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Campo vaccino Stock Photos and Images
RM2A2HPJD–View of the Campo Vaccino, from Views of Rome, 1772, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 460 × 710 mm (image), 480 × 715 mm (plate), 560 × 785 mm (sheet
RMKK529M–An engraving depicting the area known as Campo Vaccino which translates to 'cattle fields', at the time the image was created prior to any large scale excavation of the ruins, it was the site of many Roman buildings that had been left to decay and collapse eventually being scavenged for their stone, eventually the site was excavated and many ruins were restored, the Arch of Septimius Severus can be seen in the foreground among the ruins, more modern structures can be seen around the area in Rome, Italy, 1749. From the New York Public Library.
RMEDTE24–Claude Lorrain (French, 1604-1605 - 1682), The Roman Forum (Le Campo Vaccino), 1636, etching
RMJ8GMKY–Johannes Lingelbach (1622 1674) Campo Vaccino te Rome (1653) MSK Brussel 25 02 2011 13 19 27
RMEBR1WX–ActiveMuseum 0001897.jpg / View of the port with the Capitole, 1636 - Claude Gellee known as Claude Lorrain This view of a Roman harbor and its companion piece, the view of Campo Vaccino, are the only examples in Claude Lorrain's work of companion panels, one representing the ancient monuments of Rome, the other the modern buildings of the Eternal City. Oil on canvas 25/09/2013 - / 17th century Collection / Active Museum
RM2F21GTB–François Boucher, Imaginary Landscape with the Palatine Hill from Campo Vaccino, landscape painting, 1734
RFT7XWX8–Panoramic view of the ruins of imperial roman forum in the middle ages, depicted in grayscale etching style. Campo Vaccino Imperial forum in Rome. Magasin Pittoresque Paris 1848
RF2HW9M7T–Art inspired by Drawings and Prints, Print, Vue d'une partie du Palais des Cesars du côté de Campo Vaccino, batie par l'Empereur Caligula, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DCF8XK–Claude Lorrain, (artist), French, 1604/1605 - 1682, The Roman Forum (Le Campo Vaccino), 1636, etching
RF2HW8FR4–Art inspired by Imaginary Landscape with the Palatine Hill from Campo Vaccino, 1734, Oil on canvas, 25 x 31 7/8 in. (63.5 x 81 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKK52A6–An etching depicting the Temple of Antoninus and Faustina in the area referred to as Campo Vaccino, the structure is part of the Roman Forum, construction began in 141 AD and was converted to a Roman Catholic church at some time between the 7th and 11th centuries, the church restoration of the ancient temple starting in the 16th century worked to preserve the structure, Rome, Italy, 1749. From the New York Public Library.
RF2HW5TWY–Art inspired by The Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino), ca. 1775, Etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMBACC3J–rome the forum campo vaccino Roman Palatine hill Capitoline hill Forum Romanum Magnum structures ancient city Regia royal
RMGMGF3P–Modern Rome - Campo Vaccino, by Joseph Turner, 1835, English painting, oil on canvas. Baroque churches and ancient monuments in
RM2RE6F1F–Rome, Lazio, Italy, Church of Saint Joseph of the Carpenters, San Giuseppe dei Falegnami, San Giuseppe a Campo Vaccino, St. Joseph at the Cowfield.
RMRXBC7K–The Temple of Antonin and the Campo Vaccino. Stefano della Bella; Italian, 1610-1664. Date: 1654. Dimensions: 298 x 277 mm (image); 298 x 280 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
RM2B8J39T–THE VACCINE FIELD Claude Gellée (dit Le Lorrain, vers 1600-1682). 'Le Campo Vaccino', 1636. Eau-forte. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
RF2R52F5R–Antikes Rom, Blick auf den Campo Vaccino, das römische Forum mit dem Tempel von Castor und Pollux auf der rechten Seite, 1770, Italien, Historisch, digital restaurierte Reproduktion von einer Vorlage aus der damaligen Zeit / Ancient Rome, View of Campo Vaccino, the Roman Forum with the Temple of Castor and Pollux on the right, 1770, Italy, Historic, digitally restored reproduction from an original of the period.
RM2DCGFEH–Stefano Della Bella, (artist), Florentine, 1610 - 1664, Campo Vaccino, Paysages et ruines de Rome, (series), 1646, etching
RF2HW5TXG–Art inspired by The Forum Romanum, or Campo Vaccino, from the capitol, with the Arch of Septimus Severus in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino), ca. 1775, Etching, Prints, Giovanni Battista Piranesi (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW80P5–Art inspired by The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7GBA–Art inspired by The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B7PDDK–The Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino), ca. 1775.
RMPB1F3D–The Forum Romanum, or Campo Vaccino, from the capitol, with the Arch of Septimus Severus in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Series/Portfolio: Vedute di Rome (Views of Rome). Date: ca. 1775. Artwork also known as: VEDUTE DI ROMA. Museum: Metropolitan Museum of Art, New York, USA.
RM2CCW7TW–Johannes Lingelbach (1622-1674) - Campo Vaccino te Rome (1653) - MSK Brussel 25-02-2011 13-19-27.
RM2CF12EC–Eastlake Charles Lock - the Colosseum from the Campo Vaccino - British School - 19th Century
RF2R52F68–Antikes Rom, Ansicht des Campo Vaccino, um 1750. In der Mitte des Bildes sieht man die Ulmenlinie, die den Septimius-Severus-Bogen mit dem Titusbogen im Hintergrund verband. Im Hintergrund, links, ist das Kolosseum zu sehen, 1776, Italien, Historisch, digital restaurierte Reproduktion von einer Vorlage aus der damaligen Zeit / Ancient Rome, view of Campo Vaccino, c. 1750. In the centre of the picture you can see the elm line that connected the Arch of Septimius Severus with the Arch of Titus in the background. In the background, on the left, the Colosseum can be seen, 1776, Italy, Historic,
RM2DCCERX–Stefano Della Bella, (artist), Florentine, 1610 - 1664, Temple of Antonius and the Campo Vaccino, Large Views of Rome and the Campagna, (series), 1656, etching
RMKCAB9P–Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middleground, various animals
RMDE581N–Modern Rome - Campo Vaccino; Joseph Mallord William Turner, British, 1775 - 1851; England, Europe; 1839; Oil on canvas; Unframed
RMEE002F–Modern Rome - Campo Vaccino; Joseph Mallord William Turner, British, 1775 - 1851; England, Europe; 1839; Oil on canvas
RMKCA564–Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middleground, various animals
RF2HW6935–Art inspired by The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPR05R4–Vue du mont capitolin et du campo vaccino delsinee des jardins farnese sur le mont palatin, Grandes vues pittoresques
RF2HW4NYG–Art inspired by Campo Vaccino (Foro Romano), 1848–52, Albumen print from glass negative, Image: 8 1/16 × 11 3/16 in. (20.5 × 28.4 cm), Photographs, Eugène Constant (French, active Italy, 1848–55, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B7PNH2–Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middle ground, various animals and people in the background, from 'Roman landscapes and ruins' (Paysages et ruines de Rome), ca. 1646.
RF2HW6958–Art inspired by Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middleground, various animals and people in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome), ca. 1646, Etching; second state, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFCHDB–Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middleground, various animals and people in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 5 5/16 x 5 5/16 in. (13.5 x 13.5 cm). Publisher: François Langlois (French, baptized Chartres, 1588-1647 Paris). Series/Portfolio: 'Roman landscapes and ruins' (Paysages et ruines de Rome). Date: ca. 1643-48. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW82JT–Art inspired by Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middleground, various animals and people in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome), ca. 1643–48, Etching, Sheet: 5 5, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNY5XG–View of the Campo Vaccino . = Forum Romanum . 1620. 1235 View of the Campo Vaccino 1620 Cornelis van Poelenburch
![Campo Vaccino Author Perelle, Gabriel 81.80. Place of publication: A Paris Publisher: ches Crepy rue St. Jacques Date of publication: [this state later eighteenth century] Item type: 1 print Medium: etching Dimensions: 18.0 x 24.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FNKA/campo-vaccino-author-perelle-gabriel-8180-place-of-publication-a-paris-publisher-ches-crepy-rue-st-jacques-date-of-publication-this-state-later-eighteenth-century-item-type-1-print-medium-etching-dimensions-180-x-246-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FNKA.jpg "Campo Vaccino Author Perelle, Gabriel 81.80. Place of publication: A Paris Publisher: ches Crepy rue St. Jacques Date of publication: [this state later eighteenth century] Item type: 1 print Medium: etching Dimensions: 18.0 x 24.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9FNKA–Campo Vaccino Author Perelle, Gabriel 81.80. Place of publication: A Paris Publisher: ches Crepy rue St. Jacques Date of publication: [this state later eighteenth century] Item type: 1 print Medium: etching Dimensions: 18.0 x 24.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
RMPR0RKP–Modern Rome-Campo Vaccino; Joseph Mallord William Turner, British, 1775 - 1851, England; 1839; Oil on canvas; 91.8 × 122.6 cm
RM2A2K47E–The Temple of Antonin and the Campo Vaccino, 1654, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 298 x 277 mm (image), 298 x 280 mm (sheet
RM2B7PNJ6–The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine), 1656.
RM2DJ361B–View Across the Campo Vaccino, Rome, Richard Cooper the Younger, 1740–1814, British, c. 1790, Conterproof of an etching, with brown washes, on laid paper, Image: 13 13/16 x 18 13/16in. (35.1 x 47.8cm) and Sheet: 15 x 20in. (38.1 x 50.8cm), Rome
RMRFD4G4–The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 11 7/8 x 11 in. (30.2 x 27.9 cm). Series/Portfolio: 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine). Da
RM2DT6GGB–Artist: Giovanni Battista Piranesi, Italian, 1720–1778, Veduta di Campo Vaccino (View of the Campo Vaccino), from Vedute di Roma, ca. 1772, Etching, platemark: 47.5 × 71.1 cm (18 11/16 × 28 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints
RM2K7F6TG– ©Active Museu/MAXPPP - ActiveMuseum 0001897.jpg / Vue d'un port avec le Capitole, 1636 - Claude Gellee dit Claude Lorrain Cette vue romaine et son pendant, la Vue du Campo Vaccino, sont les seuls exemples chez Claude Lorrain d'une paire de tableaux consacres l'un aux edifices antiques, l'autre aux edifices modernes de la ville eternelle. Peinture a l'huile sur toile 1636 - / Claude Gellee (Le Lorrain) / Peinture Active Museum / Le Pictorium Antique ,Blue sky ,Boat ,Building () ,Chest ,Crowd ,Dishes ,Galleon ,Group ,Harbour ,Horizontal ,Man ,Modern ,Monument ,Sailboat ,Seller ,Sitting (to be)
RMPC3BA3–Okänd italiensk konstnär: Campo Vaccino i Rom. NM 6841 7 Campo Vaccino in Rome - Nationalmuseum - 23890
Search Results for Campo vaccino Stock Photos and Images (392)
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