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Black groundnetsuke Stock Photos and Images
Inrō with the Ten Thousand Classic Characters (Senjimon), Japan, Edo period (1615–1868), Date 18th century, Japan, Four cases; lacquered wood and paper with gold togidashimaki-e on black groundNetsuke: manjū type, ivory; with the Fifty-three stations of the Tōkaidō and checkpoint townsOjime: amber bead, 2 5/8 x 2 3/16 x 7/8 in. (6.7 x 5.5 x 2.3 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-the-ten-thousand-classic-characters-senjimon-japan-edo-period-16151868-date-18th-century-japan-four-cases-lacquered-wood-and-paper-with-gold-togidashimaki-e-on-black-groundnetsuke-manj-type-ivory-with-the-fifty-three-stations-of-the-tkaid-and-checkpoint-townsojime-amber-bead-2-58-x-2-316-x-78-in-67-x-55-x-23-cm-inr-image344600712.htmlRM2B0HWM8–Inrō with the Ten Thousand Classic Characters (Senjimon), Japan, Edo period (1615–1868), Date 18th century, Japan, Four cases; lacquered wood and paper with gold togidashimaki-e on black groundNetsuke: manjū type, ivory; with the Fifty-three stations of the Tōkaidō and checkpoint townsOjime: amber bead, 2 5/8 x 2 3/16 x 7/8 in. (6.7 x 5.5 x 2.3 cm), Inrō
Inr? with Seven Horses by a River late 18th–early 19th century Japan. Inr? with Seven Horses by a River. Japan. late 18th–early 19th century. Five cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, gold and silver foil application on black groundNetsuke: man in a bamboo grove; carved woodOjime: ivory bead. Edo period (1615–1868). Inr? Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-seven-horses-by-a-river-late-18thearly-19th-century-japan-inr-with-seven-horses-by-a-river-japan-late-18thearly-19th-century-five-cases-lacquered-wood-with-gold-and-silver-togidashimaki-e-hiramaki-e-gold-and-silver-foil-application-on-black-groundnetsuke-man-in-a-bamboo-grove-carved-woodojime-ivory-bead-edo-period-16151868-inr-image457907100.htmlRM2HGYD50–Inr? with Seven Horses by a River late 18th–early 19th century Japan. Inr? with Seven Horses by a River. Japan. late 18th–early 19th century. Five cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, gold and silver foil application on black groundNetsuke: man in a bamboo grove; carved woodOjime: ivory bead. Edo period (1615–1868). Inr?
Inro with Seven Horses by a River. Culture: Japan. Dimensions: H. 3 1/2 in. (8.9 cm); W. 1 3/4 in. (4.5 cm); D. 1 1/8 in. (2.9 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inro-with-seven-horses-by-a-river-culture-japan-dimensions-h-3-12-in-89-cm-w-1-34-in-45-cm-d-1-18-in-29-cm-date-late-18th-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213325621.htmlRMPB1R05–Inro with Seven Horses by a River. Culture: Japan. Dimensions: H. 3 1/2 in. (8.9 cm); W. 1 3/4 in. (4.5 cm); D. 1 1/8 in. (2.9 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Inrō with Tiger Drinking from a River beside Rocks and Pine Tree, Japan, Edo period (1615–1868), Date early 19th century, Japan, Two cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, takamaki-e, cut-out gold foil application on black groundNetsuke: bat; carved walrus ivory: coral bead, 2 1/2 x 2 1/2 x 15/16 in. (6.4 x 6.4 x 2.4 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-tiger-drinking-from-a-river-beside-rocks-and-pine-tree-japan-edo-period-16151868-date-early-19th-century-japan-two-cases-lacquered-wood-with-gold-and-silver-togidashimaki-e-hiramaki-e-takamaki-e-cut-out-gold-foil-application-on-black-groundnetsuke-bat-carved-walrus-ivory-coral-bead-2-12-x-2-12-x-1516-in-64-x-64-x-24-cm-inr-image344583947.htmlRM2B0H49F–Inrō with Tiger Drinking from a River beside Rocks and Pine Tree, Japan, Edo period (1615–1868), Date early 19th century, Japan, Two cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, takamaki-e, cut-out gold foil application on black groundNetsuke: bat; carved walrus ivory: coral bead, 2 1/2 x 2 1/2 x 15/16 in. (6.4 x 6.4 x 2.4 cm), Inrō
Inr? with Two Standing Horses; Seal and Inscription (reverse) mid- 18th century After Kano Naonobu Japanese. Inr? with Two Standing Horses; Seal and Inscription (reverse). After Kano Naonobu (Japanese, 1607–1650). Japan. mid- 18th century. Four cases; lacquered wood with gold hiramaki-e, gold foil application, and mother-of-pearl inlay on black groundNetsuke: horse; ivory Ojime: iron bead with cricket and flower in gold overlay. Edo period (1615–1868). Inr? Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-two-standing-horses-seal-and-inscription-reverse-mid-18th-century-after-kano-naonobu-japanese-inr-with-two-standing-horses-seal-and-inscription-reverse-after-kano-naonobu-japanese-16071650-japan-mid-18th-century-four-cases-lacquered-wood-with-gold-hiramaki-e-gold-foil-application-and-mother-of-pearl-inlay-on-black-groundnetsuke-horse-ivory-ojime-iron-bead-with-cricket-and-flower-in-gold-overlay-edo-period-16151868-inr-image457781398.htmlRM2HGNMRJ–Inr? with Two Standing Horses; Seal and Inscription (reverse) mid- 18th century After Kano Naonobu Japanese. Inr? with Two Standing Horses; Seal and Inscription (reverse). After Kano Naonobu (Japanese, 1607–1650). Japan. mid- 18th century. Four cases; lacquered wood with gold hiramaki-e, gold foil application, and mother-of-pearl inlay on black groundNetsuke: horse; ivory Ojime: iron bead with cricket and flower in gold overlay. Edo period (1615–1868). Inr?
Inro with the Characters for Longevity and Good Fortune and the 'Seven Lucky Treasures' on Checkerboard Ground. Culture: Japan. Dimensions: 3 5/8 x 2 3/8 x 1 in. (9.2 x 6 x 2.5 cm). Date: second half of the 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inro-with-the-characters-for-longevity-and-good-fortune-and-the-seven-lucky-treasures-on-checkerboard-ground-culture-japan-dimensions-3-58-x-2-38-x-1-in-92-x-6-x-25-cm-date-second-half-of-the-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213501806.htmlRMPB9RME–Inro with the Characters for Longevity and Good Fortune and the 'Seven Lucky Treasures' on Checkerboard Ground. Culture: Japan. Dimensions: 3 5/8 x 2 3/8 x 1 in. (9.2 x 6 x 2.5 cm). Date: second half of the 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Inr? with Ema (Shinto Shrine Votive Plaque) of Eight Fan Shapes and Framed Pictures second half of the 18th century Japan. Inr? with Ema (Shinto Shrine Votive Plaque) of Eight Fan Shapes and Framed Pictures. Japan. second half of the 18th century. Four cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, black lacquer, cut-out gold foil application on black groundNetsuke: puppy; ivoryOjime: metal with plum blossoms in gold inlay. Edo period (1615–1868). Inr? Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-ema-shinto-shrine-votive-plaque-of-eight-fan-shapes-and-framed-pictures-second-half-of-the-18th-century-japan-inr-with-ema-shinto-shrine-votive-plaque-of-eight-fan-shapes-and-framed-pictures-japan-second-half-of-the-18th-century-four-cases-lacquered-wood-with-gold-and-silver-togidashimaki-e-hiramaki-e-black-lacquer-cut-out-gold-foil-application-on-black-groundnetsuke-puppy-ivoryojime-metal-with-plum-blossoms-in-gold-inlay-edo-period-16151868-inr-image458093903.htmlRM2HH7YCF–Inr? with Ema (Shinto Shrine Votive Plaque) of Eight Fan Shapes and Framed Pictures second half of the 18th century Japan. Inr? with Ema (Shinto Shrine Votive Plaque) of Eight Fan Shapes and Framed Pictures. Japan. second half of the 18th century. Four cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, black lacquer, cut-out gold foil application on black groundNetsuke: puppy; ivoryOjime: metal with plum blossoms in gold inlay. Edo period (1615–1868). Inr?
Inrō with Woman and Attendant; Man Reading Characters on a Stone Road Marker (reverse) early 19th century Japan. Inrō with Woman and Attendant; Man Reading Characters on a Stone Road Marker (reverse). Japan. early 19th century. Four cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e, hiramaki-e, cut-out gold foil application on black groundNetsuke: snail emerging from its shell; carved woodOjime: coral bead. Edo period (1615–1868). Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-woman-and-attendant-man-reading-characters-on-a-stone-road-marker-reverse-early-19th-century-japan-inr-with-woman-and-attendant-man-reading-characters-on-a-stone-road-marker-reverse-japan-early-19th-century-four-cases-lacquered-wood-with-gold-silver-and-color-iroko-togidashimaki-e-hiramaki-e-cut-out-gold-foil-application-on-black-groundnetsuke-snail-emerging-from-its-shell-carved-woodojime-coral-bead-edo-period-16151868-inr-image458478608.htmlRM2HHWE40–Inrō with Woman and Attendant; Man Reading Characters on a Stone Road Marker (reverse) early 19th century Japan. Inrō with Woman and Attendant; Man Reading Characters on a Stone Road Marker (reverse). Japan. early 19th century. Four cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e, hiramaki-e, cut-out gold foil application on black groundNetsuke: snail emerging from its shell; carved woodOjime: coral bead. Edo period (1615–1868). Inrō
Inr? with One Hundred Horses mid-18th century Japan. Inr? with One Hundred Horses. Japan. mid-18th century. Four cases; lacquered wood with gold and silver hiramaki-e, black lacquer, gold and silver foil application, and mother-of-pearl inlay on red groundNetsuke: seated Baku (mythical animal); ivoryOjime: bead of various alloyed metals. Edo period (1615–1868). Inr? Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-one-hundred-horses-mid-18th-century-japan-inr-with-one-hundred-horses-japan-mid-18th-century-four-cases-lacquered-wood-with-gold-and-silver-hiramaki-e-black-lacquer-gold-and-silver-foil-application-and-mother-of-pearl-inlay-on-red-groundnetsuke-seated-baku-mythical-animal-ivoryojime-bead-of-various-alloyed-metals-edo-period-16151868-inr-image457914361.htmlRM2HGYPC9–Inr? with One Hundred Horses mid-18th century Japan. Inr? with One Hundred Horses. Japan. mid-18th century. Four cases; lacquered wood with gold and silver hiramaki-e, black lacquer, gold and silver foil application, and mother-of-pearl inlay on red groundNetsuke: seated Baku (mythical animal); ivoryOjime: bead of various alloyed metals. Edo period (1615–1868). Inr?
Inrō with Chinese Landscape in Moonlight, Japan, Edo period (1615–1868), Date late 18th–first half 19th century, Japan, Four cases; lacquered wood with blackand brown togidashimaki-e, hiramaki-e, takamaki-e, metal inlay, and mother-of-pearl application on black groundNetsuke: Sanbasō dancer; carved boxwoodOjime: stone bead, 3 1/16 x 1 15/16 x 11/16 in. (7.8 x 5 x 1.8 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-chinese-landscape-in-moonlight-japan-edo-period-16151868-date-late-18thfirst-half-19th-century-japan-four-cases-lacquered-wood-with-blackand-brown-togidashimaki-e-hiramaki-e-takamaki-e-metal-inlay-and-mother-of-pearl-application-on-black-groundnetsuke-sanbas-dancer-carved-boxwoodojime-stone-bead-3-116-x-1-1516-x-1116-in-78-x-5-x-18-cm-inr-image344583978.htmlRM2B0H4AJ–Inrō with Chinese Landscape in Moonlight, Japan, Edo period (1615–1868), Date late 18th–first half 19th century, Japan, Four cases; lacquered wood with blackand brown togidashimaki-e, hiramaki-e, takamaki-e, metal inlay, and mother-of-pearl application on black groundNetsuke: Sanbasō dancer; carved boxwoodOjime: stone bead, 3 1/16 x 1 15/16 x 11/16 in. (7.8 x 5 x 1.8 cm), Inrō
Inro in the Shape of a House. Culture: Japan. Dimensions: Inro: H. 2 1/4 in. (5.7 cm); W. 1 7/8 in. (4.8 cm); D. 9/16 in. (1.5 cm)) Netsuke: H. 1 in. (2.5 cm); W. 1 3/4 in. (4.4 cm); D. 1 1/4 in. (3.2 cm). Date: late 18th-early 19th century. Decorated with a combination of lacquer techniques in silver and gold, the inrô in the shape of a thatched hut bears the signature of Koami Shinsaburo. The ivory netsuke, signed by ôhara Mitsuhiro, depicts one of the Seven Gods of Good Luck known as Hotei. A rotund, jolly figure, Hotei's attributes often include a fan and a bag to carry his treasures. Mu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inro-in-the-shape-of-a-house-culture-japan-dimensions-inro-h-2-14-in-57-cm-w-1-78-in-48-cm-d-916-in-15-cm-netsuke-h-1-in-25-cm-w-1-34-in-44-cm-d-1-14-in-32-cm-date-late-18th-early-19th-century-decorated-with-a-combination-of-lacquer-techniques-in-silver-and-gold-the-inr-in-the-shape-of-a-thatched-hut-bears-the-signature-of-koami-shinsaburo-the-ivory-netsuke-signed-by-hara-mitsuhiro-depicts-one-of-the-seven-gods-of-good-luck-known-as-hotei-a-rotund-jolly-figure-hoteis-attributes-often-include-a-fan-and-a-bag-to-carry-his-treasures-mu-image213194748.htmlRMPART24–Inro in the Shape of a House. Culture: Japan. Dimensions: Inro: H. 2 1/4 in. (5.7 cm); W. 1 7/8 in. (4.8 cm); D. 9/16 in. (1.5 cm)) Netsuke: H. 1 in. (2.5 cm); W. 1 3/4 in. (4.4 cm); D. 1 1/4 in. (3.2 cm). Date: late 18th-early 19th century. Decorated with a combination of lacquer techniques in silver and gold, the inrô in the shape of a thatched hut bears the signature of Koami Shinsaburo. The ivory netsuke, signed by ôhara Mitsuhiro, depicts one of the Seven Gods of Good Luck known as Hotei. A rotund, jolly figure, Hotei's attributes often include a fan and a bag to carry his treasures. Mu
Inr? with the Characters for Longevity and Good Fortune and the “Seven Lucky Treasures” on Checkerboard Ground second half of the 18th century Japan. Inr? with the Characters for Longevity and Good Fortune and the “Seven Lucky Treasures” on Checkerboard Ground. Japan. second half of the 18th century. Four cases; lacquered wood with gold and silver, red lacquer hiramaki-e, togidashimaki-e, applied gold foil on black, gold, silver, and nashiji groundNetsuke: piece of carved coralOjime: metal bead. Edo period (1615–1868). Inr? Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-the-characters-for-longevity-and-good-fortune-and-the-seven-lucky-treasures-on-checkerboard-ground-second-half-of-the-18th-century-japan-inr-with-the-characters-for-longevity-and-good-fortune-and-the-seven-lucky-treasures-on-checkerboard-ground-japan-second-half-of-the-18th-century-four-cases-lacquered-wood-with-gold-and-silver-red-lacquer-hiramaki-e-togidashimaki-e-applied-gold-foil-on-black-gold-silver-and-nashiji-groundnetsuke-piece-of-carved-coralojime-metal-bead-edo-period-16151868-inr-image457907080.htmlRM2HGYD48–Inr? with the Characters for Longevity and Good Fortune and the “Seven Lucky Treasures” on Checkerboard Ground second half of the 18th century Japan. Inr? with the Characters for Longevity and Good Fortune and the “Seven Lucky Treasures” on Checkerboard Ground. Japan. second half of the 18th century. Four cases; lacquered wood with gold and silver, red lacquer hiramaki-e, togidashimaki-e, applied gold foil on black, gold, silver, and nashiji groundNetsuke: piece of carved coralOjime: metal bead. Edo period (1615–1868). Inr?
After Kano Naonobu, Inrō with Two Standing Horses; Seal and Inscription (reverse), Japan, Edo period (1615–1868), After Kano Naonobu (Japanese, 1607–1650), mid- 18th century, Japan, Four cases; lacquered wood with gold hiramaki-e, gold foil application, and mother-of-pearl inlay on black groundNetsuke: horse; ivory Ojime: iron bead with cricket and flower in gold overlay, 3 1/8 x 1 7/16 x 1 in. (7.9 x 3.7 x 2.5 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-kano-naonobu-inr-with-two-standing-horses-seal-and-inscription-reverse-japan-edo-period-16151868-after-kano-naonobu-japanese-16071650-mid-18th-century-japan-four-cases-lacquered-wood-with-gold-hiramaki-e-gold-foil-application-and-mother-of-pearl-inlay-on-black-groundnetsuke-horse-ivory-ojime-iron-bead-with-cricket-and-flower-in-gold-overlay-3-18-x-1-716-x-1-in-79-x-37-x-25-cm-inr-image344599095.htmlRM2B0HRJF–After Kano Naonobu, Inrō with Two Standing Horses; Seal and Inscription (reverse), Japan, Edo period (1615–1868), After Kano Naonobu (Japanese, 1607–1650), mid- 18th century, Japan, Four cases; lacquered wood with gold hiramaki-e, gold foil application, and mother-of-pearl inlay on black groundNetsuke: horse; ivory Ojime: iron bead with cricket and flower in gold overlay, 3 1/8 x 1 7/16 x 1 in. (7.9 x 3.7 x 2.5 cm), Inrō
Inr? with Autumn Ivy early 19th century Attributed to Koma Ky?haku VI Japanese. Inr? with Autumn Ivy. Attributed to Koma Ky?haku VI (Japanese, died 1816). Japan. early 19th century. Four cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e on black lacquer groundNetsuke: ivory; folded letter decorated with paulownia and Genji incense symbols Ojime: oblong bead; gilt bronze with openwork design of autumn flowers. Edo period (1615–1868). Inr? Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-autumn-ivy-early-19th-century-attributed-to-koma-kyhaku-vi-japanese-inr-with-autumn-ivy-attributed-to-koma-kyhaku-vi-japanese-died-1816-japan-early-19th-century-four-cases-lacquered-wood-with-gold-silver-and-color-iroko-togidashimaki-e-on-black-lacquer-groundnetsuke-ivory-folded-letter-decorated-with-paulownia-and-genji-incense-symbols-ojime-oblong-bead-gilt-bronze-with-openwork-design-of-autumn-flowers-edo-period-16151868-inr-image457907875.htmlRM2HGYE4K–Inr? with Autumn Ivy early 19th century Attributed to Koma Ky?haku VI Japanese. Inr? with Autumn Ivy. Attributed to Koma Ky?haku VI (Japanese, died 1816). Japan. early 19th century. Four cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e on black lacquer groundNetsuke: ivory; folded letter decorated with paulownia and Genji incense symbols Ojime: oblong bead; gilt bronze with openwork design of autumn flowers. Edo period (1615–1868). Inr?
Ogawa Haritsu (Ritsuō), Inrō Imitating an Old Chinese Ink Cake, Japan, Edo period (1615–1868, Ogawa Haritsu (Ritsuō) (Japanese, 1663–1747), 18th century, Japan, Two-part (sheath-type); lacquered wood, metal, leather, with black and brown togidashimaki-e, takamaki-e on black groundNetsuke: manjū type with maki-e DarumaOjime: ceramic bead with incense and ash design, 3 1/16 x 2 1/16 x 11/16 in. (7.7 x 5.3 x 1.7 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ogawa-haritsu-ritsu-inr-imitating-an-old-chinese-ink-cake-japan-edo-period-16151868-ogawa-haritsu-ritsu-japanese-16631747-18th-century-japan-two-part-sheath-type-lacquered-wood-metal-leather-with-black-and-brown-togidashimaki-e-takamaki-e-on-black-groundnetsuke-manj-type-with-maki-e-darumaojime-ceramic-bead-with-incense-and-ash-design-3-116-x-2-116-x-1116-in-77-x-53-x-17-cm-inr-image344600692.htmlRM2B0HWKG–Ogawa Haritsu (Ritsuō), Inrō Imitating an Old Chinese Ink Cake, Japan, Edo period (1615–1868, Ogawa Haritsu (Ritsuō) (Japanese, 1663–1747), 18th century, Japan, Two-part (sheath-type); lacquered wood, metal, leather, with black and brown togidashimaki-e, takamaki-e on black groundNetsuke: manjū type with maki-e DarumaOjime: ceramic bead with incense and ash design, 3 1/16 x 2 1/16 x 11/16 in. (7.7 x 5.3 x 1.7 cm), Inrō
Kōami Chōkō, Inrō with Carp Hanging Scroll and Characters, Japan, Edo period (1615–1868), Kōami Chōkō (Japanese, active second half of the 18th century), second half of the 18th century, Japan, Three cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, gold foil cut-outs, and mother-of-pearl inlay on black groundNetsuke: kagamibuta with Shōjō designOjime: agate bead, 3 7/8 x 3 5/16 x 15/16 in. (9.8 x 8.4 x 2.4 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kami-chk-inr-with-carp-hanging-scroll-and-characters-japan-edo-period-16151868-kami-chk-japanese-active-second-half-of-the-18th-century-second-half-of-the-18th-century-japan-three-cases-lacquered-wood-with-gold-and-silver-takamaki-e-hiramaki-e-togidashimaki-e-gold-foil-cut-outs-and-mother-of-pearl-inlay-on-black-groundnetsuke-kagamibuta-with-shj-designojime-agate-bead-3-78-x-3-516-x-1516-in-98-x-84-x-24-cm-inr-image344584152.htmlRM2B0H4GT–Kōami Chōkō, Inrō with Carp Hanging Scroll and Characters, Japan, Edo period (1615–1868), Kōami Chōkō (Japanese, active second half of the 18th century), second half of the 18th century, Japan, Three cases; lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e, gold foil cut-outs, and mother-of-pearl inlay on black groundNetsuke: kagamibuta with Shōjō designOjime: agate bead, 3 7/8 x 3 5/16 x 15/16 in. (9.8 x 8.4 x 2.4 cm), Inrō
Inrō with Chrysanthemums and Auspicious Characters for Longevity, Japan, Edo period (1615–1868), Date 19th century, Japan, Three cases; lacquered wood with gold, silver, and red takamaki-e, hiramaki-e, togidashimaki-e on black and nashiji groundNetsuke: piece of coralOjime: ivory bead with lacquer decoration of insects, 3 1/4 x 2 5/16 x 13/16 in. (8.2 x 5.8 x 2 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inr-with-chrysanthemums-and-auspicious-characters-for-longevity-japan-edo-period-16151868-date-19th-century-japan-three-cases-lacquered-wood-with-gold-silver-and-red-takamaki-e-hiramaki-e-togidashimaki-e-on-black-and-nashiji-groundnetsuke-piece-of-coralojime-ivory-bead-with-lacquer-decoration-of-insects-3-14-x-2-516-x-1316-in-82-x-58-x-2-cm-inr-image344583999.htmlRM2B0H4BB–Inrō with Chrysanthemums and Auspicious Characters for Longevity, Japan, Edo period (1615–1868), Date 19th century, Japan, Three cases; lacquered wood with gold, silver, and red takamaki-e, hiramaki-e, togidashimaki-e on black and nashiji groundNetsuke: piece of coralOjime: ivory bead with lacquer decoration of insects, 3 1/4 x 2 5/16 x 13/16 in. (8.2 x 5.8 x 2 cm), Inrō
Design by Katsukawa Shunshō, Inrō with Kabuki Actor Ichikawa Danjūrō V, Japan, Edo period (1615–1868), Design by Katsukawa Shunshō (Japanese, 1726–1792), Maki-e by Jōsensai (Japanese, active late 18th–early 19th century), late 18th–early 19th century, Japan, Five cases; lacquered wood with gold, silver, black, and red togidashimaki-e on black lacquer groundNetsuke: ivory; Nō maskOjime: lacquer bead, 3 1/2 x 1 7/8 x 1 1/4 in. (8.9 x 4.8 x 3.1 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-by-katsukawa-shunsh-inr-with-kabuki-actor-ichikawa-danjr-v-japan-edo-period-16151868-design-by-katsukawa-shunsh-japanese-17261792-maki-e-by-jsensai-japanese-active-late-18thearly-19th-century-late-18thearly-19th-century-japan-five-cases-lacquered-wood-with-gold-silver-black-and-red-togidashimaki-e-on-black-lacquer-groundnetsuke-ivory-n-maskojime-lacquer-bead-3-12-x-1-78-x-1-14-in-89-x-48-x-31-cm-inr-image344600704.htmlRM2B0HWM0–Design by Katsukawa Shunshō, Inrō with Kabuki Actor Ichikawa Danjūrō V, Japan, Edo period (1615–1868), Design by Katsukawa Shunshō (Japanese, 1726–1792), Maki-e by Jōsensai (Japanese, active late 18th–early 19th century), late 18th–early 19th century, Japan, Five cases; lacquered wood with gold, silver, black, and red togidashimaki-e on black lacquer groundNetsuke: ivory; Nō maskOjime: lacquer bead, 3 1/2 x 1 7/8 x 1 1/4 in. (8.9 x 4.8 x 3.1 cm), Inrō
Tatsuke Takamasu, Inrō with Street Festival (obverse); People Watching a Puppet Show (reverse), Japan, Edo period (1615–1868), Tatsuke Takamasu (Japanese, active second half of the 18th century), second half of the 18th century, Japan, Three cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e on black lacquer groundNetsuke: carved teakwood; peach with a monkey inside (signed: Kagetoshi)Ojime: carved teakwood with floral design, 2 13/16 x 2 15/16 x 1 1/8 in. (7.1 x 7.5 x 2.9 cm), Inrō Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tatsuke-takamasu-inr-with-street-festival-obverse-people-watching-a-puppet-show-reverse-japan-edo-period-16151868-tatsuke-takamasu-japanese-active-second-half-of-the-18th-century-second-half-of-the-18th-century-japan-three-cases-lacquered-wood-with-gold-silver-and-color-iroko-togidashimaki-e-on-black-lacquer-groundnetsuke-carved-teakwood-peach-with-a-monkey-inside-signed-kagetoshiojime-carved-teakwood-with-floral-design-2-1316-x-2-1516-x-1-18-in-71-x-75-x-29-cm-inr-image344585366.htmlRM2B0H646–Tatsuke Takamasu, Inrō with Street Festival (obverse); People Watching a Puppet Show (reverse), Japan, Edo period (1615–1868), Tatsuke Takamasu (Japanese, active second half of the 18th century), second half of the 18th century, Japan, Three cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e on black lacquer groundNetsuke: carved teakwood; peach with a monkey inside (signed: Kagetoshi)Ojime: carved teakwood with floral design, 2 13/16 x 2 15/16 x 1 1/8 in. (7.1 x 7.5 x 2.9 cm), Inrō
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