Page 1 of 1
Barbizon school Black & White Stock Photos
Portrait of Jean-Francois Millet - a French artist and one of the founders of the Barbizon school in rural France. Illustration of the 19th century. White background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jean-francois-millet-a-french-artist-and-one-of-the-founders-of-the-barbizon-school-in-rural-france-illustration-of-the-19th-century-white-background-image483712334.htmlRF2K2Y00E–Portrait of Jean-Francois Millet - a French artist and one of the founders of the Barbizon school in rural France. Illustration of the 19th century. White background.
Portrait of Jean-Francois Millet - a French artist and one of the founders of the Barbizon school in rural France. Illustration of the 19th century. White background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jean-francois-millet-a-french-artist-and-one-of-the-founders-of-the-barbizon-school-in-rural-france-illustration-of-the-19th-century-white-background-image387254410.htmlRF2DE0XXJ–Portrait of Jean-Francois Millet - a French artist and one of the founders of the Barbizon school in rural France. Illustration of the 19th century. White background.
illustration of the painting titled 'The Sower' by Jean-François Millet (1814-1875) a French painter and one of the founders of the Barbizon School. Millet is noted for his scenes of peasant farmers and is categorized as part of the Realism art movement. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-the-painting-titled-the-sower-by-jean-franois-millet-1814-1875-a-french-painter-and-one-of-the-founders-of-the-barbizon-school-millet-is-noted-for-his-scenes-of-peasant-farmers-and-is-categorized-as-part-of-the-realism-art-movement-image344119255.htmlRM2AYRYHB–illustration of the painting titled 'The Sower' by Jean-François Millet (1814-1875) a French painter and one of the founders of the Barbizon School. Millet is noted for his scenes of peasant farmers and is categorized as part of the Realism art movement.
The Return to the Fold. Artist: Anton Mauve (Dutch, Zaandam 1838-1888 Arnhem). Dimensions: 19 3/4 x 33 7/8 in. (50.2 x 86 cm). A leading member of the Hague school (the Dutch counterpart to the Barbizon school of painters in France), Mauve painted everyday subjects drawn from his local landscape in southwest Holland. This work depicts one of Mauve's favorite and most popular subjects, a shepherd and his flock. Prices varied depending on whether the picture featured 'sheep coming,' or, as here, the slightly less expensive 'sheep going.' Vincent van Gogh, who was the cousin of Mauve's wife, stu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-return-to-the-fold-artist-anton-mauve-dutch-zaandam-1838-1888-arnhem-dimensions-19-34-x-33-78-in-502-x-86-cm-a-leading-member-of-the-hague-school-the-dutch-counterpart-to-the-barbizon-school-of-painters-in-france-mauve-painted-everyday-subjects-drawn-from-his-local-landscape-in-southwest-holland-this-work-depicts-one-of-mauves-favorite-and-most-popular-subjects-a-shepherd-and-his-flock-prices-varied-depending-on-whether-the-picture-featured-sheep-coming-or-as-here-the-slightly-less-expensive-sheep-going-vincent-van-gogh-who-was-the-cousin-of-mauves-wife-stu-image213327243.htmlRMPB1W23–The Return to the Fold. Artist: Anton Mauve (Dutch, Zaandam 1838-1888 Arnhem). Dimensions: 19 3/4 x 33 7/8 in. (50.2 x 86 cm). A leading member of the Hague school (the Dutch counterpart to the Barbizon school of painters in France), Mauve painted everyday subjects drawn from his local landscape in southwest Holland. This work depicts one of Mauve's favorite and most popular subjects, a shepherd and his flock. Prices varied depending on whether the picture featured 'sheep coming,' or, as here, the slightly less expensive 'sheep going.' Vincent van Gogh, who was the cousin of Mauve's wife, stu
Jean Francois Millet (1814–1875) was a French painter, who belonged to the naturalism and realism movements. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-francois-millet-18141875-was-a-french-painter-who-belonged-to-51963866.htmlRFD0F4CA–Jean Francois Millet (1814–1875) was a French painter, who belonged to the naturalism and realism movements.
Etienne Pierre Theodore Rousseau, 15. April 1812 - 22. Dezember 1867, war ein französischer Landschaftsmaler und Bruder des weniger bekannten Malers Philippe Rousseau. Er war Gründer der Schule von Barbizon / Etienne Pierre Theodore Rousseau, April 15, 1812 - December 22, 1867, was a French landscape painter and brother of the lesser known painter Philippe Rousseau. He was the founder of the Barbizon school, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an origi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etienne-pierre-theodore-rousseau-15-april-1812-22-dezember-1867-war-ein-franzsischer-landschaftsmaler-und-bruder-des-weniger-bekannten-malers-philippe-rousseau-er-war-grnder-der-schule-von-barbizon-etienne-pierre-theodore-rousseau-april-15-1812-december-22-1867-was-a-french-landscape-painter-and-brother-of-the-lesser-known-painter-philippe-rousseau-he-was-the-founder-of-the-barbizon-school-historisch-digital-restaurierte-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-genaues-originaldatum-nicht-bekannt-historical-digital-improved-reproduction-of-an-origi-image482380156.htmlRF2K0P8PM–Etienne Pierre Theodore Rousseau, 15. April 1812 - 22. Dezember 1867, war ein französischer Landschaftsmaler und Bruder des weniger bekannten Malers Philippe Rousseau. Er war Gründer der Schule von Barbizon / Etienne Pierre Theodore Rousseau, April 15, 1812 - December 22, 1867, was a French landscape painter and brother of the lesser known painter Philippe Rousseau. He was the founder of the Barbizon school, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / historical, digital improved reproduction of an origi
1860 ca : The most celebrated french Impressionist painter JEAN François MILLET ( 1814 – 1875 ) was a painter and one of the founders of the Barbizon school in rural France. He was part of the movement termed 'realism'. Photo by NADAR , Paris , France . - IMPRESSIONISM - IMPRESSIONISTA - IMPRESSIONISMO - ART - ARTE - PITTURA - painting - PITTORE - artist - artista - portrait - ritratto - barba - beard ---- Archivio GBB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1860-ca-the-most-celebrated-french-impressionist-painter-jean-franois-millet-1814-1875-was-a-painter-and-one-of-the-founders-of-the-barbizon-school-in-rural-france-he-was-part-of-the-movement-termed-realism-photo-by-nadar-paris-france-impressionism-impressionista-impressionismo-art-arte-pittura-painting-pittore-artist-artista-portrait-ritratto-barba-beard-archivio-gbb-image537720780.htmlRM2P6R89G–1860 ca : The most celebrated french Impressionist painter JEAN François MILLET ( 1814 – 1875 ) was a painter and one of the founders of the Barbizon school in rural France. He was part of the movement termed 'realism'. Photo by NADAR , Paris , France . - IMPRESSIONISM - IMPRESSIONISTA - IMPRESSIONISMO - ART - ARTE - PITTURA - painting - PITTORE - artist - artista - portrait - ritratto - barba - beard ---- Archivio GBB
pen and ink study of trees by French landscape painter Henri Harpignies of the Barbizon school, in 1898 volume 13 of The Studio an Illustrated Magazin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-and-ink-study-of-trees-by-french-landscape-painter-henri-harpignies-of-the-barbizon-school-in-1898-volume-13-of-the-studio-an-illustrated-magazin-image402287865.htmlRF2EADP7N–pen and ink study of trees by French landscape painter Henri Harpignies of the Barbizon school, in 1898 volume 13 of The Studio an Illustrated Magazin
Photography , Portrait of Étienne Pierre Théodore Rousseau, known as Théodore Rousseau (1812 - 1867), French painter and engraver. He is considered to be the co-founder of the Barbizon school. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photography-portrait-of-tienne-pierre-thodore-rousseau-known-as-thodore-rousseau-1812-1867-french-painter-and-engraver-he-is-considered-to-be-the-co-founder-of-the-barbizon-school-image570027209.htmlRM2T3AYEH–Photography , Portrait of Étienne Pierre Théodore Rousseau, known as Théodore Rousseau (1812 - 1867), French painter and engraver. He is considered to be the co-founder of the Barbizon school.
Landscape with Figures Date: c. 1870 Artist: Narcisse Virgile Diaz de la Peña French, 1807-1876 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-figures-date-c-1870-artist-narcisse-virgile-diaz-de-la-pea-french-1807-1876-image551197124.htmlRF2R0N5FG–Landscape with Figures Date: c. 1870 Artist: Narcisse Virgile Diaz de la Peña French, 1807-1876
Deer in a Landscape Karl Bodmer Swiss The Swiss artist Bodmer is best remembered today as among the earliest delineators of Native Americans and the landscape and fauna of the American West. Those Images he produced in 1832-34 as artist of the Missouri River expedition of Prince Alexander Philipp Maximilian of Neuwied (1782-1867). This undated watercolor, however, must belong to Bodmer’s long later career with the French Barbizon school of landscape painters. As in some of the pictures of that period, the deer species, as well as their environment, is undeterminable.. Deer in a Landscape 1276 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deer-in-a-landscape-karl-bodmer-swiss-the-swiss-artist-bodmer-is-best-remembered-today-as-among-the-earliest-delineators-of-native-americans-and-the-landscape-and-fauna-of-the-american-west-those-images-he-produced-in-1832-34-as-artist-of-the-missouri-river-expedition-of-prince-alexander-philipp-maximilian-of-neuwied-1782-1867-this-undated-watercolor-however-must-belong-to-bodmers-long-later-career-with-the-french-barbizon-school-of-landscape-painters-as-in-some-of-the-pictures-of-that-period-the-deer-species-as-well-as-their-environment-is-undeterminable-deer-in-a-landscape-1276-image458584725.htmlRM2HJ29DW–Deer in a Landscape Karl Bodmer Swiss The Swiss artist Bodmer is best remembered today as among the earliest delineators of Native Americans and the landscape and fauna of the American West. Those Images he produced in 1832-34 as artist of the Missouri River expedition of Prince Alexander Philipp Maximilian of Neuwied (1782-1867). This undated watercolor, however, must belong to Bodmer’s long later career with the French Barbizon school of landscape painters. As in some of the pictures of that period, the deer species, as well as their environment, is undeterminable.. Deer in a Landscape 1276
Rousseau, Theodore, 15.4.1812 - 22.12.1867, French painter, portrait, wood engraving, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rousseau-theodore-1541812-22121867-french-painter-portrait-wood-engraving-23531718.htmlRMBA7XXE–Rousseau, Theodore, 15.4.1812 - 22.12.1867, French painter, portrait, wood engraving,
Museum Foundation for the Form in Rotterdam Room Hague School: background department Barbizon, November 20, 1958, backgrounds, department, rooms, The Netherlands, 20th century press agency photo, news to remember, documentary, historic photography 1945-1990, visual stories, human history of the Twentieth Century, capturing moments in time Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-foundation-for-the-form-in-rotterdam-room-hague-school-background-department-barbizon-november-20-1958-backgrounds-department-rooms-the-netherlands-20th-century-press-agency-photo-news-to-remember-documentary-historic-photography-1945-1990-visual-stories-human-history-of-the-twentieth-century-capturing-moments-in-time-image428920583.htmlRM2FWR0G7–Museum Foundation for the Form in Rotterdam Room Hague School: background department Barbizon, November 20, 1958, backgrounds, department, rooms, The Netherlands, 20th century press agency photo, news to remember, documentary, historic photography 1945-1990, visual stories, human history of the Twentieth Century, capturing moments in time
Museum Foundation Form Rotterdam Hall Hague School: Background Section Barbizon Date: November 20, 1958 Location: Rotterdam, South Holland Keywords: backgrounds, department, function rooms person Name: Barbizon, Museum Foundation Mold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-foundation-form-rotterdam-hall-hague-school-background-section-barbizon-date-november-20-1958-location-rotterdam-south-holland-keywords-backgrounds-department-function-rooms-person-name-barbizon-museum-foundation-mold-image342507845.htmlRM2AW6G71–Museum Foundation Form Rotterdam Hall Hague School: Background Section Barbizon Date: November 20, 1958 Location: Rotterdam, South Holland Keywords: backgrounds, department, function rooms person Name: Barbizon, Museum Foundation Mold
Jean-Francois Millet (1814-1875), portrait by Nadar, c. 1856-58 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-francois-millet-1814-1875-portrait-by-nadar-c-1856-58-image465564888.htmlRM2J1C8NC–Jean-Francois Millet (1814-1875), portrait by Nadar, c. 1856-58
Frank Duveneck . y realists with Courbetat their head. In place apart stood Corot andMillet, whose art though closely associatedwith the Barbizon School is yet greater. Something of all these was reflected in Mu-nich in the sixties, and what is for us most in-teresting is the fact that two men there at leastwere following a course parallel to that ofCourbet. These men were Wilhelm Leibl,whose influence in Munich was very strongeven then, and Wilhelm von Dietz, the younginstructor into whose hands Duveneck fell.Their art, resisting the artificialities of theolder painters, Piloty and Makart, ha Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frank-duveneck-y-realists-with-courbetat-their-head-in-place-apart-stood-corot-andmillet-whose-art-though-closely-associatedwith-the-barbizon-school-is-yet-greater-something-of-all-these-was-reflected-in-mu-nich-in-the-sixties-and-what-is-for-us-most-in-teresting-is-the-fact-that-two-men-there-at-leastwere-following-a-course-parallel-to-that-ofcourbet-these-men-were-wilhelm-leiblwhose-influence-in-munich-was-very-strongeven-then-and-wilhelm-von-dietz-the-younginstructor-into-whose-hands-duveneck-felltheir-art-resisting-the-artificialities-of-theolder-painters-piloty-and-makart-ha-image339287795.htmlRM2AKYW17–Frank Duveneck . y realists with Courbetat their head. In place apart stood Corot andMillet, whose art though closely associatedwith the Barbizon School is yet greater. Something of all these was reflected in Mu-nich in the sixties, and what is for us most in-teresting is the fact that two men there at leastwere following a course parallel to that ofCourbet. These men were Wilhelm Leibl,whose influence in Munich was very strongeven then, and Wilhelm von Dietz, the younginstructor into whose hands Duveneck fell.Their art, resisting the artificialities of theolder painters, Piloty and Makart, ha
Millet Jean-François - Peasant Mother Holding Her Baby Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/millet-jean-franois-peasant-mother-holding-her-baby-image211005607.htmlRFP783PF–Millet Jean-François - Peasant Mother Holding Her Baby
'Ziem', c1869. Artist: Charles Chaplin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ziem-c1869-artist-charles-chaplin-image218485776.htmlRMPKCTRC–'Ziem', c1869. Artist: Charles Chaplin.
'Le Départ Por Le Travail', 1863. Artist: Jean Francois Millet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-le-dpart-por-le-travail-1863-artist-jean-francois-millet-135251816.htmlRMHT1720–'Le Départ Por Le Travail', 1863. Artist: Jean Francois Millet.
Jean-Baptiste-Camille Corot, French landscape painter and printmaker, 1875. Artist: Smeeton and Tilly Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-camille-corot-french-landscape-painter-and-printmaker-1875-artist-smeeton-and-tilly-image262762100.htmlRMW7DRMM–Jean-Baptiste-Camille Corot, French landscape painter and printmaker, 1875. Artist: Smeeton and Tilly
The Return to the Fold, Oil on canvas, 19 3/4 x 33 7/8 in. (50.2 x 86 cm), Paintings, Anton Mauve (Dutch, Zaandam 1838–1888 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-return-to-the-fold-oil-on-canvas-19-34-x-33-78-in-502-x-86-cm-162537341.htmlRMKCC611–The Return to the Fold, Oil on canvas, 19 3/4 x 33 7/8 in. (50.2 x 86 cm), Paintings, Anton Mauve (Dutch, Zaandam 1838–1888
Jean-Francois Millet, 19th century French painter, (1900).Artist: Jean Francois Millet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-francois-millet-19th-century-french-painter-1900artist-jean-francois-millet-image262745649.htmlRMW7D2N5–Jean-Francois Millet, 19th century French painter, (1900).Artist: Jean Francois Millet
Summer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-summer-27438428.htmlRMBGHWYT–Summer
'Le Départ Por Le Travail', 1863. Artist: Jean Francois Millet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-dpart-por-le-travail-1863-artist-jean-francois-millet-image262785158.htmlRMW7EW46–'Le Départ Por Le Travail', 1863. Artist: Jean Francois Millet.
Henri-Joseph Harpignies, French painter and printmaker, 1901. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-henri-joseph-harpignies-french-painter-and-printmaker-1901-artist-28827716.htmlRMBJW618–Henri-Joseph Harpignies, French painter and printmaker, 1901. Artist: Unknown
Photography , Portrait of Jean François Millet (1814 - 1875) a 19th century French realist painter, pastellist, engraver and draftsman, he is one of the founders of the Barbizon school. It is famous in particular for its rural and peasant scenes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photography-portrait-of-jean-franois-millet-1814-1875-a-19th-century-french-realist-painter-pastellist-engraver-and-draftsman-he-is-one-of-the-founders-of-the-barbizon-school-it-is-famous-in-particular-for-its-rural-and-peasant-scenes-image570027214.htmlRM2T3AYEP–Photography , Portrait of Jean François Millet (1814 - 1875) a 19th century French realist painter, pastellist, engraver and draftsman, he is one of the founders of the Barbizon school. It is famous in particular for its rural and peasant scenes.
Jean Francois Millet, French artist, 1858. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-francois-millet-french-artist-1858-artist-unknown-28829606.htmlRMBJW8CP–Jean Francois Millet, French artist, 1858. Artist: Unknown
The Return to the Fold Anton Mauve Dutch Mauve was a leading member of the Hague school, the Dutch counterpart to the Barbizon school of painters in France. He painted everyday subjects drawn from his local landscape in southwest Holland. This work depicts one of Mauve’s favorite and most popular subjects, a shepherd and his flock. Prices varied depending on whether the picture featured 'sheep coming,' or, as here, the slightly less expensive 'sheep going.' Vincent van Gogh, who was the cousin of Mauve’s wife, studied with Mauve in the winter of 1881–82, and admired him as 'a great interpreter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-return-to-the-fold-anton-mauve-dutch-mauve-was-a-leading-member-of-the-hague-school-the-dutch-counterpart-to-the-barbizon-school-of-painters-in-france-he-painted-everyday-subjects-drawn-from-his-local-landscape-in-southwest-holland-this-work-depicts-one-of-mauves-favorite-and-most-popular-subjects-a-shepherd-and-his-flock-prices-varied-depending-on-whether-the-picture-featured-sheep-coming-or-as-here-the-slightly-less-expensive-sheep-going-vincent-van-gogh-who-was-the-cousin-of-mauves-wife-studied-with-mauve-in-the-winter-of-188182-and-admired-him-as-a-great-interpreter-image458639402.htmlRM2HJ4R6J–The Return to the Fold Anton Mauve Dutch Mauve was a leading member of the Hague school, the Dutch counterpart to the Barbizon school of painters in France. He painted everyday subjects drawn from his local landscape in southwest Holland. This work depicts one of Mauve’s favorite and most popular subjects, a shepherd and his flock. Prices varied depending on whether the picture featured 'sheep coming,' or, as here, the slightly less expensive 'sheep going.' Vincent van Gogh, who was the cousin of Mauve’s wife, studied with Mauve in the winter of 1881–82, and admired him as 'a great interpreter
Jean Baptiste Camille Corot, French artist, c1845-1875. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-baptiste-camille-corot-french-artist-c1845-1875-artist-unknown-28830160.htmlRMBJW94G–Jean Baptiste Camille Corot, French artist, c1845-1875. Artist: Unknown
Rocky Shore Worthington Whittredge (American, 1820-1910). , 1867. Oil on canvas, 13 7/8 x 20 1/4 in. (35.2 x 51.4 cm). An important figure in the second generation of Hudson River School painters, Whittredge was a friend and sketching companion of several of the artists on view here, including Sanford Gifford, William Haseltine, and Jervis McEentee. In this small coastal scene, probably of Newport, Rhode Island, Whittredge experimented with the broad, richly textured manner of the French Barbizon school—a style that would characterize his landscapes after 1880. American Art 1867 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rocky-shore-worthington-whittredge-american-1820-1910-1867-oil-on-canvas-13-78-x-20-14-in-352-x-514-cm-an-important-figure-in-the-second-generation-of-hudson-river-school-painters-whittredge-was-a-friend-and-sketching-companion-of-several-of-the-artists-on-view-here-including-sanford-gifford-william-haseltine-and-jervis-mceentee-in-this-small-coastal-scene-probably-of-newport-rhode-island-whittredge-experimented-with-the-broad-richly-textured-manner-of-the-french-barbizon-schoola-style-that-would-characterize-his-landscapes-after-1880-american-art-1867-image504690441.htmlRM2M92HPH–Rocky Shore Worthington Whittredge (American, 1820-1910). , 1867. Oil on canvas, 13 7/8 x 20 1/4 in. (35.2 x 51.4 cm). An important figure in the second generation of Hudson River School painters, Whittredge was a friend and sketching companion of several of the artists on view here, including Sanford Gifford, William Haseltine, and Jervis McEentee. In this small coastal scene, probably of Newport, Rhode Island, Whittredge experimented with the broad, richly textured manner of the French Barbizon school—a style that would characterize his landscapes after 1880. American Art 1867
!['Le Peintre Henri-Joseph Harpignies', 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916". Stock Photo](https://c8.alamy.com/comp/2P0XEHM/le-peintre-henri-joseph-harpignies-1916-from-quotcollection-de-la-guerre-iv-lillustration-tome-cxlviii-la-guerre-juillet-aout-septembre-octobre-novembre-decembre-1916quot-2P0XEHM.jpg "'Le Peintre Henri-Joseph Harpignies', 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916". Stock Photo")
'Le Peintre Henri-Joseph Harpignies', 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916". Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-peintre-henri-joseph-harpignies-1916-from-quotcollection-de-la-guerre-iv-lillustration-tome-cxlviii-la-guerre-juillet-aout-septembre-octobre-novembre-decembre-1916quot-image534103632.htmlRM2P0XEHM–'Le Peintre Henri-Joseph Harpignies', 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916".
Spring Chickens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-spring-chickens-27438401.htmlRMBGHWXW–Spring Chickens
A Back Road Frederick Childe Hassam (American, 1859-1935). A Back Road, 1884. Oil on canvas, frame: 37 7/8 x 32 x 3 1/4 in. (96.2 x 81.3 x 8.3 cm). Throughout his career, Frederick Childe Hassam made several extended trips to Europe, where he was inspired by the sights and the many artists he met there. A Back Road, completed the year after his first European tour, demonstrates a compositional daring and freedom of brushwork that were still unusual in American art of this period. Influenced by the work of the nineteenth-century French Barbizon School, Hassam emphasized heavy brushstrokes and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-back-road-frederick-childe-hassam-american-1859-1935-a-back-road-1884-oil-on-canvas-frame-37-78-x-32-x-3-14-in-962-x-813-x-83-cm-throughout-his-career-frederick-childe-hassam-made-several-extended-trips-to-europe-where-he-was-inspired-by-the-sights-and-the-many-artists-he-met-there-a-back-road-completed-the-year-after-his-first-european-tour-demonstrates-a-compositional-daring-and-freedom-of-brushwork-that-were-still-unusual-in-american-art-of-this-period-influenced-by-the-work-of-the-nineteenth-century-french-barbizon-school-hassam-emphasized-heavy-brushstrokes-and-image504705394.htmlRM2M938TJ–A Back Road Frederick Childe Hassam (American, 1859-1935). A Back Road, 1884. Oil on canvas, frame: 37 7/8 x 32 x 3 1/4 in. (96.2 x 81.3 x 8.3 cm). Throughout his career, Frederick Childe Hassam made several extended trips to Europe, where he was inspired by the sights and the many artists he met there. A Back Road, completed the year after his first European tour, demonstrates a compositional daring and freedom of brushwork that were still unusual in American art of this period. Influenced by the work of the nineteenth-century French Barbizon School, Hassam emphasized heavy brushstrokes and
Training the Surf Horse Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-training-the-surf-horse-27438815.htmlRMBGHXDK–Training the Surf Horse
Newport Homer Dodge Martin (American, 1836-1897). Newport, 1881. Black and white Conté crayon on moderately thick, slightlyk textured, green-grey wove paper, Sheet: 6 1/4 x 10 5/8 in. (15.9 x 27 cm). In this plein air sketch of Newport, on the Isle of Wight in England, Homer Dodge Martin outlined topographical forms and then used freer strokes of crayon to depict grassy areas and the hazy sky. The atmospheric and emotional qualities of this work indicate the growing influence of the French Barbizon School on American artists. Martin captured a sense of solitude in this landscape, with the onl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/newport-homer-dodge-martin-american-1836-1897-newport-1881-black-and-white-cont-crayon-on-moderately-thick-slightlyk-textured-green-grey-wove-paper-sheet-6-14-x-10-58-in-159-x-27-cm-in-this-plein-air-sketch-of-newport-on-the-isle-of-wight-in-england-homer-dodge-martin-outlined-topographical-forms-and-then-used-freer-strokes-of-crayon-to-depict-grassy-areas-and-the-hazy-sky-the-atmospheric-and-emotional-qualities-of-this-work-indicate-the-growing-influence-of-the-french-barbizon-school-on-american-artists-martin-captured-a-sense-of-solitude-in-this-landscape-with-the-onl-image504685682.htmlRM2M92BMJ–Newport Homer Dodge Martin (American, 1836-1897). Newport, 1881. Black and white Conté crayon on moderately thick, slightlyk textured, green-grey wove paper, Sheet: 6 1/4 x 10 5/8 in. (15.9 x 27 cm). In this plein air sketch of Newport, on the Isle of Wight in England, Homer Dodge Martin outlined topographical forms and then used freer strokes of crayon to depict grassy areas and the hazy sky. The atmospheric and emotional qualities of this work indicate the growing influence of the French Barbizon School on American artists. Martin captured a sense of solitude in this landscape, with the onl
Light Triumphant Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-light-triumphant-27438757.htmlRMBGHXBH–Light Triumphant
A French Homestead Julian Alden Weir (American, 1852-1919). A French Homestead, 1878. Oil on canvas, frame: 27 1/2 x 31 x 2 in. (69.9 x 78.7 x 5.1 cm). This early canvas by Julian Alden Weir is a visual homage to the Barbizon School, a group of nineteenth-century French painters who worked in a village of the same name near the Forest of Fontainebleau, on the outskirts of Paris. This style of painting, characterized by a sunlit palette of greens and browns, brushy application of paint, and pastoral depiction of nature, was absorbed by the artist while training abroad between 1873 and 1877. We Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-french-homestead-julian-alden-weir-american-1852-1919-a-french-homestead-1878-oil-on-canvas-frame-27-12-x-31-x-2-in-699-x-787-x-51-cm-this-early-canvas-by-julian-alden-weir-is-a-visual-homage-to-the-barbizon-school-a-group-of-nineteenth-century-french-painters-who-worked-in-a-village-of-the-same-name-near-the-forest-of-fontainebleau-on-the-outskirts-of-paris-this-style-of-painting-characterized-by-a-sunlit-palette-of-greens-and-browns-brushy-application-of-paint-and-pastoral-depiction-of-nature-was-absorbed-by-the-artist-while-training-abroad-between-1873-and-1877-we-image504684324.htmlRM2M92A04–A French Homestead Julian Alden Weir (American, 1852-1919). A French Homestead, 1878. Oil on canvas, frame: 27 1/2 x 31 x 2 in. (69.9 x 78.7 x 5.1 cm). This early canvas by Julian Alden Weir is a visual homage to the Barbizon School, a group of nineteenth-century French painters who worked in a village of the same name near the Forest of Fontainebleau, on the outskirts of Paris. This style of painting, characterized by a sunlit palette of greens and browns, brushy application of paint, and pastoral depiction of nature, was absorbed by the artist while training abroad between 1873 and 1877. We
Pine Grove, Barbeni Villa, Albano Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pine-grove-barbeni-villa-albano-27438780.htmlRMBGHXCC–Pine Grove, Barbeni Villa, Albano
A French Homestead Julian Alden Weir (American, 1852-1919). A French Homestead, 1878. Oil on canvas, frame: 27 1/2 x 31 x 2 in. (69.9 x 78.7 x 5.1 cm). This early canvas by Julian Alden Weir is a visual homage to the Barbizon School, a group of nineteenth-century French painters who worked in a village of the same name near the Forest of Fontainebleau, on the outskirts of Paris. This style of painting, characterized by a sunlit palette of greens and browns, brushy application of paint, and pastoral depiction of nature, was absorbed by the artist while training abroad between 1873 and 1877. We Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-french-homestead-julian-alden-weir-american-1852-1919-a-french-homestead-1878-oil-on-canvas-frame-27-12-x-31-x-2-in-699-x-787-x-51-cm-this-early-canvas-by-julian-alden-weir-is-a-visual-homage-to-the-barbizon-school-a-group-of-nineteenth-century-french-painters-who-worked-in-a-village-of-the-same-name-near-the-forest-of-fontainebleau-on-the-outskirts-of-paris-this-style-of-painting-characterized-by-a-sunlit-palette-of-greens-and-browns-brushy-application-of-paint-and-pastoral-depiction-of-nature-was-absorbed-by-the-artist-while-training-abroad-between-1873-and-1877-we-image504684304.htmlRM2M929YC–A French Homestead Julian Alden Weir (American, 1852-1919). A French Homestead, 1878. Oil on canvas, frame: 27 1/2 x 31 x 2 in. (69.9 x 78.7 x 5.1 cm). This early canvas by Julian Alden Weir is a visual homage to the Barbizon School, a group of nineteenth-century French painters who worked in a village of the same name near the Forest of Fontainebleau, on the outskirts of Paris. This style of painting, characterized by a sunlit palette of greens and browns, brushy application of paint, and pastoral depiction of nature, was absorbed by the artist while training abroad between 1873 and 1877. We
Landscape and Lagoon, New Rochelle 1884 David Johnson The often sublime, expansive topography characteristic of Johnson’s work as a Hudson River School painter was replaced late in his career by compositions of flat terrain, often, as in this drawing, dominated by a few large trees bordering a body of water in the foreground and admitting only a glimpse of a distant prospect at either side. This drawing was undoubtedly the model for the Museum’s painting “Bayside, New Rochelle, New York” (15.30.65). The site is characteristic of those that Johnson--following French Barbizon taste--preferred as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-and-lagoon-new-rochelle-1884-david-johnson-the-often-sublime-expansive-topography-characteristic-of-johnsons-work-as-a-hudson-river-school-painter-was-replaced-late-in-his-career-by-compositions-of-flat-terrain-often-as-in-this-drawing-dominated-by-a-few-large-trees-bordering-a-body-of-water-in-the-foreground-and-admitting-only-a-glimpse-of-a-distant-prospect-at-either-side-this-drawing-was-undoubtedly-the-model-for-the-museums-painting-bayside-new-rochelle-new-york-153065-the-site-is-characteristic-of-those-that-johnson-following-french-barbizon-taste-preferred-as-image458149326.htmlRM2HHAE3X–Landscape and Lagoon, New Rochelle 1884 David Johnson The often sublime, expansive topography characteristic of Johnson’s work as a Hudson River School painter was replaced late in his career by compositions of flat terrain, often, as in this drawing, dominated by a few large trees bordering a body of water in the foreground and admitting only a glimpse of a distant prospect at either side. This drawing was undoubtedly the model for the Museum’s painting “Bayside, New Rochelle, New York” (15.30.65). The site is characteristic of those that Johnson--following French Barbizon taste--preferred as
Search Results for Barbizon school Black & White Stock Photos and Images (42)
Page 1 of 1