Catherine of braganza marriage Stock Photos and Images
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Catherine of braganza marriage Stock Photos and Images
Catherine of Braganza (1638 – 1705) Queen of England, Scotland and Ireland during her marriage to King Charles II, which lasted from 21 May 1662 until 1685. Portrait by Peter Lely Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-of-braganza-1638-1705-queen-of-england-scotland-and-ireland-during-her-marriage-to-king-charles-ii-which-lasted-from-21-may-1662-until-1685-portrait-by-peter-lely-image499960734.htmlRM2M1B50E–Catherine of Braganza (1638 – 1705) Queen of England, Scotland and Ireland during her marriage to King Charles II, which lasted from 21 May 1662 until 1685. Portrait by Peter Lely
Catherine of Braganza (1638-1705) Queen Consort of England, Scotland and Ireland (1662-1685) during her marriage to King Charles II, portrait painting in oil by Studio of Sir Peter Lely, after 1665 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-of-braganza1638-1705-queen-consort-of-englandscotlandand-ireland-1662-1685-during-her-marriage-toking-charles-ii-portrait-painting-in-oil-by-studio-of-sir-peter-lely-after-1665-image484232582.htmlRM2K3PKGP–Catherine of Braganza (1638-1705) Queen Consort of England, Scotland and Ireland (1662-1685) during her marriage to King Charles II, portrait painting in oil by Studio of Sir Peter Lely, after 1665
Catherine of Braganza, 1638 -1705. Daughter of Afonso VI of Portugal and Queen of England, Scotland and Ireland by marriage to King Charles II. From Woodburn’s Gallery of Rare Portraits, published 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-of-braganza-1638-1705-daughter-of-afonso-vi-of-portugal-and-queen-of-england-scotland-and-ireland-by-marriage-to-king-charles-ii-from-woodburns-gallery-of-rare-portraits-published-1816-image179201594.htmlRMMBF9CX–Catherine of Braganza, 1638 -1705. Daughter of Afonso VI of Portugal and Queen of England, Scotland and Ireland by marriage to King Charles II. From Woodburn’s Gallery of Rare Portraits, published 1816.
Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: bust of a woman within a circle, Charles II (King of England), Catharina van Braganza (Queen of England), Jean Roettiers, London, 1662, silver (metal), striking (metalworking), d 4.3 cm × w 37.65 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-of-charles-ii-and-catherine-of-portugal-silver-medal-obverse-mans-chest-piece-with-laurel-wreath-inside-an-inscription-reverse-bust-of-a-woman-within-a-circle-charles-ii-king-of-england-catharina-van-braganza-queen-of-england-jean-roettiers-london-1662-silver-metal-striking-metalworking-d-43-cm-w-3765-image261387420.htmlRMW57690–Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: bust of a woman within a circle, Charles II (King of England), Catharina van Braganza (Queen of England), Jean Roettiers, London, 1662, silver (metal), striking (metalworking), d 4.3 cm × w 37.65
Catherine of Braganza, 1638 -1705. Daughter of Afonso VI of Portugal and Queen of England, Scotland and Ireland by marriage to King Charles II. After a contemporary work by Theordor van Merlen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-of-braganza-1638-1705-daughter-of-afonso-vi-of-portugal-and-queen-of-england-scotland-and-ireland-by-marriage-to-king-charles-ii-after-a-contemporary-work-by-theordor-van-merlen-image456587835.htmlRM2HERACB–Catherine of Braganza, 1638 -1705. Daughter of Afonso VI of Portugal and Queen of England, Scotland and Ireland by marriage to King Charles II. After a contemporary work by Theordor van Merlen.
Cigarette card depicting Catherine of Braganza (1638-1705) Queen of England, Scotland and Ireland by marriage to King Charles II. Dated 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cigarette-card-depicting-catherine-of-braganza-1638-1705-queen-of-england-scotland-and-ireland-by-marriage-to-king-charles-ii-dated-19th-century-image186313204.htmlRMMR38B0–Cigarette card depicting Catherine of Braganza (1638-1705) Queen of England, Scotland and Ireland by marriage to King Charles II. Dated 19th century
English votive medal for the marriage of Charles II with Catherine of Braganza, 1661 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-votive-medal-for-the-marriage-of-charles-ii-with-catherine-of-braganza-1661-image557297377.htmlRM2RAK2DN–English votive medal for the marriage of Charles II with Catherine of Braganza, 1661
Oval portrait of Catherine of Braganza, 1638-1705, later Queen of England, Scotland and Ireland on her marriage in 1662 to King Charles II. Aged about 22, dressed in the Portuguese court style, with a crown on a cushion behind her. Infanta Dona Catharina, sister to Don Alfonso, King of Portugal. From a rare print sold by Mathew Collins, the Three Black Birds, Canning Streete. Copperplate engraving after a painting by Dirk Stoop from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oval-portrait-of-catherine-of-braganza-1638-1705-later-queen-of-england-scotland-and-ireland-on-her-marriage-in-1662-to-king-charles-ii-aged-about-22-dressed-in-the-portuguese-court-style-with-a-crown-on-a-cushion-behind-her-infanta-dona-catharina-sister-to-don-alfonso-king-of-portugal-from-a-rare-print-sold-by-mathew-collins-the-three-black-birds-canning-streete-copperplate-engraving-after-a-painting-by-dirk-stoop-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image571909537.htmlRM2T6CMCH–Oval portrait of Catherine of Braganza, 1638-1705, later Queen of England, Scotland and Ireland on her marriage in 1662 to King Charles II. Aged about 22, dressed in the Portuguese court style, with a crown on a cushion behind her. Infanta Dona Catharina, sister to Don Alfonso, King of Portugal. From a rare print sold by Mathew Collins, the Three Black Birds, Canning Streete. Copperplate engraving after a painting by Dirk Stoop from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.
Oval portrait of Catherine of Braganza, 1638-1705, later Queen of England, Scotland and Ireland on her marriage in 1662 to King Charles II. Aged about 22, dressed in the Portuguese court style, with a crown on a cushion behind her. Infanta Dona Catharina, sister to Don Alfonso, King of Portugal. From a rare print sold by Mathew Collins, the Three Black Birds, Canning Streete. Copperplate engraving after a painting by Dirk Stoop from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oval-portrait-of-catherine-of-braganza-1638-1705-later-queen-of-england-scotland-and-ireland-on-her-marriage-in-1662-to-king-charles-ii-aged-about-22-dressed-in-the-portuguese-court-style-with-a-crown-on-a-cushion-behind-her-infanta-dona-catharina-sister-to-don-alfonso-king-of-portugal-from-a-rare-print-sold-by-mathew-collins-the-three-black-birds-canning-streete-copperplate-engraving-after-a-painting-by-dirk-stoop-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image475840469.htmlRM2JJ4BAD–Oval portrait of Catherine of Braganza, 1638-1705, later Queen of England, Scotland and Ireland on her marriage in 1662 to King Charles II. Aged about 22, dressed in the Portuguese court style, with a crown on a cushion behind her. Infanta Dona Catharina, sister to Don Alfonso, King of Portugal. From a rare print sold by Mathew Collins, the Three Black Birds, Canning Streete. Copperplate engraving after a painting by Dirk Stoop from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
N/A. English: Photograph of Back Bay in Bombay from the 'Lee-Warner Collection: 'Bombay Presidency. William Lee Warner C.S.' taken by an unknown photographer in the 1870s. Originally Bombay was composed of seven islands separated by a marshy swamp. Its deep natural harbour led the Portuguese settlers of the 16th century to name it Bom Bahia 'the Good Bay'. In 1661, Bombay was ceded to England as part of the marriage dowry of Catherine of Braganza and was transferred to the East India Company in 1668. This view was taken from the foot of Malabar Hill on the northern promontory of Back Bay. Sinc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-photograph-of-back-bay-in-bombay-from-the-lee-warner-collection-bombay-presidency-william-lee-warner-cs-taken-by-an-unknown-photographer-in-the-1870s-originally-bombay-was-composed-of-seven-islands-separated-by-a-marshy-swamp-its-deep-natural-harbour-led-the-portuguese-settlers-of-the-16th-century-to-name-it-bom-bahia-the-good-bay-in-1661-bombay-was-ceded-to-england-as-part-of-the-marriage-dowry-of-catherine-of-braganza-and-was-transferred-to-the-east-india-company-in-1668-this-view-was-taken-from-the-foot-of-malabar-hill-on-the-northern-promontory-of-back-bay-sinc-image210091538.htmlRMP5PDW6–N/A. English: Photograph of Back Bay in Bombay from the 'Lee-Warner Collection: 'Bombay Presidency. William Lee Warner C.S.' taken by an unknown photographer in the 1870s. Originally Bombay was composed of seven islands separated by a marshy swamp. Its deep natural harbour led the Portuguese settlers of the 16th century to name it Bom Bahia 'the Good Bay'. In 1661, Bombay was ceded to England as part of the marriage dowry of Catherine of Braganza and was transferred to the East India Company in 1668. This view was taken from the foot of Malabar Hill on the northern promontory of Back Bay. Sinc
King Charles II and Catherine of Braganza with allegories of the four continents after 1662 British This elaborate beadwork basket is one of a group of similar surviving examples that have been compared to silver baskets of similar form that were traditionally used to hold a child’s clothes during the christening ceremony. Although such beadwork baskets clearly did not lend themselves to this kind of practical use, their imagery is also usually celebratory and commemorative of marriage or betrothal. Such is the case with this piece, which celebrates the union in 1662 of King Charles II and Cat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-charles-ii-and-catherine-of-braganza-with-allegories-of-the-four-continents-after-1662-british-this-elaborate-beadwork-basket-is-one-of-a-group-of-similar-surviving-examples-that-have-been-compared-to-silver-baskets-of-similar-form-that-were-traditionally-used-to-hold-a-childs-clothes-during-the-christening-ceremony-although-such-beadwork-baskets-clearly-did-not-lend-themselves-to-this-kind-of-practical-use-their-imagery-is-also-usually-celebratory-and-commemorative-of-marriage-or-betrothal-such-is-the-case-with-this-piece-which-celebrates-the-union-in-1662-of-king-charles-ii-and-cat-image458427947.htmlRM2HHR5EK–King Charles II and Catherine of Braganza with allegories of the four continents after 1662 British This elaborate beadwork basket is one of a group of similar surviving examples that have been compared to silver baskets of similar form that were traditionally used to hold a child’s clothes during the christening ceremony. Although such beadwork baskets clearly did not lend themselves to this kind of practical use, their imagery is also usually celebratory and commemorative of marriage or betrothal. Such is the case with this piece, which celebrates the union in 1662 of King Charles II and Cat
Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: bust of a woman within a circle, Charles II (King of England), Catharina van Braganza (Queen of England), Jean Roettiers, London, 1662, silver (metal), striking (metalworking), d 3.5 cm × w 26.73 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-of-charles-ii-and-catherine-of-portugal-silver-medal-obverse-mans-chest-piece-with-laurel-wreath-inside-an-inscription-reverse-bust-of-a-woman-within-a-circle-charles-ii-king-of-england-catharina-van-braganza-queen-of-england-jean-roettiers-london-1662-silver-metal-striking-metalworking-d-35-cm-w-2673-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349990143.htmlRF2B9BBYY–Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: bust of a woman within a circle, Charles II (King of England), Catharina van Braganza (Queen of England), Jean Roettiers, London, 1662, silver (metal), striking (metalworking), d 3.5 cm × w 26.73 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Catherine of Braganza 1662 William Faithorne the Elder Faithorned based this print on a portrait that Dirk Stoop painted of the Portuguese princess Catherine of Braganaza in 1661 as her marriage to King Charles II was being negotiated--the painting was then sent to England. Catherine wears a dress of Portuguese fashion with a wide flat lace collar and wide skirts. She arrived in Portsmouth on May 13, 1662 and the marriage took place on May 21. Faithorne's engraving was made around this time to satisfy English curiosity about Catherine's appearance.. Catherine of Braganza. After Dirck Stoop (Du Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-of-braganza-1662-william-faithorne-the-elder-faithorned-based-this-print-on-a-portrait-that-dirk-stoop-painted-of-the-portuguese-princess-catherine-of-braganaza-in-1661-as-her-marriage-to-king-charles-ii-was-being-negotiated-the-painting-was-then-sent-to-england-catherine-wears-a-dress-of-portuguese-fashion-with-a-wide-flat-lace-collar-and-wide-skirts-she-arrived-in-portsmouth-on-may-13-1662-and-the-marriage-took-place-on-may-21-faithornes-engraving-was-made-around-this-time-to-satisfy-english-curiosity-about-catherines-appearance-catherine-of-braganza-after-dirck-stoop-du-image457772574.htmlRM2HGN9GE–Catherine of Braganza 1662 William Faithorne the Elder Faithorned based this print on a portrait that Dirk Stoop painted of the Portuguese princess Catherine of Braganaza in 1661 as her marriage to King Charles II was being negotiated--the painting was then sent to England. Catherine wears a dress of Portuguese fashion with a wide flat lace collar and wide skirts. She arrived in Portsmouth on May 13, 1662 and the marriage took place on May 21. Faithorne's engraving was made around this time to satisfy English curiosity about Catherine's appearance.. Catherine of Braganza. After Dirck Stoop (Du
. The book of decorative furniture, its form, colour and history . w a hunting scene with haresand dogs as the chief actors. The colouring of the inlays is notdissimilar to that of the English Nonesuch chests. i8i 182 DECORATIVE FURNITURE Twisted (i.e. spiral) work, used upon both the chair and thecabinet, was introduced into Europe from the East: upon itsarrival on the Spanish peninsula it found prompt acceptance. Itwas probably little known in England until the marriage of Charles ii.to Catherine of Braganza, when the Queen imported into this countrythe coloured and gilded leathers, the tvsd Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-book-of-decorative-furniture-its-form-colour-and-history-w-a-hunting-scene-with-haresand-dogs-as-the-chief-actors-the-colouring-of-the-inlays-is-notdissimilar-to-that-of-the-english-nonesuch-chests-i8i-182-decorative-furniture-twisted-ie-spiral-work-used-upon-both-the-chair-and-thecabinet-was-introduced-into-europe-from-the-east-upon-itsarrival-on-the-spanish-peninsula-it-found-prompt-acceptance-itwas-probably-little-known-in-england-until-the-marriage-of-charles-iito-catherine-of-braganza-when-the-queen-imported-into-this-countrythe-coloured-and-gilded-leathers-the-tvsd-image370152447.htmlRM2CE5W67–. The book of decorative furniture, its form, colour and history . w a hunting scene with haresand dogs as the chief actors. The colouring of the inlays is notdissimilar to that of the English Nonesuch chests. i8i 182 DECORATIVE FURNITURE Twisted (i.e. spiral) work, used upon both the chair and thecabinet, was introduced into Europe from the East: upon itsarrival on the Spanish peninsula it found prompt acceptance. Itwas probably little known in England until the marriage of Charles ii.to Catherine of Braganza, when the Queen imported into this countrythe coloured and gilded leathers, the tvsd
WWII firebombed Nave of Royal Garrison Church Portsmouth with Chancel visible through the Nave's arch. Image taken on Spring Equinox. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wwii-firebombed-nave-of-royal-garrison-church-portsmouth-with-chancel-visible-through-the-naves-arch-image-taken-on-spring-equinox-image241273908.htmlRFT0EY98–WWII firebombed Nave of Royal Garrison Church Portsmouth with Chancel visible through the Nave's arch. Image taken on Spring Equinox.
Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: bust of a woman within a circle, Charles II (King of England), Catharina van Braganza (Queen of England), Jean Roettiers, London, 1662, silver (metal), striking (metalworking), d 3.5 cm × w 26.73 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-of-charles-ii-and-catherine-of-portugal-silver-medal-obverse-mans-chest-piece-with-laurel-wreath-inside-an-inscription-reverse-bust-of-a-woman-within-a-circle-charles-ii-king-of-england-catharina-van-braganza-queen-of-england-jean-roettiers-london-1662-silver-metal-striking-metalworking-d-35-cm-w-2673-image261387421.htmlRMW57691–Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: bust of a woman within a circle, Charles II (King of England), Catharina van Braganza (Queen of England), Jean Roettiers, London, 1662, silver (metal), striking (metalworking), d 3.5 cm × w 26.73
Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: bust of a woman within a circle, Charles II (King of England), Catharina van Braganza (Queen of England), Jean Roettiers, London, 1662, silver (metal), striking (metalworking), d 4.3 cm × w 37.65 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-of-charles-ii-and-catherine-of-portugal-silver-medal-obverse-mans-chest-piece-with-laurel-wreath-inside-an-inscription-reverse-bust-of-a-woman-within-a-circle-charles-ii-king-of-england-catharina-van-braganza-queen-of-england-jean-roettiers-london-1662-silver-metal-striking-metalworking-d-43-cm-w-3765-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349990142.htmlRF2B9BBYX–Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: bust of a woman within a circle, Charles II (King of England), Catharina van Braganza (Queen of England), Jean Roettiers, London, 1662, silver (metal), striking (metalworking), d 4.3 cm × w 37.65 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: bust of man and woman within a circle. Reverse: Jupiter with arm around swan and lightning in hand, Venus and Amor within circumference, Charles II (king of England), Catharina van Braganza (queen of England), George Bower, London, 1662, silver (metal), striking (metalworking), d 2.7 cm × w 8.11 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-of-charles-ii-and-catherine-of-portugal-silver-medal-obverse-bust-of-man-and-woman-within-a-circle-reverse-jupiter-with-arm-around-swan-and-lightning-in-hand-venus-and-amor-within-circumference-charles-ii-king-of-england-catharina-van-braganza-queen-of-england-george-bower-london-1662-silver-metal-striking-metalworking-d-27-cm-w-811-image261387424.htmlRMW57694–Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: bust of man and woman within a circle. Reverse: Jupiter with arm around swan and lightning in hand, Venus and Amor within circumference, Charles II (king of England), Catharina van Braganza (queen of England), George Bower, London, 1662, silver (metal), striking (metalworking), d 2.7 cm × w 8.11
Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: bust of man and woman within a circle. Reverse: Jupiter with arm around swan and lightning in hand, Venus and Amor within circumference, Charles II (king of England), Catharina van Braganza (queen of England), George Bower, London, 1662, silver (metal), striking (metalworking), d 2.7 cm × w 8.11 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-of-charles-ii-and-catherine-of-portugal-silver-medal-obverse-bust-of-man-and-woman-within-a-circle-reverse-jupiter-with-arm-around-swan-and-lightning-in-hand-venus-and-amor-within-circumference-charles-ii-king-of-england-catharina-van-braganza-queen-of-england-george-bower-london-1662-silver-metal-striking-metalworking-d-27-cm-w-811-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-image349990145.htmlRF2B9BC01–Marriage of Charles II and Catherine of Portugal, Silver Medal. Obverse: bust of man and woman within a circle. Reverse: Jupiter with arm around swan and lightning in hand, Venus and Amor within circumference, Charles II (king of England), Catharina van Braganza (queen of England), George Bower, London, 1662, silver (metal), striking (metalworking), d 2.7 cm × w 8.11 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement,
A large square is surrounded by stands of spectators watching the festivities. Soldiers pass by in a procession and on the right a bullfight takes place. In the background, the royal palace in Lisbon. The festivities took place in 1661 on the occasion of the marriage of Princess Catherine of Braganza to King Charles II of England, Royal festivities on the occasion of the marriage of Catherine of Braganza to King Charles II of England Touros Reyasnas festas do Casamento da Raynha da Gran Bretanha em Lixboa 1661 (title on object) Views of Lisbon (series title), print maker: Dirk Stoop, Lissabon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-large-square-is-surrounded-by-stands-of-spectators-watching-the-festivities-soldiers-pass-by-in-a-procession-and-on-the-right-a-bullfight-takes-place-in-the-background-the-royal-palace-in-lisbon-the-festivities-took-place-in-1661-on-the-occasion-of-the-marriage-of-princess-catherine-of-braganza-to-king-charles-ii-of-england-royal-festivities-on-the-occasion-of-the-marriage-of-catherine-of-braganza-to-king-charles-ii-of-england-touros-reyasnas-festas-do-casamento-da-raynha-da-gran-bretanha-em-lixboa-1661-title-on-object-views-of-lisbon-series-title-print-maker-dirk-stoop-lissabon-image472121578.htmlRM2JC2YTX–A large square is surrounded by stands of spectators watching the festivities. Soldiers pass by in a procession and on the right a bullfight takes place. In the background, the royal palace in Lisbon. The festivities took place in 1661 on the occasion of the marriage of Princess Catherine of Braganza to King Charles II of England, Royal festivities on the occasion of the marriage of Catherine of Braganza to King Charles II of England Touros Reyasnas festas do Casamento da Raynha da Gran Bretanha em Lixboa 1661 (title on object) Views of Lisbon (series title), print maker: Dirk Stoop, Lissabon
Search Results for Catherine of braganza marriage Stock Photos and Images (20)
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