RMD968Y0–Mary Magdalene annointing the feet of Jesus. 'Bible' John 12. Chromolithograph c1860
RMD96436–Jesus before Pilate. 'Bible' John 18. By Pilate is his Lictor, a Roman magistrate's attendant, carrying the Fasces, an axe tied in a bundle of sticks, the magistrate's badge of office. Mid-19th century chromolithograph
RMD96B2E–Jesus Christ appearing to his disciples after his resurrection. 'Bible' John 20:19-20
RMD969Y9–The wedding at Cana. Christ turning water into wine. 'Bible' John 2:7. Copperplate engraving 1804.
RMD9644X–Pontius Pilate (dc36) Roman governor of Jerusalem, asking Jesus 'Art thou the King of the Jews?'. 'Bible' John 18.33. Copperplate engraving c1808
RMD965XE–John the Baptist baptising Jesus. 'Bible' Mark 1. 9. Copperplate engraving c1808
RMD9643C–Christ giving sight to the man born blind. 'Bible' St John 9. Chromolithograph c1860
RMD9689B–St John on Patmos. Illustration by Gustave Dore for the Bible 1865-6. Wood engraving
RMD965W8–Baptism of Jesus by John the Baptist. Bible, New Testament. From J.J. Tissot 'The Life of our Saviour Jesus Christ' c1890. Oleograph.
RMMR4FF0–John The Baptist preaching, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
RMMR4FNJ–Death on horseback, (vision of John the Baptist), Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
RMMR4FM7–An angel with St John the Baptist before Jerusalem, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
RMMR4FNH–The coronation of the Virgin, (vision of John the Baptist), Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
RMMR4FNF–Babylon in Ruins (vision of John the Baptist), Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (1832–1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
RM2K01HM8–The Pool at Bethesda: 'blind, halt, withered, waiting for the moving of the waters'. (John V 3). From a late 19th century illustrated Bible.
RM2CWBNJH–Illustration showing John Wycliffe (c. 1320s - 1384); English scholastic philosopher, theologian, biblical translator, reformer, priest, and a seminary professor at the University of Oxford. He became an influential dissident within the Roman Catholic priesthood during the 14th century and is considered an important predecessor to Protestantism.
RMH3YW0B–Engraving depicting the burning of John Rogers (1500-1555) a clergyman, Bible translator and commentator. Dated 16th Century
RMD9686N–Jesus raising Lazarus from his tomb. John 2:43 From Gustave Dore illustrated 'Bible' 1865-1866. Wood engraving
RMD96BC5–Christ mocked and the Crown of Thorns placed on his head. St John. From Gustave Dore's illustrated 'Bible', 1866. Wood engraving.
RMD969FB–Peter and John at the Beautiful Gate. 'Silver and gold have I none, but such as I have give I to thee?'. 'Bible' Acts 3.6. Wood engraving .
RMD9641G–Crucifixion'. Jesus nailed to the cross. St John 19.18. Iullustration by Gustave Dore (1832-1883) for 'The Bible' (London 1866). Wood engraving.
RMD96D0F–John the Baptist, wearing an animal skin, baptising Jesus. Bible: Matthew III.15. Illustration by Gustave Dore, 1865-1856. Wood engraving.
RMD95NKT–John Kitto (1805-1854) Cornish-born English author and missionary. Became deaf in 1817. Produced the 'Pictorial Bible' (1838). Woodcut c1860.
RMD98BD7–John Wycliffe (c1329-1384) English theologian and religious reformer. Initiated and contributed to the translation of the Bible from Latin into English. A precursor of the Reformation. Coloured lithograph.
RMD9650P–John Wycliffe (c13291384) English religious reformer. Leader of the Lollards (Mumblers). Questioned doctrine of transubstantiation. Organised translation of Bible into English. Precursor of Protestant Reformation. Engraving 1851.
RMD9650H–John Wycliffe (c1329-1384) English religious reformer. Leader of the Lollards (Mumblers). Questioned doctrine of transubstantiation. Organised translation of Bible into English. Precursor of Protestant Reformation. Engraving 1882.
RMD95J88–John Wycliffe (c1329-1384) English religious reformer. Leader of the Lollards (Mumblers). Questioned the doctrine of transubstantiation. Organised the translation of Bible into English. Precursor of Protestant Reformation. Engraving. Religion. Christi
RMD9650D–John Wycliffe (c1329-1384) English religious reformer. Leader of the Lollards (Mumblers). Questioned doctrine of transubstantiation. Organised translation of Bible into English. Precursor of Protestant Reformation. 16th century woodcut.
RMD96AY7–Four Horsemen of the Apocalypse, illustrating 'Bible' New Testament, Revelation of St John. Archangel watches as four agents of destruction, two of war and one each of famine and pestilence, gallop across the earth. Woodcut by Albrecht Durer, 1498.
RMD9642A–Page from Wycliffe's translation of the 'Bible' into English c1400. 'The bygynynge of ye gospel of Jesus Christ ye sone of God' St Mark's gospel. John Wycliffe (c1329-84) English religious reformer. After Egerton manuscript.
RMD96XE1–St John the Evangelist with the Poisoned Cup'. Legend is that cup of poisoned wine was passed to St John and, as he blessed it, the poison rose up in the form of a serpent. Bible: Matthew 20:23. Alonso Cano (1601-1667) Spanish painter.
RMG2NJA8–Part of Stephen Harding's Bible. The 'I' of 'In principo', formed by St John (in the white habit of a Cistercian) and his eagle , which is shown digging it's talons into his eyes, nose, mouth and ears, symbolising the word of God being imprinted upon his senses. An example of Cistercian art. Dated 12th Century
RMMR4TER–Cartoon depicting Mr Punch appealing to John Bull, who is dressed as a policeman, asking him to clear the arguing representatives from the school door so that children could get on with their education. Foster's Elementary Education Bill passed February 1870 and received royal assent on 9 August. This allowed religious instruction with parents' consent, and reading of the Bible, but no catechisms or sectarian formularies. Illustrated by John Tenniel (1820-1914) an English illustrator, graphic humourist, and political cartoonist. Dated 19th century
RMD988BB–Woodcut from the first edition of John Foxe 'The Book of Martyrs', London 1563, depicting iconoclasm, centre top. In the top part of the image 'papists' are packing away their 'paltry,' while the church is purged of idols. At bottom left clerics receive the Bible from Queen Elizabeth I. Bottom right shows the interior of a Protestant church with the congregation listening to a sermon, a somple Communion table rther than an altar, and a Baptism taking place.
RMD98T03–Dore 'The Daughter Of Herod' Head Of John The Baptist
RMEC8206–Pharaoh's daughter 1865 by John adams-acton 1830-1910
RMEC8205–Pharaoh's daughter 1865 by John adams-acton 1830-1910
RM2JYYH92–Engraving depicting John the Hermit (Gospel of Matthew). The Illustration is set within an ornate frame.
RM2JYY0EA–Slavonic illustrated miniature, Russian 18th century. Depicting The Apocalypse of St John
RMHHG45D–Birth of Christ. Headpiece by John Leighton (1822-1912) from Good Words, London, 1868
RMD96BD4–The Revelation of S. John (Apocalypse) The Adoration of the Lamb and the Hymn of the Chosen Woodcut by Albrecht Durer c1498.
RMMR4T3H–Engraving depicting the angel showing St John the New Jerusalem. Dated 19th century
RMG1D94C–St John the Baptist c. 1523 Oil on wood, By Andrea Del sarto 1486-1530
RM2A260ME– Saint John the Baptist painted by Leonardo da Vinci (April 1452 - May 1519), an Italian polymath of the Renaissance
RMD96BB4–Jesus scourged on the face. John:9. Illustration by J.J.Tissot for his 'Life of Our Saviour Jesus Christ', 1897. Oleograph.
RMD969YX–The second miraculous draught of fishes. St John 21. From JJ Tissot 'The Life of Our Saviour Jesus Christ' c1890. Oleograph
RMEC7MJJ–Possibly Saint John the Evangelist, 1320's by Simone Martini (c.1284-1344) Tempera on panel. Italian. Next to Guccio, he is the most distinguished painter of the Sienese school. Nothing certain is known of him before 1315.
RMHHG834–Saint John the Baptist Preaching; 1505; oil painting on poplar wood. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). Part of the Ansidei Altarpiece, San Fiorenzo, Perugia, Italy.
RMEC7N7C–Attributed to Michelangelo Buonarroti (1475-1564) The Holy Family with Saint John the Baptist. Oil on Panel. The Virgin and Child with Saint Joseph and the young Saint John the Baptist are shown in movement. The subject may be the Holy Family returning from Egypt, where they had fled Herod's persecution.
RMEC7N7B–Attributed to Michelangelo Buonarroti (1475-1564) The Holy Family with Saint John the Baptist. Oil on Panel. The Virgin and Child with Saint Joseph and the young Saint John the Baptist are shown in movement. The subject may be the Holy Family returning from Egypt, where they had fled Herod's persecution.
RM2K08E1P–Caravaggio (1571-1610) painting titled: Salome with the Head of John the Baptist. The canvas shows Salome, daughter of queen Herodias, holding in her hands the tray with the head of the prophet John the Baptist, who according to the Holy Gospels was beheaded by order of King Herod Antipas after having promised the latter to his stepdaughter Salome that, if she agreed to dance before him, she would give him whatever he wanted. And when the young woman asked him to give him the head of the Baptist, the king was upset because he appreciated it, but in the end he agreed to his wishes and ordered t
RMMR5G30–The Appearance of Christ Before the People (Apparition of the Messiah); 1857. oil painting on canvas, measuring 540 cm × 750 cm, by the Russian painter Alexander Andreyevich Ivanov (1806–1858) took 20 years to complete (1837–1857). The narrative of the painting alludes to several stories in the Bible. In the center, John the Baptist, wearing an animal skin, is standing on the banks of the River Jordan. He points towards a figure in the distance, approaching the scene. To the left stands the young John the Apostle, behind him St. Peter, and further on Andrew the Apostle and Nathaniel.
RM2CWB8JG–The beheading of Saint John the Baptist, by Juan de Flanders, circa 1496 - 1499
RM2CWBFW8–The Feast of Herod and the Beheading of Saint John the Baptist', 1461-1462, Artist: Benozzo Gozzoli.
RMMR4HR1–Russian Orthodox miniature depicting a scene from the Apocalypse of Saint John.
RMKCEP1T–Portrait of John Wycliffe (1320-1384) an English scholastic philosopher, theologian, Biblical translator, reformer, and seminary professor at Oxford University. Dated 14th Century
RMKCEP1W–Portrait of John Wycliffe (1320-1384) an English scholastic philosopher, theologian, Biblical translator, reformer, and seminary professor at Oxford University. Dated 14th Century
RMKCEP13–Portrait of John Wycliffe (1320-1384) an English scholastic philosopher, theologian, Biblical translator, reformer, and seminary professor at Oxford University. Dated 14th Century
RMEC7KPJ–Charlton Heston (born John Charles Carter; October 4, 1923 – April 5, 2008) was an American actor. here seen in his role as Moses in 'The Ten Commandments' a 1956 American religious epic film produced and directed by Cecil B. DeMille
RMD963WD–William Tyndale of Tindale (c1494-1536), English translator of the Bible, on morning of his death, giving his jailer a packet for John Rogers (pseudonym of Thomas Mather) thought to have contained his work on the Old Testament. Late 19th century wood engraving.
RMD95NJB–Christian Weeps and Prays. Christian, the pilgrim of the title, reading his bible. Beside him are his pilgrim's pack, his staff, and pilgrim's flask. Illustration by Henry Courtney Selous (1803-1890) for an 1844 edition of 'The Pilgrim's Progress' by John Bunyan, originally published in 1678. Chromolithograph.
RMD98GB9–Giotto di Bondone Santa Croce in Florence, Ascension of John the Evangelist
RM2CWBEAT–'Madonna of the Rocks', 1482-1486 Artist: Leonardo da Vinci. The meeting of the baby Jesus and John the Baptist during the Flight into Egypt.
RM2CWBEB6–The Virgin of the Rocks', 1491-1519 Artist: Leonardo da Vinci. The Virgin with the Infant Saint John the Baptist adoring the Infant Christ accompanied by the archangel Uriel)
RMF7PFNE–Title page to: Physica, sive, De rebus corporeis libri quinque by John Le Clerc (1657-1736) Swiss theologian and biblical scholar. Dated 18th Century
RMG2NK6R–Stained glass window from Bourges Cathedral, France. Shows Christ in judgement below him kneeling are shown Mary the Virgin and St John 13th century
RMD95Y9N–One of the Seven Plagues of Egypt. The water of the Nile turned blood red. An algol bloom?. John Martin (1789-1854) British painter. Oil on canvas. Private Collection.
RMHHEHE4–Illustration of a nun from 'Philologus Hebraeo-Mixtus' by Johann Leusden (1624-1699) a Dutch Calvinist theologian, orientalist and author of several works about the bible. Dated 17th Century
RMD96BD2–Jesus defending the woman taken in adultery against the Scribes and the Pharisees, saying: 'Let him that is without sin among you, first cast a stone at her'. John:8. Mid-19th century chromolithograph.
RMRJ95DC–An engraving depicting the Pool of Bethesda, a pool of water in the Muslim Quarter of Jerusalem. The fifth chapter of the Gospel of John describes such a pool in Jerusalem associated with healing. Dated 19th century
RMD96XA7–The Incredulity of Thomas' (1634) Picture illustrating episode in John 20:19-29 where the Apostle Thomas puts hand in wound in the risen Saviour's side as he doubts what he is seeing. Rembrandt van Rijn (1609-1669) Dutch painter. Oil on wood.
RMEC7WFR–The Ten Commandments is a 1956 American religious epic film. It dramatizes the biblical story of the life of Moses, an adopted Egyptian prince who becomes the deliverer of his real brethren, the enslaved Hebrews, and therefore leads the Exodus to Mount Sinai, where he receives, from God, the Ten Commandments. It stars Charlton Heston, Yul Brynner, Anne Baxter, and John Derek.
RMD96AXW–Song of the Plague: Chowles the coffin maker, top centre, drinking a toast to a long life for the plague so that he will become rich. Plague of London, 1665. Illustration by John Franklin (active 1800-1861) for William Harrison Ainsworth 'Old Saint Paul's', London, 1855 (first published 1841).
RMHHG828–Madonna della seggiola or Madonna della sedia, by Raffaello Sanzio da Urbino (1483-1520). Oil painting on panel, finished in 1513–1514. Raphael was an Italian painter and architect of the High Renaissance. The Madonna della seggiola, in the Palazzo Pitti, in Florence, depicts Mary embracing the child Christ, while the young John the Baptist devoutly watches.
RMRJH57D–The Marriage at Cana 1596-1597, Oil on panel by Martin de Vos (1532 - 1603), Flemish painter. The transformation of water into wine at the Marriage at Cana or Wedding at Cana is the first miracle attributed to Jesus in the Gospel of John. In the Gospel account, Jesus, his mother and his disciples are invited to a wedding, and when the wine runs out, Jesus delivers a sign of his glory by turning water into wine.
RMEC7MJK–The Lamentation, c 1518 by Lucas Cranach the Elder (1472-1553). This painting depicts the moments after Christ was taken down from the cross. His elongated body fills the lower half of the picture and his expression has frozen into a tortured unfocused gaze. St John the Evangelist is shown cradling Christ's head, alongside the virgin Mary and Mary Magdalene. Joseph of Arimathaea is in the background. He got permission from the Romans to take down the body of Christ.
RMHHG832–Madonna del cardellino or Madonna of the Goldfinch. c. 1505-1506; oil painting on wood. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). The Madonna del cardellino shows three figures; Mary, Christ and the young John the Baptist. Though the positions of the three bodies are natural, together they form an almost regular triangle. The Madonna was a wedding gift from Raphael to his friend Lorenzo Nasi. In Madonna Del Cardellino, the goldfinch represents Christ’s crucifixion.
RM2CWBGNW–The Adoration of the Magi', by Hugo van der Goes, detail, 15th century. In this detail of the left wing of the altarpiece, we see the meeting of the Virgin Mary and Elizabeth, mother of John the Baptist. This is the symbol of the Union of the Old and New Testaments. In the foreground is the ritual of circumcision - forerunner of the christening ritual. Part of a triptych.
RM2CWBH27–Horseman' by Leonardo da Vinci, 1480-1481. Study for 'The Adoration of the Kings', from the collection of Captain Colville, London, England; top right: 'Horseman', 1480-1481, Study for 'The Adoration of the Kings', from the collection of John Nicholas Brown, Rhode Island, U.S.A.; bottom: 'Horse, Lion's Head, and Face of Man, c1504, Studies for 'The Battle of Anghiari', from the collection of the Royal Library, Windsor Castle, Windsor, England.
RM2K0A8AW–Baptism of Christ; 1498/1500 painting by Pietro Perugino (located in Vienna, Austria). Pietro Perugino (1446/1452 - 1523), was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance.
RMG1D971–The Baptism of Christ 1472-1475. Painting by the Italian Renaissance painter, Andrea del Verrocchio (c. 1435 – 1488).
RM2A260M9–Virgin of the Rocks (London version), 1508, oil on panel by Leonardo da Vinci (April 1452 - May 1519), an Italian polymath of the Renaissance.
RM2A260MD–Virgin of the Rocks (London version), 1508, oil on panel by Leonardo da Vinci (April 1452 - May 1519), an Italian polymath of the Renaissance.
RM2A260MB–(detail from) Virgin of the Rocks (London version), 1508, oil on panel by Leonardo da Vinci (April 1452 - May 1519), an Italian polymath of the Renaissance.
RM2A260EW–The Last Supper, a mural painting by Italian artist Leonardo da Vinci
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