heraldry, coat of arms, guild coat of arms, Germany, blacksmithes, Chromolithograph, 19th century, blacksmith, smith, smithes, guilds, guild symbol, handicraft, handcraft, craft, profession, professions, historic, historical, clipping, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-heraldry-coat-of-arms-guild-coat-of-arms-germany-blacksmithes-chromolithograph-106916299.html
RMG5XCR7–heraldry, coat of arms, guild coat of arms, Germany, blacksmithes, Chromolithograph, 19th century, blacksmith, smith, smithes, guilds, guild symbol, handicraft, handcraft, craft, profession, professions, historic, historical, clipping, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available
Blacksmith guild of Goes, guild token with no. 7, Brass medal with hole in it. Front: crowned front hammer between years. Reverse: inscription above number 7, Goes, anonymous, 1637, brass (alloy), engraving, d 3.6 cm × w 21.29 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-guild-of-goes-guild-token-with-no-7-brass-medal-with-hole-in-it-front-crowned-front-hammer-between-years-reverse-inscription-above-number-7-goes-anonymous-1637-brass-alloy-engraving-d-36-cm-w-2129-image261391242.html
RMW57B5E–Blacksmith guild of Goes, guild token with no. 7, Brass medal with hole in it. Front: crowned front hammer between years. Reverse: inscription above number 7, Goes, anonymous, 1637, brass (alloy), engraving, d 3.6 cm × w 21.29
Entrance of the church of 'Universitatis Fabrorum' (Ancient Blacksmith Guild or Confraternity) in the historical center of Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entrance-of-the-church-of-universitatis-fabrorum-ancient-blacksmith-guild-or-confraternity-in-the-historical-center-of-rome-image495195336.html
RF2KNJ2KM–Entrance of the church of 'Universitatis Fabrorum' (Ancient Blacksmith Guild or Confraternity) in the historical center of Rome
Blacksmith at his anvil. Workshop. Guild. Guilds. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blacksmith-at-his-anvil-workshop-guild-guilds-83367801.html
RMERHMDD–Blacksmith at his anvil. Workshop. Guild. Guilds.
Sign of the trade guild. Blacksmith with ambos. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sign-of-the-trade-guild-blacksmith-with-ambos-15113786.html
RMAM144Y–Sign of the trade guild. Blacksmith with ambos.
Blacksmith at his anvil. Workshop. Guild. Guilds. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blacksmith-at-his-anvil-workshop-guild-guilds-83361436.html
RMERHCA4–Blacksmith at his anvil. Workshop. Guild. Guilds.
Blacksmiths, 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmiths-17th-century-image245860057.html
RMT7YW09–Blacksmiths, 17th Century
Gezicht in zaal E van de Historische Tentoonstelling Amsterdam 1876, met het uithangteken met attributen van het smidsgilde Face in room E of the Historical Exhibition Amsterdam in 1876, with the signboard sign with attributes of the blacksmith guild object type: picture Item number: RP-F F03801 Manufacturer : Photographer: Peter Oosterhuis (listed property) Place manufacture: Amsterdam Date: 1876 Physical features: albumen print material: paper cardboard Technique: albumen print dimensions: photo: h 160 mm × W 122 mmblad: h 230 mm × W 178 mm Subject: History Exhibition Amsterdam, 1876Wanneer: Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gezicht-in-zaal-e-van-de-historische-tentoonstelling-amsterdam-1876-met-het-uithangteken-met-attributen-van-het-smidsgilde-face-in-room-e-of-the-historical-exhibition-amsterdam-in-1876-with-the-signboard-sign-with-attributes-of-the-blacksmith-guild-object-type-picture-item-number-rp-f-f03801-manufacturer-photographer-peter-oosterhuis-listed-property-place-manufacture-amsterdam-date-1876-physical-features-albumen-print-material-paper-cardboard-technique-albumen-print-dimensions-photo-h-160-mm-w-122-mmblad-h-230-mm-w-178-mm-subject-history-exhibition-amsterdam-1876wanneer-image348380697.html
RM2B6P33N–Gezicht in zaal E van de Historische Tentoonstelling Amsterdam 1876, met het uithangteken met attributen van het smidsgilde Face in room E of the Historical Exhibition Amsterdam in 1876, with the signboard sign with attributes of the blacksmith guild object type: picture Item number: RP-F F03801 Manufacturer : Photographer: Peter Oosterhuis (listed property) Place manufacture: Amsterdam Date: 1876 Physical features: albumen print material: paper cardboard Technique: albumen print dimensions: photo: h 160 mm × W 122 mmblad: h 230 mm × W 178 mm Subject: History Exhibition Amsterdam, 1876Wanneer:
Blacksmith at work on the anvil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-at-work-on-the-anvil-image559868935.html
RF2RET6F3–Blacksmith at work on the anvil
Blacksmith Workshop, 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blacksmith-workshop-19th-century-135089465.html
RMHRNRYN–Blacksmith Workshop, 19th Century
Medieval guild. Europe. Middle ages. Making the armor. Engraving. Later colouration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medieval-guild-europe-middle-ages-making-the-armor-engraving-later-colouration-image389150595.html
RM2DH39FF–Medieval guild. Europe. Middle ages. Making the armor. Engraving. Later colouration.
Blacksmith guild of Goes, guild token with no. 7, Brass medal with hole in it. Front: crowned front hammer between years. Reverse: inscription above number 7, Goes, anonymous, 1637, brass (alloy), engraving, d 3.6 cm × w 21.29 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-guild-of-goes-guild-token-with-no-7-brass-medal-with-hole-in-it-front-crowned-front-hammer-between-years-reverse-inscription-above-number-7-goes-anonymous-1637-brass-alloy-engraving-d-36-cm-w-2129-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349994010.html
RF2B9BGX2–Blacksmith guild of Goes, guild token with no. 7, Brass medal with hole in it. Front: crowned front hammer between years. Reverse: inscription above number 7, Goes, anonymous, 1637, brass (alloy), engraving, d 3.6 cm × w 21.29 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Stained Glass window depicting a blacksmith at work, in the Cathedral of Saint Bavo in Ghent, Flanders, Belgium. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-stained-glass-window-depicting-a-blacksmith-at-work-in-the-cathedral-129679052.html
RFHEYAXM–Stained Glass window depicting a blacksmith at work, in the Cathedral of Saint Bavo in Ghent, Flanders, Belgium.
Festive costume of Conrad Pistor of the Kremer Guild in 1588, with his coat of arms with ploughshare, indicating blacksmith. From an Aschaffenburg guild book. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/festive-costume-of-conrad-pistor-of-the-kremer-guild-in-1588-with-his-coat-of-arms-with-ploughshare-indicating-blacksmith-from-an-aschaffenburg-guild-book-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-c-regnier-dr-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image220220545.html
RMPP7WFD–Festive costume of Conrad Pistor of the Kremer Guild in 1588, with his coat of arms with ploughshare, indicating blacksmith. From an Aschaffenburg guild book. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Festive costume of Conrad Pistor of the Kremer Guild in 1588, with his coat of arms with ploughshare, indicating blacksmith. From an Aschaffenburg guild book. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/festive-costume-of-conrad-pistor-of-the-kremer-guild-in-1588-with-his-coat-of-arms-with-ploughshare-indicating-blacksmith-from-an-aschaffenburg-guild-book-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-c-regnier-dr-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image331976023.html
RM2A82PPF–Festive costume of Conrad Pistor of the Kremer Guild in 1588, with his coat of arms with ploughshare, indicating blacksmith. From an Aschaffenburg guild book. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Line Art Blacksmith Iron Anvil Foundry vintage retro logo design Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-art-blacksmith-iron-anvil-foundry-vintage-retro-logo-design-image356303827.html
RF2BKK14K–Line Art Blacksmith Iron Anvil Foundry vintage retro logo design
Re Change of career to take up rural crafts Ben Horribon fire welding a sea scroll during his training to be a blacksmith at T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/re-change-of-career-to-take-up-rural-crafts-ben-horribon-fire-welding-image2712018.html
RMAHX1D3–Re Change of career to take up rural crafts Ben Horribon fire welding a sea scroll during his training to be a blacksmith at T
Blacksmith guild, guild token from free master Samuel Schetse, Copper medal. Front: crowned anvil between pointed anvil and front hammer above decorated compartment with year. Reverse: inscription, Samuel Schetse, anonymous, Netherlands, 1649, copper (metal), engraving, d 4.5 cm × w 52.36 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-guild-guild-token-from-free-master-samuel-schetse-copper-medal-front-crowned-anvil-between-pointed-anvil-and-front-hammer-above-decorated-compartment-with-year-reverse-inscription-samuel-schetse-anonymous-netherlands-1649-copper-metal-engraving-d-45-cm-w-5236-image261391589.html
RMW57BHW–Blacksmith guild, guild token from free master Samuel Schetse, Copper medal. Front: crowned anvil between pointed anvil and front hammer above decorated compartment with year. Reverse: inscription, Samuel Schetse, anonymous, Netherlands, 1649, copper (metal), engraving, d 4.5 cm × w 52.36
work job Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-work-job-144807213.html
RFJBGF25–work job
guild symbol of wainwright craft forged Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guild-symbol-of-wainwright-craft-forged-image62561013.html
RFDHNW5W–guild symbol of wainwright craft forged
Blacksmith logo typography logotype.symbol,icon,template Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-logo-typography-logotypesymbolicontemplate-image451922209.html
RF2H76RAW–Blacksmith logo typography logotype.symbol,icon,template
Tin can of the farriers - Guild of Leuben in Silesia. Collection Zschille, Großenhain, 1893 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tin-can-of-the-farriers-guild-of-leuben-in-silesia-collection-zschille-groenhain-1893-image210800918.html
RMP6XPM6–Tin can of the farriers - Guild of Leuben in Silesia. Collection Zschille, Großenhain, 1893
flame line blacksmith symbol logo vector Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flame-line-blacksmith-symbol-logo-vector-image352205108.html
RF2BD095T–flame line blacksmith symbol logo vector
Cabinet (Fassadenschrank) early 17th century German, Nuremberg During the sixteenth and seventeenth centuries in Central Europe, the term “woodworker” did not define a single trade. Instead, there were cabinetmakers and chairmakers, each represented by their own guild. The lathe-turned parts of wooden furniture could not be made in the shop but had to be bought from members of an independent turners’ guild and the hardware ordered from a master blacksmith. This complex system had been developed to protect guild members from outside competition and to guarantee them a minimum wage. Each master— Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cabinet-fassadenschrank-early-17th-century-german-nuremberg-during-the-sixteenth-and-seventeenth-centuries-in-central-europe-the-term-woodworker-did-not-define-a-single-trade-instead-there-were-cabinetmakers-and-chairmakers-each-represented-by-their-own-guild-the-lathe-turned-parts-of-wooden-furniture-could-not-be-made-in-the-shop-but-had-to-be-bought-from-members-of-an-independent-turners-guild-and-the-hardware-ordered-from-a-master-blacksmith-this-complex-system-had-been-developed-to-protect-guild-members-from-outside-competition-and-to-guarantee-them-a-minimum-wage-each-master-image458117910.html
RM2HH921X–Cabinet (Fassadenschrank) early 17th century German, Nuremberg During the sixteenth and seventeenth centuries in Central Europe, the term “woodworker” did not define a single trade. Instead, there were cabinetmakers and chairmakers, each represented by their own guild. The lathe-turned parts of wooden furniture could not be made in the shop but had to be bought from members of an independent turners’ guild and the hardware ordered from a master blacksmith. This complex system had been developed to protect guild members from outside competition and to guarantee them a minimum wage. Each master—
Crest and motto of the Worshipful Company of Blacksmiths. The Worshipful Company of Blacksmiths. Prize competition. The Prime Warden, Wardens, and Court of Assistants of the Worshipful Company of Blacksmiths, London, hereby invite the attention of journeymen and apprentices or youths working in Smiths' shops in the United Kingdom, ... to hold an exhibition of work of the blacksmith, and to offer prizes for such work as follows, ... [London]: Printers: Thomas Poulter & Sons, Limited, London, [1894]. Motto of the Worshipful Company of Blacksmiths: 'By Hammer & Hand All Arts Do Stand'. Source: C Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crest-and-motto-of-the-worshipful-company-of-blacksmiths-the-worshipful-company-of-blacksmiths-prize-competition-the-prime-warden-wardens-and-court-of-assistants-of-the-worshipful-company-of-blacksmiths-london-hereby-invite-the-attention-of-journeymen-and-apprentices-or-youths-working-in-smiths-shops-in-the-united-kingdom-to-hold-an-exhibition-of-work-of-the-blacksmith-and-to-offer-prizes-for-such-work-as-follows-london-printers-thomas-poulter-sons-limited-london-1894-motto-of-the-worshipful-company-of-blacksmiths-by-hammer-hand-all-arts-do-stand-source-c-image227089461.html
RMR5CPWW–Crest and motto of the Worshipful Company of Blacksmiths. The Worshipful Company of Blacksmiths. Prize competition. The Prime Warden, Wardens, and Court of Assistants of the Worshipful Company of Blacksmiths, London, hereby invite the attention of journeymen and apprentices or youths working in Smiths' shops in the United Kingdom, ... to hold an exhibition of work of the blacksmith, and to offer prizes for such work as follows, ... [London]: Printers: Thomas Poulter & Sons, Limited, London, [1894]. Motto of the Worshipful Company of Blacksmiths: 'By Hammer & Hand All Arts Do Stand'. Source: C
Blacksmith at the anvil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-at-the-anvil-image559868876.html
RF2RET6D0–Blacksmith at the anvil
Blacksmith, De Magnete, 1600 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blacksmith-de-magnete-1600-135096829.html
RMHRP5AN–Blacksmith, De Magnete, 1600
Guild sign on the maypole, symbolic representation of the professions locksmith, farrier and watchmaker, Hague in Upper Bavaria, Upper Bavaria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guild-sign-on-the-maypole-symbolic-representation-of-the-professions-locksmith-farrier-and-watchmaker-hague-in-upper-bavaria-upper-bavaria-image344219783.html
RM2B00FRK–Guild sign on the maypole, symbolic representation of the professions locksmith, farrier and watchmaker, Hague in Upper Bavaria, Upper Bavaria
Blacksmith guild, guild token from free master Samuel Schetse, Copper medal. Front: crowned anvil between pointed anvil and front hammer above decorated compartment with year. Reverse: inscription, Samuel Schetse, anonymous, Netherlands, 1649, copper (metal), engraving, d 4.5 cm × w 52.36 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-guild-guild-token-from-free-master-samuel-schetse-copper-medal-front-crowned-anvil-between-pointed-anvil-and-front-hammer-above-decorated-compartment-with-year-reverse-inscription-samuel-schetse-anonymous-netherlands-1649-copper-metal-engraving-d-45-cm-w-5236-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349994349.html
RF2B9BHA5–Blacksmith guild, guild token from free master Samuel Schetse, Copper medal. Front: crowned anvil between pointed anvil and front hammer above decorated compartment with year. Reverse: inscription, Samuel Schetse, anonymous, Netherlands, 1649, copper (metal), engraving, d 4.5 cm × w 52.36 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Blacksmith icon cultures concept symbol design Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-icon-cultures-concept-symbol-design-image332385563.html
RF2A8ND4Y–Blacksmith icon cultures concept symbol design
City burgher and ironsmith Niklas Ruhl and his wife standing beside his coat of arms. From an Aschaffenburg Guild Book. He holds a golden lily, and she a rose. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-burgher-and-ironsmith-niklas-ruhl-and-his-wife-standing-beside-his-coat-of-arms-from-an-aschaffenburg-guild-book-he-holds-a-golden-lily-and-she-a-rose-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-c-b-dr-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image220220802.html
RMPP7WTJ–City burgher and ironsmith Niklas Ruhl and his wife standing beside his coat of arms. From an Aschaffenburg Guild Book. He holds a golden lily, and she a rose. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
City burgher and ironsmith Niklas Ruhl and his wife standing beside his coat of arms. From an Aschaffenburg Guild Book. He holds a golden lily, and she a rose. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-burgher-and-ironsmith-niklas-ruhl-and-his-wife-standing-beside-his-coat-of-arms-from-an-aschaffenburg-guild-book-he-holds-a-golden-lily-and-she-a-rose-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-c-b-dr-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image331976050.html
RM2A82PRE–City burgher and ironsmith Niklas Ruhl and his wife standing beside his coat of arms. From an Aschaffenburg Guild Book. He holds a golden lily, and she a rose. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-flachsmarkt-2006-burg-linn-krefeld-germany-medieval-crafts-image7746770.html
RMAE3JN3–Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market.
Glass paintings showing coats of arms, 16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-glass-paintings-showing-coats-of-arms-16th-century-72535810.html
RME6084J–Glass paintings showing coats of arms, 16th century.
Re Change of career to take up rural crafts Ben Horribon fire welding a sea scroll during his training to be a blacksmith at T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/re-change-of-career-to-take-up-rural-crafts-ben-horribon-fire-welding-image2712014.html
RMAHX1CF–Re Change of career to take up rural crafts Ben Horribon fire welding a sea scroll during his training to be a blacksmith at T
Blacksmith guild from a place in Friesland, guild token from Dierck Clasen, Messing token. Obverse: coat of arms, hanging on a wreath inside an inscription. Reverse: crowned anvil between year within a circumference, Friesland, Dierck Clasen, anonymous, 1681, brass (alloy), engraving, d 3.9 cm × w 150 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-guild-from-a-place-in-friesland-guild-token-from-dierck-clasen-messing-token-obverse-coat-of-arms-hanging-on-a-wreath-inside-an-inscription-reverse-crowned-anvil-between-year-within-a-circumference-friesland-dierck-clasen-anonymous-1681-brass-alloy-engraving-d-39-cm-w-150-image261391306.html
RMW57B7P–Blacksmith guild from a place in Friesland, guild token from Dierck Clasen, Messing token. Obverse: coat of arms, hanging on a wreath inside an inscription. Reverse: crowned anvil between year within a circumference, Friesland, Dierck Clasen, anonymous, 1681, brass (alloy), engraving, d 3.9 cm × w 150
blacksmith icon on white background. Simple element illustration from Cultures concept. blacksmith icon symbol design. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-icon-on-white-background-simple-element-illustration-from-cultures-concept-blacksmith-icon-symbol-design-image336376671.html
RF2AF77TF–blacksmith icon on white background. Simple element illustration from Cultures concept. blacksmith icon symbol design.
guild symbol of wainwright craft forged Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guild-symbol-of-wainwright-craft-forged-image62561075.html
RFDHNW83–guild symbol of wainwright craft forged
Line style icon of a hammer. Blacksmith, repair logo. Clean and modern vector illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-style-icon-of-a-hammer-blacksmith-repair-logo-clean-and-modern-vector-illustration-image259363302.html
RFW1Y0F2–Line style icon of a hammer. Blacksmith, repair logo. Clean and modern vector illustration.
Chur, GR / Switzerland - 29. July 2019: close up medieval guild sign for a guesthouse and tavern in the historic old city of Chur in Switzerland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chur-gr-switzerland-29-july-2019-close-up-medieval-guild-sign-for-a-guesthouse-and-tavern-in-the-historic-old-city-of-chur-in-switzerland-image261626437.html
RFW5J359–Chur, GR / Switzerland - 29. July 2019: close up medieval guild sign for a guesthouse and tavern in the historic old city of Chur in Switzerland
flame line blacksmith symbol logo vector Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flame-line-blacksmith-symbol-logo-vector-image363782925.html
RF2C3RMR9–flame line blacksmith symbol logo vector
people, professions, smith, circa 1575, colour print, cigarette card, Tengelmann, Muehlheim/Ruhr, 1934, , Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-people-professions-smith-circa-1575-colour-print-cigarette-card-tengelmann-33383775.html
RMBX8N9K–people, professions, smith, circa 1575, colour print, cigarette card, Tengelmann, Muehlheim/Ruhr, 1934, , Additional-Rights-Clearences-Not Available
Metallurgy. The foundry of metals. Engraving. Later colouration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/metallurgy-the-foundry-of-metals-engraving-later-colouration-image389150722.html
RM2DH39M2–Metallurgy. The foundry of metals. Engraving. Later colouration.
Village Blacksmith, 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-village-blacksmith-19th-century-135089473.html
RMHRNT01–Village Blacksmith, 19th Century
Guild sign on the maypole, symbolic representation of the professions locksmith, farrier and watchmaker, Hague in Upper Bavaria, Upper Bavaria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guild-sign-on-the-maypole-symbolic-representation-of-the-professions-locksmith-farrier-and-watchmaker-hague-in-upper-bavaria-upper-bavaria-image344219739.html
RM2B00FP3–Guild sign on the maypole, symbolic representation of the professions locksmith, farrier and watchmaker, Hague in Upper Bavaria, Upper Bavaria
Blacksmith guild from a place in Friesland, guild token from Dierck Clasen, Messing token. Obverse: coat of arms, hanging on a wreath inside an inscription. Reverse: crowned anvil between year within a circumference, Friesland, Dierck Clasen, anonymous, 1681, brass (alloy), engraving, d 3.9 cm × w 150 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-guild-from-a-place-in-friesland-guild-token-from-dierck-clasen-messing-token-obverse-coat-of-arms-hanging-on-a-wreath-inside-an-inscription-reverse-crowned-anvil-between-year-within-a-circumference-friesland-dierck-clasen-anonymous-1681-brass-alloy-engraving-d-39-cm-w-150-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349994069.html
RF2B9BH05–Blacksmith guild from a place in Friesland, guild token from Dierck Clasen, Messing token. Obverse: coat of arms, hanging on a wreath inside an inscription. Reverse: crowned anvil between year within a circumference, Friesland, Dierck Clasen, anonymous, 1681, brass (alloy), engraving, d 3.9 cm × w 150 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Medieval Coin-Maker or mint master, at the Northwich Festival Verdin Park, Northwich August 2011. MONEYERS or engravers were guild members with responsibility for the minting of coins, or specie. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-medieval-coin-maker-or-mint-master-at-the-northwich-festival-verdin-38173328.html
RFC62XD4–Medieval Coin-Maker or mint master, at the Northwich Festival Verdin Park, Northwich August 2011. MONEYERS or engravers were guild members with responsibility for the minting of coins, or specie.
Glass paintings showing coats of arms with lute player and knight, early 16th century. The knight S. Florian holds the shield of a blacksmith's guild. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by L.D. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-paintings-showing-coats-of-arms-with-lute-player-and-knight-early-16th-century-the-knight-s-florian-holds-the-shield-of-a-blacksmiths-guild-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-ld-dr-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image210561052.html
RMP6FTNG–Glass paintings showing coats of arms with lute player and knight, early 16th century. The knight S. Florian holds the shield of a blacksmith's guild. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by L.D. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Golden Inn sign in Rüdesheim in the Rheingau, Hesse, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-golden-inn-sign-in-rdesheim-in-the-rheingau-hesse-germany-77068822.html
RFEDAP1X–Golden Inn sign in Rüdesheim in the Rheingau, Hesse, Germany
Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-flachsmarkt-2006-burg-linn-krefeld-germany-medieval-crafts-image7746768.html
RMAE3JN1–Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market.
Catalogue for the Blacksmiths' Work Exhibition by the Worshipful Company of Blacksmiths, London, 1889. Blacksmiths' Work Exhibition, under the auspices of the Worshipful Company of Blacksmiths, held at Ironmongers' Hall, etc. (Catalogue.). ff. 8. [London,] 1889. Source: 7960.df.49.(1.) Title Page. Author: ANON. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalogue-for-the-blacksmiths-work-exhibition-by-the-worshipful-company-of-blacksmiths-london-1889-blacksmiths-work-exhibition-under-the-auspices-of-the-worshipful-company-of-blacksmiths-held-at-ironmongers-hall-etc-catalogue-ff-8-london-1889-source-7960df491-title-page-author-anon-image226874552.html
RMR530PG–Catalogue for the Blacksmiths' Work Exhibition by the Worshipful Company of Blacksmiths, London, 1889. Blacksmiths' Work Exhibition, under the auspices of the Worshipful Company of Blacksmiths, held at Ironmongers' Hall, etc. (Catalogue.). ff. 8. [London,] 1889. Source: 7960.df.49.(1.) Title Page. Author: ANON.
Re Change of career to take up rural crafts Fire welding a sea scroll during his training to be a blacksmith at The Hereford C Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/re-change-of-career-to-take-up-rural-crafts-fire-welding-a-sea-scroll-image2712026.html
RMAHX1DB–Re Change of career to take up rural crafts Fire welding a sea scroll during his training to be a blacksmith at The Hereford C
maypole in stephanskirchen / amerang Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maypole-in-stephanskirchen-amerang-143276217.html
RFJ92P7N–maypole in stephanskirchen / amerang
St. Eloyen guesthouse in Utrecht, membership medal of the blacksmith guild, Copper medal. Obverse: coat of arms above anvil, flanked by a smaller anvil and a chisel within an inscription. Reverse side: crowned front hammer between two pincers within omschrift, Utrecht, anonymous, 1670, copper (metal), striking (metalworking), d 3.3 cm × w 14.27 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-eloyen-guesthouse-in-utrecht-membership-medal-of-the-blacksmith-guild-copper-medal-obverse-coat-of-arms-above-anvil-flanked-by-a-smaller-anvil-and-a-chisel-within-an-inscription-reverse-side-crowned-front-hammer-between-two-pincers-within-omschrift-utrecht-anonymous-1670-copper-metal-striking-metalworking-d-33-cm-w-1427-image261391476.html
RMW57BDT–St. Eloyen guesthouse in Utrecht, membership medal of the blacksmith guild, Copper medal. Obverse: coat of arms above anvil, flanked by a smaller anvil and a chisel within an inscription. Reverse side: crowned front hammer between two pincers within omschrift, Utrecht, anonymous, 1670, copper (metal), striking (metalworking), d 3.3 cm × w 14.27
. Children's ballads from history and folklore . Gladly forth from every quarter,Soldier, burgher, all outpour. Marching in strait ranks and serried.Marching on from door to door; Bearing silken standards, crimson,Gold, of Nurembergan blue Famous as the Tvrian purple,— As tis told I tell it you — Bearing banks of spears uplifted. Treading sturdily alway.Guild on guild, the cobbler, blacksmith one were wantinfr on that day. None ? No — think you little childrenFailed to lend their piquant grace To their countrys pageant ? Doubter IThey too had their time and place. In among the moving column,H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/childrens-ballads-from-history-and-folklore-gladly-forth-from-every-quartersoldier-burgher-all-outpour-marching-in-strait-ranks-and-serriedmarching-on-from-door-to-door-bearing-silken-standards-crimsongold-of-nurembergan-blue-famous-as-the-tvrian-purple-as-tis-told-i-tell-it-you-bearing-banks-of-spears-uplifted-treading-sturdily-alwayguild-on-guild-the-cobbler-blacksmith-one-were-wantinfr-on-that-day-none-no-think-you-little-childrenfailed-to-lend-their-piquant-grace-to-their-countrys-pageant-doubter-ithey-too-had-their-time-and-place-in-among-the-moving-columnh-image371973494.html
RM2CH4RYJ–. Children's ballads from history and folklore . Gladly forth from every quarter,Soldier, burgher, all outpour. Marching in strait ranks and serried.Marching on from door to door; Bearing silken standards, crimson,Gold, of Nurembergan blue Famous as the Tvrian purple,— As tis told I tell it you — Bearing banks of spears uplifted. Treading sturdily alway.Guild on guild, the cobbler, blacksmith one were wantinfr on that day. None ? No — think you little childrenFailed to lend their piquant grace To their countrys pageant ? Doubter IThey too had their time and place. In among the moving column,H
guild symbol of wainwright craft forged sepia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-guild-symbol-of-wainwright-craft-forged-sepia-103442852.html
RMG086BG–guild symbol of wainwright craft forged sepia
Silhouette icon of a hammer and anvil. Blacksmith, repair logo. Clean and modern vector illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silhouette-icon-of-a-hammer-and-anvil-blacksmith-repair-logo-clean-and-modern-vector-illustration-image259363405.html
RFW1Y0JN–Silhouette icon of a hammer and anvil. Blacksmith, repair logo. Clean and modern vector illustration.
Blacksmith collection icon set. Outline set of 9 blacksmith collection vector icons for web design isolated on white background Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-collection-icon-set-outline-set-of-9-blacksmith-collection-vector-icons-for-web-design-isolated-on-white-background-image263286613.html
RFW89MN9–Blacksmith collection icon set. Outline set of 9 blacksmith collection vector icons for web design isolated on white background
AND BLACKSMITH DRILLS. Rice Automatic Engine WITHOUT ITS EQUAL FOR CLOSE REGULATION ECONOMY OF FUEL DURABILITY BEAUTY OF CONSTRUCTION. The J. T. NOYE MFG. CO. Buffal N. Y. U.S. A. ICE-ROUSE AND COLD ROOM.-BY R. Steam Pipe and Boiler COVERINGS BRATED SECTIONAL COVERING PERFECT S CREWS Al SNIVS CUT Wiley & Russell Mfg Co. Greenfield Mass. GUILD it GARRISON MR CoNE.T.slrliii ET. SE. Pimching Presses DIES ANDES:ATOMS' Ireetlummhdmallanktaaa SHEET METAL GOODIN ggps HOT COLO BUOACES XHAIISTERSSTEAM FANS, scientific american, 1889-01-05 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/and-blacksmith-drills-rice-automatic-engine-without-its-equal-for-close-regulation-economy-of-fuel-durability-beauty-of-construction-the-j-t-noye-mfg-co-buffal-n-y-us-a-ice-rouse-and-cold-room-by-r-steam-pipe-and-boiler-coverings-brated-sectional-covering-perfect-s-crews-al-snivs-cut-wiley-russell-mfg-co-greenfield-mass-guild-it-garrison-mr-conetslrliii-et-se-pimching-presses-dies-andesatoms-ireetlummhdmallanktaaa-sheet-metal-goodin-ggps-hot-colo-buoaces-xhaiisterssteam-fans-scientific-american-1889-01-05-image334332261.html
RM2ABX45W–AND BLACKSMITH DRILLS. Rice Automatic Engine WITHOUT ITS EQUAL FOR CLOSE REGULATION ECONOMY OF FUEL DURABILITY BEAUTY OF CONSTRUCTION. The J. T. NOYE MFG. CO. Buffal N. Y. U.S. A. ICE-ROUSE AND COLD ROOM.-BY R. Steam Pipe and Boiler COVERINGS BRATED SECTIONAL COVERING PERFECT S CREWS Al SNIVS CUT Wiley & Russell Mfg Co. Greenfield Mass. GUILD it GARRISON MR CoNE.T.slrliii ET. SE. Pimching Presses DIES ANDES:ATOMS' Ireetlummhdmallanktaaa SHEET METAL GOODIN ggps HOT COLO BUOACES XHAIISTERSSTEAM FANS, scientific american, 1889-01-05
Gothic style wooden door of church in Belgium. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gothic-style-wooden-door-of-church-in-belgium-74902177.html
RFE9T2DN–Gothic style wooden door of church in Belgium.
Site of the Blacksmiths' Hall 1668 - 1785 a Corporation of London sign. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/site-of-the-blacksmiths-hall-1668-1785-a-corporation-of-london-sign-image69071309.html
RFE0AD4D–Site of the Blacksmiths' Hall 1668 - 1785 a Corporation of London sign.
A several centuries old statue of monkey on Grand Place of Mons, Belgium, which brings good luck to those who touch its head Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-several-centuries-old-statue-of-monkey-on-grand-place-of-mons-belgium-74823568.html
RFE9ME68–A several centuries old statue of monkey on Grand Place of Mons, Belgium, which brings good luck to those who touch its head
Illustration form De Magnete by William Gilbert, published in 1600. A blacksmith pounding a cooling bar of steel while it is aligned in the north-south (SEPTENTRIO-AUSTER) direction. The bar captures some of the Earth's magnetism. William Gilbert (May 24, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-form-de-magnete-by-william-gilbert-published-in-1600-104016024.html
RMG169E0–Illustration form De Magnete by William Gilbert, published in 1600. A blacksmith pounding a cooling bar of steel while it is aligned in the north-south (SEPTENTRIO-AUSTER) direction. The bar captures some of the Earth's magnetism. William Gilbert (May 24,
Restored wooden medieval door of church in bright day Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-restored-wooden-medieval-door-of-church-in-bright-day-74902192.html
RFE9T2E8–Restored wooden medieval door of church in bright day
St. Eloyen guesthouse in Utrecht, membership medal of the blacksmith guild, Copper medal. Obverse: coat of arms above anvil, flanked by a smaller anvil and a chisel within an inscription. Reverse side: crowned front hammer between two pincers within omschrift, Utrecht, anonymous, 1670, copper (metal), striking (metalworking), d 3.3 cm × w 14.27 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutioniz Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-eloyen-guesthouse-in-utrecht-membership-medal-of-the-blacksmith-guild-copper-medal-obverse-coat-of-arms-above-anvil-flanked-by-a-smaller-anvil-and-a-chisel-within-an-inscription-reverse-side-crowned-front-hammer-between-two-pincers-within-omschrift-utrecht-anonymous-1670-copper-metal-striking-metalworking-d-33-cm-w-1427-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutioniz-image349994246.html
RF2B9BH6E–St. Eloyen guesthouse in Utrecht, membership medal of the blacksmith guild, Copper medal. Obverse: coat of arms above anvil, flanked by a smaller anvil and a chisel within an inscription. Reverse side: crowned front hammer between two pincers within omschrift, Utrecht, anonymous, 1670, copper (metal), striking (metalworking), d 3.3 cm × w 14.27 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutioniz
Recibo del Gremio de Cerrajeros y Herreros. Barcelona, año 1954. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/recibo-del-gremio-de-cerrajeros-y-herreros-barcelona-ao-1954-image211649816.html
RMP89DE0–Recibo del Gremio de Cerrajeros y Herreros. Barcelona, año 1954.
A drawing of a builder, waterman, blacksmith and butcher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-drawing-of-a-builder-waterman-blacksmith-and-butcher-103997849.html
RMG15E8W–A drawing of a builder, waterman, blacksmith and butcher.
Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-flachsmarkt-2006-burg-linn-krefeld-germany-medieval-crafts-image7746769.html
RMAE3JN2–Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market.
Re Change of career to take up rural crafts Ben Horribon fire welding a sea scroll during his training to be a blacksmith at T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/re-change-of-career-to-take-up-rural-crafts-ben-horribon-fire-welding-image2712022.html
RMAHX1D7–Re Change of career to take up rural crafts Ben Horribon fire welding a sea scroll during his training to be a blacksmith at T
maypole in stephanskirchen,ameran Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maypole-in-stephanskirchenameran-143375593.html
RFJ9790W–maypole in stephanskirchen,ameran
St. Eloyen guesthouse in Utrecht, membership token of the blacksmith guild, Zilveren penning. Obverse: coat of arms above anvil, flanked by a smaller anvil and a chisel within an inscription. Reverse side: crowned front hammer between two pincers within omschrift, Utrecht, anonymous, 1670, silver (metal), striking (metalworking), d 3.2 cm × w 121 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-eloyen-guesthouse-in-utrecht-membership-token-of-the-blacksmith-guild-zilveren-penning-obverse-coat-of-arms-above-anvil-flanked-by-a-smaller-anvil-and-a-chisel-within-an-inscription-reverse-side-crowned-front-hammer-between-two-pincers-within-omschrift-utrecht-anonymous-1670-silver-metal-striking-metalworking-d-32-cm-w-121-image261391481.html
RMW57BE1–St. Eloyen guesthouse in Utrecht, membership token of the blacksmith guild, Zilveren penning. Obverse: coat of arms above anvil, flanked by a smaller anvil and a chisel within an inscription. Reverse side: crowned front hammer between two pincers within omschrift, Utrecht, anonymous, 1670, silver (metal), striking (metalworking), d 3.2 cm × w 121
Line style icon of a hammer and anvil. Blacksmith, repair logo. Clean and modern vector illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-style-icon-of-a-hammer-and-anvil-blacksmith-repair-logo-clean-and-modern-vector-illustration-image259363475.html
RFW1Y0N7–Line style icon of a hammer and anvil. Blacksmith, repair logo. Clean and modern vector illustration.
St. Eloyen guesthouse in Utrecht, membership token of the blacksmith guild, Zilveren penning. Obverse: coat of arms above anvil, flanked by a smaller anvil and a chisel within an inscription. Reverse side: crowned front hammer between two pincers within omschrift, Utrecht, anonymous, 1670, silver (metal), striking (metalworking), d 3.2 cm × w 121 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolution Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-eloyen-guesthouse-in-utrecht-membership-token-of-the-blacksmith-guild-zilveren-penning-obverse-coat-of-arms-above-anvil-flanked-by-a-smaller-anvil-and-a-chisel-within-an-inscription-reverse-side-crowned-front-hammer-between-two-pincers-within-omschrift-utrecht-anonymous-1670-silver-metal-striking-metalworking-d-32-cm-w-121-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolution-image349994244.html
RF2B9BH6C–St. Eloyen guesthouse in Utrecht, membership token of the blacksmith guild, Zilveren penning. Obverse: coat of arms above anvil, flanked by a smaller anvil and a chisel within an inscription. Reverse side: crowned front hammer between two pincers within omschrift, Utrecht, anonymous, 1670, silver (metal), striking (metalworking), d 3.2 cm × w 121 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolution
ESTATUA EN BRONCE DEL GREMIO DE MEDIEVAL-DET HERRERO. Location: PETIT SABLON. Brüssel. Belgien. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/estatua-en-bronce-del-gremio-de-medieval-det-herrero-location-petit-sablon-brssel-belgien-image229077848.html
RMR8KB3M–ESTATUA EN BRONCE DEL GREMIO DE MEDIEVAL-DET HERRERO. Location: PETIT SABLON. Brüssel. Belgien.
A blacksmith is a person who creates objects from wrought iron or steel by forging the metal; that is, by using tools to hammer, bend, and cut. Blacksmiths produce objects such as gates, grilles, railings, light fixtures, furniture, sculpture, tools, agri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-blacksmith-is-a-person-who-creates-objects-from-wrought-iron-or-104002384.html
RMG15M2T–A blacksmith is a person who creates objects from wrought iron or steel by forging the metal; that is, by using tools to hammer, bend, and cut. Blacksmiths produce objects such as gates, grilles, railings, light fixtures, furniture, sculpture, tools, agri
Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-flachsmarkt-2006-burg-linn-krefeld-germany-medieval-crafts-image7746771.html
RMAE3JN4–Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market.
Re Change of career to take up rural crafts David Denman left with Sam Vincent during forgework training at The Hereford Col Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/re-change-of-career-to-take-up-rural-crafts-david-denman-left-with-image2712028.html
RMAHX1DD–Re Change of career to take up rural crafts David Denman left with Sam Vincent during forgework training at The Hereford Col
Blacksmith guild of Vlissingen, guild token with no. 17, Lead medal with hole in it. Front: crowned bottle between year and inscription No. 17 within a three-line text. Reverse: crossed tongs and front hammer above anvil under crown, surrounded by key, trowel, horseshoe and arrow inside an inscription, Flushing, J.C. Kroef, B. Bliek, P. Strubbe, P.I. Esteve, P. Doensen, A. van de Sande, C. Beusekom, A. van der Swalme, I. Prince, anonymous, 1806, engraving, d 5.4 cm × w 54.85 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-guild-of-vlissingen-guild-token-with-no-17-lead-medal-with-hole-in-it-front-crowned-bottle-between-year-and-inscription-no-17-within-a-three-line-text-reverse-crossed-tongs-and-front-hammer-above-anvil-under-crown-surrounded-by-key-trowel-horseshoe-and-arrow-inside-an-inscription-flushing-jc-kroef-b-bliek-p-strubbe-pi-esteve-p-doensen-a-van-de-sande-c-beusekom-a-van-der-swalme-i-prince-anonymous-1806-engraving-d-54-cm-w-5485-image261391510.html
RMW57BF2–Blacksmith guild of Vlissingen, guild token with no. 17, Lead medal with hole in it. Front: crowned bottle between year and inscription No. 17 within a three-line text. Reverse: crossed tongs and front hammer above anvil under crown, surrounded by key, trowel, horseshoe and arrow inside an inscription, Flushing, J.C. Kroef, B. Bliek, P. Strubbe, P.I. Esteve, P. Doensen, A. van de Sande, C. Beusekom, A. van der Swalme, I. Prince, anonymous, 1806, engraving, d 5.4 cm × w 54.85
Line style icon of a hammer and anvil. Blacksmith, repair logo. Clean and modern vector illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-style-icon-of-a-hammer-and-anvil-blacksmith-repair-logo-clean-and-modern-vector-illustration-image259363397.html
RFW1Y0JD–Line style icon of a hammer and anvil. Blacksmith, repair logo. Clean and modern vector illustration.
Blacksmith guild of Vlissingen, guild token with no. 17, Lead medal with hole in it. Front: crowned bottle between year and inscription No. 17 within a three-line text. Reverse: crossed tongs and front hammer above anvil under crown, surrounded by key, trowel, horseshoe and arrow inside an inscription, Flushing, J.C. Kroef, B. Bliek, P. Strubbe, P.I. Esteve, P. Doensen, A. van de Sande, C. Beusekom, A. van der Swalme, I. Prince, anonymous, 1806, engraving, d 5.4 cm × w 54.85 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-guild-of-vlissingen-guild-token-with-no-17-lead-medal-with-hole-in-it-front-crowned-bottle-between-year-and-inscription-no-17-within-a-three-line-text-reverse-crossed-tongs-and-front-hammer-above-anvil-under-crown-surrounded-by-key-trowel-horseshoe-and-arrow-inside-an-inscription-flushing-jc-kroef-b-bliek-p-strubbe-pi-esteve-p-doensen-a-van-de-sande-c-beusekom-a-van-der-swalme-i-prince-anonymous-1806-engraving-d-54-cm-w-5485-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-w-image349994274.html
RF2B9BH7E–Blacksmith guild of Vlissingen, guild token with no. 17, Lead medal with hole in it. Front: crowned bottle between year and inscription No. 17 within a three-line text. Reverse: crossed tongs and front hammer above anvil under crown, surrounded by key, trowel, horseshoe and arrow inside an inscription, Flushing, J.C. Kroef, B. Bliek, P. Strubbe, P.I. Esteve, P. Doensen, A. van de Sande, C. Beusekom, A. van der Swalme, I. Prince, anonymous, 1806, engraving, d 5.4 cm × w 54.85 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented w
GREMIOS DE TRABAJADORES - HERRERO - GRABADO SIGLO XVIII. Location: BANCO DE ESPAÑA-COLECCION ARTE, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gremios-de-trabajadores-herrero-grabado-siglo-xviii-location-banco-de-espaa-coleccion-arte-madrid-spain-image208893616.html
RMP3RWX8–GREMIOS DE TRABAJADORES - HERRERO - GRABADO SIGLO XVIII. Location: BANCO DE ESPAÑA-COLECCION ARTE, MADRID, SPAIN.
Spiegel des menschlichen Lebens. 'Mirror of Life'. (Ausburg, Gunther Zainer, ca. 1475) This woodcut from Rodericus Zamorensis' mirror of human life adorns the cover of 'Forging Brunsema.' A blacksmith is a person who creates objects from wrought iron or s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spiegel-des-menschlichen-lebens-mirror-of-life-ausburg-gunther-zainer-103998017.html
RMG15EEW–Spiegel des menschlichen Lebens. 'Mirror of Life'. (Ausburg, Gunther Zainer, ca. 1475) This woodcut from Rodericus Zamorensis' mirror of human life adorns the cover of 'Forging Brunsema.' A blacksmith is a person who creates objects from wrought iron or s
Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blacksmith-flachsmarkt-2006-burg-linn-krefeld-germany-medieval-crafts-image7746773.html
RMAE3JN6–Blacksmith. Flachsmarkt 2006 Burg Linn, Krefeld, Germany. Medieval crafts market.
St. Eligius or Blacksmith's Guild of Antwerp, Copper Medal. Obverse: mitered St. Eligius with staff in left and blacksmith's hammer in raised right hand, standing between two stars within an inscription, stamped lower right: letter A. Reverse: crowned blacksmith hammer between two stars inside omschrift, Antwerp, anonymous, 1528, copper (metal), striking (metalworking), d 2.3 cm × w 2.46 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-eligius-or-blacksmiths-guild-of-antwerp-copper-medal-obverse-mitered-st-eligius-with-staff-in-left-and-blacksmiths-hammer-in-raised-right-hand-standing-between-two-stars-within-an-inscription-stamped-lower-right-letter-a-reverse-crowned-blacksmith-hammer-between-two-stars-inside-omschrift-antwerp-anonymous-1528-copper-metal-striking-metalworking-d-23-cm-w-246-image261391546.html
RMW57BGA–St. Eligius or Blacksmith's Guild of Antwerp, Copper Medal. Obverse: mitered St. Eligius with staff in left and blacksmith's hammer in raised right hand, standing between two stars within an inscription, stamped lower right: letter A. Reverse: crowned blacksmith hammer between two stars inside omschrift, Antwerp, anonymous, 1528, copper (metal), striking (metalworking), d 2.3 cm × w 2.46
Line style icon of a hammers and anvil. Blacksmith, repair logo. Clean and modern vector illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-style-icon-of-a-hammers-and-anvil-blacksmith-repair-logo-clean-and-modern-vector-illustration-image259363308.html
RFW1Y0F8–Line style icon of a hammers and anvil. Blacksmith, repair logo. Clean and modern vector illustration.
St. Eligius or Blacksmith's Guild of Antwerp, Copper Medal. Obverse: mitered St. Eligius with staff in left and blacksmith's hammer in raised right hand, standing between two stars within an inscription, stamped lower right: letter A. Reverse: crowned blacksmith hammer between two stars inside omschrift, Antwerp, anonymous, 1528, copper (metal), striking (metalworking), d 2.3 cm × w 2.46 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-eligius-or-blacksmiths-guild-of-antwerp-copper-medal-obverse-mitered-st-eligius-with-staff-in-left-and-blacksmiths-hammer-in-raised-right-hand-standing-between-two-stars-within-an-inscription-stamped-lower-right-letter-a-reverse-crowned-blacksmith-hammer-between-two-stars-inside-omschrift-antwerp-anonymous-1528-copper-metal-striking-metalworking-d-23-cm-w-246-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-image349994308.html
RF2B9BH8M–St. Eligius or Blacksmith's Guild of Antwerp, Copper Medal. Obverse: mitered St. Eligius with staff in left and blacksmith's hammer in raised right hand, standing between two stars within an inscription, stamped lower right: letter A. Reverse: crowned blacksmith hammer between two stars inside omschrift, Antwerp, anonymous, 1528, copper (metal), striking (metalworking), d 2.3 cm × w 2.46 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern
Tomb grave of the guilds of the tanners and the blacksmiths. Church of Santa Maria A Nova, 14th century. Noia. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tomb-grave-of-the-guilds-of-the-tanners-and-the-blacksmiths-church-of-santa-maria-a-nova-14th-century-noia-spain-image211162558.html
RMP7F7YX–Tomb grave of the guilds of the tanners and the blacksmiths. Church of Santa Maria A Nova, 14th century. Noia. Spain.
Nails go back to the Ancient Roman period. The provision of iron for nails by King David for Solomon's Temple is mentioned in the Bible. Until the end of the 18th century, they were made by hand, and were provided by an artisan known as a nailer. Until th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nails-go-back-to-the-ancient-roman-period-the-provision-of-iron-for-104002385.html
RMG15M2W–Nails go back to the Ancient Roman period. The provision of iron for nails by King David for Solomon's Temple is mentioned in the Bible. Until the end of the 18th century, they were made by hand, and were provided by an artisan known as a nailer. Until th
Italy. Florence. Orsanmichele or Kitchen Garden of St. Michael church. Reliefs of devoted to offices. Farriers. Exterior. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-florence-orsanmichele-or-kitchen-garden-of-st-michael-church-reliefs-of-devoted-to-offices-farriers-exterior-image211033568.html
RMP79BD4–Italy. Florence. Orsanmichele or Kitchen Garden of St. Michael church. Reliefs of devoted to offices. Farriers. Exterior.
RETABLO DE SAN SEBASTIAN - DETALLE DE SAN ELOY TRABAJANDO DE HERRERO - PINTURA GOTICA ESPAÑOLA. Author: ANONYMOUS. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/retablo-de-san-sebastian-detalle-de-san-eloy-trabajando-de-herrero-pintura-gotica-espaola-author-anonymous-location-museu-nacional-dart-catalunya-barcelona-spain-image231176714.html
RMRC3076–RETABLO DE SAN SEBASTIAN - DETALLE DE SAN ELOY TRABAJANDO DE HERRERO - PINTURA GOTICA ESPAÑOLA. Author: ANONYMOUS. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.
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