Attic Black-Figure Amphora; Attributed to Lydos or a painter close to Lydos (Greek (Attic), active about 565 - 535 B.C.); 550-540 B.C. This depicts Theseus killing the Minotaur. Theseus plunges his sword through the monster's neck, while the freed youths and maidens watch. The Minotaur's uncivilized nature is apparent in its choice of weapon; a rock, seen clutched in its raised hand. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-amphora-attributed-to-lydos-or-a-painter-close-to-lydos-greek-attic-active-about-565-535-bc-550-540-bc-this-depicts-theseus-killing-the-minotaur-theseus-plunges-his-sword-through-the-monsters-neck-while-the-freed-youths-and-maidens-watch-the-minotaurs-uncivilized-nature-is-apparent-in-its-choice-of-weapon-a-rock-seen-clutched-in-its-raised-hand-image526957685.html
RM2NH8YW9–Attic Black-Figure Amphora; Attributed to Lydos or a painter close to Lydos (Greek (Attic), active about 565 - 535 B.C.); 550-540 B.C. This depicts Theseus killing the Minotaur. Theseus plunges his sword through the monster's neck, while the freed youths and maidens watch. The Minotaur's uncivilized nature is apparent in its choice of weapon; a rock, seen clutched in its raised hand.
Rome. Italy. Attic black-figure amphora, 530-500 BC. Side A (pictured), Heracles fighting with Iolaus against the Hydra of Lerna. Side B (See Alamy re Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-attic-black-figure-amphora-530-500-bc-side-a-pictured-heracles-fighting-with-iolaus-against-the-hydra-of-lerna-side-b-see-alamy-re-image419240207.html
RM2FA214F–Rome. Italy. Attic black-figure amphora, 530-500 BC. Side A (pictured), Heracles fighting with Iolaus against the Hydra of Lerna. Side B (See Alamy re
Corinthian black-figure amphora with orientalizing decoration. Two Sphinxes 575-550BC Athens, Museum, Greek, Greece. . Museum of Cycladic Art, Red-figure calyx krater Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/corinthian-black-figure-amphora-with-orientalizing-decoration-two-sphinxes-575-550bc-athens-museum-greek-greece-museum-of-cycladic-art-red-figure-calyx-krater-image565074060.html
RM2RR99MC–Corinthian black-figure amphora with orientalizing decoration. Two Sphinxes 575-550BC Athens, Museum, Greek, Greece. . Museum of Cycladic Art, Red-figure calyx krater
Black figure. Amphora with a horse head, made in Athens. (550 BC) Laghetto, tomb 52, in Paestum. Salerno, Italy. Site of Paestum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-figure-amphora-with-a-horse-head-made-in-athens-550-bc-laghetto-tomb-52-in-paestum-salerno-italy-site-of-paestum-image337876667.html
RM2AHKH3R–Black figure. Amphora with a horse head, made in Athens. (550 BC) Laghetto, tomb 52, in Paestum. Salerno, Italy. Site of Paestum.
Attic black-figure amphora showing Theseus and the Minotaur on both sides, 6th century BC. Artist: Painter of Berlin 1686. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-amphora-showing-theseus-and-the-minotaur-on-both-sides-6th-century-bc-artist-painter-of-berlin-1686-image186168142.html
RMMPTKA6–Attic black-figure amphora showing Theseus and the Minotaur on both sides, 6th century BC. Artist: Painter of Berlin 1686.
Black-figure amphora by the Mastos Painter, Athens, c. 530-520 BCE - Nelson-Atkins Museum of Art - DSC08174 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-black-figure-amphora-by-the-mastos-painter-athens-c-530-520-bce-nelson-139478118.html
RMJ2WNNA–Black-figure amphora by the Mastos Painter, Athens, c. 530-520 BCE - Nelson-Atkins Museum of Art - DSC08174
N/A. English: Attic black-figure amphora with Dionysos holding a kantharos and a woman holding krotales, next to them a billygoat. . 6th century BC. N/A 94 Amphora MACatalunya Inv11311 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-attic-black-figure-amphora-with-dionysos-holding-a-kantharos-and-a-woman-holding-krotales-next-to-them-a-billygoat-6th-century-bc-na-94-amphora-macatalunya-inv11311-image209929912.html
RMP5F3MT–N/A. English: Attic black-figure amphora with Dionysos holding a kantharos and a woman holding krotales, next to them a billygoat. . 6th century BC. N/A 94 Amphora MACatalunya Inv11311
Horse head, Attic black-figure amphora, by the Painter B1 or the Aachen Horse-head Painter, 575-550 BC, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-head-attic-black-figure-amphora-by-the-painter-b1-or-the-aachen-horse-head-painter-575-550-bc-image355908006.html
RM2BK1086–Horse head, Attic black-figure amphora, by the Painter B1 or the Aachen Horse-head Painter, 575-550 BC,
Greek art. Panathenaic amphora. Black figures. Riders throwing spears. 400 BC. National Archaeological Museum. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/greek-art-panathenaic-amphora-black-figures-riders-throwing-spears-image69067040.html
RME0A7M0–Greek art. Panathenaic amphora. Black figures. Riders throwing spears. 400 BC. National Archaeological Museum. Athens. Greece.
Black figure Etruscan amphora from Vulci , 6th Century BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-figure-etruscan-amphora-from-vulci-6th-century-bc-image268854947.html
RMWHBB6B–Black figure Etruscan amphora from Vulci , 6th Century BC
Attic black-figure amphora with Heracles fighting with the Amazons from the Osteria Necropolis 530-510 BC - National Etruscan Museum of Villa Giulia - Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-amphora-with-heracles-fighting-with-the-amazons-from-the-osteria-necropolis-530-510-bc-national-etruscan-museum-of-villa-giulia-rome-italy-image214219663.html
RMPCEFA7–Attic black-figure amphora with Heracles fighting with the Amazons from the Osteria Necropolis 530-510 BC - National Etruscan Museum of Villa Giulia - Rome, Italy
A reproduction of a Nikosthenic black figure amphora from the Hellenic period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-reproduction-of-a-nikosthenic-black-figure-amphora-from-the-hellenic-image63773659.html
RFDKN3XK–A reproduction of a Nikosthenic black figure amphora from the Hellenic period.
Attic Black-Figure Amphora with (A) Dionysos, Satyrs and Maenads and (B) Battle Scene LACMA 50.9.35 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-attic-black-figure-amphora-with-a-dionysos-satyrs-and-maenads-and-58153145.html
RMDAH2X1–Attic Black-Figure Amphora with (A) Dionysos, Satyrs and Maenads and (B) Battle Scene LACMA 50.9.35
Barcelona, Spain - Dec 27th, 2019: Attic black-figure amphora with Dionysos holding a kantharos and a woman holding krotales. Catalan Museum of Archae Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/barcelona-spain-dec-27th-2019-attic-black-figure-amphora-with-dionysos-holding-a-kantharos-and-a-woman-holding-krotales-catalan-museum-of-archae-image353368499.html
RF2BEW93F–Barcelona, Spain - Dec 27th, 2019: Attic black-figure amphora with Dionysos holding a kantharos and a woman holding krotales. Catalan Museum of Archae
Attic Black-Figure Amphora, Tyrrhenian , Attributed to Pointed Nose Painter; Athens, Greece; 575 - 550 B.C; Terracotta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-amphora-tyrrhenian-attributed-to-pointed-nose-painter-athens-greece-575-550-bc-terracotta-image220575362.html
RMPPT23E–Attic Black-Figure Amphora, Tyrrhenian , Attributed to Pointed Nose Painter; Athens, Greece; 575 - 550 B.C; Terracotta
Attic Black-Figure Amphora; Attributed to Lydos or a painter close to Lydos, Greek (Attic) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-amphora-attributed-to-lydos-or-a-painter-close-image60278277.html
RMDE1WFH–Attic Black-Figure Amphora; Attributed to Lydos or a painter close to Lydos, Greek (Attic)
Attic Black-Figure Neck Amphora; Attributed to the Medea Group (Greek (Attic), active 530 - 510 B.C.); about 510 B.C.; Terracotta. Achilles and Ajax, two great heroes of the Trojan War, play a board game on this Athenian black-figure amphora. Behind the table stands the goddess Athena. The scene of the warriors at leisure but with their armor at the ready might have taken place during a break in fighting the Trojan War. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-neck-amphora-attributed-to-the-medea-group-greek-attic-active-530-510-bc-about-510-bc-terracotta-achilles-and-ajax-two-great-heroes-of-the-trojan-war-play-a-board-game-on-this-athenian-black-figure-amphora-behind-the-table-stands-the-goddess-athena-the-scene-of-the-warriors-at-leisure-but-with-their-armor-at-the-ready-might-have-taken-place-during-a-break-in-fighting-the-trojan-war-image526957693.html
RM2NH8YWH–Attic Black-Figure Neck Amphora; Attributed to the Medea Group (Greek (Attic), active 530 - 510 B.C.); about 510 B.C.; Terracotta. Achilles and Ajax, two great heroes of the Trojan War, play a board game on this Athenian black-figure amphora. Behind the table stands the goddess Athena. The scene of the warriors at leisure but with their armor at the ready might have taken place during a break in fighting the Trojan War.
Rome. Italy. Attic black-figure amphora, 530-500 BC. Side B (pictured), Hermes between two female characters. Side A (See Alamy ref 2FA214F), Heracle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-attic-black-figure-amphora-530-500-bc-side-b-pictured-hermes-between-two-female-characters-side-a-see-alamy-ref-2fa214f-heracle-image419240156.html
RM2FA212M–Rome. Italy. Attic black-figure amphora, 530-500 BC. Side B (pictured), Hermes between two female characters. Side A (See Alamy ref 2FA214F), Heracle
Art inspired by Lid of a neck-amphora, Archaic, 6th century B.C., Greek, Attic, Terracotta; black-figure, 3 1/8in. (8cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lid-of-a-neck-amphora-archaic-6th-century-bc-greek-attic-terracotta-black-figure-3-18in-8cm-vases-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462786455.html
RF2HTWMRK–Art inspired by Lid of a neck-amphora, Archaic, 6th century B.C., Greek, Attic, Terracotta; black-figure, 3 1/8in. (8cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Attic Black Figure Neck Amphora showing the image of the Judgment of Paris.made in Orvieto.Italy ca 525-510 B.C display in Penn Museum.Philadelphia.US Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-neck-amphora-showing-the-image-of-the-judgment-of-parismade-in-orvietoitaly-ca-525-510-bc-display-in-penn-museumphiladelphiaus-image459995714.html
RM2HMAH6A–Attic Black Figure Neck Amphora showing the image of the Judgment of Paris.made in Orvieto.Italy ca 525-510 B.C display in Penn Museum.Philadelphia.US
Heracles fighting the Nemean lion', Attic black-figure amphora from Vulci. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heracles-fighting-the-nemean-lion-attic-black-figure-amphora-from-vulci-image212421961.html
RMP9GJAH–Heracles fighting the Nemean lion', Attic black-figure amphora from Vulci.
Attic black figure amphora ca 540 bce cc0 pub dom from NGV collection online Ba000030 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-attic-black-figure-amphora-ca-540-bce-cc0-pub-dom-from-ngv-collection-170084964.html
RMKTM130–Attic black figure amphora ca 540 bce cc0 pub dom from NGV collection online Ba000030
N/A. English: Warrior's departure. Attic black-figure amphora, ca. 550–540 BC. From Athens. Français : Départ du guerrier. Amphore attique à figures noires, v. 550-540 av. J.-C. Provenance : Athènes. : - Român: Plecarea rzboinicului, amfor atic. . between circa 550 and circa 540 BC. N/A 94 Amphora warrior departure Louvre F12 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-warriors-departure-attic-black-figure-amphora-ca-550540-bc-from-athens-franais-dpart-du-guerrier-amphore-attique-figures-noires-v-550-540-av-j-c-provenance-athnes-romn-plecarea-rzboinicului-amfor-atic-between-circa-550-and-circa-540-bc-na-94-amphora-warrior-departure-louvre-f12-image210023007.html
RMP5KADK–N/A. English: Warrior's departure. Attic black-figure amphora, ca. 550–540 BC. From Athens. Français : Départ du guerrier. Amphore attique à figures noires, v. 550-540 av. J.-C. Provenance : Athènes. : - Român: Plecarea rzboinicului, amfor atic. . between circa 550 and circa 540 BC. N/A 94 Amphora warrior departure Louvre F12
Herakles carrying the Erymanthian boar to Eurystheus hiding in a jar, Attic black-figure amphora, 550-530 BC, inv. 16442 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/herakles-carrying-the-erymanthian-boar-to-eurystheus-hiding-in-a-jar-attic-black-figure-amphora-550-530-bc-inv-16442-image353195140.html
RM2BEHC04–Herakles carrying the Erymanthian boar to Eurystheus hiding in a jar, Attic black-figure amphora, 550-530 BC, inv. 16442
Amphora decorated with black figures depicting Sphinx. Chalkidiki style. Attributed to the workshop of the painter Phineus,dates from 540-530 B.C. Museum of Cycladic Art and Ancient Greek. Athens. Greece. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amphora-decorated-with-black-figures-depicting-sphinx-chalkidiki-style-attributed-to-the-workshop-of-the-painter-phineusdates-from-540-530-bc-museum-of-cycladic-art-and-ancient-greek-athens-greece-image220180040.html
RMPP61TT–Amphora decorated with black figures depicting Sphinx. Chalkidiki style. Attributed to the workshop of the painter Phineus,dates from 540-530 B.C. Museum of Cycladic Art and Ancient Greek. Athens. Greece.
Black figure neck amphora. Achilles prepares to kill the amazon Penthesilea Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-figure-neck-amphora-achilles-prepares-to-kill-the-amazon-penthesilea-image268799222.html
RMWH8T46–Black figure neck amphora. Achilles prepares to kill the amazon Penthesilea
Belly-Amphora (Storage Jar). Greek; Athens; Attributed to the Painter of Berlin 1686 or the Painter of Tarquinia RC 3984. Date: 550 BC-540 BC. Dimensions: 28.2 × 21.6 × 19 cm (10 3/4 × 8 1/2 × 7 1/2 in.). Terra-cotta, decorated in the black-figure technique. Origin: Athens. Museum: The Chicago Art Institute. Author: ANCIENT GREEK. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/belly-amphora-storage-jar-greek-athens-attributed-to-the-painter-of-berlin-1686-or-the-painter-of-tarquinia-rc-3984-date-550-bc-540-bc-dimensions-282-216-19-cm-10-34-8-12-7-12-in-terra-cotta-decorated-in-the-black-figure-technique-origin-athens-museum-the-chicago-art-institute-author-ancient-greek-image239884020.html
RMRX7JEC–Belly-Amphora (Storage Jar). Greek; Athens; Attributed to the Painter of Berlin 1686 or the Painter of Tarquinia RC 3984. Date: 550 BC-540 BC. Dimensions: 28.2 × 21.6 × 19 cm (10 3/4 × 8 1/2 × 7 1/2 in.). Terra-cotta, decorated in the black-figure technique. Origin: Athens. Museum: The Chicago Art Institute. Author: ANCIENT GREEK.
Black figure amphora with a horse's head in an unglazed space made in Athens - Laghetto, Tomb 52 (550 BC) - Archaeological Area of Paestum - Salerno, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-figure-amphora-with-a-horses-head-in-an-unglazed-space-made-in-athens-laghetto-tomb-52-550-bc-archaeological-area-of-paestum-salerno-italy-image431155793.html
RM2G1CRH5–Black figure amphora with a horse's head in an unglazed space made in Athens - Laghetto, Tomb 52 (550 BC) - Archaeological Area of Paestum - Salerno, Italy
A reproduction of a Nikosthenic black figure amphora from the Hellenic period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-reproduction-of-a-nikosthenic-black-figure-amphora-from-the-hellenic-image63773656.html
RFDKN3XG–A reproduction of a Nikosthenic black figure amphora from the Hellenic period.
Homecoming of Castor and Pollux from the Hunt. On an amphora, from Vulci, Etruria. Signed by Exekias as potter and painter. Attic black-figure style 540-530 BC Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-homecoming-of-castor-and-pollux-from-the-hunt-on-an-amphora-from-vulci-76392132.html
RMEC7XXC–Homecoming of Castor and Pollux from the Hunt. On an amphora, from Vulci, Etruria. Signed by Exekias as potter and painter. Attic black-figure style 540-530 BC
ENGRAVING OF PORTLAND VASE - FIRST CENTURY B.C. ROMAN CAMEO GLASS URN AMPHORA - q64018 CPC001 HARS ARTS B&W BLACK AND WHITE BRITISH MUSEUM FUNERARY FUNERARY URN OLD FASHIONED PERSONS PORTLAND VASE ROMAN CAMEO GLASS URN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engraving-of-portland-vase-first-century-bc-roman-cameo-glass-urn-175940848.html
RMM66P9M–ENGRAVING OF PORTLAND VASE - FIRST CENTURY B.C. ROMAN CAMEO GLASS URN AMPHORA - q64018 CPC001 HARS ARTS B&W BLACK AND WHITE BRITISH MUSEUM FUNERARY FUNERARY URN OLD FASHIONED PERSONS PORTLAND VASE ROMAN CAMEO GLASS URN
New York, USA - June 26th, 2008: Ancient greek terracotta neck-amphora with flute player and dancers. Isolated over white background. Metrop. Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-usa-june-26th-2008-ancient-greek-terracotta-neck-amphora-with-flute-player-and-dancers-isolated-over-white-background-metrop-museum-image188469974.html
RFMXHFAE–New York, USA - June 26th, 2008: Ancient greek terracotta neck-amphora with flute player and dancers. Isolated over white background. Metrop. Museum
Rome. Italy. Achilles (left) and Ajax playing dice. Attic black-figure amphora signed by Exekias, 540-530 BC. Vatican Museums (Musei Vaticani) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-achilles-left-and-ajax-playing-dice-attic-black-figure-amphora-signed-by-exekias-540-530-bc-vatican-museums-musei-vaticani-image229354378.html
RMR93YRP–Rome. Italy. Achilles (left) and Ajax playing dice. Attic black-figure amphora signed by Exekias, 540-530 BC. Vatican Museums (Musei Vaticani)
Art inspired by Neck-amphora, Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; black-figure, 16 7/16in. (41.7cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-neck-amphora-archaic-ca-520510-bc-greek-attic-terracotta-black-figure-16-716in-417cm-vases-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790020.html
RF2HTWWB0–Art inspired by Neck-amphora, Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; black-figure, 16 7/16in. (41.7cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
An ancient acrobat performs in this black-figure painting on a Panathenaic prize amphora from Rhodes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-ancient-acrobat-performs-in-this-black-figure-painting-on-a-panathenaic-48192595.html
RFCPBA43–An ancient acrobat performs in this black-figure painting on a Panathenaic prize amphora from Rhodes.
Attic black-figure Panathenaic amphora with depiction of (A) Athena and Hermes between columns crown Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-panathenaic-amphora-with-depiction-of-a-athena-and-hermes-between-columns-crown-artist-unknown-image186168272.html
RMMPTKET–Attic black-figure Panathenaic amphora with depiction of (A) Athena and Hermes between columns crown Artist: Unknown.
Black figure panel amphora Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-black-figure-panel-amphora-142411505.html
RMJ7KB95–Black figure panel amphora
. Русский: Аякс Теламонид укрепляет свой меч в земле, собираясь совершить самоубийство. Фрагмент росписи чернофигурной амфоры Эксекия. Ок. 530-525 г. до н.э. English: Telamonian Aias is preparing to commit suicide. Reproducing illustration of an antique Greek black-figure amphora (colour litho), depiction by Exekias (530-525 BC) . 19th century. French School, (19th century) 27 Ajax suicide Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/530-525-english-telamonian-aias-is-preparing-to-commit-suicide-reproducing-illustration-of-an-antique-greek-black-figure-amphora-colour-litho-depiction-by-exekias-530-525-bc-19th-century-french-school-19th-century-27-ajax-suicide-image188902827.html
RMMY97DF–. Русский: Аякс Теламонид укрепляет свой меч в земле, собираясь совершить самоубийство. Фрагмент росписи чернофигурной амфоры Эксекия. Ок. 530-525 г. до н.э. English: Telamonian Aias is preparing to commit suicide. Reproducing illustration of an antique Greek black-figure amphora (colour litho), depiction by Exekias (530-525 BC) . 19th century. French School, (19th century) 27 Ajax suicide
Black-figure amphora by the Mastos Painter, Athens, c. 530-520 BCE - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-figure-amphora-by-the-mastos-painter-athens-c-530-520-bce-image398771654.html
RM2E4NH8P–Black-figure amphora by the Mastos Painter, Athens, c. 530-520 BCE -
Neck-amphora with red figures decorated with a female figure sitting on a stool holding a plate. At left, woman holding a mirror and, at right, a warrior with helmet, spear, shield and greaves. From Cumae. Painter of New York GR 1000, ca.350-325 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-neck-amphora-with-red-figures-decorated-with-a-female-figure-sitting-132466709.html
RMHKEAHW–Neck-amphora with red figures decorated with a female figure sitting on a stool holding a plate. At left, woman holding a mirror and, at right, a warrior with helmet, spear, shield and greaves. From Cumae. Painter of New York GR 1000, ca.350-325 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.
Attic Black Figure Vase by Exekias : Castors horse Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-vase-by-exekias-castors-horse-image268856742.html
RMWHBDEE–Attic Black Figure Vase by Exekias : Castors horse
Terracotta amphora (jar). Culture: Greek, Attic. Dimensions: H. 18 1/2 in. (47 cm) diameter 12 5/16 in. (31.3 cm). Date: ca. 490 B.C.. Obverse, Apollo and Artemis flanking an altar Reverse, athlete and trainer The Eucharides Painter worked in the black-figure as well as the red-figure technique. It is noteworthy that here he decorates the type of amphora that was typical before the invention of red-figure. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-amphora-jar-culture-greek-attic-dimensions-h-18-12-in-47-cm-diameter-12-516-in-313-cm-date-ca-490-bc-obverse-apollo-and-artemis-flanking-an-altar-reverse-athlete-and-trainer-the-eucharides-painter-worked-in-the-black-figure-as-well-as-the-red-figure-technique-it-is-noteworthy-that-here-he-decorates-the-type-of-amphora-that-was-typical-before-the-invention-of-red-figure-museum-metropolitan-museum-of-art-new-york-usa-image212872368.html
RMPA94TG–Terracotta amphora (jar). Culture: Greek, Attic. Dimensions: H. 18 1/2 in. (47 cm) diameter 12 5/16 in. (31.3 cm). Date: ca. 490 B.C.. Obverse, Apollo and Artemis flanking an altar Reverse, athlete and trainer The Eucharides Painter worked in the black-figure as well as the red-figure technique. It is noteworthy that here he decorates the type of amphora that was typical before the invention of red-figure. Museum: Metropolitan Museum of Art, New York, USA.
Apulian black figure pottery ancient volute krater isolated over a white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-apulian-black-figure-pottery-ancient-volute-krater-isolated-over-a-90970432.html
RFF801M0–Apulian black figure pottery ancient volute krater isolated over a white background
Etruscan black-figure vase with cranes that attack a pygmy. Pontico group - National Etruscan Museum of Villa Giulia - Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscan-black-figure-vase-with-cranes-that-attack-a-pygmy-pontico-group-national-etruscan-museum-of-villa-giulia-rome-italy-image214219682.html
RMPCEFAX–Etruscan black-figure vase with cranes that attack a pygmy. Pontico group - National Etruscan Museum of Villa Giulia - Rome, Italy
Leda. Detail of preceding amphora by the Greek artist Exekias (flourished c550-525BC). Greek potter and painter who, with the Amasis Painter, is considered the finest and most original of black-figure masters and is one of the major figures in the history of the art. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-leda-detail-of-preceding-amphora-by-the-greek-artist-exekias-flourished-76392145.html
RMEC7XXW–Leda. Detail of preceding amphora by the Greek artist Exekias (flourished c550-525BC). Greek potter and painter who, with the Amasis Painter, is considered the finest and most original of black-figure masters and is one of the major figures in the history of the art.
A Greek terracotta amphora, signed by the artist Taleides, depicting the legendary hero Theseus attacking the Minotaur. Dated to approximately 550-525 B.C., this piece is an example of the Attic black-figure style, a technique characterized by the depiction of figures in silhouette with details incised into the black glaze, while the background remains the natural color of the clay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-greek-terracotta-amphora-signed-by-the-artist-taleides-depicting-the-legendary-hero-theseus-attacking-the-minotaur-dated-to-approximately-550-525-bc-this-piece-is-an-example-of-the-attic-black-figure-style-a-technique-characterized-by-the-depiction-of-figures-in-silhouette-with-details-incised-into-the-black-glaze-while-the-background-remains-the-natural-color-of-the-clay-image601211482.html
RM2WX3FAJ–A Greek terracotta amphora, signed by the artist Taleides, depicting the legendary hero Theseus attacking the Minotaur. Dated to approximately 550-525 B.C., this piece is an example of the Attic black-figure style, a technique characterized by the depiction of figures in silhouette with details incised into the black glaze, while the background remains the natural color of the clay.
Athens, Greece. Amphora (Storage Jar), c. 550-525 B.C. Terracotta, decorated in the black-figure technique. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-athens-greece-amphora-storage-jar-c-550-525-bc-terracotta-decorated-53656420.html
RMD3878M–Athens, Greece. Amphora (Storage Jar), c. 550-525 B.C. Terracotta, decorated in the black-figure technique.
Attic Black-Figure Amphora; Athens, Greece; 550 - 540 B.C; Terracotta; 29 cm, 11 7,16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-amphora-athens-greece-550-540-bc-terracotta-29-cm-11-716-in-image220575363.html
RMPPT23F–Attic Black-Figure Amphora; Athens, Greece; 550 - 540 B.C; Terracotta; 29 cm, 11 7,16 in
Attic Black-Figure Neck Amphora; Attributed to Leagros Group, Greek (Attic), active 525 - 500 B.C.; Athens, Greece Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-attic-black-figure-neck-amphora-attributed-to-leagros-group-greek-73246899.html
RME74K4K–Attic Black-Figure Neck Amphora; Attributed to Leagros Group, Greek (Attic), active 525 - 500 B.C.; Athens, Greece
New York, USA - June 26th, 2008: Ancient greek neck amphora depicting Hercules battles the Amazons. Isolated over black background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-usa-june-26th-2008-ancient-greek-neck-amphora-depicting-hercules-battles-the-amazons-isolated-over-black-background-image207773168.html
RFP20TP8–New York, USA - June 26th, 2008: Ancient greek neck amphora depicting Hercules battles the Amazons. Isolated over black background
Rome. Italy. Achilles (left) and Ajax playing dice. Attic black-figure amphora signed by Exekias, 540-530 BC. Vatican Museums (Musei Vaticani) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-achilles-left-and-ajax-playing-dice-attic-black-figure-amphora-signed-by-exekias-540-530-bc-vatican-museums-musei-vaticani-image229354377.html
RMR93YRN–Rome. Italy. Achilles (left) and Ajax playing dice. Attic black-figure amphora signed by Exekias, 540-530 BC. Vatican Museums (Musei Vaticani)
Art inspired by Neck-amphora, Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, Other: 16 3/4 in. (42.5 cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-neck-amphora-archaic-last-quarter-of-6th-century-bc-greek-attic-terracotta-black-figure-other-16-34-in-425-cm-vases-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462784454.html
RF2HTWJ86–Art inspired by Neck-amphora, Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, Other: 16 3/4 in. (42.5 cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
This depiction of the proclamation of a winner in a horse race is a black-figure painting on a Panathenaic prize amphora from Vulci, to the north of Rome. It is Attic (Greek) and dates to the sixth century B.C. The scene shows a victorious boy rider preceded by a herald who proclaims the name of the owner of the horse: 'The horse of Dyneicetus is victor' and followed by an attendant who bears the tripod and crown he has won. The book dates to 1895. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-this-depiction-of-the-proclamation-of-a-winner-in-a-horse-race-is-126300972.html
RFH9DE50–This depiction of the proclamation of a winner in a horse race is a black-figure painting on a Panathenaic prize amphora from Vulci, to the north of Rome. It is Attic (Greek) and dates to the sixth century B.C. The scene shows a victorious boy rider preceded by a herald who proclaims the name of the owner of the horse: 'The horse of Dyneicetus is victor' and followed by an attendant who bears the tripod and crown he has won. The book dates to 1895.
RMMPTK8G–Attic black-figure neck amphora, c540 BC. Artist: The Affecter.
Amphora with equestrian scenes, Pointed Nose Painter, Tyrrhenian group, Greek, Attic, c. 550 BC, black figure technique Krannert Art Museum, UIUC DSC06540 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-amphora-with-equestrian-scenes-pointed-nose-painter-tyrrhenian-group-142553919.html
RMJ7WTYB–Amphora with equestrian scenes, Pointed Nose Painter, Tyrrhenian group, Greek, Attic, c. 550 BC, black figure technique Krannert Art Museum, UIUC DSC06540
. Русский: Аякс Теламонид укрепляет свой меч в земле, собираясь совершить самоубийство. Фрагмент росписи чернофигурной амфоры Эксекия. Ок. 530-525 г. до н.э. English: Telamonian Aias is preparing to commit suicide. Reproducing illustration of an antique Greek black-figure amphora (colour litho), depiction by Exekias (530-525 BC) . 19th century. French School, (19th century) 31 Ajax suicide Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/530-525-english-telamonian-aias-is-preparing-to-commit-suicide-reproducing-illustration-of-an-antique-greek-black-figure-amphora-colour-litho-depiction-by-exekias-530-525-bc-19th-century-french-school-19th-century-31-ajax-suicide-image187625867.html
RMMW72KR–. Русский: Аякс Теламонид укрепляет свой меч в земле, собираясь совершить самоубийство. Фрагмент росписи чернофигурной амфоры Эксекия. Ок. 530-525 г. до н.э. English: Telamonian Aias is preparing to commit suicide. Reproducing illustration of an antique Greek black-figure amphora (colour litho), depiction by Exekias (530-525 BC) . 19th century. French School, (19th century) 31 Ajax suicide
Black-figure amphora by the Mastos Painter, Athens, c. 530-520 BCE - Nelson-Atkins Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-figure-amphora-by-the-mastos-painter-athens-c-530-520-bce-nelson-atkins-image219325645.html
RMPMR42N–Black-figure amphora by the Mastos Painter, Athens, c. 530-520 BCE - Nelson-Atkins
Neck-amphora with red figures decorated with a female figure sitting on a stool holding a plate. At left, woman holding a mirror and, at right, a warrior with helmet, spear, shield and greaves. Detail. From Cumae. Painter of New York GR 1000, ca.350-325 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-neck-amphora-with-red-figures-decorated-with-a-female-figure-sitting-132466711.html
RMHKEAHY–Neck-amphora with red figures decorated with a female figure sitting on a stool holding a plate. At left, woman holding a mirror and, at right, a warrior with helmet, spear, shield and greaves. Detail. From Cumae. Painter of New York GR 1000, ca.350-325 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.
Heracles, the Erymanthian Boar and Eurystheus, Athenian black-figure neck amphora C6th B.C. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heracles-the-erymanthian-boar-and-eurystheus-athenian-black-figure-neck-amphora-c6th-bc-old-19th-century-engraved-illustration-from-souvenirs-de-la-reformation-en-italie-1883-by-john-stoughton-1807-1897-image418818791.html
RM2F9ARHY–Heracles, the Erymanthian Boar and Eurystheus, Athenian black-figure neck amphora C6th B.C. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897)
Terracotta neck-amphora (jar). Culture: Etruscan. Dimensions: H.: 20 1/8 in. (51.1 cm). Date: early 5th century B.C.. Obverse and reverse, on the shoulder, two winged figures, Erotes? This idiosyncratic vase reflects influence of both black-figure and red-figure prototypes. The general shape and the ornament on the neck are derived from Attic black-figure neck-amphorae. The decoration, however, reflects the freer drawing of red-figure during the first decades of the fifth century B.C. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-neck-amphora-jar-culture-etruscan-dimensions-h-20-18-in-511-cm-date-early-5th-century-bc-obverse-and-reverse-on-the-shoulder-two-winged-figures-erotes-this-idiosyncratic-vase-reflects-influence-of-both-black-figure-and-red-figure-prototypes-the-general-shape-and-the-ornament-on-the-neck-are-derived-from-attic-black-figure-neck-amphorae-the-decoration-however-reflects-the-freer-drawing-of-red-figure-during-the-first-decades-of-the-fifth-century-bc-museum-metropolitan-museum-of-art-new-york-usa-image213081904.html
RMPAJM40–Terracotta neck-amphora (jar). Culture: Etruscan. Dimensions: H.: 20 1/8 in. (51.1 cm). Date: early 5th century B.C.. Obverse and reverse, on the shoulder, two winged figures, Erotes? This idiosyncratic vase reflects influence of both black-figure and red-figure prototypes. The general shape and the ornament on the neck are derived from Attic black-figure neck-amphorae. The decoration, however, reflects the freer drawing of red-figure during the first decades of the fifth century B.C. Museum: Metropolitan Museum of Art, New York, USA.
London, UK, 27th November 2017, A photo call for Bonhams Antiquities sale took place in New Bond Street. Highlights include: Attic black-figure amphora c 540 BC. Estimate: £40,000-70,000, A Roman marble life-sized portrait head of a young man from the Late Republican-Early Augustan, around 50 B.C.- A.D.37. Estimate £30,000-50,000.An Egyptian limestone relief with hieroglyphs from the Ptolemaic Period, circa 332-30 B.C. Estimate £25,000-35,000.A rare example of a 1st-century AD Roman bronze figure of Hermaphroditos estimated at £25,000-35,000. Credit: Keith Larby/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-london-uk-27th-november-2017-a-photo-call-for-bonhams-antiquities-166517406.html
RMKJWEJ6–London, UK, 27th November 2017, A photo call for Bonhams Antiquities sale took place in New Bond Street. Highlights include: Attic black-figure amphora c 540 BC. Estimate: £40,000-70,000, A Roman marble life-sized portrait head of a young man from the Late Republican-Early Augustan, around 50 B.C.- A.D.37. Estimate £30,000-50,000.An Egyptian limestone relief with hieroglyphs from the Ptolemaic Period, circa 332-30 B.C. Estimate £25,000-35,000.A rare example of a 1st-century AD Roman bronze figure of Hermaphroditos estimated at £25,000-35,000. Credit: Keith Larby/Alamy Live News
Etruscan vessel with black-figure winged horse, painter of Micali 520-510 BC. Necropolis of the Cuccumella - National Etruscan Museum of Villa Giulia - Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscan-vessel-with-black-figure-winged-horse-painter-of-micali-520-510-bc-necropolis-of-the-cuccumella-national-etruscan-museum-of-villa-giulia-rome-italy-image214219688.html
RMPCEFB4–Etruscan vessel with black-figure winged horse, painter of Micali 520-510 BC. Necropolis of the Cuccumella - National Etruscan Museum of Villa Giulia - Rome, Italy
Michigan Painter. Amphora (Storage Jar). 490 BC–480 BC. Greece. terracotta, decorated in the black-figure technique Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michigan-painter-amphora-storage-jar-490-bc480-bc-greece-terracotta-decorated-in-the-black-figure-technique-image337960742.html
RM2AHRCAE–Michigan Painter. Amphora (Storage Jar). 490 BC–480 BC. Greece. terracotta, decorated in the black-figure technique
Apulian red figure pottery ancient kantharos isolated over a black background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-apulian-red-figure-pottery-ancient-kantharos-isolated-over-a-black-90970393.html
RFF801JH–Apulian red figure pottery ancient kantharos isolated over a black background
Black figure of man with head of bull carrying an amphora in an ornamental circle, isolated on white background. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-figure-of-man-with-head-of-bull-carrying-an-amphora-in-an-ornamental-circle-isolated-on-white-background-image329247012.html
RF2A3JDWT–Black figure of man with head of bull carrying an amphora in an ornamental circle, isolated on white background.
Etruscan black-figure amphora. Decoration of eyes, snakes and fish. Etruscan black-figured amphora. Decoration of apotropic eyes, snakes and a dolphin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscan-black-figure-amphora-decoration-of-eyes-snakes-and-fish-etruscan-black-figured-amphora-decoration-of-apotropic-eyes-snakes-and-a-dolphin-image344532916.html
RM2B0ER70–Etruscan black-figure amphora. Decoration of eyes, snakes and fish. Etruscan black-figured amphora. Decoration of apotropic eyes, snakes and a dolphin
Attic Black-Figure Neck Amphora; Attributed to Group E (Workshop of Exekias), Greek (Attic), active 560 - 540 B.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-neck-amphora-attributed-to-group-e-workshop-of-image60283136.html
RMDE23N4–Attic Black-Figure Neck Amphora; Attributed to Group E (Workshop of Exekias), Greek (Attic), active 560 - 540 B.C.
Malaga, Spain - March 2nd, 2019: Amphora from Apulia with warrior in temple, 350 BCE. Ifergan Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/malaga-spain-march-2nd-2019-amphora-from-apulia-with-warrior-in-temple-350-bce-ifergan-collection-image330129189.html
RM2A52K45–Malaga, Spain - March 2nd, 2019: Amphora from Apulia with warrior in temple, 350 BCE. Ifergan Collection
Rome. Italy. Achilles (left) and Ajax playing dice. Attic black-figure amphora signed by Exekias, 540-530 BC. Vatican Museums (Musei Vaticani) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-achilles-left-and-ajax-playing-dice-attic-black-figure-amphora-signed-by-exekias-540-530-bc-vatican-museums-musei-vaticani-image229354375.html
RMR93YRK–Rome. Italy. Achilles (left) and Ajax playing dice. Attic black-figure amphora signed by Exekias, 540-530 BC. Vatican Museums (Musei Vaticani)
Art inspired by Neck-amphora, fragmentary, Archaic, ca. 525–500 B.C., Greek, Attic, Terracotta; black-figure, 4 3/4 x 7 1/4in. (12.1 x 18.4cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-neck-amphora-fragmentary-archaic-ca-525500-bc-greek-attic-terracotta-black-figure-4-34-x-7-14in-121-x-184cm-vases-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462788028.html
RF2HTWPRT–Art inspired by Neck-amphora, fragmentary, Archaic, ca. 525–500 B.C., Greek, Attic, Terracotta; black-figure, 4 3/4 x 7 1/4in. (12.1 x 18.4cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Altenburg, Germany. 05th Feb, 2019. In the Lindenau Museum, curator Victoria Kubale looks at an Attic-black-figure neck amphora with sphinxes from the special exhibition 'The Mysterious Sphinx'. The exhibition on the opera 'Oedipe' is provided by the National Museum George Enescu Bucharest and can be seen from 07.02. to 22.04.2019. Credit: Bodo Schackow/dpa-Zentralbild/dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/altenburg-germany-05th-feb-2019-in-the-lindenau-museum-curator-victoria-kubale-looks-at-an-attic-black-figure-neck-amphora-with-sphinxes-from-the-special-exhibition-the-mysterious-sphinx-the-exhibition-on-the-opera-oedipe-is-provided-by-the-national-museum-george-enescu-bucharest-and-can-be-seen-from-0702-to-22042019-credit-bodo-schackowdpa-zentralbilddpaalamy-live-news-image234973973.html
RMRJ7YKH–Altenburg, Germany. 05th Feb, 2019. In the Lindenau Museum, curator Victoria Kubale looks at an Attic-black-figure neck amphora with sphinxes from the special exhibition 'The Mysterious Sphinx'. The exhibition on the opera 'Oedipe' is provided by the National Museum George Enescu Bucharest and can be seen from 07.02. to 22.04.2019. Credit: Bodo Schackow/dpa-Zentralbild/dpa/Alamy Live News
The Bateman Amphora (Wine Jar), c. 530-520 BC. The Lysippides Painter worked in both black- and red-figure terracotta, sometimes incorporating both styles on one vase. Vases with this unique combination are called bilingual. He followed the grand style of Exekias, the greatest of black-figure vase painters. Although the Lysippides Painter's style is somewhat more conservative than that of Exekias, it still retains an elegance and delicacy inspired by the great master. Side A: Warriors in a fight; Side B: Dionysus and satyrs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bateman-amphora-wine-jar-c-530-520-bc-the-lysippides-painter-worked-in-both-black-and-red-figure-terracotta-sometimes-incorporating-both-styles-on-one-vase-vases-with-this-unique-combination-are-called-bilingual-he-followed-the-grand-style-of-exekias-the-greatest-of-black-figure-vase-painters-although-the-lysippides-painters-style-is-somewhat-more-conservative-than-that-of-exekias-it-still-retains-an-elegance-and-delicacy-inspired-by-the-great-master-side-a-warriors-in-a-fight-side-b-dionysus-and-satyrs-image330124838.html
RM2A52DGP–The Bateman Amphora (Wine Jar), c. 530-520 BC. The Lysippides Painter worked in both black- and red-figure terracotta, sometimes incorporating both styles on one vase. Vases with this unique combination are called bilingual. He followed the grand style of Exekias, the greatest of black-figure vase painters. Although the Lysippides Painter's style is somewhat more conservative than that of Exekias, it still retains an elegance and delicacy inspired by the great master. Side A: Warriors in a fight; Side B: Dionysus and satyrs
Athena in fighting pose, amphora in Panathenaic shape, Greek Attic, c. 540 BC, black figure terracotta Blanton Museum of Art Austin, Texas DSC07663 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-athena-in-fighting-pose-amphora-in-panathenaic-shape-greek-attic-c-142558061.html
RMJ7X279–Athena in fighting pose, amphora in Panathenaic shape, Greek Attic, c. 540 BC, black figure terracotta Blanton Museum of Art Austin, Texas DSC07663
. Русский: Аякс Теламонид укрепляет свой меч в земле, собираясь совершить самоубийство. Фрагмент росписи чернофигурной амфоры Эксекия. Ок. 530-525 г. до н.э. English: Telamonian Aias is preparing to commit suicide. Reproducing illustration of an antique Greek black-figure amphora (colour litho), depiction by Exekias (530-525 BC) . 19th century. French School, (19th century) 31 Ajax suicide Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/530-525-english-telamonian-aias-is-preparing-to-commit-suicide-reproducing-illustration-of-an-antique-greek-black-figure-amphora-colour-litho-depiction-by-exekias-530-525-bc-19th-century-french-school-19th-century-31-ajax-suicide-image184881061.html
RMMMP1K1–. Русский: Аякс Теламонид укрепляет свой меч в земле, собираясь совершить самоубийство. Фрагмент росписи чернофигурной амфоры Эксекия. Ок. 530-525 г. до н.э. English: Telamonian Aias is preparing to commit suicide. Reproducing illustration of an antique Greek black-figure amphora (colour litho), depiction by Exekias (530-525 BC) . 19th century. French School, (19th century) 31 Ajax suicide
Attic black-figure amphora ca 540 bce cc0 pub dom from NGV collection online Ba000030. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-amphora-ca-540-bce-cc0-pub-dom-from-ngv-collection-online-ba000030-image233345131.html
RMRFHP2K–Attic black-figure amphora ca 540 bce cc0 pub dom from NGV collection online Ba000030.
Attic amphora depicting scenes of Trojan War. Neoptolemus kill Priam and Achilles pursuing Troilus and Polyxena. 550-540 BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-amphora-depicting-scenes-of-trojan-war-neoptolemus-kill-priam-image64099123.html
RMDM7Y2B–Attic amphora depicting scenes of Trojan War. Neoptolemus kill Priam and Achilles pursuing Troilus and Polyxena. 550-540 BC.
Heracles, the Erymanthian Boar and Eurystheus, Athenian black-figure neck amphora C6th B.C. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heracles-the-erymanthian-boar-and-eurystheus-athenian-black-figure-neck-amphora-c6th-bc-old-19th-century-engraved-illustration-from-souvenirs-de-la-reformation-en-italie-1883-by-john-stoughton-1807-1897-image418818794.html
RM2F9ARJ2–Heracles, the Erymanthian Boar and Eurystheus, Athenian black-figure neck amphora C6th B.C. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897)
Terracotta neck-amphora (jar) with lid. Culture: Etruscan. Dimensions: H.: 15 7/16 in. (39.2 cm). Date: ca. 525-500 B.C.. Around the body, winged horses and a siren On the shoulder, ivy between eyes The Micali Painter was the most prolific Etruscan black-figure artist of the last quarter of the sixth century B.C.. His workshop seems to have been located in Vulci, where a high proportion of his works have also been found. His style is distinctive because he gives the impression of painting his subjects with glaze, now more tightly, often quite loosely. Though he uses incised lines for articu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-neck-amphora-jar-with-lid-culture-etruscan-dimensions-h-15-716-in-392-cm-date-ca-525-500-bc-around-the-body-winged-horses-and-a-siren-on-the-shoulder-ivy-between-eyes-the-micali-painter-was-the-most-prolific-etruscan-black-figure-artist-of-the-last-quarter-of-the-sixth-century-bc-his-workshop-seems-to-have-been-located-in-vulci-where-a-high-proportion-of-his-works-have-also-been-found-his-style-is-distinctive-because-he-gives-the-impression-of-painting-his-subjects-with-glaze-now-more-tightly-often-quite-loosely-though-he-uses-incised-lines-for-articu-image212913089.html
RMPAB0PW–Terracotta neck-amphora (jar) with lid. Culture: Etruscan. Dimensions: H.: 15 7/16 in. (39.2 cm). Date: ca. 525-500 B.C.. Around the body, winged horses and a siren On the shoulder, ivy between eyes The Micali Painter was the most prolific Etruscan black-figure artist of the last quarter of the sixth century B.C.. His workshop seems to have been located in Vulci, where a high proportion of his works have also been found. His style is distinctive because he gives the impression of painting his subjects with glaze, now more tightly, often quite loosely. Though he uses incised lines for articu
London, UK, 27th November 2017, A photo call for Bonhams Antiquities sale took place in New Bond Street. Highlights include: Attic black-figure amphora c 540 BC. Estimate: £40,000-70,000, A Roman marble life-sized portrait head of a young man from the Late Republican-Early Augustan, around 50 B.C.- A.D.37. Estimate £30,000-50,000.An Egyptian limestone relief with hieroglyphs from the Ptolemaic Period, circa 332-30 B.C. Estimate £25,000-35,000.A rare example of a 1st-century AD Roman bronze figure of Hermaphroditos estimated at £25,000-35,000. Credit: Keith Larby/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-london-uk-27th-november-2017-a-photo-call-for-bonhams-antiquities-166517366.html
RMKJWEGP–London, UK, 27th November 2017, A photo call for Bonhams Antiquities sale took place in New Bond Street. Highlights include: Attic black-figure amphora c 540 BC. Estimate: £40,000-70,000, A Roman marble life-sized portrait head of a young man from the Late Republican-Early Augustan, around 50 B.C.- A.D.37. Estimate £30,000-50,000.An Egyptian limestone relief with hieroglyphs from the Ptolemaic Period, circa 332-30 B.C. Estimate £25,000-35,000.A rare example of a 1st-century AD Roman bronze figure of Hermaphroditos estimated at £25,000-35,000. Credit: Keith Larby/Alamy Live News
Ancient Greek bowl (6th century BC), illustration from Soviet encyclopedia, 1927 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-greek-bowl-6th-century-bc-illustration-from-soviet-encyclopedia-image68711262.html
RMDYP1WJ–Ancient Greek bowl (6th century BC), illustration from Soviet encyclopedia, 1927
Ancient Greek. Amphoriskos (Container for Oil). 600 BC–575 BC. Corinth. terracotta, decorated in the black-figure technique Located on the narrow isthmus that joins the Greek mainland and the Peloponnese, with natural harbors facing east and west, Corinth was the major port of trade in Greece for most of the Archaic period (700–480BC). Producers exported scented oil around the Mediterranean in terra-cotta containers like this one known as an amphoriskos, literally a little amphora, that survive today in the thousands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-greek-amphoriskos-container-for-oil-600-bc575-bc-corinth-terracotta-decorated-in-the-black-figure-technique-located-on-the-narrow-isthmus-that-joins-the-greek-mainland-and-the-peloponnese-with-natural-harbors-facing-east-and-west-corinth-was-the-major-port-of-trade-in-greece-for-most-of-the-archaic-period-700480bc-producers-exported-scented-oil-around-the-mediterranean-in-terra-cotta-containers-like-this-one-known-as-an-amphoriskos-literally-a-little-amphora-that-survive-today-in-the-thousands-image337980780.html
RM2AHT9X4–Ancient Greek. Amphoriskos (Container for Oil). 600 BC–575 BC. Corinth. terracotta, decorated in the black-figure technique Located on the narrow isthmus that joins the Greek mainland and the Peloponnese, with natural harbors facing east and west, Corinth was the major port of trade in Greece for most of the Archaic period (700–480BC). Producers exported scented oil around the Mediterranean in terra-cotta containers like this one known as an amphoriskos, literally a little amphora, that survive today in the thousands
Herakles, Eurystheus and the Erymanthian Boar, from a black-figured Greek pot, c. 7th - 5th centuries BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-herakles-eurystheus-and-the-erymanthian-boar-from-a-black-figured-104000001.html
RMG15H1N–Herakles, Eurystheus and the Erymanthian Boar, from a black-figured Greek pot, c. 7th - 5th centuries BC.
Zodiac in the style of Ancient Greece. Capricorn. Mythological figure of man with goat's head and fish tail holding an amphora. Black figure inscribed Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zodiac-in-the-style-of-ancient-greece-capricorn-mythological-figure-of-man-with-goats-head-and-fish-tail-holding-an-amphora-black-figure-inscribed-image242363815.html
RFT28HEF–Zodiac in the style of Ancient Greece. Capricorn. Mythological figure of man with goat's head and fish tail holding an amphora. Black figure inscribed
Attic Black-Figure Amphora; Athens, Greece; 550 - 550 B.C; Terracotta; 36.8 cm, 14 1,2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attic-black-figure-amphora-athens-greece-550-550-bc-terracotta-368-cm-14-12-in-image220575403.html
RMPPT24Y–Attic Black-Figure Amphora; Athens, Greece; 550 - 550 B.C; Terracotta; 36.8 cm, 14 1,2 in
Attic Black-Figure Neck-Amphora; Attributed to Bareiss Painter, Medea Group, Greek (Attic), active late 6th century B.C. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-attic-black-figure-neck-amphora-attributed-to-bareiss-painter-medea-73246902.html
RME74K4P–Attic Black-Figure Neck-Amphora; Attributed to Bareiss Painter, Medea Group, Greek (Attic), active late 6th century B.C.
The image on the Panathenaic prize vase. Photography from the mid-20th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-image-on-the-panathenaic-prize-vase-photography-from-the-mid-20th-century-image607652887.html
RM2X8GYCR–The image on the Panathenaic prize vase. Photography from the mid-20th century.
Rome. Italy. Achilles (left) and Ajax playing dice. Attic black-figure amphora signed by Exekias, 540-530 BC. Vatican Museums (Musei Vaticani) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-achilles-left-and-ajax-playing-dice-attic-black-figure-amphora-signed-by-exekias-540-530-bc-vatican-museums-musei-vaticani-image229354376.html
RMR93YRM–Rome. Italy. Achilles (left) and Ajax playing dice. Attic black-figure amphora signed by Exekias, 540-530 BC. Vatican Museums (Musei Vaticani)
Art inspired by Fragment of a terracotta amphora (jar), Archaic, ca. 550–540 B.C., Greek, Attic, Terracotta; black-figure, H. 2 1/2 in. (6.3 cm), Vases, Head and shoulders of a youth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragment-of-a-terracotta-amphora-jar-archaic-ca-550540-bc-greek-attic-terracotta-black-figure-h-2-12-in-63-cm-vases-head-and-shoulders-of-a-youth-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462934135.html
RF2HW4D5Y–Art inspired by Fragment of a terracotta amphora (jar), Archaic, ca. 550–540 B.C., Greek, Attic, Terracotta; black-figure, H. 2 1/2 in. (6.3 cm), Vases, Head and shoulders of a youth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
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