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C 1499 1510 Stock Photos and Images
Antonio Fantuzzi, (artist), Italian, c. 1510 - 1550 or after, Giulio Romano, (artist after), Roman, 1499 - 1546, Riders Carrying Bows and Javelins, probably 1542, etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antonio-fantuzzi-artist-italian-c-1510-1550-or-after-giulio-romano-artist-after-roman-1499-1546-riders-carrying-bows-and-javelins-probably-1542-etching-image386256732.htmlRM2DCBEB8–Antonio Fantuzzi, (artist), Italian, c. 1510 - 1550 or after, Giulio Romano, (artist after), Roman, 1499 - 1546, Riders Carrying Bows and Javelins, probably 1542, etching
Salvator Mundi is a painting attributed in whole or in part to the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1499–1510. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salvator-mundi-is-a-painting-attributed-in-whole-or-in-part-to-the-italian-high-renaissance-artist-leonardo-da-vinci-dated-to-c-14991510-image438094314.htmlRF2GCMWNE–Salvator Mundi is a painting attributed in whole or in part to the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1499–1510.
'The Agony in the Garden', c. 1499, Tempera on panel, 53 x 35 cm. Author: Sandro Botticelli (1445-1510). Location: CATEDRAL-CAPILLA REAL-INTERIOR, GRANADA, SPAIN. Also known as: ORACION EN EL HUERTO; LA ORACION EN EL HUERTO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-agony-in-the-garden-c-1499-tempera-on-panel-53-x-35-cm-author-sandro-botticelli-1445-1510-location-catedral-capilla-real-interior-granada-spain-also-known-as-oracion-en-el-huerto-la-oracion-en-el-huerto-image208186548.htmlRMP2KM1T–'The Agony in the Garden', c. 1499, Tempera on panel, 53 x 35 cm. Author: Sandro Botticelli (1445-1510). Location: CATEDRAL-CAPILLA REAL-INTERIOR, GRANADA, SPAIN. Also known as: ORACION EN EL HUERTO; LA ORACION EN EL HUERTO.
Playing Card with Nine Parrots, Master PW van Keulen, c. 1499 - c. 1510 print Nine parrots with long tails are shown in a circle according to a geometric pattern, so that the tails overlap. paper engraving playing-cards. ornamental birds: parrot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/playing-card-with-nine-parrots-master-pw-van-keulen-c-1499-c-1510-print-nine-parrots-with-long-tails-are-shown-in-a-circle-according-to-a-geometric-pattern-so-that-the-tails-overlap-paper-engraving-playing-cards-ornamental-birds-parrot-image594200721.htmlRM2WEM529–Playing Card with Nine Parrots, Master PW van Keulen, c. 1499 - c. 1510 print Nine parrots with long tails are shown in a circle according to a geometric pattern, so that the tails overlap. paper engraving playing-cards. ornamental birds: parrot
![The Battle of Dorneck 1499, c. 1510, woodcut of three sticks, colored, leaf: appr. 40.9 x 85 cm, inscribed above the castles: DORNECK 1499, Bÿrseck [Birseck], Rÿchenstein [Reichenstein], u, ., M. monogrammed (mirrored) on a banner: DS, Meister DS (Daniel Schwegler?), (?), tätig 1503–1515 in Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo](https://c8.alamy.com/comp/2B92YXX/the-battle-of-dorneck-1499-c-1510-woodcut-of-three-sticks-colored-leaf-appr-409-x-85-cm-inscribed-above-the-castles-dorneck-1499-brseck-birseck-rchenstein-reichenstein-u-m-monogrammed-mirrored-on-a-banner-ds-meister-ds-daniel-schwegler-ttig-15031515-in-basel-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-2B92YXX.jpg "The Battle of Dorneck 1499, c. 1510, woodcut of three sticks, colored, leaf: appr. 40.9 x 85 cm, inscribed above the castles: DORNECK 1499, Bÿrseck [Birseck], Rÿchenstein [Reichenstein], u, ., M. monogrammed (mirrored) on a banner: DS, Meister DS (Daniel Schwegler?), (?), tätig 1503–1515 in Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo")
The Battle of Dorneck 1499, c. 1510, woodcut of three sticks, colored, leaf: appr. 40.9 x 85 cm, inscribed above the castles: DORNECK 1499, Bÿrseck [Birseck], Rÿchenstein [Reichenstein], u, ., M. monogrammed (mirrored) on a banner: DS, Meister DS (Daniel Schwegler?), (?), tätig 1503–1515 in Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-dorneck-1499-c-1510-woodcut-of-three-sticks-colored-leaf-appr-409-x-85-cm-inscribed-above-the-castles-dorneck-1499-brseck-birseck-rchenstein-reichenstein-u-m-monogrammed-mirrored-on-a-banner-ds-meister-ds-daniel-schwegler-ttig-15031515-in-basel-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349805090.htmlRF2B92YXX–The Battle of Dorneck 1499, c. 1510, woodcut of three sticks, colored, leaf: appr. 40.9 x 85 cm, inscribed above the castles: DORNECK 1499, Bÿrseck [Birseck], Rÿchenstein [Reichenstein], u, ., M. monogrammed (mirrored) on a banner: DS, Meister DS (Daniel Schwegler?), (?), tätig 1503–1515 in Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Madonna and Child with Saints (Pala del Trebbio), c. 1490-1499. Found in the collection of Galleria dell'Accademia, Florence. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-with-saints-pala-del-trebbio-c-1490-1499-found-in-the-collection-of-galleria-dellaccademia-florence-image374808941.htmlRM2CNP0HH–Madonna and Child with Saints (Pala del Trebbio), c. 1490-1499. Found in the collection of Galleria dell'Accademia, Florence.
Salvator Mundi Painting by Leonardo da Vinci Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salvator-mundi-painting-by-leonardo-da-vinci-image572486497.htmlRF2T7B0A9–Salvator Mundi Painting by Leonardo da Vinci
Mair von Landshut, (artist), German, active c. 1485/1510, The Nativity, 1499, engraving heightened with white and yellow on green prepared paper, sheet: 20.9 x 13.6 cm (8 1/4 x 5 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mair-von-landshut-artist-german-active-c-14851510-the-nativity-1499-engraving-heightened-with-white-and-yellow-on-green-prepared-paper-sheet-209-x-136-cm-8-14-x-5-38-in-image386353955.htmlRM2DCFXBF–Mair von Landshut, (artist), German, active c. 1485/1510, The Nativity, 1499, engraving heightened with white and yellow on green prepared paper, sheet: 20.9 x 13.6 cm (8 1/4 x 5 3/8 in
Alexander Cutting the Gordian Knot. After Maturino da Firenze (Italian, 1490-1527/1528); after Polidoro Caldara, called Polidoro da Caravaggio (Italian, c. 1499-c. 1543). Date: 1510-1527. Dimensions: 125 x 84 mm. Pen and brown ink with brush and brown wash, on cream laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-cutting-the-gordian-knot-after-maturino-da-firenze-italian-1490-15271528-after-polidoro-caldara-called-polidoro-da-caravaggio-italian-c-1499-c-1543-date-1510-1527-dimensions-125-x-84-mm-pen-and-brown-ink-with-brush-and-brown-wash-on-cream-laid-paper-laid-down-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-image239865569.htmlRMRX6PYD–Alexander Cutting the Gordian Knot. After Maturino da Firenze (Italian, 1490-1527/1528); after Polidoro Caldara, called Polidoro da Caravaggio (Italian, c. 1499-c. 1543). Date: 1510-1527. Dimensions: 125 x 84 mm. Pen and brown ink with brush and brown wash, on cream laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
![The Battle of Dorneck 1499, c. 1510, woodcut of three sticks, colored, leaf: appr. 40.9 x 85 cm, inscribed above the castles: DORNECK 1499, Bÿrseck [Birseck], Rÿchenstein [Reichenstein], u, ., M. monogrammed (mirrored) on a banner: DS, Meister DS (Daniel Schwegler?), (?), tätig 1503–1515 in Basel Stock Photo](https://c8.alamy.com/comp/2A2NYTT/the-battle-of-dorneck-1499-c-1510-woodcut-of-three-sticks-colored-leaf-appr-409-x-85-cm-inscribed-above-the-castles-dorneck-1499-brseck-birseck-rchenstein-reichenstein-u-m-monogrammed-mirrored-on-a-banner-ds-meister-ds-daniel-schwegler-ttig-15031515-in-basel-2A2NYTT.jpg "The Battle of Dorneck 1499, c. 1510, woodcut of three sticks, colored, leaf: appr. 40.9 x 85 cm, inscribed above the castles: DORNECK 1499, Bÿrseck [Birseck], Rÿchenstein [Reichenstein], u, ., M. monogrammed (mirrored) on a banner: DS, Meister DS (Daniel Schwegler?), (?), tätig 1503–1515 in Basel Stock Photo")
The Battle of Dorneck 1499, c. 1510, woodcut of three sticks, colored, leaf: appr. 40.9 x 85 cm, inscribed above the castles: DORNECK 1499, Bÿrseck [Birseck], Rÿchenstein [Reichenstein], u, ., M. monogrammed (mirrored) on a banner: DS, Meister DS (Daniel Schwegler?), (?), tätig 1503–1515 in Basel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-battle-of-dorneck-1499-c-1510-woodcut-of-three-sticks-colored-leaf-appr-409-x-85-cm-inscribed-above-the-castles-dorneck-1499-brseck-birseck-rchenstein-reichenstein-u-m-monogrammed-mirrored-on-a-banner-ds-meister-ds-daniel-schwegler-ttig-15031515-in-basel-image328709160.htmlRM2A2NYTT–The Battle of Dorneck 1499, c. 1510, woodcut of three sticks, colored, leaf: appr. 40.9 x 85 cm, inscribed above the castles: DORNECK 1499, Bÿrseck [Birseck], Rÿchenstein [Reichenstein], u, ., M. monogrammed (mirrored) on a banner: DS, Meister DS (Daniel Schwegler?), (?), tätig 1503–1515 in Basel
Courage. Marco Dente da Ravenna (Italian, active 1515-1527); after Giulio Pippi, called Giulio Romano (Italian, c. 1499-1546). Date: 1511-1526. Dimensions: 261.5 x 187 mm. Engraving, printed in black, on paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courage-marco-dente-da-ravenna-italian-active-1515-1527-after-giulio-pippi-called-giulio-romano-italian-c-1499-1546-date-1511-1526-dimensions-2615-x-187-mm-engraving-printed-in-black-on-paper-origin-italy-museum-the-chicago-art-institute-image239865713.htmlRMRX6R4H–Courage. Marco Dente da Ravenna (Italian, active 1515-1527); after Giulio Pippi, called Giulio Romano (Italian, c. 1499-1546). Date: 1511-1526. Dimensions: 261.5 x 187 mm. Engraving, printed in black, on paper. Origin: Italy. Museum: The Chicago Art Institute.
Cloelia Crossing the Tiber, c. 1540, Giulio di Antonio Bonasone (Italian, about 1510–after 1576), after Polidoro Caldara, called Polidoro da Caravaggio (Italian, c. 1499-c. 1543), published by Antoine Lafréry (French, active Italy, 1512-1577), Italy, Engraving in black on ivory laid paper, 293 x 425 mm (image/sheet, trimmed within platemark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cloelia-crossing-the-tiber-c-1540-giulio-di-antonio-bonasone-italian-about-1510after-1576-after-polidoro-caldara-called-polidoro-da-caravaggio-italian-c-1499-c-1543-published-by-antoine-lafrry-french-active-italy-1512-1577-italy-engraving-in-black-on-ivory-laid-paper-293-x-425-mm-imagesheet-trimmed-within-platemark-image328614009.htmlRM2A2HJEH–Cloelia Crossing the Tiber, c. 1540, Giulio di Antonio Bonasone (Italian, about 1510–after 1576), after Polidoro Caldara, called Polidoro da Caravaggio (Italian, c. 1499-c. 1543), published by Antoine Lafréry (French, active Italy, 1512-1577), Italy, Engraving in black on ivory laid paper, 293 x 425 mm (image/sheet, trimmed within platemark
Giulio Bonasone (1510 c. - c. 1576), artist, attributed to Perin del Vaga (1500 - 1547), after, Neptune calms the storm of Aeolus, which was to destroy the fleet of Aeneas, Giulio Bonasone (1510 c. - c. 1576), artist Polidoro Caldara (1499 c. - c. 1543), after, Silvanus and a Nymph, Creation of the print medium: 1531 - 1576, copperplate engraving, sheet size: 19. 9 x 15.0 cm, signed lower right 'I. BONASO F Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giulio-bonasone-1510-c-c-1576-artist-attributed-to-perin-del-vaga-1500-1547-after-neptune-calms-the-storm-of-aeolus-which-was-to-destroy-the-fleet-of-aeneas-giulio-bonasone-1510-c-c-1576-artist-polidoro-caldara-1499-c-c-1543-after-silvanus-and-a-nymph-creation-of-the-print-medium-1531-1576-copperplate-engraving-sheet-size-19-9-x-150-cm-signed-lower-right-i-bonaso-f-image573216569.htmlRM2T8G7G9–Giulio Bonasone (1510 c. - c. 1576), artist, attributed to Perin del Vaga (1500 - 1547), after, Neptune calms the storm of Aeolus, which was to destroy the fleet of Aeneas, Giulio Bonasone (1510 c. - c. 1576), artist Polidoro Caldara (1499 c. - c. 1543), after, Silvanus and a Nymph, Creation of the print medium: 1531 - 1576, copperplate engraving, sheet size: 19. 9 x 15.0 cm, signed lower right 'I. BONASO F
Anonymous (dating unknown), artist:in Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), copy after Michelangelo (1475 - 1564), after Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), after, climber, Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534), artist, attributed, Two half dressed men, origin of the print: 1510 - 1520, copper engraving, sheet size: 16.3 x 11.2 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-dating-unknown-artistin-marcantonio-raimondi-1470-1482-um-um-1527-1534-copy-after-michelangelo-1475-1564-after-lucas-hugensz-van-leyden-1488-1499-resp-1494-1533-after-climber-marcantonio-raimondi-1470-1482-c-c-1527-1534-artist-attributed-two-half-dressed-men-origin-of-the-print-1510-1520-copper-engraving-sheet-size-163-x-112-cm-image573216525.htmlRM2T8G7EN–Anonymous (dating unknown), artist:in Marcantonio Raimondi (1470, 1482 um - um 1527, 1534), copy after Michelangelo (1475 - 1564), after Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), after, climber, Marcantonio Raimondi (1470, 1482 c. - c. 1527, 1534), artist, attributed, Two half dressed men, origin of the print: 1510 - 1520, copper engraving, sheet size: 16.3 x 11.2 cm
Search Results for C 1499 1510 Stock Photos and Images (14)
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