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Caiphas Stock Photos and Images
Christ before Caiphas, from the Passion, Lucas Cranach the Elder Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-christ-before-caiphas-from-the-passion-lucas-cranach-the-elder-162533719.htmlRMKCC1BK–Christ before Caiphas, from the Passion, Lucas Cranach the Elder
VARALLO, ITALY - JULY 17, 2022: The renaissance fresco of Jesus bevore Caiphas in the church Chiesa Santa Maria delle Grazie by Gaudenzio Ferrari Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/varallo-italy-july-17-2022-the-renaissance-fresco-of-jesus-bevore-caiphas-in-the-church-chiesa-santa-maria-delle-grazie-by-gaudenzio-ferrari-image478563196.htmlRF2JPGC6M–VARALLO, ITALY - JULY 17, 2022: The renaissance fresco of Jesus bevore Caiphas in the church Chiesa Santa Maria delle Grazie by Gaudenzio Ferrari
Christ before Caiphas, from The Passion of Christ, Hendrick Goltzius, 1597 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-christ-before-caiphas-from-the-passion-of-christ-hendrick-goltzius-162519254.htmlRMKCBAY2–Christ before Caiphas, from The Passion of Christ, Hendrick Goltzius, 1597
LUZERN, SWITZERLAND - JUNY 24, 2022: The painitng of Judgment of Jesus before Caiphas in the church St. Leodegar im Hof by unknown artist of 17. cent. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luzern-switzerland-juny-24-2022-the-painitng-of-judgment-of-jesus-before-caiphas-in-the-church-st-leodegar-im-hof-by-unknown-artist-of-17-cent-image482066007.htmlRF2K08033–LUZERN, SWITZERLAND - JUNY 24, 2022: The painitng of Judgment of Jesus before Caiphas in the church St. Leodegar im Hof by unknown artist of 17. cent.
Hendrick Goltzius, (artist), Dutch, 1558 - 1617, Christ before Caiphas, The Passion, (series), 1597, engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hendrick-goltzius-artist-dutch-1558-1617-christ-before-caiphas-the-passion-series-1597-engraving-image386360439.htmlRM2DCG6K3–Hendrick Goltzius, (artist), Dutch, 1558 - 1617, Christ before Caiphas, The Passion, (series), 1597, engraving
Inspired by Christ before Caiphas, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471–1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-christ-before-caiphas-from-the-series-the-engraved-passion-albrecht-drer-german-14711528-1512-engraving-made-in-nuremberg-bavaria-germany-europe-prints-image-4-916-2-78-in-116-73-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459281259.htmlRF2HK61X3–Inspired by Christ before Caiphas, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471–1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
CHURCH OF ST. PETER GALLICANTU HERE PETER DENIED THE MASTER THREE TIMES AFTER THE CROW OF THE ROOSTER. ACCORDING TO SOME Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-st-peter-gallicantu-here-peter-denied-the-master-three-times-30779289.htmlRMBP2389–CHURCH OF ST. PETER GALLICANTU HERE PETER DENIED THE MASTER THREE TIMES AFTER THE CROW OF THE ROOSTER. ACCORDING TO SOME
Art inspired by Christ before Caiphas, from the Passion, Woodblock, Sheet: 10 × 6 13/16 in. (25.4 × 17.3 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-christ-before-caiphas-from-the-passion-woodblock-sheet-10-6-1316-in-254-173-cm-prints-lucas-cranach-the-elder-german-kronach-14721553-weimar-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023660.htmlRF2HW8FB8–Art inspired by Christ before Caiphas, from the Passion, Woodblock, Sheet: 10 × 6 13/16 in. (25.4 × 17.3 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Albrecht Altdorfer, Christ before Caiphas, c. 1513, woodcut. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albrecht-altdorfer-christ-before-caiphas-c-1513-woodcut-image545332346.htmlRM2PK60Y6–Albrecht Altdorfer, Christ before Caiphas, c. 1513, woodcut.
Art inspired by Christ before Caiphas, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471-1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-christ-before-caiphas-from-the-series-the-engraved-passion-albrecht-drer-german-1471-1528-1512-engraving-made-in-nuremberg-bavaria-germany-europe-prints-image-4-916-2-78-in-116-73-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459593307.htmlRF2HKM7XK–Art inspired by Christ before Caiphas, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471-1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jesus in front of Caiaphas. The Pharisees and the synagogue condemn to death our Lord Jesus the son of God. Matthew book, New Testament Sacred biblical history. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-in-front-of-caiaphas-the-pharisees-and-the-synagogue-condemn-to-death-our-lord-jesus-the-son-of-god-matthew-book-new-testament-sacred-biblical-history-old-engraving-from-the-book-historia-sagrada-1920-juan-lagui-lliteras-image436239629.htmlRM2G9MC2N–Jesus in front of Caiaphas. The Pharisees and the synagogue condemn to death our Lord Jesus the son of God. Matthew book, New Testament Sacred biblical history. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras
Art inspired by Christ before Caiphas, from The Passion of Christ, 1597, Engraving, Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-christ-before-caiphas-from-the-passion-of-christ-1597-engraving-sheet-7-1316-5-18-in-198-13-cm-prints-hendrick-goltzius-netherlandish-mhlbracht-15581617-haarlem-between-1596-and-1598-goltzius-engraved-this-series-of-twelve-prints-illustrating-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462966086.htmlRF2HW5WY2–Art inspired by Christ before Caiphas, from The Passion of Christ, 1597, Engraving, Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Christ before Caiphas, 1550–1600 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-christ-before-caiphas-15501600-image264808029.htmlRMWAR19H–Drawing, Christ before Caiphas, 1550–1600
Art inspired by Christ before the High Priest Caiphas, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-3/4 x 3-1/8 in. (7.0 x 7.9 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-christ-before-the-high-priest-caiphas-162463-pen-and-brown-ink-framing-lines-in-pen-and-brown-ink-on-mount-2-34-x-3-18-in-70-x-79-cm-drawings-attributed-to-francesco-allegrini-italian-cantiano-161520after-1679-gubbio-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950737.htmlRF2HW56AW–Art inspired by Christ before the High Priest Caiphas, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-3/4 x 3-1/8 in. (7.0 x 7.9 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![. William Wey's land map, Mappa mea de Terra Sancta. Scale c.2 miles to 1 inch [Map of Palestine by William Wey: central sheet, Lida (Lod) to Caiphas (Haifa); the River Jordan running from the Sea of Galilee along the top.]. between circa 1458 and circa 1463. Bodleian Libraries, Map of Palestine by William Wey- central sheet, Lida (Lod) to Caiphas (Haifa) the River Jordan running from the Sea of G Stock Photo](https://c8.alamy.com/comp/MMTA4H/william-weys-land-map-mappa-mea-de-terra-sancta-scale-c2-miles-to-1-inch-map-of-palestine-by-william-wey-central-sheet-lida-lod-to-caiphas-haifa-the-river-jordan-running-from-the-sea-of-galilee-along-the-top-between-circa-1458-and-circa-1463-bodleian-libraries-map-of-palestine-by-william-wey-central-sheet-lida-lod-to-caiphas-haifa-the-river-jordan-running-from-the-sea-of-g-MMTA4H.jpg ". William Wey's land map, Mappa mea de Terra Sancta. Scale c.2 miles to 1 inch [Map of Palestine by William Wey: central sheet, Lida (Lod) to Caiphas (Haifa); the River Jordan running from the Sea of Galilee along the top.]. between circa 1458 and circa 1463. Bodleian Libraries, Map of Palestine by William Wey- central sheet, Lida (Lod) to Caiphas (Haifa) the River Jordan running from the Sea of G Stock Photo")
. William Wey's land map, Mappa mea de Terra Sancta. Scale c.2 miles to 1 inch [Map of Palestine by William Wey: central sheet, Lida (Lod) to Caiphas (Haifa); the River Jordan running from the Sea of Galilee along the top.]. between circa 1458 and circa 1463. Bodleian Libraries, Map of Palestine by William Wey- central sheet, Lida (Lod) to Caiphas (Haifa) the River Jordan running from the Sea of G Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-weys-land-map-mappa-mea-de-terra-sancta-scale-c2-miles-to-1-inch-map-of-palestine-by-william-wey-central-sheet-lida-lod-to-caiphas-haifa-the-river-jordan-running-from-the-sea-of-galilee-along-the-top-between-circa-1458-and-circa-1463-bodleian-libraries-map-of-palestine-by-william-wey-central-sheet-lida-lod-to-caiphas-haifa-the-river-jordan-running-from-the-sea-of-g-image184931617.htmlRMMMTA4H–. William Wey's land map, Mappa mea de Terra Sancta. Scale c.2 miles to 1 inch [Map of Palestine by William Wey: central sheet, Lida (Lod) to Caiphas (Haifa); the River Jordan running from the Sea of Galilee along the top.]. between circa 1458 and circa 1463. Bodleian Libraries, Map of Palestine by William Wey- central sheet, Lida (Lod) to Caiphas (Haifa) the River Jordan running from the Sea of G
Jesus in front of Caiaphas. The Pharisees and the synagogue condemn to death our Lord Jesus the son of God. Matthew book, New Testament Sacred Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-in-front-of-caiaphas-the-pharisees-and-the-synagogue-condemn-to-death-our-lord-jesus-the-son-of-god-matthew-book-new-testament-sacred-image342953869.htmlRM2AWXW4D–Jesus in front of Caiaphas. The Pharisees and the synagogue condemn to death our Lord Jesus the son of God. Matthew book, New Testament Sacred
Bodleian Libraries, Map of Palestine by William Wey- central sheet, Lida (Lod) to Caiphas (Haifa) the River Jordan running from the Sea of G Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bodleian-libraries-map-of-palestine-by-william-wey-central-sheet-lida-132710581.htmlRMHKWDKH–Bodleian Libraries, Map of Palestine by William Wey- central sheet, Lida (Lod) to Caiphas (Haifa) the River Jordan running from the Sea of G
Christ before Caiphas. Dating: 1700 - 1727. Measurements: h 73 cm × w 59 cm; d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Aert de Gelder. GELDER, AERT DE. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-dating-1700-1727-measurements-h-73-cm-w-59-cm-d-95-cm-museum-rijksmuseum-amsterdam-author-aert-de-gelder-gelder-aert-de-image233226573.htmlRMRFCATD–Christ before Caiphas. Dating: 1700 - 1727. Measurements: h 73 cm × w 59 cm; d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Aert de Gelder. GELDER, AERT DE.
Caiphas looking towards Mount Carmel April 24th 1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caiphas-looking-towards-mount-carmel-april-24th-1839-image264488702.htmlRMWA8E12–Caiphas looking towards Mount Carmel April 24th 1839
Bishop of Kensington attends Passion play dress rehearsal . The Bishop of Kensington attended a dress rehearsal of the Passion play ' King of Glory ' , designed as the greatest spectacle ever seen in London , at the Royal Albert Hall , London . Written by Mrs L M Shiner , wife of a London vicar , the Passion play is woven round the Gospel . From Christ entry into Jerusalem to the Ascension . Over 1000 actors , musicians and singers are taking part . Photo shows , the Right Rev B Bimpson , Bishop of Kensington , with some of the performers in the pageant . On right is John Oxford as Caiphas , t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bishop-of-kensington-attends-passion-play-dress-rehearsal-the-bishop-of-kensington-attended-a-dress-rehearsal-of-the-passion-play-king-of-glory-designed-as-the-greatest-spectacle-ever-seen-in-london-at-the-royal-albert-hall-london-written-by-mrs-l-m-shiner-wife-of-a-london-vicar-the-passion-play-is-woven-round-the-gospel-from-christ-entry-into-jerusalem-to-the-ascension-over-1000-actors-musicians-and-singers-are-taking-part-photo-shows-the-right-rev-b-bimpson-bishop-of-kensington-with-some-of-the-performers-in-the-pageant-on-right-is-john-oxford-as-caiphas-t-image359661238.htmlRM2BW3YG6–Bishop of Kensington attends Passion play dress rehearsal . The Bishop of Kensington attended a dress rehearsal of the Passion play ' King of Glory ' , designed as the greatest spectacle ever seen in London , at the Royal Albert Hall , London . Written by Mrs L M Shiner , wife of a London vicar , the Passion play is woven round the Gospel . From Christ entry into Jerusalem to the Ascension . Over 1000 actors , musicians and singers are taking part . Photo shows , the Right Rev B Bimpson , Bishop of Kensington , with some of the performers in the pageant . On right is John Oxford as Caiphas , t
Christ before Caiphas. Horizontal rectangle. The high priest is seated upon a throne, at right, and apparently tears his clothes. At left is a group of Christ and his guards. A spectator stands at a door in the center. Signed on recto, (possibly authentic): 'Johannes Stradano.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-horizontal-rectangle-the-high-priest-is-seated-upon-a-throne-at-right-and-apparently-tears-his-clothes-at-left-is-a-group-of-christ-and-his-guards-a-spectator-stands-at-a-door-in-the-center-signed-on-recto-possibly-authentic-johannes-stradano-image353484115.htmlRM2BF2GGK–Christ before Caiphas. Horizontal rectangle. The high priest is seated upon a throne, at right, and apparently tears his clothes. At left is a group of Christ and his guards. A spectator stands at a door in the center. Signed on recto, (possibly authentic): 'Johannes Stradano.'
Christ before the High Priest Caiphas 1880 by Francesco Allegrini Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-the-high-priest-caiphas-1880-by-francesco-allegrini-image575120107.htmlRM2TBJYFR–Christ before the High Priest Caiphas 1880 by Francesco Allegrini
Caiphas looking towards Mount Carmel April 24th 1839 LCCN2002717508 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caiphas-looking-towards-mount-carmel-april-24th-1839-lccn2002717508-176814677.htmlRMM7JGWW–Caiphas looking towards Mount Carmel April 24th 1839 LCCN2002717508
Albrecht Altdorfer, (artist), German, 1480 or before - 1538, Christ before Caiphas, The Fall and Redemption of Man, (series), c. 1513, woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albrecht-altdorfer-artist-german-1480-or-before-1538-christ-before-caiphas-the-fall-and-redemption-of-man-series-c-1513-woodcut-image386360447.htmlRM2DCG6KB–Albrecht Altdorfer, (artist), German, 1480 or before - 1538, Christ before Caiphas, The Fall and Redemption of Man, (series), c. 1513, woodcut
Drawing, Christ before Caiphas; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; red crayon, brush and bistre wash on paper; 9.4 × 12.5 cm (3 11/16 × 4 15/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-christ-before-caiphas-jan-van-der-straet-called-stradanus-flemish-15231605-netherlands-red-crayon-brush-and-bistre-wash-on-paper-94-125-cm-3-1116-4-1516-in-image546182329.htmlRM2PMGN3N–Drawing, Christ before Caiphas; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; red crayon, brush and bistre wash on paper; 9.4 × 12.5 cm (3 11/16 × 4 15/16 in.)
Artist: Hendrick Goltzius, Dutch, 1558–1617, Christ Before Caiphas, from The Passion, #4 in a series of 12 engravings, Engraving, Made in The Netherlands, Dutch, 16th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-hendrick-goltzius-dutch-15581617-christ-before-caiphas-from-the-passion-4-in-a-series-of-12engravings-engraving-made-in-the-netherlands-dutch-16thcentury-works-on-paper-prints-image393471069.htmlRM2DT44A5–Artist: Hendrick Goltzius, Dutch, 1558–1617, Christ Before Caiphas, from The Passion, #4 in a series of 12 engravings, Engraving, Made in The Netherlands, Dutch, 16th century, Works on Paper - Prints
JEWISH OSSUARY WITH THE NAME CAIPHUS IN HEBREW CARVED ON IT'S SIDE. CAIAPHAS WAS THE HIGH PRIEST IN JERUSALEM AT THE TIME OF Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jewish-ossuary-with-the-name-caiphus-in-hebrew-carved-on-its-side-30784101.htmlRMBP29C5–JEWISH OSSUARY WITH THE NAME CAIPHUS IN HEBREW CARVED ON IT'S SIDE. CAIAPHAS WAS THE HIGH PRIEST IN JERUSALEM AT THE TIME OF
Hendrick Goltzius, Dutch, 1558-1617, Christ Before Caiphas, 1597, engraving printed in black ink on laid paper, Plate: 8 × 5 3/8 inches (20.3 × 13.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hendrick-goltzius-dutch-1558-1617-christ-before-caiphas-1597-engraving-printed-in-black-ink-on-laid-paper-plate-8-5-38-inches-203-137-cm-image328712493.htmlRM2A2P43W–Hendrick Goltzius, Dutch, 1558-1617, Christ Before Caiphas, 1597, engraving printed in black ink on laid paper, Plate: 8 × 5 3/8 inches (20.3 × 13.7 cm
Caiphas looking towards Mount Carmel April 24th 1839, Louis Haghe / David Roberts 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caiphas-looking-towards-mount-carmel-april-24th-1839-louis-haghe-david-38072091.htmlRFC5X99F–Caiphas looking towards Mount Carmel April 24th 1839, Louis Haghe / David Roberts 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia'
Artist: Hendrick Goltzius, Dutch, 1558–1617, Christ Before Caiphas, Engraving, sheet: 20.32 × 10.8 cm (8 × 4 1/4 in.), Made in The Netherlands, Dutch, 16th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-hendrick-goltzius-dutch-15581617-christ-beforecaiphas-engraving-sheet-2032-108-cm-8-4-14in-made-in-the-netherlands-dutch-16thcentury-works-on-paper-prints-image393646677.htmlRM2DTC49W–Artist: Hendrick Goltzius, Dutch, 1558–1617, Christ Before Caiphas, Engraving, sheet: 20.32 × 10.8 cm (8 × 4 1/4 in.), Made in The Netherlands, Dutch, 16th century, Works on Paper - Prints
LUZERN, SWITZERLAND - JUNY 24, 2022: The painitng of Judgment of Jesus before Caiphas in the church St. Leodegar im Hof by unknown artist of 17. cent. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luzern-switzerland-juny-24-2022-the-painitng-of-judgment-of-jesus-before-caiphas-in-the-church-st-leodegar-im-hof-by-unknown-artist-of-17-cent-image482066372.htmlRF2K080G4–LUZERN, SWITZERLAND - JUNY 24, 2022: The painitng of Judgment of Jesus before Caiphas in the church St. Leodegar im Hof by unknown artist of 17. cent.
Christ before Caiphas, Red crayon, brush and bistre wash on paper, Horizontal rectangle. The high priest is seated upon a throne, at right, and apparently tears his clothes. At left is a group of Christ and his guards. A spectator stands at a door in the center. Signed on recto, (possibly authentic): 'Johannes Stradano.', Netherlands, 1550–1600, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-red-crayon-brush-and-bistre-wash-on-paper-horizontal-rectangle-the-high-priest-is-seated-upon-a-throne-at-right-and-apparently-tears-his-clothes-at-left-is-a-group-of-christ-and-his-guards-a-spectator-stands-at-a-door-in-the-center-signed-on-recto-possibly-authentic-johannes-stradano-netherlands-15501600-drawing-image391103013.htmlRM2DM87TN–Christ before Caiphas, Red crayon, brush and bistre wash on paper, Horizontal rectangle. The high priest is seated upon a throne, at right, and apparently tears his clothes. At left is a group of Christ and his guards. A spectator stands at a door in the center. Signed on recto, (possibly authentic): 'Johannes Stradano.', Netherlands, 1550–1600, Drawing
Caiphas looking towards Mount Carmel April 24th 1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caiphas-looking-towards-mount-carmel-april-24th-1839-image223176749.htmlRMPY2G65–Caiphas looking towards Mount Carmel April 24th 1839
Christ before Caiphas, Christ before Caiaphas. In the interior of a temple or palace, Christ stands between two guards in front of the high priest standing under a throne on the right., Aert de Gelder, 1700 - 1727, canvas, oil paint (paint), h 73 cm × w 59 cm d 9.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-christ-before-caiaphas-in-the-interior-of-a-temple-or-palace-christ-stands-between-two-guards-in-front-of-the-high-priest-standing-under-a-throne-on-the-right-aert-de-gelder-1700-1727-canvas-oil-paint-paint-h-73-cm-w-59-cm-d-95-cm-image261409400.htmlRMW586A0–Christ before Caiphas, Christ before Caiaphas. In the interior of a temple or palace, Christ stands between two guards in front of the high priest standing under a throne on the right., Aert de Gelder, 1700 - 1727, canvas, oil paint (paint), h 73 cm × w 59 cm d 9.5 cm
Hendrik Goltzius, Christ before Caiphas, 1597 Christ before Caiphas; 1597date Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hendrik-goltzius-christ-before-caiphas-1597-christ-before-caiphas-1597date-image335901776.htmlRM2AEDJ40–Hendrik Goltzius, Christ before Caiphas, 1597 Christ before Caiphas; 1597date
Christ before Caiphas, Passion of Christ, Hendrick Goltzius, 1597, printmaking, copper engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-passion-of-christ-hendrick-goltzius-1597-printmaking-copper-engraving-image573353386.htmlRM2T8PE2J–Christ before Caiphas, Passion of Christ, Hendrick Goltzius, 1597, printmaking, copper engraving
Christ Before Annas, from the Passion. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 9 3/4 × 6 11/16 in. (24.8 × 17 cm). Series/Portfolio: The Passion. Titled Christ before Caiphas in Hollstein and Bartsch but according to the British Museum the figure of Caiphas is actually Annas because of the presence of an apostle during the hearing that is depicted. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-annas-from-the-passion-artist-lucas-cranach-the-elder-german-kronach-1472-1553-weimar-dimensions-sheet-9-34-6-1116-in-248-17-cm-seriesportfolio-the-passion-titled-christ-before-caiphas-in-hollstein-and-bartsch-but-according-to-the-british-museum-the-figure-of-caiphas-is-actually-annas-because-of-the-presence-of-an-apostle-during-the-hearing-that-is-depicted-museum-metropolitan-museum-of-art-new-york-usa-image225384406.htmlRMR2K432–Christ Before Annas, from the Passion. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 9 3/4 × 6 11/16 in. (24.8 × 17 cm). Series/Portfolio: The Passion. Titled Christ before Caiphas in Hollstein and Bartsch but according to the British Museum the figure of Caiphas is actually Annas because of the presence of an apostle during the hearing that is depicted. Museum: Metropolitan Museum of Art, New York, USA.
Christ before Caiphas, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471–1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-from-the-series-the-engraved-passion-albrecht-drer-german-14711528-1512-engraving-made-in-nuremberg-bavaria-germany-europe-prints-image-4-916-2-78-in-116-73-cm-image454292693.htmlRM2HB2PY1–Christ before Caiphas, from the series 'The Engraved Passion', Albrecht Dürer, German, 1471–1528, 1512, Engraving, Made in Nuremberg, Bavaria, Germany, Europe, Prints, image: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm
Caiphas looking towards Mount Carmel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caiphas-looking-towards-mount-carmel-17253611.htmlRMB01Y4B–Caiphas looking towards Mount Carmel
Hendrik Goltzius (Dutch, 1558-1617), Christ before Caiphas, 1597, engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hendrik-goltzius-dutch-1558-1617-christ-before-caiphas-1597-engraving-77362033.htmlRMEDT41N–Hendrik Goltzius (Dutch, 1558-1617), Christ before Caiphas, 1597, engraving
Christ before Caiphas between 1700 and 1727 by Arent de Gelder Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-between-1700-and-1727-by-arent-de-gelder-image562067828.htmlRM2RJCB70–Christ before Caiphas between 1700 and 1727 by Arent de Gelder
Christ before the High Priest Caiphas, attributed to Francesco Allegrini, 1624–63 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-christ-before-the-high-priest-caiphas-attributed-to-francesco-allegrini-162465053.htmlRMKC8WR9–Christ before the High Priest Caiphas, attributed to Francesco Allegrini, 1624–63
Christ before Caiphas, Aert de Gelder, 1700 - 1727 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-aert-de-gelder-1700-1727-image596464841.htmlRF2WJB8YN–Christ before Caiphas, Aert de Gelder, 1700 - 1727
Albrecht Altdorfer (German, 1480 or before - 1538), Christ before Caiphas, c. 1513, woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-albrecht-altdorfer-german-1480-or-before-1538-christ-before-caiphas-123364852.htmlRMH4KN3G–Albrecht Altdorfer (German, 1480 or before - 1538), Christ before Caiphas, c. 1513, woodcut
Christ Before Caiphas. Artist: Hendrick Goltzius, Dutch, 1558–1617 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-beforecaiphas-artist-hendrick-goltzius-dutch-15581617-image463149291.htmlRM2HWE7J3–Christ Before Caiphas. Artist: Hendrick Goltzius, Dutch, 1558–1617
CHURCH OF ST. PETER GALLICANTU HERE PETER DENIED THE MASTER THREE TIMES AFTER THE CROW OF THE ROOSTER. ACCORDING TO SOME Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-st-peter-gallicantu-here-peter-denied-the-master-three-times-30779285.htmlRMBP2385–CHURCH OF ST. PETER GALLICANTU HERE PETER DENIED THE MASTER THREE TIMES AFTER THE CROW OF THE ROOSTER. ACCORDING TO SOME
Jesus before the high priest Caiphas. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-before-the-high-priest-caiphas-illustration-for-the-life-of-our-lord-jesus-christ-written-by-the-four-evangelists-1853-image566762730.htmlRM2RX27J2–Jesus before the high priest Caiphas. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853
Hendrick Goltzius (Ausführende r Künstler in) Christ before Caiphas. Copper engraving print 1597 , 1597 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hendrick-goltzius-ausfhrende-r-knstler-in-christ-before-caiphas-copper-engraving-print-1597-1597-image572848501.htmlRM2T7YE31–Hendrick Goltzius (Ausführende r Künstler in) Christ before Caiphas. Copper engraving print 1597 , 1597
Inferno: The hypocrites walk over Caiphas who is on a cross, lying on the ground. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.42. Language: Italian, Latin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inferno-the-hypocrites-walk-over-caiphas-who-is-on-a-cross-lying-on-the-ground-dante-alighieri-divina-commedia-the-divine-comedy-with-a-commentary-in-latin-1st-half-of-the-14th-century-source-egerton-943-f42-language-italian-latin-image227214077.htmlRMR5JDTD–Inferno: The hypocrites walk over Caiphas who is on a cross, lying on the ground. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.42. Language: Italian, Latin.
Christ Before Caiphas, from The Passion, #4 in a series of 12 engravings. Artist: Hendrick Goltzius, Dutch, 1558–1617 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-from-the-passion-4-in-a-series-of-12engravings-artist-hendrick-goltzius-dutch-15581617-image463149283.htmlRM2HWE7HR–Christ Before Caiphas, from The Passion, #4 in a series of 12 engravings. Artist: Hendrick Goltzius, Dutch, 1558–1617
Albrecht Altdorfer (German, 1480 or before - 1538), Christ before Caiphas, c. 1513, woodcut. Reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albrecht-altdorfer-german-1480-or-before-1538-christ-before-caiphas-c-1513-woodcut-reimagined-image230438409.htmlRFRAWAF5–Albrecht Altdorfer (German, 1480 or before - 1538), Christ before Caiphas, c. 1513, woodcut. Reimagined
Christ before the High Priest Caiphas 1624–63 attributed to Francesco Allegrini Italian. Christ before the High Priest Caiphas 338052 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-the-high-priest-caiphas-162463-attributed-to-francesco-allegrini-italian-christ-before-the-high-priest-caiphas-338052-image458190137.htmlRM2HHCA5D–Christ before the High Priest Caiphas 1624–63 attributed to Francesco Allegrini Italian. Christ before the High Priest Caiphas 338052
Christ before Caiphas, c. 1513. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-c-1513-image482103557.htmlRM2K09M05–Christ before Caiphas, c. 1513.
Christ before Caiphas; c. 1513 Albrecht Altdorfer, Christ before Caiphas, c 1513 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-c-1513-albrecht-altdorfer-christ-before-caiphas-c-1513-image335713330.htmlRM2AE51NP–Christ before Caiphas; c. 1513 Albrecht Altdorfer, Christ before Caiphas, c 1513
Christ Before Annas, from the Passion Lucas Cranach the Elder German Titled Christ before Caiphas in Hollstein and Bartsch but according to the British Museum the figure of Caiphas is actually Annas because of the presence of an apostle during the hearing that is depicted.. Christ Before Annas, from the Passion 434478 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-annas-from-the-passion-lucas-cranach-the-elder-german-titled-christ-before-caiphas-in-hollstein-and-bartsch-but-according-to-the-british-museum-the-figure-of-caiphas-is-actually-annas-because-of-the-presence-of-an-apostle-during-the-hearing-that-is-depicted-christ-before-annas-from-the-passion-434478-image458510791.htmlRM2HHXY5B–Christ Before Annas, from the Passion Lucas Cranach the Elder German Titled Christ before Caiphas in Hollstein and Bartsch but according to the British Museum the figure of Caiphas is actually Annas because of the presence of an apostle during the hearing that is depicted.. Christ Before Annas, from the Passion 434478
Chariot of Caiphas, night shot, Vare, processional chariot, illuminated, depicting Christian scenes, life-size wooden figures, Easter procession Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chariot-of-caiphas-night-shot-vare-processional-chariot-illuminated-depicting-christian-scenes-life-size-wooden-figures-easter-procession-image563755843.htmlRM2RN5897–Chariot of Caiphas, night shot, Vare, processional chariot, illuminated, depicting Christian scenes, life-size wooden figures, Easter procession
Christ before Caiphas, from the Passion MET DP841863 434474 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-christ-before-caiphas-from-the-passion-met-dp841863-434474-168046911.htmlRMKNB5FB–Christ before Caiphas, from the Passion MET DP841863 434474
The trial and sentence of Jesus - Jesus Christ wearing a crown of thorns, with hands loosely bound, sitting in a large room surrounded by theologians who hold up their sentences against him. Pointius Pilate of Jerusalem is the judge. Gaiphas, the high priest, is the only standing figure. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-trial-and-sentence-of-jesus-jesus-christ-wearing-a-crown-of-thorns-59392719.htmlRMDCHG0F–The trial and sentence of Jesus - Jesus Christ wearing a crown of thorns, with hands loosely bound, sitting in a large room surrounded by theologians who hold up their sentences against him. Pointius Pilate of Jerusalem is the judge. Gaiphas, the high priest, is the only standing figure.
Christ before the High Priest Caiphas MET DP807640 338052 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-christ-before-the-high-priest-caiphas-met-dp807640-338052-168335888.htmlRMKNTA40–Christ before the High Priest Caiphas MET DP807640 338052
Christ before Annas. Dated: in or before 1509. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Cranach the Elder, Lucas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-annas-dated-in-or-before-1509-medium-woodcut-museum-national-gallery-of-art-washington-dc-author-cranach-the-elder-lucas-image225703877.htmlRMR35KGN–Christ before Annas. Dated: in or before 1509. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Cranach the Elder, Lucas.
Peter's denial of Jesus das dot dowardice originaly by unknown artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peters-denial-of-jesus-das-dot-dowardice-originaly-by-unknown-artist-image396950294.htmlRF2E1PJ46–Peter's denial of Jesus das dot dowardice originaly by unknown artist.
The New Testament of our Lord and Saviour Jesus ChristTranslated from the Latin Vulgate: and diligently compared with the original Greek . l and said:What do we, for this man doth manymiracles? 48 If we let him alone so, all men willbelieve in him : and the Romans will come,and take away our place and nation. 49 But one of them named Caiphas,being the high-priest that year, said tothem : You know nothing at all : 50 Neither do you consider that it is ex-pedient for you that one man should diefor the people, and that the whole nationperish not. 51 And this he spoke, not of himself:but being the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-new-testament-of-our-lord-and-saviour-jesus-christtranslated-from-the-latin-vulgate-and-diligently-compared-with-the-original-greek-l-and-saidwhat-do-we-for-this-man-doth-manymiracles-48-if-we-let-him-alone-so-all-men-willbelieve-in-him-and-the-romans-will-comeand-take-away-our-place-and-nation-49-but-one-of-them-named-caiphasbeing-the-high-priest-that-year-said-tothem-you-know-nothing-at-all-50-neither-do-you-consider-that-it-is-ex-pedient-for-you-that-one-man-should-diefor-the-people-and-that-the-whole-nationperish-not-51-and-this-he-spoke-not-of-himselfbut-being-the-image342672454.htmlRM2AWE25X–The New Testament of our Lord and Saviour Jesus ChristTranslated from the Latin Vulgate: and diligently compared with the original Greek . l and said:What do we, for this man doth manymiracles? 48 If we let him alone so, all men willbelieve in him : and the Romans will come,and take away our place and nation. 49 But one of them named Caiphas,being the high-priest that year, said tothem : You know nothing at all : 50 Neither do you consider that it is ex-pedient for you that one man should diefor the people, and that the whole nationperish not. 51 And this he spoke, not of himself:but being the
Albrecht Altdorfer (German, 1480 or before - 1538), Christ before Caiphas, c. 1513, woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-albrecht-altdorfer-german-1480-or-before-1538-christ-before-caiphas-77366702.htmlRMEDTA0E–Albrecht Altdorfer (German, 1480 or before - 1538), Christ before Caiphas, c. 1513, woodcut
VALENCIA, SPAIN - FEBRUARY 14, 2022: The fresco Peter Disowns Jesus in the side chapel of Cathedral by Antonio Palomino from (1703). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valencia-spain-february-14-2022-the-fresco-peter-disowns-jesus-in-the-side-chapel-of-cathedral-by-antonio-palomino-from-1703-image464868911.htmlRF2J08H13–VALENCIA, SPAIN - FEBRUARY 14, 2022: The fresco Peter Disowns Jesus in the side chapel of Cathedral by Antonio Palomino from (1703).
CHURCH OF ST. PETER GALLICANTU HERE PETER DENIED THE MASTER THREE TIMES AFTER THE CROW OF THE ROOSTER. ACCORDING TO SOME Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-st-peter-gallicantu-here-peter-denied-the-master-three-times-30779286.htmlRMBP2386–CHURCH OF ST. PETER GALLICANTU HERE PETER DENIED THE MASTER THREE TIMES AFTER THE CROW OF THE ROOSTER. ACCORDING TO SOME
Christ before Caiphas, Fourth print in a series of fourteen depicting the passion, used in the Passional Buch. On the right on an elevation stands Caiphas. On the left, Christ is led into the room by a group of soldiers. In the foreground is a dog. Top left two coats of arms., print maker: Lucas Cranach (I), after drawing by: Lucas Cranach (I), publisher: Georg Rhau, (attributed to), Wittenberg, 1540, paper, height 255 mm × width 173 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-fourth-print-in-a-series-of-fourteen-depicting-the-passion-used-in-the-passional-buch-on-the-right-on-an-elevation-stands-caiphas-on-the-left-christ-is-led-into-the-room-by-a-group-of-soldiers-in-the-foreground-is-a-dog-top-left-two-coats-of-arms-print-maker-lucas-cranach-i-after-drawing-by-lucas-cranach-i-publisher-georg-rhau-attributed-to-wittenberg-1540-paper-height-255-mm-width-173-mm-image473298399.htmlRM2JE0GX7–Christ before Caiphas, Fourth print in a series of fourteen depicting the passion, used in the Passional Buch. On the right on an elevation stands Caiphas. On the left, Christ is led into the room by a group of soldiers. In the foreground is a dog. Top left two coats of arms., print maker: Lucas Cranach (I), after drawing by: Lucas Cranach (I), publisher: Georg Rhau, (attributed to), Wittenberg, 1540, paper, height 255 mm × width 173 mm
Jesus before the high priest Caiphas. Colored Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-before-the-high-priest-caiphas-colored-illustration-for-the-life-of-our-lord-jesus-christ-written-by-the-four-evangelists-1853-image567030654.htmlRM2RXEDAP–Jesus before the high priest Caiphas. Colored Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853
![Bas-de-page scene of Caipahas and counsellors. The caption reads, 'Ey caiphas & ces deciples cunceilleru[n]t od les ieus de iuger n[ost]re seign[ur]'. Book of Hours, Use of Sarum ('The Taymouth Hours'). England, S. E.? (London?); 2nd quarter of the 14th century. Source: Yates Thompson 13, f.114. Language: Latin and French. Stock Photo](https://c8.alamy.com/comp/R58725/bas-de-page-scene-of-caipahas-and-counsellors-the-caption-reads-ey-caiphas-ces-deciples-cunceilleru-n-t-od-les-ieus-de-iuger-n-ost-re-seign-ur-book-of-hours-use-of-sarum-the-taymouth-hours-england-s-e-london-2nd-quarter-of-the-14th-century-source-yates-thompson-13-f114-language-latin-and-french-R58725.jpg "Bas-de-page scene of Caipahas and counsellors. The caption reads, 'Ey caiphas & ces deciples cunceilleru[n]t od les ieus de iuger n[ost]re seign[ur]'. Book of Hours, Use of Sarum ('The Taymouth Hours'). England, S. E.? (London?); 2nd quarter of the 14th century. Source: Yates Thompson 13, f.114. Language: Latin and French. Stock Photo")
Bas-de-page scene of Caipahas and counsellors. The caption reads, 'Ey caiphas & ces deciples cunceilleru[n]t od les ieus de iuger n[ost]re seign[ur]'. Book of Hours, Use of Sarum ('The Taymouth Hours'). England, S. E.? (London?); 2nd quarter of the 14th century. Source: Yates Thompson 13, f.114. Language: Latin and French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bas-de-page-scene-of-caipahas-and-counsellors-the-caption-reads-ey-caiphas-ces-deciples-cunceilleru-n-t-od-les-ieus-de-iuger-n-ost-re-seign-ur-book-of-hours-use-of-sarum-the-taymouth-hours-england-s-e-london-2nd-quarter-of-the-14th-century-source-yates-thompson-13-f114-language-latin-and-french-image226989229.htmlRMR58725–Bas-de-page scene of Caipahas and counsellors. The caption reads, 'Ey caiphas & ces deciples cunceilleru[n]t od les ieus de iuger n[ost]re seign[ur]'. Book of Hours, Use of Sarum ('The Taymouth Hours'). England, S. E.? (London?); 2nd quarter of the 14th century. Source: Yates Thompson 13, f.114. Language: Latin and French.
PRAGUE, CZECH REPUBLIC - OCTOBER 15, 2018: The fresco of The Peter Disowns Jesus in church Bazilika svatého Petra a Pavla na Vyšehrade by S. G. Rudl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prague-czech-republic-october-15-2018-the-fresco-of-the-peter-disowns-jesus-in-church-bazilika-svatho-petra-a-pavla-na-vyehrade-by-s-g-rudl-image231375418.htmlRFRCC1KP–PRAGUE, CZECH REPUBLIC - OCTOBER 15, 2018: The fresco of The Peter Disowns Jesus in church Bazilika svatého Petra a Pavla na Vyšehrade by S. G. Rudl
Albrecht Altdorfer (German, 1480 or before - 1538), Christ before Caiphas, c. 1513, woodcut. Reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albrecht-altdorfer-german-1480-or-before-1538-christ-before-caiphas-c-1513-woodcut-reimagined-image230060606.htmlRFRA84J6–Albrecht Altdorfer (German, 1480 or before - 1538), Christ before Caiphas, c. 1513, woodcut. Reimagined
JERUSALEM, ISRAEL - MARCH 3, 2015: The mosaic of scene Jesus before of Sanhedrin in Church of St. Peter in Gallicantu. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jerusalem-israel-march-3-2015-the-mosaic-of-scene-jesus-before-of-85273258.htmlRFEXMEWE–JERUSALEM, ISRAEL - MARCH 3, 2015: The mosaic of scene Jesus before of Sanhedrin in Church of St. Peter in Gallicantu.
Ornate doors at The Church of St Peter in Gallicantu, Jerusalem, Israel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ornate-doors-at-the-church-of-st-peter-in-gallicantu-jerusalem-israel-image69533781.htmlRME13F19–Ornate doors at The Church of St Peter in Gallicantu, Jerusalem, Israel
Christ before Herod Christ by soldiers brought before Herod. At the bottom of the margin is shown with an ornament putti and garlands. Completely Below is a German text into two lines, the enthroned figure indicates as the high priest Caiaphas: Caiphas spricht zu ... etc. Matt. rrpi. The show is known as Christ before Herod. The upper edge of the print of a portion of the circular arc and the two shields with elector and ducal arms of Saxony is afgesneden. Manufacturer : print maker: Lucas Cranach (I) Place manufacture: Germany Date: 1509 Physical characteristics: wood block material: paper Te Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-herod-christ-by-soldiers-brought-before-herod-at-the-bottom-of-the-margin-is-shown-with-an-ornament-putti-and-garlands-completely-below-is-a-german-text-into-two-lines-the-enthroned-figure-indicates-as-the-high-priest-caiaphas-caiphas-spricht-zu-etc-matt-rrpi-the-show-is-known-as-christ-before-herod-the-upper-edge-of-the-print-of-a-portion-of-the-circular-arc-and-the-two-shields-with-elector-and-ducal-arms-of-saxony-is-afgesneden-manufacturer-print-maker-lucas-cranach-i-place-manufacture-germany-date-1509-physical-characteristics-wood-block-material-paper-te-image348267370.htmlRM2B6GXGA–Christ before Herod Christ by soldiers brought before Herod. At the bottom of the margin is shown with an ornament putti and garlands. Completely Below is a German text into two lines, the enthroned figure indicates as the high priest Caiaphas: Caiphas spricht zu ... etc. Matt. rrpi. The show is known as Christ before Herod. The upper edge of the print of a portion of the circular arc and the two shields with elector and ducal arms of Saxony is afgesneden. Manufacturer : print maker: Lucas Cranach (I) Place manufacture: Germany Date: 1509 Physical characteristics: wood block material: paper Te
Christ before Caiphas, from the Passion Lucas Cranach the Elder German Titled Christ Before Annas in Hollstein and Bartsch but according to the British Museum the figure of Annas is actually Caiaphas because of the presence of the mitra and the fact that the priest is tearing his robes.. Christ before Caiphas, from the Passion 434474 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-from-the-passion-lucas-cranach-the-elder-german-titled-christ-before-annas-in-hollstein-and-bartsch-but-according-to-the-british-museum-the-figure-of-annas-is-actually-caiaphas-because-of-the-presence-of-the-mitra-and-the-fact-that-the-priest-is-tearing-his-robes-christ-before-caiphas-from-the-passion-434474-image458510809.htmlRM2HHXY61–Christ before Caiphas, from the Passion Lucas Cranach the Elder German Titled Christ Before Annas in Hollstein and Bartsch but according to the British Museum the figure of Annas is actually Caiaphas because of the presence of the mitra and the fact that the priest is tearing his robes.. Christ before Caiphas, from the Passion 434474
Chariot of Caiphas, night shot, Vare, processional chariot, illuminated, depicting Christian scenes, life-size wooden figures, Easter procession Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chariot-of-caiphas-night-shot-vare-processional-chariot-illuminated-depicting-christian-scenes-life-size-wooden-figures-easter-procession-image563755826.htmlRM2RN588J–Chariot of Caiphas, night shot, Vare, processional chariot, illuminated, depicting Christian scenes, life-size wooden figures, Easter procession
Christ before Caiphas, from The Passion of Christ 1597 Hendrick Goltzius Netherlandish Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas’s prints. In Northern Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-from-the-passion-of-christ-1597-hendrick-goltzius-netherlandish-between-1596-and-1598-goltzius-engraved-this-series-of-twelve-prints-illustrating-the-passion-of-christ-they-reflect-the-influence-of-the-netherlandish-artist-lucas-van-leyden-in-both-the-figure-types-and-the-actual-engraving-technique-in-contrast-to-his-normal-graphic-style-which-was-characterized-by-a-dramatic-line-that-swells-and-tapers-around-the-figures-and-background-here-goltzius-uses-thin-even-lines-crossed-with-long-straight-hatching-lines-that-are-typically-found-in-lucass-prints-in-northern-image458165015.htmlRM2HHB647–Christ before Caiphas, from The Passion of Christ 1597 Hendrick Goltzius Netherlandish Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas’s prints. In Northern
10 Nov 2022 A view of The Dome of the Rock within the ancient walled city of Jerusalem taken across the rooftops from The church of St Peter built on Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/10-nov-2022-a-view-of-the-dome-of-the-rock-within-the-ancient-walled-city-of-jerusalem-taken-across-the-rooftops-from-the-church-of-st-peter-built-on-image501840042.htmlRF2M4CP2J–10 Nov 2022 A view of The Dome of the Rock within the ancient walled city of Jerusalem taken across the rooftops from The church of St Peter built on
The mockery of Christ, c. 1480 - c. 1533 print Fifth print from a series of twelve with the passion of Christ. In the foreground a blindfolded Christ who is mistreated by four soldiers. The soldier leans on a shield. The soldier raises his hand to hit Christ. A kneeling soldier on the right holds Christ's head while a fourth soldier puts his hand for a stroke. In the background on an elevation Christ for Caiphas. paper in Pilate's palace Christ is mocked by soldiers (Luke 22:63-65) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mockery-of-christ-c-1480-c-1533-print-fifth-print-from-a-series-of-twelve-with-the-passion-of-christ-in-the-foreground-a-blindfolded-christ-who-is-mistreated-by-four-soldiers-the-soldier-leans-on-a-shield-the-soldier-raises-his-hand-to-hit-christ-a-kneeling-soldier-on-the-right-holds-christs-head-while-a-fourth-soldier-puts-his-hand-for-a-stroke-in-the-background-on-an-elevation-christ-for-caiphas-paper-in-pilates-palace-christ-is-mocked-by-soldiers-luke-2263-65-image594255485.htmlRM2WEPJX5–The mockery of Christ, c. 1480 - c. 1533 print Fifth print from a series of twelve with the passion of Christ. In the foreground a blindfolded Christ who is mistreated by four soldiers. The soldier leans on a shield. The soldier raises his hand to hit Christ. A kneeling soldier on the right holds Christ's head while a fourth soldier puts his hand for a stroke. In the background on an elevation Christ for Caiphas. paper in Pilate's palace Christ is mocked by soldiers (Luke 22:63-65)
Christ before the High Priest Caiphas MET DP807640 338052 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-christ-before-the-high-priest-caiphas-met-dp807640-338052-168490875.htmlRMKP3BR7–Christ before the High Priest Caiphas MET DP807640 338052
Christ Before Caiaphas, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm). Date: 1597. Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiaphas-from-the-passion-of-christ-artist-hendrick-goltzius-netherlandish-mhlbracht-1558-1617-haarlem-dimensions-sheet-8-116-x-5-38-in-205-x-137-cm-date-1597-between-1596-and-1598-goltzius-engraved-this-series-of-twelve-prints-illustrating-the-passion-of-christ-they-reflect-the-influence-of-the-netherlandish-artist-lucas-van-leyden-in-both-the-figure-types-and-the-actual-engraving-technique-in-contrast-to-his-normal-graphic-style-which-was-characterized-by-a-dramatic-line-that-swells-and-tapers-around-the-figures-and-background-here-goltzius-uses-thin-e-image233210381.htmlRMRFBJ65–Christ Before Caiaphas, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm). Date: 1597. Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin e
The New Testament of our Lord and Saviour Jesus ChristTranslated from the Latin Vulgate: and diligently compared with the original Greek . r he instituted the Blessed Sacramentand Sacrifice of his Body and Blood. Matt. xxvi. He gave his Apostles those excellent instructionsset down by St. John, xiv.—xvii. Chiusts prayer in tlie garden three times repeat-ed. lie is there seized, bein? betrayed by Jiidaa. He is led away to Annas, and then to Caiphas. He is condemned as guilty of blasphemy and de.alh,for owning himself the Son ol God. He is spitupon, budeted, &c. On Friday mornins they deliver hi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-new-testament-of-our-lord-and-saviour-jesus-christtranslated-from-the-latin-vulgate-and-diligently-compared-with-the-original-greek-r-he-instituted-the-blessed-sacramentand-sacrifice-of-his-body-and-blood-matt-xxvi-he-gave-his-apostles-those-excellent-instructionsset-down-by-st-john-xivxvii-chiusts-prayer-in-tlie-garden-three-times-repeat-ed-lie-is-there-seized-bein-betrayed-by-jiidaa-he-is-led-away-to-annas-and-then-to-caiphas-he-is-condemned-as-guilty-of-blasphemy-and-dealhfor-owning-himself-the-son-ol-god-he-is-spitupon-budeted-c-on-friday-mornins-they-deliver-hi-image340241698.htmlRM2ANF9N6–The New Testament of our Lord and Saviour Jesus ChristTranslated from the Latin Vulgate: and diligently compared with the original Greek . r he instituted the Blessed Sacramentand Sacrifice of his Body and Blood. Matt. xxvi. He gave his Apostles those excellent instructionsset down by St. John, xiv.—xvii. Chiusts prayer in tlie garden three times repeat-ed. lie is there seized, bein? betrayed by Jiidaa. He is led away to Annas, and then to Caiphas. He is condemned as guilty of blasphemy and de.alh,for owning himself the Son ol God. He is spitupon, budeted, &c. On Friday mornins they deliver hi
JEWISH OSSUARY WITH THE NAME CAIPHUS IN HEBREW CARVED ON IT'S SIDE. CAIAPHAS WAS THE HIGH PRIEST IN JERUSALEM AT THE TIME OF Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jewish-ossuary-with-the-name-caiphus-in-hebrew-carved-on-its-side-30784102.htmlRMBP29C6–JEWISH OSSUARY WITH THE NAME CAIPHUS IN HEBREW CARVED ON IT'S SIDE. CAIAPHAS WAS THE HIGH PRIEST IN JERUSALEM AT THE TIME OF
Christ before Caiphas, Fourth print in a series of fourteen depicting the passion, used in the Passional Buch. On the right on an elevation stands Caiphas. On the left, Christ is led into the room by a group of soldiers. In the foreground is a dog. Top left two coats of arms., print maker: Lucas Cranach (I), after drawing by: Lucas Cranach (I), publisher: Georg Rhau, (attributed to), Wittenberg, 1540, paper, height 255 mm × width 173 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-fourth-print-in-a-series-of-fourteen-depicting-the-passion-used-in-the-passional-buch-on-the-right-on-an-elevation-stands-caiphas-on-the-left-christ-is-led-into-the-room-by-a-group-of-soldiers-in-the-foreground-is-a-dog-top-left-two-coats-of-arms-print-maker-lucas-cranach-i-after-drawing-by-lucas-cranach-i-publisher-georg-rhau-attributed-to-wittenberg-1540-paper-height-255-mm-width-173-mm-image473334642.htmlRM2JE274J–Christ before Caiphas, Fourth print in a series of fourteen depicting the passion, used in the Passional Buch. On the right on an elevation stands Caiphas. On the left, Christ is led into the room by a group of soldiers. In the foreground is a dog. Top left two coats of arms., print maker: Lucas Cranach (I), after drawing by: Lucas Cranach (I), publisher: Georg Rhau, (attributed to), Wittenberg, 1540, paper, height 255 mm × width 173 mm
Hendrick Goltzius, Dutch, 1558-1617, Christ Before Caiphas, 1597, engraving printed in black ink on laid paper, Plate: 8 × 5 3/8 inches (20.3 × 13.7 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hendrick-goltzius-dutch-1558-1617-christ-before-caiphas-1597-engraving-printed-in-black-ink-on-laid-paper-plate-8-5-38-inches-203-137-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349813297.htmlRF2B93AC1–Hendrick Goltzius, Dutch, 1558-1617, Christ Before Caiphas, 1597, engraving printed in black ink on laid paper, Plate: 8 × 5 3/8 inches (20.3 × 13.7 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
JERUSALEM, ISRAEL - MARCH 3, 2015: The Peter Disowns Jesus. Icon in Church of St. Peter in Gallicantu. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jerusalem-israel-march-3-2015-the-peter-disowns-jesus-icon-in-church-81472302.htmlRFEMFAN2–JERUSALEM, ISRAEL - MARCH 3, 2015: The Peter Disowns Jesus. Icon in Church of St. Peter in Gallicantu.
Rooster sign pointing towards towards The Church of Saint Peter in Gallicantu, Jerusalem, Israel, Holy Land Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rooster-sign-pointing-towards-towards-the-church-of-saint-peter-in-image69533536.htmlRME13EMG–Rooster sign pointing towards towards The Church of Saint Peter in Gallicantu, Jerusalem, Israel, Holy Land
The mockery of Christ Fifth picture from a series of twelve with the passion of Christ. In the foreground a blindfolded Christ being beaten by four soldiers. The soldier left leaning on a shield. The soldier raises his hand to strike Christ. A soldier kneeling right, holding Christ's head down while a fourth soldier raises his hand for a battle. In the background of increasing Christ Caiphas. Manufacturer : printmaker Jacob Cornelisz. of Oostsanen (indicated on object) to drawing of: Jacob Cornelisz. of Oostsanen Dating: ca. 1480 - ca. 1533 Material: paper Technique: wood block dimensions: h 2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mockery-of-christ-fifth-picture-from-a-series-of-twelve-with-the-passion-of-christ-in-the-foreground-a-blindfolded-christ-being-beaten-by-four-soldiers-the-soldier-left-leaning-on-a-shield-the-soldier-raises-his-hand-to-strike-christ-a-soldier-kneeling-right-holding-christs-head-down-while-a-fourth-soldier-raises-his-hand-for-a-battle-in-the-background-of-increasing-christ-caiphas-manufacturer-printmaker-jacob-cornelisz-of-oostsanen-indicated-on-object-to-drawing-of-jacob-cornelisz-of-oostsanen-dating-ca-1480-ca-1533-material-paper-technique-wood-block-dimensions-h-2-image348288390.htmlRM2B6HWB2–The mockery of Christ Fifth picture from a series of twelve with the passion of Christ. In the foreground a blindfolded Christ being beaten by four soldiers. The soldier left leaning on a shield. The soldier raises his hand to strike Christ. A soldier kneeling right, holding Christ's head down while a fourth soldier raises his hand for a battle. In the background of increasing Christ Caiphas. Manufacturer : printmaker Jacob Cornelisz. of Oostsanen (indicated on object) to drawing of: Jacob Cornelisz. of Oostsanen Dating: ca. 1480 - ca. 1533 Material: paper Technique: wood block dimensions: h 2
Chariot of Caiphas, evening light, Vare, processional chariot, depiction of Christian scenes, life-size wooden figures, Easter procession, Maundy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chariot-of-caiphas-evening-light-vare-processional-chariot-depiction-of-christian-scenes-life-size-wooden-figures-easter-procession-maundy-image563755654.htmlRM2RN582E–Chariot of Caiphas, evening light, Vare, processional chariot, depiction of Christian scenes, life-size wooden figures, Easter procession, Maundy
10 Nov 2022 The Mount of Olives at Jerusalem Israel viewed across the Valley of Hinnom from the traditional site of Caiaphas' Palace where Jesus was d Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/10-nov-2022-the-mount-of-olives-at-jerusalem-israel-viewed-across-the-valley-of-hinnom-from-the-traditional-site-of-caiaphas-palace-where-jesus-was-d-image501840046.htmlRF2M4CP2P–10 Nov 2022 The Mount of Olives at Jerusalem Israel viewed across the Valley of Hinnom from the traditional site of Caiaphas' Palace where Jesus was d
Christ for Caiphas, 1540 print Fourth print from a series of fourteen with the passion, used in the Passional Buch. On the right on an elevation is Caiphas. On the left, Christ is led into the departure by a group of soldiers. There is a dog in the foreground. At the top left two coats of arms. paper Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-for-caiphas-1540-print-fourth-print-from-a-series-of-fourteen-with-the-passion-used-in-the-passional-buch-on-the-right-on-an-elevation-is-caiphas-on-the-left-christ-is-led-into-the-departure-by-a-group-of-soldiers-there-is-a-dog-in-the-foreground-at-the-top-left-two-coats-of-arms-paper-christ-before-the-sanhedrin-with-caiaphas-as-high-priest-and-possibly-annas-maybe-a-soldier-about-to-strike-christ-because-he-keeps-silent-matthew-2657-66-mark-1453-64-luke-2254-2266-71-image594210824.htmlRM2WEMHY4–Christ for Caiphas, 1540 print Fourth print from a series of fourteen with the passion, used in the Passional Buch. On the right on an elevation is Caiphas. On the left, Christ is led into the departure by a group of soldiers. There is a dog in the foreground. At the top left two coats of arms. paper Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)
Christ before Caiphas, from The Passion of Christ MET DP820983 364013 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-christ-before-caiphas-from-the-passion-of-christ-met-dp820983-364013-168509970.htmlRMKP4856–Christ before Caiphas, from The Passion of Christ MET DP820983 364013
Christ before Caiaphas. Dated: probably c. 1509/1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Dürer, Albrecht. ALBRECHT DUERER. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiaphas-dated-probably-c-15091510-medium-woodcut-museum-national-gallery-of-art-washington-dc-author-drer-albrecht-albrecht-duerer-image225638843.htmlRMR32MJ3–Christ before Caiaphas. Dated: probably c. 1509/1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Dürer, Albrecht. ALBRECHT DUERER.
Aedes Althorpianae; or, Account of the mansion, books, and pictures, at Althorp; the residence of George John, earl Spencer, K.GTo which is added a supplement to the Bibliotheca Spenceriana . e is given in the opposite page. There are 16 linesbeneath. Fol. 17, recto, 33 lines. Reverse 5 cut of Christ betrayed(copied by Numeister) beneath 15 lines. Fol. 18, recto, 16 lines.Reverse j cut of Christ before Caiphas, copied (but not with fidelity,and treated with infinitely less spirit) by Numeister; there are 15lines beneath. Fol. 19, recto, 11 lines, and one word { crudeli)of the 12th. Reverse; cu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aedes-althorpianae-or-account-of-the-mansion-books-and-pictures-at-althorp-the-residence-of-george-john-earl-spencer-kgto-which-is-added-a-supplement-to-the-bibliotheca-spenceriana-e-is-given-in-the-opposite-page-there-are-16-linesbeneath-fol-17-recto-33-lines-reverse-5-cut-of-christ-betrayedcopied-by-numeister-beneath-15-lines-fol-18-recto-16-linesreverse-j-cut-of-christ-before-caiphas-copied-but-not-with-fidelityand-treated-with-infinitely-less-spirit-by-numeister-there-are-15lines-beneath-fol-19-recto-11-lines-and-one-word-crudeliof-the-12th-reverse-cu-image342795561.htmlRM2AWKK6H–Aedes Althorpianae; or, Account of the mansion, books, and pictures, at Althorp; the residence of George John, earl Spencer, K.GTo which is added a supplement to the Bibliotheca Spenceriana . e is given in the opposite page. There are 16 linesbeneath. Fol. 17, recto, 33 lines. Reverse 5 cut of Christ betrayed(copied by Numeister) beneath 15 lines. Fol. 18, recto, 16 lines.Reverse j cut of Christ before Caiphas, copied (but not with fidelity,and treated with infinitely less spirit) by Numeister; there are 15lines beneath. Fol. 19, recto, 11 lines, and one word { crudeli)of the 12th. Reverse; cu
JEWISH OSSUARY WITH THE NAME 'CAIPHUS' IN HEBREW CARVED ON IT'S SIDE. CAIAPHUS WAS THE HIGH PRIEST IN JERUSALEM AT THE TIME OF Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jewish-ossuary-with-the-name-caiphus-in-hebrew-carved-on-its-side-30784103.htmlRMBP29C7–JEWISH OSSUARY WITH THE NAME 'CAIPHUS' IN HEBREW CARVED ON IT'S SIDE. CAIAPHUS WAS THE HIGH PRIEST IN JERUSALEM AT THE TIME OF
Christ before Caiphas, Fourth print in a series of fourteen depicting the passion, used in the Passional Buch. On the right on an elevation stands Caiphas. On the left, Christ is led into the room by a group of soldiers. In the foreground is a dog. Top left two coats of arms., print maker: Lucas Cranach (I), after drawing by: Lucas Cranach (I), publisher: Georg Rhau, (attributed to), Wittenberg, 1540, paper, height 255 mm × width 173 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-fourth-print-in-a-series-of-fourteen-depicting-the-passion-used-in-the-passional-buch-on-the-right-on-an-elevation-stands-caiphas-on-the-left-christ-is-led-into-the-room-by-a-group-of-soldiers-in-the-foreground-is-a-dog-top-left-two-coats-of-arms-print-maker-lucas-cranach-i-after-drawing-by-lucas-cranach-i-publisher-georg-rhau-attributed-to-wittenberg-1540-paper-height-255-mm-width-173-mm-image473262427.htmlRM2JDXY1F–Christ before Caiphas, Fourth print in a series of fourteen depicting the passion, used in the Passional Buch. On the right on an elevation stands Caiphas. On the left, Christ is led into the room by a group of soldiers. In the foreground is a dog. Top left two coats of arms., print maker: Lucas Cranach (I), after drawing by: Lucas Cranach (I), publisher: Georg Rhau, (attributed to), Wittenberg, 1540, paper, height 255 mm × width 173 mm
5694. JEWISH OSSUARY WITH THE NAME 'CAIPHUS' IN HEBREW, CARVED ON IT'S SIDE. CAIAPHUS WAS THE HIGH PRIEST IN JERUSALEM AT THE TIME OF JESU'S TRIAL. THE OSSUARY WAS FOUND IN A JWEISH BURRIAL IN JERUSALEM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/5694-jewish-ossuary-with-the-name-caiphus-in-hebrew-carved-on-its-image62067407.htmlRMDGYBH3–5694. JEWISH OSSUARY WITH THE NAME 'CAIPHUS' IN HEBREW, CARVED ON IT'S SIDE. CAIAPHUS WAS THE HIGH PRIEST IN JERUSALEM AT THE TIME OF JESU'S TRIAL. THE OSSUARY WAS FOUND IN A JWEISH BURRIAL IN JERUSALEM
Christ before Caiphas, Christ before Caiaphas. In the interior of a temple or palace, Christ stands between two guards in front of the high priest standing under a throne on the right., Aert de Gelder, 1700 - 1727, canvas, oil paint (paint), h 73 cm × w 59 cm d 9.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-christ-before-caiaphas-in-the-interior-of-a-temple-or-palace-christ-stands-between-two-guards-in-front-of-the-high-priest-standing-under-a-throne-on-the-right-aert-de-gelder-1700-1727-canvas-oil-paint-paint-h-73-cm-w-59-cm-d-95-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350013328.htmlRF2B9CDG0–Christ before Caiphas, Christ before Caiaphas. In the interior of a temple or palace, Christ stands between two guards in front of the high priest standing under a throne on the right., Aert de Gelder, 1700 - 1727, canvas, oil paint (paint), h 73 cm × w 59 cm d 9.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
JERUSALEM, ISRAEL - MARCH 3, 2015: The mosaic of scene Christ Before Caiaphas, by unknown artist of 20. cent. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jerusalem-israel-march-3-2015-the-mosaic-of-scene-christ-before-caiaphas-96327263.htmlRFFGM2BB–JERUSALEM, ISRAEL - MARCH 3, 2015: The mosaic of scene Christ Before Caiaphas, by unknown artist of 20. cent.
Ornate doors at The Church of St Peter in Gallicantu, Jerusalem, Israel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ornate-doors-at-the-church-of-st-peter-in-gallicantu-jerusalem-israel-image69533651.htmlRME13ETK–Ornate doors at The Church of St Peter in Gallicantu, Jerusalem, Israel
Christ before Caiphas Fourth picture from a series of fourteen with the passion used in Passional Buch. Right to increase state Caiphas. Christ left by a group of soldiers led into the room. There is a dog in the foreground. Top left two wapenschilden. Manufacturer : print maker: Lucas Cranach (I) to drawing of: Lucas Cranach (I), publisher: Georg Rhau (attributed to) Place manufacture: Wittenberg Date: 1540 Material: paper Technique: wood block dimensions: h 255 mm × W 173 mm Subject: Christ before the Sanhedrin with Caiaphas as high priest, Annas and possibly; maybe a soldier about to strike Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-caiphas-fourth-picture-from-a-series-of-fourteen-with-the-passion-used-in-passional-buch-right-to-increase-state-caiphas-christ-left-by-a-group-of-soldiers-led-into-the-room-there-is-a-dog-in-the-foreground-top-left-two-wapenschilden-manufacturer-print-maker-lucas-cranach-i-to-drawing-of-lucas-cranach-i-publisher-georg-rhau-attributed-to-place-manufacture-wittenberg-date-1540-material-paper-technique-wood-block-dimensions-h-255-mm-w-173-mm-subject-christ-before-the-sanhedrin-with-caiaphas-as-high-priest-annas-and-possibly-maybe-a-soldier-about-to-strike-image348267107.htmlRM2B6GX6Y–Christ before Caiphas Fourth picture from a series of fourteen with the passion used in Passional Buch. Right to increase state Caiphas. Christ left by a group of soldiers led into the room. There is a dog in the foreground. Top left two wapenschilden. Manufacturer : print maker: Lucas Cranach (I) to drawing of: Lucas Cranach (I), publisher: Georg Rhau (attributed to) Place manufacture: Wittenberg Date: 1540 Material: paper Technique: wood block dimensions: h 255 mm × W 173 mm Subject: Christ before the Sanhedrin with Caiaphas as high priest, Annas and possibly; maybe a soldier about to strike
Search Results for Caiphas Stock Photos and Images (124)
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