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Born 1430 Stock Photos and Images
RF2HW8JF7–Art inspired by Francesco d'Este (born about 1430, died after 1475), ca. 1460, Oil on wood, Overall 12 1/2 x 8 3/4 in. (31.8 x 22.2 cm): painted surface, each side 11 3/4 x 8 in. (29.8 x 20.3 cm), Paintings, Rogier van der Weyden (Netherlandish, Tournai ca. 1399–1464 Brussels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMERH6TN–Christine de Pisan. 1363 – c.1430. Venetian-born poet well known and highly regarded in her own day. Engraving by Geille.c.1846
RM2B0J5CW–Bertoldo di Giovanni, To Commemorate the Pazzi Conspiracy, 1478, Italian, Florence, Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430–40, died 1491 Poggio a Caiano), 1478, Italian, Florence, Bronze, Diameter: 64 mm, Medals and Plaquettes
RMPB67K1–The Resurrection of the Dead and the Last Judgment (reverse); Portrait Medal of Filippo de' Medici, Archbishop of Pisa (obverse). Artist: Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430-40, died 1491 Poggio a Caiano). Culture: Italian, Florence. Dimensions: Diameter: 56 mm. Date: ca. 1468-69. Filippo de' Medici, a distant relation of Lorenzo the Magnificent, was Archbishop of Pisa from 1462 until his death in 1474. The portrait is the most sensitive among those by Bertoldo, an intimate of Lorenzo. The beautiful reverse has been said, surprisingly but accurately, to have influenced M
RM2R8AC74–Christine de Pizan (1365-1430). French writer and philosopher born in Venice. Engraving after a miniature from the 15th century. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RMT78HNY–Two angels carrying a cartouche; Christ in the Garden of Olives and the Flagellation; The bearing of the cross; Crucifixion; Joseph of Arimathea and Nicodemus on the way to Calvary. 1492 by Niccolo di Liberatore ( L'ALUNNO ) Foligno in Umbria, born about 1430 - 1502 ( part of Five Images), Italian, Italy,
RMMW0HRF–. English: Signature of Demetrios Palaiologos, Despot of the Morea. The signature reads: + Δημήτριος Δεσπότης Παλαιολόγος ὁ Πορφυρογέννητος, '+Demetrios the Despot Palaiologos the Purple-born' . between circa 1430 and circa 1460. Demetrios Palaiologos 558 Signature of Demetrios Palaiologos
RMG15NCX–Christine de Pizan presenting her book to Queen Isabeau of Bavaria. Christine de Pizan (1364-c.1430) was an Italian-born French medieval writer of many works, including poems of courtly love, a biography of Charles V of France, and several works champion
RM2AWM1PY–Portrait Of A Young Man by Hans Memling. Hans Memling (also spelled Memlinc; c. 1430 – 11 August 1494) was a German painter who moved to Flanders and worked in the tradition of Early Netherlandish painting. He was born in the Middle Rhine region, and probably spent his childhood in Mainz. He had moved to the Netherlands by 1465 and spent time in the Brussels workshop of Rogier van der Weyden. He was subsequently made a citizen of Bruges, where he became one of the leading artists in which he painted religious works that often incorporated portraits of his wealthy patrons.
RMKPP8E5–Virgin with Child by Antoniazzo Romano born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – 1510) Italian Early Renaissance painter.
RM2A51DHP–Leaf from a Book of Hours: The Nativity (recto), c. 1430. Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event. Perhaps the brevity and absence of detail in these texts allowed artists to devote so much creativity to amplifying the Christmas story. This miniature's simplicity makes it compelling. Only the three principals—Mary, Joseph, and the newly born Christ Child—appear in the scene. The Virgin kneels before an elegant canopied bed made sumpt
RM2B02NEK–Andrei Rublev (Russian: Андре́й Рублёв), also transliterated Andrey Rublyov, born in the 1360s, died 29 January 1427 or 1430 although 17 October 1428, is considered to be the greatest medieval Russian painter of Orthodox icons and frescoes. Little information survives about the life of Rublev. It is not known where he was born. Rublev probably lived in the Trinity-St. Sergius Lavra near Moscow under Nikon of Radonezh, who became hegumen after the death of Sergii Radonezhsky (1392). The first mention of Rublev is in 1405 when he decorated icons and frescos for the Cathedral of the Annunciati
RF2AW5BPK–1430 ca , ROMA , ITALY : Pope MARTINO V COLONNA di Genazzano ( 1368 – 1431 ) born Ottone or Oddone Colonna . Portrait engraved by B. Picart , Paris ,
RF2HW3WHC–Art inspired by Filippo de' Medici, Archbishop of Pisa, 1462–1474, ca. 1468–69, Italian, Florence, Bronze, Diameter: 56 mm, Medals and Plaquettes, Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430–40, died 1491 Poggio a Caiano), The Florentine Bertoldo made this medal as part, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WRXYP0–1400 c. , FRANCE: The italian-born french woman poet CRISTINA DA PIZZANO ( 1364 - 1430 ca ) aka CHRISTINE DE PIZAN or PISAN . Undentified engraver, pubblished in 1846 . Author at the court of King Charles VI of France . She is best remembered for defending women in The Book of the City of Ladies and The Treasure of the City of Ladies . Venetian by birth, Christine was a prominent moralist and political thinker in medieval France . Unknown engraver from XIX century.- LETTERATURA - LITERATURE - scrittore - ritratto - portrait - POETESSA - POETA - POESIA - POETRY - desk - scrivania --- Archivi
RF2HW8WX7–Art inspired by Medal: Sultan Mehmed II, model 1480 (old aftercast), Copper alloy., Diam. 9 cm, wt. 270.79 g, Medals, Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430–40, died 1491 Poggio a Caiano), A portrait of Sultan Mehmed II of Turkey (1430 – 1481), the Conqueror, is on, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW8XF4–Art inspired by Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse), model 1480 (old aftercast), Bronze, Diam. 9.4 cm, wt. 321.66 g., Medals, Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430–40, died 1491 Poggio a Caiano), Bertoldo based this likeness, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RME74WCM–'Paep Thoon' (1430-1487) bronze statue in Leuven, Belgium by Peter Vanbekbergen (born 1962).
RF2F1TC26–Antique 19th-century illustration of a portrait of Margaret of Anjou, Queen consort of England. She was born on March 23, 1430 in Lorraine, France and
RM2HH5PPC–Marsilio Ficino (1433–1499) 15th century Medalist: Niccolò Fiorentino (Niccolò di Forzore Spinelli) Italian Born into a family of Florentine goldsmiths, Niccolò ranks among the leading portrait medalists of the Italian Renaissance. Working in high relief, he created effigies that are bolder in scale, more varied, and more bluntly realistic than anything produced earlier.. Marsilio Ficino (1433–1499). Medalist: Niccolò Fiorentino (Niccolò di Forzore Spinelli) (Italian, Florence 1430–1514 Florence). Italian, Florence. 15th century. Lead. Medals and Plaquettes
RM2B0KNEE–Bertoldo di Giovanni, Frederick III (1413-1493), Holy Roman Emperor (1452), Italian, Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430–40, died 1491 Poggio a Caiano), 1469, Italian, Bronze, 56.5 mm, Medals and Plaquettes
RMPB6718–Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse). Artist: Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430-40, died 1491 Poggio a Caiano). Dimensions: Diam. 9.4 cm, wt. 321.66 g.. Date: model 1480 (old aftercast). Bertoldo based this likeness on a medal by the Venetian artist Gentile Bellini, who had also painted the Ottoman sultan's portrait. Mehmed favored Italian medalists, perceiving their art form as a way to emphasize his rightful lineage among the emperors of Byzantium and ancient Rome. This medal, Bertoldo's largest and only signed example, was a gi
RM2DCFF09–Anonymous Artist, (artist), Niccolò Fiorentino, (related artist), Florentine, 1430 - 1514, Gianozzo di Bernardo Salviati, born 1462, 1500 or after, bronze, overall (diameter): 8.92 cm (3 1/2 in.), gross weight: 223.24 gr (0.492 lb.), axis: 12:00
RMT78HNX–Two angels carrying a cartouche; Christ in the Garden of Olives and the Flagellation; The bearing of the cross; Crucifixion; Joseph of Arimathea and Nicodemus on the way to Calvary. 1492 by Niccolo di Liberatore ( L'ALUNNO ) Foligno in Umbria, born about 1430 - 1502 ( part of Five Images), Italian, Italy,
RMMWRC9N–. English: Signature of Demetrios Palaiologos, Despot of the Morea. The signature reads: + Δημήτριος Δεσπότης Παλαιολόγος ὁ Πορφυρογέννητος, '+Demetrios the Despot Palaiologos the Purple-born' . between circa 1430 and circa 1460. Demetrios Palaiologos 559 Signature of Demetrios Palaiologos
RMG15NCY–Christine de Pizan lecturing to a group of men. Christine de Pizan (1364-c.1430) was an Italian-born French medieval writer of many works, including poems of courtly love, a biography of Charles V of France, and several works championing women. She was c
RM2WT75EX–Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Image
RM2JAYJF7–Princess's Family - New Picture -- This picture released today, Jan. 9, from Clarence House, London shows Princess Elizabeth, the duke of Edinburgh and their children, Prince Charles and Princess Anne, The Prince, who is reaching out to his baby sister, was born on 14 Nov. 1948: The little Princess will be five months old on 15 Jan. Princess Elizabeth, now in Malta, is expected back from Malta on Jan. 20. The Duke of Edinburgh commands the 1430-ton frigate magpie. January 30, 1951. (Photo by United Press Photo).
RM2A5293P–St. Francis of Assisi Receiving the Stigmata, c. 1430. Although born into a wealthy merchant family, St. Francis (1181-1226) rejected all wordly goods, dedicating himself to chastity, humility, and selfless acts of kindness. By the time of his death, the order of friars he founded had expanded throughout Europe. In the summer of 1224, Francis visited a mountain retreat at La Verna near Assisi. After weeks of intense prayer, an angel on a cross appeared. The painter shows mystical rays of light emanating from the angel and leaving Francis with stigmata, wounds resembling those Christ suffered a
RM2WA6805–Christine de Pizan (1365-1430). French writer and philosopher born in Venice. Engraving after a miniature from the 15th century. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2WT3P9B–1400 c. , FRANCE: The italian-born french woman poet CRISTINA DA PIZZANO ( 1364 - 1430 ca ) aka CHRISTINE DE PIZAN or PISAN . Undentified engraver, pubblished in 1846 . Author at the court of King Charles VI of France . She is best remembered for defending women in The Book of the City of Ladies and The Treasure of the City of Ladies . Venetian by birth, Christine was a prominent moralist and political thinker in medieval France . Unknown engraver from XIX century.- LETTERATURA - LITERATURE - scrittore - ritratto - portrait - POETESSA - POETA - POESIA - POETRY - desk - scrivania --- Archivi
RMBT65FC–queen Margaret of Anjou: Marguerite d'Anjou 23 March 1430 – 25 August 1482 wife King Henry VI of England. Queen consort of Engl
RM2WPC5R3–1400 ca , FRANCE: The italian-born french woman poet CRISTINA DA PIZZANO ( 1364 - 1430 ca ) aka CHRISTINE DE PIZAN or PISAN . Author at the court of King Charles VI of France . She is best remembered for defending women in The Book of the City of Ladies and The Treasure of the City of Ladies . Venetian by birth, Christine was a prominent moralist and political thinker in medieval France . Portrait engraved by Louis Lassalle , pubblished in 1850 c. by d'Aubert & c., Paris . DIGITALLY COLORIZED .- FOTO STORICHE - HISTORY - LETTERATURA - LITERATURE - scrittore - ritratto - portrait - POETESSA -
RM2AXRART–1400 ca , FRANCE: The italian-born french woman poet CRISTINA DA PIZZANO ( 1364 - 1430 ca ) aka CHRISTINE DE PIZAN or PISAN . Undentified engraver, pubblished in 1846 . Author at the court of King Charles VI of France . She is best remembered for defending women in The Book of the City of Ladies and The Treasure of the City of Ladies . Venetian by birth, Christine was a prominent moralist and political thinker in medieval France .- LETTERATURA - LITERATURE - scrittore - ritratto - portrait - POETESSA - POETA - POESIA - POETRY - veil - velo - reader - lettrice - lettore - desk - scrivania ---
RMH80MX5–Rome, Italy. 08th Nov, 2016. Donatella Tesei, mayor of Montefalco, attends the 'Antoniazzo Romano' exhibition press conference at the Vatican Museums in Rome, Italy. Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. © Giuseppe Ciccia/Pacific Press/Alamy Live News
RMPB0B9W–Lorenzo de' Medici, 'il Magnifico' (1448-1492). Culture: Italian. Dimensions: Diameter: 3 9/16 in. (9 cm). Maker: Medalist: Niccolò Fiorentino (Niccolò di Forzore Spinelli) (Italian, Florence 1430-1514 Florence). Date: ca. 1490. Born into a family of Florentine goldsmiths, Niccolò ranks among the leading portrait medalists of the Italian Renaissance. Working in high relief, he created effigies that are bolder in scale, more varied, and more bluntly realistic than anything produced earlier. Museum: Metropolitan Museum of Art, New York, USA.
RM2DCFEB5–Anonymous Artist, (artist), Niccolò Fiorentino, (related artist), Florentine, 1430 - 1514, Francesco Lancilotti, born 1472, Painter, early 16th century, bronze/Late, rough cast, overall (diameter): 7.05 cm (2 3/4 in.), gross weight: 147.89 gr (0.326 lb
RMT78HP5–Two angels carrying a cartouche; Christ in the Garden of Olives and the Flagellation; The bearing of the cross; Crucifixion; Joseph of Arimathea and Nicodemus on the way to Calvary. 1492 by Niccolo di Liberatore ( L'ALUNNO ) Foligno in Umbria, born about 1430 - 1502 ( part of Five Images), Italian, Italy,
RMMY238J–. English: Signature of Demetrios Palaiologos, Despot of the Morea. The signature reads: + Δημήτριος Δεσπότης Παλαιολόγος ὁ Πορφυρογέννητος, '+Demetrios the Despot Palaiologos the Purple-born' . between circa 1430 and circa 1460. Demetrios Palaiologos 488 Signature of Demetrios Palaiologos
RMKNDBKP–Francesco d'Este (born about 1430, died after 1475) painting by Rogier van der Weyden (1400-1464)
RM2WT6J52–Lazio Rieti Roccantica S. Caterina6. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2AG52MG–. Ox-team days on the Oregon Trail /by Ezra Meeker ; revised and edited by Howard R. Driggs. know the burden that he carried. The wagonweighed 1430 pounds, had wooden axles and wide track,and carried an average load of 800 pounds. Along with anunbroken four-year old steer, a natural-born shirk, Twisthad hauled the wagon 1776 miles, and he was in betterworking trim just before he died than when the trip began.And yet, am I sure that at some points I did not abuse him?What about coming up out of Little Canyon, or rather upthe steep, rocky steps of stones like stairs, whenI used thegoad, and he p
RM2A51DHN–Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430. Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event. Perhaps the brevity and absence of detail in these texts allowed artists to devote so much creativity to amplifying the Christmas story. This miniature's simplicity makes it compelling. Only the three principals—Mary, Joseph, and the newly born Christ Child—appear in the scene. The Virgin kneels before an elegant canopi
RM2BTBAW2–1400 c, FRANCE: The italian-born french woman poet CRISTINA DA PIZZANO ( 1364 - 1430 ca ) aka CHRISTINE DE PIZAN or PISAN . Engraving by Geille from a design by Bouterack , pubblished in 1846 . Author at the court of King Charles VI of France . She is best remembered for defending women in The Book of the City of Ladies and The Treasure of the City of Ladies . Venetian by birth, Christine was a prominent moralist and political thinker in medieval France .- LETTERATURA - LITERATURE - scrittore - ritratto - portrait - POETESSA - POETA - POESIA - POETRY - veil - velo - reader - lettrice - lettor
RMH80MYC–Rome, Italy. 08th Nov, 2016. Antonio Paolucci (Vatican Museums' Director) attends the 'Antoniazzo Romano' exhibition press conference at the Vatican Museums in Rome, Italy. Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. © Giuseppe Ciccia/Pacific Press/Alamy Live News
RM2DCFMA5–Anonymous Artist, (artist), Niccolò Fiorentino, (related artist), Florentine, 1430 - 1514, Ruberto di Bernardo Nasi, born 1479, Prior of Liberty 1513, c. 1495, bronze, overall (diameter): 5.52 cm (2 3/16 in.), gross weight: 72.21 gr (0.159 lb.), axis: 12:00
RMT78HP6–Two angels carrying a cartouche; Christ in the Garden of Olives and the Flagellation; The bearing of the cross; Crucifixion; Joseph of Arimathea and Nicodemus on the way to Calvary. 1492 by Niccolo di Liberatore ( L'ALUNNO ) Foligno in Umbria, born about 1430 - 1502 ( part of Five Images), Italian, Italy,
RMMY2397–. English: Signature of Thomas Palaiologos, Despot of the Morea. The signature reads: + Θωμᾶς Δεσπότης Παλαιολόγος ὁ Πορφυρογέννητος, '+Thomas the Despot Palaiologos the Purple-born' . between circa 1430 and circa 1460. Thomas Palaiologos, 488 Signature of Thomas Palaiologos
RM2WT8344–Lazio Rieti Roccantica S. Caterina0. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RMKNK90B–'Chinese Emperor Standing in Pavilion', Folio from a Majma al-Tavarikh (Compendium of Histories) of Hafiz-i Abru, Author: Hafiz-i-Abru (Iranian, born Khorasan-1430 Zanjan), ca. 1425, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolour and gold on paper
RM2A51DJ9–Leaf from a Book of Hours: Text (verso), c. 1430. Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event. Perhaps the brevity and absence of detail in these texts allowed artists to devote so much creativity to amplifying the Christmas story. This miniature's simplicity makes it compelling. Only the three principals—Mary, Joseph, and the newly born Christ Child—appear in the scene. The Virgin kneels before an elegant canopied bed made sumptuous by
RM2CEX0C3–. Ireland in London. ompany. In thefirst-named is buried James Butler, one of theEarls of Ormond (1428), and also his wife(1430). The Saddlers Hall possesses one ofThomas Fryes finest works, a full-length portraitoiFredeiiek. Prince of Wales. Frye was one ofthe best Irish artists of the eighteenth century.He is beliaved to have been the first in Englandto paint on porcelain, while both as a mezzotintengraver and portrait-painter he is very highlypraised. Passing Bow Church, with its beautiful steepleby Wren, and its famous bells, only within thesound ol which true Cockneys are born, we cometo
RMKC6AXY–Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse), Bertoldo di Giovanni, model 1480 (old aftercast
RM2B995EY–1400 c, FRANCE: The italian-born french woman poet CRISTINA DA PIZZANO ( 1364 - 1430 ca ) aka CHRISTINE DE PIZAN or PISAN . Engraving by Geille from a design by Bouterack , pubblished in 1846 . Author at the court of King Charles VI of France . She is best remembered for defending women in The Book of the City of Ladies and The Treasure of the City of Ladies . Venetian by birth, Christine was a prominent moralist and political thinker in medieval France .- LETTERATURA - LITERATURE - scrittore - ritratto - portrait - POETESSA - POETA - POESIA - POETRY - veil - velo - reader - lettrice - lettor
RM2WPC5R0–1400 ca , FRANCE: The italian-born french woman poet CRISTINA DA PIZZANO ( 1364 - 1430 ca ) aka CHRISTINE DE PIZAN or PISAN . Author at the court of King Charles VI of France . She is best remembered for defending women in The Book of the City of Ladies and The Treasure of the City of Ladies . Venetian by birth, Christine was a prominent moralist and political thinker in medieval France . Portrait engraved by Louis Lassalle , pubblished in 1850 c. by d'Aubert & c., Paris . - FOTO STORICHE - HISTORY - LETTERATURA - LITERATURE - scrittore - ritratto - portrait - POETESSA - POETA - POESIA - POE
RMH80MYH–Rome, Italy. 08th Nov, 2016. Antonio Paolucci (Vatican Museums' Director) attends the 'Antoniazzo Romano' exhibition press conference at the Vatican Museums in Rome, Italy. Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. © Giuseppe Ciccia/Pacific Press/Alamy Live News
RM2WPC5PX–1400 ca , FRANCE: The italian-born french woman poet CRISTINA DA PIZZANO ( 1364 - 1430 ca ) aka CHRISTINE DE PIZAN or PISAN . Author at the court of King Charles VI of France . She is best remembered for defending women in The Book of the City of Ladies and The Treasure of the City of Ladies . Venetian by birth, Christine was a prominent moralist and political thinker in medieval France . Portrait engraved by Louis Lassalle , pubblished in 1850 c. by d'Aubert & c., Paris . - FOTO STORICHE - HISTORY - LETTERATURA - LITERATURE - scrittore - ritratto - portrait - POETESSA - POETA - POESIA - POE
RMT78HPE–Two angels carrying a cartouche; Christ in the Garden of Olives and the Flagellation; The bearing of the cross; Crucifixion; Joseph of Arimathea and Nicodemus on the way to Calvary. 1492 by Niccolo di Liberatore ( L'ALUNNO ) Foligno in Umbria, born about 1430 - 1502 ( part of Five Images), Italian, Italy,
RMMWRCA7–. English: Signature of Thomas Palaiologos, Despot of the Morea. The signature reads: + Θωμᾶς Δεσπότης Παλαιολόγος ὁ Πορφυρογέννητος, '+Thomas the Despot Palaiologos the Purple-born' . between circa 1430 and circa 1460. Thomas Palaiologos, 559 Signature of Thomas Palaiologos
RMCT7P93–Maria Portinari Maria Maddalena Baroncelli born 1456) Hans Memling ( Memlinc ) 1430 – 1494 German Germany
RM2WT7847–Lazio Rieti Roccantica S. Caterina3. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RMH80MRE–Rome, Italy. 08th Nov, 2016. Antonio Paolucci (Vatican Museums' Director) attends the 'Antoniazzo Romano' exhibition press conference at the Vatican Museums in Rome, Italy. Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. © Giuseppe Ciccia/Pacific Press/Alamy Live News
RMMW0HTY–. English: Signature of Thomas Palaiologos, Despot of the Morea. The signature reads: + Θωμᾶς Δεσπότης Παλαιολόγος ὁ Πορφυρογέννητος, '+Thomas the Despot Palaiologos the Purple-born' . between circa 1430 and circa 1460. Thomas Palaiologos, 558 Signature of Thomas Palaiologos
RM2WT5YE6–Lazio Rieti Roccantica S. Caterina7. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RMH80MW1–Rome, Italy. 08th Nov, 2016. Antonio Paolucci (Vatican Museums' Director) attends the 'Antoniazzo Romano' exhibition press conference at the Vatican Museums in Rome, Italy. Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. © Giuseppe Ciccia/Pacific Press/Alamy Live News
RMMMRC4M–37.456 Bartolomeo di Tommaso da Foligno (Italian, born 1408/11, died before 1454). 'The Funeral of Saint Francis of Assisi,' ca. 1430. tempera on wood. Walters Art Museum (37.456): Acquired by Henry Walters, 1915. Bartolomeo di Tommaso da Foligno - The Funeral of Saint Francis of Assisi - Walters 37456
RM2WT5FKE–Lazio Rieti Roccantica S. Caterina9. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RMH80MRM–Rome, Italy. 08th Nov, 2016. Antonio Paolucci (Vatican Museums' Director) attends the 'Antoniazzo Romano' exhibition press conference at the Vatican Museums in Rome, Italy. Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. © Giuseppe Ciccia/Pacific Press/Alamy Live News
RM2WT4FGT–Lazio Rieti Roccantica S. Caterina4. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RMH80MW6–Rome, Italy. 08th Nov, 2016. Antonio Paolucci (Vatican Museums' Director) attends the 'Antoniazzo Romano' exhibition press conference at the Vatican Museums in Rome, Italy. Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. © Giuseppe Ciccia/Pacific Press/Alamy Live News
RM2WT72AG–Lazio Rieti Roccantica S. Caterina4. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RMH80MWT–Rome, Italy. 08th Nov, 2016. Antonio Paolucci (Vatican Museums' Director) attends the 'Antoniazzo Romano' exhibition press conference at the Vatican Museums in Rome, Italy. Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century. © Giuseppe Ciccia/Pacific Press/Alamy Live News
RM2WT5X4D–Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Image
RM2WT69GE–Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Image
RM2WT4B8H–Lazio Rieti Roccantica S. Caterina6. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT57PH–Lazio Rieti Roccantica S. Caterina0. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT3YHD–Lazio Rieti Roccantica S. Caterina5. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT7D8F–Lazio Rieti Roccantica S. Caterina2. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT68B8–Lazio Rieti Roccantica S. Caterina5. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT6EFF–Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Image
RM2WT73HN–Lazio Rieti Roccantica S. Caterina8. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT5WMN–Lazio Rieti Roccantica S. Caterina2. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT6PPC–Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Image
RM2WT6KKF–Lazio Rieti Roccantica S. Caterina1. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT629H–Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Image
RM2WT86M6–Lazio Rieti Roccantica S. Caterina1. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT66X5–Lazio Rieti Roccantica S. Caterina8. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT6PJ4–Lazio Rieti Roccantica S. Caterina9. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT7M32–Lazio Rieti Roccantica S. Caterina0. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Imag
RM2WT37KY–Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Image
RM2WT6YGX–Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Image
Search Results for Born 1430 Stock Photos and Images (104)
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