Quick filters:
Page 1 of 12
C 1614 Stock Photos and Images
Jacques Callot, (artist), French, 1592 - 1635, Taking of Bone, The Life of Ferdinando de'Medici, (series), c. 1614, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-artist-french-1592-1635-taking-of-bone-the-life-of-ferdinando-demedici-series-c-1614-engraving-image386328189.htmlRM2DCENF9–Jacques Callot, (artist), French, 1592 - 1635, Taking of Bone, The Life of Ferdinando de'Medici, (series), c. 1614, engraving
John Lilburne (c.1614-1657), English Republican agitator. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-lilburne-c1614-1657-english-republican-agitator-image268814537.htmlRMWH9FK5–John Lilburne (c.1614-1657), English Republican agitator.
Rubens (1577-1640) - St Sebastian c.1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rubens-1577-1640-st-sebastian-c1614-image567365131.htmlRF2RY1M0B–Rubens (1577-1640) - St Sebastian c.1614
The Tasting Tobacco. Artist: Herp, Willem van, the Elder (c. 1614-1677) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tasting-tobacco-artist-herp-willem-van-the-elder-c-1614-1677-135253369.htmlRMHT191D–The Tasting Tobacco. Artist: Herp, Willem van, the Elder (c. 1614-1677)
'The Conversion of Saint Paul', c. 1614, Juan Bautista Maíno, National Museum of Catalan Art, Museu Nacional d Art de Catalunya, MNAC, Barcelona, Spain, Europe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conversion-of-saint-paul-c-1614-juan-bautista-mano-national-museum-of-catalan-art-museu-nacional-d-art-de-catalunya-mnac-barcelona-spain-europe-image602269862.htmlRM2WYRN9X–'The Conversion of Saint Paul', c. 1614, Juan Bautista Maíno, National Museum of Catalan Art, Museu Nacional d Art de Catalunya, MNAC, Barcelona, Spain, Europe.
Daniel in the Lions Den by Peter Paul Rubens, oil on canvas, c.1614/16. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-daniel-in-the-lions-den-by-peter-paul-rubens-oil-on-canvas-c161416-134479559.htmlRMHPP21B–Daniel in the Lions Den by Peter Paul Rubens, oil on canvas, c.1614/16.
St Peter Healing St Agatha circa 1614. 792 Lanfranco, Giovanni - St Peter Healing St Agatha - c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-peter-healing-st-agatha-circa-1614-792-lanfranco-giovanni-st-peter-healing-st-agatha-c-1614-image185824180.htmlRMMP90HT–St Peter Healing St Agatha circa 1614. 792 Lanfranco, Giovanni - St Peter Healing St Agatha - c. 1614
WILLIAM DAVIDSON,1st Baronet of Curriehill (c 1614-c 1689) Scottish merchant and spy for Charles II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-davidson1st-baronet-of-curriehill-c-1614-c-1689-scottish-merchant-and-spy-for-charles-ii-image341951410.htmlRM2AT96EA–WILLIAM DAVIDSON,1st Baronet of Curriehill (c 1614-c 1689) Scottish merchant and spy for Charles II
Sir Peter Paul Rubens, Agrippina and Germanicus, portrait, c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-peter-paul-rubens-agrippina-and-germanicus-portrait-c-1614-image241271560.htmlRMT0ET9C–Sir Peter Paul Rubens, Agrippina and Germanicus, portrait, c. 1614
Esaias van de Velde- Landscape with Ruins C 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/esaias-van-de-velde-landscape-with-ruins-c-1614-image415528541.htmlRF2F40XW1–Esaias van de Velde- Landscape with Ruins C 1614
Peter Paul Rubens Daniel in the Lions' Den - c. 1614/1616 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peter-paul-rubens-daniel-in-the-lions-den-c-16141616-image416309840.htmlRM2F58FCG–Peter Paul Rubens Daniel in the Lions' Den - c. 1614/1616
Dobarsko Christ Royal Christ Icon c. 1614. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dobarsko-christ-royal-christ-icon-c-1614-image264430230.htmlRMWA5RCP–Dobarsko Christ Royal Christ Icon c. 1614.
Lanfranco, Giovanni - St Peter Healing St Agatha - c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lanfranco-giovanni-st-peter-healing-st-agatha-c-1614-132773335.htmlRMHM09MR–Lanfranco, Giovanni - St Peter Healing St Agatha - c. 1614
A steam apparatus invented by Salomon de Caus c.1614. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-steam-apparatus-invented-by-salomon-de-caus-c1614-53395092.htmlRMD2T9YG–A steam apparatus invented by Salomon de Caus c.1614.
Samson and Delilah C. 1604/1614; Oil on panel, (Cincinnati Art Museum). By Peter Paul Rubens (1577 - 1640). Rubens was born in Siegen in Germany, but from the age of 10 he lived and went to school in Antwerp, Belgium, where he became an important Flemish Artist. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-samson-and-delilah-c-16041614-oil-on-panel-cincinnati-art-museum-by-131279287.htmlRMHHG81Y–Samson and Delilah C. 1604/1614; Oil on panel, (Cincinnati Art Museum). By Peter Paul Rubens (1577 - 1640). Rubens was born in Siegen in Germany, but from the age of 10 he lived and went to school in Antwerp, Belgium, where he became an important Flemish Artist.
Peter Paul Rubens painting 'The Child with the Bird' c. 1614 and after 1625. One of the few paintings Rubens did of children. 1600s baroque painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peter-paul-rubens-painting-the-child-with-the-bird-c-1614-and-after-1625-one-of-the-few-paintings-rubens-did-of-children-1600s-baroque-painting-image593877439.htmlRM2WE5CMF–Peter Paul Rubens painting 'The Child with the Bird' c. 1614 and after 1625. One of the few paintings Rubens did of children. 1600s baroque painting.
Adoration of the Shepherds c. 1614 by Carlo Saraceni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-shepherds-c-1614-by-carlo-saraceni-image574056236.htmlRM2T9XEGC–Adoration of the Shepherds c. 1614 by Carlo Saraceni
Jacques Callot, Taking of Bone, c 1614 Taking of Bone; c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-taking-of-bone-c-1614-taking-of-bone-c-1614-image335925230.htmlRM2AEEM1J–Jacques Callot, Taking of Bone, c 1614 Taking of Bone; c. 1614
Vienna, Austria. The picture gallery of the Vienna Art History Museum (KHM). Peter Paul Rubens, Lamentation for Christ by Mary and John (1577-1640), c.1614/15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vienna-austria-the-picture-gallery-of-the-vienna-art-history-museum-khm-peter-paul-rubens-lamentation-for-christ-by-mary-and-john-1577-1640-c161415-image598249356.htmlRM2WN8H4C–Vienna, Austria. The picture gallery of the Vienna Art History Museum (KHM). Peter Paul Rubens, Lamentation for Christ by Mary and John (1577-1640), c.1614/15
Jacques Callot, (artist), French, 1592 - 1635, The Re-embarkation of the Troops, The Life of Ferdinando de'Medici, (series), c. 1614, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-artist-french-1592-1635-the-re-embarkation-of-the-troops-the-life-of-ferdinando-demedici-series-c-1614-engraving-image386339379.htmlRM2DCF7PY–Jacques Callot, (artist), French, 1592 - 1635, The Re-embarkation of the Troops, The Life of Ferdinando de'Medici, (series), c. 1614, engraving
The Thames and London Bridge. Van Meer c.1614. Brugge van Londen soo over de Temsgaet. Edinburgh University Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-thames-and-london-bridge-van-meer-c1614-brugge-van-londen-soo-over-de-temsgaet-edinburgh-university-library-image268847249.htmlRMWHB1BD–The Thames and London Bridge. Van Meer c.1614. Brugge van Londen soo over de Temsgaet. Edinburgh University Library.
Lion, c.1614-1615. Black and yellow chalk, Rubens Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lion-c1614-1615-black-and-yellow-chalk-rubens-174656637.htmlRMM44891–Lion, c.1614-1615. Black and yellow chalk, Rubens
Saint Anthony of Padua distributing Bread, ca 1662. Artist: Herp, Willem van, the Elder (c. 1614-1677) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-anthony-of-padua-distributing-bread-ca-1662-artist-herp-willem-image60393964.htmlRMDE7538–Saint Anthony of Padua distributing Bread, ca 1662. Artist: Herp, Willem van, the Elder (c. 1614-1677)
The Re-embarkation of the Troops. Dated: c. 1614. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-re-embarkation-of-the-troops-dated-c-1614-medium-engraving-museum-national-gallery-of-art-washington-dc-author-jacques-callot-image233247774.htmlRMRFD9WJ–The Re-embarkation of the Troops. Dated: c. 1614. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
The Flemish artist, Sir Anthony van Dyck (1599 -1641), self-portrait at the age of around 15, oil on wood, c.1614. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-flemish-artist-sir-anthony-van-dyck-1599-1641-self-portrait-at-122754064.htmlRMH3KX1M–The Flemish artist, Sir Anthony van Dyck (1599 -1641), self-portrait at the age of around 15, oil on wood, c.1614.
Sir Peter Paul Rubens, Agrippina and Germanicus, Flemish, 1577 - 1640, c. 1614, oil on panel, Andrew W. Mellon Fund Agrippina and Germanicus circa 1614. 976 Peter Paul Rubens - Agrippina and Germanicus (National Gallery of Art) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-peter-paul-rubens-agrippina-and-germanicus-flemish-1577-1640-c-1614-oil-on-panel-andrew-w-mellon-fund-agrippina-and-germanicus-circa-1614-976-peter-paul-rubens-agrippina-and-germanicus-national-gallery-of-art-image185542333.htmlRMMNT53W–Sir Peter Paul Rubens, Agrippina and Germanicus, Flemish, 1577 - 1640, c. 1614, oil on panel, Andrew W. Mellon Fund Agrippina and Germanicus circa 1614. 976 Peter Paul Rubens - Agrippina and Germanicus (National Gallery of Art)
Le mariage de Ferdinand I et de Christine de Lorraine (1565-1637) en 1589, extrait de la vie de Ferdinand I de Medicis (1549-1609) - d'apres Jacques Callot (1592 - 1635), The Marriage of Ferdinando and Christine of Lorraine, c. 1614, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-mariage-de-ferdinand-i-et-de-christine-de-lorraine-1565-1637-en-1589-extrait-de-la-vie-de-ferdinand-i-de-medicis-1549-1609-dapres-jacques-callot-1592-1635-the-marriage-of-ferdinando-and-christine-of-lorraine-c-1614-engraving-image556845510.htmlRM2R9XE3J–Le mariage de Ferdinand I et de Christine de Lorraine (1565-1637) en 1589, extrait de la vie de Ferdinand I de Medicis (1549-1609) - d'apres Jacques Callot (1592 - 1635), The Marriage of Ferdinando and Christine of Lorraine, c. 1614, engraving
Portrait of a ManDate: c. 1660/65 Artist: Jan Mijtens Dutch, c. 1614-1670 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-mandate-c-166065-artist-jan-mijtens-dutch-c-1614-1670-image552616367.htmlRF2R31RPR–Portrait of a ManDate: c. 1660/65 Artist: Jan Mijtens Dutch, c. 1614-1670
Esaias van de Velde- Road next Waterfall C 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/esaias-van-de-velde-road-next-waterfall-c-1614-image415528546.htmlRF2F40XW6–Esaias van de Velde- Road next Waterfall C 1614
Greco's workshop. Feast in the house of Simon, c.1614-1621. Oil on canvas. Displayed at Le Grand Palais, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grecos-workshop-feast-in-the-house-of-simon-c1614-1621-oil-on-canvas-displayed-at-le-grand-palais-paris-france-image357193801.htmlRF2BN3G9D–Greco's workshop. Feast in the house of Simon, c.1614-1621. Oil on canvas. Displayed at Le Grand Palais, Paris, France.
Lanfranco, Giovanni - St Peter Healing St Agatha - c. 1614. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lanfranco-giovanni-st-peter-healing-st-agatha-c-1614-image395645056.htmlRM2DYK58G–Lanfranco, Giovanni - St Peter Healing St Agatha - c. 1614.
St. Dionysius Church and the Old Grammar School, Market Harborough. Both buildings are listed Grade 1. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-dionysius-church-and-the-old-grammar-school-market-harborough-both-176311129.htmlRMM6RJJ1–St. Dionysius Church and the Old Grammar School, Market Harborough. Both buildings are listed Grade 1.
'The Conversion of Saint Paul', c. 1614, Juan Bautista Maíno, National Museum of Catalan Art, Museu Nacional d Art de Catalunya, MNAC, Barcelona, Spai Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conversion-of-saint-paul-c-1614-juan-bautista-mano-national-museum-of-catalan-art-museu-nacional-d-art-de-catalunya-mnac-barcelona-spai-image602527543.htmlRM2X07E0R–'The Conversion of Saint Paul', c. 1614, Juan Bautista Maíno, National Museum of Catalan Art, Museu Nacional d Art de Catalunya, MNAC, Barcelona, Spai
France, Paris, the Luxembourg garden, statue Winter attributed to Michel Anguier (c. 1614-1686) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-france-paris-the-luxembourg-garden-statue-winter-attributed-to-michel-136068696.htmlRFHWAD08–France, Paris, the Luxembourg garden, statue Winter attributed to Michel Anguier (c. 1614-1686)
Antique 19th-century illustration of festival in Nuremberg in XVII century (c. 1614). Published in Systematischer Bilder-Atlas zum Conversations-Lexik Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-19th-century-illustration-of-festival-in-nuremberg-in-xvii-century-c-1614-published-in-systematischer-bilder-atlas-zum-conversations-lexik-image381533003.htmlRF2D4M96K–Antique 19th-century illustration of festival in Nuremberg in XVII century (c. 1614). Published in Systematischer Bilder-Atlas zum Conversations-Lexik
St. Bartholomew c.1614; Spain by El Greco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-c1614-spain-by-el-greco-image557389158.htmlRM2RAR7FJ–St. Bartholomew c.1614; Spain by El Greco
Jacques Callot, The Hiring of the Troops, c 1614 The Hiring of the Troops; c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-the-hiring-of-the-troops-c-1614-the-hiring-of-the-troops-c-1614-image335925696.htmlRM2AEEMJ8–Jacques Callot, The Hiring of the Troops, c 1614 The Hiring of the Troops; c. 1614
El Greco, Laocoon. 1610-1614 Oil on canvas. National Gallery of Art, Washington, D.C., USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/el-greco-laocoon-1610-1614-oil-on-canvas-national-gallery-of-art-washington-image68297353.htmlRMDY35Y5–El Greco, Laocoon. 1610-1614 Oil on canvas. National Gallery of Art, Washington, D.C., USA.
Jacques Callot, (artist), French, 1592 - 1635, The Hiring of the Troops, The Life of Ferdinando de'Medici, (series), c. 1614, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-artist-french-1592-1635-the-hiring-of-the-troops-the-life-of-ferdinando-demedici-series-c-1614-engraving-image386296159.htmlRM2DCD8KB–Jacques Callot, (artist), French, 1592 - 1635, The Hiring of the Troops, The Life of Ferdinando de'Medici, (series), c. 1614, engraving
Drawing from the sketch book of Van Meer , Dutch visitor to London , c 1614 : The yells of traders and the crash of wheels on the cobbles made London a city of noise Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-from-the-sketch-book-of-van-meer-dutch-visitor-to-london-c-1614-the-yells-of-traders-and-the-crash-of-wheels-on-the-cobbles-made-london-a-city-of-noise-image268856133.htmlRMWHBCMN–Drawing from the sketch book of Van Meer , Dutch visitor to London , c 1614 : The yells of traders and the crash of wheels on the cobbles made London a city of noise
Christ on the Cold Stone, by Gerard van Honthorst (copy after), c. 1614, Dutch painting, oil on canvas. Jesus sits on a bench, with crown of thorns on his head. This is the 'Mocking of Christ' which takes place before the Crucifixion. The scene is lit by (BSLOC 2016 6 234) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christ-on-the-cold-stone-by-gerard-van-honthorst-copy-after-c-1614-115918172.htmlRMGMGEPM–Christ on the Cold Stone, by Gerard van Honthorst (copy after), c. 1614, Dutch painting, oil on canvas. Jesus sits on a bench, with crown of thorns on his head. This is the 'Mocking of Christ' which takes place before the Crucifixion. The scene is lit by (BSLOC 2016 6 234)
Tulipa Adriani Bilsi and Tulipa Nob viri Johan a Seulen, c.1614. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tulipa-adriani-bilsi-and-tulipa-nob-viri-johan-a-seulen-c1614-image186170965.htmlRMMPTPY1–Tulipa Adriani Bilsi and Tulipa Nob viri Johan a Seulen, c.1614.
Restoration of the Duomo, Florence. Dated: c. 1614. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/restoration-of-the-duomo-florence-dated-c-1614-medium-engraving-museum-national-gallery-of-art-washington-dc-author-jacques-callot-image233251806.htmlRMRFDF1J–Restoration of the Duomo, Florence. Dated: c. 1614. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
The Triumph of the Victor by Peter Paul Rubens (1577-1640), oil on canvas, c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-triumph-of-the-victor-by-peter-paul-rubens-1577-1640-oil-on-canvas-c-1614-image484168958.htmlRM2K3KPCE–The Triumph of the Victor by Peter Paul Rubens (1577-1640), oil on canvas, c. 1614
Sir Peter Paul Rubens, Agrippina and Germanicus, Flemish, 1577 - 1640, c. 1614, oil on panel, Andrew W. Mellon Fund Agrippina and Germanicus 1614. 1076 0 Agrippine et Germanicus - Washigton National Gallery of Art Museum (2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-peter-paul-rubens-agrippina-and-germanicus-flemish-1577-1640-c-1614-oil-on-panel-andrew-w-mellon-fund-agrippina-and-germanicus-1614-1076-0-agrippine-et-germanicus-washigton-national-gallery-of-art-museum-2-image185581395.htmlRMMNWXXY–Sir Peter Paul Rubens, Agrippina and Germanicus, Flemish, 1577 - 1640, c. 1614, oil on panel, Andrew W. Mellon Fund Agrippina and Germanicus 1614. 1076 0 Agrippine et Germanicus - Washigton National Gallery of Art Museum (2)
Mercury with a Bowl of Severed Heads of Animals, Martin Baes, c. 1614 - c. 1631 Mercury offers a nobleman a bowl with severed animal heads. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mercury-with-a-bowl-of-severed-heads-of-animals-martin-baes-c-1614-c-1631-mercury-offers-a-nobleman-a-bowl-with-severed-animal-heads-image570304349.htmlRF2T3RH0D–Mercury with a Bowl of Severed Heads of Animals, Martin Baes, c. 1614 - c. 1631 Mercury offers a nobleman a bowl with severed animal heads.
The Death of Adonis (c. 1614) by Rubens Peter Paul Rubens Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-adonis-c-1614-by-rubens-peter-paul-rubens-image604244772.htmlRF2X31MAC–The Death of Adonis (c. 1614) by Rubens Peter Paul Rubens
Domínikos Theotokópoulos - El Greco - St Jerome Penitent C 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domnikos-theotokpoulos-el-greco-st-jerome-penitent-c-1614-image431853498.htmlRF2G2GHF6–Domínikos Theotokópoulos - El Greco - St Jerome Penitent C 1614
Triton, c. 1614 - 1616 drawing Zwolle paper. ink. chalk brush Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triton-c-1614-1616-drawing-zwolle-paper-ink-chalk-brush-image595157393.htmlRM2WG7N95–Triton, c. 1614 - 1616 drawing Zwolle paper. ink. chalk brush
Sir Peter Paul Rubens, Agrippina and Germanicus, Flemish, 1577 - 1640, c. 1614, oil on panel, Andrew W. Mellon Fund 0 Agrippine et Germanicus - Washigton National Gallery of Art Museum (2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-peter-paul-rubens-agrippina-and-germanicus-flemish-1577-1640-c-1614-oil-on-panel-andrew-w-mellon-fund-0-agrippine-et-germanicus-washigton-national-gallery-of-art-museum-2-image208318411.htmlRMP2WM77–Sir Peter Paul Rubens, Agrippina and Germanicus, Flemish, 1577 - 1640, c. 1614, oil on panel, Andrew W. Mellon Fund 0 Agrippine et Germanicus - Washigton National Gallery of Art Museum (2)
![John Lilburne. The Triall of Lieut. Collonell J. Lilburne by an e. Southwark, 1649. John Lilburne (c.1614-1657). English revolutionary. Portrait. A supporter of the Levellers during the English Civil Wars. Image taken from The Triall of Lieut. Collonell J. Lilburne by an extraordinary Commission of Oyear and Terminer, at the Guildhall of London, the 24, 25, 26 of Octob. 1649 Unto which is annexed a necessary Appendix Published by Theodorus Verax [i.e. Clement Walker]... Originally published/produced in Southwark, 1649. . Source: C.37.d.51.(5),. Language: English. Stock Photo](https://c8.alamy.com/comp/R58NKC/john-lilburne-the-triall-of-lieut-collonell-j-lilburne-by-an-e-southwark-1649-john-lilburne-c1614-1657-english-revolutionary-portrait-a-supporter-of-the-levellers-during-the-english-civil-wars-image-taken-from-the-triall-of-lieut-collonell-j-lilburne-by-an-extraordinary-commission-of-oyear-and-terminer-at-the-guildhall-of-london-the-24-25-26-of-octob-1649-unto-which-is-annexed-a-necessary-appendix-published-by-theodorus-verax-ie-clement-walker-originally-publishedproduced-in-southwark-1649-source-c37d515-language-english-R58NKC.jpg "John Lilburne. The Triall of Lieut. Collonell J. Lilburne by an e. Southwark, 1649. John Lilburne (c.1614-1657). English revolutionary. Portrait. A supporter of the Levellers during the English Civil Wars. Image taken from The Triall of Lieut. Collonell J. Lilburne by an extraordinary Commission of Oyear and Terminer, at the Guildhall of London, the 24, 25, 26 of Octob. 1649 Unto which is annexed a necessary Appendix Published by Theodorus Verax [i.e. Clement Walker]... Originally published/produced in Southwark, 1649. . Source: C.37.d.51.(5),. Language: English. Stock Photo")
John Lilburne. The Triall of Lieut. Collonell J. Lilburne by an e. Southwark, 1649. John Lilburne (c.1614-1657). English revolutionary. Portrait. A supporter of the Levellers during the English Civil Wars. Image taken from The Triall of Lieut. Collonell J. Lilburne by an extraordinary Commission of Oyear and Terminer, at the Guildhall of London, the 24, 25, 26 of Octob. 1649 Unto which is annexed a necessary Appendix Published by Theodorus Verax [i.e. Clement Walker]... Originally published/produced in Southwark, 1649. . Source: C.37.d.51.(5),. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-lilburne-the-triall-of-lieut-collonell-j-lilburne-by-an-e-southwark-1649-john-lilburne-c1614-1657-english-revolutionary-portrait-a-supporter-of-the-levellers-during-the-english-civil-wars-image-taken-from-the-triall-of-lieut-collonell-j-lilburne-by-an-extraordinary-commission-of-oyear-and-terminer-at-the-guildhall-of-london-the-24-25-26-of-octob-1649-unto-which-is-annexed-a-necessary-appendix-published-by-theodorus-verax-ie-clement-walker-originally-publishedproduced-in-southwark-1649-source-c37d515-language-english-image227000688.htmlRMR58NKC–John Lilburne. The Triall of Lieut. Collonell J. Lilburne by an e. Southwark, 1649. John Lilburne (c.1614-1657). English revolutionary. Portrait. A supporter of the Levellers during the English Civil Wars. Image taken from The Triall of Lieut. Collonell J. Lilburne by an extraordinary Commission of Oyear and Terminer, at the Guildhall of London, the 24, 25, 26 of Octob. 1649 Unto which is annexed a necessary Appendix Published by Theodorus Verax [i.e. Clement Walker]... Originally published/produced in Southwark, 1649. . Source: C.37.d.51.(5),. Language: English.
Study of the head of William of Orange by Hendrick de Keyser c. 1614-1621.The Netherlands.aka William the Silent,William I.Prince of Orange, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-study-of-the-head-of-william-of-orange-by-hendrick-de-keyser-c-1614-112163801.htmlRMGEDE21–Study of the head of William of Orange by Hendrick de Keyser c. 1614-1621.The Netherlands.aka William the Silent,William I.Prince of Orange,
Art inspired by Elements of an Armor Garniture Made for Henri I de Montmorency (1534–1614), Comte de Damville and Constable of France, 1565, French, Steel, gold, brass, leather, L. of gauntlet (a) 13 in. (33 cm); L. of tasset (b) 14 in. (35.6 cm); thigh and knee defense (c): 15 1/2 x 6, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-elements-of-an-armor-garniture-made-for-henri-i-de-montmorency-15341614-comte-de-damville-and-constable-of-france-1565-french-steel-gold-brass-leather-l-of-gauntlet-a-13-in-33-cm-l-of-tasset-b-14-in-356-cm-thigh-and-knee-defense-c-15-12-x-6-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462902817.htmlRF2HW317D–Art inspired by Elements of an Armor Garniture Made for Henri I de Montmorency (1534–1614), Comte de Damville and Constable of France, 1565, French, Steel, gold, brass, leather, L. of gauntlet (a) 13 in. (33 cm); L. of tasset (b) 14 in. (35.6 cm); thigh and knee defense (c): 15 1/2 x 6, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antique 19th-century illustration of festival in Nuremberg in XVII century (c. 1614). Published in Systematischer Bilder-Atlas zum Conversations-Lexik Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-19th-century-illustration-of-festival-in-nuremberg-in-xvii-century-c-1614-published-in-systematischer-bilder-atlas-zum-conversations-lexik-image413457863.htmlRF2F0JHM7–Antique 19th-century illustration of festival in Nuremberg in XVII century (c. 1614). Published in Systematischer Bilder-Atlas zum Conversations-Lexik
The Adoration of the Shepherds (detail) c. 1614 by El Greco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-detail-c-1614-by-el-greco-image574235284.htmlRM2TA6JY0–The Adoration of the Shepherds (detail) c. 1614 by El Greco
Jacques Callot, The Re-embarkation of the Troops, c 1614 The Re-embarkation of the Troops; c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-the-re-embarkation-of-the-troops-c-1614-the-re-embarkation-of-the-troops-c-1614-image335926056.htmlRM2AEEN34–Jacques Callot, The Re-embarkation of the Troops, c 1614 The Re-embarkation of the Troops; c. 1614
Hans Holbein the Younger (c.1497/98-1543), German painter, portrait engraving after the artist by Andries Jacobsz. Stock, 1614-1648 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hans-holbein-the-younger-c149798-1543-german-painter-portrait-engraving-after-the-artist-by-andries-jacobsz-stock-1614-1648-image399145616.htmlRM2E5AJ8G–Hans Holbein the Younger (c.1497/98-1543), German painter, portrait engraving after the artist by Andries Jacobsz. Stock, 1614-1648
Jacques Callot, (artist), French, 1592 - 1635, The Re-embarkation of the Troops, The Life of Ferdinando de'Medici, (series), c. 1614, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-artist-french-1592-1635-the-re-embarkation-of-the-troops-the-life-of-ferdinando-demedici-series-c-1614-engraving-image386339357.htmlRM2DCF7P5–Jacques Callot, (artist), French, 1592 - 1635, The Re-embarkation of the Troops, The Life of Ferdinando de'Medici, (series), c. 1614, engraving
Fishing for Souls by Adriaen Pietersz van de Venne (c. 1589-1662) oil on panel, 1614. At the left are the Protestant north Netherlanders, and at the right the Catholic southerners. Both parties fish for souls in the wide river dividing them. The Protestants' catch is greater than that of the Catholics. Moreover, at the left the sun is shining and the trees are in leaf. This is a reference to a psalm; the righteous will flourish like a tree bearing fruit, whose leaves never wither. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fishing-for-souls-by-adriaen-pietersz-van-de-venne-c-1589-1662-oil-image68542953.htmlRMDYEB6H–Fishing for Souls by Adriaen Pietersz van de Venne (c. 1589-1662) oil on panel, 1614. At the left are the Protestant north Netherlanders, and at the right the Catholic southerners. Both parties fish for souls in the wide river dividing them. The Protestants' catch is greater than that of the Catholics. Moreover, at the left the sun is shining and the trees are in leaf. This is a reference to a psalm; the righteous will flourish like a tree bearing fruit, whose leaves never wither.
Penitent Mary Magdalene 1654 Juan Carreno de Miranda 1614-1685 Spanish Spain 17th C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penitent-mary-magdalene-1654-juan-carreno-de-miranda-1614-1685-spanish-spain-17th-c-image384363618.htmlRM2D997M2–Penitent Mary Magdalene 1654 Juan Carreno de Miranda 1614-1685 Spanish Spain 17th C
Double Goblet (Pokal), c.1614-32. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/double-goblet-pokal-c1614-32-image330086360.htmlRM2A50MEG–Double Goblet (Pokal), c.1614-32.
Grand Duchess at the Procession of the Young Girls. Dated: c. 1614. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grand-duchess-at-the-procession-of-the-young-girls-dated-c-1614-medium-engraving-museum-national-gallery-of-art-washington-dc-author-jacques-callot-image233245336.htmlRMRFD6PG–Grand Duchess at the Procession of the Young Girls. Dated: c. 1614. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
January - Ice Skating by Jan Wildens (1586-1653), oil on canvas, c.1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-january-ice-skating-by-jan-wildens-1586-1653-oil-on-canvas-c1614-170230115.htmlRMKTXJ6Y–January - Ice Skating by Jan Wildens (1586-1653), oil on canvas, c.1614
. English: Study for the Fall of the Damned; sheet of studies for two groups, in the upper half, men and women pulled down by demons, the lower half represents the group immediately to the left of the former group in the painting, with two pot-bellied men and a fat woman borne down by demons. c.1614-18 Black and red chalk, watercolour and bodycolour, on two sheets . between 1614 and 1618. Peter Paul Rubens (1577–1640) Alternative names Rubens, Pierre Paul Rubens, Pieter Paul Rubens, Sir Peter Paul Rubens Description Flemish painter, sculptor, draughtsman and printmaker Date of birth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-study-for-the-fall-of-the-damned-sheet-of-studies-for-two-groups-in-the-upper-half-men-and-women-pulled-down-by-demons-the-lower-half-represents-the-group-immediately-to-the-left-of-the-former-group-in-the-painting-with-two-pot-bellied-men-and-a-fat-woman-borne-down-by-demons-c1614-18-black-and-red-chalk-watercolour-and-bodycolour-on-two-sheets-between-1614-and-1618-peter-paul-rubens-15771640-alternative-names-rubens-pierre-paul-rubens-pieter-paul-rubens-sir-peter-paul-rubens-description-flemish-painter-sculptor-draughtsman-and-printmaker-date-of-birth-image189197122.htmlRMMYPJT2–. English: Study for the Fall of the Damned; sheet of studies for two groups, in the upper half, men and women pulled down by demons, the lower half represents the group immediately to the left of the former group in the painting, with two pot-bellied men and a fat woman borne down by demons. c.1614-18 Black and red chalk, watercolour and bodycolour, on two sheets . between 1614 and 1618. Peter Paul Rubens (1577–1640) Alternative names Rubens, Pierre Paul Rubens, Pieter Paul Rubens, Sir Peter Paul Rubens Description Flemish painter, sculptor, draughtsman and printmaker Date of birth
El Greco (Domenikos Theotokopoulos) (1541-1614). Mannerism, Late Renaissance. Christ carrying The Cross (circa 1602). Oil on canvas. Museo del Prado (Madrid, Spain). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/el-greco-domenikos-theotokopoulos-1541-1614-mannerism-late-renaissance-image158191109.htmlRMK5A6AD–El Greco (Domenikos Theotokopoulos) (1541-1614). Mannerism, Late Renaissance. Christ carrying The Cross (circa 1602). Oil on canvas. Museo del Prado (Madrid, Spain).
Jacob van Loo (c.1614-1670) - Self portrait 1650 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacob-van-loo-c1614-1670-self-portrait-1650-image598166765.htmlRF2WN4RPN–Jacob van Loo (c.1614-1670) - Self portrait 1650
Esaias van de Velde- Skaters Ice Farm C 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/esaias-van-de-velde-skaters-ice-farm-c-1614-image415528570.htmlRF2F40XX2–Esaias van de Velde- Skaters Ice Farm C 1614
Christ and the disciples on the road to Emmaus, c. 1614 - c. 1655 drawing Zwolle paper. ink. chalk brush Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-and-the-disciples-on-the-road-to-emmaus-c-1614-c-1655-drawing-zwolle-paper-ink-chalk-brush-image595176038.htmlRM2WG8H32–Christ and the disciples on the road to Emmaus, c. 1614 - c. 1655 drawing Zwolle paper. ink. chalk brush
Previously attributed to Willem van Herp (c. 1614-77) - Pharoah's Dream Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/previously-attributed-to-willem-van-herp-c-1614-77-pharoahs-dream-image415061012.htmlRM2F37JFG–Previously attributed to Willem van Herp (c. 1614-77) - Pharoah's Dream
Captain John Smith c. 1580 to 1631, from his 1614 map of New England. Admiral of New England. English soldier, explorer, author. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-captain-john-smith-c-1580-to-1631-from-his-1614-map-of-new-england-28171734.htmlRMBHR99A–Captain John Smith c. 1580 to 1631, from his 1614 map of New England. Admiral of New England. English soldier, explorer, author.
Pieter Lastman (c.1583-1633). Dutch painter. Orestes and Pylades Disputing at the Altar, 1614. Rijksmuseum. Amsterdam. Holland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-lastman-c1583-1633-dutch-painter-orestes-and-pylades-disputing-image66915347.htmlRMDTT75R–Pieter Lastman (c.1583-1633). Dutch painter. Orestes and Pylades Disputing at the Altar, 1614. Rijksmuseum. Amsterdam. Holland.
Krishna Fighting the Serpent Kaliya, Mewar, c. 1614 - c. 1640, paper, brush, h 230 mm × w 405 mm h 345 mm × w 175 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/krishna-fighting-the-serpent-kaliya-mewar-c-1614-c-1640-paper-brush-h-230-mm-w-405-mm-h-345-mm-w-175-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350010450.htmlRF2B9C9W6–Krishna Fighting the Serpent Kaliya, Mewar, c. 1614 - c. 1640, paper, brush, h 230 mm × w 405 mm h 345 mm × w 175 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Ploating and Combing c.1595 by Isaac Claesz. van Swanenburg 1537-1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ploating-and-combing-c1595-by-isaac-claesz-van-swanenburg-1537-1614-image261135498.htmlRMW4RMYP–The Ploating and Combing c.1595 by Isaac Claesz. van Swanenburg 1537-1614
St. Jerome Penitent c.1614; Spain by El Greco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-jerome-penitent-c1614-spain-by-el-greco-image557389155.htmlRM2RAR7FF–St. Jerome Penitent c.1614; Spain by El Greco
Jacques Callot, The Re-embarkation of the Turks, c 1614 The Re-embarkation of the Turks; c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-the-re-embarkation-of-the-turks-c-1614-the-re-embarkation-of-the-turks-c-1614-image335926064.htmlRM2AEEN3C–Jacques Callot, The Re-embarkation of the Turks, c 1614 The Re-embarkation of the Turks; c. 1614
'fine arts, Greco, El, birth name Domenikos Theotokopoulos, (1541 - 1614), painting, 'the Annunciation', 1597 - 1600, oil on c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-greco-el-birth-name-domenikos-theotokopoulos-1541-1614-painting-11695274.htmlRMA71P0Y–'fine arts, Greco, El, birth name Domenikos Theotokopoulos, (1541 - 1614), painting, 'the Annunciation', 1597 - 1600, oil on c
Jacques Callot, (artist), French, 1592 - 1635, The Troops on the March, The Life of Ferdinando de'Medici, (series), c. 1614, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-artist-french-1592-1635-the-troops-on-the-march-the-life-of-ferdinando-demedici-series-c-1614-engraving-image386342698.htmlRM2DCFC1E–Jacques Callot, (artist), French, 1592 - 1635, The Troops on the March, The Life of Ferdinando de'Medici, (series), c. 1614, engraving
Orestes and Pylades Disputing at the Altar by Pieter Lastman (c. 1583-1633) oil on panel, 1614. This painting depicts a story from Greek antiquity. Orestes and Pylades (left) were caught trying to steal a statue of Diana from the temple (left background). One of them will have to die. At the altar, the friends argue over who will give his life for the other. Last man's densely composed compositions, his bright colours and the expressive gestures of his figures - all had an impact on the young Rembrandt. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/orestes-and-pylades-disputing-at-the-altar-by-pieter-lastman-c-1583-image68543191.htmlRMDYEBF3–Orestes and Pylades Disputing at the Altar by Pieter Lastman (c. 1583-1633) oil on panel, 1614. This painting depicts a story from Greek antiquity. Orestes and Pylades (left) were caught trying to steal a statue of Diana from the temple (left background). One of them will have to die. At the altar, the friends argue over who will give his life for the other. Last man's densely composed compositions, his bright colours and the expressive gestures of his figures - all had an impact on the young Rembrandt.
Penitent Mary Magdalene 1654 Juan Carreno de Miranda 1614-1685 Spanish Spain 17th C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penitent-mary-magdalene-1654-juan-carreno-de-miranda-1614-1685-spanish-spain-17th-c-image384363621.htmlRM2D997M5–Penitent Mary Magdalene 1654 Juan Carreno de Miranda 1614-1685 Spanish Spain 17th C
The Re-embarkation of the Turks, c. 1614. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-re-embarkation-of-the-turks-c-1614-image426155753.htmlRM2FN9209–The Re-embarkation of the Turks, c. 1614.
![Taking of Bone. Dated: c. 1614. Medium: engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photo](https://c8.alamy.com/comp/RFCGEN/taking-of-bone-dated-c-1614-medium-engraving-on-laid-paper-restrike-museum-national-gallery-of-art-washington-dc-author-jacques-callot-RFCGEN.jpg "Taking of Bone. Dated: c. 1614. Medium: engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photo")
Taking of Bone. Dated: c. 1614. Medium: engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taking-of-bone-dated-c-1614-medium-engraving-on-laid-paper-restrike-museum-national-gallery-of-art-washington-dc-author-jacques-callot-image233231005.htmlRMRFCGEN–Taking of Bone. Dated: c. 1614. Medium: engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
'The Lamentation of Christ by the Virgin Mary and John' by Peter Paul Rubens (1577-1640), c.1614/15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-lamentation-of-christ-by-the-virgin-mary-and-john-by-peter-paul-123336686.htmlRMH4JD5J–'The Lamentation of Christ by the Virgin Mary and John' by Peter Paul Rubens (1577-1640), c.1614/15
. English: Traditionally called Dorothy Cary, later Viscountess Rochford, c. 1614-1618. Detail of Larkin cary.jpg. For commentary on sitter and dating, see Sir Roy Strong, 'The Surface of Reality', FMR No. 61, April 1993. . between circa 1614 and circa 1618. William Larkin (1580–1619) Alternative names Master of the Curtain Description British painter Date of birth/death 1580s 1619 Location of birth/death London London Work period 1609-1619 Work location England Authority control : Q2662852 VIAF: 95841338 ISNI: 0000 0000 7855 9155 ULAN: 500000098 LCCN: nr95026146 GND: 103757414 W Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-traditionally-called-dorothy-cary-later-viscountess-rochford-c-1614-1618-detail-of-larkin-caryjpg-for-commentary-on-sitter-and-dating-see-sir-roy-strong-the-surface-of-reality-fmr-no-61-april-1993-between-circa-1614-and-circa-1618-william-larkin-15801619-alternative-names-master-of-the-curtain-description-british-painter-date-of-birthdeath-1580s-1619-location-of-birthdeath-london-london-work-period-1609-1619-work-location-england-authority-control-q2662852-viaf95841338-isni0000-0000-7855-9155-ulan500000098-lccnnr95026146-gnd103757414-w-image185824320.htmlRMMP90PT–. English: Traditionally called Dorothy Cary, later Viscountess Rochford, c. 1614-1618. Detail of Larkin cary.jpg. For commentary on sitter and dating, see Sir Roy Strong, 'The Surface of Reality', FMR No. 61, April 1993. . between circa 1614 and circa 1618. William Larkin (1580–1619) Alternative names Master of the Curtain Description British painter Date of birth/death 1580s 1619 Location of birth/death London London Work period 1609-1619 Work location England Authority control : Q2662852 VIAF: 95841338 ISNI: 0000 0000 7855 9155 ULAN: 500000098 LCCN: nr95026146 GND: 103757414 W
Marina Mniszech, or, Marina Mnishek (c.1588-1614), Polish noblewoman, Tsaritsa of all Russia in May 1606 as the wife of 'False Dmitry I', portrait painting, 1600-1650 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marina-mniszech-or-marina-mnishek-c1588-1614-polish-noblewoman-tsaritsa-of-all-russia-in-may-1606-as-the-wife-of-false-dmitry-i-portrait-painting-1600-1650-image621631303.htmlRM2Y39N1Y–Marina Mniszech, or, Marina Mnishek (c.1588-1614), Polish noblewoman, Tsaritsa of all Russia in May 1606 as the wife of 'False Dmitry I', portrait painting, 1600-1650
Jacob van Loo (c.1614-1670) - Diana and her Nymphs 1648. 136x170 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacob-van-loo-c1614-1670-diana-and-her-nymphs-1648-136x170-image567745782.htmlRF2RYK1F2–Jacob van Loo (c.1614-1670) - Diana and her Nymphs 1648. 136x170
Esaias van de Velde- Ancient Ruins River C 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/esaias-van-de-velde-ancient-ruins-river-c-1614-image415528550.htmlRF2F40XWA–Esaias van de Velde- Ancient Ruins River C 1614
Come, decorated with a mascaron, c. 1614 - 1654 print From series of 14 sheets with bowls, bowls and boxes. paper etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/come-decorated-with-a-mascaron-c-1614-1654-print-from-series-of-14-sheets-with-bowls-bowls-and-boxes-paper-etching-image594178086.htmlRM2WEK45X–Come, decorated with a mascaron, c. 1614 - 1654 print From series of 14 sheets with bowls, bowls and boxes. paper etching
Rubens - Neptune and Amphitrite - c. 1614. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rubens-neptune-and-amphitrite-c-1614-image456170781.htmlRM2HE4ADH–Rubens - Neptune and Amphitrite - c. 1614.
Captain John Smith c. 1580 to 1631, from his 1614 map of New England. Admiral of New England. English soldier, explorer, author. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-captain-john-smith-c-1580-to-1631-from-his-1614-map-of-new-england-28170718.htmlRMBHR812–Captain John Smith c. 1580 to 1631, from his 1614 map of New England. Admiral of New England. English soldier, explorer, author.
Adriaen Pietersz van de Venne (c. 1589-1662). Dutch painter. Fishing for Souls, 1614. Rijksmuseum. Amsterdam. Holland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adriaen-pietersz-van-de-venne-c-1589-1662-dutch-painter-fishing-for-image66157393.htmlRMDRHMC1–Adriaen Pietersz van de Venne (c. 1589-1662). Dutch painter. Fishing for Souls, 1614. Rijksmuseum. Amsterdam. Holland.
Krishna fights the snake Kalya while four shepherd boys watch, Mewar, c. 1614 - c. 1640, paper, brush, h 230 mm × w 405 mm h 17.2 mm × w 342 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/krishna-fights-the-snake-kalya-while-four-shepherd-boys-watch-mewar-c-1614-c-1640-paper-brush-h-230-mm-w-405-mm-h-172-mm-w-342-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350010449.htmlRF2B9C9W5–Krishna fights the snake Kalya while four shepherd boys watch, Mewar, c. 1614 - c. 1640, paper, brush, h 230 mm × w 405 mm h 17.2 mm × w 342 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Fernão Mendes Pinto (c.1509 — 8 July 1583) was a Portuguese explorer and writer. His exploits are known through the posthumous publication of his memoir Pilgrimage (Portuguese: Peregrinação) in 1614, an autobiographical work the accuracy of which has sometimes been called into question. In the course of his travels in the Middle and Far East, Pinto visited Ethiopia, the Arabian Sea, China, India, Burma, Siam and Japan. He claimed to have been among the first group of Europeans to visit Japan and initiate the Nanban trade period. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ferno-mendes-pinto-c1509-8-july-1583-was-a-portuguese-explorer-and-writer-his-exploits-are-known-through-the-posthumous-publication-of-his-memoir-pilgrimage-portuguese-peregrinao-in-1614-an-autobiographical-work-the-accuracy-of-which-has-sometimes-been-called-into-question-in-the-course-of-his-travels-in-the-middle-and-far-east-pinto-visited-ethiopia-the-arabian-sea-china-india-burma-siam-and-japan-he-claimed-to-have-been-among-the-first-group-of-europeans-to-visit-japan-and-initiate-the-nanban-trade-period-image344253843.htmlRM2B02383–Fernão Mendes Pinto (c.1509 — 8 July 1583) was a Portuguese explorer and writer. His exploits are known through the posthumous publication of his memoir Pilgrimage (Portuguese: Peregrinação) in 1614, an autobiographical work the accuracy of which has sometimes been called into question. In the course of his travels in the Middle and Far East, Pinto visited Ethiopia, the Arabian Sea, China, India, Burma, Siam and Japan. He claimed to have been among the first group of Europeans to visit Japan and initiate the Nanban trade period.
Fair at a Riverside Village c. 1614 by Jan The Elder Brueghel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fair-at-a-riverside-village-c-1614-by-jan-the-elder-brueghel-image574168465.htmlRM2TA3HMH–Fair at a Riverside Village c. 1614 by Jan The Elder Brueghel
Jacques Callot, Taking of Bone, c 1614 Taking of Bone; c. 1614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-taking-of-bone-c-1614-taking-of-bone-c-1614-image335925243.htmlRM2AEEM23–Jacques Callot, Taking of Bone, c 1614 Taking of Bone; c. 1614
Nicolaes van Helt-Stockade (c. - n. - ca. 1614-1669)- Portrait of a Family - Perhemuotokuva - Familjeporträtt (28842879174) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nicolaes-van-helt-stockade-c-n-ca-1614-1669-portrait-of-a-family-perhemuotokuva-147608142.htmlRMJG43KA–Nicolaes van Helt-Stockade (c. - n. - ca. 1614-1669)- Portrait of a Family - Perhemuotokuva - Familjeporträtt (28842879174)
Jacques Callot, (artist), French, 1592 - 1635, Restoration of the Duomo, Florence, The Life of Ferdinando de'Medici, (series), c. 1614, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-artist-french-1592-1635-restoration-of-the-duomo-florence-the-life-of-ferdinando-demedici-series-c-1614-engraving-image386349114.htmlRM2DCFM6J–Jacques Callot, (artist), French, 1592 - 1635, Restoration of the Duomo, Florence, The Life of Ferdinando de'Medici, (series), c. 1614, engraving
The Tears of St. Peter, c.1580-1589 by El Greco (Doménikos Theotokópoulos) (1541-1614); oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tears-of-st-peter-c1580-1589-by-el-greco-domnikos-theotokpoulos-104177549.htmlRMG1DKEN–The Tears of St. Peter, c.1580-1589 by El Greco (Doménikos Theotokópoulos) (1541-1614); oil on canvas
Mass of the Foundation of the Holy Trinity 17th C. Juan Carreno de Miranda 1614-1685 Spanish Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mass-of-the-foundation-of-the-holy-trinity-17th-c-juan-carreno-de-43410710.htmlRMCEHEPE–Mass of the Foundation of the Holy Trinity 17th C. Juan Carreno de Miranda 1614-1685 Spanish
The Enrollment of the Troops, c. 1614. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-enrollment-of-the-troops-c-1614-image426155545.htmlRM2FN91MW–The Enrollment of the Troops, c. 1614.
![The Hiring of the Troops. Dated: c. 1614. Medium: engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photo](https://c8.alamy.com/comp/RFCY37/the-hiring-of-the-troops-dated-c-1614-medium-engraving-on-laid-paper-restrike-museum-national-gallery-of-art-washington-dc-author-jacques-callot-RFCY37.jpg "The Hiring of the Troops. Dated: c. 1614. Medium: engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photo")
The Hiring of the Troops. Dated: c. 1614. Medium: engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hiring-of-the-troops-dated-c-1614-medium-engraving-on-laid-paper-restrike-museum-national-gallery-of-art-washington-dc-author-jacques-callot-image233239307.htmlRMRFCY37–The Hiring of the Troops. Dated: c. 1614. Medium: engraving on laid paper [restrike]. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
Search Results for C 1614 Stock Photos and Images (1,145)
Page 1 of 12