Ivory crepe satin bridal gown. The bodice and sleeves are embroidered entirely with silver bugles and diamate. Date: 1934 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ivory-crepe-satin-bridal-gown-the-bodice-and-sleeves-are-embroidered-entirely-with-silver-bugles-and-diamate-date-1934-image501370562.html
RM2M3KB7E–Ivory crepe satin bridal gown. The bodice and sleeves are embroidered entirely with silver bugles and diamate. Date: 1934
Photographs of the bridal gown and bridesmaid's dress worn at the wedding of Prince Albert, Duke of York to Lady Elizabeth Bowes-Lyon at Westminster Abbey on 26 April 1923. The wedding dress, designed by Handley Seymour was medieval in style, of moire mousseline with a knife pleated train and centred silver lame, stiffly fringed with pearls and silver beads. The train of old Nottingham lace was a gift from Queen Mary. The bridesmaid dresses were of ivory chiffon over crepe de Chine with floating panels of chiffon, appliqued leaves of silver lame and girdled silver foliage, caught at one sid Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographs-of-the-bridal-gown-and-bridesmaids-dress-worn-at-the-wedding-of-prince-albert-duke-of-york-to-lady-elizabeth-bowes-lyon-at-westminster-abbey-on-26-april-1923-the-wedding-dress-designed-by-handley-seymour-was-medieval-in-style-of-moire-mousseline-with-a-knife-pleated-train-and-centred-silver-lame-stiffly-fringed-with-pearls-and-silver-beads-the-train-of-old-nottingham-lace-was-a-gift-from-queen-mary-the-bridesmaid-dresses-were-of-ivory-chiffon-over-crepe-de-chine-with-floating-panels-of-chiffon-appliqued-leaves-of-silver-lame-and-girdled-silver-foliage-caught-at-one-sid-image501420757.html
RM2M3NK85–Photographs of the bridal gown and bridesmaid's dress worn at the wedding of Prince Albert, Duke of York to Lady Elizabeth Bowes-Lyon at Westminster Abbey on 26 April 1923. The wedding dress, designed by Handley Seymour was medieval in style, of moire mousseline with a knife pleated train and centred silver lame, stiffly fringed with pearls and silver beads. The train of old Nottingham lace was a gift from Queen Mary. The bridesmaid dresses were of ivory chiffon over crepe de Chine with floating panels of chiffon, appliqued leaves of silver lame and girdled silver foliage, caught at one sid
Scene from The Sorcerer, operetta by Gilbert and Sullivan, at the Opera Comique. The central characters are, presumably, Alexis and Aline (in bridal gown), with Sir Marmaduke far left and Lady Sangazure far right, while Constance Partlet is in the background with her mother between Marmaduke and Alexis, and the vicar, Dr Daly, is right of Aline. Date: 1877 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-from-the-sorcerer-operetta-by-gilbert-and-sullivan-at-the-opera-comique-the-central-characters-are-presumably-alexis-and-aline-in-bridal-gown-with-sir-marmaduke-far-left-and-lady-sangazure-far-right-while-constance-partlet-is-in-the-background-with-her-mother-between-marmaduke-and-alexis-and-the-vicar-dr-daly-is-right-of-aline-date-1877-image501436132.html
RM2M3PAW8–Scene from The Sorcerer, operetta by Gilbert and Sullivan, at the Opera Comique. The central characters are, presumably, Alexis and Aline (in bridal gown), with Sir Marmaduke far left and Lady Sangazure far right, while Constance Partlet is in the background with her mother between Marmaduke and Alexis, and the vicar, Dr Daly, is right of Aline. Date: 1877
Advertisement for Harvey Nichols Model Gown department, with a design, The Lilac Bride, designed by Cecil Beaton, shown, alongside 'gowns for all occasions by leading French and English designers'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/advertisement-for-harvey-nichols-model-gown-department-with-a-design-the-lilac-bride-designed-by-cecil-beaton-shown-alongside-gowns-for-all-occasions-by-leading-french-and-english-designers-image501475092.html
RM2M3T4GM–Advertisement for Harvey Nichols Model Gown department, with a design, The Lilac Bride, designed by Cecil Beaton, shown, alongside 'gowns for all occasions by leading French and English designers'.
Henry Herbert, Lord Porchester, later 6th Earl of Carnarvon and his (first) wife, Catherine Wendell, pictured with their page, Master R. Maudsley on their wedding day, 17 July 1922. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-herbert-lord-porchester-later-6th-earl-of-carnarvon-and-his-first-wife-catherine-wendell-pictured-with-their-page-master-r-maudsley-on-their-wedding-day-17-july-1922-image501474137.html
RM2M3T3AH–Henry Herbert, Lord Porchester, later 6th Earl of Carnarvon and his (first) wife, Catherine Wendell, pictured with their page, Master R. Maudsley on their wedding day, 17 July 1922.
Advert for Harrods, Bridal fashions 1930 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-advert-for-harrods-bridal-fashions-1930-56690879.html
RMD86DP7–Advert for Harrods, Bridal fashions 1930
Queen Victoria In Bridal Dress Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-queen-victoria-in-bridal-dress-56691408.html
RMD86ED4–Queen Victoria In Bridal Dress
Advertisement for Swan & Edgar of Piccadilly Circus, London, promoting their bridal fashions in 1931. The blushing bride can opt for simplicity in a gown and train of chiffon with head dress trimmed with orange blossom. And if she really dislikes her bridesmaids, she can dress them in neo-Winterhalter dresses, floppy hats and ruched muffs. Date: 1931 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/advertisement-for-swan-amp-edgar-of-piccadilly-circus-london-promoting-their-bridal-fashions-in-1931-the-blushing-bride-can-opt-for-simplicity-in-a-gown-and-train-of-chiffon-with-head-dress-trimmed-with-orange-blossom-and-if-she-really-dislikes-her-bridesmaids-she-can-dress-them-in-neo-winterhalter-dresses-floppy-hats-and-ruched-muffs-date-1931-image501459867.html
RM2M3RD4Y–Advertisement for Swan & Edgar of Piccadilly Circus, London, promoting their bridal fashions in 1931. The blushing bride can opt for simplicity in a gown and train of chiffon with head dress trimmed with orange blossom. And if she really dislikes her bridesmaids, she can dress them in neo-Winterhalter dresses, floppy hats and ruched muffs. Date: 1931
The new member of the House of Bernadotte in her bridal robes. Princess Margaret of Connaught (1882 - 1920) in her wedding gown; the overdress and veil were of the most exquisite Carrickmacross lace, both the gift of the ladies of Ireland. The design of the lace was based on the shamrock, the fleur-de-lys and the meadowsweet. Princess Margaret married Crown Prince Gustavus Adolphus of Sweden on 15 June 1905. Date: 1905 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-new-member-of-the-house-of-bernadotte-in-her-bridal-robes-princess-margaret-of-connaught-1882-1920-in-her-wedding-gown-the-overdress-and-veil-were-of-the-most-exquisite-carrickmacross-lace-both-the-gift-of-the-ladies-of-ireland-the-design-of-the-lace-was-based-on-the-shamrock-the-fleur-de-lys-and-the-meadowsweet-princess-margaret-married-crown-prince-gustavus-adolphus-of-sweden-on-15-june-1905-date-1905-image501419535.html
RM2M3NHMF–The new member of the House of Bernadotte in her bridal robes. Princess Margaret of Connaught (1882 - 1920) in her wedding gown; the overdress and veil were of the most exquisite Carrickmacross lace, both the gift of the ladies of Ireland. The design of the lace was based on the shamrock, the fleur-de-lys and the meadowsweet. Princess Margaret married Crown Prince Gustavus Adolphus of Sweden on 15 June 1905. Date: 1905
Wedding gown by Martial and Armand of parchment-tinted crepe meterore enriched with embroidered mousseline de soie. Date: 1912 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wedding-gown-by-martial-and-armand-of-parchment-tinted-crepe-meterore-enriched-with-embroidered-mousseline-de-soie-date-1912-image501465992.html
RM2M3RMYM–Wedding gown by Martial and Armand of parchment-tinted crepe meterore enriched with embroidered mousseline de soie. Date: 1912
Lady Diana Cooper (nee Manners) posed at her family's London home in Arlington Street in her wedding gown of gold tissue overlaid with lace. She is attended by her pages, Lord Elcho and the Hon. Michael Charteris, her nephews, the sons of her sister the former Lady Violet Manners. Date: 1919 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-diana-cooper-nee-manners-posed-at-her-familys-london-home-in-arlington-street-in-her-wedding-gown-of-gold-tissue-overlaid-with-lace-she-is-attended-by-her-pages-lord-elcho-and-the-hon-michael-charteris-her-nephews-the-sons-of-her-sister-the-former-lady-violet-manners-date-1919-image501465511.html
RM2M3RMAF–Lady Diana Cooper (nee Manners) posed at her family's London home in Arlington Street in her wedding gown of gold tissue overlaid with lace. She is attended by her pages, Lord Elcho and the Hon. Michael Charteris, her nephews, the sons of her sister the former Lady Violet Manners. Date: 1919
Front cover of The Sphere featuring Lily Elsie (1886 - 1962) popular theatre actress and singer an star of 'The Merry Widow'. Pictured on her wedding day in a gown in the style of the Empress Josephine after the ceremony where she married Mr Ian Bullough from Perthshire at All Saint's Church, Ennismore Gardens, South Kensington. Born Elsie Cotton in Yorkshire, Lily Elsie became the most popular actress on the London stage, and appeared at Daly's Theatre. Date: 1911 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/front-cover-of-the-sphere-featuring-lily-elsie-1886-1962-popular-theatre-actress-and-singer-an-star-of-the-merry-widow-pictured-on-her-wedding-day-in-a-gown-in-the-style-of-the-empress-josephine-after-the-ceremony-where-she-married-mr-ian-bullough-from-perthshire-at-all-saints-church-ennismore-gardens-south-kensington-born-elsie-cotton-in-yorkshire-lily-elsie-became-the-most-popular-actress-on-the-london-stage-and-appeared-at-dalys-theatre-date-1911-image501424309.html
RM2M3NRR1–Front cover of The Sphere featuring Lily Elsie (1886 - 1962) popular theatre actress and singer an star of 'The Merry Widow'. Pictured on her wedding day in a gown in the style of the Empress Josephine after the ceremony where she married Mr Ian Bullough from Perthshire at All Saint's Church, Ennismore Gardens, South Kensington. Born Elsie Cotton in Yorkshire, Lily Elsie became the most popular actress on the London stage, and appeared at Daly's Theatre. Date: 1911
Front cover of The Sphere featuring Lily Elsie (1886 - 1962) popular theatre actress and singer an star of 'The Merry Widow'. Pictured on her wedding day in a gown in the style of the Empress Josephine after the ceremony where she married Mr Ian Bullough from Perthshire at All Saint's Church, Ennismore Gardens, South Kensington. Born Elsie Cotton in Yorkshire, Lily Elsie became the most popular actress on the London stage, and appeared at Daly's Theatre. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/front-cover-of-the-sphere-featuring-lily-elsie-1886-1962-popular-theatre-actress-and-singer-an-star-of-the-merry-widow-pictured-on-her-wedding-day-in-a-gown-in-the-style-of-the-empress-josephine-after-the-ceremony-where-she-married-mr-ian-bullough-from-perthshire-at-all-saints-church-ennismore-gardens-south-kensington-born-elsie-cotton-in-yorkshire-lily-elsie-became-the-most-popular-actress-on-the-london-stage-and-appeared-at-dalys-theatre-image560838518.html
RM2RGCB72–Front cover of The Sphere featuring Lily Elsie (1886 - 1962) popular theatre actress and singer an star of 'The Merry Widow'. Pictured on her wedding day in a gown in the style of the Empress Josephine after the ceremony where she married Mr Ian Bullough from Perthshire at All Saint's Church, Ennismore Gardens, South Kensington. Born Elsie Cotton in Yorkshire, Lily Elsie became the most popular actress on the London stage, and appeared at Daly's Theatre.
Advert for a three quarter length wedding gown with large bouquet. 1929 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/advert-for-a-three-quarter-length-wedding-gown-with-large-bouquet-1929-image501369502.html
RM2M3K9WJ–Advert for a three quarter length wedding gown with large bouquet. 1929
Queen Alexandra, formerly Princess Alexandra of Denmark (1844 - 1925), and then Princess of Wales, consort of King Edward VII, in her wedding gown for her marriage to Albert Edward, Prince of Wales, on 10 March 1863 at St. George's Chapel, Windsor. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queen-alexandra-formerly-princess-alexandra-of-denmark-1844-1925-and-then-princess-of-wales-consort-of-king-edward-vii-in-her-wedding-gown-for-her-marriage-to-albert-edward-prince-of-wales-on-10-march-1863-at-st-georges-chapel-windsor-image504807177.html
RM2M97XKN–Queen Alexandra, formerly Princess Alexandra of Denmark (1844 - 1925), and then Princess of Wales, consort of King Edward VII, in her wedding gown for her marriage to Albert Edward, Prince of Wales, on 10 March 1863 at St. George's Chapel, Windsor.
Queen Alexandra, formerly Princess Alexandra of Denmark (1844 - 1925), and then Princess of Wales, consort of King Edward VII pictured in her wedding gown for her marriage to Albert Edward, Prince of Wales on 10 March 1863 at St. George's Chapel, Windsor. Date: 1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/queen-alexandra-formerly-princess-alexandra-of-denmark-1844-1925-and-then-princess-of-wales-consort-of-king-edward-vii-pictured-in-her-wedding-gown-for-her-marriage-to-albert-edward-prince-of-wales-on-10-march-1863-at-st-georges-chapel-windsor-date-1863-image501421673.html
RM2M3NMCW–Queen Alexandra, formerly Princess Alexandra of Denmark (1844 - 1925), and then Princess of Wales, consort of King Edward VII pictured in her wedding gown for her marriage to Albert Edward, Prince of Wales on 10 March 1863 at St. George's Chapel, Windsor. Date: 1863
Inner front cover of The Illustrated London News Royal Wedding Number commemorating the marriage of Princess Margaret to Anthony Armstrong Jones at Westminster Abbey on 6 May 1960. The cover features the newlywed couple leaving Westminster Abbey as husband and wife with Princess Margaret in her stunningly simple Norman Hartnell wedding gown. Date: 1960 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inner-front-cover-of-the-illustrated-london-news-royal-wedding-number-commemorating-the-marriage-of-princess-margaret-to-anthony-armstrong-jones-at-westminster-abbey-on-6-may-1960-the-cover-features-the-newlywed-couple-leaving-westminster-abbey-as-husband-and-wife-with-princess-margaret-in-her-stunningly-simple-norman-hartnell-wedding-gown-date-1960-image501420563.html
RM2M3NK17–Inner front cover of The Illustrated London News Royal Wedding Number commemorating the marriage of Princess Margaret to Anthony Armstrong Jones at Westminster Abbey on 6 May 1960. The cover features the newlywed couple leaving Westminster Abbey as husband and wife with Princess Margaret in her stunningly simple Norman Hartnell wedding gown. Date: 1960
The silver flowered brocade gown worn by Princess Marina of Greece on her marriage to Prince George, Duke of Kent on 29 November 1934 at Westminster Abbey. The dress, designed by Captain Edward Molyneux, a favourite designer of the Duchess, was exhibited at St. James's Palace in the three rooms where the extensive Royal Wedding presents were also on view. Date: 1934 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-silver-flowered-brocade-gown-worn-by-princess-marina-of-greece-on-her-marriage-to-prince-george-duke-of-kent-on-29-november-1934-at-westminster-abbey-the-dress-designed-by-captain-edward-molyneux-a-favourite-designer-of-the-duchess-was-exhibited-at-st-jamess-palace-in-the-three-rooms-where-the-extensive-royal-wedding-presents-were-also-on-view-date-1934-image501420691.html
RM2M3NK5R–The silver flowered brocade gown worn by Princess Marina of Greece on her marriage to Prince George, Duke of Kent on 29 November 1934 at Westminster Abbey. The dress, designed by Captain Edward Molyneux, a favourite designer of the Duchess, was exhibited at St. James's Palace in the three rooms where the extensive Royal Wedding presents were also on view. Date: 1934
The dress designed for Princess Elizabeth by Norman Hartnell of ivory duchesse satin with hand embroidery on the skirt and bodice and Court train (fifteen feet long and of ivory tulle) inspired by the Botticelli painting Primavera. The pattern featured Rose of York, ears of corn, star flowers and orange blossom in pearl and crystal. The voluminous bridal veil of crisp white tulle was designed to be held by a pearl and diamond tiara. Date: 1947 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dress-designed-for-princess-elizabeth-by-norman-hartnell-of-ivory-duchesse-satin-with-hand-embroidery-on-the-skirt-and-bodice-and-court-train-fifteen-feet-long-and-of-ivory-tulle-inspired-by-the-botticelli-painting-primavera-the-pattern-featured-rose-of-york-ears-of-corn-star-flowers-and-orange-blossom-in-pearl-and-crystal-the-voluminous-bridal-veil-of-crisp-white-tulle-was-designed-to-be-held-by-a-pearl-and-diamond-tiara-date-1947-image501420782.html
RM2M3NK92–The dress designed for Princess Elizabeth by Norman Hartnell of ivory duchesse satin with hand embroidery on the skirt and bodice and Court train (fifteen feet long and of ivory tulle) inspired by the Botticelli painting Primavera. The pattern featured Rose of York, ears of corn, star flowers and orange blossom in pearl and crystal. The voluminous bridal veil of crisp white tulle was designed to be held by a pearl and diamond tiara. Date: 1947
Dame Mary Barbara Hamilton Cartland (1901-2000), married name Mrs Barbara McCorquodale, British novelist. Pictured in the wedding gown she designed herself for her marriage to Alistair McCorquodale in April 1927. The dress was entirely made white tulle, with frills of tulle forming the lower skirt and the lower part of the sleeves. The train was of white satin embossed with pale pink flowers and edged with ermine worn by her mother at her wedding. The veil was of white tulle. Date: 1927 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dame-mary-barbara-hamilton-cartland-1901-2000-married-name-mrs-barbara-mccorquodale-british-novelist-pictured-in-the-wedding-gown-she-designed-herself-for-her-marriage-to-alistair-mccorquodale-in-april-1927-the-dress-was-entirely-made-white-tulle-with-frills-of-tulle-forming-the-lower-skirt-and-the-lower-part-of-the-sleeves-the-train-was-of-white-satin-embossed-with-pale-pink-flowers-and-edged-with-ermine-worn-by-her-mother-at-her-wedding-the-veil-was-of-white-tulle-date-1927-image501437995.html
RM2M3PD7R–Dame Mary Barbara Hamilton Cartland (1901-2000), married name Mrs Barbara McCorquodale, British novelist. Pictured in the wedding gown she designed herself for her marriage to Alistair McCorquodale in April 1927. The dress was entirely made white tulle, with frills of tulle forming the lower skirt and the lower part of the sleeves. The train was of white satin embossed with pale pink flowers and edged with ermine worn by her mother at her wedding. The veil was of white tulle. Date: 1927
Illustration of the wedding dress worn by Princess Elizabeth for her marriage to Lieutenant Philip Mountbatten on 20 November 1947 at Westminster Abbey. The gown, designed by Norman Hartnell was of ivory satin gleaming with hand embroidery representing garlands of York roses entwined with ears of corn. Motifs of applique tulle outlined with pearl and crystal formed a border for the billowing skirt and a train of ethereal tulle, splendidly embroidered, fell from the shoulders under the cloudy folds of the veil. Her shoes were of ivory satin while her attendants wore satin shoes piped wtih si Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-the-wedding-dress-worn-by-princess-elizabeth-for-her-marriage-to-lieutenant-philip-mountbatten-on-20-november-1947-at-westminster-abbey-the-gown-designed-by-norman-hartnell-was-of-ivory-satin-gleaming-with-hand-embroidery-representing-garlands-of-york-roses-entwined-with-ears-of-corn-motifs-of-applique-tulle-outlined-with-pearl-and-crystal-formed-a-border-for-the-billowing-skirt-and-a-train-of-ethereal-tulle-splendidly-embroidered-fell-from-the-shoulders-under-the-cloudy-folds-of-the-veil-her-shoes-were-of-ivory-satin-while-her-attendants-wore-satin-shoes-piped-wtih-si-image501420900.html
RM2M3NKD8–Illustration of the wedding dress worn by Princess Elizabeth for her marriage to Lieutenant Philip Mountbatten on 20 November 1947 at Westminster Abbey. The gown, designed by Norman Hartnell was of ivory satin gleaming with hand embroidery representing garlands of York roses entwined with ears of corn. Motifs of applique tulle outlined with pearl and crystal formed a border for the billowing skirt and a train of ethereal tulle, splendidly embroidered, fell from the shoulders under the cloudy folds of the veil. Her shoes were of ivory satin while her attendants wore satin shoes piped wtih si
The wedding gown of Princess Alice of Albany who married Prince Alexander of Teck in 1904. Made from soft, flexible satin mouselline, the skirt, supplemented with a very long train, is festooned with white chiffon roses, needlework foliage and Louis Seize velvet bows studded with diamonds. The dress also includes a chenille fringe; frills, poufs and flutings of white chiffon and a satin bodice and small chiffon sleeves and bouillons of tulle sewn with brilliants round the decolletage. A small cluster of orange blossom is worn and the veil of Honiton lace was worn by both Queen Victoria and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wedding-gown-of-princess-alice-of-albany-who-married-prince-alexander-of-teck-in-1904-made-from-soft-flexible-satin-mouselline-the-skirt-supplemented-with-a-very-long-train-is-festooned-with-white-chiffon-roses-needlework-foliage-and-louis-seize-velvet-bows-studded-with-diamonds-the-dress-also-includes-a-chenille-fringe-frills-poufs-and-flutings-of-white-chiffon-and-a-satin-bodice-and-small-chiffon-sleeves-and-bouillons-of-tulle-sewn-with-brilliants-round-the-decolletage-a-small-cluster-of-orange-blossom-is-worn-and-the-veil-of-honiton-lace-was-worn-by-both-queen-victoria-and-image501421391.html
RM2M3NM2R–The wedding gown of Princess Alice of Albany who married Prince Alexander of Teck in 1904. Made from soft, flexible satin mouselline, the skirt, supplemented with a very long train, is festooned with white chiffon roses, needlework foliage and Louis Seize velvet bows studded with diamonds. The dress also includes a chenille fringe; frills, poufs and flutings of white chiffon and a satin bodice and small chiffon sleeves and bouillons of tulle sewn with brilliants round the decolletage. A small cluster of orange blossom is worn and the veil of Honiton lace was worn by both Queen Victoria and
Wedding of Lady Cynthia Curzon and Oswald Mosley in 11 May 1920, as reported in The Sphere magazine. The left picture shows the bride leaving Carlton House Terrace with her father, Lord Curzon, for the Chapel Royal, St. James's. Middle photograph shows Cimmie posing in her wedding gown. According to The Sphere, 'The corsage of the gown is severely simple. The tight-fitting sleeves reach almost to the finger-tips and the drapery of the skirt is held in position by a long trailing sheaf of arum lilies.' The gown was designed by Captain Edward Molyneux. Right hand picture shows the bride an Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wedding-of-lady-cynthia-curzon-and-oswald-mosley-in-11-may-1920-as-reported-in-the-sphere-magazine-the-left-picture-shows-the-bride-leaving-carlton-house-terrace-with-her-father-lord-curzon-for-the-chapel-royal-st-jamess-middle-photograph-shows-cimmie-posing-in-her-wedding-gown-according-to-the-sphere-the-corsage-of-the-gown-is-severely-simple-the-tight-fitting-sleeves-reach-almost-to-the-finger-tips-and-the-drapery-of-the-skirt-is-held-in-position-by-a-long-trailing-sheaf-of-arum-lilies-the-gown-was-designed-by-captain-edward-molyneux-right-hand-picture-shows-the-bride-an-image501465614.html
RM2M3RME6–Wedding of Lady Cynthia Curzon and Oswald Mosley in 11 May 1920, as reported in The Sphere magazine. The left picture shows the bride leaving Carlton House Terrace with her father, Lord Curzon, for the Chapel Royal, St. James's. Middle photograph shows Cimmie posing in her wedding gown. According to The Sphere, 'The corsage of the gown is severely simple. The tight-fitting sleeves reach almost to the finger-tips and the drapery of the skirt is held in position by a long trailing sheaf of arum lilies.' The gown was designed by Captain Edward Molyneux. Right hand picture shows the bride an
The wedding gown of Princess Alice of Albany who married Prince Alexander of Teck in 1904. Made from soft, flexible satin mouselline, the skirt, supplemented with a very long train, is festooned with white chiffon roses, needlework foliage and Louis Seize velvet bows studded with diamonds. The dress also includes a chenille fringe; frills, poufs and flutings of white chiffon and a satin bodice and small chiffon sleeves and bouillons of tulle sewn with brilliants round the decolletage. A small cluster of orange blossom is worn and the veil of Honiton lace was worn by both Queen Victoria and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wedding-gown-of-princess-alice-of-albany-who-married-prince-alexander-of-teck-in-1904-made-from-soft-flexible-satin-mouselline-the-skirt-supplemented-with-a-very-long-train-is-festooned-with-white-chiffon-roses-needlework-foliage-and-louis-seize-velvet-bows-studded-with-diamonds-the-dress-also-includes-a-chenille-fringe-frills-poufs-and-flutings-of-white-chiffon-and-a-satin-bodice-and-small-chiffon-sleeves-and-bouillons-of-tulle-sewn-with-brilliants-round-the-decolletage-a-small-cluster-of-orange-blossom-is-worn-and-the-veil-of-honiton-lace-was-worn-by-both-queen-victoria-and-image560866795.html
RM2RGDK8Y–The wedding gown of Princess Alice of Albany who married Prince Alexander of Teck in 1904. Made from soft, flexible satin mouselline, the skirt, supplemented with a very long train, is festooned with white chiffon roses, needlework foliage and Louis Seize velvet bows studded with diamonds. The dress also includes a chenille fringe; frills, poufs and flutings of white chiffon and a satin bodice and small chiffon sleeves and bouillons of tulle sewn with brilliants round the decolletage. A small cluster of orange blossom is worn and the veil of Honiton lace was worn by both Queen Victoria and
Princess Marina of Greece looking a vision of loveliness in her wedding dress designed by Captain Edward Molyneux in a photograph taken at Buckingham Palace the week before her wedding to Prince George, Duke of Kent at Westminster Abbey on 29 November 1934. The gown was of white and silver flowered brocade delicately interwoven with an English rose design; and the Court train, of the same material and lined with silver lame, fell 4 and a 1/2 yards from the shoulder. The dress had a cowl neck and flowing sleeves turned back with broad cuffs. Date: 1934 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-marina-of-greece-looking-a-vision-of-loveliness-in-her-wedding-dress-designed-by-captain-edward-molyneux-in-a-photograph-taken-at-buckingham-palace-the-week-before-her-wedding-to-prince-george-duke-of-kent-at-westminster-abbey-on-29-november-1934-the-gown-was-of-white-and-silver-flowered-brocade-delicately-interwoven-with-an-english-rose-design-and-the-court-train-of-the-same-material-and-lined-with-silver-lame-fell-4-and-a-12-yards-from-the-shoulder-the-dress-had-a-cowl-neck-and-flowing-sleeves-turned-back-with-broad-cuffs-date-1934-image501420634.html
RM2M3NK3P–Princess Marina of Greece looking a vision of loveliness in her wedding dress designed by Captain Edward Molyneux in a photograph taken at Buckingham Palace the week before her wedding to Prince George, Duke of Kent at Westminster Abbey on 29 November 1934. The gown was of white and silver flowered brocade delicately interwoven with an English rose design; and the Court train, of the same material and lined with silver lame, fell 4 and a 1/2 yards from the shoulder. The dress had a cowl neck and flowing sleeves turned back with broad cuffs. Date: 1934
A fairytale wedding gown by Norman Hartnell for Princess Elizabeth, in itself a tribute to British skill in design and workmanship. Cut on classic lines in ivory duchesse satin, it is lavishly enriched with pearl and crystal embroidery. The 15 ft train of pearl embroidered ivory silk tulle falls from the shoulders beneath the enveloping folds of the crisp tulle veil. The Winterhalter style dresses for the bridesmaids in ethereal white tulle over satin are scattered with syringa flowers in applique satin embroidered in pearl and crystal. The going-away ensemble in love-in-the-mist blue is o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-fairytale-wedding-gown-by-norman-hartnell-for-princess-elizabeth-in-itself-a-tribute-to-british-skill-in-design-and-workmanship-cut-on-classic-lines-in-ivory-duchesse-satin-it-is-lavishly-enriched-with-pearl-and-crystal-embroidery-the-15-ft-train-of-pearl-embroidered-ivory-silk-tulle-falls-from-the-shoulders-beneath-the-enveloping-folds-of-the-crisp-tulle-veil-the-winterhalter-style-dresses-for-the-bridesmaids-in-ethereal-white-tulle-over-satin-are-scattered-with-syringa-flowers-in-applique-satin-embroidered-in-pearl-and-crystal-the-going-away-ensemble-in-love-in-the-mist-blue-is-o-image501420942.html
RM2M3NKEP–A fairytale wedding gown by Norman Hartnell for Princess Elizabeth, in itself a tribute to British skill in design and workmanship. Cut on classic lines in ivory duchesse satin, it is lavishly enriched with pearl and crystal embroidery. The 15 ft train of pearl embroidered ivory silk tulle falls from the shoulders beneath the enveloping folds of the crisp tulle veil. The Winterhalter style dresses for the bridesmaids in ethereal white tulle over satin are scattered with syringa flowers in applique satin embroidered in pearl and crystal. The going-away ensemble in love-in-the-mist blue is o
Lena Ashwell Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lena-ashwell-105347146.html
RMG3AYA2–Lena Ashwell
Barbara (Baba) Beaton in the wedding dress she wore to marry Mr Alec Hambro at St Mark's, North Audley Street, London Date: 6 November 1934 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/barbara-baba-beaton-in-the-wedding-dress-she-wore-to-marry-mr-alec-hambro-at-st-marks-north-audley-street-london-date-6-november-1934-image501433486.html
RM2M3P7EP–Barbara (Baba) Beaton in the wedding dress she wore to marry Mr Alec Hambro at St Mark's, North Audley Street, London Date: 6 November 1934
Barbara (Baba) Beaton in the wedding dress she wore to marry Mr Alec Hambro at St Mark's, North Audley Street, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/barbara-baba-beaton-in-the-wedding-dress-she-wore-to-marry-mr-alec-hambro-at-st-marks-north-audley-street-london-image560868120.html
RM2RGDN08–Barbara (Baba) Beaton in the wedding dress she wore to marry Mr Alec Hambro at St Mark's, North Audley Street, London
CONNAUGHT/PRINCE ARTHUR Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-connaughtprince-arthur-105346751.html
RMG3AXRY–CONNAUGHT/PRINCE ARTHUR
Actress Nora Kerin (1883-1970) British 'Stage Beauty' - shown here in 'The Prince and the Beggarmaid'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/actress-nora-kerin-1883-1970-british-stage-beauty-shown-here-in-the-prince-and-the-beggarmaid-image560781515.html
RM2RG9PF7–Actress Nora Kerin (1883-1970) British 'Stage Beauty' - shown here in 'The Prince and the Beggarmaid'.
Princess Patricia of Connaught, photographed in her wedding dress on the day of her wedding to Commander Alexander Ramsay RN. The dress was in Venetian style, made of white broche panne on an underdress of silver lace, and the train was made of rich cloth of silver, embroidered with a lily design. On her marriage Princess Patricia, a granddaughter of Queen Victoria, relinquished her royal title and became Lady Patricia Ramsay. Date: 27 February 1919 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-patricia-of-connaught-photographed-in-her-wedding-dress-on-the-day-of-her-wedding-to-commander-alexander-ramsay-rn-the-dress-was-in-venetian-style-made-of-white-broche-panne-on-an-underdress-of-silver-lace-and-the-train-was-made-of-rich-cloth-of-silver-embroidered-with-a-lily-design-on-her-marriage-princess-patricia-a-granddaughter-of-queen-victoria-relinquished-her-royal-title-and-became-lady-patricia-ramsay-date-27-february-1919-image501421232.html
RM2M3NKW4–Princess Patricia of Connaught, photographed in her wedding dress on the day of her wedding to Commander Alexander Ramsay RN. The dress was in Venetian style, made of white broche panne on an underdress of silver lace, and the train was made of rich cloth of silver, embroidered with a lily design. On her marriage Princess Patricia, a granddaughter of Queen Victoria, relinquished her royal title and became Lady Patricia Ramsay. Date: 27 February 1919
Alexandra, Duchess of Fife, leaving her mother, the Princess Royal's home in Portman Square, London for her marriage to Prince Arthur of Connaught at the Chapel Royal, St. James's Palace on 15 October 1913. Date: 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexandra-duchess-of-fife-leaving-her-mother-the-princess-royals-home-in-portman-square-london-for-her-marriage-to-prince-arthur-of-connaught-at-the-chapel-royal-st-jamess-palace-on-15-october-1913-date-1913-image501421415.html
RM2M3NM3K–Alexandra, Duchess of Fife, leaving her mother, the Princess Royal's home in Portman Square, London for her marriage to Prince Arthur of Connaught at the Chapel Royal, St. James's Palace on 15 October 1913. Date: 1913
Princess Alice of Albany, later Countess of Athlone (1883-1981), seen here in her wedding dress. She married Prince Alexander of Teck, later Alexander Cambridge, 1st Earl of Athlone (1874-1957), her second cousin once removed. The wedding took place on 10 February 1904 at St George's Chapel, Windsor. After their marriage she was known as Princess Alexander of Teck. Date: February 1904 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-alice-of-albany-later-countess-of-athlone-1883-1981-seen-here-in-her-wedding-dress-she-married-prince-alexander-of-teck-later-alexander-cambridge-1st-earl-of-athlone-1874-1957-her-second-cousin-once-removed-the-wedding-took-place-on-10-february-1904-at-st-georges-chapel-windsor-after-their-marriage-she-was-known-as-princess-alexander-of-teck-date-february-1904-image501421299.html
RM2M3NKYF–Princess Alice of Albany, later Countess of Athlone (1883-1981), seen here in her wedding dress. She married Prince Alexander of Teck, later Alexander Cambridge, 1st Earl of Athlone (1874-1957), her second cousin once removed. The wedding took place on 10 February 1904 at St George's Chapel, Windsor. After their marriage she was known as Princess Alexander of Teck. Date: February 1904
Princess Patricia of Connaught and Commander Alexander Ramsay RN, photographed on the day of their wedding, 27 February 1919. On her marriage Princess Patricia, a granddaughter of Queen Victoria, relinquished her royal title and became Lady Patricia Ramsay. Date: 27 February 1919 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-patricia-of-connaught-and-commander-alexander-ramsay-rn-photographed-on-the-day-of-their-wedding-27-february-1919-on-her-marriage-princess-patricia-a-granddaughter-of-queen-victoria-relinquished-her-royal-title-and-became-lady-patricia-ramsay-date-27-february-1919-image501421219.html
RM2M3NKTK–Princess Patricia of Connaught and Commander Alexander Ramsay RN, photographed on the day of their wedding, 27 February 1919. On her marriage Princess Patricia, a granddaughter of Queen Victoria, relinquished her royal title and became Lady Patricia Ramsay. Date: 27 February 1919
The society wedding of the year in 1933; society beauty and media darling, Miss Margaret Whigham, later Duchess of Argyll, to Mr Charles Sweeny, Oxford University golfer at Brompton Oratory in February 1933. The bride's dress with exquisite pearl star embroidery was designed by Norman Hartnell and its fifty foot train stopped the traffic in Knightsbridge where thousands of people turned out to catch a glimpse of the wedding. Date: 1933 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-society-wedding-of-the-year-in-1933-society-beauty-and-media-darling-miss-margaret-whigham-later-duchess-of-argyll-to-mr-charles-sweeny-oxford-university-golfer-at-brompton-oratory-in-february-1933-the-brides-dress-with-exquisite-pearl-star-embroidery-was-designed-by-norman-hartnell-and-its-fifty-foot-train-stopped-the-traffic-in-knightsbridge-where-thousands-of-people-turned-out-to-catch-a-glimpse-of-the-wedding-date-1933-image501421761.html
RM2M3NMG1–The society wedding of the year in 1933; society beauty and media darling, Miss Margaret Whigham, later Duchess of Argyll, to Mr Charles Sweeny, Oxford University golfer at Brompton Oratory in February 1933. The bride's dress with exquisite pearl star embroidery was designed by Norman Hartnell and its fifty foot train stopped the traffic in Knightsbridge where thousands of people turned out to catch a glimpse of the wedding. Date: 1933
Marriage of Harold Barrett (formerly an actor), Stage Manager at the Royal Opera House, Covent Garden, London, and ballerina Maudie. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-of-harold-barrett-formerly-an-actor-stage-manager-at-the-royal-opera-house-covent-garden-london-and-ballerina-maudie-image504849963.html
RM2M99W7R–Marriage of Harold Barrett (formerly an actor), Stage Manager at the Royal Opera House, Covent Garden, London, and ballerina Maudie.
Princess Patricia of Connaught's wedding dress (left), and the dresses of the elder and younger bridesmaids. She married Commander Alexander Ramsay RN on 27 February 1919. Her dress was in Venetian style, made of white broche panne on an underdress of silver lace, and the train was made of rich cloth of silver, embroidered with a lily design. The bridesmaids' dresses were in love-in-the-mist blue georgette over blue satin. All of the dresses were by Messrs Revill and Rossiter. On her marriage Princess Patricia, a granddaughter of Queen Victoria, relinquished her royal title and became L Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-patricia-of-connaughts-wedding-dress-left-and-the-dresses-of-the-elder-and-younger-bridesmaids-she-married-commander-alexander-ramsay-rn-on-27-february-1919-her-dress-was-in-venetian-style-made-of-white-broche-panne-on-an-underdress-of-silver-lace-and-the-train-was-made-of-rich-cloth-of-silver-embroidered-with-a-lily-design-the-bridesmaids-dresses-were-in-love-in-the-mist-blue-georgette-over-blue-satin-all-of-the-dresses-were-by-messrs-revill-and-rossiter-on-her-marriage-princess-patricia-a-granddaughter-of-queen-victoria-relinquished-her-royal-title-and-became-l-image501421234.html
RM2M3NKW6–Princess Patricia of Connaught's wedding dress (left), and the dresses of the elder and younger bridesmaids. She married Commander Alexander Ramsay RN on 27 February 1919. Her dress was in Venetian style, made of white broche panne on an underdress of silver lace, and the train was made of rich cloth of silver, embroidered with a lily design. The bridesmaids' dresses were in love-in-the-mist blue georgette over blue satin. All of the dresses were by Messrs Revill and Rossiter. On her marriage Princess Patricia, a granddaughter of Queen Victoria, relinquished her royal title and became L
Scene during the wedding service of Princess Patricia of Connaught and Commander Alexander Ramsay RN. They were married in Westminster Abbey by the Archbishop of Canterbury. On her marriage Princess Patricia, a granddaughter of Queen Victoria, relinquished her royal title and became Lady Patricia Ramsay. 27 February 1919 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-during-the-wedding-service-of-princess-patricia-of-connaught-and-commander-alexander-ramsay-rn-they-were-married-in-westminster-abbey-by-the-archbishop-of-canterbury-on-her-marriage-princess-patricia-a-granddaughter-of-queen-victoria-relinquished-her-royal-title-and-became-lady-patricia-ramsay-27-february-1919-image501421274.html
RM2M3NKXJ–Scene during the wedding service of Princess Patricia of Connaught and Commander Alexander Ramsay RN. They were married in Westminster Abbey by the Archbishop of Canterbury. On her marriage Princess Patricia, a granddaughter of Queen Victoria, relinquished her royal title and became Lady Patricia Ramsay. 27 February 1919
Page from The Sphere featuring a series of illustrations of outfits designed by Molyneux for the Duchess of Kent's (formerly Princess Marina of Greece) trousseau, following her marriage to Prince George, Duke of Kent on 29 November 1934. The top left sketch shows the dress made by couturiers, Reville of Hanover Square, worn by Queen Mary to the wedding, in pastel blue and Australian gold brocade woven in a classic floral design. The photograph shows the finishing touches being made to an evening gown for Princess Marina at Captain Molyneux's dressmaking establishment in Grosvenor Street. Mo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/page-from-the-sphere-featuring-a-series-of-illustrations-of-outfits-designed-by-molyneux-for-the-duchess-of-kents-formerly-princess-marina-of-greece-trousseau-following-her-marriage-to-prince-george-duke-of-kent-on-29-november-1934-the-top-left-sketch-shows-the-dress-made-by-couturiers-reville-of-hanover-square-worn-by-queen-mary-to-the-wedding-in-pastel-blue-and-australian-gold-brocade-woven-in-a-classic-floral-design-the-photograph-shows-the-finishing-touches-being-made-to-an-evening-gown-for-princess-marina-at-captain-molyneuxs-dressmaking-establishment-in-grosvenor-street-mo-image501420627.html
RM2M3NK3F–Page from The Sphere featuring a series of illustrations of outfits designed by Molyneux for the Duchess of Kent's (formerly Princess Marina of Greece) trousseau, following her marriage to Prince George, Duke of Kent on 29 November 1934. The top left sketch shows the dress made by couturiers, Reville of Hanover Square, worn by Queen Mary to the wedding, in pastel blue and Australian gold brocade woven in a classic floral design. The photograph shows the finishing touches being made to an evening gown for Princess Marina at Captain Molyneux's dressmaking establishment in Grosvenor Street. Mo
Lena Ashwell 1903 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lena-ashwell-1903-image6079464.html
RMA31EP9–Lena Ashwell 1903
Connaught Prince Arthur Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/connaught-prince-arthur-image8248034.html
RMAHCWJ3–Connaught Prince Arthur
Miss Madge Saunders, the well known Gaiety actress pictured in her wedding dress for her marriage to the popular actor, Mr. Leslie Henson at St. George's Church in Hanover Square on 9 December 1919. Date: 1919 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miss-madge-saunders-the-well-known-gaiety-actress-pictured-in-her-wedding-dress-for-her-marriage-to-the-popular-actor-mr-leslie-henson-at-st-georges-church-in-hanover-square-on-9-december-1919-date-1919-image501437674.html
RM2M3PCTA–Miss Madge Saunders, the well known Gaiety actress pictured in her wedding dress for her marriage to the popular actor, Mr. Leslie Henson at St. George's Church in Hanover Square on 9 December 1919. Date: 1919
Princess Margaret of Connaught, elder daughter of Prince Arthur, Duke of Connaught and Strathearn. 1905 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-margaret-of-connaught-elder-daughter-of-prince-arthur-duke-of-connaught-and-strathearn-1905-image501419538.html
RM2M3NHMJ–Princess Margaret of Connaught, elder daughter of Prince Arthur, Duke of Connaught and Strathearn. 1905
Miss Thelma Raye - autographed postcard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miss-thelma-raye-autographed-postcard-image222876945.html
RMPXGWPW–Miss Thelma Raye - autographed postcard
A wedding dress of pale gold and ivory patterned brocade with a prettily folded bodice and a train cut in one with the skirt. The long, tight-fitting sleeves are cuffed with mink. Date: 1953 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-wedding-dress-of-pale-gold-and-ivory-patterned-brocade-with-a-prettily-folded-bodice-and-a-train-cut-in-one-with-the-skirt-the-long-tight-fitting-sleeves-are-cuffed-with-mink-date-1953-image501422614.html
RM2M3NNJE–A wedding dress of pale gold and ivory patterned brocade with a prettily folded bodice and a train cut in one with the skirt. The long, tight-fitting sleeves are cuffed with mink. Date: 1953
Princess May of Teck, (later Queen Mary), (1867 - 1953). On her wedding day, to Prince George, Duke of York, (later King George V). Date: 6 July 1893 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-may-of-teck-later-queen-mary-1867-1953-on-her-wedding-day-to-prince-george-duke-of-york-later-king-george-v-date-6-july-1893-image501435217.html
RM2M3P9MH–Princess May of Teck, (later Queen Mary), (1867 - 1953). On her wedding day, to Prince George, Duke of York, (later King George V). Date: 6 July 1893
Royal wedding 1863 - Princess Alexandra Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-wedding-1863-princess-alexandra-105340538.html
RMG3AJX2–Royal wedding 1863 - Princess Alexandra
A young and fresh looking wedding dress designed by Norman Hartnell for Jill Benton Jones marriage to Mr William McAlpine in 1960. The material is of the palest shell pink double satin, with a close fitting bodice and very full skirt folded softly at the front and spreading into a long train at the back. The three quarter length veil of swirling tulle is faintly tinged with pink and held in place by a diadem of glittering stars. Date: 1960 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-young-and-fresh-looking-wedding-dress-designed-by-norman-hartnell-for-jill-benton-jones-marriage-to-mr-william-mcalpine-in-1960-the-material-is-of-the-palest-shell-pink-double-satin-with-a-close-fitting-bodice-and-very-full-skirt-folded-softly-at-the-front-and-spreading-into-a-long-train-at-the-back-the-three-quarter-length-veil-of-swirling-tulle-is-faintly-tinged-with-pink-and-held-in-place-by-a-diadem-of-glittering-stars-date-1960-image501423740.html
RM2M3NR2M–A young and fresh looking wedding dress designed by Norman Hartnell for Jill Benton Jones marriage to Mr William McAlpine in 1960. The material is of the palest shell pink double satin, with a close fitting bodice and very full skirt folded softly at the front and spreading into a long train at the back. The three quarter length veil of swirling tulle is faintly tinged with pink and held in place by a diadem of glittering stars. Date: 1960
The Bride Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bride-image155068644.html
RMK07YHT–The Bride
A Camelot-style wedding dress and veil of nun-like simplicity in translucent white organdie with a wide border of guipure lace and the cuffs and hem, also trimming the veil and train. By Belinda Belville. Date: 1965 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-camelot-style-wedding-dress-and-veil-of-nun-like-simplicity-in-translucent-white-organdie-with-a-wide-border-of-guipure-lace-and-the-cuffs-and-hem-also-trimming-the-veil-and-train-by-belinda-belville-date-1965-image501455790.html
RM2M3R7YA–A Camelot-style wedding dress and veil of nun-like simplicity in translucent white organdie with a wide border of guipure lace and the cuffs and hem, also trimming the veil and train. By Belinda Belville. Date: 1965
The wedding of World War I flying ace, Captain Alec Cunningham-Reid (1895 - 1977) to Hon. Ruth Mary Clarisse Ashley, daughter of multi-millionaire, Lt-Col Wilfred Ashley (1st Baron Mount Temple) and sister of Edwina, Countess Mountbatten. The couple were described as 'England's wealthiest girl and handsomest man'. When the couple divorced in 1940, Alec sued his ex-wife for half her fortune. Great wedding dress! Date: 1927 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wedding-of-world-war-i-flying-ace-captain-alec-cunningham-reid-1895-1977-to-hon-ruth-mary-clarisse-ashley-daughter-of-multi-millionaire-lt-col-wilfred-ashley-1st-baron-mount-temple-and-sister-of-edwina-countess-mountbatten-the-couple-were-described-as-englands-wealthiest-girl-and-handsomest-man-when-the-couple-divorced-in-1940-alec-sued-his-ex-wife-for-half-her-fortune-great-wedding-dress!-date-1927-image501425585.html
RM2M3NWCH–The wedding of World War I flying ace, Captain Alec Cunningham-Reid (1895 - 1977) to Hon. Ruth Mary Clarisse Ashley, daughter of multi-millionaire, Lt-Col Wilfred Ashley (1st Baron Mount Temple) and sister of Edwina, Countess Mountbatten. The couple were described as 'England's wealthiest girl and handsomest man'. When the couple divorced in 1940, Alec sued his ex-wife for half her fortune. Great wedding dress! Date: 1927
Bride with wedding presents. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bride-with-wedding-presents-image504808153.html
RM2M97YXH–Bride with wedding presents.
A high fashion wedding dress in lace tinted with the merest pink, short enough in front to show a stocking and slippered foot. By Carina Martin from Harrods Trousseau room worn with an organza rose headdress and satin Dior shoes. Date: 1958 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-high-fashion-wedding-dress-in-lace-tinted-with-the-merest-pink-short-enough-in-front-to-show-a-stocking-and-slippered-foot-by-carina-martin-from-harrods-trousseau-room-worn-with-an-organza-rose-headdress-and-satin-dior-shoes-date-1958-image501457410.html
RM2M3RA16–A high fashion wedding dress in lace tinted with the merest pink, short enough in front to show a stocking and slippered foot. By Carina Martin from Harrods Trousseau room worn with an organza rose headdress and satin Dior shoes. Date: 1958
The wedding dress design by Jacques Heim for Princess Francoise de Bourbon-Parma's marriage to Prince Edward Lobkowicz at Notre Dame Paris in January 1960. The dress of snow white satin was moulded on classic lines and the bodice cut in one with the 23 foot train. The veil of family lace was mounted on white tulle and secured by a magnificent diamond tiara. Date: 1960 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wedding-dress-design-by-jacques-heim-for-princess-francoise-de-bourbon-parmas-marriage-to-prince-edward-lobkowicz-at-notre-dame-paris-in-january-1960-the-dress-of-snow-white-satin-was-moulded-on-classic-lines-and-the-bodice-cut-in-one-with-the-23-foot-train-the-veil-of-family-lace-was-mounted-on-white-tulle-and-secured-by-a-magnificent-diamond-tiara-date-1960-image501423741.html
RM2M3NR2N–The wedding dress design by Jacques Heim for Princess Francoise de Bourbon-Parma's marriage to Prince Edward Lobkowicz at Notre Dame Paris in January 1960. The dress of snow white satin was moulded on classic lines and the bodice cut in one with the 23 foot train. The veil of family lace was mounted on white tulle and secured by a magnificent diamond tiara. Date: 1960
Bride with bouquet on her wedding day. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bride-with-bouquet-on-her-wedding-day-image504808102.html
RM2M97YTP–Bride with bouquet on her wedding day.
Princess Marie Louise of Schleswig-Holstein (1872 - 1956), younger daughter of Prince and Princess Christian (Helena) and granddaughter of Queen Victoria, pictured in her wedding dress being attended to by her bridesmaids before her marriage to Prince Aribert of Anhalt. The lace used in her dress was the same Honiton point-lace worn by her mother for her marriage 25 years earlier, and was designed by the Prince Consort for Queen Victoria. Princess Marie Louise's marriage was annulled in 1900. Date: 1891 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-marie-louise-of-schleswig-holstein-1872-1956-younger-daughter-of-prince-and-princess-christian-helena-and-granddaughter-of-queen-victoria-pictured-in-her-wedding-dress-being-attended-to-by-her-bridesmaids-before-her-marriage-to-prince-aribert-of-anhalt-the-lace-used-in-her-dress-was-the-same-honiton-point-lace-worn-by-her-mother-for-her-marriage-25-years-earlier-and-was-designed-by-the-prince-consort-for-queen-victoria-princess-marie-louises-marriage-was-annulled-in-1900-date-1891-image501421698.html
RM2M3NMDP–Princess Marie Louise of Schleswig-Holstein (1872 - 1956), younger daughter of Prince and Princess Christian (Helena) and granddaughter of Queen Victoria, pictured in her wedding dress being attended to by her bridesmaids before her marriage to Prince Aribert of Anhalt. The lace used in her dress was the same Honiton point-lace worn by her mother for her marriage 25 years earlier, and was designed by the Prince Consort for Queen Victoria. Princess Marie Louise's marriage was annulled in 1900. Date: 1891
Artistic photograph showing a bride in veil and dress, looking pensively out of a window, perhaps in the knowledge that her new husband will soon be leaving for the front. A subsequent photograph on the following page (image number 10700922) depicted a war widow. Date: 1915 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artistic-photograph-showing-a-bride-in-veil-and-dress-looking-pensively-out-of-a-window-perhaps-in-the-knowledge-that-her-new-husband-will-soon-be-leaving-for-the-front-a-subsequent-photograph-on-the-following-page-image-number-10700922-depicted-a-war-widow-date-1915-image501434263.html
RM2M3P8EF–Artistic photograph showing a bride in veil and dress, looking pensively out of a window, perhaps in the knowledge that her new husband will soon be leaving for the front. A subsequent photograph on the following page (image number 10700922) depicted a war widow. Date: 1915
A regal wedding dress of white pure silk and antique lace designed by Owen Hyde-Clarke of Worth for the wedding of Aphra Farquhar Fetherstonhaugh to the Earl of Dundonald in 1960. The lace on the low-cut, long-sleeved bodice and on the train belonged to the wife of the 12th Earl of Dundonald. The diamond tiara holding the tulle head-dress was an heirloom of the bride's family. Date: 1960 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-regal-wedding-dress-of-white-pure-silk-and-antique-lace-designed-by-owen-hyde-clarke-of-worth-for-the-wedding-of-aphra-farquhar-fetherstonhaugh-to-the-earl-of-dundonald-in-1960-the-lace-on-the-low-cut-long-sleeved-bodice-and-on-the-train-belonged-to-the-wife-of-the-12th-earl-of-dundonald-the-diamond-tiara-holding-the-tulle-head-dress-was-an-heirloom-of-the-brides-family-date-1960-image501423720.html
RM2M3NR20–A regal wedding dress of white pure silk and antique lace designed by Owen Hyde-Clarke of Worth for the wedding of Aphra Farquhar Fetherstonhaugh to the Earl of Dundonald in 1960. The lace on the low-cut, long-sleeved bodice and on the train belonged to the wife of the 12th Earl of Dundonald. The diamond tiara holding the tulle head-dress was an heirloom of the bride's family. Date: 1960
Front cover of The Sketch magazine featuring a photograph of Miss Elizabeth Asquith, daughter of ex-Prime Minister Herbert Asquith, at her wedding to the Romanian diplomat Prince Antoine Bibesco in May 1919. Her ivory satin dress was covered in antique venetian and rose point lace with a train of brocaded velvet lined with cloth-of-silver. There were three wedding ceremonies - a registry office, another at a Greek church in Romania and the main event at St. Margaret's, Westminster. Date: 1919 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/front-cover-of-the-sketch-magazine-featuring-a-photograph-of-miss-elizabeth-asquith-daughter-of-ex-prime-minister-herbert-asquith-at-her-wedding-to-the-romanian-diplomat-prince-antoine-bibesco-in-may-1919-her-ivory-satin-dress-was-covered-in-antique-venetian-and-rose-point-lace-with-a-train-of-brocaded-velvet-lined-with-cloth-of-silver-there-were-three-wedding-ceremonies-a-registry-office-another-at-a-greek-church-in-romania-and-the-main-event-at-st-margarets-westminster-date-1919-image501456405.html
RM2M3R8N9–Front cover of The Sketch magazine featuring a photograph of Miss Elizabeth Asquith, daughter of ex-Prime Minister Herbert Asquith, at her wedding to the Romanian diplomat Prince Antoine Bibesco in May 1919. Her ivory satin dress was covered in antique venetian and rose point lace with a train of brocaded velvet lined with cloth-of-silver. There were three wedding ceremonies - a registry office, another at a Greek church in Romania and the main event at St. Margaret's, Westminster. Date: 1919
Find the Fault card No. 14 -- bride and groom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/find-the-fault-card-no-14-bride-and-groom-image504808315.html
RM2M9804B–Find the Fault card No. 14 -- bride and groom.
Wedding of Pamela Tabor to John Daniell, 1933 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-wedding-of-pamela-tabor-to-john-daniell-1933-169379916.html
RMKRFWPM–Wedding of Pamela Tabor to John Daniell, 1933
A regal wedding dress of white pure silk and antique lace designed by Owen Hyde-Clarke of Worth for the wedding of Aphra Farquhar Fetherstonhaugh to the Earl of Dundonald in 1960. The lace on the low-cut, long-sleeved bodice and on the train belonged to the wife of the 12th Earl of Dundonald. The diamond tiara holding the tulle head-dress was an heirloom of the bride's family. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-regal-wedding-dress-of-white-pure-silk-and-antique-lace-designed-by-owen-hyde-clarke-of-worth-for-the-wedding-of-aphra-farquhar-fetherstonhaugh-to-the-earl-of-dundonald-in-1960-the-lace-on-the-low-cut-long-sleeved-bodice-and-on-the-train-belonged-to-the-wife-of-the-12th-earl-of-dundonald-the-diamond-tiara-holding-the-tulle-head-dress-was-an-heirloom-of-the-brides-family-image504893951.html
RM2M9BWAR–A regal wedding dress of white pure silk and antique lace designed by Owen Hyde-Clarke of Worth for the wedding of Aphra Farquhar Fetherstonhaugh to the Earl of Dundonald in 1960. The lace on the low-cut, long-sleeved bodice and on the train belonged to the wife of the 12th Earl of Dundonald. The diamond tiara holding the tulle head-dress was an heirloom of the bride's family.
Artistic photograph showing a bride in veil and dress, looking pensively out of a window, perhaps in the knowledge that her new husband will soon be leaving for the front. A subsequent photograph on the following page (image number 10700922) depicted a war widow. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artistic-photograph-showing-a-bride-in-veil-and-dress-looking-pensively-out-of-a-window-perhaps-in-the-knowledge-that-her-new-husband-will-soon-be-leaving-for-the-front-a-subsequent-photograph-on-the-following-page-image-number-10700922-depicted-a-war-widow-image560868520.html
RM2RGDNEG–Artistic photograph showing a bride in veil and dress, looking pensively out of a window, perhaps in the knowledge that her new husband will soon be leaving for the front. A subsequent photograph on the following page (image number 10700922) depicted a war widow.
Monro O'Hagan wedding with dog Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-monro-ohagan-wedding-with-dog-169316840.html
RMKRD1A0–Monro O'Hagan wedding with dog
Young Druze woman - a bride, Holy Land, Lebanon, c.1880's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-druze-woman-a-bride-holy-land-lebanon-c1880s-image560806185.html
RM2RGAX09–Young Druze woman - a bride, Holy Land, Lebanon, c.1880's
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