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Bason Black & White Stock Photos
REUNION / BASON Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-reunion-bason-56729534.htmlRMD8872P–REUNION / BASON
Don Luixote seizes the Baibeis Bason for Mambrinos Helmet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-don-luixote-seizes-the-baibeis-bason-for-mambrinos-helmet-91707098.htmlRMF95H9E–Don Luixote seizes the Baibeis Bason for Mambrinos Helmet.
KING EGBERT/BASON/VERTUE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-egbertbasonvertue-56733825.htmlRMD88CG1–KING EGBERT/BASON/VERTUE
Phil Kelly, Bobby Bason and Gwyn Jones Wolverhampton Wanderers footballer 1960 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-phil-kelly-bobby-bason-and-gwyn-jones-wolverhampton-wanderers-footballer-100416031.htmlRMFRA9JR–Phil Kelly, Bobby Bason and Gwyn Jones Wolverhampton Wanderers footballer 1960
. English: Fleuron from book: An Act for making a convenient dock or bason at Leverpoole, for the security of all ships, trading to and from the said port of Leverpoole. 298 An Act for making a convenient dock or bason at Leverpoole, for the security of all ships, trading to and from the said port of Leverpoole Fleuron N053314-2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fleuron-from-book-an-act-for-making-a-convenient-dock-or-bason-at-leverpoole-for-the-security-of-all-ships-trading-to-and-from-the-said-port-of-leverpoole-298-an-act-for-making-a-convenient-dock-or-bason-at-leverpoole-for-the-security-of-all-ships-trading-to-and-from-the-said-port-of-leverpoole-fleuron-n053314-2-image206767956.htmlRMP0B2HT–. English: Fleuron from book: An Act for making a convenient dock or bason at Leverpoole, for the security of all ships, trading to and from the said port of Leverpoole. 298 An Act for making a convenient dock or bason at Leverpoole, for the security of all ships, trading to and from the said port of Leverpoole Fleuron N053314-2
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image531481362.htmlRF2NTK1W6–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
Humour: The Rev Brian Bason shoe in hand prepares to make a kill in his battle with the mice. December 1969 Z12085 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-humour-the-rev-brian-bason-shoe-in-hand-prepares-to-make-a-kill-in-20404659.htmlRMB55E9R–Humour: The Rev Brian Bason shoe in hand prepares to make a kill in his battle with the mice. December 1969 Z12085
Biblical Hyssop plant - the blood of the sacrifices was applied to the doorposts using hyssop on the night of Passover. Exodus, chapter XII, verse 22: ' And ye shall take a bunch of hyssop, and dip it in the blood that is in the bason, and strike the lintel and the two side posts with the blood that is in the bason; and none of you shall go out at the door of his house until the morning. ' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-biblical-hyssop-plant-the-blood-of-the-sacrifices-was-applied-to-the-83334000.htmlRMERG5A8–Biblical Hyssop plant - the blood of the sacrifices was applied to the doorposts using hyssop on the night of Passover. Exodus, chapter XII, verse 22: ' And ye shall take a bunch of hyssop, and dip it in the blood that is in the bason, and strike the lintel and the two side posts with the blood that is in the bason; and none of you shall go out at the door of his house until the morning. '
![Japanese party at meals, 1864. An '...Illustration of the daily life of the Japanese people, from a sketch by Mr. Wirgman, our Special Artist. It represents a Japanese dinner-party kneeling at their little tables, one of which is set before each guest, and helping themselves, by the use of a pair of chopsticks, to such fragments of meat as they can fish up out of their soup-basins; whilst we perceive that one gentleman, having done with his chopsticks, is raising the bason [sic] to his mouth that he may drink its liquid contents. The lady at the head of the table, with characteristic politenes Stock Photo](https://c8.alamy.com/comp/2WRGWBX/japanese-party-at-meals-1864-an-illustration-of-the-daily-life-of-the-japanese-people-from-a-sketch-by-mr-wirgman-our-special-artist-it-represents-a-japanese-dinner-party-kneeling-at-their-little-tables-one-of-which-is-set-before-each-guest-and-helping-themselves-by-the-use-of-a-pair-of-chopsticks-to-such-fragments-of-meat-as-they-can-fish-up-out-of-their-soup-basins-whilst-we-perceive-that-one-gentleman-having-done-with-his-chopsticks-is-raising-the-bason-sic-to-his-mouth-that-he-may-drink-its-liquid-contents-the-lady-at-the-head-of-the-table-with-characteristic-politenes-2WRGWBX.jpg "Japanese party at meals, 1864. An '...Illustration of the daily life of the Japanese people, from a sketch by Mr. Wirgman, our Special Artist. It represents a Japanese dinner-party kneeling at their little tables, one of which is set before each guest, and helping themselves, by the use of a pair of chopsticks, to such fragments of meat as they can fish up out of their soup-basins; whilst we perceive that one gentleman, having done with his chopsticks, is raising the bason [sic] to his mouth that he may drink its liquid contents. The lady at the head of the table, with characteristic politenes Stock Photo")
Japanese party at meals, 1864. An '...Illustration of the daily life of the Japanese people, from a sketch by Mr. Wirgman, our Special Artist. It represents a Japanese dinner-party kneeling at their little tables, one of which is set before each guest, and helping themselves, by the use of a pair of chopsticks, to such fragments of meat as they can fish up out of their soup-basins; whilst we perceive that one gentleman, having done with his chopsticks, is raising the bason [sic] to his mouth that he may drink its liquid contents. The lady at the head of the table, with characteristic politenes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japanese-party-at-meals-1864-an-illustration-of-the-daily-life-of-the-japanese-people-from-a-sketch-by-mr-wirgman-our-special-artist-it-represents-a-japanese-dinner-party-kneeling-at-their-little-tables-one-of-which-is-set-before-each-guest-and-helping-themselves-by-the-use-of-a-pair-of-chopsticks-to-such-fragments-of-meat-as-they-can-fish-up-out-of-their-soup-basins-whilst-we-perceive-that-one-gentleman-having-done-with-his-chopsticks-is-raising-the-bason-sic-to-his-mouth-that-he-may-drink-its-liquid-contents-the-lady-at-the-head-of-the-table-with-characteristic-politenes-image599660766.htmlRM2WRGWBX–Japanese party at meals, 1864. An '...Illustration of the daily life of the Japanese people, from a sketch by Mr. Wirgman, our Special Artist. It represents a Japanese dinner-party kneeling at their little tables, one of which is set before each guest, and helping themselves, by the use of a pair of chopsticks, to such fragments of meat as they can fish up out of their soup-basins; whilst we perceive that one gentleman, having done with his chopsticks, is raising the bason [sic] to his mouth that he may drink its liquid contents. The lady at the head of the table, with characteristic politenes
The Marine sketch book by H. Moses 1826. The Bason Ramsgate Harbour Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-marine-sketch-book-by-h-moses-1826-the-bason-ramsgate-harbour-image478334271.htmlRM2JP606R–The Marine sketch book by H. Moses 1826. The Bason Ramsgate Harbour
The practical book of early American arts and crafts . MEXICAN MAIOLICA JAR (18 INCHES HIGH). POLYCHROME DECORATION PUEBLA PHASE, u. 1800 Courtesy of Pennsylvania Museum and School of Industrial Art. MEXICAN MAIOLICA BASON (20K INCHES IN DIAMETER). BLUE TATTOO DECORATION; TALAVERA PHASE, c. 1680 Courtesy of Albert Pepper, Esq. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practical-book-of-early-american-arts-and-crafts-mexican-maiolica-jar-18-inches-high-polychrome-decoration-puebla-phase-u-1800-courtesy-of-pennsylvania-museum-and-school-of-industrial-art-mexican-maiolica-bason-20k-inches-in-diameter-blue-tattoo-decoration-talavera-phase-c-1680-courtesy-of-albert-pepper-esq-image339122651.htmlRM2AKMAB7–The practical book of early American arts and crafts . MEXICAN MAIOLICA JAR (18 INCHES HIGH). POLYCHROME DECORATION PUEBLA PHASE, u. 1800 Courtesy of Pennsylvania Museum and School of Industrial Art. MEXICAN MAIOLICA BASON (20K INCHES IN DIAMETER). BLUE TATTOO DECORATION; TALAVERA PHASE, c. 1680 Courtesy of Albert Pepper, Esq.
Zur Hörfunk-Übertragung der Sendung 'Spass Muss Sein' des NDR am 13.11.1964, RIAS I 28.11.1964 & RIAS II 2.2.1965 Original Bildbeschreibung: beim Melken der künstlichen Kuh, - - - die Bier spendet? Wie immer und überall: die Frauen haben die Arbeit & die Männer das Vergnügen (sie mußten das 'gemolkene' Bier so schnell wie möglich austrinken, um einen Preis zu gewinnen). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zur-hrfunk-bertragung-der-sendung-spass-muss-sein-des-ndr-am-13111964-rias-i-28111964-rias-ii-221965-original-bildbeschreibung-beim-melken-der-knstlichen-kuh-die-bier-spendet-wie-immer-und-berall-die-frauen-haben-die-arbeit-die-mnner-das-vergngen-sie-muten-das-gemolkene-bier-so-schnell-wie-mglich-austrinken-um-einen-preis-zu-gewinnen-image601799390.htmlRM2WY297A–Zur Hörfunk-Übertragung der Sendung 'Spass Muss Sein' des NDR am 13.11.1964, RIAS I 28.11.1964 & RIAS II 2.2.1965 Original Bildbeschreibung: beim Melken der künstlichen Kuh, - - - die Bier spendet? Wie immer und überall: die Frauen haben die Arbeit & die Männer das Vergnügen (sie mußten das 'gemolkene' Bier so schnell wie möglich austrinken, um einen Preis zu gewinnen).
Fontaine des Innocens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fontaine-des-innocens-27773330.htmlRMBH554J–Fontaine des Innocens
. English: Fleuron from book: An Act for making a convenient dock or bason at Leverpoole, for the security of all ships, trading to and from the said port of Leverpoole. 298 An Act for making a convenient dock or bason at Leverpoole, for the security of all ships, trading to and from the said port of Leverpoole Fleuron N053314-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fleuron-from-book-an-act-for-making-a-convenient-dock-or-bason-at-leverpoole-for-the-security-of-all-ships-trading-to-and-from-the-said-port-of-leverpoole-298-an-act-for-making-a-convenient-dock-or-bason-at-leverpoole-for-the-security-of-all-ships-trading-to-and-from-the-said-port-of-leverpoole-fleuron-n053314-1-image206767955.htmlRMP0B2HR–. English: Fleuron from book: An Act for making a convenient dock or bason at Leverpoole, for the security of all ships, trading to and from the said port of Leverpoole. 298 An Act for making a convenient dock or bason at Leverpoole, for the security of all ships, trading to and from the said port of Leverpoole Fleuron N053314-1
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image534255314.htmlRF2P15C2X–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
Humour: The Rev Brian Bason shoe in hand prepares to make a kill in his battle with the mice. December 1969 Z12085-001 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-humour-the-rev-brian-bason-shoe-in-hand-prepares-to-make-a-kill-in-20404657.htmlRMB55E9N–Humour: The Rev Brian Bason shoe in hand prepares to make a kill in his battle with the mice. December 1969 Z12085-001
Dinanderie; a history and description of mediæval art work in copper, brass and bronze . These beast-shaped ewers, from beinggenerally used for hand-washing purposes, were called aqua-manillcs. The ewers, whatever their shape, were always accom-panied by a deep metal dish to be used for the ablutions, puttogether much as are the domestic jug and bason of the presentday. These dishes were frequently made double, the upper onefitted with a lip so that the water could be poured from oneinto the other, whence they acquired the name of gemellions. The ordinary ewer form was used throughout the medi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dinanderie-a-history-and-description-of-medival-art-work-in-copper-brass-and-bronze-these-beast-shaped-ewers-from-beinggenerally-used-for-hand-washing-purposes-were-called-aqua-manillcs-the-ewers-whatever-their-shape-were-always-accom-panied-by-a-deep-metal-dish-to-be-used-for-the-ablutions-puttogether-much-as-are-the-domestic-jug-and-bason-of-the-presentday-these-dishes-were-frequently-made-double-the-upper-onefitted-with-a-lip-so-that-the-water-could-be-poured-from-oneinto-the-other-whence-they-acquired-the-name-of-gemellions-the-ordinary-ewer-form-was-used-throughout-the-medi-image343375912.htmlRM2AXJ3DC–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . These beast-shaped ewers, from beinggenerally used for hand-washing purposes, were called aqua-manillcs. The ewers, whatever their shape, were always accom-panied by a deep metal dish to be used for the ablutions, puttogether much as are the domestic jug and bason of the presentday. These dishes were frequently made double, the upper onefitted with a lip so that the water could be poured from oneinto the other, whence they acquired the name of gemellions. The ordinary ewer form was used throughout the medi
Zur Hörfunk-Übertragung der Sendung 'Spass Muss Sein' des NDR am 13.11.1964, RIAS I 28.11.1964 & RIAS II 2.2.1965 Original Bildbeschreibung: beim Melken der künstlichen Kuh, - - - die Bier spendet? Wie immer und überall: die Frauen haben die Arbeit & die Männer das Vergnügen (sie mußten das 'gemolkene' Bier so schnell wie möglich austrinken, um einen Preis zu gewinnen). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zur-hrfunk-bertragung-der-sendung-spass-muss-sein-des-ndr-am-13111964-rias-i-28111964-rias-ii-221965-original-bildbeschreibung-beim-melken-der-knstlichen-kuh-die-bier-spendet-wie-immer-und-berall-die-frauen-haben-die-arbeit-die-mnner-das-vergngen-sie-muten-das-gemolkene-bier-so-schnell-wie-mglich-austrinken-um-einen-preis-zu-gewinnen-image601799393.htmlRM2WY297D–Zur Hörfunk-Übertragung der Sendung 'Spass Muss Sein' des NDR am 13.11.1964, RIAS I 28.11.1964 & RIAS II 2.2.1965 Original Bildbeschreibung: beim Melken der künstlichen Kuh, - - - die Bier spendet? Wie immer und überall: die Frauen haben die Arbeit & die Männer das Vergnügen (sie mußten das 'gemolkene' Bier so schnell wie möglich austrinken, um einen Preis zu gewinnen).
. English: Fleuron from book: A bill for the enlarging the time granted by an act passed in the eighth year of the reign of Her late Majesty Queen Anne, entitul'd, An act for making a convenient dock or bason at Liverpool, for security of all ships trading to and from the said port of Liverpool. 24 A bill for the enlarging the time granted by an act passed in the eighth year of the reign of Her late Majesty Queen Anne Fleuron N047279-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fleuron-from-book-a-bill-for-the-enlarging-the-time-granted-by-an-act-passed-in-the-eighth-year-of-the-reign-of-her-late-majesty-queen-anne-entituld-an-act-for-making-a-convenient-dock-or-bason-at-liverpool-for-security-of-all-ships-trading-to-and-from-the-said-port-of-liverpool-24-a-bill-for-the-enlarging-the-time-granted-by-an-act-passed-in-the-eighth-year-of-the-reign-of-her-late-majesty-queen-anne-fleuron-n047279-1-image206599114.htmlRMP03B7P–. English: Fleuron from book: A bill for the enlarging the time granted by an act passed in the eighth year of the reign of Her late Majesty Queen Anne, entitul'd, An act for making a convenient dock or bason at Liverpool, for security of all ships trading to and from the said port of Liverpool. 24 A bill for the enlarging the time granted by an act passed in the eighth year of the reign of Her late Majesty Queen Anne Fleuron N047279-1
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image534252535.htmlRF2P158FK–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
The practical book of early American arts and crafts . MEXICAN MAIOLICA BASON (20K INCHES IN DIAMETER). BLUE TATTOO DECORATION; TALAVERA PHASE, c. 1680 Courtesy of Albert Pepper, Esq.. 1. Mexican Maiolica Salt, Foiychrume Decoration. Mexican Phase, c. 1830 Courtesy of Pennsylvania Museum and School of Industrial Art 2, 3 and 4, Mexican Maiolica Drug Jars or Flower Vases. Blue Decoration. Talavera Phase, c. 1700-1740Courtesy of Dr. Edwin AtLee Barber Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practical-book-of-early-american-arts-and-crafts-mexican-maiolica-bason-20k-inches-in-diameter-blue-tattoo-decoration-talavera-phase-c-1680-courtesy-of-albert-pepper-esq-1-mexican-maiolica-salt-foiychrume-decoration-mexican-phase-c-1830-courtesy-of-pennsylvania-museum-and-school-of-industrial-art-2-3-and-4-mexican-maiolica-drug-jars-or-flower-vases-blue-decoration-talavera-phase-c-1700-1740courtesy-of-dr-edwin-atlee-barber-image339122375.htmlRM2AKMA1B–The practical book of early American arts and crafts . MEXICAN MAIOLICA BASON (20K INCHES IN DIAMETER). BLUE TATTOO DECORATION; TALAVERA PHASE, c. 1680 Courtesy of Albert Pepper, Esq.. 1. Mexican Maiolica Salt, Foiychrume Decoration. Mexican Phase, c. 1830 Courtesy of Pennsylvania Museum and School of Industrial Art 2, 3 and 4, Mexican Maiolica Drug Jars or Flower Vases. Blue Decoration. Talavera Phase, c. 1700-1740Courtesy of Dr. Edwin AtLee Barber
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image531501365.htmlRF2NTKYBH–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
The practical book of early American arts and crafts . LATE EIGHTEENTH CENTURY PEWTER TEAPOTIn possession of Harold D. Eberlein, Esq. jjiiwif**-. PEWTER PLATTER AND PEWTER BASON, EIGHTEENTH CENTURYCourtesy of Pennsylvania Museum and School of Industrial Art EARLY AMERICAN PEWTER 199 Boston, during the first part of the Colonial period,was the chief distributing centre of British pewter, aswell as the chief seat of pewter manufacture. NewYork and Philadelphia soon followed in both respects,and a great deal of pewter ware, excellent in design andin the quality of metal, was produced in each of t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-practical-book-of-early-american-arts-and-crafts-late-eighteenth-century-pewter-teapotin-possession-of-harold-d-eberlein-esq-jjiiwif-pewter-platter-and-pewter-bason-eighteenth-centurycourtesy-of-pennsylvania-museum-and-school-of-industrial-art-early-american-pewter-199-boston-during-the-first-part-of-the-colonial-periodwas-the-chief-distributing-centre-of-british-pewter-aswell-as-the-chief-seat-of-pewter-manufacture-newyork-and-philadelphia-soon-followed-in-both-respectsand-a-great-deal-of-pewter-ware-excellent-in-design-andin-the-quality-of-metal-was-produced-in-each-of-t-image339088385.htmlRM2AKJPKD–The practical book of early American arts and crafts . LATE EIGHTEENTH CENTURY PEWTER TEAPOTIn possession of Harold D. Eberlein, Esq. jjiiwif**-. PEWTER PLATTER AND PEWTER BASON, EIGHTEENTH CENTURYCourtesy of Pennsylvania Museum and School of Industrial Art EARLY AMERICAN PEWTER 199 Boston, during the first part of the Colonial period,was the chief distributing centre of British pewter, aswell as the chief seat of pewter manufacture. NewYork and Philadelphia soon followed in both respects,and a great deal of pewter ware, excellent in design andin the quality of metal, was produced in each of t
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image531478125.htmlRF2NTJWNH–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Plate XXXCKOSIEK, IX THE V. AXD A. yiVSEVM. Plate XXICROSIER, IX THE A. AXD A :(USEL.I CHAPTER XXI HOLY WATER VATS The stoups, which throughout the Middle Ages were placednear the church doors, either in the porches or just within thedoors, were successors to the fountain or bason which wasalways found in the atrium of an ancient church, and whichwas itself a traditional copy of Solomons Brazen Sea. Suchwas the fountain of Pope Symmachus, standing in the atrium ofold S. Peters, which Charlemagne imitate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dinanderie-a-history-and-description-of-medival-art-work-in-copper-brass-and-bronze-plate-xxxckosiek-ix-the-v-axd-a-yivsevm-plate-xxicrosier-ix-the-a-axd-a-useli-chapter-xxi-holy-water-vats-the-stoups-which-throughout-the-middle-ages-were-placednear-the-church-doors-either-in-the-porches-or-just-within-thedoors-were-successors-to-the-fountain-or-bason-which-wasalways-found-in-the-atrium-of-an-ancient-church-and-whichwas-itself-a-traditional-copy-of-solomons-brazen-sea-suchwas-the-fountain-of-pope-symmachus-standing-in-the-atrium-ofold-s-peters-which-charlemagne-imitate-image343384653.htmlRM2AXJEHH–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . Plate XXXCKOSIEK, IX THE V. AXD A. yiVSEVM. Plate XXICROSIER, IX THE A. AXD A :(USEL.I CHAPTER XXI HOLY WATER VATS The stoups, which throughout the Middle Ages were placednear the church doors, either in the porches or just within thedoors, were successors to the fountain or bason which wasalways found in the atrium of an ancient church, and whichwas itself a traditional copy of Solomons Brazen Sea. Suchwas the fountain of Pope Symmachus, standing in the atrium ofold S. Peters, which Charlemagne imitate
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image534254216.htmlRF2P15AKM–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
Dinanderie; a history and description of mediæval art work in copper, brass and bronze . e suggested that Sebald Schonhofer was the sculptorin each case. In the next century we find a remarkable font in theCathedral of Louvain, perhaps more curious than beautiful(Fig. 56). It consists of a six-lobed bason of a bulging contour,having an open-work hexagonal pedestal on six curved legs rest-ing on the backs of lions, and from the curved legs rise buttressedshafts which receive the projections of the basons. The wholeis put together in a number of separate pieces with rebatedjoints, and appears to Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dinanderie-a-history-and-description-of-medival-art-work-in-copper-brass-and-bronze-e-suggested-that-sebald-schonhofer-was-the-sculptorin-each-case-in-the-next-century-we-find-a-remarkable-font-in-thecathedral-of-louvain-perhaps-more-curious-than-beautifulfig-56-it-consists-of-a-six-lobed-bason-of-a-bulging-contourhaving-an-open-work-hexagonal-pedestal-on-six-curved-legs-rest-ing-on-the-backs-of-lions-and-from-the-curved-legs-rise-buttressedshafts-which-receive-the-projections-of-the-basons-the-wholeis-put-together-in-a-number-of-separate-pieces-with-rebatedjoints-and-appears-to-image343376256.htmlRM2AXJ3WM–Dinanderie; a history and description of mediæval art work in copper, brass and bronze . e suggested that Sebald Schonhofer was the sculptorin each case. In the next century we find a remarkable font in theCathedral of Louvain, perhaps more curious than beautiful(Fig. 56). It consists of a six-lobed bason of a bulging contour,having an open-work hexagonal pedestal on six curved legs rest-ing on the backs of lions, and from the curved legs rise buttressedshafts which receive the projections of the basons. The wholeis put together in a number of separate pieces with rebatedjoints, and appears to
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image531490848.htmlRF2NTKE00–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
![. The Canadian forester's illustrated guide [microform]. Forests and forestry; Forêts et sylviculture. IM-F'STHATKD (UHDF. 125 Some coYor tht> })ark of tho trunk with a coat of treacle, printer's ink, or any UTcasy, sticky, or oily stulf; or better, they put the coat on paper or rags wrapped round the trunk. It' this i)lan be followed, tar, a very efficacious dressing, might be used ; but, in all cases, the dressing must be renewed when dry. Again, to hinder climbing inse«is from ascending the trunk, a small bason, filled with oil or tar, is placed. 115.—Pollard willows. round the trunk, at Stock Photo](https://c8.alamy.com/comp/RJ6PXW/the-canadian-foresters-illustrated-guide-microform-forests-and-forestry-forts-et-sylviculture-im-fsthatkd-uhdf-125-some-coyor-thtgt-ark-of-tho-trunk-with-a-coat-of-treacle-printers-ink-or-any-utcasy-sticky-or-oily-stulf-or-better-they-put-the-coat-on-paper-or-rags-wrapped-round-the-trunk-it-this-ilan-be-followed-tar-a-very-efficacious-dressing-might-be-used-but-in-all-cases-the-dressing-must-be-renewed-when-dry-again-to-hinder-climbing-inseis-from-ascending-the-trunk-a-small-bason-filled-with-oil-or-tar-is-placed-115pollard-willows-round-the-trunk-at-RJ6PXW.jpg ". The Canadian forester's illustrated guide [microform]. Forests and forestry; Forêts et sylviculture. IM-F'STHATKD (UHDF. 125 Some coYor tht> })ark of tho trunk with a coat of treacle, printer's ink, or any UTcasy, sticky, or oily stulf; or better, they put the coat on paper or rags wrapped round the trunk. It' this i)lan be followed, tar, a very efficacious dressing, might be used ; but, in all cases, the dressing must be renewed when dry. Again, to hinder climbing inse«is from ascending the trunk, a small bason, filled with oil or tar, is placed. 115.—Pollard willows. round the trunk, at Stock Photo")
. The Canadian forester's illustrated guide [microform]. Forests and forestry; Forêts et sylviculture. IM-F'STHATKD (UHDF. 125 Some coYor tht> })ark of tho trunk with a coat of treacle, printer's ink, or any UTcasy, sticky, or oily stulf; or better, they put the coat on paper or rags wrapped round the trunk. It' this i)lan be followed, tar, a very efficacious dressing, might be used ; but, in all cases, the dressing must be renewed when dry. Again, to hinder climbing inse«is from ascending the trunk, a small bason, filled with oil or tar, is placed. 115.—Pollard willows. round the trunk, at Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-canadian-foresters-illustrated-guide-microform-forests-and-forestry-forts-et-sylviculture-im-fsthatkd-uhdf-125-some-coyor-thtgt-ark-of-tho-trunk-with-a-coat-of-treacle-printers-ink-or-any-utcasy-sticky-or-oily-stulf-or-better-they-put-the-coat-on-paper-or-rags-wrapped-round-the-trunk-it-this-ilan-be-followed-tar-a-very-efficacious-dressing-might-be-used-but-in-all-cases-the-dressing-must-be-renewed-when-dry-again-to-hinder-climbing-inseis-from-ascending-the-trunk-a-small-bason-filled-with-oil-or-tar-is-placed-115pollard-willows-round-the-trunk-at-image234948305.htmlRMRJ6PXW–. The Canadian forester's illustrated guide [microform]. Forests and forestry; Forêts et sylviculture. IM-F'STHATKD (UHDF. 125 Some coYor tht> })ark of tho trunk with a coat of treacle, printer's ink, or any UTcasy, sticky, or oily stulf; or better, they put the coat on paper or rags wrapped round the trunk. It' this i)lan be followed, tar, a very efficacious dressing, might be used ; but, in all cases, the dressing must be renewed when dry. Again, to hinder climbing inse«is from ascending the trunk, a small bason, filled with oil or tar, is placed. 115.—Pollard willows. round the trunk, at
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image534255661.htmlRF2P15CF9–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
![. [Report of a voyage made to the Canadian Labrador coast ; Catalogue of plants and birds of the north shore] [microform]. Botany; Birds; Botanique; Oiseaux. ;3. 'ag« 4, Between from an d tioo. add two hundred to. " 7, line 33, Instead of we tee were read toe were. « 11, <( 25, It Poste, read Postet. " 12, « o "1 (1 Basin, « Bason. « 12, (( 33, 11 was, u is. " 27, (( 25, II America, tt the New England State*. " 40, K 23, (( strapa. it eatrapa, « 44, (( 14, II carolnensis, IC Carolinensis, « 4S, tt 10, (1 The morse, (( Le Morse, « 48, It 11, i< years, (1 ears. &qu Stock Photo](https://c8.alamy.com/comp/RJ4EFW/report-of-a-voyage-made-to-the-canadian-labrador-coast-catalogue-of-plants-and-birds-of-the-north-shore-microform-botany-birds-botanique-oiseaux-3-ag-4-between-from-an-d-tioo-add-two-hundred-to-quot-7-line-33-instead-of-we-tee-were-read-toe-were-11-lt-25-it-poste-read-postet-quot-12-o-quot1-1-basin-bason-12-33-11-was-u-is-quot-27-25-ii-america-tt-the-new-england-state-quot-40-k-23-strapa-it-eatrapa-44-14-ii-carolnensis-ic-carolinensis-4s-tt-10-1-the-morse-le-morse-48-it-11-ilt-years-1-ears-qu-RJ4EFW.jpg ". [Report of a voyage made to the Canadian Labrador coast ; Catalogue of plants and birds of the north shore] [microform]. Botany; Birds; Botanique; Oiseaux. ;3. 'ag« 4, Between from an d tioo. add two hundred to. " 7, line 33, Instead of we tee were read toe were. « 11, <( 25, It Poste, read Postet. " 12, « o "1 (1 Basin, « Bason. « 12, (( 33, 11 was, u is. " 27, (( 25, II America, tt the New England State*. " 40, K 23, (( strapa. it eatrapa, « 44, (( 14, II carolnensis, IC Carolinensis, « 4S, tt 10, (1 The morse, (( Le Morse, « 48, It 11, i< years, (1 ears. &qu Stock Photo")
. [Report of a voyage made to the Canadian Labrador coast ; Catalogue of plants and birds of the north shore] [microform]. Botany; Birds; Botanique; Oiseaux. ;3. 'ag« 4, Between from an d tioo. add two hundred to. " 7, line 33, Instead of we tee were read toe were. « 11, <( 25, It Poste, read Postet. " 12, « o "1 (1 Basin, « Bason. « 12, (( 33, 11 was, u is. " 27, (( 25, II America, tt the New England State*. " 40, K 23, (( strapa. it eatrapa, « 44, (( 14, II carolnensis, IC Carolinensis, « 4S, tt 10, (1 The morse, (( Le Morse, « 48, It 11, i< years, (1 ears. &qu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/report-of-a-voyage-made-to-the-canadian-labrador-coast-catalogue-of-plants-and-birds-of-the-north-shore-microform-botany-birds-botanique-oiseaux-3-ag-4-between-from-an-d-tioo-add-two-hundred-to-quot-7-line-33-instead-of-we-tee-were-read-toe-were-11-lt-25-it-poste-read-postet-quot-12-o-quot1-1-basin-bason-12-33-11-was-u-is-quot-27-25-ii-america-tt-the-new-england-state-quot-40-k-23-strapa-it-eatrapa-44-14-ii-carolnensis-ic-carolinensis-4s-tt-10-1-the-morse-le-morse-48-it-11-ilt-years-1-ears-qu-image234897821.htmlRMRJ4EFW–. [Report of a voyage made to the Canadian Labrador coast ; Catalogue of plants and birds of the north shore] [microform]. Botany; Birds; Botanique; Oiseaux. ;3. 'ag« 4, Between from an d tioo. add two hundred to. " 7, line 33, Instead of we tee were read toe were. « 11, <( 25, It Poste, read Postet. " 12, « o "1 (1 Basin, « Bason. « 12, (( 33, 11 was, u is. " 27, (( 25, II America, tt the New England State*. " 40, K 23, (( strapa. it eatrapa, « 44, (( 14, II carolnensis, IC Carolinensis, « 4S, tt 10, (1 The morse, (( Le Morse, « 48, It 11, i< years, (1 ears. &qu
A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image531501645.htmlRF2NTKYNH–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
Set of white silhouettes on black background for the Holiday Holi Week for your designs. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-white-silhouettes-on-black-background-for-the-holiday-holi-week-for-your-designs-vector-illustration-image539024021.htmlRF2P8XJHW–Set of white silhouettes on black background for the Holiday Holi Week for your designs. Vector illustration
Set of black silhouettes for the Holiday Holy Week for your designs. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-black-silhouettes-for-the-holiday-holy-week-for-your-designs-vector-illustration-image539024166.htmlRF2P8XJR2–Set of black silhouettes for the Holiday Holy Week for your designs. Vector illustration
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A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-black-and-white-silhouettes-for-the-holiday-holy-week-for-your-designs-religious-postcard-and-symbols-vector-illustration-image534251911.htmlRF2P157NB–A group of black and white silhouettes for the Holiday Holy Week for your designs. Religious postcard and symbols. Vector illustration
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