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Battle of gods Stock Photos and Images
Battle of Gods and Giants Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-battle-of-gods-and-giants-23910777.htmlRFBAW6C9–Battle of Gods and Giants
Achilles in battle with the river gods Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-achilles-in-battle-with-the-river-gods-49855873.htmlRMCW33JW–Achilles in battle with the river gods
Treasury of Siphnos (525 B.C.). North frieze depicting the battle between gods and giants. Detail. Delphi Archaeological Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-treasury-of-siphnos-525-bc-north-frieze-depicting-the-battle-between-49160001.htmlRMCRYC29–Treasury of Siphnos (525 B.C.). North frieze depicting the battle between gods and giants. Detail. Delphi Archaeological Museum.
Battle of the gods and giants, Jacob Folkema, 1703 - 1767 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-the-gods-and-giants-jacob-folkema-1703-1767-image240589229.htmlRMRYBP0D–Battle of the gods and giants, Jacob Folkema, 1703 - 1767
Cylinder seal with impressions, from Mesopotamia. seal made from Lapis Lazuli depicting a battle between gods. Early Akkadian Period, 2350-2250 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cylinder-seal-with-impressions-from-mesopotamia-seal-made-from-lapis-57351794.htmlRMD98GPA–Cylinder seal with impressions, from Mesopotamia. seal made from Lapis Lazuli depicting a battle between gods. Early Akkadian Period, 2350-2250 BC.
Cambodia Siem Reap Angkor Wat North cloister and esplanade bas reliefs Battle of Gods and Demons Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cambodia-siem-reap-angkor-wat-north-cloister-and-esplanade-bas-reliefs-image3417170.htmlRMA2BG53–Cambodia Siem Reap Angkor Wat North cloister and esplanade bas reliefs Battle of Gods and Demons
Art inspired by Drawings and Prints, Drawing Ornament & Architecture, Design for a Mural with the Battle between the Gods of Olympus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-drawing-ornament-architecture-design-for-a-mural-with-the-battle-between-the-gods-of-olympus-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463049375.htmlRF2HW9M5K–Art inspired by Drawings and Prints, Drawing Ornament & Architecture, Design for a Mural with the Battle between the Gods of Olympus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Battle Among the Gods Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-among-the-gods-image184239795.htmlRMMKMRMK–Battle Among the Gods
Andrea Mantegna - The Battle of the Sea Gods (the Left Half) - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andrea-mantegna-the-battle-of-the-sea-gods-the-left-half-106901268.htmlRMG5WNJC–Andrea Mantegna - The Battle of the Sea Gods (the Left Half) -
Andrea Mantegna, The Battle of the Sea Gods (the left half), engraving circa 1475 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andrea-mantegna-the-battle-of-the-sea-gods-the-left-half-engraving-circa-1475-image553919508.htmlRM2R555YG–Andrea Mantegna, The Battle of the Sea Gods (the left half), engraving circa 1475
Terracotta amphora (jar). Culture: Greek, Attic. Dimensions: H. 26 in. (66 cm). Date: ca. 530-520 B.C.. Obverse, Athena and Herakles in the gigantomachy (battle of gods and giants) Reverse, Poseidon, Leto, Apollo, Artemis, Dionysos On the lip, obverse and reverse, chariot races Of particular interest on this vase is the frieze of racing chariots on the lip. Subordinate bands of figural decoration were introduced at various times and on various shapes in Athenian vase-painting. At the end of the sixth century B.C. and in the early fifth, decoration on the lip occasionally appears, especiall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-amphora-jar-culture-greek-attic-dimensions-h-26-in-66-cm-date-ca-530-520-bc-obverse-athena-and-herakles-in-the-gigantomachy-battle-of-gods-and-giants-reverse-poseidon-leto-apollo-artemis-dionysos-on-the-lip-obverse-and-reverse-chariot-races-of-particular-interest-on-this-vase-is-the-frieze-of-racing-chariots-on-the-lip-subordinate-bands-of-figural-decoration-were-introduced-at-various-times-and-on-various-shapes-in-athenian-vase-painting-at-the-end-of-the-sixth-century-bc-and-in-the-early-fifth-decoration-on-the-lip-occasionally-appears-especiall-image213320337.htmlRMPB1G7D–Terracotta amphora (jar). Culture: Greek, Attic. Dimensions: H. 26 in. (66 cm). Date: ca. 530-520 B.C.. Obverse, Athena and Herakles in the gigantomachy (battle of gods and giants) Reverse, Poseidon, Leto, Apollo, Artemis, Dionysos On the lip, obverse and reverse, chariot races Of particular interest on this vase is the frieze of racing chariots on the lip. Subordinate bands of figural decoration were introduced at various times and on various shapes in Athenian vase-painting. At the end of the sixth century B.C. and in the early fifth, decoration on the lip occasionally appears, especiall
Sifnos Siphnos Frieze Troy Trojan War Gigantomachy battle between gods and giants frieze 525 BC Archaic Greek Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sifnos-siphnos-frieze-troy-trojan-war-gigantomachy-battle-between-image6047505.htmlRMA2RGH2–Sifnos Siphnos Frieze Troy Trojan War Gigantomachy battle between gods and giants frieze 525 BC Archaic Greek Greece
Joachim Wtewael - Battle Between Gods Titans 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joachim-wtewael-battle-between-gods-titans-1600-image415538070.htmlRF2F41B1A–Joachim Wtewael - Battle Between Gods Titans 1600
Dying wish of Robert Bruce, King of Scots to Sir James Douglas, Manor of Cardross, 1329 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-dying-wish-of-robert-bruce-king-of-scots-to-sir-james-douglas-manor-168686833.htmlRMKPC9NN–Dying wish of Robert Bruce, King of Scots to Sir James Douglas, Manor of Cardross, 1329
Angkor wat, View of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angkor-wat-view-of-west-wing-at-north-gallery-scene-as-battle-of-devas-and-asuras-siem-reap-cambodia-southeast-asia-asia-image362802423.htmlRM2C2725B–Angkor wat, View of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia
Prophet receives God's message via Gabriel re victory at Uhud, Topkapi Palace Istanbul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-prophet-receives-gods-message-via-gabriel-re-victory-at-uhud-topkapi-57164089.htmlRMD901AH–Prophet receives God's message via Gabriel re victory at Uhud, Topkapi Palace Istanbul
Ceiling fresco in the Hall of the Giants, Battle between Gods and Giants, by Perino del Vaga, 1501- 1547, in a room of the Villa del Principe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceiling-fresco-in-the-hall-of-the-giants-battle-between-gods-and-giants-by-perino-del-vaga-1501-1547-in-a-room-of-the-villa-del-principe-image575826735.htmlRM2TCR4TF–Ceiling fresco in the Hall of the Giants, Battle between Gods and Giants, by Perino del Vaga, 1501- 1547, in a room of the Villa del Principe
Atlas holding up the heavens. After an 18th century engraving. Colourised. Atlas was a Titan condemned to hold up the heavens for eternity after the defeat of the Titans by the Olympians in the Battle of the Gods, or Titanomachy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/atlas-holding-up-the-heavens-after-an-18th-century-engraving-colourised-atlas-was-a-titan-condemned-to-hold-up-the-heavens-for-eternity-after-the-defeat-of-the-titans-by-the-olympians-in-the-battle-of-the-gods-or-titanomachy-image241452109.htmlRMT0R2HH–Atlas holding up the heavens. After an 18th century engraving. Colourised. Atlas was a Titan condemned to hold up the heavens for eternity after the defeat of the Titans by the Olympians in the Battle of the Gods, or Titanomachy
DRAGON BALL Z BATTLE OF GODS -Original title: DRAGON BALL Z: DORAGON BÔRU Z-KAMI TO KAMI-, directed by MASAHIRO HOSODA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dragon-ball-z-battle-of-gods-original-title-dragon-ball-z-doragon-bru-z-kami-to-kami-directed-by-masahiro-hosoda-image482715480.htmlRM2K19GEG–DRAGON BALL Z BATTLE OF GODS -Original title: DRAGON BALL Z: DORAGON BÔRU Z-KAMI TO KAMI-, directed by MASAHIRO HOSODA.
This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents the gods descending to battle. It was done 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-scene-is-one-of-several-designs-that-the-english-sculptor-and-draughtsman-john-flaxman-17551826-did-to-illustrate-passages-from-the-greek-epic-poet-homers-iliad-and-odyssey-a-commission-he-had-been-given-by-georgiana-hare-naylor-while-he-was-living-in-rome-it-represents-the-gods-descending-to-battle-it-was-done-1793-image398039242.htmlRF2E3G736–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents the gods descending to battle. It was done 1793.
Pergoman Altar -Athena- Gods and giants do battle. Berlin Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pergoman-altar-athena-gods-and-giants-do-battle-berlin-germany-image6908675.htmlRMA8FNM4–Pergoman Altar -Athena- Gods and giants do battle. Berlin Germany
Corinth Greece Corinth Museum Remains Of An Ancient Marble Relief Battle Of The Gods Aphrodite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-corinth-greece-corinth-museum-remains-of-an-ancient-marble-relief-105662467.htmlRMG3W9FF–Corinth Greece Corinth Museum Remains Of An Ancient Marble Relief Battle Of The Gods Aphrodite
Battle ground of the gods at Green Lake, near Georgetown., still image, Stereographs, 1850 - 1930, Martin, Alex (Alexander) (1841-1929 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-ground-of-the-gods-at-green-lake-near-georgetown-still-image-stereographs-1850-1930-martin-alex-alexander-1841-1929-image386416230.htmlRM2DCJNRJ–Battle ground of the gods at Green Lake, near Georgetown., still image, Stereographs, 1850 - 1930, Martin, Alex (Alexander) (1841-1929
Cylinder seal with impressions, from Mesopotamia. seal made from Lapis Lazuli depicting a battle between gods. Early Akkadian Period, 2350-2250 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cylinder-seal-with-impressions-from-mesopotamia-seal-made-from-lapis-57351796.htmlRMD98GPC–Cylinder seal with impressions, from Mesopotamia. seal made from Lapis Lazuli depicting a battle between gods. Early Akkadian Period, 2350-2250 BC.
'Dragon Ball Z: Battle of Gods' Premiere at Regal Cinemas L.A. Live - Arrivals Featuring: Kamil McFadden Where: Los Angeles, California, United States When: 03 Jul 2014 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dragon-ball-z-battle-of-gods-premiere-at-regal-cinemas-la-live-arrivals-77189022.htmlRMEDG7AP–'Dragon Ball Z: Battle of Gods' Premiere at Regal Cinemas L.A. Live - Arrivals Featuring: Kamil McFadden Where: Los Angeles, California, United States When: 03 Jul 2014
Art inspired by Battle of the Sea-Gods, ca. 1485–1488, Engraving, sheet: 11 9/16 x 15 3/8 in. (29.4 x 39.1 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-battle-of-the-sea-gods-ca-14851488-engraving-sheet-11-916-x-15-38-in-294-x-391-cm-prints-andrea-mantegna-italian-isola-di-carturo-1430311506-mantua-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962833.htmlRF2HW5NPW–Art inspired by Battle of the Sea-Gods, ca. 1485–1488, Engraving, sheet: 11 9/16 x 15 3/8 in. (29.4 x 39.1 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Carvings on friezes at Angkor Wat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-carvings-on-friezes-at-angkor-wat-108509211.htmlRFG8F0GY–Carvings on friezes at Angkor Wat
Ancient Etruscan. Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants). 300 BC–101 BC. Etruria. terracotta, pigment As the name suggests, the Gigantomachy was the struggle between and the Giants and the Olympian gods, who were led by Zeus. In flowing robes, a god and goddess capture a Giant, depicted with wings and serpent-like features, to deliver the final blow in this epic battle. These three animated figures were probably once part of a series of ornamental covers called antefixes, which were placed along the lowest row of roof tiles on a small building, probabl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-etruscan-architectural-relief-depicting-the-gigantomachy-battle-between-gods-and-giants-300-bc101-bc-etruria-terracotta-pigment-as-the-name-suggests-the-gigantomachy-was-the-struggle-between-and-the-giants-and-the-olympian-gods-who-were-led-by-zeus-in-flowing-robes-a-god-and-goddess-capture-a-giant-depicted-with-wings-and-serpent-like-features-to-deliver-the-final-blow-in-this-epic-battle-these-three-animated-figures-were-probably-once-part-of-a-series-of-ornamental-covers-called-antefixes-which-were-placed-along-the-lowest-row-of-roof-tiles-on-a-small-building-probabl-image337925705.htmlRM2AHNRK5–Ancient Etruscan. Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants). 300 BC–101 BC. Etruria. terracotta, pigment As the name suggests, the Gigantomachy was the struggle between and the Giants and the Olympian gods, who were led by Zeus. In flowing robes, a god and goddess capture a Giant, depicted with wings and serpent-like features, to deliver the final blow in this epic battle. These three animated figures were probably once part of a series of ornamental covers called antefixes, which were placed along the lowest row of roof tiles on a small building, probabl
Joachim Wtewael painting,The Battle between the Gods and the Giants, 1603-1613 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joachim-wtewael-paintingthe-battle-between-the-gods-and-the-giants-1603-1613-image452765981.htmlRM2H8H7HH–Joachim Wtewael painting,The Battle between the Gods and the Giants, 1603-1613
Terracotta column-krater (bowl for mixing wine and water). Culture: Greek, Attic. Dimensions: H. 19 7/8 in. (50.5 cm) diameter of mouth 18 3/4 in. (47.6 cm). Date: ca. 540 B.C.. Obverse, Gigantomachy (battle of gods and giants) Reverse, Dionysos with satyrs and maenads During the latter part of the sixth century B.C., black-figure artists mastered their medium sufficiently to create compositions with many figures in action and in complex spatial relationships. Battle scenes were ideal subjects. The presence of Athena identifies the combatants here. The arms and armor are those that contem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-column-krater-bowl-for-mixing-wine-and-water-culture-greek-attic-dimensions-h-19-78-in-505-cm-diameter-of-mouth-18-34-in-476-cm-date-ca-540-bc-obverse-gigantomachy-battle-of-gods-and-giants-reverse-dionysos-with-satyrs-and-maenads-during-the-latter-part-of-the-sixth-century-bc-black-figure-artists-mastered-their-medium-sufficiently-to-create-compositions-with-many-figures-in-action-and-in-complex-spatial-relationships-battle-scenes-were-ideal-subjects-the-presence-of-athena-identifies-the-combatants-here-the-arms-and-armor-are-those-that-contem-image213258049.htmlRMPAXMPW–Terracotta column-krater (bowl for mixing wine and water). Culture: Greek, Attic. Dimensions: H. 19 7/8 in. (50.5 cm) diameter of mouth 18 3/4 in. (47.6 cm). Date: ca. 540 B.C.. Obverse, Gigantomachy (battle of gods and giants) Reverse, Dionysos with satyrs and maenads During the latter part of the sixth century B.C., black-figure artists mastered their medium sufficiently to create compositions with many figures in action and in complex spatial relationships. Battle scenes were ideal subjects. The presence of Athena identifies the combatants here. The arms and armor are those that contem
Sifnos Siphnos Frieze Troy Trojan War soldiers soldier in combat battle between gods and giants 525 BC Archaic Greek Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sifnos-siphnos-frieze-troy-trojan-war-soldiers-soldier-in-combat-battle-image6047504.htmlRMA2RGH1–Sifnos Siphnos Frieze Troy Trojan War soldiers soldier in combat battle between gods and giants 525 BC Archaic Greek Greece
Cornelis van Haarlem. The Fall of the Titans by the Dutch Golden Age painter, Cornelis Corneliszoon van Haarlem (1562-1638), oil on canvas, c. 1588-90 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-van-haarlem-the-fall-of-the-titans-by-the-dutch-golden-age-painter-cornelis-corneliszoon-van-haarlem-1562-1638-oil-on-canvas-c-1588-90-image453719813.htmlRM2HA4M71–Cornelis van Haarlem. The Fall of the Titans by the Dutch Golden Age painter, Cornelis Corneliszoon van Haarlem (1562-1638), oil on canvas, c. 1588-90
THE BATTLE OF MANASSAS, GODS AND GENERALS, 2003, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-of-manassas-gods-and-generals-2003-image472857308.htmlRM2JD8E90–THE BATTLE OF MANASSAS, GODS AND GENERALS, 2003,
Angkor wat, Bas-relief of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angkor-wat-bas-relief-of-west-wing-at-north-gallery-scene-as-battle-of-devas-and-asuras-siem-reap-cambodia-southeast-asia-asia-image362802556.htmlRM2C272A4–Angkor wat, Bas-relief of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia
THE BATTLE OF CHANCELLORSVILLE, GODS AND GENERALS, 2003 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-of-chancellorsville-gods-and-generals-2003-image485728316.htmlRM2K66RBT–THE BATTLE OF CHANCELLORSVILLE, GODS AND GENERALS, 2003
Jupiter hurls lightning, battle of the gods on Olympus against the giants on earth, illusionistic fresco by Giulio Romano, Sala dei Giganti, pleasure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jupiter-hurls-lightning-battle-of-the-gods-on-olympus-against-the-giants-on-earth-illusionistic-fresco-by-giulio-romano-sala-dei-giganti-pleasure-image327009226.htmlRM2A00FGX–Jupiter hurls lightning, battle of the gods on Olympus against the giants on earth, illusionistic fresco by Giulio Romano, Sala dei Giganti, pleasure
BATTLE OF SEDAN 1870. The Brandenburg Gate in Berlin lit up in 1989 to celebrate 'Sedantag'. The sign reads 'What a change through God's guidance' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-sedan-1870-the-brandenburg-gate-in-berlin-lit-up-in-1989-to-celebrate-sedantag-the-sign-reads-what-a-change-through-gods-guidance-image622321253.htmlRM2Y4D531–BATTLE OF SEDAN 1870. The Brandenburg Gate in Berlin lit up in 1989 to celebrate 'Sedantag'. The sign reads 'What a change through God's guidance'
Frieze with Battle between Gods and Giants. Marble from Luni. This frieze portrays a goddess, probably Athena, in the act of fighting with an arrow in her hand., This work reflects the great models of Pergamene art, with particular reference to the figure of the great Altar - Museo Centrale Montemartini, Rome, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frieze-with-battle-between-gods-and-giants-marble-from-luni-this-frieze-portrays-a-goddess-probably-athena-in-the-act-of-fighting-with-an-arrow-in-her-hand-this-work-reflects-the-great-models-of-pergamene-art-with-particular-reference-to-the-figure-of-the-great-altar-museo-centrale-montemartini-rome-italy-image575963673.htmlRM2TD1BF5–Frieze with Battle between Gods and Giants. Marble from Luni. This frieze portrays a goddess, probably Athena, in the act of fighting with an arrow in her hand., This work reflects the great models of Pergamene art, with particular reference to the figure of the great Altar - Museo Centrale Montemartini, Rome, Italy
This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents the gods descending to battle. It was done 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-scene-is-one-of-several-designs-that-the-english-sculptor-and-draughtsman-john-flaxman-17551826-did-to-illustrate-passages-from-the-greek-epic-poet-homers-iliad-and-odyssey-a-commission-he-had-been-given-by-georgiana-hare-naylor-while-he-was-living-in-rome-it-represents-the-gods-descending-to-battle-it-was-done-1793-image398039243.htmlRF2E3G737–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents the gods descending to battle. It was done 1793.
Utu-hengal imploring gods for victory in battle against the Gutians, 22nd century BC. Utu-hengal, also written Utu-heg̃al, Utu-heĝal, Utu-hegal or Utu-hejal. Sumerian king. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-utu-hengal-imploring-gods-for-victory-in-battle-against-the-gutians-96720443.htmlRMFH9YWF–Utu-hengal imploring gods for victory in battle against the Gutians, 22nd century BC. Utu-hengal, also written Utu-heg̃al, Utu-heĝal, Utu-hegal or Utu-hejal. Sumerian king.
Greek relief detail, Battle of Gods and Giants, Apollo and Artemis fight, 525BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greek-relief-detail-battle-of-gods-and-giants-apollo-and-artemis-fight-525bc-artist-unknown-image186106225.htmlRMMPNTAW–Greek relief detail, Battle of Gods and Giants, Apollo and Artemis fight, 525BC. Artist: Unknown.
![Andrea Mantegna (Italian, c. 1431-1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photo](https://c8.alamy.com/comp/EDT2M5/andrea-mantegna-italian-c-1431-1506-battle-of-the-sea-gods-left-half-EDT2M5.jpg "Andrea Mantegna (Italian, c. 1431-1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photo")
Andrea Mantegna (Italian, c. 1431-1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andrea-mantegna-italian-c-1431-1506-battle-of-the-sea-gods-left-half-77360981.htmlRMEDT2M5–Andrea Mantegna (Italian, c. 1431-1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving
Fragment of a marble replica of the shield of Athena Parthenos. From Athens, 3rd century AD. The Parthenon housed a colossal gold and ivory statue by Phidias of Athena Parthenos. We know that the exterior of Athena's shield showed the battle between Greeks and Amazons, and the interior, the battle between Gods and Giants. On this small- scale replica shelf the battle with the Amazons is carved in Relief. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fragment-of-a-marble-replica-of-the-shield-of-athena-parthenos-from-57317975.htmlRMD971JF–Fragment of a marble replica of the shield of Athena Parthenos. From Athens, 3rd century AD. The Parthenon housed a colossal gold and ivory statue by Phidias of Athena Parthenos. We know that the exterior of Athena's shield showed the battle between Greeks and Amazons, and the interior, the battle between Gods and Giants. On this small- scale replica shelf the battle with the Amazons is carved in Relief.
'Dragon Ball Z: Battle of Gods' Premiere at Regal Cinemas L.A. Live - Arrivals Featuring: Jacob Hopkins Where: Los Angeles, California, United States When: 03 Jul 2014 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dragon-ball-z-battle-of-gods-premiere-at-regal-cinemas-la-live-arrivals-77189017.htmlRMEDG7AH–'Dragon Ball Z: Battle of Gods' Premiere at Regal Cinemas L.A. Live - Arrivals Featuring: Jacob Hopkins Where: Los Angeles, California, United States When: 03 Jul 2014
Art inspired by Battle of the Sea Gods (Right portion of a frieze), ca. 1485–88, Engraving, sheet: 11 1/4 x 14 3/4 in. (28.6 x 37.5 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-battle-of-the-sea-gods-right-portion-of-a-frieze-ca-148588-engraving-sheet-11-14-x-14-34-in-286-x-375-cm-prints-andrea-mantegna-italian-isola-di-carturo-1430311506-mantua-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462959683.htmlRF2HW5HPB–Art inspired by Battle of the Sea Gods (Right portion of a frieze), ca. 1485–88, Engraving, sheet: 11 1/4 x 14 3/4 in. (28.6 x 37.5 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Carvings on friezes at Angkor Wat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-carvings-on-friezes-at-angkor-wat-108509226.htmlRFG8F0HE–Carvings on friezes at Angkor Wat
Greek Mythology, Combat between the Gods and the Titans. Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-greek-mythology-combat-between-the-gods-and-the-titans-greece-103891853.htmlRMG10K39–Greek Mythology, Combat between the Gods and the Titans. Greece
Battle in which Gideon, by God's command, have to liberate the people of Israel from the oppression of Midianites. Book of Judges. Chapter 7. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-battle-in-which-gideon-by-gods-command-have-to-liberate-the-people-85183815.htmlRMEXGCR3–Battle in which Gideon, by God's command, have to liberate the people of Israel from the oppression of Midianites. Book of Judges. Chapter 7. Engraving.
Treasury of Siphnos (525 B.C.). Detail from the north frieze that depicts the battle between gods and giants. Delphi Archaeological Museum. Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/treasury-of-siphnos-525-bc-detail-from-the-north-frieze-that-depicts-the-battle-between-gods-and-giants-delphi-archaeological-museum-greece-image220373330.htmlRMPPETC2–Treasury of Siphnos (525 B.C.). Detail from the north frieze that depicts the battle between gods and giants. Delphi Archaeological Museum. Greece.
Temple of Aphaia at Aegina West Pediment. 500-490 BC Gods in battle before Troy goddess Athena Greek Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-aphaia-at-aegina-west-pediment-500-490-bc-gods-in-battle-image65398940.htmlRMDPB50C–Temple of Aphaia at Aegina West Pediment. 500-490 BC Gods in battle before Troy goddess Athena Greek Greece
Shazam! Fury of the Gods (2023) directed by David F. Sandberg and starring Zachary Levi, Asher Angel and Jack Dylan Grazer. When a vengeful trio of ancient gods arrives on Earth in search of the magic stolen from them long ago, Shazam and his allies get thrust into a battle for their superpowers, their lives, and the fate of the world. US one sheet poster ***EDITORIAL USE ONLY***. Credit: BFA / Warner Bros Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shazam!-fury-of-the-gods-2023-directed-by-david-f-sandberg-and-starring-zachary-levi-asher-angel-and-jack-dylan-grazer-when-a-vengeful-trio-of-ancient-gods-arrives-on-earth-in-search-of-the-magic-stolen-from-them-long-ago-shazam-and-his-allies-get-thrust-into-a-battle-for-their-superpowers-their-lives-and-the-fate-of-the-world-us-one-sheet-poster-editorial-use-only-credit-bfa-warner-bros-image594702335.htmlRM2WFF0W3–Shazam! Fury of the Gods (2023) directed by David F. Sandberg and starring Zachary Levi, Asher Angel and Jack Dylan Grazer. When a vengeful trio of ancient gods arrives on Earth in search of the magic stolen from them long ago, Shazam and his allies get thrust into a battle for their superpowers, their lives, and the fate of the world. US one sheet poster ***EDITORIAL USE ONLY***. Credit: BFA / Warner Bros
Hieron I, Tyrant of Syracuse, Sicily, who sided with the Cumaeans in their battle against the Etruscans at the Battle of Cumae 474 BC Hiero. Copperplate engraving by Pieter Bodart (1676-1712) from Henricus Spoor’s Deorum et Heroum, Virorum et Mulierum Illustrium Imagines Antiquae Illustatae, Gods and Heroes, Men and Women, Illustrated with Antique Images, Petrum, Amsterdam, 1715. First published as Favissæ utriusque antiquitatis tam Romanæ quam Græcæ in 1707. Henricus Spoor was a Dutch physician, classical scholar, poet and writer, fl. 1694-1716. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hieron-i-tyrant-of-syracuse-sicily-who-sided-with-the-cumaeans-in-their-battle-against-the-etruscans-at-the-battle-of-cumae-474-bc-hiero-copperplate-engraving-by-pieter-bodart-1676-1712-from-henricus-spoors-deorum-et-heroum-virorum-et-mulierum-illustrium-imagines-antiquae-illustatae-gods-and-heroes-men-and-women-illustrated-with-antique-images-petrum-amsterdam-1715-first-published-as-faviss-utriusque-antiquitatis-tam-roman-quam-grc-in-1707-henricus-spoor-was-a-dutch-physician-classical-scholar-poet-and-writer-fl-1694-1716-image433381478.htmlRM2G526DX–Hieron I, Tyrant of Syracuse, Sicily, who sided with the Cumaeans in their battle against the Etruscans at the Battle of Cumae 474 BC Hiero. Copperplate engraving by Pieter Bodart (1676-1712) from Henricus Spoor’s Deorum et Heroum, Virorum et Mulierum Illustrium Imagines Antiquae Illustatae, Gods and Heroes, Men and Women, Illustrated with Antique Images, Petrum, Amsterdam, 1715. First published as Favissæ utriusque antiquitatis tam Romanæ quam Græcæ in 1707. Henricus Spoor was a Dutch physician, classical scholar, poet and writer, fl. 1694-1716.
Angkor wat, Bas-relief of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angkor-wat-bas-relief-of-west-wing-at-north-gallery-scene-as-battle-of-devas-and-asuras-siem-reap-cambodia-southeast-asia-asia-image362802557.htmlRM2C272A5–Angkor wat, Bas-relief of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia
GODS AND GENERALS, THE BATTLE OF MANASSAS, 2003 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gods-and-generals-the-battle-of-manassas-2003-image490556731.htmlRM2KE2P37–GODS AND GENERALS, THE BATTLE OF MANASSAS, 2003
Jupiter hurls lightning, battle of the gods on Olympus against the giants on earth, illusionistic fresco by Giulio Romano, Sala dei Giganti, pleasure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jupiter-hurls-lightning-battle-of-the-gods-on-olympus-against-the-giants-on-earth-illusionistic-fresco-by-giulio-romano-sala-dei-giganti-pleasure-image327009206.htmlRM2A00FG6–Jupiter hurls lightning, battle of the gods on Olympus against the giants on earth, illusionistic fresco by Giulio Romano, Sala dei Giganti, pleasure
China: Carving of Mo Liqing, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut. Photo by Anandajoti (CC BY 2.0). Mo Liqing was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. One of the four Mo Generals who guarded Good Dream Pass, Mo Liqing served King Zhou of Shang alongside his brothers. When the Shang army and Zhou army fought each other, Mo Liqing joined the battle on the Shang side. He, alongside his brothers, was eventually killed by Huang Tianhua. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-carving-of-mo-liqing-depicting-his-role-in-the-16th-century-ming-dynasty-novel-fengshen-yanyi-investiture-of-the-gods-from-ping-sien-si-temple-pasir-panjang-laut-photo-by-anandajoti-cc-by-20-mo-liqing-was-a-character-from-the-classic-ming-dynasty-novel-fengshen-yanyi-one-of-the-four-mo-generals-who-guarded-good-dream-pass-mo-liqing-served-king-zhou-of-shang-alongside-his-brothers-when-the-shang-army-and-zhou-army-fought-each-other-mo-liqing-joined-the-battle-on-the-shang-side-he-alongside-his-brothers-was-eventually-killed-by-huang-tianhua-image344278718.htmlRM2B0370E–China: Carving of Mo Liqing, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut. Photo by Anandajoti (CC BY 2.0). Mo Liqing was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. One of the four Mo Generals who guarded Good Dream Pass, Mo Liqing served King Zhou of Shang alongside his brothers. When the Shang army and Zhou army fought each other, Mo Liqing joined the battle on the Shang side. He, alongside his brothers, was eventually killed by Huang Tianhua.
Frieze with Battle between Gods and Giants. Marble from Luni. This frieze portrays a goddess, perhaps Latona, standing next to Ephaestus, recognizable because of the hammer. Artemis, standing on the other side, is taking an arrow from her quiver; while the lauren plant nearby suggest the presence of her brother Apollo. The frieze has been interpreted as the decoration of the scene of the Balbo theatre. Last decade of the 1st century BC - Museo Centrale Montemartini, Rome, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frieze-with-battle-between-gods-and-giants-marble-from-luni-this-frieze-portrays-a-goddess-perhaps-latona-standing-next-to-ephaestus-recognizable-because-of-the-hammer-artemis-standing-on-the-other-side-is-taking-an-arrow-from-her-quiver-while-the-lauren-plant-nearby-suggest-the-presence-of-her-brother-apollo-the-frieze-has-been-interpreted-as-the-decoration-of-the-scene-of-the-balbo-theatre-last-decade-of-the-1st-century-bc-museo-centrale-montemartini-rome-italy-image575963581.htmlRM2TD1BBW–Frieze with Battle between Gods and Giants. Marble from Luni. This frieze portrays a goddess, perhaps Latona, standing next to Ephaestus, recognizable because of the hammer. Artemis, standing on the other side, is taking an arrow from her quiver; while the lauren plant nearby suggest the presence of her brother Apollo. The frieze has been interpreted as the decoration of the scene of the Balbo theatre. Last decade of the 1st century BC - Museo Centrale Montemartini, Rome, Italy
Fought in 479 B.C. between the Greeks and Persians, Plataea was the final land battle in the Persian War led by Xerxes (the first Persian War had been led by Xerxes' father Darius I). The Persians had been driven from mainland Greece after their defeat at Salamis. The Spartan general Pausanias commanded the Allied Greek troops. In this illustration dating to the late 1800s, Pausanias is sacrificing to the gods before the battle of Plataea. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fought-in-479-bc-between-the-greeks-and-persians-plataea-was-the-final-land-battle-in-the-persian-war-led-by-xerxes-the-first-persian-war-had-been-led-by-xerxes-father-darius-i-the-persians-had-been-driven-from-mainland-greece-after-their-defeat-at-salamis-the-spartan-generalpausaniascommanded-the-allied-greek-troops-in-this-illustration-dating-to-the-late-1800s-pausanias-is-sacrificing-to-the-gods-before-the-battle-of-plataea-image388262090.htmlRF2DFJT76–Fought in 479 B.C. between the Greeks and Persians, Plataea was the final land battle in the Persian War led by Xerxes (the first Persian War had been led by Xerxes' father Darius I). The Persians had been driven from mainland Greece after their defeat at Salamis. The Spartan general Pausanias commanded the Allied Greek troops. In this illustration dating to the late 1800s, Pausanias is sacrificing to the gods before the battle of Plataea.
According to Greek mythology Zeus defeated the giant Mimas by throwing blazing thunderbolts at him during the Gigantomachy, the battle fought between the Giants and the Olympian gods for supremacy of the cosmos. Zeus, the sky and thunder god in ancient Greek mythology, who ruled as king of the gods of Mount Olympus. From A Popular History of Greece, published 1887. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/according-to-greek-mythology-zeus-defeated-the-giant-mimas-by-throwing-blazing-thunderbolts-at-him-during-the-gigantomachy-the-battle-fought-between-the-giants-and-the-olympian-gods-for-supremacy-of-the-cosmos-zeus-the-sky-and-thunder-god-in-ancient-greek-mythology-who-ruled-as-king-of-the-gods-of-mount-olympus-from-a-popular-history-of-greece-published-1887-image430331374.htmlRM2G0381J–According to Greek mythology Zeus defeated the giant Mimas by throwing blazing thunderbolts at him during the Gigantomachy, the battle fought between the Giants and the Olympian gods for supremacy of the cosmos. Zeus, the sky and thunder god in ancient Greek mythology, who ruled as king of the gods of Mount Olympus. From A Popular History of Greece, published 1887.
The Battle between the Gods and the Giants. Joachim Antonisz. Wtewael. c. 1608. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-between-the-gods-and-the-giants-joachim-antonisz-wtewael-c-1608-image475172815.htmlRM2JH1YNK–The Battle between the Gods and the Giants. Joachim Antonisz. Wtewael. c. 1608.
![Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photo](https://c8.alamy.com/comp/H4N3RM/andrea-mantegna-italian-c-1431-1506-battle-of-the-sea-gods-left-half-H4N3RM.jpg "Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photo")
Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andrea-mantegna-italian-c-1431-1506-battle-of-the-sea-gods-left-half-123395208.htmlRMH4N3RM–Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving
Fragment of a marble replica of the shield of Athena Parthenos. From Athens, 3rd century AD. The Parthenon housed a colossal gold and ivory statue by Phidias of Athena Parthenos. We know that the exterior of Athena's shield showed the battle between Greeks and Amazons, and the interior, the battle between Gods and Giants. On this small- scale replica shelf the battle with the Amazons is carved in Relief. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fragment-of-a-marble-replica-of-the-shield-of-athena-parthenos-from-57317976.htmlRMD971JG–Fragment of a marble replica of the shield of Athena Parthenos. From Athens, 3rd century AD. The Parthenon housed a colossal gold and ivory statue by Phidias of Athena Parthenos. We know that the exterior of Athena's shield showed the battle between Greeks and Amazons, and the interior, the battle between Gods and Giants. On this small- scale replica shelf the battle with the Amazons is carved in Relief.
'Dragon Ball Z: Battle of Gods' Premiere at Regal Cinemas L.A. Live - Arrivals Featuring: Charley Koontz Where: Los Angeles, California, United States When: 03 Jul 2014 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dragon-ball-z-battle-of-gods-premiere-at-regal-cinemas-la-live-arrivals-77189009.htmlRMEDG7A9–'Dragon Ball Z: Battle of Gods' Premiere at Regal Cinemas L.A. Live - Arrivals Featuring: Charley Koontz Where: Los Angeles, California, United States When: 03 Jul 2014
Art inspired by The Battle of the Sea Gods (Left portion of a frieze), ca. 1485–88, Engraving, plate: 10 7/8 x 16 7/8 in. (27.6 x 42.9 cm) slightly irregular, Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-battle-of-the-sea-gods-left-portion-of-a-frieze-ca-148588-engraving-plate-10-78-x-16-78-in-276-x-429-cm-slightly-irregular-prints-andrea-mantegna-italian-isola-di-carturo-1430311506-mantua-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962734.htmlRF2HW5NKA–Art inspired by The Battle of the Sea Gods (Left portion of a frieze), ca. 1485–88, Engraving, plate: 10 7/8 x 16 7/8 in. (27.6 x 42.9 cm) slightly irregular, Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Battle between gods and giants undefined Relief Kamp mellem guder og giganter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-between-gods-and-giants-undefined-relief-kamp-mellem-guder-og-giganter-image613386922.htmlRM2XHX57P–Battle between gods and giants undefined Relief Kamp mellem guder og giganter
Terracotta neck-amphora (jar) ca. 525–500 B.C. Greek, Attic Obverse, Athena, Herakles leading Kerberos, and HermesReverse, Battle of gods and giantsAccording to myth, Kerberos, the guard dog of Hades, may have had as many as one-hundred heads, or fifty heads, or as few as one. In Archaic Attic vase painting, Kerberos, as seen on this vase, is often depicted with two heads.. Terracotta neck-amphora (jar) 247245 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-neck-amphora-jar-ca-525500-bc-greek-attic-obverse-athena-herakles-leading-kerberos-and-hermesreverse-battle-of-gods-and-giantsaccording-to-myth-kerberos-the-guard-dog-of-hades-may-have-had-as-many-as-one-hundred-heads-or-fifty-heads-or-as-few-as-one-in-archaic-attic-vase-painting-kerberos-as-seen-on-this-vase-is-often-depicted-with-two-heads-terracotta-neck-amphora-jar-247245-image458181289.htmlRM2HHBXWD–Terracotta neck-amphora (jar) ca. 525–500 B.C. Greek, Attic Obverse, Athena, Herakles leading Kerberos, and HermesReverse, Battle of gods and giantsAccording to myth, Kerberos, the guard dog of Hades, may have had as many as one-hundred heads, or fifty heads, or as few as one. In Archaic Attic vase painting, Kerberos, as seen on this vase, is often depicted with two heads.. Terracotta neck-amphora (jar) 247245
Battle in which Gideon, by God's command, have to liberate the people of Israel from the oppression of Midianites. Book of Judges. Chapter 7. Engraving. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-battle-in-which-gideon-by-gods-command-have-to-liberate-the-people-132309480.htmlRMHK762G–Battle in which Gideon, by God's command, have to liberate the people of Israel from the oppression of Midianites. Book of Judges. Chapter 7. Engraving. Colored.
Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants). Etruscan. Date: 300 BC-101 BC. Dimensions: 45.8 × 46 × 21.9 cm (18 1/16 × 18 1/8 × 8 5/8 in.). Terra-cotta, pigment. Origin: Etruria. Museum: The Chicago Art Institute. Author: Ancient Etruscan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/architectural-relief-depicting-the-gigantomachy-battle-between-gods-and-giants-etruscan-date-300-bc-101-bc-dimensions-458-46-219-cm-18-116-18-18-8-58-in-terra-cotta-pigment-origin-etruria-museum-the-chicago-art-institute-author-ancient-etruscan-image239829459.htmlRMRX54WR–Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants). Etruscan. Date: 300 BC-101 BC. Dimensions: 45.8 × 46 × 21.9 cm (18 1/16 × 18 1/8 × 8 5/8 in.). Terra-cotta, pigment. Origin: Etruria. Museum: The Chicago Art Institute. Author: Ancient Etruscan.
Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants), 3rd-2nd century BCE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/architectural-relief-depicting-the-gigantomachy-battle-between-gods-and-giants-3rd-2nd-century-bce-image469799653.htmlRM2J89671–Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants), 3rd-2nd century BCE.
Germanic wars, Battle of the Teutoburg Forest, 9 AD, Germanics sacrifice captive Romans to their Gods, copper engraving, 16th century, defeat, winner, winners, loser, losers, the loser, sacrifice, sacrifices, human sacrifice, religion, religions, paganism, Germanic war of Varus, Germania, Roman Empire, ancient world, ancient times, historic, historical, ancient world, people, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-germanic-wars-battle-of-the-teutoburg-forest-9-ad-germanics-sacrifice-58563463.htmlRMDB7P87–Germanic wars, Battle of the Teutoburg Forest, 9 AD, Germanics sacrifice captive Romans to their Gods, copper engraving, 16th century, defeat, winner, winners, loser, losers, the loser, sacrifice, sacrifices, human sacrifice, religion, religions, paganism, Germanic war of Varus, Germania, Roman Empire, ancient world, ancient times, historic, historical, ancient world, people, Artist's Copyright has not to be cleared
Marcus Claudius Marcellus, Roman military leader, c. 270 – 208 BC. Consul of the Roman Republic, winner of the spolia opima for killing Viridomarus at the Battle of Clastidium, conqueror of Syracuse. Shown with the arms of Sicily. Copperplate engraving by Pieter Bodart (1676-1712) from Henricus Spoor’s Deorum et Heroum, Virorum et Mulierum Illustrium Imagines Antiquae Illustatae, Gods and Heroes, Men and Women, Illustrated with Antique Images, Petrum, Amsterdam, 1715. First published as Favissæ utriusque antiquitatis tam Romanæ quam Græcæ in 1707. Henricus Spoor was a Dutch physician, classica Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-claudius-marcellus-roman-military-leader-c-270-208-bc-consul-of-the-roman-republic-winner-of-the-spolia-opima-for-killing-viridomarus-at-the-battle-of-clastidium-conqueror-of-syracuse-shown-with-the-arms-of-sicily-copperplate-engraving-by-pieter-bodart-1676-1712-from-henricus-spoors-deorum-et-heroum-virorum-et-mulierum-illustrium-imagines-antiquae-illustatae-gods-and-heroes-men-and-women-illustrated-with-antique-images-petrum-amsterdam-1715-first-published-as-faviss-utriusque-antiquitatis-tam-roman-quam-grc-in-1707-henricus-spoor-was-a-dutch-physician-classica-image433225536.htmlRM2G4R3GG–Marcus Claudius Marcellus, Roman military leader, c. 270 – 208 BC. Consul of the Roman Republic, winner of the spolia opima for killing Viridomarus at the Battle of Clastidium, conqueror of Syracuse. Shown with the arms of Sicily. Copperplate engraving by Pieter Bodart (1676-1712) from Henricus Spoor’s Deorum et Heroum, Virorum et Mulierum Illustrium Imagines Antiquae Illustatae, Gods and Heroes, Men and Women, Illustrated with Antique Images, Petrum, Amsterdam, 1715. First published as Favissæ utriusque antiquitatis tam Romanæ quam Græcæ in 1707. Henricus Spoor was a Dutch physician, classica
Angkor wat, Bas-relief of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angkor-wat-bas-relief-of-west-wing-at-north-gallery-scene-as-battle-of-devas-and-asuras-siem-reap-cambodia-southeast-asia-asia-image362803775.htmlRM2C273WK–Angkor wat, Bas-relief of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia
Marcellus dedicates Gallic spoils to the gods Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marcellus-dedicates-gallic-spoils-to-the-gods-105255317.htmlRMG36P6D–Marcellus dedicates Gallic spoils to the gods
Neptune,, Battle of the Gods on Mount Olympus against the Giants on Earth, illusionistic fresco by Giulio Romano, Sala dei Giganti, Palazzo Te Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/neptune-battle-of-the-gods-on-mount-olympus-against-the-giants-on-earth-illusionistic-fresco-by-giulio-romano-sala-dei-giganti-palazzo-te-image327009198.htmlRM2A00FFX–Neptune,, Battle of the Gods on Mount Olympus against the Giants on Earth, illusionistic fresco by Giulio Romano, Sala dei Giganti, Palazzo Te
China: Carving of Mo Lihong, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut. Photo by Anandajoti (CC BY 2.0). Mo Lihong was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. One of the four Mo Generals who guarded Good Dream Pass, Mo Lihong served King Zhou of Shang alongside his brothers. When the Shang army and Zhou army fought each other, Mo Lihong joined the battle on the Shang side. He, alongside his brothers, was eventually killed by Huang Tianhua. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-carving-of-mo-lihong-depicting-his-role-in-the-16th-century-ming-dynasty-novel-fengshen-yanyi-investiture-of-the-gods-from-ping-sien-si-temple-pasir-panjang-laut-photo-by-anandajoti-cc-by-20-mo-lihong-was-a-character-from-the-classic-ming-dynasty-novel-fengshen-yanyi-one-of-the-four-mo-generals-who-guarded-good-dream-pass-mo-lihong-served-king-zhou-of-shang-alongside-his-brothers-when-the-shang-army-and-zhou-army-fought-each-other-mo-lihong-joined-the-battle-on-the-shang-side-he-alongside-his-brothers-was-eventually-killed-by-huang-tianhua-image344278720.htmlRM2B0370G–China: Carving of Mo Lihong, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut. Photo by Anandajoti (CC BY 2.0). Mo Lihong was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. One of the four Mo Generals who guarded Good Dream Pass, Mo Lihong served King Zhou of Shang alongside his brothers. When the Shang army and Zhou army fought each other, Mo Lihong joined the battle on the Shang side. He, alongside his brothers, was eventually killed by Huang Tianhua.
Battle between the gods and the giants Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-between-the-gods-and-the-giants-image598413906.htmlRF2WNG316–Battle between the gods and the giants
Roman tradition and legend said that the twin gods Castor and Pollux—both on horseback—fought alongside the Romans at the Battle of Lake Regillus and were key to the Romans defeating the Latin League. In the upper middle of the illustration, you can see the twins riding white horses andn their white capes flying behind them.The date was around 496 BC. Leading the Latins was a Tarquin, and it was the Tarquins last attempt to re-assume their power over Rome. In this illustration, taken from Lord Macaulay's Lays of Ancient Rome, Roman soldiers charge the enemy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-tradition-and-legend-said-that-the-twin-gods-castor-and-polluxboth-82059326.htmlRFENE3E6–Roman tradition and legend said that the twin gods Castor and Pollux—both on horseback—fought alongside the Romans at the Battle of Lake Regillus and were key to the Romans defeating the Latin League. In the upper middle of the illustration, you can see the twins riding white horses andn their white capes flying behind them.The date was around 496 BC. Leading the Latins was a Tarquin, and it was the Tarquins last attempt to re-assume their power over Rome. In this illustration, taken from Lord Macaulay's Lays of Ancient Rome, Roman soldiers charge the enemy.
Battle between the gods and the giants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-between-the-gods-and-the-giants-image452446210.htmlRF2H82KN6–Battle between the gods and the giants.
Black and White clouds - Battle of good and evil and the gods concept idea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-clouds-battle-of-good-and-evil-and-the-gods-concept-idea-image471273021.htmlRF2JAM9F9–Black and White clouds - Battle of good and evil and the gods concept idea
![Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photo](https://c8.alamy.com/comp/EDT8DG/andrea-mantegna-italian-c-1431-1506-battle-of-the-sea-gods-left-half-EDT8DG.jpg "Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photo")
Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andrea-mantegna-italian-c-1431-1506-battle-of-the-sea-gods-left-half-77365500.htmlRMEDT8DG–Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving
Cylinder seals with impressions, from Mesopotamia. Top: seal made from marble depicting a hero in battle with animals. Early Dynastic Period, 2500-2350 BC; Centre: seal made from Lapis Lazuli depicting a battle between gods. Early Akkadian Period, 2350-2250 BC; Bottom: seal made from metadiorite, depicting a snake god and other deities with snake, scorpion and goat features. Akkadian Period, 2350-2150 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cylinder-seals-with-impressions-from-mesopotamia-top-seal-made-from-57351791.htmlRMD98GP7–Cylinder seals with impressions, from Mesopotamia. Top: seal made from marble depicting a hero in battle with animals. Early Dynastic Period, 2500-2350 BC; Centre: seal made from Lapis Lazuli depicting a battle between gods. Early Akkadian Period, 2350-2250 BC; Bottom: seal made from metadiorite, depicting a snake god and other deities with snake, scorpion and goat features. Akkadian Period, 2350-2150 BC.
'Dragon Ball Z: Battle of Gods' Premiere at Regal Cinemas L.A. Live - Arrivals Featuring: Chris Sabat Where: Los Angeles, California, United States When: 03 Jul 2014 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dragon-ball-z-battle-of-gods-premiere-at-regal-cinemas-la-live-arrivals-77189011.htmlRMEDG7AB–'Dragon Ball Z: Battle of Gods' Premiere at Regal Cinemas L.A. Live - Arrivals Featuring: Chris Sabat Where: Los Angeles, California, United States When: 03 Jul 2014
Art inspired by Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures, 1570–1620, Pen and brown ink, brush and brown wash, over black chalk, 10 x 18 1/8 in. (25.4 x 46 cm), Anonymous, Italian, late 16th century, Related to Giovanni Andrea Maglioli (Italian, active, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-semi-circular-design-of-battle-of-sea-gods-with-border-of-sea-creatures-15701620-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-10-x-18-18-in-254-x-46-cm-anonymous-italian-late-16th-century-related-to-giovanni-andrea-maglioli-italian-active-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462965213.htmlRF2HW5TRW–Art inspired by Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures, 1570–1620, Pen and brown ink, brush and brown wash, over black chalk, 10 x 18 1/8 in. (25.4 x 46 cm), Anonymous, Italian, late 16th century, Related to Giovanni Andrea Maglioli (Italian, active, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Battle between gods and giants undefined Relief Kamp mellem guder og giganter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-between-gods-and-giants-undefined-relief-kamp-mellem-guder-og-giganter-image613391698.htmlRM2XHXBAA–Battle between gods and giants undefined Relief Kamp mellem guder og giganter
Terracotta column-krater (bowl for mixing wine and water) ca. 540 B.C. Greek, Attic Obverse, Gigantomachy (battle of gods and giants)Reverse, Dionysos with satyrs and maenadsDuring the latter part of the sixth century B.C., black-figure artists mastered their medium sufficiently to create compositions with many figures in action and in complex spatial relationships. Battle scenes were ideal subjects. The presence of Athena identifies the combatants here. The arms and armor are those that contemporary Greek soldiers would have used.Dionysos and his followers on the reverse could, potentially, c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-column-krater-bowl-for-mixing-wine-and-water-ca-540-bc-greek-attic-obverse-gigantomachy-battle-of-gods-and-giantsreverse-dionysos-with-satyrs-and-maenadsduring-the-latter-part-of-the-sixth-century-bc-black-figure-artists-mastered-their-medium-sufficiently-to-create-compositions-with-many-figures-in-action-and-in-complex-spatial-relationships-battle-scenes-were-ideal-subjects-the-presence-of-athena-identifies-the-combatants-here-the-arms-and-armor-are-those-that-contemporary-greek-soldiers-would-have-useddionysos-and-his-followers-on-the-reverse-could-potentially-c-image458413390.htmlRM2HHPEXP–Terracotta column-krater (bowl for mixing wine and water) ca. 540 B.C. Greek, Attic Obverse, Gigantomachy (battle of gods and giants)Reverse, Dionysos with satyrs and maenadsDuring the latter part of the sixth century B.C., black-figure artists mastered their medium sufficiently to create compositions with many figures in action and in complex spatial relationships. Battle scenes were ideal subjects. The presence of Athena identifies the combatants here. The arms and armor are those that contemporary Greek soldiers would have used.Dionysos and his followers on the reverse could, potentially, c
Istanbul, Turkey - September 16 2023: Marble relief depicting battle between Gods and Giants in Istanbul Archaeological Museums Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/istanbul-turkey-september-16-2023-marble-relief-depicting-battle-between-gods-and-giants-in-istanbul-archaeological-museums-image566284837.htmlRF2RW8E2D–Istanbul, Turkey - September 16 2023: Marble relief depicting battle between Gods and Giants in Istanbul Archaeological Museums
According to Greek mythology, the world was once run by a group of deities known as the Titans. Their leader, Cronus, had eaten most of his offspring in a bid to prevent their prophesied rebellion. However, his youngest son, Zeus, escaped this fate. After freeing his siblings from their father’s stomach, they moved to Mount Olympus from which they waged war on the Titans. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-according-to-greek-mythology-the-world-was-once-run-by-a-group-of-87105192.htmlRMF1KYFM–According to Greek mythology, the world was once run by a group of deities known as the Titans. Their leader, Cronus, had eaten most of his offspring in a bid to prevent their prophesied rebellion. However, his youngest son, Zeus, escaped this fate. After freeing his siblings from their father’s stomach, they moved to Mount Olympus from which they waged war on the Titans.
The Battle of the Gods and Giants sculpture leading towards the rear of the ICC at Brindleyplace, Birmingham, England, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-battle-of-the-gods-and-giants-sculpture-leading-towards-the-rear-112385442.htmlRMGERGNP–The Battle of the Gods and Giants sculpture leading towards the rear of the ICC at Brindleyplace, Birmingham, England, UK.
events, Germanic Wars, Battle of the Teutoburg Forest, 9 AD, 'Hermann dedicating the battlefield to the gods', copper engraving by Joseph Fuchs, 'Vorzeit und Gegenwart', Augsburg, 1832, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-events-germanic-wars-battle-of-the-teutoburg-forest-9-ad-hermann-dedicating-23392300.htmlRMBA1H38–events, Germanic Wars, Battle of the Teutoburg Forest, 9 AD, 'Hermann dedicating the battlefield to the gods', copper engraving by Joseph Fuchs, 'Vorzeit und Gegenwart', Augsburg, 1832, , Artist's Copyright has not to be cleared
Marcus Vipsanius Agrippa wearing a rostral crown, c. 64/62 – 12 BC, Roman general at the Battle of Actium, statesman and architect of the Pantheon. From a coin struck under Titus. M. AGRIPPA L F COS III. Copperplate engraving by Pieter Bodart (1676-1712) from Henricus Spoor’s Deorum et Heroum, Virorum et Mulierum Illustrium Imagines Antiquae Illustatae, Gods and Heroes, Men and Women, Illustrated with Antique Images, Petrum, Amsterdam, 1715. First published as Favissæ utriusque antiquitatis tam Romanæ quam Græcæ in 1707. Henricus Spoor was a Dutch physician, classical scholar, poet and writer, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-vipsanius-agrippa-wearing-a-rostral-crown-c-6462-12-bc-roman-general-at-the-battle-of-actium-statesman-and-architect-of-the-pantheon-from-a-coin-struck-under-titus-m-agrippa-l-f-cos-iii-copperplate-engraving-by-pieter-bodart-1676-1712-from-henricus-spoors-deorum-et-heroum-virorum-et-mulierum-illustrium-imagines-antiquae-illustatae-gods-and-heroes-men-and-women-illustrated-with-antique-images-petrum-amsterdam-1715-first-published-as-faviss-utriusque-antiquitatis-tam-roman-quam-grc-in-1707-henricus-spoor-was-a-dutch-physician-classical-scholar-poet-and-writer-image433381415.htmlRM2G526BK–Marcus Vipsanius Agrippa wearing a rostral crown, c. 64/62 – 12 BC, Roman general at the Battle of Actium, statesman and architect of the Pantheon. From a coin struck under Titus. M. AGRIPPA L F COS III. Copperplate engraving by Pieter Bodart (1676-1712) from Henricus Spoor’s Deorum et Heroum, Virorum et Mulierum Illustrium Imagines Antiquae Illustatae, Gods and Heroes, Men and Women, Illustrated with Antique Images, Petrum, Amsterdam, 1715. First published as Favissæ utriusque antiquitatis tam Romanæ quam Græcæ in 1707. Henricus Spoor was a Dutch physician, classical scholar, poet and writer,
Angkor wat, Bas-relief of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angkor-wat-bas-relief-of-west-wing-at-north-gallery-scene-as-battle-of-devas-and-asuras-siem-reap-cambodia-southeast-asia-asia-image362803178.htmlRM2C2734A–Angkor wat, Bas-relief of west wing at north gallery, scene as 'Battle of Devas and Asuras', Siem Reap, Cambodia, Southeast Asia, Asia
Heracles battle with the Hydra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-heracles-battle-with-the-hydra-49855766.htmlRMCW33F2–Heracles battle with the Hydra
Battle of the Gods on Mount Olympus against the Giants on Earth, illusionistic fresco by Giulio Romano, Sala dei Giganti, Palazzo Te pleasure palace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-the-gods-on-mount-olympus-against-the-giants-on-earth-illusionistic-fresco-by-giulio-romano-sala-dei-giganti-palazzo-te-pleasure-palace-image327009171.htmlRM2A00FEY–Battle of the Gods on Mount Olympus against the Giants on Earth, illusionistic fresco by Giulio Romano, Sala dei Giganti, Palazzo Te pleasure palace
Malaysia / China: Carving of Cao Bao, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut. Photo by Anandajoti (CC BY 2.0). Cao Bao was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. A hermit who resided on Mount Wuyi, Cao Bao would play a role in the war between the Shang and Zhou armies. Entering the field of battle, he fought against the legendary General Zhao Gongming, managing to capture his weapons. He was later killed by Heavenly Master Wang Bian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/malaysia-china-carving-of-cao-bao-depicting-his-role-in-the-16th-century-ming-dynasty-novel-fengshen-yanyi-investiture-of-the-gods-from-ping-sien-si-temple-pasir-panjang-laut-photo-by-anandajoti-cc-by-20-cao-bao-was-a-character-from-the-classic-ming-dynasty-novel-fengshen-yanyi-a-hermit-who-resided-on-mount-wuyi-cao-bao-would-play-a-role-in-the-war-between-the-shang-and-zhou-armies-entering-the-field-of-battle-he-fought-against-the-legendary-general-zhao-gongming-managing-to-capture-his-weapons-he-was-later-killed-by-heavenly-master-wang-bian-image344278409.htmlRM2B036HD–Malaysia / China: Carving of Cao Bao, depicting his role in the 16th Century Ming Dynasty novel Fengshen Yanyi ('Investiture of the Gods'). From Ping Sien Si Temple, Pasir Panjang Laut. Photo by Anandajoti (CC BY 2.0). Cao Bao was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. A hermit who resided on Mount Wuyi, Cao Bao would play a role in the war between the Shang and Zhou armies. Entering the field of battle, he fought against the legendary General Zhao Gongming, managing to capture his weapons. He was later killed by Heavenly Master Wang Bian.
Battle between the gods and the giants Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-between-the-gods-and-the-giants-image598413904.htmlRF2WNG314–Battle between the gods and the giants
Roman tradition and legend said that the twin gods Castor and Pollux—both on horseback—fought alongside the Romans at the Battle of Lake Regillus and were key to the Romans defeating the Latin League. In the upper middle of the illustration, you can see the twins riding white horses and their white capes flying behind them.The date was around 496 BC. Leading the Latins was a Tarquin, and it was the Tarquins last attempt to re-assume their power over Rome. In this illustration, taken from Lord Macaulay's Lays of Ancient Rome, Roman soldiers charge the enemy. The phrase written below is form Ma Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-tradition-and-legend-said-that-the-twin-gods-castor-and-polluxboth-82058761.htmlRFENE2P1–Roman tradition and legend said that the twin gods Castor and Pollux—both on horseback—fought alongside the Romans at the Battle of Lake Regillus and were key to the Romans defeating the Latin League. In the upper middle of the illustration, you can see the twins riding white horses and their white capes flying behind them.The date was around 496 BC. Leading the Latins was a Tarquin, and it was the Tarquins last attempt to re-assume their power over Rome. In this illustration, taken from Lord Macaulay's Lays of Ancient Rome, Roman soldiers charge the enemy. The phrase written below is form Ma
Battle between the gods and the giants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-between-the-gods-and-the-giants-image452446174.htmlRF2H82KKX–Battle between the gods and the giants.
Gigantomachy - the battle of the Olympian Gods against the Giants - children of Gaia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gigantomachy-the-battle-of-the-olympian-gods-against-the-giants-children-27396667.htmlRFBGG0MB–Gigantomachy - the battle of the Olympian Gods against the Giants - children of Gaia.
![Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving on laid paper Stock Photo](https://c8.alamy.com/comp/EDYFPG/andrea-mantegna-italian-c-1431-1506-battle-of-the-sea-gods-left-half-EDYFPG.jpg "Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving on laid paper Stock Photo")
Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andrea-mantegna-italian-c-1431-1506-battle-of-the-sea-gods-left-half-77437096.htmlRMEDYFPG–Andrea Mantegna (Italian, c. 1431 - 1506), Battle of the Sea Gods [left half], c. 1485-1488, engraving on laid paper
Encecladus in battle at Mount Etna. Engraved illustration from 'The Temple of the Muses', 1733. This book represented remarkable events of antiquity drawn and engraved by Bernard Picart (1673-1733). In Greek mythology, Encecladus was one of the Giants, the offspring of Gaia (Earth), and Uranus (Sky). Encecladus was the traditional opponent of Athena during the Gigantomachy, the war between the Giants and the gods, and was said to be buried under Mount Etna in Sicily. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-encecladus-in-battle-at-mount-etna-engraved-illustration-from-the-131280308.htmlRMHHG9AC–Encecladus in battle at Mount Etna. Engraved illustration from 'The Temple of the Muses', 1733. This book represented remarkable events of antiquity drawn and engraved by Bernard Picart (1673-1733). In Greek mythology, Encecladus was one of the Giants, the offspring of Gaia (Earth), and Uranus (Sky). Encecladus was the traditional opponent of Athena during the Gigantomachy, the war between the Giants and the gods, and was said to be buried under Mount Etna in Sicily.
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