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Blue laid paper Stock Photos and Images
Sir David Young Cameron, 1865–1945, British, A Norman Village, 1904. Etching on blue laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-david-young-cameron-18651945-british-a-norman-village-1904-etching-on-blue-laid-paper-image398358265.htmlRM2E42P0W–Sir David Young Cameron, 1865–1945, British, A Norman Village, 1904. Etching on blue laid paper.
Sir Robert Smirke the younger, 1781–1867, British, Sienna, 1802-1804. Graphite on medium, moderately textured, blue, laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-robert-smirke-the-younger-17811867-british-sienna-1802-1804-graphite-on-medium-moderately-textured-blue-laid-paper-image398383137.htmlRM2E43WN5–Sir Robert Smirke the younger, 1781–1867, British, Sienna, 1802-1804. Graphite on medium, moderately textured, blue, laid paper.
Jonathan Richardson the Elder, 1667–1745, British, Self-Portrait, undated. Black chalk and white chalk on medium, slighlty textured, blue laid paper. portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonathan-richardson-the-elder-16671745-british-self-portrait-undated-black-chalk-and-white-chalk-on-medium-slighlty-textured-blue-laid-paper-portrait-image398351610.htmlRM2E42DF6–Jonathan Richardson the Elder, 1667–1745, British, Self-Portrait, undated. Black chalk and white chalk on medium, slighlty textured, blue laid paper. portrait
unknown artist, Portrait of a Man, undated. Black and white chalk on medium, moderately textured, blue, laid paper. collar , figure study , man , portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-portrait-of-a-man-undated-black-and-white-chalk-on-medium-moderately-textured-blue-laid-paper-collar-figure-study-man-portrait-image398457381.htmlRM2E478CN–unknown artist, Portrait of a Man, undated. Black and white chalk on medium, moderately textured, blue, laid paper. collar , figure study , man , portrait
Jonathan Richardson the Elder, 1667–1745, British, Self-Portrait, ca. 1720. Red chalk and white chalk on medium, moderately textured, blue laid paper. portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonathan-richardson-the-elder-16671745-british-self-portrait-ca-1720-red-chalk-and-white-chalk-on-medium-moderately-textured-blue-laid-paper-portrait-image398422755.htmlRM2E45M83–Jonathan Richardson the Elder, 1667–1745, British, Self-Portrait, ca. 1720. Red chalk and white chalk on medium, moderately textured, blue laid paper. portrait
Coplestone Warre Bampfylde, 1719–1791, British, In the Gardens at Stourhead, after 1772. Black chalk, white chalk, and graphite on medium, slightly textured, blue laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coplestone-warre-bampfylde-17191791-british-in-the-gardens-at-stourhead-after-1772-black-chalk-white-chalk-and-graphite-on-medium-slightly-textured-blue-laid-paper-image398437185.htmlRM2E46AKD–Coplestone Warre Bampfylde, 1719–1791, British, In the Gardens at Stourhead, after 1772. Black chalk, white chalk, and graphite on medium, slightly textured, blue laid paper.
James Bruce, 1730–1794, British, Study of a Coin, undated. Gray wash and pen and black ink on moderately thick, slightly textured, blue laid paper. animal art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-bruce-17301794-british-study-of-a-coin-undated-gray-wash-and-pen-and-black-ink-on-moderately-thick-slightly-textured-blue-laid-paper-animal-art-image398343167.htmlRM2E422NK–James Bruce, 1730–1794, British, Study of a Coin, undated. Gray wash and pen and black ink on moderately thick, slightly textured, blue laid paper. animal art
Nathaniel Smith, 1740–1787, Study of a Man, 1743. Black chalk and white chalk on thin, slightly textured, blue laid paper. gentleman , man , portrait , study (visual work) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nathaniel-smith-17401787-study-of-a-man-1743-black-chalk-and-white-chalk-on-thin-slightly-textured-blue-laid-paper-gentleman-man-portrait-study-visual-work-image398386380.htmlRM2E441W0–Nathaniel Smith, 1740–1787, Study of a Man, 1743. Black chalk and white chalk on thin, slightly textured, blue laid paper. gentleman , man , portrait , study (visual work)
unknown artist, eighteenth century, Unidentified Sitter, undated. Red chalk and white chalk on thin, slightly textured, blue laid paper. dress (costume) , figure study , portrait , sitting , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-eighteenth-century-unidentified-sitter-undated-red-chalk-and-white-chalk-on-thin-slightly-textured-blue-laid-paper-dress-costume-figure-study-portrait-sitting-woman-image398371829.htmlRM2E43B99–unknown artist, eighteenth century, Unidentified Sitter, undated. Red chalk and white chalk on thin, slightly textured, blue laid paper. dress (costume) , figure study , portrait , sitting , woman
Jonathan Richardson the Elder, 1667–1745, British, Portrait of Jonathan Richardson the Younger, 1733. Red chalk, white chalk and black chalk on medium, slightly textured, blue laid paper. portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonathan-richardson-the-elder-16671745-british-portrait-of-jonathan-richardson-the-younger-1733-red-chalk-white-chalk-and-black-chalk-on-medium-slightly-textured-blue-laid-paper-portrait-image398351654.htmlRM2E42DGP–Jonathan Richardson the Elder, 1667–1745, British, Portrait of Jonathan Richardson the Younger, 1733. Red chalk, white chalk and black chalk on medium, slightly textured, blue laid paper. portrait
Allan Ramsay, 1713–1784, British, Portrait of a Young Girl, undated. Black chalk, with stumping on medium, moderately textured, blue laid paper. figure study , girl , head , portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-portrait-of-a-young-girl-undated-black-chalk-with-stumping-on-medium-moderately-textured-blue-laid-paper-figure-study-girl-head-portrait-image398342366.htmlRM2E421N2–Allan Ramsay, 1713–1784, British, Portrait of a Young Girl, undated. Black chalk, with stumping on medium, moderately textured, blue laid paper. figure study , girl , head , portrait
Sawrey Gilpin, 1733–1807, British, Cow, undated. Graphie on medium, moderately textured, blue, laid paper, ounted on, moderately thick, slightly textured, cream, wove paper. animal art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sawrey-gilpin-17331807-british-cow-undated-graphie-on-medium-moderately-textured-blue-laid-paper-ounted-on-moderately-thick-slightly-textured-cream-wove-paper-animal-art-image398399252.htmlRM2E44J8M–Sawrey Gilpin, 1733–1807, British, Cow, undated. Graphie on medium, moderately textured, blue, laid paper, ounted on, moderately thick, slightly textured, cream, wove paper. animal art
Sir George Howland Beaumont seventh Baronet, 1753–1827, British, Valley of Gothe, 1819. Black chalk and gray wash on medium, moderately textured, blue, laid paper. landscape , rocks (landforms) , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-george-howland-beaumont-seventh-baronet-17531827-british-valley-of-gothe-1819-black-chalk-and-gray-wash-on-medium-moderately-textured-blue-laid-paper-landscape-rocks-landforms-trees-image398351594.htmlRM2E42DEJ–Sir George Howland Beaumont seventh Baronet, 1753–1827, British, Valley of Gothe, 1819. Black chalk and gray wash on medium, moderately textured, blue, laid paper. landscape , rocks (landforms) , trees
Allan Ramsay, 1713–1784, British, Head of a Young Woman, undated. Black chalk and white chalk on medium, moderately textured, blue laid paper. hair , head , portrait , studies (visual works) , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-head-of-a-young-woman-undated-black-chalk-and-white-chalk-on-medium-moderately-textured-blue-laid-paper-hair-head-portrait-studies-visual-works-woman-image398342341.htmlRM2E421M5–Allan Ramsay, 1713–1784, British, Head of a Young Woman, undated. Black chalk and white chalk on medium, moderately textured, blue laid paper. hair , head , portrait , studies (visual works) , woman
Henry Swinburne, 1743–1803, British, Lozère Near Montpellier, undated. Pen and brown ink, over graphite on medium, moderately textured, blue, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-swinburne-17431803-british-lozre-near-montpellier-undated-pen-and-brown-ink-over-graphite-on-medium-moderately-textured-blue-laid-paper-mounted-on-moderately-thick-slightly-textured-cream-wove-paper-image398443096.htmlRM2E46J6G–Henry Swinburne, 1743–1803, British, Lozère Near Montpellier, undated. Pen and brown ink, over graphite on medium, moderately textured, blue, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.
Charles Grignion, 1717–1810, British, Portrait study of John Inigo Richards, R.A, ca. 1771. Black and white chalk with stump on moderately thick, slightly textured, blue laid paper. gesture , man , portrait , profile Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-grignion-17171810-british-portrait-study-of-john-inigo-richards-ra-ca-1771-black-and-white-chalk-with-stump-on-moderately-thick-slightly-textured-blue-laid-paper-gesture-man-portrait-profile-image398367583.htmlRM2E435WK–Charles Grignion, 1717–1810, British, Portrait study of John Inigo Richards, R.A, ca. 1771. Black and white chalk with stump on moderately thick, slightly textured, blue laid paper. gesture , man , portrait , profile
Joshua Cristall, 1768–1847, British, Coast with Rocks, undated. Black chalk with graphite on moderately thick, moderately textured, blue laid paper. beach , boat , coastline , landscape , rocks (landforms) , sailboat , sea , ship , shore (landform) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joshua-cristall-17681847-british-coast-with-rocks-undated-black-chalk-with-graphite-on-moderately-thick-moderately-textured-blue-laid-paper-beach-boat-coastline-landscape-rocks-landforms-sailboat-sea-ship-shore-landform-image398460347.htmlRM2E47C6K–Joshua Cristall, 1768–1847, British, Coast with Rocks, undated. Black chalk with graphite on moderately thick, moderately textured, blue laid paper. beach , boat , coastline , landscape , rocks (landforms) , sailboat , sea , ship , shore (landform)
James Ward, 1769–1859, British, Study of a Climbing Plant (Pumpkin Family), undated. Graphite and white chalk on medium, moderately textured, blue laid paper. botanical , botanical subject , nature study , plants , science , still life Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-ward-17691859-british-study-of-a-climbing-plant-pumpkin-family-undated-graphite-and-white-chalk-on-medium-moderately-textured-blue-laid-paper-botanical-botanical-subject-nature-study-plants-science-still-life-image398453884.htmlRM2E473YT–James Ward, 1769–1859, British, Study of a Climbing Plant (Pumpkin Family), undated. Graphite and white chalk on medium, moderately textured, blue laid paper. botanical , botanical subject , nature study , plants , science , still life
Edward Lear, 1812–1888, British, Studies of boats on the Nile, 1867. Watercolor, graphite, pen and brown ink on medium, slightly textured, blue laid paper. boats , marine art , sails , studies (visual works). Africa , Nile Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-lear-18121888-british-studies-of-boats-on-the-nile-1867-watercolor-graphite-pen-and-brown-ink-on-medium-slightly-textured-blue-laid-paper-boats-marine-art-sails-studies-visual-works-africa-nile-image398453271.htmlRM2E4735Y–Edward Lear, 1812–1888, British, Studies of boats on the Nile, 1867. Watercolor, graphite, pen and brown ink on medium, slightly textured, blue laid paper. boats , marine art , sails , studies (visual works). Africa , Nile
Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Castle, between 1785 and 1788. Black chalk and stumping with white chalk on medium, slightly textured, light blue laid paper. castle , glare , hills , landscape , mountain , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-gainsborough-ra-17271788-british-wooded-landscape-with-castle-between-1785-and-1788-black-chalk-and-stumping-with-white-chalk-on-medium-slightly-textured-light-blue-laid-paper-castle-glare-hills-landscape-mountain-trees-image398450863.htmlRM2E4703Y–Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Castle, between 1785 and 1788. Black chalk and stumping with white chalk on medium, slightly textured, light blue laid paper. castle , glare , hills , landscape , mountain , trees
Jonathan Richardson the Elder, 1667–1745, British, Self-Portrait, ca. 1733. Black chalk, red chalk and white chalk on medium, slightly textured, blue laid paper. portrait. Richardson, Jonathan, the elder (1667–1745), portrait painter and writer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonathan-richardson-the-elder-16671745-british-self-portrait-ca-1733-black-chalk-red-chalk-and-white-chalk-on-medium-slightly-textured-blue-laid-paper-portrait-richardson-jonathan-the-elder-16671745-portrait-painter-and-writer-image398351592.htmlRM2E42DEG–Jonathan Richardson the Elder, 1667–1745, British, Self-Portrait, ca. 1733. Black chalk, red chalk and white chalk on medium, slightly textured, blue laid paper. portrait. Richardson, Jonathan, the elder (1667–1745), portrait painter and writer
John Russell, 1745–1806, British, Head of a Lady, ca. 1780. Colored crayons, white chalk, black chalk, and red chalk on thin, slightly textured, blue laid paper. figure study , hair , hairstyles , head , portrait , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-russell-17451806-british-head-of-a-lady-ca-1780-colored-crayons-white-chalk-black-chalk-and-red-chalk-on-thin-slightly-textured-blue-laid-paper-figure-study-hair-hairstyles-head-portrait-woman-image398348393.htmlRM2E429C9–John Russell, 1745–1806, British, Head of a Lady, ca. 1780. Colored crayons, white chalk, black chalk, and red chalk on thin, slightly textured, blue laid paper. figure study , hair , hairstyles , head , portrait , woman
Allan Ramsay, 1713–1784, British, Study of a Hand Holding a Hat, undated. Black chalk and white chalk on medium, slightly textured, blue laid paper. figure study , hands , hats , sleeve ruffs , studies (visual works) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-study-of-a-hand-holding-a-hat-undated-black-chalk-and-white-chalk-on-medium-slightly-textured-blue-laid-paper-figure-study-hands-hats-sleeve-ruffs-studies-visual-works-image398342507.htmlRM2E421X3–Allan Ramsay, 1713–1784, British, Study of a Hand Holding a Hat, undated. Black chalk and white chalk on medium, slightly textured, blue laid paper. figure study , hands , hats , sleeve ruffs , studies (visual works)
Allan Ramsay, 1713–1784, British, Study for the Portrait of William Guise, ca. 1761. Black chalk and white chalk on medium, moderately textured, blue laid paper. cravats , figure study , men , portrait , ruffle , standing , studies (visual works) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-study-for-the-portrait-of-william-guise-ca-1761-black-chalk-and-white-chalk-on-medium-moderately-textured-blue-laid-paper-cravats-figure-study-men-portrait-ruffle-standing-studies-visual-works-image398342338.htmlRM2E421M2–Allan Ramsay, 1713–1784, British, Study for the Portrait of William Guise, ca. 1761. Black chalk and white chalk on medium, moderately textured, blue laid paper. cravats , figure study , men , portrait , ruffle , standing , studies (visual works)
Joshua Cristall, 1768–1847, British, Isaac Willis, 1816. Graphite on medium, moderately textured, light blue laid paper. boots , boy , child , flowers (plants) , genre subject , holding , man , plants , portrait , posing , smiling , stems , top hat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joshua-cristall-17681847-british-isaac-willis-1816-graphite-on-medium-moderately-textured-light-blue-laid-paper-boots-boy-child-flowers-plants-genre-subject-holding-man-plants-portrait-posing-smiling-stems-top-hat-image398460455.htmlRM2E47CAF–Joshua Cristall, 1768–1847, British, Isaac Willis, 1816. Graphite on medium, moderately textured, light blue laid paper. boots , boy , child , flowers (plants) , genre subject , holding , man , plants , portrait , posing , smiling , stems , top hat
Thomas Rowlandson, 1756–1827, British, Portrait of an Old man, undated. Watercolor with pen and gray ink, and blue pastel(?), over graphite on medium, slightly textured, light blue, laid paper. Chair - Arm , elderly , man , portrait , robe , sleeping Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-17561827-british-portrait-of-an-old-man-undated-watercolor-with-pen-and-gray-ink-and-blue-pastel-over-graphite-on-medium-slightly-textured-light-blue-laid-paper-chair-arm-elderly-man-portrait-robe-sleeping-image398429879.htmlRM2E461AF–Thomas Rowlandson, 1756–1827, British, Portrait of an Old man, undated. Watercolor with pen and gray ink, and blue pastel(?), over graphite on medium, slightly textured, light blue, laid paper. Chair - Arm , elderly , man , portrait , robe , sleeping
Allan Ramsay, 1713–1784, British, Costume Study for a Portrait of a Man, undated. Black chalk and white chalk on thin, slightly textured, blue laid paper. berthas , coats , costume , cuff links , figure study , men , studies (visual works) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-costume-study-for-a-portrait-of-a-man-undated-black-chalk-and-white-chalk-on-thin-slightly-textured-blue-laid-paper-berthas-coats-costume-cuff-links-figure-study-men-studies-visual-works-image398345933.htmlRM2E4268D–Allan Ramsay, 1713–1784, British, Costume Study for a Portrait of a Man, undated. Black chalk and white chalk on thin, slightly textured, blue laid paper. berthas , coats , costume , cuff links , figure study , men , studies (visual works)
George Cruikshank, 1792–1878, British, Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches, undated. Graphite, pen and black ink, and watercolor on medium, slightly textured, blue laid paper. seated , wig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-cruikshank-17921878-british-letter-with-sketches-a-man-at-a-table-a-man-pointing-a-stick-and-other-slight-sketches-undated-graphite-pen-and-black-ink-and-watercolor-on-medium-slightly-textured-blue-laid-paper-seated-wig-image398343424.htmlRM2E4232T–George Cruikshank, 1792–1878, British, Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches, undated. Graphite, pen and black ink, and watercolor on medium, slightly textured, blue laid paper. seated , wig
John Linnell, 1792–1882, British, Unloading Grain, 1806. Black and white chalk on moderately thick, slightly textured, blue laid paper. alley , bags , bales , buildings , cart , genre subject , granary , horse (animal) , mast , men , rigging , ship , warehouses Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-linnell-17921882-british-unloading-grain-1806-black-and-white-chalk-on-moderately-thick-slightly-textured-blue-laid-paper-alley-bags-bales-buildings-cart-genre-subject-granary-horse-animal-mast-men-rigging-ship-warehouses-image398338581.htmlRM2E41TWW–John Linnell, 1792–1882, British, Unloading Grain, 1806. Black and white chalk on moderately thick, slightly textured, blue laid paper. alley , bags , bales , buildings , cart , genre subject , granary , horse (animal) , mast , men , rigging , ship , warehouses
Edward Lear, 1812–1888, British, Abu Seer, 1867. Watercolor, graphite, pen and black ink on medium, slightly textured, blue laid paper. cliffs , figures (representations) , landscape , rocks (landforms) , sky , water , waves (natural events). Abusir , Africa , Sudan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-lear-18121888-british-abu-seer-1867-watercolor-graphite-pen-and-black-ink-on-medium-slightly-textured-blue-laid-paper-cliffs-figures-representations-landscape-rocks-landforms-sky-water-waves-natural-events-abusir-africa-sudan-image398453228.htmlRM2E4734C–Edward Lear, 1812–1888, British, Abu Seer, 1867. Watercolor, graphite, pen and black ink on medium, slightly textured, blue laid paper. cliffs , figures (representations) , landscape , rocks (landforms) , sky , water , waves (natural events). Abusir , Africa , Sudan
Print made by Thomas Barker, 1769–1847, British, Boy Seated, undated. Lithograph on moderately thick, slightly textured, blue laid paper. barefoot , boy , child , children , gaze , genre subject , grass , jacket , playing , posing , rocks (landforms) , sitting , solemn , thoughtful Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-made-by-thomas-barker-17691847-british-boy-seated-undated-lithograph-on-moderately-thick-slightly-textured-blue-laid-paper-barefoot-boy-child-children-gaze-genre-subject-grass-jacket-playing-posing-rocks-landforms-sitting-solemn-thoughtful-image398444502.htmlRM2E46M0P–Print made by Thomas Barker, 1769–1847, British, Boy Seated, undated. Lithograph on moderately thick, slightly textured, blue laid paper. barefoot , boy , child , children , gaze , genre subject , grass , jacket , playing , posing , rocks (landforms) , sitting , solemn , thoughtful
Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), Elephants Fighting, between 1784 and 1788. Black, white and red chalk on medium, slightly textured, blue laid paper. animal art , elephants (animals) , entertainment. India , Lucknow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-joseph-zoffany-ra-17331810-german-active-in-britain-from-1760-elephants-fighting-between-1784-and-1788-black-white-and-red-chalk-on-medium-slightly-textured-blue-laid-paper-animal-art-elephants-animals-entertainment-india-lucknow-image398418044.htmlRM2E45E7T–Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), Elephants Fighting, between 1784 and 1788. Black, white and red chalk on medium, slightly textured, blue laid paper. animal art , elephants (animals) , entertainment. India , Lucknow
Nicholas Thomas Dall, op.1748–, d.1777, British, Landscape with Castle, undated. Black and white chalk over graphite on moderately thick, rough, blue laid paper, pasted on thick, rough, cream wove paper. architectural subject , castle , landscape , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicholas-thomas-dall-op1748-d1777-british-landscape-with-castle-undated-black-and-white-chalk-over-graphite-on-moderately-thick-rough-blue-laid-paper-pasted-on-thick-rough-cream-wove-paper-architectural-subject-castle-landscape-trees-image398338412.htmlRM2E41TKT–Nicholas Thomas Dall, op.1748–, d.1777, British, Landscape with Castle, undated. Black and white chalk over graphite on moderately thick, rough, blue laid paper, pasted on thick, rough, cream wove paper. architectural subject , castle , landscape , trees
Attributed to Sir James Thornhill, 1675–1734, British, Portrait of a Man Wearing a Full-Bottomed Wig, undated. Pen and brown ink with brown wash on medium, moderately textured, blue laid paper. buttons (fasteners) , figure study , man , portrait , wig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attributed-to-sir-james-thornhill-16751734-british-portrait-of-a-man-wearing-a-full-bottomed-wig-undated-pen-and-brown-ink-with-brown-wash-on-medium-moderately-textured-blue-laid-paper-buttons-fasteners-figure-study-man-portrait-wig-image398459942.htmlRM2E47BM6–Attributed to Sir James Thornhill, 1675–1734, British, Portrait of a Man Wearing a Full-Bottomed Wig, undated. Pen and brown ink with brown wash on medium, moderately textured, blue laid paper. buttons (fasteners) , figure study , man , portrait , wig
Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Figures and Houses on the Hill, undated. Black chalk with stumping, white chalk, and gray wash on medium, slightly textured, light blue laid paper. figures , foliage , hill , houses , landscape , path , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-gainsborough-ra-17271788-british-wooded-landscape-with-figures-and-houses-on-the-hill-undated-black-chalk-with-stumping-white-chalk-and-gray-wash-on-medium-slightly-textured-light-blue-laid-paper-figures-foliage-hill-houses-landscape-path-trees-image398451018.htmlRM2E4709E–Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Figures and Houses on the Hill, undated. Black chalk with stumping, white chalk, and gray wash on medium, slightly textured, light blue laid paper. figures , foliage , hill , houses , landscape , path , trees
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Shepherd Seated Under a Tree, undated. Black chalk and white chalk on medium, rough textured, blue laid paper. landscape , seated , shepherd , staff (walking stick) , tree Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-wilson-ra-17141782-british-active-in-italy-175056-shepherd-seated-under-a-tree-undated-black-chalk-and-white-chalk-on-medium-rough-textured-blue-laid-paper-landscape-seated-shepherd-staff-walking-stick-tree-image398450561.htmlRM2E46YN5–Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Shepherd Seated Under a Tree, undated. Black chalk and white chalk on medium, rough textured, blue laid paper. landscape , seated , shepherd , staff (walking stick) , tree
Allan Ramsay, 1713–1784, British, George IV, When Prince of Wales, undated. Black chalk on medium, slightly textured, blue laid paper. boy , figure study , portrait , prince. George IV (1762–1830), king of the United Kingdom of Great Britain and Ireland, and king of Hanover Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-george-iv-when-prince-of-wales-undated-black-chalk-on-medium-slightly-textured-blue-laid-paper-boy-figure-study-portrait-prince-george-iv-17621830-king-of-the-united-kingdom-of-great-britain-and-ireland-and-king-of-hanover-image398342492.htmlRM2E421WG–Allan Ramsay, 1713–1784, British, George IV, When Prince of Wales, undated. Black chalk on medium, slightly textured, blue laid paper. boy , figure study , portrait , prince. George IV (1762–1830), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
Allan Ramsay, 1713–1784, British, Study for a Portrait of a Seated Gentleman, undated. Black chalk and white chalk, with stumping on medium, slightly textured, blue laid paper. buttonholes , coats , cuff links , figure study , hand , men , sitting , studies (visual works) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-study-for-a-portrait-of-a-seated-gentleman-undated-black-chalk-and-white-chalk-with-stumping-on-medium-slightly-textured-blue-laid-paper-buttonholes-coats-cuff-links-figure-study-hand-men-sitting-studies-visual-works-image398342391.htmlRM2E421NY–Allan Ramsay, 1713–1784, British, Study for a Portrait of a Seated Gentleman, undated. Black chalk and white chalk, with stumping on medium, slightly textured, blue laid paper. buttonholes , coats , cuff links , figure study , hand , men , sitting , studies (visual works)
Attributed to Sir Godfrey Kneller, 1646–1723, German, active in Britain (from 1676), Head of a Man, 1732. Black chalk, red chalk, and white chalk on medium, moderately textured, blue laid paper. aristocrat , figure study , head , man , portrait , wig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attributed-to-sir-godfrey-kneller-16461723-german-active-in-britain-from-1676-head-of-a-man-1732-black-chalk-red-chalk-and-white-chalk-on-medium-moderately-textured-blue-laid-paper-aristocrat-figure-study-head-man-portrait-wig-image398451159.htmlRM2E470EF–Attributed to Sir Godfrey Kneller, 1646–1723, German, active in Britain (from 1676), Head of a Man, 1732. Black chalk, red chalk, and white chalk on medium, moderately textured, blue laid paper. aristocrat , figure study , head , man , portrait , wig
Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Herdsman, Cows and Cottage, between 1785 and 1788. Black chalk and stumping with white chalk, with some brown and blue chalks on moderately thick, slightly textured, light blue laid paper. cottage , cows , hill , landscape , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-gainsborough-ra-17271788-british-wooded-landscape-with-herdsman-cows-and-cottage-between-1785-and-1788-black-chalk-and-stumping-with-white-chalk-with-some-brown-and-blue-chalks-on-moderately-thick-slightly-textured-light-blue-laid-paper-cottage-cows-hill-landscape-trees-image398450831.htmlRM2E4702R–Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Herdsman, Cows and Cottage, between 1785 and 1788. Black chalk and stumping with white chalk, with some brown and blue chalks on moderately thick, slightly textured, light blue laid paper. cottage , cows , hill , landscape , trees
Thomas Rowlandson, 1756–1827, British, Tintagel Castle, between 1785 and 1790. Watercolor with wash over graphite on moderately thick, moderately textured, light blue, laid paper. architectural subject , castle , fortress , landscape , rocks (landforms). Cornwall , England , Europe , Tintagel , United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-17561827-british-tintagel-castle-between-1785-and-1790-watercolor-with-wash-over-graphite-on-moderately-thick-moderately-textured-light-blue-laid-paper-architectural-subject-castle-fortress-landscape-rocks-landforms-cornwall-england-europe-tintagel-united-kingdom-image398352963.htmlRM2E42F7F–Thomas Rowlandson, 1756–1827, British, Tintagel Castle, between 1785 and 1790. Watercolor with wash over graphite on moderately thick, moderately textured, light blue, laid paper. architectural subject , castle , fortress , landscape , rocks (landforms). Cornwall , England , Europe , Tintagel , United Kingdom
Henry Tresham, 1751–1814, British, Playing at Dice, Trepani, between 1780 and 1790. Pen and black ink, graphite and gray wash on medium, slightly textured, blue laid paper. buckets , columns , dice , gambling , games , genre subject , Grand Tour , hats , men , stairs. Trapani Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-tresham-17511814-british-playing-at-dice-trepani-between-1780-and-1790-pen-and-black-ink-graphite-and-gray-wash-on-medium-slightly-textured-blue-laid-paper-buckets-columns-dice-gambling-games-genre-subject-grand-tour-hats-men-stairs-trapani-image398460162.htmlRM2E47C02–Henry Tresham, 1751–1814, British, Playing at Dice, Trepani, between 1780 and 1790. Pen and black ink, graphite and gray wash on medium, slightly textured, blue laid paper. buckets , columns , dice , gambling , games , genre subject , Grand Tour , hats , men , stairs. Trapani
George Chinnery, 1774–1852, British, A Man throwing a Ball to a Dog, undated. Pen, in brown ink, and graphite on medium, moderately textured, light blue, laid paper. ball , dog (animal) , figure study , genre subject , man , sporting art , throwing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-chinnery-17741852-british-a-man-throwing-a-ball-to-a-dog-undated-pen-in-brown-ink-and-graphite-on-medium-moderately-textured-light-blue-laid-paper-ball-dog-animal-figure-study-genre-subject-man-sporting-art-throwing-image398457720.htmlRM2E478TT–George Chinnery, 1774–1852, British, A Man throwing a Ball to a Dog, undated. Pen, in brown ink, and graphite on medium, moderately textured, light blue, laid paper. ball , dog (animal) , figure study , genre subject , man , sporting art , throwing
Sir George Howland Beaumont seventh Baronet, 1753–1827, British, Welsh Landscape, ca. 1800. Pen and black ink, gray wash and white gouache on moderately thick, moderately textured, blue laid paper. lake , lakeshore , landscape , mountains , trees. Europe , United Kingdom , Wales Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-george-howland-beaumont-seventh-baronet-17531827-british-welsh-landscape-ca-1800-pen-and-black-ink-gray-wash-and-white-gouache-on-moderately-thick-moderately-textured-blue-laid-paper-lake-lakeshore-landscape-mountains-trees-europe-united-kingdom-wales-image398448193.htmlRM2E46TMH–Sir George Howland Beaumont seventh Baronet, 1753–1827, British, Welsh Landscape, ca. 1800. Pen and black ink, gray wash and white gouache on moderately thick, moderately textured, blue laid paper. lake , lakeshore , landscape , mountains , trees. Europe , United Kingdom , Wales
Sir Thomas Lawrence, 1769–1830, British, Double Portrait of a Figure in Both Male and Female Attire, 1792. Graphite on medium, slightly textured, light blue laid paper. coat , costume , cross-dressing , dress , figure study , man , portrait , profile (figure) , ruffles , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-17691830-british-double-portrait-of-a-figure-in-both-male-and-female-attire-1792-graphite-on-medium-slightly-textured-light-blue-laid-paper-coat-costume-cross-dressing-dress-figure-study-man-portrait-profile-figure-ruffles-woman-image398454566.htmlRM2E474T6–Sir Thomas Lawrence, 1769–1830, British, Double Portrait of a Figure in Both Male and Female Attire, 1792. Graphite on medium, slightly textured, light blue laid paper. coat , costume , cross-dressing , dress , figure study , man , portrait , profile (figure) , ruffles , woman
Sir George Howland Beaumont seventh Baronet, 1753–1827, British, From the Window of the Inn at Lauterbraun, ca. 1811. Graphite, gray wash, white chalk and black chalk on moderately thick, moderately textured, blue, laid paper. Grand Tour , inn , landscape , lodges , mountains. Lauterbrunnen , Switzerland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-george-howland-beaumont-seventh-baronet-17531827-british-from-the-window-of-the-inn-at-lauterbraun-ca-1811-graphite-gray-wash-white-chalk-and-black-chalk-on-moderately-thick-moderately-textured-blue-laid-paper-grand-tour-inn-landscape-lodges-mountains-lauterbrunnen-switzerland-image398351614.htmlRM2E42DFA–Sir George Howland Beaumont seventh Baronet, 1753–1827, British, From the Window of the Inn at Lauterbraun, ca. 1811. Graphite, gray wash, white chalk and black chalk on moderately thick, moderately textured, blue, laid paper. Grand Tour , inn , landscape , lodges , mountains. Lauterbrunnen , Switzerland
![Sir Edwin Henry Landseer, 1802–1873, British, Janie Ellice: Full Length Sketch, 1835 to 1841. Watercolor and pen and brown ink on medium, slightly textured, blue laid paper. figure study , portrait. Ellice [née Balfour], Katherine Jane [Janie] (1813–1864), diarist Stock Photo](https://c8.alamy.com/comp/2E45525/sir-edwin-henry-landseer-18021873-british-janie-ellice-full-length-sketch-1835-to-1841-watercolor-and-pen-and-brown-ink-on-medium-slightly-textured-blue-laid-paper-figure-study-portrait-ellice-ne-balfour-katherine-jane-janie-18131864-diarist-2E45525.jpg "Sir Edwin Henry Landseer, 1802–1873, British, Janie Ellice: Full Length Sketch, 1835 to 1841. Watercolor and pen and brown ink on medium, slightly textured, blue laid paper. figure study , portrait. Ellice [née Balfour], Katherine Jane [Janie] (1813–1864), diarist Stock Photo")
Sir Edwin Henry Landseer, 1802–1873, British, Janie Ellice: Full Length Sketch, 1835 to 1841. Watercolor and pen and brown ink on medium, slightly textured, blue laid paper. figure study , portrait. Ellice [née Balfour], Katherine Jane [Janie] (1813–1864), diarist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-edwin-henry-landseer-18021873-british-janie-ellice-full-length-sketch-1835-to-1841-watercolor-and-pen-and-brown-ink-on-medium-slightly-textured-blue-laid-paper-figure-study-portrait-ellice-ne-balfour-katherine-jane-janie-18131864-diarist-image398410829.htmlRM2E45525–Sir Edwin Henry Landseer, 1802–1873, British, Janie Ellice: Full Length Sketch, 1835 to 1841. Watercolor and pen and brown ink on medium, slightly textured, blue laid paper. figure study , portrait. Ellice [née Balfour], Katherine Jane [Janie] (1813–1864), diarist
Thomas Rowlandson, 1756–1827, British, An Elderly Buck walking with a Lady, between 1810 and 1820. Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, moderately textured, light blue, laid paper. dress (costume) , elderly , genre subject , hat , lady , man , walking Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-17561827-british-an-elderly-buck-walking-with-a-lady-between-1810-and-1820-watercolor-and-graphite-with-pen-and-red-brown-ink-and-pen-and-gray-ink-on-medium-moderately-textured-light-blue-laid-paper-dress-costume-elderly-genre-subject-hat-lady-man-walking-image398431274.htmlRM2E4634A–Thomas Rowlandson, 1756–1827, British, An Elderly Buck walking with a Lady, between 1810 and 1820. Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, moderately textured, light blue, laid paper. dress (costume) , elderly , genre subject , hat , lady , man , walking
Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Two Country Carts and Figures, c. 1779-1780. Soft-ground etching on blue laid paper, in gray ink, laid on eighteenth-century mount, first state. boulder , carts , dog (animal) , genre subject , landscape , mules (mammals) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-gainsborough-ra-17271788-british-wooded-landscape-with-two-country-carts-and-figures-c-1779-1780-soft-ground-etching-on-blue-laid-paper-in-gray-ink-laid-on-eighteenth-century-mount-first-state-boulder-carts-dog-animal-genre-subject-landscape-mules-mammals-image398369087.htmlRM2E437RB–Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Two Country Carts and Figures, c. 1779-1780. Soft-ground etching on blue laid paper, in gray ink, laid on eighteenth-century mount, first state. boulder , carts , dog (animal) , genre subject , landscape , mules (mammals)
Benjamin West, 1738–1820, American, active in Britain (from 1763), Artist's Son Writing, undated. Graphite and white chalk on medium, moderately textured, blue laid paper. boy , figure study , portrait , quill pen , son , writing (processes). West, Raphael Lamar (1766–1850), history painter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benjamin-west-17381820-american-active-in-britain-from-1763-artists-son-writing-undated-graphite-and-white-chalk-on-medium-moderately-textured-blue-laid-paper-boy-figure-study-portrait-quill-pen-son-writing-processes-west-raphael-lamar-17661850-history-painter-image398454472.htmlRM2E474MT–Benjamin West, 1738–1820, American, active in Britain (from 1763), Artist's Son Writing, undated. Graphite and white chalk on medium, moderately textured, blue laid paper. boy , figure study , portrait , quill pen , son , writing (processes). West, Raphael Lamar (1766–1850), history painter
Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Gypsy Encampment, between 1775 and 1780. Black chalk with stumping, white chalk, and gray wash, with scraping on moderately thick, moderately textured, light blue laid paper prepared with gray wash. camp (temporary settlement) , donkey , gypsies , landscape , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-gainsborough-ra-17271788-british-wooded-landscape-with-gypsy-encampment-between-1775-and-1780-black-chalk-with-stumping-white-chalk-and-gray-wash-with-scraping-on-moderately-thick-moderately-textured-light-blue-laid-paper-prepared-with-gray-wash-camp-temporary-settlement-donkey-gypsies-landscape-trees-image398450988.htmlRM2E4708C–Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Gypsy Encampment, between 1775 and 1780. Black chalk with stumping, white chalk, and gray wash, with scraping on moderately thick, moderately textured, light blue laid paper prepared with gray wash. camp (temporary settlement) , donkey , gypsies , landscape , trees
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), The Falls at Tivoli, between 1752 and 1757. Gray wash, graphite, and white chalk on medium, slightly textured, blue laid paper. buildings , city , Grand Tour , landscape , mountains , waterfall. Europe , Italy , Lazio , Roma , Tivoli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-wilson-ra-17141782-british-active-in-italy-175056-the-falls-at-tivoli-between-1752-and-1757-gray-wash-graphite-and-white-chalk-on-medium-slightly-textured-blue-laid-paper-buildings-city-grand-tour-landscape-mountains-waterfall-europe-italy-lazio-roma-tivoli-image398450560.htmlRM2E46YN4–Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), The Falls at Tivoli, between 1752 and 1757. Gray wash, graphite, and white chalk on medium, slightly textured, blue laid paper. buildings , city , Grand Tour , landscape , mountains , waterfall. Europe , Italy , Lazio , Roma , Tivoli
Francis Seymour Haden, 1818–1910, British, Combe Bottom, 1860. Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper. bushes , fisherman , fishing , fishing rod , foliage , grass , hillocks , knolls , landscape , leaves , shrubs , trees. England , Europe , Shere , Surrey , United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francis-seymour-haden-18181910-british-combe-bottom-1860-etching-and-drypoint-with-plate-tone-on-medium-slightly-textured-light-blue-laid-paper-bushes-fisherman-fishing-fishing-rod-foliage-grass-hillocks-knolls-landscape-leaves-shrubs-trees-england-europe-shere-surrey-united-kingdom-image398361377.htmlRM2E42X01–Francis Seymour Haden, 1818–1910, British, Combe Bottom, 1860. Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper. bushes , fisherman , fishing , fishing rod , foliage , grass , hillocks , knolls , landscape , leaves , shrubs , trees. England , Europe , Shere , Surrey , United Kingdom
Thomas Rowlandson, 1756–1827, British, A Potter Returning from Market, ca. 1790. Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper. basket , children , dog (animal) , donkey , genre subject , man , market (event) , potter , pottery , stream , water , women , woods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-17561827-british-a-potter-returning-from-market-ca-1790-watercolor-with-pen-and-brown-and-gray-ink-on-medium-slightly-textured-light-blue-laid-paper-basket-children-dog-animal-donkey-genre-subject-man-market-event-potter-pottery-stream-water-women-woods-image398358512.htmlRM2E42P9M–Thomas Rowlandson, 1756–1827, British, A Potter Returning from Market, ca. 1790. Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper. basket , children , dog (animal) , donkey , genre subject , man , market (event) , potter , pottery , stream , water , women , woods
Allan Ramsay, 1713–1784, British, Man Standing Holding a Staff in His Left Hand, Full Length, undated. Black chalk on medium, moderately textured, blue laid paper. breeches (trousers) , coats , cuff links , figure study , men , shoes (footwear) , sleeve ruffs , staffs (walking sticks) , standing , stockings , wigs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-man-standing-holding-a-staff-in-his-left-hand-full-length-undated-black-chalk-on-medium-moderately-textured-blue-laid-paper-breeches-trousers-coats-cuff-links-figure-study-men-shoes-footwear-sleeve-ruffs-staffs-walking-sticks-standing-stockings-wigs-image398348509.htmlRM2E429GD–Allan Ramsay, 1713–1784, British, Man Standing Holding a Staff in His Left Hand, Full Length, undated. Black chalk on medium, moderately textured, blue laid paper. breeches (trousers) , coats , cuff links , figure study , men , shoes (footwear) , sleeve ruffs , staffs (walking sticks) , standing , stockings , wigs
Allan Ramsay, 1713–1784, British, Man Standing, Leaning on Left Elbow, Full-Length, undated. Black chalk and white chalk on medium, slightly textured, blue laid paper. breeches (trousers) , coats , cravats , cuff links , figure study , leaning , men , pockets (costume components) , sleeve ruffs , standing , stockings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allan-ramsay-17131784-british-man-standing-leaning-on-left-elbow-full-length-undated-black-chalk-and-white-chalk-on-medium-slightly-textured-blue-laid-paper-breeches-trousers-coats-cravats-cuff-links-figure-study-leaning-men-pockets-costume-components-sleeve-ruffs-standing-stockings-image398348531.htmlRM2E429H7–Allan Ramsay, 1713–1784, British, Man Standing, Leaning on Left Elbow, Full-Length, undated. Black chalk and white chalk on medium, slightly textured, blue laid paper. breeches (trousers) , coats , cravats , cuff links , figure study , leaning , men , pockets (costume components) , sleeve ruffs , standing , stockings
![Sir Thomas Lawrence, 1769–1830, British, Mrs. Thomas Linley, née Mary Johnson, 1790 to 1800. Graphite on medium, slightly textured, pale blue laid paper. bonnet , costume , dress , elderly , gaze , hat , mother , portrait , posing , woman. Linley, Mary [nee Johnson] (1729-1820), wife of Thomas Linley Stock Photo](https://c8.alamy.com/comp/2E47C4F/sir-thomas-lawrence-17691830-british-mrs-thomas-linley-ne-mary-johnson-1790-to-1800-graphite-on-medium-slightly-textured-pale-blue-laid-paper-bonnet-costume-dress-elderly-gaze-hat-mother-portrait-posing-woman-linley-mary-nee-johnson-1729-1820-wife-of-thomas-linley-2E47C4F.jpg "Sir Thomas Lawrence, 1769–1830, British, Mrs. Thomas Linley, née Mary Johnson, 1790 to 1800. Graphite on medium, slightly textured, pale blue laid paper. bonnet , costume , dress , elderly , gaze , hat , mother , portrait , posing , woman. Linley, Mary [nee Johnson] (1729-1820), wife of Thomas Linley Stock Photo")
Sir Thomas Lawrence, 1769–1830, British, Mrs. Thomas Linley, née Mary Johnson, 1790 to 1800. Graphite on medium, slightly textured, pale blue laid paper. bonnet , costume , dress , elderly , gaze , hat , mother , portrait , posing , woman. Linley, Mary [nee Johnson] (1729-1820), wife of Thomas Linley Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-17691830-british-mrs-thomas-linley-ne-mary-johnson-1790-to-1800-graphite-on-medium-slightly-textured-pale-blue-laid-paper-bonnet-costume-dress-elderly-gaze-hat-mother-portrait-posing-woman-linley-mary-nee-johnson-1729-1820-wife-of-thomas-linley-image398460287.htmlRM2E47C4F–Sir Thomas Lawrence, 1769–1830, British, Mrs. Thomas Linley, née Mary Johnson, 1790 to 1800. Graphite on medium, slightly textured, pale blue laid paper. bonnet , costume , dress , elderly , gaze , hat , mother , portrait , posing , woman. Linley, Mary [nee Johnson] (1729-1820), wife of Thomas Linley
Benjamin West, 1738–1820, American, active in Britain (from 1763), A Christening in Chevening Church, Kent, undated. Graphite and white chalk on medium, slightly textured, blue laid paper. children , christening , church , genre subject , hats , infant , men , minister , window , women. Chevening , England , Kent , United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benjamin-west-17381820-american-active-in-britain-from-1763-a-christening-in-chevening-church-kent-undated-graphite-and-white-chalk-on-medium-slightly-textured-blue-laid-paper-children-christening-church-genre-subject-hats-infant-men-minister-window-women-chevening-england-kent-united-kingdom-image398459856.htmlRM2E47BH4–Benjamin West, 1738–1820, American, active in Britain (from 1763), A Christening in Chevening Church, Kent, undated. Graphite and white chalk on medium, slightly textured, blue laid paper. children , christening , church , genre subject , hats , infant , men , minister , window , women. Chevening , England , Kent , United Kingdom
Paul Sandby RA, 1731–1809, British, Portrait of Thomas Sandby, R.A., the Artist's Brother, undated. Black chalk, white chalk, and blue chalk on medium, moderately textured, blue laid paper. artist , brother , portrait , tricorn hats , walking-sticks. Sandby, Thomas (bap. 1723, d. 1798), architect and draughtsman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-sandby-ra-17311809-british-portrait-of-thomas-sandby-ra-the-artists-brother-undated-black-chalk-white-chalk-and-blue-chalk-on-medium-moderately-textured-blue-laid-paper-artist-brother-portrait-tricorn-hats-walking-sticks-sandby-thomas-bap-1723-d-1798-architect-and-draughtsman-image398450237.htmlRM2E46Y9H–Paul Sandby RA, 1731–1809, British, Portrait of Thomas Sandby, R.A., the Artist's Brother, undated. Black chalk, white chalk, and blue chalk on medium, moderately textured, blue laid paper. artist , brother , portrait , tricorn hats , walking-sticks. Sandby, Thomas (bap. 1723, d. 1798), architect and draughtsman
Sir Edwin Henry Landseer, 1802–1873, British, A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer, 1833. Watercolor on thin, slightly textured, blue laid paper. beards , figure study , sporting art. Landseer, Sir Edwin Henry (1802–1873), animal painter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-edwin-henry-landseer-18021873-british-a-shooting-party-lord-ossulston-mr-w-wells-lord-abercorn-and-sir-e-landseer-1833-watercolor-on-thin-slightly-textured-blue-laid-paper-beards-figure-study-sporting-art-landseer-sir-edwin-henry-18021873-animal-painter-image398410408.htmlRM2E454F4–Sir Edwin Henry Landseer, 1802–1873, British, A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer, 1833. Watercolor on thin, slightly textured, blue laid paper. beards , figure study , sporting art. Landseer, Sir Edwin Henry (1802–1873), animal painter
Sir Edwin Henry Landseer, 1802–1873, British, A Shooting Party: Mr. C. Leslie and Mr. John Leslie, 1833. Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper. beard , figure study , men , sporting art. Aberdeenshire , Europe , Scotland , United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-edwin-henry-landseer-18021873-british-a-shooting-party-mr-c-leslie-and-mr-john-leslie-1833-pen-and-brown-ink-brown-wash-and-gray-wash-on-thin-slightly-textured-blue-laid-paper-beard-figure-study-men-sporting-art-aberdeenshire-europe-scotland-united-kingdom-image398410395.htmlRM2E454EK–Sir Edwin Henry Landseer, 1802–1873, British, A Shooting Party: Mr. C. Leslie and Mr. John Leslie, 1833. Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper. beard , figure study , men , sporting art. Aberdeenshire , Europe , Scotland , United Kingdom
Peter Casteels, 1684–1749, Flemish, active in Britain (from 1708), Three Greyhounds in a Room, undated. Graphite, watercolor, and pen in gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, laid paper. animal art , dogs (animals) , greyhounds (breed) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peter-casteels-16841749-flemish-active-in-britain-from-1708-three-greyhounds-in-a-room-undated-graphite-watercolor-and-pen-in-gray-ink-on-medium-slightly-textured-beige-laid-paper-mounted-on-moderately-thick-moderately-textured-blue-laid-paper-animal-art-dogs-animals-greyhounds-breed-image398457615.htmlRM2E478N3–Peter Casteels, 1684–1749, Flemish, active in Britain (from 1708), Three Greyhounds in a Room, undated. Graphite, watercolor, and pen in gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, laid paper. animal art , dogs (animals) , greyhounds (breed)
Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), A River by a Rocky Bank with Figures, Possibly in India, between 1783 and 1789. Black chalk and white chalk on moderately thick, moderately textured, blue laid paper. landscape , river , rocks (landforms) , tents , trees , washing. Ganges , India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-joseph-zoffany-ra-17331810-german-active-in-britain-from-1760-a-river-by-a-rocky-bank-with-figures-possibly-in-india-between-1783-and-1789-black-chalk-and-white-chalk-on-moderately-thick-moderately-textured-blue-laid-paper-landscape-river-rocks-landforms-tents-trees-washing-ganges-india-image398342664.htmlRM2E4223M–Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), A River by a Rocky Bank with Figures, Possibly in India, between 1783 and 1789. Black chalk and white chalk on moderately thick, moderately textured, blue laid paper. landscape , river , rocks (landforms) , tents , trees , washing. Ganges , India
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Sculpted Plinth in the Villa Medici, undated. Black chalk and white gouache on medium, moderately textured, blue laid paper. architectural subject , Grand Tour , mermaids , mythological figures , plinth , putti. Europe , Italy , Lazio , Pincian Hill , Roma , Rome , Villa Medici Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-wilson-ra-17141782-british-active-in-italy-175056-sculpted-plinth-in-the-villa-medici-undated-black-chalk-and-white-gouache-on-medium-moderately-textured-blue-laid-paper-architectural-subject-grand-tour-mermaids-mythological-figures-plinth-putti-europe-italy-lazio-pincian-hill-roma-rome-villa-medici-image398450534.htmlRM2E46YM6–Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Sculpted Plinth in the Villa Medici, undated. Black chalk and white gouache on medium, moderately textured, blue laid paper. architectural subject , Grand Tour , mermaids , mythological figures , plinth , putti. Europe , Italy , Lazio , Pincian Hill , Roma , Rome , Villa Medici
Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), A Dying Hindu Brought to the River Ganges, 1788. Black chalk, red chalk and white chalk on moderately thick, slightly textured, blue laid paper. children , death , fort , games , genre subject , Hinduism , landscape , rivers , roots , stone , swing , tree. Ganges Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-joseph-zoffany-ra-17331810-german-active-in-britain-from-1760-a-dying-hindu-brought-to-the-river-ganges-1788-black-chalk-red-chalk-and-white-chalk-on-moderately-thick-slightly-textured-blue-laid-paper-children-death-fort-games-genre-subject-hinduism-landscape-rivers-roots-stone-swing-tree-ganges-image398340029.htmlRM2E41XNH–Johan Joseph Zoffany RA, 1733–1810, German, active in Britain (from 1760), A Dying Hindu Brought to the River Ganges, 1788. Black chalk, red chalk and white chalk on moderately thick, slightly textured, blue laid paper. children , death , fort , games , genre subject , Hinduism , landscape , rivers , roots , stone , swing , tree. Ganges
Print made by John Sell Cotman, 1782–1842, British, Brandsby Tower, Yorkshire, ca. 1838. Soft-ground etching on medium, slightly textured, blue laid paper. arches , architectural subject , architecture , castle , columns (architectural elements) , hat , ladder , man , riverbank , ruins , shore (landform) , trees , turrets (towers). Brandsby , Brandsby Tower , England , North Yorkshire , United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-made-by-john-sell-cotman-17821842-british-brandsby-tower-yorkshire-ca-1838-soft-ground-etching-on-medium-slightly-textured-blue-laid-paper-arches-architectural-subject-architecture-castle-columns-architectural-elements-hat-ladder-man-riverbank-ruins-shore-landform-trees-turrets-towers-brandsby-brandsby-tower-england-north-yorkshire-united-kingdom-image398378263.htmlRM2E43KF3–Print made by John Sell Cotman, 1782–1842, British, Brandsby Tower, Yorkshire, ca. 1838. Soft-ground etching on medium, slightly textured, blue laid paper. arches , architectural subject , architecture , castle , columns (architectural elements) , hat , ladder , man , riverbank , ruins , shore (landform) , trees , turrets (towers). Brandsby , Brandsby Tower , England , North Yorkshire , United Kingdom
Samuel Scott, 1701/2–1772, British, Ludlow Castle, between 1765 and 1769. Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border. architectural subject , castle , figures , hill , landscape , men , mountains , river , trees. England , Europe , Ludlow , Ludlow Castle , Shropshire , United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-scott-170121772-british-ludlow-castle-between-1765-and-1769-watercolor-pen-and-ink-and-graphite-on-thick-moderately-textured-cream-laid-paper-with-a-thin-slightly-textured-blue-laid-paper-border-architectural-subject-castle-figures-hill-landscape-men-mountains-river-trees-england-europe-ludlow-ludlow-castle-shropshire-united-kingdom-image398358584.htmlRM2E42PC8–Samuel Scott, 1701/2–1772, British, Ludlow Castle, between 1765 and 1769. Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border. architectural subject , castle , figures , hill , landscape , men , mountains , river , trees. England , Europe , Ludlow , Ludlow Castle , Shropshire , United Kingdom
![John Russell, 1745–1806, British, Studies of Two Women's Heads, undated. Graphite and black chalk on medium, slightly textured, blue laid paper. boys , figure study , heads , studies , women. Ker, (John) Bellenden [formerly John Bellenden Gawler] (1764–1842), botanist and man of fashion Ker, (Charles) Henry Bellenden [formerly Charles Henry Gawler] (c.1785–1871), law reformer Stock Photo](https://c8.alamy.com/comp/2E420Y1/john-russell-17451806-british-studies-of-two-womens-heads-undated-graphite-and-black-chalk-on-medium-slightly-textured-blue-laid-paper-boys-figure-study-heads-studies-women-ker-john-bellenden-formerly-john-bellenden-gawler-17641842-botanist-and-man-of-fashion-ker-charles-henry-bellenden-formerly-charles-henry-gawler-c17851871-law-reformer-2E420Y1.jpg "John Russell, 1745–1806, British, Studies of Two Women's Heads, undated. Graphite and black chalk on medium, slightly textured, blue laid paper. boys , figure study , heads , studies , women. Ker, (John) Bellenden [formerly John Bellenden Gawler] (1764–1842), botanist and man of fashion Ker, (Charles) Henry Bellenden [formerly Charles Henry Gawler] (c.1785–1871), law reformer Stock Photo")
John Russell, 1745–1806, British, Studies of Two Women's Heads, undated. Graphite and black chalk on medium, slightly textured, blue laid paper. boys , figure study , heads , studies , women. Ker, (John) Bellenden [formerly John Bellenden Gawler] (1764–1842), botanist and man of fashion Ker, (Charles) Henry Bellenden [formerly Charles Henry Gawler] (c.1785–1871), law reformer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-russell-17451806-british-studies-of-two-womens-heads-undated-graphite-and-black-chalk-on-medium-slightly-textured-blue-laid-paper-boys-figure-study-heads-studies-women-ker-john-bellenden-formerly-john-bellenden-gawler-17641842-botanist-and-man-of-fashion-ker-charles-henry-bellenden-formerly-charles-henry-gawler-c17851871-law-reformer-image398341749.htmlRM2E420Y1–John Russell, 1745–1806, British, Studies of Two Women's Heads, undated. Graphite and black chalk on medium, slightly textured, blue laid paper. boys , figure study , heads , studies , women. Ker, (John) Bellenden [formerly John Bellenden Gawler] (1764–1842), botanist and man of fashion Ker, (Charles) Henry Bellenden [formerly Charles Henry Gawler] (c.1785–1871), law reformer
attributed to Angelica Kauffmann RA, 1741–1807, Swiss, active in Britain (1766–81), Scene in a Roman Prison, undated. Brown wash with pen and black ink over graphite on medium, slightly textured, cream wove paper laid down on two joined sheets of medium, moderately textured, blue laid paper. correctional institution , genre subject , Grand Tour , prison. Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attributed-to-angelica-kauffmann-ra-17411807-swiss-active-in-britain-176681-scene-in-a-roman-prison-undated-brown-wash-with-pen-and-black-ink-over-graphite-on-medium-slightly-textured-cream-wove-paper-laid-down-on-two-joined-sheets-of-medium-moderately-textured-blue-laid-paper-correctional-institution-genre-subject-grand-tour-prison-rome-image398346738.htmlRM2E42796–attributed to Angelica Kauffmann RA, 1741–1807, Swiss, active in Britain (1766–81), Scene in a Roman Prison, undated. Brown wash with pen and black ink over graphite on medium, slightly textured, cream wove paper laid down on two joined sheets of medium, moderately textured, blue laid paper. correctional institution , genre subject , Grand Tour , prison. Rome
Thomas Daniell, 1749–1840, British, active in India, East View of the Forts Jellali and Merani, Muskat, 1793. Watercolor, brown ink, black ink, and graphite on thick, moderately textured, light blue laid paper. architectural subject , beach , boats , flags , forts , harbor , landscape , men , mountains , sailboats , shore (landform) , walls. Fort Al Jalali , Fort Al-Mirani , Masqat , Masqat , Oman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-daniell-17491840-british-active-in-india-east-view-of-the-forts-jellali-and-merani-muskat-1793-watercolor-brown-ink-black-ink-and-graphite-on-thick-moderately-textured-light-blue-laid-paper-architectural-subject-beach-boats-flags-forts-harbor-landscape-men-mountains-sailboats-shore-landform-walls-fort-al-jalali-fort-al-mirani-masqat-masqat-oman-image398461035.htmlRM2E47D37–Thomas Daniell, 1749–1840, British, active in India, East View of the Forts Jellali and Merani, Muskat, 1793. Watercolor, brown ink, black ink, and graphite on thick, moderately textured, light blue laid paper. architectural subject , beach , boats , flags , forts , harbor , landscape , men , mountains , sailboats , shore (landform) , walls. Fort Al Jalali , Fort Al-Mirani , Masqat , Masqat , Oman
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), The Via Nomentana, 1754. Black and white chalk with stumping on medium, moderately textured, blue laid paper mounted on medium, moderately textured, cream wove paper with a border of medium, moderately-textured wove paper with purple wash. bridge (built work) , landscape , road , travelers. Europe , Italy , Lazio , Roma , Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-wilson-ra-17141782-british-active-in-italy-175056-the-via-nomentana-1754-black-and-white-chalk-with-stumping-on-medium-moderately-textured-blue-laid-paper-mounted-on-medium-moderately-textured-cream-wove-paper-with-a-border-of-medium-moderately-textured-wove-paper-with-purple-wash-bridge-built-work-landscape-road-travelers-europe-italy-lazio-roma-rome-image398457275.htmlRM2E4788Y–Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), The Via Nomentana, 1754. Black and white chalk with stumping on medium, moderately textured, blue laid paper mounted on medium, moderately textured, cream wove paper with a border of medium, moderately-textured wove paper with purple wash. bridge (built work) , landscape , road , travelers. Europe , Italy , Lazio , Roma , Rome
Print made by Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, 1779 to 1780. Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper. birds , church , dog (animal) , donkeys , evening , genre subject , graveyard , hills , landscape , lovers , man , meadow , men , old , peasants , post , reading , ruins , tombs , tombstone , valley , woman , woods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-made-by-thomas-gainsborough-ra-17271788-british-wooded-landscape-with-peasant-reading-tombstone-rustic-lovers-and-ruined-church-1779-to-1780-soft-ground-etching-in-gray-ink-on-moderately-thick-moderately-textured-blue-laid-paper-birds-church-dog-animal-donkeys-evening-genre-subject-graveyard-hills-landscape-lovers-man-meadow-men-old-peasants-post-reading-ruins-tombs-tombstone-valley-woman-woods-image398445086.htmlRM2E46MNJ–Print made by Thomas Gainsborough RA, 1727–1788, British, Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, 1779 to 1780. Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper. birds , church , dog (animal) , donkeys , evening , genre subject , graveyard , hills , landscape , lovers , man , meadow , men , old , peasants , post , reading , ruins , tombs , tombstone , valley , woman , woods
Print made by M. Coote, active 1876, Edgar's Tower at Worcester, before 1786. Line engraving and etching on medium, slightly textured, light blue laid paper. arches , architectural subject , architecture , buildings , cathedral , church , city , cityscape , gate , gateway , genre subject , gesture , horse (animal) , houses , men , path , pointing , stairs , tower (building division) , town , walking , walls. Edgar's Tower , England , Hereford and Worcester , United Kingdom , Worcester , Worcester Cathedral Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-made-by-m-coote-active-1876-edgars-tower-at-worcester-before-1786-line-engraving-and-etching-on-medium-slightly-textured-light-blue-laid-paper-arches-architectural-subject-architecture-buildings-cathedral-church-city-cityscape-gate-gateway-genre-subject-gesture-horse-animal-houses-men-path-pointing-stairs-tower-building-division-town-walking-walls-edgars-tower-england-hereford-and-worcester-united-kingdom-worcester-worcester-cathedral-image398455967.htmlRM2E476J7–Print made by M. Coote, active 1876, Edgar's Tower at Worcester, before 1786. Line engraving and etching on medium, slightly textured, light blue laid paper. arches , architectural subject , architecture , buildings , cathedral , church , city , cityscape , gate , gateway , genre subject , gesture , horse (animal) , houses , men , path , pointing , stairs , tower (building division) , town , walking , walls. Edgar's Tower , England , Hereford and Worcester , United Kingdom , Worcester , Worcester Cathedral
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Gulliver Bound by the Lilliputians, undated. Graphite on medium, rough, blue laid paper mounted on moderately thick, moderately textured, cream laid paper. bridge (built work) , literary theme , people , spears , trees , water. Gulliver, Lemuel, fictional protagonist and narrator of 'Gulliver's Travels', a novel written by Jonathan Swift, first published in 1726 Lilliputians Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-wilson-ra-17141782-british-active-in-italy-175056-gulliver-bound-by-the-lilliputians-undated-graphite-on-medium-rough-blue-laid-paper-mounted-on-moderately-thick-moderately-textured-cream-laid-paper-bridge-built-work-literary-theme-people-spears-trees-water-gulliver-lemuel-fictional-protagonist-and-narrator-of-gullivers-travels-a-novel-written-by-jonathan-swift-first-published-in-1726-lilliputians-image398450591.htmlRM2E46YP7–Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Gulliver Bound by the Lilliputians, undated. Graphite on medium, rough, blue laid paper mounted on moderately thick, moderately textured, cream laid paper. bridge (built work) , literary theme , people , spears , trees , water. Gulliver, Lemuel, fictional protagonist and narrator of 'Gulliver's Travels', a novel written by Jonathan Swift, first published in 1726 Lilliputians
Thomas Rowlandson, 1756–1827, British, Skating on the Serpentine, before 1790. Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, blued white, laid paper, mounted on moderately thick, slightly textured, light blue, laid paper.. drinking , food , genre subject , men , skating , women. City of Westminster , England , Europe , London , Serpentine River , United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-rowlandson-17561827-british-skating-on-the-serpentine-before-1790-pen-and-gray-and-black-ink-and-wash-over-graphite-verso-pen-and-black-ink-on-repaired-section-on-medium-slightly-textured-blued-white-laid-paper-mounted-on-moderately-thick-slightly-textured-light-blue-laid-paper-drinking-food-genre-subject-men-skating-women-city-of-westminster-england-europe-london-serpentine-river-united-kingdom-image398358917.htmlRM2E42PT5–Thomas Rowlandson, 1756–1827, British, Skating on the Serpentine, before 1790. Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, blued white, laid paper, mounted on moderately thick, slightly textured, light blue, laid paper.. drinking , food , genre subject , men , skating , women. City of Westminster , England , Europe , London , Serpentine River , United Kingdom
Samuel Scott, 1701/2–1772, British, Westminster Bridge under Construction, undated. Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper, with thin, slightly textured, blue laid paper border, mounted on moderately thick, moderately textured, cream wove paper. architectural subject , architecture , boats , bridge (built work) , construction , engineering , river. England , Thames , United Kingdom , Westminster , Westminster bridge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-scott-170121772-british-westminster-bridge-under-construction-undated-gray-wash-graphite-and-pen-and-black-ink-on-medium-slightly-textured-cream-laid-paper-with-thin-slightly-textured-blue-laid-paper-border-mounted-on-moderately-thick-moderately-textured-cream-wove-paper-architectural-subject-architecture-boats-bridge-built-work-construction-engineering-river-england-thames-united-kingdom-westminster-westminster-bridge-image398340568.htmlRM2E41YCT–Samuel Scott, 1701/2–1772, British, Westminster Bridge under Construction, undated. Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper, with thin, slightly textured, blue laid paper border, mounted on moderately thick, moderately textured, cream wove paper. architectural subject , architecture , boats , bridge (built work) , construction , engineering , river. England , Thames , United Kingdom , Westminster , Westminster bridge
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Temple of Minerva Medica, Rome, 1754. Black and white chalk on moderately thick, rough, blue laid paper mounted on moderately thick, moderately textured, cream laid paper with border of moderately thick, moderately textured, cream laid paper with purple wash. architectural subject , buildings , city , fields , figures , Grand Tour , landscape , nymphaeum , ruins , temple , trees , wall. Italy , Lazio , Roma , Rome , Temple of Minerva Medica Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-wilson-ra-17141782-british-active-in-italy-175056-temple-of-minerva-medica-rome-1754-black-and-white-chalk-on-moderately-thick-rough-blue-laid-paper-mounted-on-moderately-thick-moderately-textured-cream-laid-paper-with-border-of-moderately-thick-moderately-textured-cream-laid-paper-with-purple-wash-architectural-subject-buildings-city-fields-figures-grand-tour-landscape-nymphaeum-ruins-temple-trees-wall-italy-lazio-roma-rome-temple-of-minerva-medica-image398457331.htmlRM2E478AY–Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), Temple of Minerva Medica, Rome, 1754. Black and white chalk on moderately thick, rough, blue laid paper mounted on moderately thick, moderately textured, cream laid paper with border of moderately thick, moderately textured, cream laid paper with purple wash. architectural subject , buildings , city , fields , figures , Grand Tour , landscape , nymphaeum , ruins , temple , trees , wall. Italy , Lazio , Roma , Rome , Temple of Minerva Medica
Samuel De Wilde, 1748–1832, British, Head of a Man with a Beard and Long Hair in the Wind, 1786. Graphite with black ink and brown wash, verso: pen and brown ink and graphite on moderately thick, moderately textured, light blue laid paper. beard , cauldron , figure study , gesture , head , King Lear, play by William Shakespeare , literary theme , Macbeth, play by William Shakespeare , moustache , plays by William Shakespeare. King Lear (character in King Lear) Shakespeare, William (1564–1616), playwright and poet The Three Witches (characters in Macbeth) Macbeth (character in The Tragedy of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-de-wilde-17481832-british-head-of-a-man-with-a-beard-and-long-hair-in-the-wind-1786-graphite-with-black-ink-and-brown-wash-verso-pen-and-brown-ink-and-graphite-on-moderately-thick-moderately-textured-light-blue-laid-paper-beard-cauldron-figure-study-gesture-head-king-lear-play-by-william-shakespeare-literary-theme-macbeth-play-by-william-shakespeare-moustache-plays-by-william-shakespeare-king-lear-character-in-king-lear-shakespeare-william-15641616-playwright-and-poet-the-three-witches-characters-in-macbeth-macbeth-character-in-the-tragedy-of-image398460801.htmlRM2E47CPW–Samuel De Wilde, 1748–1832, British, Head of a Man with a Beard and Long Hair in the Wind, 1786. Graphite with black ink and brown wash, verso: pen and brown ink and graphite on moderately thick, moderately textured, light blue laid paper. beard , cauldron , figure study , gesture , head , King Lear, play by William Shakespeare , literary theme , Macbeth, play by William Shakespeare , moustache , plays by William Shakespeare. King Lear (character in King Lear) Shakespeare, William (1564–1616), playwright and poet The Three Witches (characters in Macbeth) Macbeth (character in The Tragedy of
Franz Joseph Manskirsch, 1768–1830, German, Horse and Cart in Quarry, 1806. Lithograph on blue-grey laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franz-joseph-manskirsch-17681830-german-horse-and-cart-in-quarry-1806-lithograph-on-blue-grey-laid-paper-image398375509.htmlRM2E43G0N–Franz Joseph Manskirsch, 1768–1830, German, Horse and Cart in Quarry, 1806. Lithograph on blue-grey laid paper.
unknown artist, Shipping in a Calm, ca. 1790. Watercolor, pen, and blue ink on medium, slightly textured, cream laid paper. Public Domain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-shipping-in-a-calm-ca-1790-watercolor-pen-and-blue-ink-on-medium-slightly-textured-cream-laid-paper-public-domain-image398453823.htmlRM2E473WK–unknown artist, Shipping in a Calm, ca. 1790. Watercolor, pen, and blue ink on medium, slightly textured, cream laid paper. Public Domain
Thomas Sunderland, 1744–1828, British, Stone Byres, Lanarkshire, undated. Graphite, black chalk, gray wash, and blue wash on thin, slightly textured, cream laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-sunderland-17441828-british-stone-byres-lanarkshire-undated-graphite-black-chalk-gray-wash-and-blue-wash-on-thin-slightly-textured-cream-laid-paper-image398381315.htmlRM2E43RC3–Thomas Sunderland, 1744–1828, British, Stone Byres, Lanarkshire, undated. Graphite, black chalk, gray wash, and blue wash on thin, slightly textured, cream laid paper.
John Constable, 1776–1837, British, Cloud Study, 1822. Oil on paper laid on canvas. blue , clouds , gray (color) , gray (color) , meteorology , science , white (color) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-constable-17761837-british-cloud-study-1822-oil-on-paper-laid-on-canvas-blue-clouds-gray-color-gray-color-meteorology-science-white-color-image398460968.htmlRM2E47D0T–John Constable, 1776–1837, British, Cloud Study, 1822. Oil on paper laid on canvas. blue , clouds , gray (color) , gray (color) , meteorology , science , white (color)
Paul Sandby RA, 1731–1809, British, Lake Scene, undated. Blue wash and gray wash on medium, cream, slightly textured laid paper. lake , landscape , mountains , mountains , trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-sandby-ra-17311809-british-lake-scene-undated-blue-wash-and-gray-wash-on-medium-cream-slightly-textured-laid-paper-lake-landscape-mountains-mountains-trees-image398450261.htmlRM2E46YAD–Paul Sandby RA, 1731–1809, British, Lake Scene, undated. Blue wash and gray wash on medium, cream, slightly textured laid paper. lake , landscape , mountains , mountains , trees
Print made by Elisha Kirkall, ca. 1682–1742, British, Ships, 1720-1730. Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-made-by-elisha-kirkall-ca-16821742-british-ships-1720-1730-mezzotint-printed-in-blue-green-colored-ink-on-medium-moderately-textured-cream-laid-paper-image398346617.htmlRM2E4274W–Print made by Elisha Kirkall, ca. 1682–1742, British, Ships, 1720-1730. Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper.
Unknown artist, eighteenth century, Portrait of a Lady, undated. Black chalk, red chalk, yellow chalk, blue chalk, and gouache on medium, slightly textured, cream laid paper. portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-eighteenth-century-portrait-of-a-lady-undated-black-chalk-red-chalk-yellow-chalk-blue-chalk-and-gouache-on-medium-slightly-textured-cream-laid-paper-portrait-image398454342.htmlRM2E474G6–Unknown artist, eighteenth century, Portrait of a Lady, undated. Black chalk, red chalk, yellow chalk, blue chalk, and gouache on medium, slightly textured, cream laid paper. portrait
Alfred Stevens, 1817–1875, British, Designs for a Ceiling and Interiors, undated. Graphite and blue watercolor on slightly textured, medium, white wove paper laid on wove paper. architectural subject Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alfred-stevens-18171875-british-designs-for-a-ceiling-and-interiors-undated-graphite-and-blue-watercolor-on-slightly-textured-medium-white-wove-paper-laid-on-wove-paper-architectural-subject-image398445908.htmlRM2E46NR0–Alfred Stevens, 1817–1875, British, Designs for a Ceiling and Interiors, undated. Graphite and blue watercolor on slightly textured, medium, white wove paper laid on wove paper. architectural subject
unknown artist, Sir Francis Bacon, 1st Viscount St. Alban, 1627. Engraving on medium, moderately textured, cream, laid paper, mouned on, medium, moderately textured, blue, wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-sir-francis-bacon-1st-viscount-st-alban-1627-engraving-on-medium-moderately-textured-cream-laid-paper-mouned-on-medium-moderately-textured-blue-wove-paper-image398444069.htmlRM2E46KD9–unknown artist, Sir Francis Bacon, 1st Viscount St. Alban, 1627. Engraving on medium, moderately textured, cream, laid paper, mouned on, medium, moderately textured, blue, wove paper.
John Webber, 1752–1793, British, Rocks in Derbyshire, 1789. Pen and black ink, blue wash, gray wash and graphite on medium, slightly textured, cream laid paper. Public Domain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-webber-17521793-british-rocks-in-derbyshire-1789-pen-and-black-ink-blue-wash-gray-wash-and-graphite-on-medium-slightly-textured-cream-laid-paper-public-domain-image398456074.htmlRM2E476P2–John Webber, 1752–1793, British, Rocks in Derbyshire, 1789. Pen and black ink, blue wash, gray wash and graphite on medium, slightly textured, cream laid paper. Public Domain
unknown artist, The Virtuous Family, ca. 1790. Pen, brown ink, graphite, blue wash, pink wash, and brown wash on moderately thick, slightly textured, cream laid paper. Public Domain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-the-virtuous-family-ca-1790-pen-brown-ink-graphite-blue-wash-pink-wash-and-brown-wash-on-moderately-thick-slightly-textured-cream-laid-paper-public-domain-image398453889.htmlRM2E47401–unknown artist, The Virtuous Family, ca. 1790. Pen, brown ink, graphite, blue wash, pink wash, and brown wash on moderately thick, slightly textured, cream laid paper. Public Domain
Sawrey Gilpin, 1733–1807, British, A Horse, undated. Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper. animal art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sawrey-gilpin-17331807-british-a-horse-undated-graphite-on-medium-moderately-textured-beige-laid-paper-mounted-on-moderately-thick-moderately-textured-blue-wove-paper-animal-art-image398446440.htmlRM2E46PE0–Sawrey Gilpin, 1733–1807, British, A Horse, undated. Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper. animal art
Sawrey Gilpin, 1733–1807, British, A Horse, 1760. Graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper. animal art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sawrey-gilpin-17331807-british-a-horse-1760-graphite-on-medium-slightly-textured-beige-laid-paper-mounted-on-moderately-thick-moderately-textured-blue-wove-paper-animal-art-image398446328.htmlRM2E46PA0–Sawrey Gilpin, 1733–1807, British, A Horse, 1760. Graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper. animal art
Print made by Elisha Kirkall, ca. 1682–1742, British, Marine View, between 1720 and 1730. Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-made-by-elisha-kirkall-ca-16821742-british-marine-view-between-1720-and-1730-mezzotint-printed-in-blue-green-colored-ink-on-medium-moderately-textured-cream-laid-paper-image398346659.htmlRM2E4276B–Print made by Elisha Kirkall, ca. 1682–1742, British, Marine View, between 1720 and 1730. Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper.
Sawrey Gilpin, 1733–1807, British, A Perfect Horse, 1760. Graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper. animal art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sawrey-gilpin-17331807-british-a-perfect-horse-1760-graphite-on-medium-slightly-textured-beige-laid-paper-mounted-on-moderately-thick-moderately-textured-blue-wove-paper-animal-art-image398446447.htmlRM2E46PE7–Sawrey Gilpin, 1733–1807, British, A Perfect Horse, 1760. Graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper. animal art
Sawrey Gilpin, 1733–1807, British, A Horse and Three Groomers, 1760. Graphite on medium, slightly textured, beige, laid paper, mounted on, thick, moderately textured, blue, wove paper. Public Domain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sawrey-gilpin-17331807-british-a-horse-and-three-groomers-1760-graphite-on-medium-slightly-textured-beige-laid-paper-mounted-on-thick-moderately-textured-blue-wove-paper-public-domain-image398446304.htmlRM2E46P94–Sawrey Gilpin, 1733–1807, British, A Horse and Three Groomers, 1760. Graphite on medium, slightly textured, beige, laid paper, mounted on, thick, moderately textured, blue, wove paper. Public Domain
James Stuart, 1713–1788, British, Design for the Decoration of a Dining Room, 1760s. Graphite, pen and black ink, gray wash with touches of blue on slightly textured, medium, white laid paper. architectural subject Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-stuart-17131788-british-design-for-the-decoration-of-a-dining-room-1760s-graphite-pen-and-black-ink-gray-wash-with-touches-of-blue-on-slightly-textured-medium-white-laid-paper-architectural-subject-image398445926.htmlRM2E46NRJ–James Stuart, 1713–1788, British, Design for the Decoration of a Dining Room, 1760s. Graphite, pen and black ink, gray wash with touches of blue on slightly textured, medium, white laid paper. architectural subject
George Romney, 1734–1802, British, Sketch for Witches and Youths in a Cavern, undated. Graphite; verso: gray wash on medium, slightly textured, blue white laid paper. cavern , historical subject , witches Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-romney-17341802-british-sketch-for-witches-and-youths-in-a-cavern-undated-graphite-verso-gray-wash-on-medium-slightly-textured-blue-white-laid-paper-cavern-historical-subject-witches-image398456423.htmlRM2E4776F–George Romney, 1734–1802, British, Sketch for Witches and Youths in a Cavern, undated. Graphite; verso: gray wash on medium, slightly textured, blue white laid paper. cavern , historical subject , witches
John Glover, 1767–1849, British, Man Sleeping Outdoors, undated. Graphite on medium, moderately textured, blue-green laid paper. genre subject , hat , hills , landscape , man , ruins , sleeping , trees , valley Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-glover-17671849-british-man-sleeping-outdoors-undated-graphite-on-medium-moderately-textured-blue-green-laid-paper-genre-subject-hat-hills-landscape-man-ruins-sleeping-trees-valley-image398451042.htmlRM2E470AA–John Glover, 1767–1849, British, Man Sleeping Outdoors, undated. Graphite on medium, moderately textured, blue-green laid paper. genre subject , hat , hills , landscape , man , ruins , sleeping , trees , valley
Louis Philippe Boitard, active 1734–1760, A Young Woman in a Blue Dress, undated. Watercolor and pen and black ink on medium, slightly textured, cream laid paper. dresses , figures (illustrations) , woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-philippe-boitard-active-17341760-a-young-woman-in-a-blue-dress-undated-watercolor-and-pen-and-black-ink-on-medium-slightly-textured-cream-laid-paper-dresses-figures-illustrations-woman-image398449356.htmlRM2E46X64–Louis Philippe Boitard, active 1734–1760, A Young Woman in a Blue Dress, undated. Watercolor and pen and black ink on medium, slightly textured, cream laid paper. dresses , figures (illustrations) , woman
Sawrey Gilpin, 1733–1807, British, Lord Wennan's Mare Flora, 1749. Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper. animal art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sawrey-gilpin-17331807-british-lord-wennans-mare-flora-1749-graphite-on-medium-moderately-textured-beige-laid-paper-mounted-on-moderately-thick-moderately-textured-blue-wove-paper-animal-art-image398446313.htmlRM2E46P9D–Sawrey Gilpin, 1733–1807, British, Lord Wennan's Mare Flora, 1749. Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, blue, wove paper. animal art
John Constable, 1776–1837, British, Cloud Study, 1821. Oil on paper laid on board. birds , blue , brush strokes , clouds , flat , gray , meteorology , motion , science , study (visual work) , texture , white Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-constable-17761837-british-cloud-study-1821-oil-on-paper-laid-on-board-birds-blue-brush-strokes-clouds-flat-gray-meteorology-motion-science-study-visual-work-texture-white-image398460999.htmlRM2E47D1Y–John Constable, 1776–1837, British, Cloud Study, 1821. Oil on paper laid on board. birds , blue , brush strokes , clouds , flat , gray , meteorology , motion , science , study (visual work) , texture , white
Search Results for Blue laid paper Stock Photos and Images (163)
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