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British playwright Stock Photos and Images
![St. James's Theatre - The Amateurs - Brainworm, (Mr. Mark Lemon), 1845. London production by Charles Dickens, an '...amateur performance of Ben Jonson's "Every Man in his Humour"', a play written in 1598. British playwright and editor of "Punch" Mark Lemon plays the servant Brainworm. From "Illustrated London News", 1845, Vol VII. Stock Photo](https://c8.alamy.com/comp/2E2JBY9/st-jamess-theatre-the-amateurs-brainworm-mr-mark-lemon-1845-london-production-by-charles-dickens-an-amateur-performance-of-ben-jonsons-quotevery-man-in-his-humourquot-a-play-written-in-1598-british-playwright-and-editor-of-quotpunchquot-mark-lemon-plays-the-servant-brainworm-from-quotillustrated-london-newsquot-1845-vol-vii-2E2JBY9.jpg "St. James's Theatre - The Amateurs - Brainworm, (Mr. Mark Lemon), 1845. London production by Charles Dickens, an '...amateur performance of Ben Jonson's "Every Man in his Humour"', a play written in 1598. British playwright and editor of "Punch" Mark Lemon plays the servant Brainworm. From "Illustrated London News", 1845, Vol VII. Stock Photo")
RM2E2JBY9–St. James's Theatre - The Amateurs - Brainworm, (Mr. Mark Lemon), 1845. London production by Charles Dickens, an '...amateur performance of Ben Jonson's "Every Man in his Humour"', a play written in 1598. British playwright and editor of "Punch" Mark Lemon plays the servant Brainworm. From "Illustrated London News", 1845, Vol VII.
![St. James's Theatre - The Amateurs - Knowell, (Mr. H. Mayhew), 1845. London production by Charles Dickens, an amateur performance of Ben Jonson's "Every Man in his Humour", a play written in 1598. British journalist and playwright Henry Mayhew was a co-founder and editor of the satirical magazine "Punch". Here he plays Kno'well. From "Illustrated London News", 1845, Vol VII. Stock Photo](https://c8.alamy.com/comp/2E2JBY0/st-jamess-theatre-the-amateurs-knowell-mr-h-mayhew-1845-london-production-by-charles-dickens-an-amateur-performance-of-ben-jonsons-quotevery-man-in-his-humourquot-a-play-written-in-1598-british-journalist-and-playwright-henry-mayhew-was-a-co-founder-and-editor-of-the-satirical-magazine-quotpunchquot-here-he-plays-knowell-from-quotillustrated-london-newsquot-1845-vol-vii-2E2JBY0.jpg "St. James's Theatre - The Amateurs - Knowell, (Mr. H. Mayhew), 1845. London production by Charles Dickens, an amateur performance of Ben Jonson's "Every Man in his Humour", a play written in 1598. British journalist and playwright Henry Mayhew was a co-founder and editor of the satirical magazine "Punch". Here he plays Kno'well. From "Illustrated London News", 1845, Vol VII. Stock Photo")
RM2E2JBY0–St. James's Theatre - The Amateurs - Knowell, (Mr. H. Mayhew), 1845. London production by Charles Dickens, an amateur performance of Ben Jonson's "Every Man in his Humour", a play written in 1598. British journalist and playwright Henry Mayhew was a co-founder and editor of the satirical magazine "Punch". Here he plays Kno'well. From "Illustrated London News", 1845, Vol VII.
![Ira Aldridge, the African Tragedian, as "Othello", 1858. American-born British actor, playwright and theatre manager. '...his impersonations of...Othello, Gambia, Zanga, and other characters suited to his complexion, were so successful that he rose rapidly in histrionic fame...at the fall of the curtain [at the Covent-garden Theatre] he was called for and enthusiastically applauded...As both a tragic and a comic actor Mr. Aldridge's talents are undeniably great. In tragedy he has a solemn intensity of style, bursting occasionally into a blaze of fierce invective or passionate declama Stock Photo](https://c8.alamy.com/comp/2RRJ9PA/ira-aldridge-the-african-tragedian-as-quotothelloquot-1858-american-born-british-actor-playwright-and-theatre-manager-his-impersonations-ofothello-gambia-zanga-and-other-characters-suited-to-his-complexion-were-so-successful-that-he-rose-rapidly-in-histrionic-fameat-the-fall-of-the-curtain-at-the-covent-garden-theatre-he-was-called-for-and-enthusiastically-applaudedas-both-a-tragic-and-a-comic-actor-mr-aldridges-talents-are-undeniably-great-in-tragedy-he-has-a-solemn-intensity-of-style-bursting-occasionally-into-a-blaze-of-fierce-invective-or-passionate-declama-2RRJ9PA.jpg "Ira Aldridge, the African Tragedian, as "Othello", 1858. American-born British actor, playwright and theatre manager. '...his impersonations of...Othello, Gambia, Zanga, and other characters suited to his complexion, were so successful that he rose rapidly in histrionic fame...at the fall of the curtain [at the Covent-garden Theatre] he was called for and enthusiastically applauded...As both a tragic and a comic actor Mr. Aldridge's talents are undeniably great. In tragedy he has a solemn intensity of style, bursting occasionally into a blaze of fierce invective or passionate declama Stock Photo")
RM2RRJ9PA–Ira Aldridge, the African Tragedian, as "Othello", 1858. American-born British actor, playwright and theatre manager. '...his impersonations of...Othello, Gambia, Zanga, and other characters suited to his complexion, were so successful that he rose rapidly in histrionic fame...at the fall of the curtain [at the Covent-garden Theatre] he was called for and enthusiastically applauded...As both a tragic and a comic actor Mr. Aldridge's talents are undeniably great. In tragedy he has a solemn intensity of style, bursting occasionally into a blaze of fierce invective or passionate declama
!['Mrs. Sheridan', c1785, (1942). Portrait of Elizabeth Ann Sheridan (1754-1792), British singer and second daughter of the composer Thomas Linley. In 1772 she eloped with and married the playwright and politician Richard Brinsley Sheridan. From "English Women", by Edith Sitwell. [Collins, London, 1942] Stock Photo](https://c8.alamy.com/comp/2AG0H4E/mrs-sheridan-c1785-1942-portrait-of-elizabeth-ann-sheridan-1754-1792-british-singer-and-second-daughter-of-the-composer-thomas-linley-in-1772-she-eloped-with-and-married-the-playwright-and-politician-richard-brinsley-sheridan-from-quotenglish-womenquot-by-edith-sitwell-collins-london-1942-2AG0H4E.jpg "'Mrs. Sheridan', c1785, (1942). Portrait of Elizabeth Ann Sheridan (1754-1792), British singer and second daughter of the composer Thomas Linley. In 1772 she eloped with and married the playwright and politician Richard Brinsley Sheridan. From "English Women", by Edith Sitwell. [Collins, London, 1942] Stock Photo")
RM2AG0H4E–'Mrs. Sheridan', c1785, (1942). Portrait of Elizabeth Ann Sheridan (1754-1792), British singer and second daughter of the composer Thomas Linley. In 1772 she eloped with and married the playwright and politician Richard Brinsley Sheridan. From "English Women", by Edith Sitwell. [Collins, London, 1942]
![Funeral of Terence MacSwiney, Cork, Ireland, 31 October 1920, (1933). The coffin, wrapped in Sinn Féin colours, is carried out of the Cathedral of St Mary and St Anne. MacSwiney (1879-1920), an Irish playwright, author and politician, was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British Government on charges of sedition and imprisoned in Brixton Prison. He died there on 25 October 1920 after 74 days on hunger strike. From "The Pageant of the Century". [Odhams Press Ltd, 1933] Stock Photo](https://c8.alamy.com/comp/WX0D35/funeral-of-terence-macswiney-cork-ireland-31-october-1920-1933-the-coffin-wrapped-in-sinn-fxe9in-colours-is-carried-out-of-the-cathedral-of-st-mary-and-st-anne-macswiney-1879-1920-an-irish-playwright-author-and-politician-was-elected-as-sinn-fxe9in-lord-mayor-of-cork-during-the-irish-war-of-independence-in-1920-he-was-arrested-by-the-british-government-on-charges-of-sedition-and-imprisoned-in-brixton-prison-he-died-there-on-25-october-1920-after-74-days-on-hunger-strike-from-quotthe-pageant-of-the-centuryquot-odhams-press-ltd-1933-WX0D35.jpg "Funeral of Terence MacSwiney, Cork, Ireland, 31 October 1920, (1933). The coffin, wrapped in Sinn Féin colours, is carried out of the Cathedral of St Mary and St Anne. MacSwiney (1879-1920), an Irish playwright, author and politician, was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British Government on charges of sedition and imprisoned in Brixton Prison. He died there on 25 October 1920 after 74 days on hunger strike. From "The Pageant of the Century". [Odhams Press Ltd, 1933] Stock Photo")
RMWX0D35–Funeral of Terence MacSwiney, Cork, Ireland, 31 October 1920, (1933). The coffin, wrapped in Sinn Féin colours, is carried out of the Cathedral of St Mary and St Anne. MacSwiney (1879-1920), an Irish playwright, author and politician, was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British Government on charges of sedition and imprisoned in Brixton Prison. He died there on 25 October 1920 after 74 days on hunger strike. From "The Pageant of the Century". [Odhams Press Ltd, 1933]
!['William Shakespeare', 1811. From From "Portraits of characters illustrious in British History from the beginning of the reign of Henry the Eighth to the end of the reign of James the Second" [Samuel Woodburn, London, 1815]. Stock Photo](https://c8.alamy.com/comp/2P0X6X5/william-shakespeare-1811-from-from-quotportraits-of-characters-illustrious-in-british-history-from-the-beginning-of-the-reign-of-henry-the-eighth-to-the-end-of-the-reign-of-james-the-secondquot-samuel-woodburn-london-1815-2P0X6X5.jpg "'William Shakespeare', 1811. From From "Portraits of characters illustrious in British History from the beginning of the reign of Henry the Eighth to the end of the reign of James the Second" [Samuel Woodburn, London, 1815]. Stock Photo")
RM2P0X6X5–'William Shakespeare', 1811. From From "Portraits of characters illustrious in British History from the beginning of the reign of Henry the Eighth to the end of the reign of James the Second" [Samuel Woodburn, London, 1815].
!['Sir Richard Steele', c1710, (c1880). Sir Richard Steele (1672-1729) Irish writer, playwright, and politician, remembered as co-founder, with Joseph Addison, of the magazine Tatler. [Blackie & Son, London, Glasgow & Edinburgh] Stock Photo](https://c8.alamy.com/comp/W6P968/sir-richard-steele-c1710-c1880-sir-richard-steele-1672-1729-irish-writer-playwright-and-politician-remembered-as-co-founder-with-joseph-addison-of-the-magazine-tatler-blackie-amp-son-london-glasgow-amp-edinburgh-W6P968.jpg "'Sir Richard Steele', c1710, (c1880). Sir Richard Steele (1672-1729) Irish writer, playwright, and politician, remembered as co-founder, with Joseph Addison, of the magazine Tatler. [Blackie & Son, London, Glasgow & Edinburgh] Stock Photo")
RMW6P968–'Sir Richard Steele', c1710, (c1880). Sir Richard Steele (1672-1729) Irish writer, playwright, and politician, remembered as co-founder, with Joseph Addison, of the magazine Tatler. [Blackie & Son, London, Glasgow & Edinburgh]
![M. Scribe, 1850. Portrait of French playwright and librettist Eugène Scribe. 'One of the essential differences betwixt Shakspeare's and Scribe's plot is, that the English "Tempest" (except in a passing description) is without a tempest - a most important subject for a composer to treat'. From "Illustrated London News", 1850. Stock Photo](https://c8.alamy.com/comp/2HT6C5C/m-scribe-1850-portrait-of-french-playwright-and-librettist-eugxe8ne-scribe-one-of-the-essential-differences-betwixt-shakspeares-and-scribes-plot-is-that-the-english-quottempestquot-except-in-a-passing-description-is-without-a-tempest-a-most-important-subject-for-a-composer-to-treat-from-quotillustrated-london-newsquot-1850-2HT6C5C.jpg "M. Scribe, 1850. Portrait of French playwright and librettist Eugène Scribe. 'One of the essential differences betwixt Shakspeare's and Scribe's plot is, that the English "Tempest" (except in a passing description) is without a tempest - a most important subject for a composer to treat'. From "Illustrated London News", 1850. Stock Photo")
RM2HT6C5C–M. Scribe, 1850. Portrait of French playwright and librettist Eugène Scribe. 'One of the essential differences betwixt Shakspeare's and Scribe's plot is, that the English "Tempest" (except in a passing description) is without a tempest - a most important subject for a composer to treat'. From "Illustrated London News", 1850.
![Cast of Shakspeare's face, 1864. Death mask of English playwright, poet and actor William Shakespeare (1564-1616). The cast from the face of Shakspeare, supposed to have been taken after his death, has been photographed and published by the London Stereoscopic Company'. From "Illustrated London News", 1864. Stock Photo](https://c8.alamy.com/comp/2X21TWR/cast-of-shakspeares-face-1864-death-mask-of-english-playwright-poet-and-actor-william-shakespeare-1564-1616-the-cast-from-the-face-of-shakspeare-supposed-to-have-been-taken-after-his-death-has-been-photographed-and-published-by-the-london-stereoscopic-company-from-quotillustrated-london-newsquot-1864-2X21TWR.jpg "Cast of Shakspeare's face, 1864. Death mask of English playwright, poet and actor William Shakespeare (1564-1616). The cast from the face of Shakspeare, supposed to have been taken after his death, has been photographed and published by the London Stereoscopic Company'. From "Illustrated London News", 1864. Stock Photo")
RM2X21TWR–Cast of Shakspeare's face, 1864. Death mask of English playwright, poet and actor William Shakespeare (1564-1616). The cast from the face of Shakspeare, supposed to have been taken after his death, has been photographed and published by the London Stereoscopic Company'. From "Illustrated London News", 1864.
!['Mary Sidney, Countess of Pembroke', c1600, (1942). Portrait of author, playwright and poet Mary Sidney Herbert (1561-1621), one of the first English women to achieve a major reputation for her poetry and literary patronage. After an oil painting made late 16th-early 17th century. From "English Women", by Edith Sitwell. [Collins, London, 1942] Stock Photo](https://c8.alamy.com/comp/2AG0H42/mary-sidney-countess-of-pembroke-c1600-1942-portrait-of-author-playwright-and-poet-mary-sidney-herbert-1561-1621-one-of-the-first-english-women-to-achieve-a-major-reputation-for-her-poetry-and-literary-patronage-after-an-oil-painting-made-late-16th-early-17th-century-from-quotenglish-womenquot-by-edith-sitwell-collins-london-1942-2AG0H42.jpg "'Mary Sidney, Countess of Pembroke', c1600, (1942). Portrait of author, playwright and poet Mary Sidney Herbert (1561-1621), one of the first English women to achieve a major reputation for her poetry and literary patronage. After an oil painting made late 16th-early 17th century. From "English Women", by Edith Sitwell. [Collins, London, 1942] Stock Photo")
RM2AG0H42–'Mary Sidney, Countess of Pembroke', c1600, (1942). Portrait of author, playwright and poet Mary Sidney Herbert (1561-1621), one of the first English women to achieve a major reputation for her poetry and literary patronage. After an oil painting made late 16th-early 17th century. From "English Women", by Edith Sitwell. [Collins, London, 1942]
![Fanny Burney, c1784-1785, (1943). Portrait of Frances Burney (1752-1840), English satirical novelist, diarist and playwright, and daughter of the musicologist Dr Charles Burney. She married General d'Arblay, a French refugee, in 1793. Her three major novels are "Evelina" (1778), "Cecilia" (1782) and "Camilla" (1796). After a painting by her cousin Edward Francis Burney, in the National Portrait Gallery in London. From "English Diaries and Journals", by Kate O'Brien. [Collins, London, 1943] Stock Photo](https://c8.alamy.com/comp/2AG0HAX/fanny-burney-c1784-1785-1943-portrait-of-frances-burney-1752-1840-english-satirical-novelist-diarist-and-playwright-and-daughter-of-the-musicologist-dr-charles-burney-she-married-general-darblay-a-french-refugee-in-1793-her-three-major-novels-are-quotevelinaquot-1778-quotceciliaquot-1782-and-quotcamillaquot-1796-after-a-painting-by-her-cousin-edward-francis-burney-in-the-national-portrait-gallery-in-london-from-quotenglish-diaries-and-journalsquot-by-kate-obrien-collins-london-1943-2AG0HAX.jpg "Fanny Burney, c1784-1785, (1943). Portrait of Frances Burney (1752-1840), English satirical novelist, diarist and playwright, and daughter of the musicologist Dr Charles Burney. She married General d'Arblay, a French refugee, in 1793. Her three major novels are "Evelina" (1778), "Cecilia" (1782) and "Camilla" (1796). After a painting by her cousin Edward Francis Burney, in the National Portrait Gallery in London. From "English Diaries and Journals", by Kate O'Brien. [Collins, London, 1943] Stock Photo")
RM2AG0HAX–Fanny Burney, c1784-1785, (1943). Portrait of Frances Burney (1752-1840), English satirical novelist, diarist and playwright, and daughter of the musicologist Dr Charles Burney. She married General d'Arblay, a French refugee, in 1793. Her three major novels are "Evelina" (1778), "Cecilia" (1782) and "Camilla" (1796). After a painting by her cousin Edward Francis Burney, in the National Portrait Gallery in London. From "English Diaries and Journals", by Kate O'Brien. [Collins, London, 1943]
!['Mrs. Sheridan and Mrs. Tickell', c1772, (1908). Portrait of the Linley sisters, Elizabeth Ann Sheridan (1754-1792) and Mary Linley (1758-1787), daughters of the composer Thomas Linley. Elizabeth was one of the most noted soprano singers of her day. Mary sang publicly until she married the playwright Richard Tickell in 1780. Engraving by Henry Cheffer after 'Elizabeth and Mary Linley', also known as 'The Linley Sisters, afterwards Mrs. Tickell and Mrs. Sheridan', painting in the Dulwich Picture Gallery, London. From "La Revue De L'Art - Ancien et Moderne" - Volume XXIV, July-December Stock Photo](https://c8.alamy.com/comp/2A41XK4/mrs-sheridan-and-mrs-tickell-c1772-1908-portrait-of-the-linley-sisters-elizabeth-ann-sheridan-1754-1792-and-mary-linley-1758-1787-daughters-of-the-composer-thomas-linley-elizabeth-was-one-of-the-most-noted-soprano-singers-of-her-day-mary-sang-publicly-until-she-married-the-playwright-richard-tickell-in-1780-engraving-by-henry-cheffer-after-elizabeth-and-mary-linley-also-known-as-the-linley-sisters-afterwards-mrs-tickell-and-mrs-sheridan-painting-in-the-dulwich-picture-gallery-london-from-quotla-revue-de-lart-ancien-et-modernequot-volume-xxiv-july-december-2A41XK4.jpg "'Mrs. Sheridan and Mrs. Tickell', c1772, (1908). Portrait of the Linley sisters, Elizabeth Ann Sheridan (1754-1792) and Mary Linley (1758-1787), daughters of the composer Thomas Linley. Elizabeth was one of the most noted soprano singers of her day. Mary sang publicly until she married the playwright Richard Tickell in 1780. Engraving by Henry Cheffer after 'Elizabeth and Mary Linley', also known as 'The Linley Sisters, afterwards Mrs. Tickell and Mrs. Sheridan', painting in the Dulwich Picture Gallery, London. From "La Revue De L'Art - Ancien et Moderne" - Volume XXIV, July-December Stock Photo")
RM2A41XK4–'Mrs. Sheridan and Mrs. Tickell', c1772, (1908). Portrait of the Linley sisters, Elizabeth Ann Sheridan (1754-1792) and Mary Linley (1758-1787), daughters of the composer Thomas Linley. Elizabeth was one of the most noted soprano singers of her day. Mary sang publicly until she married the playwright Richard Tickell in 1780. Engraving by Henry Cheffer after 'Elizabeth and Mary Linley', also known as 'The Linley Sisters, afterwards Mrs. Tickell and Mrs. Sheridan', painting in the Dulwich Picture Gallery, London. From "La Revue De L'Art - Ancien et Moderne" - Volume XXIV, July-December
![The late Miss Jane Porter, 1850. The Scottish writer was '...one of the most distinguished novelists which this nation has produced. Miss Porter may be said to have been the first who introduced that beautiful kind of fiction the historical romance, which...has added such amusement and interest to English literature...Miss Jane Porter obtained the highest celebrity. Her three most renowned productions were her "Thaddeus of Warsaw" written when she was about twenty years of age, her "Scottish Chiefs" and her "Pastor's Fireside". "Thaddeus of Warsaw" had i Stock Photo](https://c8.alamy.com/comp/2HT6C29/the-late-miss-jane-porter-1850-the-scottish-writer-was-one-of-the-most-distinguished-novelists-which-this-nation-has-produced-miss-porter-may-be-said-to-have-been-the-first-who-introduced-that-beautiful-kind-of-fiction-the-historical-romance-whichhas-added-such-amusement-and-interest-to-english-literaturemiss-jane-porter-obtained-the-highest-celebrity-her-three-most-renowned-productions-were-her-quotthaddeus-of-warsawquot-written-when-she-was-about-twenty-years-of-age-her-quotscottish-chiefsquot-and-her-quotpastors-firesidequot-quotthaddeus-of-warsawquot-had-i-2HT6C29.jpg "The late Miss Jane Porter, 1850. The Scottish writer was '...one of the most distinguished novelists which this nation has produced. Miss Porter may be said to have been the first who introduced that beautiful kind of fiction the historical romance, which...has added such amusement and interest to English literature...Miss Jane Porter obtained the highest celebrity. Her three most renowned productions were her "Thaddeus of Warsaw" written when she was about twenty years of age, her "Scottish Chiefs" and her "Pastor's Fireside". "Thaddeus of Warsaw" had i Stock Photo")
RM2HT6C29–The late Miss Jane Porter, 1850. The Scottish writer was '...one of the most distinguished novelists which this nation has produced. Miss Porter may be said to have been the first who introduced that beautiful kind of fiction the historical romance, which...has added such amusement and interest to English literature...Miss Jane Porter obtained the highest celebrity. Her three most renowned productions were her "Thaddeus of Warsaw" written when she was about twenty years of age, her "Scottish Chiefs" and her "Pastor's Fireside". "Thaddeus of Warsaw" had i
![Mr. Morris Barnett, as "Monsieur Jacques", 1854. London stage show. 'This ingenious dramatist and artistic actor, has, within the last fortnight, repeated his meritorious performance of Monsieur Jacques, at the Adelphi Theatre, previous to his professional visit to the United States. His enactment of the roles of "old Frenchmen" is unrivalled upon our stage...The idea of devoting himself to the dramatic profession first occurred to Mr. Morris Barnett, whilst leader of the orchestra at the French Theatre....After one season, he went to Brighton, as a comedian, and thence to Stock Photo](https://c8.alamy.com/comp/2K03YTP/mr-morris-barnett-as-quotmonsieur-jacquesquot-1854-london-stage-show-this-ingenious-dramatist-and-artistic-actor-has-within-the-last-fortnight-repeated-his-meritorious-performance-of-monsieur-jacques-at-the-adelphi-theatre-previous-to-his-professional-visit-to-the-united-states-his-enactment-of-the-roles-of-quotold-frenchmenquot-is-unrivalled-upon-our-stagethe-idea-of-devoting-himself-to-the-dramatic-profession-first-occurred-to-mr-morris-barnett-whilst-leader-of-the-orchestra-at-the-french-theatreafter-one-season-he-went-to-brighton-as-a-comedian-and-thence-to-2K03YTP.jpg "Mr. Morris Barnett, as "Monsieur Jacques", 1854. London stage show. 'This ingenious dramatist and artistic actor, has, within the last fortnight, repeated his meritorious performance of Monsieur Jacques, at the Adelphi Theatre, previous to his professional visit to the United States. His enactment of the roles of "old Frenchmen" is unrivalled upon our stage...The idea of devoting himself to the dramatic profession first occurred to Mr. Morris Barnett, whilst leader of the orchestra at the French Theatre....After one season, he went to Brighton, as a comedian, and thence to Stock Photo")
RM2K03YTP–Mr. Morris Barnett, as "Monsieur Jacques", 1854. London stage show. 'This ingenious dramatist and artistic actor, has, within the last fortnight, repeated his meritorious performance of Monsieur Jacques, at the Adelphi Theatre, previous to his professional visit to the United States. His enactment of the roles of "old Frenchmen" is unrivalled upon our stage...The idea of devoting himself to the dramatic profession first occurred to Mr. Morris Barnett, whilst leader of the orchestra at the French Theatre....After one season, he went to Brighton, as a comedian, and thence to
![''Mr Dion Boucicault, 1822-1890', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890. Stock Photo](https://c8.alamy.com/comp/2MBBJ8D/mr-dion-boucicault-1822-1890-1890-from-quotthe-graphic-an-illustrated-weekly-newspaperquot-volume-42-july-to-december-1890-2MBBJ8D.jpg "''Mr Dion Boucicault, 1822-1890', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890. Stock Photo")
RM2MBBJ8D–''Mr Dion Boucicault, 1822-1890', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890.
![Signor Rossi, the Italian Tragedian, 1876. Engraving from a photograph by Ambrosetti of Turin. 'Ernesto Rossi...a native of Leghorn...ran away from school in his boyhood to go on the stage. After a short apprenticeship in the travelling dramatic company of Signor Marchi, the young actor entered the school of Modena, and in 1847 made his first regular debut at the Milan Teatro Carcano. From 1848 to 1852 Rossi travelled about in Italy with a company of his own...[He] attempted to introduce Shakspeare [sic] to the Italians. His "Othello" was followed by "King Lear," "Rome Stock Photo](https://c8.alamy.com/comp/2RRJATT/signor-rossi-the-italian-tragedian-1876-engraving-from-a-photograph-by-ambrosetti-of-turin-ernesto-rossia-native-of-leghornran-away-from-school-in-his-boyhood-to-go-on-the-stage-after-a-short-apprenticeship-in-the-travelling-dramatic-company-of-signor-marchi-the-young-actor-entered-the-school-of-modena-and-in-1847-made-his-first-regular-debut-at-the-milan-teatro-carcano-from-1848-to-1852-rossi-travelled-about-in-italy-with-a-company-of-his-own-he-attempted-to-introduce-shakspeare-sic-to-the-italians-his-quotothelloquot-was-followed-by-quotking-learquot-quotrome-2RRJATT.jpg "Signor Rossi, the Italian Tragedian, 1876. Engraving from a photograph by Ambrosetti of Turin. 'Ernesto Rossi...a native of Leghorn...ran away from school in his boyhood to go on the stage. After a short apprenticeship in the travelling dramatic company of Signor Marchi, the young actor entered the school of Modena, and in 1847 made his first regular debut at the Milan Teatro Carcano. From 1848 to 1852 Rossi travelled about in Italy with a company of his own...[He] attempted to introduce Shakspeare [sic] to the Italians. His "Othello" was followed by "King Lear," "Rome Stock Photo")
RM2RRJATT–Signor Rossi, the Italian Tragedian, 1876. Engraving from a photograph by Ambrosetti of Turin. 'Ernesto Rossi...a native of Leghorn...ran away from school in his boyhood to go on the stage. After a short apprenticeship in the travelling dramatic company of Signor Marchi, the young actor entered the school of Modena, and in 1847 made his first regular debut at the Milan Teatro Carcano. From 1848 to 1852 Rossi travelled about in Italy with a company of his own...[He] attempted to introduce Shakspeare [sic] to the Italians. His "Othello" was followed by "King Lear," "Rome
![The late Mr. James Sheridan Knowles, 1862. Portrait of...one of the best dramatic writers of his time, was...a cousin-german of the Right Hon. Richard Brinsley Sheridan...Mr. Knowles's prominent career as a dramatic writer may be said to have begun with his play of "Brian Boroihme,"...Worn out by the constant labour of [his] works, Mr. Knowles's health became impaired; nor were his circumstances all that could be wished. Sir Robert Peel came to the rescue, and a Government pension of £200 a year was the result. Subsequent to this Mr. Knowles took again to elocution, and lectured Stock Photo](https://c8.alamy.com/comp/2WRGWTC/the-late-mr-james-sheridan-knowles-1862-portrait-ofone-of-the-best-dramatic-writers-of-his-time-wasa-cousin-german-of-the-right-hon-richard-brinsley-sheridanmr-knowless-prominent-career-as-a-dramatic-writer-may-be-said-to-have-begun-with-his-play-of-quotbrian-boroihmequotworn-out-by-the-constant-labour-of-his-works-mr-knowless-health-became-impaired-nor-were-his-circumstances-all-that-could-be-wished-sir-robert-peel-came-to-the-rescue-and-a-government-pension-of-xa3200-a-year-was-the-result-subsequent-to-this-mr-knowles-took-again-to-elocution-and-lectured-2WRGWTC.jpg "The late Mr. James Sheridan Knowles, 1862. Portrait of...one of the best dramatic writers of his time, was...a cousin-german of the Right Hon. Richard Brinsley Sheridan...Mr. Knowles's prominent career as a dramatic writer may be said to have begun with his play of "Brian Boroihme,"...Worn out by the constant labour of [his] works, Mr. Knowles's health became impaired; nor were his circumstances all that could be wished. Sir Robert Peel came to the rescue, and a Government pension of £200 a year was the result. Subsequent to this Mr. Knowles took again to elocution, and lectured Stock Photo")
RM2WRGWTC–The late Mr. James Sheridan Knowles, 1862. Portrait of...one of the best dramatic writers of his time, was...a cousin-german of the Right Hon. Richard Brinsley Sheridan...Mr. Knowles's prominent career as a dramatic writer may be said to have begun with his play of "Brian Boroihme,"...Worn out by the constant labour of [his] works, Mr. Knowles's health became impaired; nor were his circumstances all that could be wished. Sir Robert Peel came to the rescue, and a Government pension of £200 a year was the result. Subsequent to this Mr. Knowles took again to elocution, and lectured
RM2J896AG–''Lord Ronald Gower's Shakespeare Memorial, recently unveiled at Stratford-on-Avon', 1888. From, 'The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888'.
!['Thomas Southerne', c1710, (c1880). Thomas Southerne (1660-1746) Irish dramatist. [Blackie & Son, London, Glasgow & Edinburgh] Stock Photo](https://c8.alamy.com/comp/W6P927/thomas-southerne-c1710-c1880-thomas-southerne-1660-1746-irish-dramatist-blackie-amp-son-london-glasgow-amp-edinburgh-W6P927.jpg "'Thomas Southerne', c1710, (c1880). Thomas Southerne (1660-1746) Irish dramatist. [Blackie & Son, London, Glasgow & Edinburgh] Stock Photo")
RMW6P927–'Thomas Southerne', c1710, (c1880). Thomas Southerne (1660-1746) Irish dramatist. [Blackie & Son, London, Glasgow & Edinburgh]
![Mr. Mark Lemon, 1862. Engraving from a photograph by Mayall, of '...a writer of most pleasant dramas, mirthful farces, charming nouvellettes, and graceful lyrics...the director of Punch...[and lecturer]...He brings to his work the invaluable qualifications of a long intimacy with the public, and a perfect acquaintance with what it is fitting in a literary man to offer and good for an intelligent audience to receive; and he possesses, as what we may term the physical advantages of a lecturer, a fine voice and a cordial and popular manner. His topic is London, and probably a more elastic theme w Stock Photo](https://c8.alamy.com/comp/2WG0HK8/mr-mark-lemon-1862-engraving-from-a-photograph-by-mayall-of-a-writer-of-most-pleasant-dramas-mirthful-farces-charming-nouvellettes-and-graceful-lyricsthe-director-of-punch-and-lecturer-he-brings-to-his-work-the-invaluable-qualifications-of-a-long-intimacy-with-the-public-and-a-perfect-acquaintance-with-what-it-is-fitting-in-a-literary-man-to-offer-and-good-for-an-intelligent-audience-to-receive-and-he-possesses-as-what-we-may-term-the-physical-advantages-of-a-lecturer-a-fine-voice-and-a-cordial-and-popular-manner-his-topic-is-london-and-probably-a-more-elastic-theme-w-2WG0HK8.jpg "Mr. Mark Lemon, 1862. Engraving from a photograph by Mayall, of '...a writer of most pleasant dramas, mirthful farces, charming nouvellettes, and graceful lyrics...the director of Punch...[and lecturer]...He brings to his work the invaluable qualifications of a long intimacy with the public, and a perfect acquaintance with what it is fitting in a literary man to offer and good for an intelligent audience to receive; and he possesses, as what we may term the physical advantages of a lecturer, a fine voice and a cordial and popular manner. His topic is London, and probably a more elastic theme w Stock Photo")
RM2WG0HK8–Mr. Mark Lemon, 1862. Engraving from a photograph by Mayall, of '...a writer of most pleasant dramas, mirthful farces, charming nouvellettes, and graceful lyrics...the director of Punch...[and lecturer]...He brings to his work the invaluable qualifications of a long intimacy with the public, and a perfect acquaintance with what it is fitting in a literary man to offer and good for an intelligent audience to receive; and he possesses, as what we may term the physical advantages of a lecturer, a fine voice and a cordial and popular manner. His topic is London, and probably a more elastic theme w
![Scene from Mr. Brougham's comedy of "Romance and Reality", at the Hammersmith Theatre, 1860. London stage production. Act IV. 'Rosabel Manly has realised her ideal of happiness - love in a cottage - and, thinking her husband to be only a farmer, and not recognising Jack Swift as her husband's friend, but regarding him only as a rustic labourer - has not yet penetrated the ruse that has been designed to cure her of her romantic follies, yet begins to suspect that all is not right, and that there is a cloud impending over her happiness. But even here she is not free from intrusion. The Stock Photo](https://c8.alamy.com/comp/2T1DHMA/scene-from-mr-broughams-comedy-of-quotromance-and-realityquot-at-the-hammersmith-theatre-1860-london-stage-production-act-iv-rosabel-manly-has-realised-her-ideal-of-happiness-love-in-a-cottage-and-thinking-her-husband-to-be-only-a-farmer-and-not-recognising-jack-swift-as-her-husbands-friend-but-regarding-him-only-as-a-rustic-labourer-has-not-yet-penetrated-the-ruse-that-has-been-designed-to-cure-her-of-her-romantic-follies-yet-begins-to-suspect-that-all-is-not-right-and-that-there-is-a-cloud-impending-over-her-happiness-but-even-here-she-is-not-free-from-intrusion-the-2T1DHMA.jpg "Scene from Mr. Brougham's comedy of "Romance and Reality", at the Hammersmith Theatre, 1860. London stage production. Act IV. 'Rosabel Manly has realised her ideal of happiness - love in a cottage - and, thinking her husband to be only a farmer, and not recognising Jack Swift as her husband's friend, but regarding him only as a rustic labourer - has not yet penetrated the ruse that has been designed to cure her of her romantic follies, yet begins to suspect that all is not right, and that there is a cloud impending over her happiness. But even here she is not free from intrusion. The Stock Photo")
RM2T1DHMA–Scene from Mr. Brougham's comedy of "Romance and Reality", at the Hammersmith Theatre, 1860. London stage production. Act IV. 'Rosabel Manly has realised her ideal of happiness - love in a cottage - and, thinking her husband to be only a farmer, and not recognising Jack Swift as her husband's friend, but regarding him only as a rustic labourer - has not yet penetrated the ruse that has been designed to cure her of her romantic follies, yet begins to suspect that all is not right, and that there is a cloud impending over her happiness. But even here she is not free from intrusion. The
![The late Mr. Frederick Lemaitre, 1876. Engraving from a photograph by Etienne Carjat, of a '...popular French actor, who had been compelled by ill-health to retire from the stage during the last year or two...[When he died] he was about seventy-six years of age, and was in the receipt of a small pension from the Government; but his friends were, at the time of his death, endeavouring to raise a fund, by a special theatrical representation...for the benefit of this veteran performer. His funeral...in the cemetery of Mont Parnasse [in Paris], was attended by a large number of people of his own p Stock Photo](https://c8.alamy.com/comp/2RRJC8K/the-late-mr-frederick-lemaitre-1876-engraving-from-a-photograph-by-etienne-carjat-of-a-popular-french-actor-who-had-been-compelled-by-ill-health-to-retire-from-the-stage-during-the-last-year-or-two-when-he-died-he-was-about-seventy-six-years-of-age-and-was-in-the-receipt-of-a-small-pension-from-the-government-but-his-friends-were-at-the-time-of-his-death-endeavouring-to-raise-a-fund-by-a-special-theatrical-representationfor-the-benefit-of-this-veteran-performer-his-funeralin-the-cemetery-of-mont-parnasse-in-paris-was-attended-by-a-large-number-of-people-of-his-own-p-2RRJC8K.jpg "The late Mr. Frederick Lemaitre, 1876. Engraving from a photograph by Etienne Carjat, of a '...popular French actor, who had been compelled by ill-health to retire from the stage during the last year or two...[When he died] he was about seventy-six years of age, and was in the receipt of a small pension from the Government; but his friends were, at the time of his death, endeavouring to raise a fund, by a special theatrical representation...for the benefit of this veteran performer. His funeral...in the cemetery of Mont Parnasse [in Paris], was attended by a large number of people of his own p Stock Photo")
RM2RRJC8K–The late Mr. Frederick Lemaitre, 1876. Engraving from a photograph by Etienne Carjat, of a '...popular French actor, who had been compelled by ill-health to retire from the stage during the last year or two...[When he died] he was about seventy-six years of age, and was in the receipt of a small pension from the Government; but his friends were, at the time of his death, endeavouring to raise a fund, by a special theatrical representation...for the benefit of this veteran performer. His funeral...in the cemetery of Mont Parnasse [in Paris], was attended by a large number of people of his own p
RM2J896C2–''M. Paul Fournier's Statue of Shakespeare, presented to the city of Paris by Mr. Knighton', 1888. From, 'The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888'.
![Mrs. Fanny Kemble's Readings of Shakespeare, at the St. James's Theatre, [London], 1850. 'Ardent as were the expectations formed of this highly-cultivated lady on her first appearance as an actress, these dramatic readings more than realise her early promise...the reading of an entire drama presumes the tasteful assumption of many characters. Each must be brought into alternate prominence...Both sexes, too, have to be discriminated, with the different ranks of person and education. Mrs. Kemble's success in these particulars is perfectly marvellous...the general impression produced is that rath Stock Photo](https://c8.alamy.com/comp/2HT6613/mrs-fanny-kembles-readings-of-shakespeare-at-the-st-jamess-theatre-london-1850-ardent-as-were-the-expectations-formed-of-this-highly-cultivated-lady-on-her-first-appearance-as-an-actress-these-dramatic-readings-more-than-realise-her-early-promisethe-reading-of-an-entire-drama-presumes-the-tasteful-assumption-of-many-characters-each-must-be-brought-into-alternate-prominenceboth-sexes-too-have-to-be-discriminated-with-the-different-ranks-of-person-and-education-mrs-kembles-success-in-these-particulars-is-perfectly-marvellousthe-general-impression-produced-is-that-rath-2HT6613.jpg "Mrs. Fanny Kemble's Readings of Shakespeare, at the St. James's Theatre, [London], 1850. 'Ardent as were the expectations formed of this highly-cultivated lady on her first appearance as an actress, these dramatic readings more than realise her early promise...the reading of an entire drama presumes the tasteful assumption of many characters. Each must be brought into alternate prominence...Both sexes, too, have to be discriminated, with the different ranks of person and education. Mrs. Kemble's success in these particulars is perfectly marvellous...the general impression produced is that rath Stock Photo")
RM2HT6613–Mrs. Fanny Kemble's Readings of Shakespeare, at the St. James's Theatre, [London], 1850. 'Ardent as were the expectations formed of this highly-cultivated lady on her first appearance as an actress, these dramatic readings more than realise her early promise...the reading of an entire drama presumes the tasteful assumption of many characters. Each must be brought into alternate prominence...Both sexes, too, have to be discriminated, with the different ranks of person and education. Mrs. Kemble's success in these particulars is perfectly marvellous...the general impression produced is that rath
![The Seal of the National Shakspeare Committee, 1864. Commemoration of the Tercentenary of Shakespeare's birth. 'We have engraved the design of the official seal of the National Shakspeare Committee. It is by Mr. John Leighton. It exhibits the Stratford bust of the poet, supported by the Muses of Tragedy and Comedy, both of them furnished with wings, and crowned with tongues of fire. The emblem of Eternity, a Serpent coiled in a circle, encompasses this group. The "Swan of Avon" is below it; while above it are the arms of Shakspeare, and the monograms of Queen Elizabeth and Queen Vict Stock Photo](https://c8.alamy.com/comp/2X21TX5/the-seal-of-the-national-shakspeare-committee-1864-commemoration-of-the-tercentenary-of-shakespeares-birth-we-have-engraved-the-design-of-the-official-seal-of-the-national-shakspeare-committee-it-is-by-mr-john-leighton-it-exhibits-the-stratford-bust-of-the-poet-supported-by-the-muses-of-tragedy-and-comedy-both-of-them-furnished-with-wings-and-crowned-with-tongues-of-fire-the-emblem-of-eternity-a-serpent-coiled-in-a-circle-encompasses-this-group-the-quotswan-of-avonquot-is-below-it-while-above-it-are-the-arms-of-shakspeare-and-the-monograms-of-queen-elizabeth-and-queen-vict-2X21TX5.jpg "The Seal of the National Shakspeare Committee, 1864. Commemoration of the Tercentenary of Shakespeare's birth. 'We have engraved the design of the official seal of the National Shakspeare Committee. It is by Mr. John Leighton. It exhibits the Stratford bust of the poet, supported by the Muses of Tragedy and Comedy, both of them furnished with wings, and crowned with tongues of fire. The emblem of Eternity, a Serpent coiled in a circle, encompasses this group. The "Swan of Avon" is below it; while above it are the arms of Shakspeare, and the monograms of Queen Elizabeth and Queen Vict Stock Photo")
RM2X21TX5–The Seal of the National Shakspeare Committee, 1864. Commemoration of the Tercentenary of Shakespeare's birth. 'We have engraved the design of the official seal of the National Shakspeare Committee. It is by Mr. John Leighton. It exhibits the Stratford bust of the poet, supported by the Muses of Tragedy and Comedy, both of them furnished with wings, and crowned with tongues of fire. The emblem of Eternity, a Serpent coiled in a circle, encompasses this group. The "Swan of Avon" is below it; while above it are the arms of Shakspeare, and the monograms of Queen Elizabeth and Queen Vict
RM2WG0JBT–Plaster Monument of Shakspeare, modelled by the late J. E. Thomas, 1862. 'It was designed not merely as a portrait-statue, but as a national monument...the poet is elevated on a lofty and massive pedestal decorated with bas-reliefs, and there are...two lateral allegorical figures of Comedy and Tragedy...The great poet holds a pen in one hand and loose manuscript in the other...Great praise, however, is also due to the sculptor for...the felicitous composition, and the careful modelling of the principal characters, male and female, of Shakspeare's plays in the gilt bas-reliefs which decorate th
RM2X21TWX–Messrs. Hunt and Roskell's Shakspeare medal, 1864. Commemoration of the Tercentenary of Shakespeare's birth. 'Medal, designed by Mr. John Bell and executed by Mr. L. C. Wyon. Its obverse side presents a head of Shakspeare, the likeness, in profile, being copied from the Stratford bust, combined with the Chandos portrait. Under this is a facsimile of his autograph signature, inclosed in a wreath of wild flowers, among which are the primrose, cowslip, wild rose, honeysuckle, water-lily, hemlock, foxglove, bramble-berries, meadowsweet, and bindweed twining about a hazel wand. The titles of all Sh
![Portraits of Shakspeare, 1864. '...according to the best authorities, there is not even a portrait for which it can be asserted that he sat...The centre...[portrait] is the most authenticated and the earliest representation of the poet that we have. It is the bust in the chancel of Stratford Church, over against his tomb...The next portrait is that prefixed to the folios of 1623...it is in the right upper comer...[and] is the print by [Martin] Droeshout...The portrait which belongs to the nation, and which was asserted to be that of Shakspeare, we have engraved to the left of the bust. It is g Stock Photo](https://c8.alamy.com/comp/2X21TXD/portraits-of-shakspeare-1864-according-to-the-best-authorities-there-is-not-even-a-portrait-for-which-it-can-be-asserted-that-he-satthe-centre-portrait-is-the-most-authenticated-and-the-earliest-representation-of-the-poet-that-we-have-it-is-the-bust-in-the-chancel-of-stratford-church-over-against-his-tombthe-next-portrait-is-that-prefixed-to-the-folios-of-1623it-is-in-the-right-upper-comer-and-is-the-print-by-martin-droeshoutthe-portrait-which-belongs-to-the-nation-and-which-was-asserted-to-be-that-of-shakspeare-we-have-engraved-to-the-left-of-the-bust-it-is-g-2X21TXD.jpg "Portraits of Shakspeare, 1864. '...according to the best authorities, there is not even a portrait for which it can be asserted that he sat...The centre...[portrait] is the most authenticated and the earliest representation of the poet that we have. It is the bust in the chancel of Stratford Church, over against his tomb...The next portrait is that prefixed to the folios of 1623...it is in the right upper comer...[and] is the print by [Martin] Droeshout...The portrait which belongs to the nation, and which was asserted to be that of Shakspeare, we have engraved to the left of the bust. It is g Stock Photo")
RM2X21TXD–Portraits of Shakspeare, 1864. '...according to the best authorities, there is not even a portrait for which it can be asserted that he sat...The centre...[portrait] is the most authenticated and the earliest representation of the poet that we have. It is the bust in the chancel of Stratford Church, over against his tomb...The next portrait is that prefixed to the folios of 1623...it is in the right upper comer...[and] is the print by [Martin] Droeshout...The portrait which belongs to the nation, and which was asserted to be that of Shakspeare, we have engraved to the left of the bust. It is g
RM2X21TX1–The Shakspeare Commemoration in London: monument of Shakspeare at the Crystal Palace, 1864. Event celebrating the tercentenary of Shakespeare's birth. 'The Crystal Palace Company made this Saturday a shilling day instead of a half-crown day, as usual. They have now opened to public view the exact representation of Shakspeare's house, of the same size as the original, modelled by Mr. E. T. Parris, in the central transept, with the Shakspeare Court, which contains models of the bust on his tomb and of the tombs of his wife and daughter. Our Engraving shows the monument, by Mr. Thomas, now erecte
![Haymarket - Scene from "The Second Calendar and the Queen of Beauty who had to fight with the Genie", 1850. London stage production by the brothers Brough. 'The plot...is taken from not only the celebrated story whose name it bears, but also from another tale in the same work, the celebrated "Arabian Nights' Entertainment", the two stories being very ingeniously dove-tailed...The introductory scene is a picnic in the Desert, in which the King of the Ebony Isles (Mr. J. Bland) incurs the displeasure of a malignant genie, Jargarhees (Mr. E. Selby)...The Prince Agib (Miss Anne Stock Photo](https://c8.alamy.com/comp/2K03XKT/haymarket-scene-from-quotthe-second-calendar-and-the-queen-of-beauty-who-had-to-fight-with-the-geniequot-1850-london-stage-production-by-the-brothers-brough-the-plotis-taken-from-not-only-the-celebrated-story-whose-name-it-bears-but-also-from-another-tale-in-the-same-work-the-celebrated-quotarabian-nights-entertainmentquot-the-two-stories-being-very-ingeniously-dove-tailedthe-introductory-scene-is-a-picnic-in-the-desert-in-which-the-king-of-the-ebony-isles-mr-j-bland-incurs-the-displeasure-of-a-malignant-genie-jargarhees-mr-e-selbythe-prince-agib-miss-anne-2K03XKT.jpg "Haymarket - Scene from "The Second Calendar and the Queen of Beauty who had to fight with the Genie", 1850. London stage production by the brothers Brough. 'The plot...is taken from not only the celebrated story whose name it bears, but also from another tale in the same work, the celebrated "Arabian Nights' Entertainment", the two stories being very ingeniously dove-tailed...The introductory scene is a picnic in the Desert, in which the King of the Ebony Isles (Mr. J. Bland) incurs the displeasure of a malignant genie, Jargarhees (Mr. E. Selby)...The Prince Agib (Miss Anne Stock Photo")
RM2K03XKT–Haymarket - Scene from "The Second Calendar and the Queen of Beauty who had to fight with the Genie", 1850. London stage production by the brothers Brough. 'The plot...is taken from not only the celebrated story whose name it bears, but also from another tale in the same work, the celebrated "Arabian Nights' Entertainment", the two stories being very ingeniously dove-tailed...The introductory scene is a picnic in the Desert, in which the King of the Ebony Isles (Mr. J. Bland) incurs the displeasure of a malignant genie, Jargarhees (Mr. E. Selby)...The Prince Agib (Miss Anne
![Statues of Goethe and Schiller at Weimar, 1858. Sculpture of German writers and dramatists Johann Wolfgang von Goethe and Friedrich Schiller. 'Rietschel, the Dresden sculptor, who was selected to execute these statues, has appropriately represented them grasping the same crown of laurel. This work added greatly to the fame of the artist, and earned for the him the Cross of a Commander of the Order of the Falcon'. From "Illustrated London News", 1858. Stock Photo](https://c8.alamy.com/comp/2RRJ8J3/statues-of-goethe-and-schiller-at-weimar-1858-sculpture-of-german-writers-and-dramatists-johann-wolfgang-von-goethe-and-friedrich-schiller-rietschel-the-dresden-sculptor-who-was-selected-to-execute-these-statues-has-appropriately-represented-them-grasping-the-same-crown-of-laurel-this-work-added-greatly-to-the-fame-of-the-artist-and-earned-for-the-him-the-cross-of-a-commander-of-the-order-of-the-falcon-from-quotillustrated-london-newsquot-1858-2RRJ8J3.jpg "Statues of Goethe and Schiller at Weimar, 1858. Sculpture of German writers and dramatists Johann Wolfgang von Goethe and Friedrich Schiller. 'Rietschel, the Dresden sculptor, who was selected to execute these statues, has appropriately represented them grasping the same crown of laurel. This work added greatly to the fame of the artist, and earned for the him the Cross of a Commander of the Order of the Falcon'. From "Illustrated London News", 1858. Stock Photo")
RM2RRJ8J3–Statues of Goethe and Schiller at Weimar, 1858. Sculpture of German writers and dramatists Johann Wolfgang von Goethe and Friedrich Schiller. 'Rietschel, the Dresden sculptor, who was selected to execute these statues, has appropriately represented them grasping the same crown of laurel. This work added greatly to the fame of the artist, and earned for the him the Cross of a Commander of the Order of the Falcon'. From "Illustrated London News", 1858.
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