Quick filters:
Page 1 of 5
Blue velvet gown Stock Photos and Images
RM2T8Y36C–Fashion picture: Two Parisian women with velvet hats in blue and white woolen dress, Unknown, 1827, paper, colorised, copperplate engraving, height 19, 9 cm, width 12, 1 cm, plate size 17, 4×12, 2 cm, Fashion, Bourgeoisie, Biedermeier, fashion plates, head-gear, woman, dress, gown, The Vienna Collection
RMHHG506–For gala evening a strapless ball gown in 'Terylene' lawn which will shake out uncrushed after packing and keeps fresh-looking throughout the evening. It is made by Dellwood in patterns of emerald, red, blue or hold on a white background trimmed with a matching velvet bow and streamers.
RME0MKAN–Jul. 07, 1955 - The Queen's Dressmaker designs Jewellery Blue hat Bugle beads and drop diamonds; Norman Harwell the Queen's Dressmaker revealed that he is now designing fashion jewelry as well as top class clothes. This creation was to be seen during ashowing of his latest styles in London yesterday and is of Cassandra who is wearing a Royal Blue hat with bugle beads and tear deamonds and rope diamonds against a black velvet gown.
RM2M3K7GA–A fashion illustration showing a green chiffon velvet gown with blue silk net ruffles. The image on the right shows a coat of brocaded lame with an ermine collar. Date: 1929
RF2HKA4HJ–Inspired by Très Parisien, 1923, No 11: 15. - AU BAL. - Cette robe de velours..., Ball gown of printed velvet with flounces of plain blue velvet. Cape of silver grey velvet, at the large collar and at the underside of the cape two shades of velvet. Velvet by Fraudet. Accessories: headband, floral, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2M3K7ND–Fashion illustration by Gordon Conway. An evening gown in blue chiffon and lace. The flounce on the waist and the upper flounce on the skirt are appliqued to the frock across the front and back; only the sides hang loose. Blue suede gloves are worn with it, also satin slippers in two shades of blue. The bag is in chiffon velvet with a with a crystal top and a fringe of crystal beads. Date: 1930
RM2WAEA1F–King Henry VI of England and France, at his devotions, 1450. The King wears a crimson velvet cap, sky-blue gown lined with ermine, large gold chain. He kneels at a covered table with missal and crown in St. Michael's church, Coventry. From a tapestry in St. Mary's Guildhall, Coventry. Handcoloured copperplate engraving etched by John Augustus Atkinson, aquatinted by Robert Havell, after an illustration by Charles Hamilton Smith from his own Selections of Ancient Costume of Great Britain and Ireland, Colnaghi and Co., London, 1814.
RM2M3NKWG–Four items from Princess Patricia of Connaught's trousseau, consisting of evening frocks and tea gowns. The dresses are, from left to right, an evening gown in powder blue with gold and silver brocade; a tea frock of turquoise blue mousseline de soie over apple green satin; an evening dress of sapphire blue satin; and a peach chiffon velvet tea gown. All of the dresses were by Messrs Revill and Rossiter. Princess Patricia, a granddaughter of Queen Victoria, married Commander Alexander Ramsay RN on 27 February 1919. On her marriage she relinquished her royal title and became Lady Patricia
RMP7F0KF–Woman in white satin crepe evening gown, woman in blue crepe georgette evening dress, and woman in tulle dress with velvet pastilles. Men in tuxedos. Handcolored pochoir (stencil) lithograph from the French luxury fashion magazine Art, Gout, Beaute, 1931.
RM2M3NMC1–A very becoming going away gown for Princess Alexandra, Duchess of Fife of smoked grey charmeuse with a coatee of lace to match, relieved with a tucked vest of ivory net and lace and just a touch of blue in the belt. Worn with a velvet cloak, chinchilla and ermine furs and a hat of dark grey velvet which has the crown encircled with tailless ermine. A bunch of white osprey feathers give the finishing touch. Date: 1913
RM2A7XE8M–Woman in white satin crepe evening gown, woman in blue crepe georgette evening dress, and woman in tulle dress with velvet pastilles. Men in tuxedos. Handcolored pochoir (stencil) lithograph from the French luxury fashion magazine Art, Gout, Beaute, 1931.
RMMNTFY9–. full-length, standing in a brown velvet gown and holding a blue sash, a view of Naples and Mount Vesuvius beyond . 1828. George Hayter (1792–1871) Description British painter and printmaker Date of birth/death 17 December 1792 18 January 1871 Location of birth/death London London Work location London Authority control : Q3760522 VIAF: 56885183 ISNI: 0000 0000 8385 0342 ULAN: 500115765 LCCN: n86048723 NLA: 36219263 WorldCat 1016 Portrait of a lady by George Hayter (Naples 1828)
RMR52BY1–Design by Paquin. A tea-gown. Soft satin in turquoise blue is the material, embroidered with incrustations of mousseline bouillonneé edged with white chenille in an Empire style. ... The gown is cut up on the left side to show a petticoat of gauged mousseline de soie, which soft material has also been used for the guimpe and sleeves. The bolero is made of guipure, in the Empre fashion, and is decorated with a large bow of bright parma-coolured velvet clasped by a buckle à l'Empire. The cuffs have a band of fur and double frill of mousseline. The Powder Puff [An English edition of 'La Mode ar
RM2M3RR9P–Evening dresses for the fashionable resort of Monte Carlo on the Cote d'Azur. On the left, crepe dress in peacock blue enriched with silver rose. Centre - black satin dress with insertions of pearl and gold embroidery. On the right, rose coloured velvet and silver tissue encrusted with pearls and mother of pearl. Date: 1925
RMG5XA5N–House assistant Lucy Bishop adjusts a midnight-blue velvet Victor Edelstein evening gown, at Kerry Taylor Auctions, in central London, the gown formerly owned by Princess Diana, which she wore when she danced at the White House with John Travolta in 1985.
RM2M3RKRY–Three women models wearing pretty fashionable frocks for morning, evening and afternoon, Morning clothing, khaki tailor-made jacket with belt and brown velvet collar. Evening dress, peach coloured charmeuse, veiled with rich lace. Afternoon frock, is fashioned in light blue charmeuse, the skirt being draped over a foundation of similar material, bodice finished with a row of buttons on one side with buttonholes on the other side. Date: 1913
RM2T8Y3P3–Fashion picture: Two figures, blue and red velvet dress decorated with fringes, white ham sleeves, Unknown, 1829, paper, colored, copperplate engraving, height 19, 8 cm, width 11, 9 cm, plate size 17, 6×11, 4 cm, Fashion, Bourgeoisie, Biedermeier, fashion plates, head-gear, woman, dress, gown, The Vienna Collection
RM2WJX50H–Charles-Frederick Worth (1825-1895). Tea Gown. Dark blue chopped velvet on a background of green satin. Valenciennes lace. Lining in changing green and blue taffeta, around 1897. Galliera, fashion museum of the city of Paris. TEA GOWN Interior, green satin, silk taffeta, tea gown, tea-gown, dark blue chisel velvet, dress
RM2HB5TF8–Très Parisien, 1923, No 11: 15. - AU BAL. - Cette robe de velours..., Ball gown of printed velvet with flounces of plain blue velvet. Cape of silver grey velvet, at the large collar and at the underside of the cape two shades of velvet. Velvet by Fraudet. Accessories: headband, floral corsage, evening bag, gloves, pumps. Print from the fashion magazine Très Parisien (1920-1936)., print maker: anonymous, Fraudet (mentioned on object), Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm
RF2HKX1B1–Art inspired by Très Parisien, 1923, No 11: 15. - AU BAL. - Cette robe de velours..., Ball gown of printed velvet with flounces of plain blue velvet. Cape of silver grey velvet, at the large collar and at the underside of the cape two shades of velvet. Velvet by Fraudet. Accessories, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B6X7JW–Journal des Dames et des Modes, Costumes Parisiens, 1914, No 175 Robe et cap () gown and cape of blue crepe de chine. Vest 'velvet pekine. Proof of a picture from the periodical fashion Journal des Dames et des Modes (1912-1914) . Manufacturer : to drawing of: Dussy (indicated on object) print maker: anonymous date: 1914 Physical characteristics: engra; proofing material: paper Technique: engra (printing process) Measurements: plate edge: H 178 mm × W 108 mm Subject: fashion plates head-gear: hat (+ women's clothes) clothing for the upper part of the body (VEST) (+ women's clothes) cape ( + wo
RFGEEXWJ–A young woman wearing a velvet purple gown throwing a chicken in the air with a flowering crab apple and blue sky
RM2M3RJXE–Clothing for the autumn season, left: gown of blue velvet bordered with fur with a vest of soft muslin, the corsage finished with Oriental embroidery and small buttons. Right: walking dress of draped velvet, tunic trimmed with fur, a vest of soft lace caught at the waist with embroided motifs. 1913
RM2TBKDBJ–Paris fashions for December, 1861. '1. Dress for an Evening Party. White muslin robe, the skirt ornamented with flounces and bouillonnés deposed alternately. The corsage, rather longwaisted and very pointed, is lownecked and altogether of the Marie Antoinette style...The headdress consists of the couronne Ceres, attached behind by a bow of dark blue ribbons...2. The Etoile Manteau. This elegant cloak is of black velvet...Over the shoulder-piece...completed by a pair of tassels, are distributed a number of passementerie stars (whence the name of the manteau). The bonnet crowning this toile
RM2HX5KPJ–Embodying all the newest fashion trends was the glamorous gown worn by Mrs. Eric Pratten, photographed here with Mr. Charles Maslin in the foyer of the Trocadero at the Black and White Ball. Of blue and American beauty shot taffeta, it was looped with velvet. October 6, 1949.
RM2T1KMY3–London Fashion Designers- the work of Members of the Incorporated Society of London Fashion Designers in Wartime, London, England, UK, 1944 In the workrooms of the fashion designer Norman Hartnell in London, a skilled worker applies by hand blue and gold studs in strips to fabric which is to be used for a black velvet evening gown.
RM2WEJBMD–Its exclusive models, René Sacerdote, CA. 1921, No. 141: After-Mid dress (...), c. 1921 Afternoon gown of black velvet with a body of gold lamé, embroidered with black and turquoise blue git. Flowers of black velvet. paper engraving / letterpress printing fashion plates. dress, gown (+ women's clothes). bracelet, wristlet (+ women's clothes). diadem, tiara (+ women's clothes)
RM2BT5119–Woman in evening gown of Moroccan crepe decorated with blue velvet flowers. La belle dame sans merci. Robe de soir, de Worth. Voici, de Worth, une robe du soir en crêpe marocain garnie de fleurs bleues, en velours, sur une tunique tout en franges de soie. Plate 47, Vol. 2.6, 1921. Handcoloured pochoir lithograph by George Barbier from Lucien Vogels Le Bon Genre: 100 Plates from Gazette du Bon Ton, Brentanos, Paris, 1922.
RMWWC40E–Woman in evening gown of Moroccan crepe decorated with blue velvet flowers. La belle dame sans merci. Robe de soir, de Worth. Voici, de Worth, une robe du soir en crêpe marocain garnie de fleurs bleues, en velours, sur une tunique tout en franges de soie. Plate 47, Vol. 2.6, 1921. Handcoloured pochoir lithograph by George Barbier from Lucien Vogel’s Le Bon Genre: 100 Plates from Gazette du Bon Ton, Brentano’s, Paris, 1922.
RMG5XA5K–House assistant Lucy Bishop adjusts a midnight-blue velvet Victor Edelstein evening gown, at Kerry Taylor Auctions, in central London, the gown formerly owned by Princess Diana, which she wore when she danced at the White House with John Travolta in 1985.
RF2RE5FK2–Little girl is wearing a royal blue gauze dress with velvet bodice. She has long hair and is seated in an all white room.
RMR5CCG1–Design by Barroin. An evening dress. It is made of black mousseline de soie, the over-skirt draped back in festoons which are caught up at intervals with full rosettes of black velvet. It opens over a petticoat of white satin veiled with pleated mousseline in a shade of green, upon which is painted a cluster of hortensias. The corsage is draped to match the skirt, a belt of blue satin encircling the waist. The head-dress is particularly striking: a mere rien of white velvet, the quills studded with black paillettes and caught together with a large jet ornament. The Powder Puff [An English edit
RM2MPC31E–In a sophisticated blue velvet gown Julianne Moore poses for photographers on the red carpet at the 2011ange British Academy Film Awards held at The Royal Opera House in Covent Garden. London, UK. 02/13/11.
RM2HB5TRD–Très Parisien 1923 No 8: 12.-PRIAM, Evening gown of blue velvet embroidered in gold, lined with lamé and garnished with white fox fur. Fabrics by Racine. Print from the fashion magazine Très Parisien (1920-1936)., print maker: anonymous, V. Racine (mentioned on object), Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm
RF2HKA56B–Inspired by Très Parisien 1923 No 8: 12.-PRIAM, Evening gown of blue velvet embroidered in gold, lined with lamé and garnished with white fox fur. Fabrics by Racine. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, V. Racine, Paris, 1923, paper, letterpress printing, height, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2B6THWJ–According to the accompanying text on pp. 12 and 13 of the second Cahier: top left: tulle hat, à la Jannette. Fichu of 'gaze d'Italie', 'à la Henri IV', buttoned with a pink ribbon. Gown of green satin or satin gros vert. The earrings are 'plaques'. Top right: hat à la Marlborough 'Where: two white feathers and a purple feather; decorated with blue ribbons. Fichu of 'gaze d'Italie', 'à la Henri IV. Gown of pink satin. Bottom left: Cap à la Figaro 'by' gaze d'Italie ', in which a white and purple spring. In the middle of a band of black velvet adorned with white pearls. Two brushes (?) Of pearl
RFGEEY06–Young woman dressed in a purple velvet gown and twig crown with flowering crab apples in the background
RM2X2FHFR–LONDON FASHION DESIGNERS: THE WORK OF MEMBERS OF THE INCORPORATED SOCIETY OF LONDON FASHION DESIGNERS IN WARTIME, LONDON, ENGLAND, UK, 1944 - In the workrooms of the fashion designer Norman Hartnell in London, a skilled worker applies by hand blue and gold studs in strips to fabric which is to be used for a black velvet evening gown
RM2WETDTJ–Art - Taste - Beauty, female elegance sheets, November 1928, No. 99, 9th year, p. 21, Anonymous, 1928 Text with image of a woman in an afternoon dress of velvet in two shades of blue. Design from Doucet Doeuillet. Page from the fashion magazine Art-Goût-Beauté (1920-1933). paper fashion plates. dress, gown: day dress (+ women's clothes). necklace (+ women's clothes)
RMCEREF7–Model Anna Barsukova blonde hair off face wearing empire line floorlength gown of blue velvet blue satin tied around bust and
RME8MDY5–Woman in fancy dress comedy costume in a medieval queen historical outfit with crown, blue dress
RMG5XA5P–House assistant Lucy Bishop adjusts a midnight-blue velvet Victor Edelstein evening gown, at Kerry Taylor Auctions, in central London, the gown formerly owned by Princess Diana, which she wore when she danced at the White House with John Travolta in 1985.
RMP7F9TY–Ekaterina Alexandrovna Golovkina (1696-1722). Daughter of Alexander Ivanovich Shuvalov, fieldmarshal of Peter the Great. Portrait by Louis Tocque (1696-1772), 1757. The State Hermitage Museum. Saint Petersburg. Russia.
![A princesse walking-dress in grey-blue cloth is the next model : created by Callot. It is trimmed from neck to hem with bands of chinchilla mauve velvet, and blue velvet the exact colour of the cloth. The lines are irregularly waved, like the tortuous petals of an orchid. Mauve velvet drapes the waist and forms the cravate. The tricorne of mauve felt is garnisned with a great cluster of hortensias'. The Powder Puff [An English edition of 'La Mode artistique'.; 1898]. (London, England : 1898). Source: The Powder Puff Winter plate 222. Stock Photo](https://c8.alamy.com/comp/R5GJXR/a-princesse-walking-dress-in-grey-blue-cloth-is-the-next-model-created-by-callot-it-is-trimmed-from-neck-to-hem-with-bands-of-chinchilla-mauve-velvet-and-blue-velvet-the-exact-colour-of-the-cloth-the-lines-are-irregularly-waved-like-the-tortuous-petals-of-an-orchid-mauve-velvet-drapes-the-waist-and-forms-the-cravate-the-tricorne-of-mauve-felt-is-garnisned-with-a-great-cluster-of-hortensias-the-powder-puff-an-english-edition-of-la-mode-artistique-1898-london-england-1898-source-the-powder-puff-winter-plate-222-R5GJXR.jpg "A princesse walking-dress in grey-blue cloth is the next model : created by Callot. It is trimmed from neck to hem with bands of chinchilla mauve velvet, and blue velvet the exact colour of the cloth. The lines are irregularly waved, like the tortuous petals of an orchid. Mauve velvet drapes the waist and forms the cravate. The tricorne of mauve felt is garnisned with a great cluster of hortensias'. The Powder Puff [An English edition of 'La Mode artistique'.; 1898]. (London, England : 1898). Source: The Powder Puff Winter plate 222. Stock Photo")
RMR5GJXR–A princesse walking-dress in grey-blue cloth is the next model : created by Callot. It is trimmed from neck to hem with bands of chinchilla mauve velvet, and blue velvet the exact colour of the cloth. The lines are irregularly waved, like the tortuous petals of an orchid. Mauve velvet drapes the waist and forms the cravate. The tricorne of mauve felt is garnisned with a great cluster of hortensias'. The Powder Puff [An English edition of 'La Mode artistique'.; 1898]. (London, England : 1898). Source: The Powder Puff Winter plate 222.
RM2MPC2YF–In a sophisticated blue velvet gown Julianne Moore poses for photographers on the red carpet at the 2011 Orange British Academy Film Awards held at The Royal Opera House in Covent Garden. London, UK. 02/13/11.
RM2HB5W1N–Journal des Dames et des Modes, Frankfurt edition 22 Février 1808, Costume Parisien (8), The accompanying text (pp. 212 and 213) states: Fig. 1: Coiffure de grande parure: gauze of gold thread, braided with hair. Short gown of white satin, embroidered with gold. Blue, embroidered manteau, with long queue. Fig. 2: Coiffure of black velvet and yellow satin. Robe Levantine garnished with 'pluche tigrée'. (Under this gown one wears a white jupon...). Fig. 3: Toque of pink crepe with a long feather at the front. Gown of pink taffeta with short sleeves. Fichu of fox fur. Fig. 4: Capote of satin and
RMR87JJN–CULVER CITY, LOS ANGELES, CA, USA - NOVEMBER 10: Actress Shiri Appleby wearing an ML Monique Lhuillier gown arrives at the 2018 Baby2Baby Gala held at 3Labs on November 10, 2018 in Culver City, Los Angeles, California, United States. (Photo by Xavier Collin/Image Press Agency)
RF2HKX22B–Art inspired by Très Parisien 1923 No 8: 12.-PRIAM, Evening gown of blue velvet embroidered in gold, lined with lamé and garnished with white fox fur. Fabrics by Racine. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, V. Racine, Paris, 1923, paper, letterpress, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B6FRH0–The accompanying text reads: Top left: tulle hat, à la Jannette. Fichu of 'gaze d'Italie', 'à la Henri IV', buttoned with a pink ribbon. Gown of green satin or satin gros vert. The earrings are 'plaques'. Top right: hat à la Marlborough 'Where: two white feathers and a purple feather; decorated with blue ribbons. Fichu of 'gaze d'Italie', 'à la Henri IV. Gown of pink satin. Bottom left: Cap à la Figaro 'by' gaze d'Italie ', in which a white and purple feather and a central band of black velvet adorned with white pearls. The earrings are smooth rings. Fichu of plain tulle. Gown of blue satin, f
RM2R9HG7T–Dress by Donatella Versace and suit by Ralph Lauren worn by Blake Lively and Ryan Reynolds at the Met Gala 2022, Crown to Couture exhibition 2023, Ken
RM2AGE4N7–. International studio. d by features anddress. Roughly speaking, I should say thatthe Arabs colour is blue, that of the Turkred. Turkish soldiers in shabby uniformsare conspicuous by their round grey astrakhancaps, while the Government officials in ill-fittingEuropean clothes wear the badge of Turkishrule—the crimson fez. The fellaheen from allparts of the country may be traced to theirvarious towns and villages by a distinctivecolour or style of costume. The Jews withtheir ringlets (like those of Early Victoriandames !) are noticeable in their velvet and furhats, and dressing-gown-looking ro
RM2D7122F–Dame Judi Dench arriving at the EE British Academy Film Awards After Party, held at the Grosvenor Hotel in centralLondon
RMP6WN0J–Paris, Frankreich. 02nd July, 2018. Blogger Chriselle Lim arriving on the street before the Dior runway show during Haute Couture Fashion Week in Paris - July 2, 2018 - Credit: Runway Manhattan ***For Editorial Use Only*** | Verwendung weltweit/dpa/Alamy Live News
RM2X2FHBT–LONDON FASHION DESIGNERS: THE WORK OF MEMBERS OF THE INCORPORATED SOCIETY OF LONDON FASHION DESIGNERS IN WARTIME, LONDON, ENGLAND, UK, 1944 - Two models pose for the camera on a staircase at the fashion house of designer Norman Hartnell. At the top of the stairs, the model wears a black velvet dinner gown studded in blue and gold. In the foreground, the model wears a dinner suit with the jacket made from a red rose printed fabric, designed by Hartnell and a skirt of black crepe. A large chandelier is clearly visible in the background
RM2WENAEH–Very Parisian, 1927, no. 9: 14.- Pagoda.- Evening dress (...), 1927 According to the caption, this is an evening dress of velvet with an overflow (?) From red to blue. 'Manteau' (jacket dress?) From pink and silver-colored lamé, garnished with fox fur. Substances from Maison Blanchini Ferier. Print from the fashion magazine Très Parisien (1920-1936). paper letterpress printing fashion plates. dress, gown (+ women's clothes). corsage (+ women's clothes)
RMG5XA61–House assistant Lucy Bishop adjusts a midnight-blue velvet Victor Edelstein evening gown, at Kerry Taylor Auctions, in central London, the gown formerly owned by Princess Diana, which she wore when she danced at the White House with John Travolta in 1985.
RMPBCT55–Adèle Anaïs Colin Toudouze; J. Desjardins / 'Paris fashion ad'. 1865. Pen lithography, Illuminated on wove paper; 1865. Pen lithography, Illuminated on wove paper. Museum: Museo del Prado, Madrid, España.
![Grande robe du soir en tulle et satin. Echarpe de velours à glands de perles. Woman wearing an white evening gown in satin and tulle with a blue velvet scarf with tassels of pearls, and a necklace of pearls. Costumes Parisiens no.37. Journal des dames et des modes. [With coloured plates.]. Paris, 1913. Colour plate / illustration. Pochoir. Fashion. Source: P.P.5242.dc, volume II, plate 84 after page 296. Language: French. Author: BARBIER, GEORGE. Stock Photo](https://c8.alamy.com/comp/R4YC5N/grande-robe-du-soir-en-tulle-et-satin-echarpe-de-velours-glands-de-perles-woman-wearing-an-white-evening-gown-in-satin-and-tulle-with-a-blue-velvet-scarf-with-tassels-of-pearls-and-a-necklace-of-pearls-costumes-parisiens-no37-journal-des-dames-et-des-modes-with-coloured-plates-paris-1913-colour-plate-illustration-pochoir-fashion-source-pp5242dc-volume-ii-plate-84-after-page-296-language-french-author-barbier-george-R4YC5N.jpg "Grande robe du soir en tulle et satin. Echarpe de velours à glands de perles. Woman wearing an white evening gown in satin and tulle with a blue velvet scarf with tassels of pearls, and a necklace of pearls. Costumes Parisiens no.37. Journal des dames et des modes. [With coloured plates.]. Paris, 1913. Colour plate / illustration. Pochoir. Fashion. Source: P.P.5242.dc, volume II, plate 84 after page 296. Language: French. Author: BARBIER, GEORGE. Stock Photo")
RMR4YC5N–Grande robe du soir en tulle et satin. Echarpe de velours à glands de perles. Woman wearing an white evening gown in satin and tulle with a blue velvet scarf with tassels of pearls, and a necklace of pearls. Costumes Parisiens no.37. Journal des dames et des modes. [With coloured plates.]. Paris, 1913. Colour plate / illustration. Pochoir. Fashion. Source: P.P.5242.dc, volume II, plate 84 after page 296. Language: French. Author: BARBIER, GEORGE.
RM2KAYYW6–A model walks the runway at the 'Devota y Lomba' catwalk during the Mercedes-Benz Madrid Fashion Week Spring/Summer in Madrid, Spain. July 09, 2018. (Photo by Peter Sabok/NurPhoto)
RM2HB5W2G–Journal des Dames et des Modes, Frankfurt edition 18 Janvier 1808, Costume Parisien (3), The accompanying text (p. 78) states: Figure 1: Canopy hat (capote) of velvet frisé with feathers on the front. Short gown of white muslin. Guimpe of muslin gaze. Scarf of cashmere. Leather gloves. Blue shoes. Figure 2: Capote of blue satin, garnished with yellow. Redingote of velvet, garnished with satin. Yellow shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published in Frankfurt as a copy of the French edition by Pierre de la Mésangère, (1798-1848)., print maker
RMR87JJX–CULVER CITY, LOS ANGELES, CA, USA - NOVEMBER 10: Actress Shiri Appleby wearing an ML Monique Lhuillier gown arrives at the 2018 Baby2Baby Gala held at 3Labs on November 10, 2018 in Culver City, Los Angeles, California, United States. (Photo by Xavier Collin/Image Press Agency)
RM2T8Y36R–Fashion picture: Lady with blue velvet hat and blue gingham, Unknown, 1828, paper, colorised, copperplate engraving, height 20, 8 cm, width 12, 8 cm, plate size 18, 5×11, 8 cm, Fashion, Bourgeoisie, Biedermeier, fashion plates, head-gear, woman, dress, gown, The Vienna Collection
RM2B71WWP–Le Journal des Dames et des Demoiselles, 1872-1873, No 1083c a woman and two children in the interior, the woman is wearing a dress of faille, with a waistcoat in black satin with white lace. The girl is wearing a gown of blue taffeta with pleated flounce at the skirt. Over it a 'polonaise' gray cashmere. The boy is wearing a jacket with a lap and three-quarter pants with a black velvet belt. Details of the dress on page 183 DESCRIPTION DE LA CARVING THE MODES COLORIÉE.Prent from the fashion magazine Journal des Dames et des Demoiselles (1841-1902) . Manufacturer : printmaker A. Bodin (listed
RF2HKA5Y6–Inspired by Journal des Dames et des Modes, Frankfurt edition 22 Février 1808, Costume Parisien (8), The accompanying text (pp. 212 and 213) states: Fig. 1: Coiffure de grande parure: gauze of gold thread, braided with hair. Short gown of white satin, embroidered with gold. Blue, embroidered manteau, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2AN215K–The acme magazine . he opal. A stone calledtonkinoise, which is a pure blue, makesa sallow skin many shades lighter. AN EASTER GOWN. The New Neckwear.Embroidered linen collars, the highturned down style, are extremelysmart and are worn with all kinds ofwaists. They are fastened in front,and the favorite finish is the tulle bowor rosette fastened with a bar pin ofdiamonds or pearls. One style hasbuttonholes through which are put linkcuff buttons or a velvet ribbon that istied in a stiff bow. A hemstitchededge, a narrow line of hand embroid-ery, or some small design in embroid-ery just at the co
RM2KBH675–BEVERLY HILLS, LOS ANGELES, CALIFORNIA, USA - FEBRUARY 09: Actress Harley Quinn Smith arrives at the 2020 Vanity Fair Oscar Party held at the Wallis Annenberg Center for the Performing Arts on February 9, 2020 in Beverly Hills, Los Angeles, California, United States. (Photo by Xavier Collin/Image Press Agency/NurPhoto)
RMP6WMTN–Paris, Frankreich. 02nd July, 2018. Blogger Chriselle Lim arriving on the street before the Dior runway show during Haute Couture Fashion Week in Paris - July 2, 2018 - Credit: Runway Manhattan ***For Editorial Use Only*** | Verwendung weltweit/dpa/Alamy Live News
RM2T1KMTY–London Fashion Designers- the work of Members of the Incorporated Society of London Fashion Designers in Wartime, London, England, UK, 1944 Two models pose for the camera on a staircase at the fashion house of designer Norman Hartnell. At the top of the stairs, the model wears a black velvet dinner gown studded in blue and gold. In the foreground, the model wears a dinner suit with the jacket made from a red rose printed fabric, designed by Hartnell and a skirt of black crepe. A large chandelier is clearly visible in the background.
RM2WEJCPA–Very Parisian, 1925, No. 7, pl. 9: Creations Philippe and Gaston - Day and night, 1925 Two designs from the fashion house Philippe et Gaston: dress of blue rib velvet. Trois pièces of red and black Railykasha. Print from the fashion magazine Très Parisien ... La Mode, Le Chic, L'élégance (1920-1936) paper letterpress printing fashion plates. dress, gown: day dress (+ women's clothes). ensembles of pieces of clothing (THREE PIECE SUIT) (+ women's clothes)
RM2H3K65C–LOS ANGELES, CALIFORNIA, USA - OCTOBER 28: Aliana King and actor Freddy Miyares arrive at the Los Angeles Premiere Of Netflix's 'Colin In Black And White' held at the Academy Museum of Motion Pictures on October 28, 2021 in Los Angeles, California, United States. (Photo by Xavier Collin/Image Press Agency/Sipa USA)
RMG5XA5T–House assistant Lucy Bishop adjusts a midnight-blue velvet Victor Edelstein evening gown, at Kerry Taylor Auctions, in central London, the gown formerly owned by Princess Diana, which she wore when she danced at the White House with John Travolta in 1985.
RM2D2YY6F–Library file dated 01.12.97. Geri Halliwell, 'Ginger' Spice, leaves the Victoria Palace Theatre in London in white bugle beaded evening gown and blue velvet coat. Geri has said a last goodbye to her Spice Girls wardrobe before sending it for sale at Sotheby's in London next month. The frocks and her collection of personal momentos with the all-girl group will be auctioned and the proceeds given to charity. The sale is on September 16. Photo by Neil Munns/PA
RME8MDYK–Woman in fancy dress comedy costume in a medieval queen historical outfit with crown, black veil and red dress
RMG5DE55–Dave Courtney and Saira Bronson, wearing a traditional Asian wedding gown, arrive at the Manhattan Cafe in Woolwich, south east London for a reception after her marriage to Britain's most dangerous inmate Charles Bronson, at Milton Keynes Prison.
RMR87JKE–CULVER CITY, LOS ANGELES, CA, USA - NOVEMBER 10: Actress Shiri Appleby wearing an ML Monique Lhuillier gown arrives at the 2018 Baby2Baby Gala held at 3Labs on November 10, 2018 in Culver City, Los Angeles, California, United States. (Photo by Xavier Collin/Image Press Agency)
RM2T8Y3KJ–Fashion plate: Two figures, velvet hats, blue velvet dresses with ham sleeves, Unknown, 1829, paper, colorised, copperplate engraving, height 19, 8 cm, width 12 cm, plate size 17, 4×11, 2 cm, Fashion, Bourgeoisie, Biedermeier, fashion plates, head-gear, woman, dress, gown, The Vienna Collection
Search Results for Blue velvet gown Stock Photos and Images (448)
Page 1 of 5