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Center of trade Stock Photos and Images
RM2T90EWC–Beaker, 1647-1650, Melchior Lauch, German, documented 1622 - 1659, 5 1/2 × 4 7/8 × 4 7/8 in. (14 × 12.38 × 12.38 cm), Silver, gilt, Germany, 17th century, This beaker depicts the battles and warfare of different tribes in Mozambique, as described and imagined by the Dutch merchant Jan Huyghen van Linschoten (1563-1611), who had lived in Goa, India, for six years, and wrote an influential account of his travels through Africa and India. It was made in Leipzig, Germany, which was a center of trade, based on engravings in Jan Huyghen’s book. Such depictions of exotic peoples in faraway places
RM2T917N8–Glass vase with animal painting for Indian market, 1670-1700, 10 x 6 1/2 in. (25.4 x 16.51 cm), Colorless glass with enamel decor, India, 17th-18th century, Venice was the leading center of the international glass trade during the 1400s and 1500s. Muslim traders imported European glassware to India throughout the 1600s. This distinctively shaped vase, made of clear Venetian glass with enameled decoration applied in India, was probably executed for one of the Islamic courts of the Deccan region
RM2JE4DDR–Behold, Kindren! pictured a series of Liên, whose trade / In many kinds of goods, by their trade, / Along streets and canals, small though it may be, exists. Zoo vindt, / Elk op zyn wys, den kost, dien men dus eerlyk wint, J.A. Aldag, 1851 - 1880, Sheet with 25 representations of various street traders, including an egg vendor, fishmonger and peat vendor. Numbered top center: n. 65., J.A. Aldag, (mentioned on object), publisher: P.J. Delhuvenne, print maker: anonymous, Amsterdam, publisher: Turnhout, 1851 - 1880, paper, letterpress printing, h 397 mm × w 326 mm
RM2JC4677–In the center, King Gambrinus stands leaning against a barrel, holding in his left hand a scepter, in his raised right hand a glass filled with beer. He is surrounded by a crowd of persons. To the right of the barrel a young girl is seated, who is filling a crucible from it, next to her a young man is sitting playing the cither. On the left a young man is holding a dish with a number of beers above his head: In the R.O.H.: S. Lankhout & Co. the Hague. In the middle of the margin and the lower part of the print is a barrel wreathed with hops, in front of which is an oval shield with the
RM2WR910N–The Quincampoix coffee house in Amsterdam, 1720, Quinquanpoix (title on object), Het Groote Tafereel der Foolishness (series title), Central representation of the Quincampoix coffee house in the Kalverstraat, the center of the action trade in Amsterdam, 1720. In the frame references to projects in Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom a coat of arms made up of windmills and a jester's head. In the caption a verse in four columns. Print 10 in the series Het Groote Tafereel der Foolishness with cartoons on the Windhandel or Actiehandel of 1720.
RM2T8GBCB–? cobbler (1774 active around), artist, execution Daniel Nikolaus Chodowiecki (1726 - 1801), template, after, Effects of Religion. Faithfulness and faith in trade, Origin of the print medium: Around 1770 - 1774 Publi, etching on paper vergé, sheet size: 8.2 x 10.7 cm (trimmed to border line)' Field3 center inscribed 'God knows, the Hertz
RM2JBXH89–Mercury, in a cloud, gives an envelope to a boy, who is helping a man with his administration. In the foreground a packed camel and personifications of America, Africa, Asia and Europe. On the ground, objects related to trade, shipping and justice. On the columns on both sides are depictions of Suriname and several important European cities, with Amsterdam at the center. At the bottom of the print a poem praising Europe's trade with the rest of the world, Allegorical depiction of Mercury with personifications of Africa, America, Asia and Europe, print maker: Hendrik Post, (mentioned on object
RM2JE4D16–View of the headland of Cadiz, Symon Novelanus (possibly), after Joris Hoefnagel, 1596 - 1597, View of the headland of Cadiz, with a chapel dedicated to Saint Sebastian in the foreground. On the left, people are fishing. In the foreground a woman and a mendicant monk. Bottom left a depiction of trade in the port of Cadiz. Bottom right a depiction of a bastion on the coast. In the center Hercules with two lions. With Latin text on verso., print maker: Symon Novelanus, (possibly), print maker: Frans Hogenberg, (possibly), intermediary draughtsman: Joris Hoefnagel, (mentioned on object), Cologne
RM2T91GRM–Basket, early 20th century, 16 1/4 x 16 1/4 in. (41.28 x 41.28 cm), Plant fibers, United States, 20th century, Although making baskets is not a vital role of Diné culture, baskets serve many important functions in their ceremonies. The Utes and Southern Paiutes, for example, have made wedding baskets in great quantity for trade with the Diné since before 1890. They are shallow in form with radiating designs and are made from sumac. The colors and designs of these baskets have symbolic meaning. The center represents Diné ancestry and the beginning of life.
RM2HB608A–Rise and Fall of the Actionists, 1720, Rise and Fall of the Actionists (title on object), The Great Tableau of Folly (series title), Rise and Fall of the Actionists. Sheet with various representations of the unrest caused by the Wind Trade of 1720. Bottom center Quinquempoix: a crowd of victims of the wind trade gathered on Dam Square near Kalverstraat, above The Thuilleriece Court: panic in the Parisian Tuileries. Above a portrait of John Law a bill with Mississippi in hand, with a monkey and a wolf biting a sheep. Top left merchant shipping, top right excavation work for the Utrecht Canal
RM2T919YC–The Four Days’ Battle, 1666, Abraham Storck, Dutch, 1635–1710, 37 1/2 x 50 1/2 in. (95.25 x 128.27 cm) (canvas), Oil on canvas, Netherlands, 17th century, This patriotic scene chronicles the Four Days' Battle (June 11-14, 1666) between the Dutch and the British fleets in the English Channel. The Dutch squadron's two principal ships, the Gouda and the Spiegel, appear toward the center of the composition. This battle, one of several naval engagements during the protracted trade wars between these two countries, ended favorably for the Dutch. The British fleet sustained the loss of 8,000 men
RM2JE3NAN–Advertising print (trade card) of the fabric merchant Jan van Oosterwijck, in the house Schiedam on the Nieuwedijk, In the foreground bales of fabric, with which two men are busy. On the right a woman is sitting with a book on her lap (perhaps a book of samples), behind her three men and ship masts. In the center, three caryatids carry a platform bearing the coat of arms of Amsterdam and a plaque with the text: 'Jan van Oosterwijck opden Nieuwendijck in Schiedam sells Engelsch Fransch Luijcksch saijen and crespen.', print maker: Romeyn de Hooghe, (mentioned on object), after own design by
RM2JBXGFA–On a stepped elevation, Fame crowns a woman with a laurel wreath. On the banner of her trumpet are the two keys from the city arms of Leiden. The woman in the center grasps the arm of Mercury and holds yarn in her other hand. Next to her, a putto holds a pair of scales above bales of cloth. Underneath is a mark, possibly Z | AP. Behind Mercury is a rooster. The front of the elevation depicts a golden carriage with the words caro de oro, Spanish for golden carriage, and the name of a famous raw wool fabric from Brussels. A man is seated at the front right and a ship is depicted at the back
RM2T906H4–Cloth for woman's veil (Telia dupatta) or man's waist wrap (Telia lungi), late 19th-early 20th century, 109 1/2 x 47 5/16 in. (278.13 x 120.17 cm), Cotton; double ikat (Telia cloth), India, 19th-20th century, This cotton ikat fabric is from an unused stockpile of similar telia cloth - so-called because the traditional dyeing process involved treating the threads with sesame oil (tel). Produced in the southeast Indian coastal town of Chirala, telia cloth found a ready market in Hyderabad, the area's main trade center.
RM2T90RW7–The Coaci Inkstand, 1792, Vincenzo Coaci, Italian, (Rome), 1756–1794, 28 1/2 x 20 1/2 x 14 3/4 in. (72.39 x 52.07 x 37.47 cm), Silver, silver gilt, lapis lazuli, and rosso antico marble, Italy, 18th century, This ingeniously complex inkstand may have been presented to Pope Pius VI to commemorate completion, in 1786, of the Quirinal Monument in Rome, just across from the pope’s summer palace. As seen in the inkstand, the monument incorporates an Egyptian obelisk, which was unearthed about a mile away, and two ancient Roman sculptures of horse tamers. The horse tamers on the inkstand swing out
Search Results for Center of trade Stock Photos and Images (15)
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