sumer. Ny Carlsberg Glyptotek. Denmark.
ARTE MESOPOTAMICO. ASIRIO. Relieves del Palacio de Sargon II. De izquierda a derecha: El héroe GILGAMESH, con un león en brazos, y TORO GUARDIAN ANDROCEFALO. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Siglo VIII a. C. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-asirio-relieves-del-palacio-de-sargon-ii-de-izquierda-a-derecha-el-hroe-gilgamesh-con-un-len-en-brazos-y-toro-guardian-androcefalo-dur-sharrukin-antigua-asiria-actual-khorsabad-en-irak-713-716-a-c-siglo-viii-a-c-museo-del-louvre-pars-francia-image220375409.htmlRMPPEY29–ARTE MESOPOTAMICO. ASIRIO. Relieves del Palacio de Sargon II. De izquierda a derecha: El héroe GILGAMESH, con un león en brazos, y TORO GUARDIAN ANDROCEFALO. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Siglo VIII a. C. Museo del Louvre. París. Francia.
MESOPOTAMIC-ASSYRIAN ART. SERVANTS CARRYING THE SARGON CART. Relief from the PALACE OF SARGON II in Dur Sharrukin, ancient Assyria (Current Khorsabad in Iraq). 713-716 BCE (8th century BC). Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamic-assyrian-art-servants-carrying-the-sargon-cart-relief-from-the-palace-of-sargon-ii-in-dur-sharrukin-ancient-assyria-current-khorsabad-in-iraq-713-716-bce-8th-century-bc-louvre-museum-paris-france-image220375632.htmlRMPPEYA8–MESOPOTAMIC-ASSYRIAN ART. SERVANTS CARRYING THE SARGON CART. Relief from the PALACE OF SARGON II in Dur Sharrukin, ancient Assyria (Current Khorsabad in Iraq). 713-716 BCE (8th century BC). Louvre Museum. Paris. France.
Mesopotamia. Halaf culture. (ca 6000-5300 BC). Neolithic. Syria. Colossal statue of bird. Temple-Sanctuary of Tell Hall. Basalt. 9th century BC. Pergamon Museum. Museum Island. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-halaf-culture-ca-6000-5300-bc-neolithic-syria-colossal-statue-of-bird-temple-sanctuary-of-tell-hall-basalt-9th-century-bc-pergamon-museum-museum-island-berlin-germany-image220344226.htmlRMPPDF8J–Mesopotamia. Halaf culture. (ca 6000-5300 BC). Neolithic. Syria. Colossal statue of bird. Temple-Sanctuary of Tell Hall. Basalt. 9th century BC. Pergamon Museum. Museum Island. Berlin. Germany.
Sumer. Mesopotamia. Right: School tablet. Sumerian words. The exercise was probably corrected by a teacher. Left: School mathematical tablet. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-right-school-tablet-sumerian-words-the-exercise-was-probably-corrected-by-a-teacher-left-school-mathematical-tablet-the-state-hermitage-museum-saint-petersburg-russia-image211199021.htmlRMP7GXE5–Sumer. Mesopotamia. Right: School tablet. Sumerian words. The exercise was probably corrected by a teacher. Left: School mathematical tablet. The state Hermitage Museum. Saint Petersburg. Russia.
Mesopotamian art. Neo-Assyrian Period (912-612 BC). Waterbasin from the Temple of Ashur. 704-681 B.C. Basalt. Decorated with reliefs depicting the rituals of water. Pergamon Museum. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-neo-assyrian-period-912-612-bc-waterbasin-from-the-temple-of-ashur-704-681-bc-basalt-decorated-with-reliefs-depicting-the-rituals-of-water-pergamon-museum-berlin-germany-image220344459.htmlRMPPDFGY–Mesopotamian art. Neo-Assyrian Period (912-612 BC). Waterbasin from the Temple of Ashur. 704-681 B.C. Basalt. Decorated with reliefs depicting the rituals of water. Pergamon Museum. Berlin. Germany.
Near East. Mesopotamia. Sumer. Bulla (seal). Inscribed pieces of clay by used by the Sumerians in 8th millennia BC. Used for agricultural transaction as a form of identification and for tamper-proofing. Bullae with seal impressions. Lagash. Presargonic Period. Iraq. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-east-mesopotamia-sumer-bulla-seal-inscribed-pieces-of-clay-by-used-by-the-sumerians-in-8th-millennia-bc-used-for-agricultural-transaction-as-a-form-of-identification-and-for-tamper-proofing-bullae-with-seal-impressions-lagash-presargonic-period-iraq-the-state-hermitage-museum-saint-petersburg-russia-image211199116.htmlRMP7GXHG–Near East. Mesopotamia. Sumer. Bulla (seal). Inscribed pieces of clay by used by the Sumerians in 8th millennia BC. Used for agricultural transaction as a form of identification and for tamper-proofing. Bullae with seal impressions. Lagash. Presargonic Period. Iraq. The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. Near East. Legal and administrative documents in sumerian and Akkadian language. Babylonia. Beginning of the IInd Millennium BC. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-legal-and-administrative-documents-in-sumerian-and-akkadian-language-babylonia-beginning-of-the-iind-millennium-bc-the-state-hermitage-museum-saint-petersburg-russia-image211198944.htmlRMP7GXBC–Sumer. Mesopotamia. Near East. Legal and administrative documents in sumerian and Akkadian language. Babylonia. Beginning of the IInd Millennium BC. The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. Near East. Bowl (?) Fragment with an inscription, Babylonia. Beginning of the IIth mill. B.C. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-bowl-fragment-with-an-inscription-babylonia-beginning-of-the-iith-mill-bc-the-state-hermitage-museum-saint-petersburg-russia-image211198949.htmlRMP7GXBH–Sumer. Mesopotamia. Near East. Bowl (?) Fragment with an inscription, Babylonia. Beginning of the IIth mill. B.C. The State Hermitage Museum. Saint Petersburg. Russia.
Law Code of Hammurabi, king of Babylon. Basalt. 18th century BC. Detail relief: Hammurabi (standing) depicted as receiving his royal insignia from Shamash, god of justice. Louvre Mueum. Paris, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/law-code-of-hammurabi-king-of-babylon-basalt-18th-century-bc-detail-relief-hammurabi-standing-depicted-as-receiving-his-royal-insignia-from-shamash-god-of-justice-louvre-mueum-paris-france-image211298962.htmlRMP7NDYE–Law Code of Hammurabi, king of Babylon. Basalt. 18th century BC. Detail relief: Hammurabi (standing) depicted as receiving his royal insignia from Shamash, god of justice. Louvre Mueum. Paris, France.
Babylon's lion. Lion decorated the Processional Wal (Ishtar Gate). 575 BC. Pergamon Museum. Museum Island. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babylons-lion-lion-decorated-the-processional-wal-ishtar-gate-575-bc-pergamon-museum-museum-island-berlin-germany-image220344290.htmlRMPPDFAX–Babylon's lion. Lion decorated the Processional Wal (Ishtar Gate). 575 BC. Pergamon Museum. Museum Island. Berlin. Germany.
Sumer. Mesopotamia. Near East. Early Dynastic Period. Clay nail of Enanatum I with a building inscription devoted to the construction of the temple of the goddess Inanna in Lagash. Lagash. Iraq. 25th century BC. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-early-dynastic-period-clay-nail-of-enanatum-i-with-a-building-inscription-devoted-to-the-construction-of-the-temple-of-the-goddess-inanna-in-lagash-lagash-iraq-25th-century-bc-the-state-hermitage-museum-saint-petersburg-russia-image211199028.htmlRMP7GXEC–Sumer. Mesopotamia. Near East. Early Dynastic Period. Clay nail of Enanatum I with a building inscription devoted to the construction of the temple of the goddess Inanna in Lagash. Lagash. Iraq. 25th century BC. The State Hermitage Museum. Saint Petersburg. Russia.
Mesopotamia. Neo-Sumerian. Ruler Gudea of state of Lagash. Diorita statue. From Girsu (modern Telloh). Iraq. 2120 BC. Museum of Louvre. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-neo-sumerian-ruler-gudea-of-state-of-lagash-diorita-statue-from-girsu-modern-telloh-iraq-2120-bc-museum-of-louvre-paris-france-image209661831.htmlRMP52WPF–Mesopotamia. Neo-Sumerian. Ruler Gudea of state of Lagash. Diorita statue. From Girsu (modern Telloh). Iraq. 2120 BC. Museum of Louvre. Paris. France.
Sumer. Mesopotamia. Near East. Documents in envelopes. Lagash and Umma. Ur III period (22th-21st century BC). Iraq. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-documents-in-envelopes-lagash-and-umma-ur-iii-period-22th-21st-century-bc-iraq-the-state-hermitage-museum-saint-petersburg-russia-image211198942.htmlRMP7GXBA–Sumer. Mesopotamia. Near East. Documents in envelopes. Lagash and Umma. Ur III period (22th-21st century BC). Iraq. The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. Near East. Legal and administrative document in sumerian and akkadian language. Babylonia. Beginning of the 2nd Millennium B.C. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-legal-and-administrative-document-in-sumerian-and-akkadian-language-babylonia-beginning-of-the-2nd-millennium-bc-the-state-hermitage-museum-saint-petersburg-russia-image211198943.htmlRMP7GXBB–Sumer. Mesopotamia. Near East. Legal and administrative document in sumerian and akkadian language. Babylonia. Beginning of the 2nd Millennium B.C. The State Hermitage Museum. Saint Petersburg. Russia.
Mesopotamia. Halaf culture. (ca 6000-5300 BC). Neolithic. Syria. Orthostat. Winged god. Temple of Tell Hall. Basalt. 9th century BC. Pergamon Museum. Museum Island. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-halaf-culture-ca-6000-5300-bc-neolithic-syria-orthostat-winged-god-temple-of-tell-hall-basalt-9th-century-bc-pergamon-museum-museum-island-berlin-germany-image220344478.htmlRMPPDFHJ–Mesopotamia. Halaf culture. (ca 6000-5300 BC). Neolithic. Syria. Orthostat. Winged god. Temple of Tell Hall. Basalt. 9th century BC. Pergamon Museum. Museum Island. Berlin. Germany.
Babylon's lion. Lions and flowers decorated the Processional Wal (Ishtar Gate). 575 BC. Pergamon Museum. Museum Island. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babylons-lion-lions-and-flowers-decorated-the-processional-wal-ishtar-gate-575-bc-pergamon-museum-museum-island-berlin-germany-image220344287.htmlRMPPDFAR–Babylon's lion. Lions and flowers decorated the Processional Wal (Ishtar Gate). 575 BC. Pergamon Museum. Museum Island. Berlin. Germany.
Assyrian Empire. Mesopotamia. Near East. War in the marshes. Detail from a large battle scene. Relief from the palace of Sennacherib at Nineveh (Kuyunkik, Iraq). Limestone. Early. 7th century B.C. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrian-empire-mesopotamia-near-east-war-in-the-marshes-detail-from-a-large-battle-scene-relief-from-the-palace-of-sennacherib-at-nineveh-kuyunkik-iraq-limestone-early-7th-century-bc-the-state-hermitage-museum-saint-petersburg-russia-image220342395.htmlRMPPDCY7–Assyrian Empire. Mesopotamia. Near East. War in the marshes. Detail from a large battle scene. Relief from the palace of Sennacherib at Nineveh (Kuyunkik, Iraq). Limestone. Early. 7th century B.C. The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. Near East. Left: Distribution of grain to different categories of workers belonging to the temple of the goddess bau: Porters, gardeners, cooks, cupbearers, messengers, scribes, barbers, smiths, leather-workers, potters, carpenters and other craftsmen. Right: List fo workers belongings to the temple of goddess Bau: farmers, shepherds, birdcatchers, fishermen, craftsmen and priests. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-left-distribution-of-grain-to-different-categories-of-workers-belonging-to-the-temple-of-the-goddess-bau-porters-gardeners-cooks-cupbearers-messengers-scribes-barbers-smiths-leather-workers-potters-carpenters-and-other-craftsmen-right-list-fo-workers-belongings-to-the-temple-of-goddess-bau-farmers-shepherds-birdcatchers-fishermen-craftsmen-and-priests-the-state-hermitage-museum-saint-petersburg-russia-image211199025.htmlRMP7GXE9–Sumer. Mesopotamia. Near East. Left: Distribution of grain to different categories of workers belonging to the temple of the goddess bau: Porters, gardeners, cooks, cupbearers, messengers, scribes, barbers, smiths, leather-workers, potters, carpenters and other craftsmen. Right: List fo workers belongings to the temple of goddess Bau: farmers, shepherds, birdcatchers, fishermen, craftsmen and priests. The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. School tablet. List of sumerian personal names; on the reverse there are some traces of signs, probably representing the first steps of a schoolboy. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-school-tablet-list-of-sumerian-personal-names-on-the-reverse-there-are-some-traces-of-signs-probably-representing-the-first-steps-of-a-schoolboy-the-state-hermitage-museum-saint-petersburg-russia-image211199022.htmlRMP7GXE6–Sumer. Mesopotamia. School tablet. List of sumerian personal names; on the reverse there are some traces of signs, probably representing the first steps of a schoolboy. The state Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. Near East. Ur III Period (22th-21th century BC). Ruled tablet and the sealed tablet: Administrative documents. Umma, Iraq. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-ur-iii-period-22th-21th-century-bc-ruled-tablet-and-the-sealed-tablet-administrative-documents-umma-iraq-the-state-hermitage-museum-saint-petersburg-russia-image211198941.htmlRMP7GXB9–Sumer. Mesopotamia. Near East. Ur III Period (22th-21th century BC). Ruled tablet and the sealed tablet: Administrative documents. Umma, Iraq. The State Hermitage Museum. Saint Petersburg. Russia.
Babylon's lion. Lion decorated the Processional Wal (Ishtar Gate). 575 BC. Detail. Pergamon Museum. Museum Island. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babylons-lion-lion-decorated-the-processional-wal-ishtar-gate-575-bc-detail-pergamon-museum-museum-island-berlin-germany-image220344542.htmlRMPPDFKX–Babylon's lion. Lion decorated the Processional Wal (Ishtar Gate). 575 BC. Detail. Pergamon Museum. Museum Island. Berlin. Germany.
Sumer. Mesopotamia. Near East. Clay tablet. Offerings of flour, beer, butter, fish and cattle to the god Ningirsu and the Goddess Bau, his wife, as well as to other sanctuaries on the festival of the goddess Bau. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-clay-tablet-offerings-of-flour-beer-butter-fish-and-cattle-to-the-god-ningirsu-and-the-goddess-bau-his-wife-as-well-as-to-other-sanctuaries-on-the-festival-of-the-goddess-bau-the-state-hermitage-museum-saint-petersburg-russia-image211199026.htmlRMP7GXEA–Sumer. Mesopotamia. Near East. Clay tablet. Offerings of flour, beer, butter, fish and cattle to the god Ningirsu and the Goddess Bau, his wife, as well as to other sanctuaries on the festival of the goddess Bau. The State Hermitage Museum. Saint Petersburg. Russia.
Mesopotamian art. Neo-Babylonian.Cylinder with cuneiform inscriptions of Nebuchadnezzar II listing building activities. 6th century BC. Ceramic. Metropolitan Museum of Art. New York. United States. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-neo-babyloniancylinder-with-cuneiform-inscriptions-of-nebuchadnezzar-ii-listing-building-activities-6th-century-bc-ceramic-metropolitan-museum-of-art-new-york-united-states-image220341105.htmlRMPPDB95–Mesopotamian art. Neo-Babylonian.Cylinder with cuneiform inscriptions of Nebuchadnezzar II listing building activities. 6th century BC. Ceramic. Metropolitan Museum of Art. New York. United States.
Sumer. Mesopotamia. Early Dynastic Period. Early Bronze Age. Cuneiform script. Brink of Eanatum with a build inscription devoted to the construction of a well baked bricks in the courtyard of the temple of the god Ningirsu. The inscription also mentions military vitories of Eanatum over Elam, Umma and Ur. Lagash, Iraq. 25th BC. The state Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-early-dynastic-period-early-bronze-age-cuneiform-script-brink-of-eanatum-with-a-build-inscription-devoted-to-the-construction-of-a-well-baked-bricks-in-the-courtyard-of-the-temple-of-the-god-ningirsu-the-inscription-also-mentions-military-vitories-of-eanatum-over-elam-umma-and-ur-lagash-iraq-25th-bc-the-state-hermitage-museum-saint-petersburg-russia-image211199029.htmlRMP7GXED–Sumer. Mesopotamia. Early Dynastic Period. Early Bronze Age. Cuneiform script. Brink of Eanatum with a build inscription devoted to the construction of a well baked bricks in the courtyard of the temple of the god Ningirsu. The inscription also mentions military vitories of Eanatum over Elam, Umma and Ur. Lagash, Iraq. 25th BC. The state Hermitage Museum. Saint Petersburg. Russia.
Mesopotamian art. Neo-Assyrian. Relief panels depicting two protective winged genius. Dated between 883-859 BC. They come from the Palace of Ashurnasirpal II at Nimrud. Metropolitan Museum of Art. New York. United States. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-neo-assyrian-relief-panels-depicting-two-protective-winged-genius-dated-between-883-859-bc-they-come-from-the-palace-of-ashurnasirpal-ii-at-nimrud-metropolitan-museum-of-art-new-york-united-states-image209607629.htmlRMP50CJN–Mesopotamian art. Neo-Assyrian. Relief panels depicting two protective winged genius. Dated between 883-859 BC. They come from the Palace of Ashurnasirpal II at Nimrud. Metropolitan Museum of Art. New York. United States.
Sumer. Mesopotamia. Near East. Balanced account. Umma. Ur III period (21st to 20th century BC). The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-balanced-account-umma-ur-iii-period-21st-to-20th-century-bc-the-state-hermitage-museum-saint-petersburg-russia-image211198939.htmlRMP7GXB7–Sumer. Mesopotamia. Near East. Balanced account. Umma. Ur III period (21st to 20th century BC). The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. Near East. Inscribed bullae with seal impressions. Umma and Puzrish-Dagan. Ur III Period. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-inscribed-bullae-with-seal-impressions-umma-and-puzrish-dagan-ur-iii-period-the-state-hermitage-museum-saint-petersburg-russia-image211198937.htmlRMP7GXB5–Sumer. Mesopotamia. Near East. Inscribed bullae with seal impressions. Umma and Puzrish-Dagan. Ur III Period. The State Hermitage Museum. Saint Petersburg. Russia.
Mesopotamia. Neo-Sumerian. Ruler Gudea of state of Lagash. Diorita statue. From Girsu (modern Telloh). Iraq. 2120 BC. Cuneiform inscription. Detail. Museum of Louvre. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamia-neo-sumerian-ruler-gudea-of-state-of-lagash-diorita-statue-from-girsu-modern-telloh-iraq-2120-bc-cuneiform-inscription-detail-museum-of-louvre-paris-france-image209661830.htmlRMP52WPE–Mesopotamia. Neo-Sumerian. Ruler Gudea of state of Lagash. Diorita statue. From Girsu (modern Telloh). Iraq. 2120 BC. Cuneiform inscription. Detail. Museum of Louvre. Paris. France.
Near East. Mesopotamia. Clay cone with an inscription of Gudea. Lagash. 22nd Century BC. Clay cylinder with an inscription of Nebuchadnezzar II. Babylonia. 6th BC. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-east-mesopotamia-clay-cone-with-an-inscription-of-gudea-lagash-22nd-century-bc-clay-cylinder-with-an-inscription-of-nebuchadnezzar-ii-babylonia-6th-bc-the-state-hermitage-museum-saint-petersburg-russia-image220342525.htmlRMPPDD3W–Near East. Mesopotamia. Clay cone with an inscription of Gudea. Lagash. 22nd Century BC. Clay cylinder with an inscription of Nebuchadnezzar II. Babylonia. 6th BC. The State Hermitage Museum. Saint Petersburg. Russia.
Mesopotamian art. Sumer. Gudea of ??Lagash (2150-2100 BC). Sculpture of the neo-Sumerian period, in diorite. Girsu (modern Tello). Metropolitan Museum of Art. New York. United States. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-sumer-gudea-of-lagash-2150-2100-bc-sculpture-of-the-neo-sumerian-period-in-diorite-girsu-modern-tello-metropolitan-museum-of-art-new-york-united-states-image209621481.htmlRMP5129D–Mesopotamian art. Sumer. Gudea of ??Lagash (2150-2100 BC). Sculpture of the neo-Sumerian period, in diorite. Girsu (modern Tello). Metropolitan Museum of Art. New York. United States.
ARTE MESOPOTAMICO. ARTE ASIRIO. TRANSPORTE DE MADERAS (CEDRO) DEL LIBANO. Detalle de cuatro marineros remando en su embarcación. Relieve del Palacio de Sargón II. Fachada norte. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Korsabad. Siglo VIII a. C. Museo del Louvre. París. Francia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arte-mesopotamico-arte-asirio-transporte-de-maderas-cedro-del-libano-detalle-de-cuatro-marineros-remando-en-su-embarcacin-relieve-del-palacio-de-sargn-ii-fachada-norte-dur-sharrukin-antigua-asiria-actual-khorsabad-en-irak-713-716-a-c-korsabad-siglo-viii-a-c-museo-del-louvre-pars-francia-image231210247.htmlRMRC4F0R–ARTE MESOPOTAMICO. ARTE ASIRIO. TRANSPORTE DE MADERAS (CEDRO) DEL LIBANO. Detalle de cuatro marineros remando en su embarcación. Relieve del Palacio de Sargón II. Fachada norte. Dur Sharrukin, antigua Asiria (Actual Khorsabad en Irak). 713-716 a. C. Korsabad. Siglo VIII a. C. Museo del Louvre. París. Francia.
Mesopotamian art. Neo-Assyrian. Relief panels depicting two protective winged genius. Detail. Hand. Dated between 883-859 BC. They come from the Palace of Ashurnasirpal II at Nimrud. Metropolitan Museum of Art. New York. United States. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-neo-assyrian-relief-panels-depicting-two-protective-winged-genius-detail-hand-dated-between-883-859-bc-they-come-from-the-palace-of-ashurnasirpal-ii-at-nimrud-metropolitan-museum-of-art-new-york-united-states-image209564868.htmlRMP4XE3G–Mesopotamian art. Neo-Assyrian. Relief panels depicting two protective winged genius. Detail. Hand. Dated between 883-859 BC. They come from the Palace of Ashurnasirpal II at Nimrud. Metropolitan Museum of Art. New York. United States.
Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition, including stylized palms. The frieze of lions was presumably arranged symmetrically so that the animals faced toward the central main entrance to the trone-room. Pergamon Museum. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-neo-babylonian-the-throne-room-of-nebuchadnezzar-ii-reconstructed-facade-dated-in-580-bc-its-56-meters-facade-was-decorated-with-colored-glazed-bricks-as-shows-the-composition-including-stylized-palms-the-frieze-of-lions-was-presumably-arranged-symmetrically-so-that-the-animals-faced-toward-the-central-main-entrance-to-the-trone-room-pergamon-museum-berlin-germany-image220344608.htmlRMPPDFP8–Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition, including stylized palms. The frieze of lions was presumably arranged symmetrically so that the animals faced toward the central main entrance to the trone-room. Pergamon Museum. Berlin. Germany.
Mesopotamian art. Assyrian. Relief of the palace of Ashurnasirpal II or Northwest Palace at Nimrud. Alabaster. Dated 883-859 B.C. It depicts the lion hunt. Pergamon Museum. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-assyrian-relief-of-the-palace-of-ashurnasirpal-ii-or-northwest-palace-at-nimrud-alabaster-dated-883-859-bc-it-depicts-the-lion-hunt-pergamon-museum-berlin-germany-image209683391.htmlRMP53W8F–Mesopotamian art. Assyrian. Relief of the palace of Ashurnasirpal II or Northwest Palace at Nimrud. Alabaster. Dated 883-859 B.C. It depicts the lion hunt. Pergamon Museum. Berlin. Germany.
Assyrian Empire. Mesopotamia. Near East. A man hauling the weight. Transport of a colossal sculpture. Relief from the Palace of Sennacherib at Nineveh (Kuyunjik). Limestone. Early 7th century BC. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrian-empire-mesopotamia-near-east-a-man-hauling-the-weight-transport-of-a-colossal-sculpture-relief-from-the-palace-of-sennacherib-at-nineveh-kuyunjik-limestone-early-7th-century-bc-the-state-hermitage-museum-saint-petersburg-russia-image231216152.htmlRMRC4PFM–Assyrian Empire. Mesopotamia. Near East. A man hauling the weight. Transport of a colossal sculpture. Relief from the Palace of Sennacherib at Nineveh (Kuyunjik). Limestone. Early 7th century BC. The State Hermitage Museum. Saint Petersburg. Russia.
Babylon. Monumental Procession Street. Lion's relief. Archaeological Museum. Museum of Ancient Orient. Istanbul. Turkey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babylon-monumental-procession-street-lions-relief-archaeological-museum-museum-of-ancient-orient-istanbul-turkey-image220260410.htmlRMPP9MB6–Babylon. Monumental Procession Street. Lion's relief. Archaeological Museum. Museum of Ancient Orient. Istanbul. Turkey.
Babylon. Monumental Procession Street. Lion's relief. Archaeological Museum. Museum of Ancient Orient. Istanbul. Turkey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babylon-monumental-procession-street-lions-relief-archaeological-museum-museum-of-ancient-orient-istanbul-turkey-image220260990.htmlRMPP9N3X–Babylon. Monumental Procession Street. Lion's relief. Archaeological Museum. Museum of Ancient Orient. Istanbul. Turkey.
Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition, including stylized palms. The frieze of lions was presumably arranged symmetrically so that the animals faced toward the central main entrance to the trone-room. Detail. Lion. Pergamon Museum. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-neo-babylonian-the-throne-room-of-nebuchadnezzar-ii-reconstructed-facade-dated-in-580-bc-its-56-meters-facade-was-decorated-with-colored-glazed-bricks-as-shows-the-composition-including-stylized-palms-the-frieze-of-lions-was-presumably-arranged-symmetrically-so-that-the-animals-faced-toward-the-central-main-entrance-to-the-trone-room-detail-lion-pergamon-museum-berlin-germany-image220344530.htmlRMPPDFKE–Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition, including stylized palms. The frieze of lions was presumably arranged symmetrically so that the animals faced toward the central main entrance to the trone-room. Detail. Lion. Pergamon Museum. Berlin. Germany.
Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition, including stylized palms. The frieze of lions was presumably arranged symmetrically so that the animals faced toward the central main entrance to the trone-room. Detail. Pergamon Museum. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-neo-babylonian-the-throne-room-of-nebuchadnezzar-ii-reconstructed-facade-dated-in-580-bc-its-56-meters-facade-was-decorated-with-colored-glazed-bricks-as-shows-the-composition-including-stylized-palms-the-frieze-of-lions-was-presumably-arranged-symmetrically-so-that-the-animals-faced-toward-the-central-main-entrance-to-the-trone-room-detail-pergamon-museum-berlin-germany-image220344488.htmlRMPPDFJ0–Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition, including stylized palms. The frieze of lions was presumably arranged symmetrically so that the animals faced toward the central main entrance to the trone-room. Detail. Pergamon Museum. Berlin. Germany.
Babylon. Monumental Procession Street. Lion's relief. Detail. Archaeological Museum. Museum of Ancient Orient. Istanbul. Turkey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/babylon-monumental-procession-street-lions-relief-detail-archaeological-museum-museum-of-ancient-orient-istanbul-turkey-image220260386.htmlRMPP9MAA–Babylon. Monumental Procession Street. Lion's relief. Detail. Archaeological Museum. Museum of Ancient Orient. Istanbul. Turkey.
Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition, including stylized palms. The frieze of lions was presumably arranged symmetrically so that the animals faced toward the central main entrance to the trone-room. Pergamon Museum. Berlin. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mesopotamian-art-neo-babylonian-the-throne-room-of-nebuchadnezzar-ii-reconstructed-facade-dated-in-580-bc-its-56-meters-facade-was-decorated-with-colored-glazed-bricks-as-shows-the-composition-including-stylized-palms-the-frieze-of-lions-was-presumably-arranged-symmetrically-so-that-the-animals-faced-toward-the-central-main-entrance-to-the-trone-room-pergamon-museum-berlin-germany-image220344610.htmlRMPPDFPA–Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition, including stylized palms. The frieze of lions was presumably arranged symmetrically so that the animals faced toward the central main entrance to the trone-room. Pergamon Museum. Berlin. Germany.
Near East. Mesopotamia. Kudurru (boundary stone). Babylonia. Cassite Period (1550-1155 BC). Iraq. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/near-east-mesopotamia-kudurru-boundary-stone-babylonia-cassite-period-1550-1155-bc-iraq-the-state-hermitage-museum-saint-petersburg-russia-image220342429.htmlRMPPDD0D–Near East. Mesopotamia. Kudurru (boundary stone). Babylonia. Cassite Period (1550-1155 BC). Iraq. The State Hermitage Museum. Saint Petersburg. Russia.
Envelope of the Ur III Period with an impression of a Cylinder seal. (22nd-21st BC). The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/envelope-of-the-ur-iii-period-with-an-impression-of-a-cylinder-seal-22nd-21st-bc-the-state-hermitage-museum-saint-petersburg-russia-image211199100.htmlRMP7GXH0–Envelope of the Ur III Period with an impression of a Cylinder seal. (22nd-21st BC). The State Hermitage Museum. Saint Petersburg. Russia.
Envelope of the Ur III Period with an impression of a Cylinder seals. (22nd-21st BC). The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/envelope-of-the-ur-iii-period-with-an-impression-of-a-cylinder-seals-22nd-21st-bc-the-state-hermitage-museum-saint-petersburg-russia-image211199101.htmlRMP7GXH1–Envelope of the Ur III Period with an impression of a Cylinder seals. (22nd-21st BC). The State Hermitage Museum. Saint Petersburg. Russia.
Sumer. Mesopotamia. Near East. Tonoliven with votive inscriptions, Lagash, Presargonic period. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sumer-mesopotamia-near-east-tonoliven-with-votive-inscriptions-lagash-presargonic-period-the-state-hermitage-museum-saint-petersburg-russia-image211198938.htmlRMP7GXB6–Sumer. Mesopotamia. Near East. Tonoliven with votive inscriptions, Lagash, Presargonic period. The State Hermitage Museum. Saint Petersburg. Russia.
Search Results for Civilización mesopotámica Stock Photos and Images (90)
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