Paris Mouzaia District bottom of Place des Fetes France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paris-mouzaia-district-bottom-of-place-des-fetes-france-french-43286783.html
RMCEBTMF–Paris Mouzaia District bottom of Place des Fetes France French
Paris Mouzaia District bottom of Place des Fetes France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paris-mouzaia-district-bottom-of-place-des-fetes-france-french-43286789.html
RMCEBTMN–Paris Mouzaia District bottom of Place des Fetes France French
Paris Mouzaia District bottom of Place des Fetes France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paris-mouzaia-district-bottom-of-place-des-fetes-france-french-43286784.html
RMCEBTMG–Paris Mouzaia District bottom of Place des Fetes France French
old ancient Greek Roman amphora pottery ceramic old ancient terracotta found on Sea Bottom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-ancient-greek-roman-amphora-pottery-ceramic-old-ancient-terracotta-38110599.html
RMC602CR–old ancient Greek Roman amphora pottery ceramic old ancient terracotta found on Sea Bottom
The bottom of the cartridge pouch by Jean-Baptiste Édouard Detaille, 1848 – 1912, Alphonse de Neuville, 1835-1885, France, French, German, Germany, ( Battle of Rezonville August 1870 ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bottom-of-the-cartridge-pouch-by-jean-baptiste-douard-detaille-1848-1912-alphonse-de-neuville-1835-1885-france-french-german-germany-battle-of-rezonville-august-1870-image386046186.html
RM2DC1WRP–The bottom of the cartridge pouch by Jean-Baptiste Édouard Detaille, 1848 – 1912, Alphonse de Neuville, 1835-1885, France, French, German, Germany, ( Battle of Rezonville August 1870 )
old ancient Greek Roman amphora pottery ceramic old ancient terracotta found on Sea Bottom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-ancient-greek-roman-amphora-pottery-ceramic-old-ancient-terracotta-37952299.html
RMC5MTF7–old ancient Greek Roman amphora pottery ceramic old ancient terracotta found on Sea Bottom
old ancient Greek Roman amphora pottery ceramic old ancient terracotta found on Sea Bottom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-ancient-greek-roman-amphora-pottery-ceramic-old-ancient-terracotta-38110611.html
RMC602D7–old ancient Greek Roman amphora pottery ceramic old ancient terracotta found on Sea Bottom
Paris Mouzaia District bottom of Place des Fetes France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paris-mouzaia-district-bottom-of-place-des-fetes-france-french-43286793.html
RMCEBTMW–Paris Mouzaia District bottom of Place des Fetes France French
The Lamentation of Christ 1525, Joos van Cleve, (1485-1540/1541) , Flemish, Belgian, Belgium, ( Bottom painting detail ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lamentation-of-christ-1525-joos-van-cleve-1485-15401541-flemish-belgian-belgium-bottom-painting-detail-image242030736.html
RMT1NCJT–The Lamentation of Christ 1525, Joos van Cleve, (1485-1540/1541) , Flemish, Belgian, Belgium, ( Bottom painting detail )
Lycia Votive Relief Roman dedication to Zeus top center Artemis bottom center twelve Lycian gods standing on twelve dogs Turkey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lycia-votive-relief-roman-dedication-to-zeus-top-center-artemis-bottom-38110462.html
RMC6027X–Lycia Votive Relief Roman dedication to Zeus top center Artemis bottom center twelve Lycian gods standing on twelve dogs Turkey
Lycia Votive Relief Roman dedication to Zeus top center Artemis bottom center twelve Lycian gods standing on twelve dogs Turkey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lycia-votive-relief-roman-dedication-to-zeus-top-center-artemis-bottom-38110442.html
RMC60276–Lycia Votive Relief Roman dedication to Zeus top center Artemis bottom center twelve Lycian gods standing on twelve dogs Turkey
Lycia Votive Relief Roman dedication to Zeus top center Artemis bottom center twelve Lycian gods standing on twelve dogs Turkey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lycia-votive-relief-roman-dedication-to-zeus-top-center-artemis-bottom-37929578.html
RMC5KRFP–Lycia Votive Relief Roman dedication to Zeus top center Artemis bottom center twelve Lycian gods standing on twelve dogs Turkey
Sarcophagus Etruscan woman Italy Etruria 200 BC bottom left Odysseus as a beggar sees his wife Penelope men trying to abduct her Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sarcophagus-etruscan-woman-italy-etruria-200-bc-bottom-left-odysseus-41886517.html
RMCC42K1–Sarcophagus Etruscan woman Italy Etruria 200 BC bottom left Odysseus as a beggar sees his wife Penelope men trying to abduct her
Sarcophagus Etruscan woman Italy Etruria 200 BC bottom left Odysseus as a beggar sees his wife Penelope men trying to abduct her Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sarcophagus-etruscan-woman-italy-etruria-200-bc-bottom-left-odysseus-41886661.html
RMCC42T5–Sarcophagus Etruscan woman Italy Etruria 200 BC bottom left Odysseus as a beggar sees his wife Penelope men trying to abduct her
Sarcophagus Etruscan woman Italy Etruria 200 BC bottom left Odysseus as a beggar sees his wife Penelope men trying to abduct her Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sarcophagus-etruscan-woman-italy-etruria-200-bc-bottom-left-odysseus-41886642.html
RMCC42RE–Sarcophagus Etruscan woman Italy Etruria 200 BC bottom left Odysseus as a beggar sees his wife Penelope men trying to abduct her
Herunter 476 (Vers le bas) 1929 - Herunter 476 (To the bottom) 1929 Wassily KANDINSKY, Moscow, Russia, Russian Empire,1866 - Neuilly-sur-Seine,1944 France, French, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/herunter-476-vers-le-bas-1929-herunter-476-to-the-bottom-1929-wassily-kandinsky-moscow-russia-russian-empire1866-neuilly-sur-seine1944-france-french-image177657669.html
RMM9104N–Herunter 476 (Vers le bas) 1929 - Herunter 476 (To the bottom) 1929 Wassily KANDINSKY, Moscow, Russia, Russian Empire,1866 - Neuilly-sur-Seine,1944 France, French,
Glass barrel frontinien soufflé mold Brand Front Nana on the bottom 2-3th Century Ad Roman France French ( found in Rue Delpech Amiens ) Museum Picardie Amiens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-glass-barrel-frontinien-souffl-mold-brand-front-nana-on-the-bottom-100332647.html
RMFR6F8R–Glass barrel frontinien soufflé mold Brand Front Nana on the bottom 2-3th Century Ad Roman France French ( found in Rue Delpech Amiens ) Museum Picardie Amiens
Lamentationicon by Cretan artist Emmanuel Lambardos.15th cventury . Palaiologan model, bottom there is a jar containing perfume for the care of the dead body, Athens Greece Byzantine Museum Orthodox Church Greek ( Icon ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lamentationicon-by-cretan-artist-emmanuel-lambardos15th-cventury-palaiologan-model-bottom-there-is-a-jar-containing-perfume-for-the-care-of-the-dead-body-athens-greece-byzantine-museum-orthodox-church-greek-icon-image564554914.html
RM2RPDKFE–Lamentationicon by Cretan artist Emmanuel Lambardos.15th cventury . Palaiologan model, bottom there is a jar containing perfume for the care of the dead body, Athens Greece Byzantine Museum Orthodox Church Greek ( Icon )
Lamentationicon by Cretan artist Emmanuel Lambardos.15th cventury . Palaiologan model, bottom there is a jar containing perfume for the care of the dead body, Athens Greece Byzantine Museum Orthodox Church Greek ( Icon ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lamentationicon-by-cretan-artist-emmanuel-lambardos15th-cventury-palaiologan-model-bottom-there-is-a-jar-containing-perfume-for-the-care-of-the-dead-body-athens-greece-byzantine-museum-orthodox-church-greek-icon-image564554904.html
RM2RPDKF4–Lamentationicon by Cretan artist Emmanuel Lambardos.15th cventury . Palaiologan model, bottom there is a jar containing perfume for the care of the dead body, Athens Greece Byzantine Museum Orthodox Church Greek ( Icon )
Lot and his Daughters (or Drunkenness Lot) by Noel Coypel 1628 1707 France French ( Elegant baroque composition. Harmony patches of bright color clothes red white blue pink and yellow. At bottom right, Sodom in flames ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lot-and-his-daughters-or-drunkenness-lot-by-noel-coypel-1628-1707-94993715.html
RMFEF9CK–Lot and his Daughters (or Drunkenness Lot) by Noel Coypel 1628 1707 France French ( Elegant baroque composition. Harmony patches of bright color clothes red white blue pink and yellow. At bottom right, Sodom in flames )
St Luke Painting the Virgin. Self Portrait in Luke traits. The Virgin feet crossed. Beef is lying by Luke, bottom left. In the foreground, several open books. Maerten van Heemskerck 1498-1574 Dutch Netherlands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-luke-painting-the-virgin-self-portrait-in-luke-traits-the-virgin-94894359.html
RMFEAPM7–St Luke Painting the Virgin. Self Portrait in Luke traits. The Virgin feet crossed. Beef is lying by Luke, bottom left. In the foreground, several open books. Maerten van Heemskerck 1498-1574 Dutch Netherlands
Stela family of Houyou, singer of the king, Top - solar barque with reliquary of Osiris, Middle - Houyou making offerings to Osiris, Bottom Ameaemheb, Supervisor Archers, and wife, receiving family offerings, Museum Lyon, Egypt, Egyptian, Museum of Beaux Arts, Lyon Egypt, Egyptian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stela-family-of-houyou-singer-of-the-king-top-solar-barque-with-reliquary-of-osiris-middle-houyou-making-offerings-to-osiris-bottom-ameaemheb-supervisor-archers-and-wife-receiving-family-offerings-museum-lyon-egypt-egyptian-museum-of-beaux-arts-lyon-egypt-egyptian-image386173808.html
RM2DC7MHM–Stela family of Houyou, singer of the king, Top - solar barque with reliquary of Osiris, Middle - Houyou making offerings to Osiris, Bottom Ameaemheb, Supervisor Archers, and wife, receiving family offerings, Museum Lyon, Egypt, Egyptian, Museum of Beaux Arts, Lyon Egypt, Egyptian
East Indian Market Stall in Batavia 1640 - 1666 Albert Eckhout oil paint Indonesia, Jakarta, Dutch, (A Chinese man buys fruit from a stall run by Indian women, where all kinds of native fruits are displayed: ramboutan, mangosteen, dourian, copra, mangas, grapefruit, pineapple and bananas. A white cockatoo sits on the bamboo fence. Bottom right is a paper painted with a list of the names of the fruits depicted.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/east-indian-market-stall-in-batavia-1640-1666-albert-eckhout-oil-paint-indonesia-jakarta-dutch-a-chinese-man-buys-fruit-from-a-stall-run-by-indian-women-where-all-kinds-of-native-fruits-are-displayed-ramboutan-mangosteen-dourian-copra-mangas-grapefruit-pineapple-and-bananas-a-white-cockatoo-sits-on-the-bamboo-fence-bottom-right-is-a-paper-painted-with-a-list-of-the-names-of-the-fruits-depicted-image439784352.html
RM2GFDWC0–East Indian Market Stall in Batavia 1640 - 1666 Albert Eckhout oil paint Indonesia, Jakarta, Dutch, (A Chinese man buys fruit from a stall run by Indian women, where all kinds of native fruits are displayed: ramboutan, mangosteen, dourian, copra, mangas, grapefruit, pineapple and bananas. A white cockatoo sits on the bamboo fence. Bottom right is a paper painted with a list of the names of the fruits depicted.)
Dove, anonymous, 1225 - 1250, gilding, 22.0cm × 15.9 × 17.9, France, French, (Limoges, 1225–1250, gilded copper, enamel, Communion hosts, were kept in this dove, which was suspended on a chain above , altar as a symbol , Holy Ghost, Eucharistic dove of gilded copper and enamel champlevé, Enamelled are the wings, tail and midfield of the square bowl surrounded ,walls with eight towers in which the pigeon stands ,On the back of the bird a heart-shaped lid, Under the bottom of the bowl an engraved cross, pigeon, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dove-anonymous-1225-1250-gilding-220cm-159-179-france-french-limoges-12251250-gilded-copper-enamel-communion-hosts-were-kept-in-this-dove-which-was-suspended-on-a-chain-above-altar-as-a-symbol-holy-ghost-eucharistic-dove-of-gilded-copper-and-enamel-champlev-enamelled-are-the-wings-tail-and-midfield-of-the-square-bowl-surrounded-walls-with-eight-towers-in-which-the-pigeon-stands-on-the-back-of-the-bird-a-heart-shaped-lid-under-the-bottom-of-the-bowl-an-engraved-cross-pigeon-image562517750.html
RM2RK4W3J–Dove, anonymous, 1225 - 1250, gilding, 22.0cm × 15.9 × 17.9, France, French, (Limoges, 1225–1250, gilded copper, enamel, Communion hosts, were kept in this dove, which was suspended on a chain above , altar as a symbol , Holy Ghost, Eucharistic dove of gilded copper and enamel champlevé, Enamelled are the wings, tail and midfield of the square bowl surrounded ,walls with eight towers in which the pigeon stands ,On the back of the bird a heart-shaped lid, Under the bottom of the bowl an engraved cross, pigeon,
Dove, anonymous, 1225 - 1250, gilding, 22.0cm × 15.9 × 17.9, France, French, (Limoges, 1225–1250, gilded copper, enamel, Communion hosts, were kept in this dove, which was suspended on a chain above , altar as a symbol , Holy Ghost, Eucharistic dove of gilded copper and enamel champlevé, Enamelled are the wings, tail and midfield of the square bowl surrounded ,walls with eight towers in which the pigeon stands ,On the back of the bird a heart-shaped lid, Under the bottom of the bowl an engraved cross, pigeon, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dove-anonymous-1225-1250-gilding-220cm-159-179-france-french-limoges-12251250-gilded-copper-enamel-communion-hosts-were-kept-in-this-dove-which-was-suspended-on-a-chain-above-altar-as-a-symbol-holy-ghost-eucharistic-dove-of-gilded-copper-and-enamel-champlev-enamelled-are-the-wings-tail-and-midfield-of-the-square-bowl-surrounded-walls-with-eight-towers-in-which-the-pigeon-stands-on-the-back-of-the-bird-a-heart-shaped-lid-under-the-bottom-of-the-bowl-an-engraved-cross-pigeon-image562517759.html
RM2RK4W3Y–Dove, anonymous, 1225 - 1250, gilding, 22.0cm × 15.9 × 17.9, France, French, (Limoges, 1225–1250, gilded copper, enamel, Communion hosts, were kept in this dove, which was suspended on a chain above , altar as a symbol , Holy Ghost, Eucharistic dove of gilded copper and enamel champlevé, Enamelled are the wings, tail and midfield of the square bowl surrounded ,walls with eight towers in which the pigeon stands ,On the back of the bird a heart-shaped lid, Under the bottom of the bowl an engraved cross, pigeon,
Dove, anonymous, 1225 - 1250, gilding, 22.0cm × 15.9 × 17.9, France, French, (Limoges, 1225–1250, gilded copper, enamel, Communion hosts, were kept in this dove, which was suspended on a chain above , altar as a symbol , Holy Ghost, Eucharistic dove of gilded copper and enamel champlevé, Enamelled are the wings, tail and midfield of the square bowl surrounded ,walls with eight towers in which the pigeon stands ,On the back of the bird a heart-shaped lid, Under the bottom of the bowl an engraved cross, pigeon, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dove-anonymous-1225-1250-gilding-220cm-159-179-france-french-limoges-12251250-gilded-copper-enamel-communion-hosts-were-kept-in-this-dove-which-was-suspended-on-a-chain-above-altar-as-a-symbol-holy-ghost-eucharistic-dove-of-gilded-copper-and-enamel-champlev-enamelled-are-the-wings-tail-and-midfield-of-the-square-bowl-surrounded-walls-with-eight-towers-in-which-the-pigeon-stands-on-the-back-of-the-bird-a-heart-shaped-lid-under-the-bottom-of-the-bowl-an-engraved-cross-pigeon-image562517737.html
RM2RK4W35–Dove, anonymous, 1225 - 1250, gilding, 22.0cm × 15.9 × 17.9, France, French, (Limoges, 1225–1250, gilded copper, enamel, Communion hosts, were kept in this dove, which was suspended on a chain above , altar as a symbol , Holy Ghost, Eucharistic dove of gilded copper and enamel champlevé, Enamelled are the wings, tail and midfield of the square bowl surrounded ,walls with eight towers in which the pigeon stands ,On the back of the bird a heart-shaped lid, Under the bottom of the bowl an engraved cross, pigeon,
Dove, anonymous, 1225 - 1250, gilding, 22.0cm × 15.9 × 17.9, France, French, (Limoges, 1225–1250, gilded copper, enamel, Communion hosts, were kept in this dove, which was suspended on a chain above , altar as a symbol , Holy Ghost, Eucharistic dove of gilded copper and enamel champlevé, Enamelled are the wings, tail and midfield of the square bowl surrounded ,walls with eight towers in which the pigeon stands ,On the back of the bird a heart-shaped lid, Under the bottom of the bowl an engraved cross, pigeon, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dove-anonymous-1225-1250-gilding-220cm-159-179-france-french-limoges-12251250-gilded-copper-enamel-communion-hosts-were-kept-in-this-dove-which-was-suspended-on-a-chain-above-altar-as-a-symbol-holy-ghost-eucharistic-dove-of-gilded-copper-and-enamel-champlev-enamelled-are-the-wings-tail-and-midfield-of-the-square-bowl-surrounded-walls-with-eight-towers-in-which-the-pigeon-stands-on-the-back-of-the-bird-a-heart-shaped-lid-under-the-bottom-of-the-bowl-an-engraved-cross-pigeon-image439933432.html
RM2GFMKG8–Dove, anonymous, 1225 - 1250, gilding, 22.0cm × 15.9 × 17.9, France, French, (Limoges, 1225–1250, gilded copper, enamel, Communion hosts, were kept in this dove, which was suspended on a chain above , altar as a symbol , Holy Ghost, Eucharistic dove of gilded copper and enamel champlevé, Enamelled are the wings, tail and midfield of the square bowl surrounded ,walls with eight towers in which the pigeon stands ,On the back of the bird a heart-shaped lid, Under the bottom of the bowl an engraved cross, pigeon,
The Last Judgement Retabel 1440-1445 Angelico (Fra) (1395/1400 - 1455 Rome) manufacture painter Rome Italy Italian 15th Century ( bottom detail ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-judgement-retabel-1440-1445-angelico-fra-13951400-1455-rome-123385851.html
RMH4MKWF–The Last Judgement Retabel 1440-1445 Angelico (Fra) (1395/1400 - 1455 Rome) manufacture painter Rome Italy Italian 15th Century ( bottom detail )
Lid of the sarcophagus of Djedhor 4th century BC (At the bottom, the goddess of the West protects the dead; all around him, deities including Isis (at the feet) and Nephthys at the head, ) Egypt, Egyptian (detail) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lid-of-the-sarcophagus-of-djedhor-4th-century-bc-at-the-bottom-the-goddess-of-the-west-protects-the-dead-all-around-him-deities-including-isis-at-the-feet-and-nephthys-at-the-head-egypt-egyptian-detail-image329494784.html
RM2A41NXT–Lid of the sarcophagus of Djedhor 4th century BC (At the bottom, the goddess of the West protects the dead; all around him, deities including Isis (at the feet) and Nephthys at the head, ) Egypt, Egyptian (detail)
Lid of the sarcophagus of Djedhor 4th century BC (At the bottom, the goddess of the West protects the dead; all around him, deities including Isis (at the feet) and Nephthys at the head, ) Egypt, Egyptian (detail) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lid-of-the-sarcophagus-of-djedhor-4th-century-bc-at-the-bottom-the-goddess-of-the-west-protects-the-dead-all-around-him-deities-including-isis-at-the-feet-and-nephthys-at-the-head-egypt-egyptian-detail-image329494790.html
RM2A41NY2–Lid of the sarcophagus of Djedhor 4th century BC (At the bottom, the goddess of the West protects the dead; all around him, deities including Isis (at the feet) and Nephthys at the head, ) Egypt, Egyptian (detail)
Upper part Mourning Scene, Funerary lamentation - Bottom part cattle driver with two oxen, Thebes, Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upper-part-mourning-scene-funerary-lamentation-bottom-part-cattle-driver-with-two-oxen-thebes-tempera-painting-first-intermediate-period-gebeleintomb-of-iti-and-neferu-2118-1980-bc-egypt-museo-egizio-di-torino-italy-image459059509.html
RM2HJRY2D–Upper part Mourning Scene, Funerary lamentation - Bottom part cattle driver with two oxen, Thebes, Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy)
Jacques-Clément WAGREZ, 1850 - 1908, Perseus, 1879, Perseus holds with his right hand his sword and from the left the head of Medusa whose body lies on the ground. Behind the hero, on the right, Minerva threatens with his spear two Gorgons that one sees on the left at the bottom, France, French, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-clment-wagrez-1850-1908-perseus-1879-perseus-holds-with-his-right-hand-his-sword-and-from-the-left-the-head-of-medusa-whose-body-lies-on-the-ground-behind-the-hero-on-the-right-minerva-threatens-with-his-spear-two-gorgons-that-one-sees-on-the-left-at-the-bottom-france-french-image177657717.html
RMM9106D–Jacques-Clément WAGREZ, 1850 - 1908, Perseus, 1879, Perseus holds with his right hand his sword and from the left the head of Medusa whose body lies on the ground. Behind the hero, on the right, Minerva threatens with his spear two Gorgons that one sees on the left at the bottom, France, French,
Jacques-Clément WAGREZ, 1850 - 1908, Perseus, 1879, Perseus holds with his right hand his sword and from the left the head of Medusa whose body lies on the ground. Behind the hero, on the right, Minerva threatens with his spear two Gorgons that one sees on the left at the bottom, France, French, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-clment-wagrez-1850-1908-perseus-1879-perseus-holds-with-his-right-hand-his-sword-and-from-the-left-the-head-of-medusa-whose-body-lies-on-the-ground-behind-the-hero-on-the-right-minerva-threatens-with-his-spear-two-gorgons-that-one-sees-on-the-left-at-the-bottom-france-french-image177657718.html
RMM9106E–Jacques-Clément WAGREZ, 1850 - 1908, Perseus, 1879, Perseus holds with his right hand his sword and from the left the head of Medusa whose body lies on the ground. Behind the hero, on the right, Minerva threatens with his spear two Gorgons that one sees on the left at the bottom, France, French,
Virgin and Child ( detail painting middle panel) by Agostino Tesauro active 1541-1546 . Italian painter.Fine Art Museum, Museo di Capodimonte, Naples, Italy. Bourbon Collection. ( Crucifixion between Saint Venera and Saint Apollonia. Bottom part: Virgin and Child between Saint Leonard and Saint Donatus. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-detail-painting-middle-panel-by-agostino-tesauro-active-1541-1546-italian-painterfine-art-museum-museo-di-capodimonte-naples-italy-bourbon-collection-crucifixion-between-saint-venera-and-saint-apollonia-bottom-part-virgin-and-child-between-saint-leonard-and-saint-donatus-image572495752.html
RM2T7BC4T–Virgin and Child ( detail painting middle panel) by Agostino Tesauro active 1541-1546 . Italian painter.Fine Art Museum, Museo di Capodimonte, Naples, Italy. Bourbon Collection. ( Crucifixion between Saint Venera and Saint Apollonia. Bottom part: Virgin and Child between Saint Leonard and Saint Donatus. )
Virgin and Child ( detail painting middle panel) by Agostino Tesauro active 1541-1546 . Italian painter.Fine Art Museum, Museo di Capodimonte, Naples, Italy. Bourbon Collection. ( Crucifixion between Saint Venera and Saint Apollonia. Bottom part: Virgin and Child between Saint Leonard and Saint Donatus. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-detail-painting-middle-panel-by-agostino-tesauro-active-1541-1546-italian-painterfine-art-museum-museo-di-capodimonte-naples-italy-bourbon-collection-crucifixion-between-saint-venera-and-saint-apollonia-bottom-part-virgin-and-child-between-saint-leonard-and-saint-donatus-image572495758.html
RM2T7BC52–Virgin and Child ( detail painting middle panel) by Agostino Tesauro active 1541-1546 . Italian painter.Fine Art Museum, Museo di Capodimonte, Naples, Italy. Bourbon Collection. ( Crucifixion between Saint Venera and Saint Apollonia. Bottom part: Virgin and Child between Saint Leonard and Saint Donatus. )
The Four Crowned Saints ( bottom detail )by Nanni di Banco facade of the Orsanmichele ( or Kitchen Garden of St. Michael ) is a church in Florence ( In 1336 as a market and grain storage area, as on commission of the Silk guild (silk union). Italy ,Italian ( Patronagesculptors, stonemasons, stonecutters; against fever; cattle ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-four-crowned-saints-bottom-detail-by-nanni-di-banco-facade-of-166975579.html
RMKKJB1F–The Four Crowned Saints ( bottom detail )by Nanni di Banco facade of the Orsanmichele ( or Kitchen Garden of St. Michael ) is a church in Florence ( In 1336 as a market and grain storage area, as on commission of the Silk guild (silk union). Italy ,Italian ( Patronagesculptors, stonemasons, stonecutters; against fever; cattle )
The Four Crowned Saints ( bottom detail )by Nanni di Banco facade of the Orsanmichele ( or Kitchen Garden of St. Michael ) is a church in Florence ( In 1336 as a market and grain storage area, as on commission of the Silk guild (silk union). Italy ,Italian ( Patronagesculptors, stonemasons, stonecutters; against fever; cattle ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-four-crowned-saints-bottom-detail-by-nanni-di-banco-facade-of-166975624.html
RMKKJB34–The Four Crowned Saints ( bottom detail )by Nanni di Banco facade of the Orsanmichele ( or Kitchen Garden of St. Michael ) is a church in Florence ( In 1336 as a market and grain storage area, as on commission of the Silk guild (silk union). Italy ,Italian ( Patronagesculptors, stonemasons, stonecutters; against fever; cattle )
The Four Crowned Saints ( bottom detail )by Nanni di Banco facade of the Orsanmichele ( or Kitchen Garden of St. Michael ) is a church in Florence ( In 1336 as a market and grain storage area, as on commission of the Silk guild (silk union). Italy ,Italian ( Patronagesculptors, stonemasons, stonecutters; against fever; cattle ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-four-crowned-saints-bottom-detail-by-nanni-di-banco-facade-of-166975748.html
RMKKJB7G–The Four Crowned Saints ( bottom detail )by Nanni di Banco facade of the Orsanmichele ( or Kitchen Garden of St. Michael ) is a church in Florence ( In 1336 as a market and grain storage area, as on commission of the Silk guild (silk union). Italy ,Italian ( Patronagesculptors, stonemasons, stonecutters; against fever; cattle )
The Four Crowned Saints ( bottom detail )by Nanni di Banco facade of the Orsanmichele ( or Kitchen Garden of St. Michael ) is a church in Florence ( In 1336 as a market and grain storage area, as on commission of the Silk guild (silk union). Italy ,Italian ( Patronagesculptors, stonemasons, stonecutters; against fever; cattle ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-four-crowned-saints-bottom-detail-by-nanni-di-banco-facade-of-166975713.html
RMKKJB69–The Four Crowned Saints ( bottom detail )by Nanni di Banco facade of the Orsanmichele ( or Kitchen Garden of St. Michael ) is a church in Florence ( In 1336 as a market and grain storage area, as on commission of the Silk guild (silk union). Italy ,Italian ( Patronagesculptors, stonemasons, stonecutters; against fever; cattle )
The Enclosed Garden ( Madonna, Mary and Child are radiant, surrounded by flowers and fruits of silver thread and silk, interspersed with relics, The little gate at the bottom leads to an enclosed garden, symbolizing Mary`s virginity, a reference to Adam and Eve`s Garden of Eden. ) Anonieme Meester - Anonymous Master, Brabants, 16de eeuw Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-enclosed-garden-madonna-mary-and-child-are-radiant-surrounded-by-flowers-and-fruits-of-silver-thread-and-silk-interspersed-with-relics-the-little-gate-at-the-bottom-leads-to-an-enclosed-garden-symbolizing-mary`s-virginity-a-reference-to-adam-and-eve`s-garden-of-eden-anonieme-meester-anonymous-master-brabants-16de-eeuw-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598075058.html
RM2WN0JRE–The Enclosed Garden ( Madonna, Mary and Child are radiant, surrounded by flowers and fruits of silver thread and silk, interspersed with relics, The little gate at the bottom leads to an enclosed garden, symbolizing Mary`s virginity, a reference to Adam and Eve`s Garden of Eden. ) Anonieme Meester - Anonymous Master, Brabants, 16de eeuw Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
The Enclosed Garden ( Madonna, Mary and Child are radiant, surrounded by flowers and fruits of silver thread and silk, interspersed with relics, The little gate at the bottom leads to an enclosed garden, symbolizing Mary`s virginity, a reference to Adam and Eve`s Garden of Eden. ) Anonieme Meester - Anonymous Master, Brabants, 16de eeuw Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-enclosed-garden-madonna-mary-and-child-are-radiant-surrounded-by-flowers-and-fruits-of-silver-thread-and-silk-interspersed-with-relics-the-little-gate-at-the-bottom-leads-to-an-enclosed-garden-symbolizing-mary`s-virginity-a-reference-to-adam-and-eve`s-garden-of-eden-anonieme-meester-anonymous-master-brabants-16de-eeuw-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598075062.html
RM2WN0JRJ–The Enclosed Garden ( Madonna, Mary and Child are radiant, surrounded by flowers and fruits of silver thread and silk, interspersed with relics, The little gate at the bottom leads to an enclosed garden, symbolizing Mary`s virginity, a reference to Adam and Eve`s Garden of Eden. ) Anonieme Meester - Anonymous Master, Brabants, 16de eeuw Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Bottom of the coffin of Chelidonia early 3rd century AD Thebes (Tamarind wood painted with tempera Thebes tombs) Egypt Egyptian , In Roman times, the ancient Thebes no longer exists: the city of Diospolis Magna (Louqsor) extends on the east bank of the Nile while the west bank (Memnonia) now depends on the city of Hermonthis (Armant ). The long-established funerary tradition for the Egyptian elite is better maintained here than elsewhere, by the care given to mummification, the skilful integration of ancient iconography and the use of cartonnage techniques, especially in stuccoed linen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bottom-of-the-coffin-of-chelidonia-early-3rd-century-ad-thebes-tamarind-wood-painted-with-tempera-thebes-tombs-egypt-egyptian-in-roman-times-the-ancient-thebes-no-longer-exists-the-city-of-diospolis-magna-louqsor-extends-on-the-east-bank-of-the-nile-while-the-west-bank-memnonia-now-depends-on-the-city-of-hermonthis-armant-the-long-established-funerary-tradition-for-the-egyptian-elite-is-better-maintained-here-than-elsewhere-by-the-care-given-to-mummification-the-skilful-integration-of-ancient-iconography-and-the-use-of-cartonnage-techniques-especially-in-stuccoed-linen-image264197172.html
RMW9R658–Bottom of the coffin of Chelidonia early 3rd century AD Thebes (Tamarind wood painted with tempera Thebes tombs) Egypt Egyptian , In Roman times, the ancient Thebes no longer exists: the city of Diospolis Magna (Louqsor) extends on the east bank of the Nile while the west bank (Memnonia) now depends on the city of Hermonthis (Armant ). The long-established funerary tradition for the Egyptian elite is better maintained here than elsewhere, by the care given to mummification, the skilful integration of ancient iconography and the use of cartonnage techniques, especially in stuccoed linen.
Bottom of the coffin of Chelidonia early 3rd century AD Thebes (Tamarind wood painted with tempera Thebes tombs) Egypt Egyptian , In Roman times, the ancient Thebes no longer exists: the city of Diospolis Magna (Louqsor) extends on the east bank of the Nile while the west bank (Memnonia) now depends on the city of Hermonthis (Armant ). The long-established funerary tradition for the Egyptian elite is better maintained here than elsewhere, by the care given to mummification, the skilful integration of ancient iconography and the use of cartonnage techniques, especially in stuccoed linen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bottom-of-the-coffin-of-chelidonia-early-3rd-century-ad-thebes-tamarind-wood-painted-with-tempera-thebes-tombs-egypt-egyptian-in-roman-times-the-ancient-thebes-no-longer-exists-the-city-of-diospolis-magna-louqsor-extends-on-the-east-bank-of-the-nile-while-the-west-bank-memnonia-now-depends-on-the-city-of-hermonthis-armant-the-long-established-funerary-tradition-for-the-egyptian-elite-is-better-maintained-here-than-elsewhere-by-the-care-given-to-mummification-the-skilful-integration-of-ancient-iconography-and-the-use-of-cartonnage-techniques-especially-in-stuccoed-linen-image264197185.html
RMW9R65N–Bottom of the coffin of Chelidonia early 3rd century AD Thebes (Tamarind wood painted with tempera Thebes tombs) Egypt Egyptian , In Roman times, the ancient Thebes no longer exists: the city of Diospolis Magna (Louqsor) extends on the east bank of the Nile while the west bank (Memnonia) now depends on the city of Hermonthis (Armant ). The long-established funerary tradition for the Egyptian elite is better maintained here than elsewhere, by the care given to mummification, the skilful integration of ancient iconography and the use of cartonnage techniques, especially in stuccoed linen.
he Agony in the Garden 1492 Pietro Perugino 1446/1452 – 1523 born Pietro Vannucci, Italian Renaissance painter of the Umbrian school, Italy ( Christ is portrayed in center of the panel above a clear sky, kneeling in the Garden of Gethsemane and receiving by an angel a divine chalice. His figure forms a triangle with the three sleeping apostles at the bottom (from the left, John, Peter and James); the triangle is connected to the painting's sides by the symmetrical line of the hills. Behind Jesus is a lake landscape, a typical element of the Italian painting at the time, with a fortified city. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/he-agony-in-the-garden-1492-pietro-perugino-14461452-1523-born-pietro-vannucci-italian-renaissance-painter-of-the-umbrian-school-italy-christ-is-portrayed-in-center-of-the-panel-above-a-clear-sky-kneeling-in-the-garden-of-gethsemane-and-receiving-by-an-angel-a-divine-chalice-his-figure-forms-a-triangle-with-the-three-sleeping-apostles-at-the-bottom-from-the-left-john-peter-and-james-the-triangle-is-connected-to-the-paintings-sides-by-the-symmetrical-line-of-the-hills-behind-jesus-is-a-lake-landscape-a-typical-element-of-the-italian-painting-at-the-time-with-a-fortified-city-image486862189.html
RM2K82DK9–he Agony in the Garden 1492 Pietro Perugino 1446/1452 – 1523 born Pietro Vannucci, Italian Renaissance painter of the Umbrian school, Italy ( Christ is portrayed in center of the panel above a clear sky, kneeling in the Garden of Gethsemane and receiving by an angel a divine chalice. His figure forms a triangle with the three sleeping apostles at the bottom (from the left, John, Peter and James); the triangle is connected to the painting's sides by the symmetrical line of the hills. Behind Jesus is a lake landscape, a typical element of the Italian painting at the time, with a fortified city.
The Agony in the Garden 1492 Pietro Perugino 1446/1452 – 1523 born Pietro Vannucci, Italian Renaissance painter of the Umbrian school, Italy ( Christ is portrayed in center of the panel above a clear sky, kneeling in the Garden of Gethsemane and receiving by an angel a divine chalice. His figure forms a triangle with the three sleeping apostles at the bottom (from the left, John, Peter and James); the triangle is connected to the painting's sides by the symmetrical line of the hills. Behind Jesus is a lake landscape, a typical element of the Italian painting at the time, with a fortified city Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-agony-in-the-garden-1492-pietro-perugino-14461452-1523-born-pietro-147649691.html
RMJG60K7–The Agony in the Garden 1492 Pietro Perugino 1446/1452 – 1523 born Pietro Vannucci, Italian Renaissance painter of the Umbrian school, Italy ( Christ is portrayed in center of the panel above a clear sky, kneeling in the Garden of Gethsemane and receiving by an angel a divine chalice. His figure forms a triangle with the three sleeping apostles at the bottom (from the left, John, Peter and James); the triangle is connected to the painting's sides by the symmetrical line of the hills. Behind Jesus is a lake landscape, a typical element of the Italian painting at the time, with a fortified city
Painting Fresco of a hunter equipped with a bow 5 illennium Tepe Djowi The ghassoulien Chalcolithic of Palestine 4500-3500 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-fresco-of-a-hunter-equipped-with-a-bow-5-illennium-tepe-djowi-44007176.html
RMCFGKGT–Painting Fresco of a hunter equipped with a bow 5 illennium Tepe Djowi The ghassoulien Chalcolithic of Palestine 4500-3500 BC
The Lamentation of Christ 1525, Joos van Cleve, (1485-1540/1541) , Flemish, Belgian, Belgium, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-lamentation-of-christ-1525-joos-van-cleve-1485-15401541-flemish-belgian-belgium-image242030759.html
RMT1NCKK–The Lamentation of Christ 1525, Joos van Cleve, (1485-1540/1541) , Flemish, Belgian, Belgium,
Sarcophagus Hercules protector wedding Hippodameia wedding bride of Pelops helps to murder Myrtilos Etruscan Etruria 200 BC Ital Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sarcophagus-hercules-protector-wedding-hippodameia-wedding-bride-of-41886656.html
RMCC42T0–Sarcophagus Hercules protector wedding Hippodameia wedding bride of Pelops helps to murder Myrtilos Etruscan Etruria 200 BC Ital
Christian allegory by Jan Provost 1465 - 1529 Belgian Belgium Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christian-allegory-by-jan-provost-1465-1529-belgian-belgium-47451219.html
RMCN5GEB–Christian allegory by Jan Provost 1465 - 1529 Belgian Belgium
Narrative construction of Adad-nirari II king of Assyria Assyrian Empire 13 century BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-narrative-construction-of-adad-nirari-ii-king-of-assyria-assyrian-44006821.html
RMCFGK45–Narrative construction of Adad-nirari II king of Assyria Assyrian Empire 13 century BC
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100784059.html
RMFRY32K–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100784014.html
RMFRY312–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100784022.html
RMFRY31A–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100783989.html
RMFRY305–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100784047.html
RMFRY327–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100784050.html
RMFRY32A–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100784008.html
RMFRY30T–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100784084.html
RMFRY33G–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-face-of-the-human-skull-inlaid-with-a-mosaic-of-turquoise-shell-and-100783990.html
RMFRY306–Face of the human skull inlaid with a mosaic of turquoise shell and pearl. The nose is missing as well as the right pupil. 1400-1520 Mixtecos Teotitlan del Camino Oaxaca (state), Mexico Mixtec artisan Central America American ( God Quetzalcoatl )
Giuliano de' Medici as a teenager with Leopard . Fresco by Benozzo Gozzoli, Cappella dei Magi by Benozzo Gozzoli ''Journey of the Magi'', Palazzo Medici Riccardi (The palace was designed by Michelozzo di Bartolomeo ) for Cosimo de' Medici, 1444- 1484. Florence Italy ( Gozzoli (bottom right ), self-portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-giuliano-de-medici-as-a-teenager-with-leopard-fresco-by-benozzo-gozzoli-166833193.html
RMKKBWC9–Giuliano de' Medici as a teenager with Leopard . Fresco by Benozzo Gozzoli, Cappella dei Magi by Benozzo Gozzoli ''Journey of the Magi'', Palazzo Medici Riccardi (The palace was designed by Michelozzo di Bartolomeo ) for Cosimo de' Medici, 1444- 1484. Florence Italy ( Gozzoli (bottom right ), self-portrait
Giuliano de' Medici as a teenager with Leopard . Fresco by Benozzo Gozzoli, Cappella dei Magi by Benozzo Gozzoli ''Journey of the Magi'', Palazzo Medici Riccardi (The palace was designed by Michelozzo di Bartolomeo ) for Cosimo de' Medici, 1444- 1484. Florence Italy ( Gozzoli (bottom right ), self-portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-giuliano-de-medici-as-a-teenager-with-leopard-fresco-by-benozzo-gozzoli-166833199.html
RMKKBWCF–Giuliano de' Medici as a teenager with Leopard . Fresco by Benozzo Gozzoli, Cappella dei Magi by Benozzo Gozzoli ''Journey of the Magi'', Palazzo Medici Riccardi (The palace was designed by Michelozzo di Bartolomeo ) for Cosimo de' Medici, 1444- 1484. Florence Italy ( Gozzoli (bottom right ), self-portrait
The Dream of Saint Joseph 1642 Philippe de Champaigne 1602–1674 French Baroque painter France ( The woodworking instruments at the bottom of the carpentry ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-dream-of-saint-joseph-1642-philippe-de-champaigne-16021674-french-136952180.html
RMHXPKW8–The Dream of Saint Joseph 1642 Philippe de Champaigne 1602–1674 French Baroque painter France ( The woodworking instruments at the bottom of the carpentry )
Fresco from villa near Boscoreale Roman 40-30 Woman music woman playing the kithara Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fresco-from-villa-near-boscoreale-roman-40-30-woman-music-woman-playing-image6859085.html
RMA86FGE–Fresco from villa near Boscoreale Roman 40-30 Woman music woman playing the kithara
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