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Chaghatai Stock Photos and Images
Calligraphy of Chaghatai Turkish Poems in Praise of Wine, c. 1500–20. Mirza Muhammad (probably Persian, active c. 1520s), and Sultan Muhammad Nur (Persian, c. 1472–1536). Ink on paper (verso); page: 36.2 x 24.3 cm (14 1/4 x 9 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-c-150020-mirza-muhammad-probably-persian-active-c-1520s-and-sultan-muhammad-nur-persian-c-14721536-ink-on-paper-verso-page-362-x-243-cm-14-14-x-9-916-in-image240505709.htmlRMRY7YDH–Calligraphy of Chaghatai Turkish Poems in Praise of Wine, c. 1500–20. Mirza Muhammad (probably Persian, active c. 1520s), and Sultan Muhammad Nur (Persian, c. 1472–1536). Ink on paper (verso); page: 36.2 x 24.3 cm (14 1/4 x 9 9/16 in
Mausoleum of Tughluq Timur, dated 761/1359-1360, Almaliq, Xinjiang, North Western China Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mausoleum-of-tughluq-timur-dated-7611359-1360-almaliq-xinjiang-north-western-china-image386991383.htmlRM2DDGYCR–Mausoleum of Tughluq Timur, dated 761/1359-1360, Almaliq, Xinjiang, North Western China
Divan of Sultan Husayn Baiqara. Calligrapher: Sultan 'Ali al-Mashhadi (active late 15th-early 16th century). Dimensions: 10 1/2 x 7 1/4in. (26.7 x 18.4cm). Date: dated A.H 905/ A.D.1500. This lavishly embellished manuscript comprises a collection (divan) of poetry composed by the late fifteenth-century Timurid ruler Sultan Husain Baiqara (r. 1470-1506) in eastern or Chaghatai Turkish. The calligraphic text, written on a variety of colorful papers mounted within elaborately stenciled and painted margins, was copied by one of Sultan Husain's favored calligraphers - Sultan 'Ali Mashhadi. Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/divan-of-sultan-husayn-baiqara-calligrapher-sultan-ali-al-mashhadi-active-late-15th-early-16th-century-dimensions-10-12-x-7-14in-267-x-184cm-date-dated-ah-905-ad1500-this-lavishly-embellished-manuscript-comprises-a-collection-divan-of-poetry-composed-by-the-late-fifteenth-century-timurid-ruler-sultan-husain-baiqara-r-1470-1506-in-eastern-or-chaghatai-turkish-the-calligraphic-text-written-on-a-variety-of-colorful-papers-mounted-within-elaborately-stenciled-and-painted-margins-was-copied-by-one-of-sultan-husains-favored-calligraphers-sultan-ali-mashhadi-museum-image212880709.htmlRMPA9FED–Divan of Sultan Husayn Baiqara. Calligrapher: Sultan 'Ali al-Mashhadi (active late 15th-early 16th century). Dimensions: 10 1/2 x 7 1/4in. (26.7 x 18.4cm). Date: dated A.H 905/ A.D.1500. This lavishly embellished manuscript comprises a collection (divan) of poetry composed by the late fifteenth-century Timurid ruler Sultan Husain Baiqara (r. 1470-1506) in eastern or Chaghatai Turkish. The calligraphic text, written on a variety of colorful papers mounted within elaborately stenciled and painted margins, was copied by one of Sultan Husain's favored calligraphers - Sultan 'Ali Mashhadi. Museum
Oval portrait of a woman in a Chaghtai hat, c. 1740-50. The tall, flat-topped hat is an element of the native dress of the Mughals from eastern Uzbekistan. Of mixed Turkic and Mongol ethnicities, they spoke a Turkic language known as Chaghatai. Chaghatai refers to the name of the son of the Mongol Chingiz (Genghis) Khan, who ruled this area of Central Asia from 1246 to 1282. This woman’s hat has been studded with jewels and strings of pearls. The portrait jewel format that was once reserved for the emperor has now been expanded to include ladies of the court. The woman holds a jade wi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-portrait-of-a-woman-in-a-chaghtai-hat-c-1740-50-the-tall-flat-topped-hat-is-an-element-of-the-native-dress-of-the-mughals-from-eastern-uzbekistan-of-mixed-turkic-and-mongol-ethnicities-they-spoke-a-turkic-language-known-as-chaghatai-chaghatai-refers-to-the-name-of-the-son-of-the-mongol-chingiz-genghis-khan-who-ruled-this-area-of-central-asia-from-1246-to-1282-this-womanx2019s-hat-has-been-studded-with-jewels-and-strings-of-pearls-the-portrait-jewel-format-that-was-once-reserved-for-the-emperor-has-now-been-expanded-to-include-ladies-of-the-court-the-woman-holds-a-jade-wi-image330109357.htmlRM2A51NRW–Oval portrait of a woman in a Chaghtai hat, c. 1740-50. The tall, flat-topped hat is an element of the native dress of the Mughals from eastern Uzbekistan. Of mixed Turkic and Mongol ethnicities, they spoke a Turkic language known as Chaghatai. Chaghatai refers to the name of the son of the Mongol Chingiz (Genghis) Khan, who ruled this area of Central Asia from 1246 to 1282. This woman’s hat has been studded with jewels and strings of pearls. The portrait jewel format that was once reserved for the emperor has now been expanded to include ladies of the court. The woman holds a jade wi
Zahīr Al-Dīn Muhammad Bādshāh bin Amir Shaykh Mīrza Qūm Chaghatā'ī. Gouache painting by an Indian artist, ca. 1850(?). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zahr-al-dn-muhammad-bdshh-bin-amir-shaykh-mrza-qm-chaghat-gouache-painting-by-an-indian-artist-ca-1850-image450005998.htmlRM2H43F6P–Zahīr Al-Dīn Muhammad Bādshāh bin Amir Shaykh Mīrza Qūm Chaghatā'ī. Gouache painting by an Indian artist, ca. 1850(?).
Timur receives a deputation. Zafarnama. India, 1600. Timur receiving a deputation of Chaghata'i Turkomans at Balkh. A miniature painting from a seventeenth century manuscript of the Zafarnama. Image taken from Zafarnama. Originally published/produced in India, 1600. Source: Or. 1052, f.50v. Language: Persian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/timur-receives-a-deputation-zafarnama-india-1600-timur-receiving-a-deputation-of-chaghatai-turkomans-at-balkh-a-miniature-painting-from-a-seventeenth-century-manuscript-of-the-zafarnama-image-taken-from-zafarnama-originally-publishedproduced-in-india-1600-source-or-1052-f50v-language-persian-image231429516.htmlRMRCEEKT–Timur receives a deputation. Zafarnama. India, 1600. Timur receiving a deputation of Chaghata'i Turkomans at Balkh. A miniature painting from a seventeenth century manuscript of the Zafarnama. Image taken from Zafarnama. Originally published/produced in India, 1600. Source: Or. 1052, f.50v. Language: Persian.
twin domed exterior, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twin-domed-exterior-mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-uzbekistan-image448255784.htmlRM2H17PR4–twin domed exterior, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
Art inspired by Divan of Sultan Husayn Baiqara, dated A.H 905/ A.D0, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper; lacquer binding, 10 1/2 x 7 1/4in. (26.7 x 18.4cm), Codices, This lavishly embellished manuscript comprises a collection (divan) of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-divan-of-sultan-husayn-baiqara-dated-ah-905-ad0-made-in-present-day-afghanistan-herat-ink-opaque-watercolor-and-gold-on-paper-lacquer-binding-10-12-x-7-14in-267-x-184cm-codices-this-lavishly-embellished-manuscript-comprises-a-collection-divan-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029052.htmlRF2HW8P7T–Art inspired by Divan of Sultan Husayn Baiqara, dated A.H 905/ A.D0, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper; lacquer binding, 10 1/2 x 7 1/4in. (26.7 x 18.4cm), Codices, This lavishly embellished manuscript comprises a collection (divan) of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiled-cenotaph-of-sayyid-ala-al-din-khiva-uzbekistan-image447834772.htmlRM2H0GHR0–tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan
Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); ink on paper (verso); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in.); painting: 21.5 x 13 cm (8 7/16 x 5 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-with-falcons-in-a-landscape-verso-calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-sultan-muhammad-nur-persian-c-14721536-and-mirza-muhammad-probably-persian-active-c-1520s-c-155860-borders-added-probably-1700s-attributed-to-abd-al-samad-persian-c-15101600-opaque-watercolor-on-paper-recto-ink-on-paper-verso-page-357-x-243-cm-14-116-x-9-916-in-painting-215-x-13-cm-8-716-x-5-18-in-image240505710.htmlRMRY7YDJ–Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); ink on paper (verso); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in.); painting: 21.5 x 13 cm (8 7/16 x 5 1/8 in
Divan of Sultan Husayn Baiqara, dated A.H 905/ A.D.1500 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-divan-of-sultan-husayn-baiqara-dated-ah-905-ad1500-162432199.htmlRMKC7BWY–Divan of Sultan Husayn Baiqara, dated A.H 905/ A.D.1500
Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472-1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558-60; borders added probably 1700s. The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey. Then, its hood removed, the falcon would chase the prey and bring it down. From childhood Akbar loved hunting, and this painting may be a rare depiction of Akbar as a youth at the lower left, with the black feather in his white turban. The fal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-with-falcons-in-a-landscape-verso-calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-sultan-muhammad-nur-persian-c-1472-1536-and-mirza-muhammad-probably-persian-active-c-1520s-c-1558-60-borders-added-probably-1700s-the-mughals-hunted-on-horseback-with-falcons-the-hunting-party-would-ride-out-into-the-wild-and-flush-the-prey-then-its-hood-removed-the-falcon-would-chase-the-prey-and-bring-it-down-from-childhood-akbar-loved-hunting-and-this-painting-may-be-a-rare-depiction-of-akbar-as-a-youth-at-the-lower-left-with-the-black-feather-in-his-white-turban-the-fal-image330136808.htmlRM2A530T8–Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472-1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558-60; borders added probably 1700s. The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey. Then, its hood removed, the falcon would chase the prey and bring it down. From childhood Akbar loved hunting, and this painting may be a rare depiction of Akbar as a youth at the lower left, with the black feather in his white turban. The fal
Abū Al-Muzaffar Nūr Al-Dīn Jahāngīr Shāh bin Akbar Bādshāh Qūm Chaghatā'ī. Gouache painting by an Indian artist, ca. 1850 (?). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ab-al-muzaffar-nr-al-dn-jahngr-shh-bin-akbar-bdshh-qm-chaghat-gouache-painting-by-an-indian-artist-ca-1850-image450013485.htmlRM2H43TP5–Abū Al-Muzaffar Nūr Al-Dīn Jahāngīr Shāh bin Akbar Bādshāh Qūm Chaghatā'ī. Gouache painting by an Indian artist, ca. 1850 (?).
tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiled-cenotaph-of-sayyid-ala-al-din-khiva-uzbekistan-image447832371.htmlRM2H0GEN7–tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan
Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-uzbekistan-image448255867.htmlRM2H17PX3–Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
Calligraphy of Chaghatai Turkish Poems in Praise of Wine, c. 1500-20. This page of delicately illuminated calligraphy from the pre-Mughal period was mounted into a Mughal album. The poems are written in the native language of the Mughals, a form of Turkish called Chaghatai, using a flowing form of Arabic script called nasta‘liq. The Mughals self-consciously adopted Persian as their official court language, so few Chaghatai books or works of calligraphy were made for them. The quatrain in the center reads: The wine has made an attempt on my life, Since it is the wine that can wear down t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-c-1500-20-this-page-of-delicately-illuminated-calligraphy-from-the-pre-mughal-period-was-mounted-into-a-mughal-album-the-poems-are-written-in-the-native-language-of-the-mughals-a-form-of-turkish-called-chaghatai-using-a-flowing-form-of-arabic-script-called-nastax2018liq-the-mughals-self-consciously-adopted-persian-as-their-official-court-language-so-few-chaghatai-books-or-works-of-calligraphy-were-made-for-them-the-quatrain-in-the-center-reads-the-wine-has-made-an-attempt-on-my-life-since-it-is-the-wine-that-can-wear-down-t-image330081039.htmlRM2A50DMF–Calligraphy of Chaghatai Turkish Poems in Praise of Wine, c. 1500-20. This page of delicately illuminated calligraphy from the pre-Mughal period was mounted into a Mughal album. The poems are written in the native language of the Mughals, a form of Turkish called Chaghatai, using a flowing form of Arabic script called nasta‘liq. The Mughals self-consciously adopted Persian as their official court language, so few Chaghatai books or works of calligraphy were made for them. The quatrain in the center reads: The wine has made an attempt on my life, Since it is the wine that can wear down t
Abū Nasr Mughīn Al-Dīn Muhammad Akbar Bādshāh Ghāzī bin Shāh Alam Bādshāh Qūm Chaghatā'ī. Gouache painting by an Indian artist, ca. 1850(?). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ab-nasr-mughn-al-dn-muhammad-akbar-bdshh-ghz-bin-shh-alam-bdshh-qm-chaghat-gouache-painting-by-an-indian-artist-ca-1850-image450009596.htmlRM2H43KR8–Abū Nasr Mughīn Al-Dīn Muhammad Akbar Bādshāh Ghāzī bin Shāh Alam Bādshāh Qūm Chaghatā'ī. Gouache painting by an Indian artist, ca. 1850(?).
Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-uzbekistan-image448255856.htmlRM2H17PWM–Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiled-cenotaph-of-sayyid-ala-al-din-khiva-uzbekistan-image447834083.htmlRM2H0GGXB–tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan
Circumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551-1602), c. 1602-3. This page is from a copy of the biography of Akbar that was completed not long before his death in 1605. It depicts him much younger, during the festivities held on October 22, 1573, in his newly built capital city of Fatehpur Sikri, near Agra, on the occasion of the circumcision ceremony for his three young sons. Dancers in Chaghatai Turkish dress perform as Akbar’s weight in gold is being distributed to the poor. Akbar wears a simple white Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/circumcision-ceremony-for-akbarx2019s-sons-painting-126-from-an-akbar-nama-book-of-akbar-of-abux2019l-fazl-indian-1551-1602-c-1602-3-this-page-is-from-a-copy-of-the-biography-of-akbar-that-was-completed-not-long-before-his-death-in-1605-it-depicts-him-much-younger-during-the-festivities-held-on-october-22-1573-in-his-newly-built-capital-city-of-fatehpur-sikri-near-agra-on-the-occasion-of-the-circumcision-ceremony-for-his-three-young-sons-dancers-in-chaghatai-turkish-dress-perform-as-akbarx2019s-weight-in-gold-is-being-distributed-to-the-poor-akbar-wears-a-simple-white-image330083356.htmlRM2A50GK8–Circumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551-1602), c. 1602-3. This page is from a copy of the biography of Akbar that was completed not long before his death in 1605. It depicts him much younger, during the festivities held on October 22, 1573, in his newly built capital city of Fatehpur Sikri, near Agra, on the occasion of the circumcision ceremony for his three young sons. Dancers in Chaghatai Turkish dress perform as Akbar’s weight in gold is being distributed to the poor. Akbar wears a simple white
Abū Al-Muzaffar Burāj Al-Dīn Muhammad Bahādur Shāh Bādshāh bin Muhammad Akbar Bādshāh Qūm Chaghatā'ī. Gouache painting by an Indian artist, ca. 1850 (?). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ab-al-muzaffar-burj-al-dn-muhammad-bahdur-shh-bdshh-bin-muhammad-akbar-bdshh-qm-chaghat-gouache-painting-by-an-indian-artist-ca-1850-image450006745.htmlRM2H43G5D–Abū Al-Muzaffar Burāj Al-Dīn Muhammad Bahādur Shāh Bādshāh bin Muhammad Akbar Bādshāh Qūm Chaghatā'ī. Gouache painting by an Indian artist, ca. 1850 (?).
tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiled-cenotaph-of-sayyid-ala-al-din-khiva-uzbekistan-image447833123.htmlRM2H0GFM3–tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan
fragment of cenotaph of Sayf al-Din Bakharzi, now in the museum of the Baha al-Din Naqshband shrine near Bukhara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fragment-of-cenotaph-of-sayf-al-din-bakharzi-now-in-the-museum-of-49825218.htmlRMCW1MG2–fragment of cenotaph of Sayf al-Din Bakharzi, now in the museum of the Baha al-Din Naqshband shrine near Bukhara
Jalāl Al-Dīn Muhammad Farrukh Syed bin Azīm Al-Shān bin Muhammad Mu'izzm bin Bahādur Shāh Qūm Chaghatā'ī.. Gouache painting by an Indian artist, ca. 1850(?). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jall-al-dn-muhammad-farrukh-syed-bin-azm-al-shn-bin-muhammad-muizzm-bin-bahdur-shh-qm-chaghat-gouache-painting-by-an-indian-artist-ca-1850-image450010513.htmlRM2H43N01–Jalāl Al-Dīn Muhammad Farrukh Syed bin Azīm Al-Shān bin Muhammad Mu'izzm bin Bahādur Shāh Qūm Chaghatā'ī.. Gouache painting by an Indian artist, ca. 1850(?).
Divan of Sultan Husayn Baiqara dated A.H. 905/ A.D. 1500 Sultan 'Ali al-Mashhadi This lavishly embellished manuscript comprises a collection (divan) of poetry composed by the late fifteenth-century Timurid ruler Sultan Husain Baiqara (r. 1470–1506) in eastern or Chaghatai Turkish. The calligraphic text, written on a variety of colorful papers mounted within elaborately stenciled and painted margins, was copied by one of Sultan Husain's favored calligraphers - Sultan 'Ali Mashhadi.. Divan of Sultan Husayn Baiqara 453164 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/divan-of-sultan-husayn-baiqara-dated-ah-905-ad-1500-sultan-ali-al-mashhadi-this-lavishly-embellished-manuscript-comprises-a-collection-divan-of-poetry-composed-by-the-late-fifteenth-century-timurid-ruler-sultan-husain-baiqara-r-14701506-in-eastern-or-chaghatai-turkish-the-calligraphic-text-written-on-a-variety-of-colorful-papers-mounted-within-elaborately-stenciled-and-painted-margins-was-copied-by-one-of-sultan-husains-favored-calligraphers-sultan-ali-mashhadi-divan-of-sultan-husayn-baiqara-453164-image458569605.htmlRM2HJ1J5W–Divan of Sultan Husayn Baiqara dated A.H. 905/ A.D. 1500 Sultan 'Ali al-Mashhadi This lavishly embellished manuscript comprises a collection (divan) of poetry composed by the late fifteenth-century Timurid ruler Sultan Husain Baiqara (r. 1470–1506) in eastern or Chaghatai Turkish. The calligraphic text, written on a variety of colorful papers mounted within elaborately stenciled and painted margins, was copied by one of Sultan Husain's favored calligraphers - Sultan 'Ali Mashhadi.. Divan of Sultan Husayn Baiqara 453164
Oval portrait of a woman in a Chaghtai hat, c. 1740-50. India, Mughal, 18th century. Opaque watercolor and gold on paper; overall: 9.5 x 7.4 cm (3 3/4 x 2 15/16 in.). The tall, flat-topped hat is an element of the native dress of the Mughals from eastern Uzbekistan. Of mixed Turkic and Mongol ethnicities, they spoke a Turkic language known as Chaghatai. Chaghatai refers to the name of the son of the Mongol Chingiz (Genghis) Khan, who ruled this area of Central Asia from 1246 to 1282. This woman’s hat has been studded with jewels and strings of pearls. The portrait jewel format that was once r Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-portrait-of-a-woman-in-a-chaghtai-hat-c-1740-50-india-mughal-18th-century-opaque-watercolor-and-gold-on-paper-overall-95-x-74-cm-3-34-x-2-1516-in-the-tall-flat-topped-hat-is-an-element-of-the-native-dress-of-the-mughals-from-eastern-uzbekistan-of-mixed-turkic-and-mongol-ethnicities-they-spoke-a-turkic-language-known-as-chaghatai-chaghatai-refers-to-the-name-of-the-son-of-the-mongol-chingiz-genghis-khan-who-ruled-this-area-of-central-asia-from-1246-to-1282-this-womans-hat-has-been-studded-with-jewels-and-strings-of-pearls-the-portrait-jewel-format-that-was-once-r-image448073107.htmlRM2H0YDPY–Oval portrait of a woman in a Chaghtai hat, c. 1740-50. India, Mughal, 18th century. Opaque watercolor and gold on paper; overall: 9.5 x 7.4 cm (3 3/4 x 2 15/16 in.). The tall, flat-topped hat is an element of the native dress of the Mughals from eastern Uzbekistan. Of mixed Turkic and Mongol ethnicities, they spoke a Turkic language known as Chaghatai. Chaghatai refers to the name of the son of the Mongol Chingiz (Genghis) Khan, who ruled this area of Central Asia from 1246 to 1282. This woman’s hat has been studded with jewels and strings of pearls. The portrait jewel format that was once r
Calligraphy of Chaghatai Turkish Poems in Praise of Wine (verso), c. 1500–20. Mirza Muhammad (probably Persian, active c. 1520s), and Sultan Muhammad Nur (Persian, c. 1472–1536). Ink on paper (verso); page: 36.2 x 24.3 cm (14 1/4 x 9 9/16 in.). This page of delicately illuminated calligraphy from the pre-Mughal period was mounted into a Mughal album. The poems are written in the native language of the Mughals, a form of Turkish called Chaghatai, using a flowing form of Arabic script called nasta‘liq. The Mughals self-consciously adopted Persian as their official court language, so few Chaghat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-verso-c-150020-mirza-muhammad-probably-persian-active-c-1520s-and-sultan-muhammad-nur-persian-c-14721536-ink-on-paper-verso-page-362-x-243-cm-14-14-x-9-916-in-this-page-of-delicately-illuminated-calligraphy-from-the-pre-mughal-period-was-mounted-into-a-mughal-album-the-poems-are-written-in-the-native-language-of-the-mughals-a-form-of-turkish-called-chaghatai-using-a-flowing-form-of-arabic-script-called-nastaliq-the-mughals-self-consciously-adopted-persian-as-their-official-court-language-so-few-chaghat-image448072415.htmlRM2H0YCX7–Calligraphy of Chaghatai Turkish Poems in Praise of Wine (verso), c. 1500–20. Mirza Muhammad (probably Persian, active c. 1520s), and Sultan Muhammad Nur (Persian, c. 1472–1536). Ink on paper (verso); page: 36.2 x 24.3 cm (14 1/4 x 9 9/16 in.). This page of delicately illuminated calligraphy from the pre-Mughal period was mounted into a Mughal album. The poems are written in the native language of the Mughals, a form of Turkish called Chaghatai, using a flowing form of Arabic script called nasta‘liq. The Mughals self-consciously adopted Persian as their official court language, so few Chaghat
Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); ink on paper (verso); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in.); painting: 21.5 x 13 cm (8 7/16 x 5 1/8 in.). The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey. Then, its hood removed, the falcon would c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-with-falcons-in-a-landscape-verso-calligraphy-of-chaghatai-turkish-poems-in-praise-of-wine-sultan-muhammad-nur-persian-c-14721536-and-mirza-muhammad-probably-persian-active-c-1520s-c-155860-borders-added-probably-1700s-attributed-to-abd-al-samad-persian-c-15101600-opaque-watercolor-on-paper-recto-ink-on-paper-verso-page-357-x-243-cm-14-116-x-9-916-in-painting-215-x-13-cm-8-716-x-5-18-in-the-mughals-hunted-on-horseback-with-falcons-the-hunting-party-would-ride-out-into-the-wild-and-flush-the-prey-then-its-hood-removed-the-falcon-would-c-image448064972.htmlRM2H0Y3CC–Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); ink on paper (verso); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in.); painting: 21.5 x 13 cm (8 7/16 x 5 1/8 in.). The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey. Then, its hood removed, the falcon would c
fragment of cenotaph of Sayf al-Din Bakharzi, now in the museum of the Baha al-Din Naqshband shrine near Bukhara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fragment-of-cenotaph-of-sayf-al-din-bakharzi-now-in-the-museum-of-49825272.htmlRMCW1MJ0–fragment of cenotaph of Sayf al-Din Bakharzi, now in the museum of the Baha al-Din Naqshband shrine near Bukhara
fragment of cenotaph of Sayf al-Din Bakharzi, now in the museum of the Baha al-Din Naqshband shrine near Bukhara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fragment-of-cenotaph-of-sayf-al-din-bakharzi-now-in-the-museum-of-49825240.htmlRMCW1MGT–fragment of cenotaph of Sayf al-Din Bakharzi, now in the museum of the Baha al-Din Naqshband shrine near Bukhara
detail of squinch, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-squinch-mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-uzbekistan-image448255838.htmlRM2H17PW2–detail of squinch, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tiled-cenotaph-of-sayyid-ala-al-din-khiva-uzbekistan-49828079.htmlRMCW1T67–tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan
tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tiled-cenotaph-of-sayyid-ala-al-din-khiva-uzbekistan-49828146.htmlRMCW1T8J–tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan
tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tiled-cenotaph-of-sayyid-ala-al-din-khiva-uzbekistan-49828208.htmlRMCW1TAT–tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan
detail of tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-tiled-cenotaph-of-sayyid-ala-al-din-khiva-uzbekistan-49828275.htmlRMCW1TD7–detail of tiled cenotaph of Sayyid Ala al-Din, Khiva, Uzbekistan
zone of transition, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zone-of-transition-mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-uzbekistan-image448255801.htmlRM2H17PRN–zone of transition, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
smaller dome chamber, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-smaller-dome-chamber-mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-49830856.htmlRMCW1YNC–smaller dome chamber, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-uzbekistan-49830833.htmlRMCW1YMH–Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-uzbekistan-49830822.htmlRMCW1YM6–Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
dome, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dome-mazlum-khan-slu-mausoleum-mizdarkhan-karakalpakstan-uzbekistan-49830846.htmlRMCW1YN2–dome, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
detail of tilework in squinch, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-tilework-in-squinch-mazlum-khan-slu-mausoleum-mizdarkhan-49830791.htmlRMCW1YK3–detail of tilework in squinch, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
detail of tilework in squinch, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-tilework-in-squinch-mazlum-khan-slu-mausoleum-mizdarkhan-49830864.htmlRMCW1YNM–detail of tilework in squinch, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
detail of tilework in squinch, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-tilework-in-squinch-mazlum-khan-slu-mausoleum-mizdarkhan-49830871.htmlRMCW1YNY–detail of tilework in squinch, Mazlum Khan Slu Mausoleum, Mizdarkhan, Karakalpakstan, Uzbekistan
detail of tilework, entrance facade, tomb of Buyan Quli Khan, Bukhara, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-tilework-entrance-facade-tomb-of-buyan-quli-khan-bukhara-49824648.htmlRMCW1KRM–detail of tilework, entrance facade, tomb of Buyan Quli Khan, Bukhara, Uzbekistan
Tomb of Buyan Quli Khan and Saif al-Din Bakharzi, Bukhara, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tomb-of-buyan-quli-khan-and-saif-al-din-bakharzi-bukhara-uzbekistan-49824663.htmlRMCW1KT7–Tomb of Buyan Quli Khan and Saif al-Din Bakharzi, Bukhara, Uzbekistan
detail of tilework, Tomb of Buyan Quli Khan, Bukhara, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-tilework-tomb-of-buyan-quli-khan-bukhara-uzbekistan-49824673.htmlRMCW1KTH–detail of tilework, Tomb of Buyan Quli Khan, Bukhara, Uzbekistan
interior of tomb of Buyan Quli Khan, Bukhara, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-interior-of-tomb-of-buyan-quli-khan-bukhara-uzbekistan-49827884.htmlRMCW1RY8–interior of tomb of Buyan Quli Khan, Bukhara, Uzbekistan
entrance facade, tomb of Buyan Quli Khan, Bukhara, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-entrance-facade-tomb-of-buyan-quli-khan-bukhara-uzbekistan-49824592.htmlRMCW1KNM–entrance facade, tomb of Buyan Quli Khan, Bukhara, Uzbekistan
detail of tilework, entrance facade, tomb of Buyan Quli Khan, Bukhara, Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-tilework-entrance-facade-tomb-of-buyan-quli-khan-bukhara-49824623.htmlRMCW1KPR–detail of tilework, entrance facade, tomb of Buyan Quli Khan, Bukhara, Uzbekistan
Search Results for Chaghatai Stock Photos and Images (49)
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