RM2FM12DN–Greek Terracotta kylix (drinking cup) mid-5th century B.C. - Interior, Eros at a herm Exterior, obverse and reverse, banqueters
RMW51N4Y–STATUETTES OF THREE BANQUETERS, 550–525 B.C., Bronze
RF2G50F35–Ancient Egypt. Middle Kingdom, the Twelfth Dynasty. The Harper Singing To The Banqueters. (Leyden Museum). 1912 book illustration
RMRY5MR0–The Banqueters, plate 9: What a pitiful idea we have..., 1849. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.5 x 25.5 cm (14 x 10 1/16 in.); image: 25.4 x 20.7 cm (10 x 8 1/8 in
RMPA8BW5–Terracotta stemmed kyathos (single-handled cup). Culture: Etruscan. Dimensions: H. 9 in. (22.9 cm); H. with handle 16 1/8 in. (41 cm); diameter of mouth 10 in. (25.4 cm). Date: ca. 575-550 B.C.. Oversized, elaborately decorated wine cups of this type are popular products of bucchero workshops at Vulci. Some are too large and heavy, especially when filled, to have been used by living banqueters. They may have been made expressly for the dead. Museum: Metropolitan Museum of Art, New York, USA.
RMPJTPYW–BASSEN, Bartholomeus van, Renaissance Interior with Banqueters, 1618-20.
RMPA29JP–180 Banquet for scientists in the Tyrolean Alps at the 1904 World's Fair, 22 September 1904. (View of banqueters standing, most looking to the left)
RM2A52DH0–The Banqueters, plate 9: What a pitiful idea we have..., 1849.
RMMMRCKH–Nederlands: Renaissance interieurs met eters. English: Renaissance Interior with Banqueters. between 1618 and 1620. BASSEN, Bartholomeus van, Renaissance Interior with Banqueters, 1618-20
RMKCP013–Banquet for scientists in the Tyrolean Alps at the 1904 World's Fair, 22 September 1904. (View of banqueters standing, most looking to the left)
RMHKKRRY–BASSEN, Bartholomeus van, Renaissance Interior with Banqueters, 1618-20
RM2B9DTKJ–It is the delight of the ball. / 10. (registered title) |. The banqueters (as a whole)
RM2T93M9B–Renaissance Interior with Banqueters 1618-20 by Bartholomeus Van Bassen
RF2HW47YY–Art inspired by Terracotta relief of a reclining youth, Classical, 5th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 5 in. (12.7 cm), Terracottas, The figure belongs rather early in the extensive series of Tarentine reliefs depicting reclining banqueters, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2F5DN95–Statuettes of Three Banqueters. Unknown
RF2HW4CE7–Art inspired by Terracotta kylix (drinking cup), Classical, mid-5th century B.C., Greek, Attic, Terracotta; red-figure, width 11 3/4in. (29.9cm); diameter 9in. (22.9cm), Vases, Interior, Eros at a herm, Exterior, obverse and reverse, banqueters. The earliest herms were square stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2J00YE0–Stamnos with Reclining Banqueters and Revelers. Michigan Painter (attributed to the) (Greece, active circa 500 B.C.). Greece, Attica, circa 500 B.C.. Furnishings; Serviceware. Black-figure ceramic with added red and white
RF2B9795G–STATUETTES OF THREE BANQUETERS, 550–525 B.C., Bronze, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2H11NYN–The Banqueters, plate 9: What a pitiful idea we have..., 1849. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.5 x 25.5 cm (14 x 10 1/16 in.); image: 25.4 x 20.7 cm (10 x 8 1/8 in.).
RMGF13FF–Etruscan Art. Italy. Sarcophagus of the Spouses. Terracotta with polychrome. Ca. 520-510 B.C. From Cerveteri (Banditaccia Necropolis). Detail. Louvre Museum. Paris. France.
RM2HH4206–Terracotta relief of a reclining youth 5th century B.C. Greek, South Italian, Tarentine The figure belongs rather early in the extensive series of Tarentine reliefs depicting reclining banqueters.. Terracotta relief of a reclining youth. Greek, South Italian, Tarentine. 5th century B.C.. Terracotta. Classical. Terracottas
RMG0CDCJ–Etruscan art. Sarcophagus of the spouses. 6th century BC. Necropolis of Banditaccia, Cerveteri, Italy. Clay.
RMRY5MPY–published in le Charivari (21 November 1848): The Banqueters, plate 5: Rifolard opens the ball, 1848. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.8 x 25.6 cm (14 1/8 x 10 1/16 in.); image: 26 x 20.8 cm (10 1/4 x 8 3/16 in
RMPAAH98–Terracotta kylix (drinking cup). Culture: Greek, Attic. Dimensions: width 11 3/4in. (29.9cm); diameter 9in. (22.9cm). Date: mid-5th century B.C.. Interior, Eros at a herm Exterior, obverse and reverse, banqueters The earliest herms were square stone pillars terminating in a bearded head of Hermes, the god of boundaries. They were introduced in Athens about 520 B.C by Hipparchos, the son of the tyrant Peisistratos, to mark points midway between the various Attic villages and the Athenian Agora. Soon herms stood before private houses and sanctuaries, as well. Museum: Metropolitan Museum of
RM2H12BJ9–published in le Charivari (21 November 1848): The Banqueters, plate 5: Rifolard opens the ball, 1848. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.8 x 25.6 cm (14 1/8 x 10 1/16 in.); image: 26 x 20.8 cm (10 1/4 x 8 3/16 in.).
RM2AN3TP1–Carpenter . .-<^^^ Local Union 146, Schenectady, N. Y. Celebrating 25th Anniversary.Editor The Carpenter: Wednesday evening, March 8th, themembers of Local Union 146, Schenectady,N. Y., their families and friends, celebratedthe twenty-fifth anniversary of the Local.Union. The affair proved a great success.Five long tables spread with good thingswere necessary in order to accommodatethe host of banqueters. Eevitts orchestrafurnished most excellent music. After the supper, Brother Fred LaCasse,president of the Local Union, calling thegathering to order and announcing theprogram of the evening
RM2HH4M9P–Terracotta stemmed kyathos (single-handled cup) ca. 575–550 B.C. Etruscan Oversized, elaborately decorated wine cups of this type are popular products of bucchero workshops at Vulci. Some are too large and heavy, especially when filled, to have been used by living banqueters. They may have been made expressly for the dead.. Terracotta stemmed kyathos (single-handled cup). Etruscan. ca. 575–550 B.C.. Terracotta; bucchero pesante. Archaic. Vases
RM2A52DGH–The Banqueters, plate 5: Rifolard opens the ball, 1848.
RM2H121NM–published in le Charivari (11 January 1849): The Banqueters, plate 4: Rifolard is more charming than ever..., 1848. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.8 x 25.6 cm (14 1/8 x 10 1/16 in.); image: 24.3 x 20.4 cm (9 9/16 x 8 1/16 in.).
RM2DCBW6T–The Council Dinner at the Victoria Archery Rooms, the Trial of Implements at Swathling, 1844. Scenes during the annual show of the Royal Agricultural Society of England, at Southampton. From "Pictorial Times", 1844.
RM2B9DT29–187me toast / 3. (registered title) | The banqueters (as a whole).
RM2HJ0RED–Terracotta fragment with the upper body of a bearded man 4th century B.C. Greek, South Italian, Tarentine The figure of whom this is a fragment probably represented a reclining banqueter. It is impossible to say whether he is a mortal or a god, specifically Dionysos. Of particular interest is the position of his head. Banqueters virtually always recline with their bodies to their right and often look in the same direction. The position of the head here suggests the presence of a figure to his left or the effect of the wine.. Terracotta fragment with the upper body of a bearded man. Greek, Sout
RFTAR9JF–Tomb of the infernal chariot the grave (tomba della quadriga infernale) loc Pianacce, Sarteano,Italy
RM2HH6MNF–Limestone group: banquet end of the 6th century B.C. Cypriot Five figures are disposed around the edge of an irregular plinth. They face inward; a cutting may have held an altar or offering table. The banqueters recline on cushions, not on couches as in Greece. The central male figure is alone. On either side is a couple, a reclining male and a woman seated at his knees. The heads probably do not belong with the bodies. As with the terracotta group scenes, the Cypriot artist used all means at his disposal to render familiar subjects. The malleable clay and soft limestone facilitated his effort
RF2HW48FH–Art inspired by Terracotta stemmed kyathos (single-handled cup), Archaic, ca. 575–550 B.C., Etruscan, Terracotta; bucchero pesante, H. 9 in. (22.9 cm); H. with handle 16 1/8 in. (41 cm); diameter of mouth 10 in. (25.4 cm), Vases, Oversized, elaborately decorated wine cups of this type, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HHEB4T–Silver bowl ca. 675–625 B.C. Cypriot The particularly dense decoration consists of a tondo surrounded by four friezes. In the center, the Egyptian goddess Isis suckles her son Horus amid papyrus plants. The innermost frieze shows a shepherd, a horse, a cow and calf. The next frieze presents six banqueters attended by men and women. The third zone combines banqueters with tribute bearers. The outermost zone depicts figures in carts departing from a citadel to a palm grove and going back. The carts are particularly reminiscent of the terracotta models. The Isis motif and the fortifications deriv
RM2WTGDMK–Banquet of Agamemnon with Clytaemnestra and Aegisthus . unknown c. 1660 Tapestry Dimensions: H 7'9' x W 13'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. N. L. McCready 7/3/1917; sold to J. Goldman 3/18/1925. King (?) & queen seated at head of table (L) as man in robe & wearing laurel wreath approaches; banqueters seated around table as 1 attendant brings in peacock on platter & another brings a bowl of fruit; curtain on L & tree on R Borders missing. French & Co. sent to Chateauvert for cleaning & repairin
RMG0CDB8–Etruscan art. Sarcophagus of the spouses. 6th century BC. Necropolis of Banditaccia, Cerveteri, Italy. Clay. Detail man head.
RMRY5MPT–published in le Charivari (11 January 1849): The Banqueters, plate 4: Rifolard is more charming than ever..., 1848. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.8 x 25.6 cm (14 1/8 x 10 1/16 in.); image: 24.3 x 20.4 cm (9 9/16 x 8 1/16 in
RMPB0EBY–Terracotta fragment with the upper body of a bearded man. Culture: Greek, South Italian, Tarentine. Dimensions: H. 4 5/8 in. (11.7 cm). Date: 4th century B.C.. The figure of whom this is a fragment probably represented a reclining banqueter. It is impossible to say whether he is a mortal or a god, specifically Dionysos. Of particular interest is the position of his head. Banqueters virtually always recline with their bodies to their right and often look in the same direction. The position of the head here suggests the presence of a figure to his left or the effect of the wine. Museum: Metropo
RMKC5BPT–Terracotta relief of a reclining youth, 5th century B.C
RM2ANDPHM–The cities and cemeteries of Etruria . rment of Elysium. On the tripod sideboardstand a large mixing-bowl, and two amplwne, with five smallamochoce of different sizes, a short thymiateriiim, or censer, withfire burning, and a small white casket, probably for the incense.The table is flanked by two tall candelabra reaching almost tothe ceiling, each with three beaks : each beak holding a lighted 58 OEYTETO. [CHAP. XXXVII. candle, just like those of modern days.7 The attendant slavesin this scene appear to be carrying wine to the banqueters, and. seem not to heed the presence of the august perso
RM2A52DGJ–The Banqueters, plate 4: Rifolard is more charming than ever..., 1848.
RM2HT6CNT–Annual Dinner of the Governors of Bridewell and Bethlem Hospitals, in the Hall, Bridewell, [London], 1850. 'The entertainment takes place in the Great Hall of Bridewell Hospital, a magnificent wainscoted apartment...The President [Sir Peter Laurie]...gave a short summary of the proceedings in each Hospital during the past year, from which it appears that 316 patients had been admitted into Bethlem Hospital, and maintained there free of all charge; and that during the same period 175 patients had been discharged cured. He also stated that 80 poor destitute young offenders had been admitted into
RM2B9DTM8–What damn idea we had [...] / 9. (registered title) | The banqueters (as a whole).
RF2HW42Y0–Art inspired by Limestone group: banquet, Archaic, end of the 6th century B.C., Cypriot, Limestone, H.: 6 7/8 x 17 1/2 x 11 1/4 in. (17.5 x 44.5 x 28.6 cm), Stone Sculpture, Five figures are disposed around the edge of an irregular plinth. They face inward; a cutting may have held an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WTG88X–Banquet of Agamemnon with Clytaemnestra and Aegisthus . unknown c. 1660 Tapestry Dimensions: H 7'9' x W 13'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. N. L. McCready 7/3/1917; sold to J. Goldman 3/18/1925. King (?) & queen seated at head of table (L) as man in robe & wearing laurel wreath approaches; banqueters seated around table as 1 attendant brings in peacock on platter & another brings a bowl of fruit; curtain on L & tree on R Borders missing. French & Co. sent to Chateauvert for cleaning & repairin
RMPAAAY9–Silver bowl. Culture: Cypriot. Dimensions: H. 1 3/8 in. (3.5 cm) diameter 6 in. (15.3 cm). Date: ca. 675-625 B.C.. The particularly dense decoration consists of a tondo surrounded by four friezes. In the center, the Egyptian goddess Isis suckles her son Horus amid papyrus plants. The innermost frieze shows a shepherd, a horse, a cow and calf. The next frieze presents six banqueters attended by men and women. The third zone combines banqueters with tribute bearers. The outermost zone depicts figures in carts departing from a citadel to a palm grove and going back. The carts are particularly
RMKC7653–Terracotta stemmed kyathos (single-handled cup), ca. 575–550 B.C
RM2CEN47M–. The life of Abraham Lincoln : drawn from original sources and containing many speeches, letters, and telegrams hitherto unpublished. ngfield. The entireLong Nine, indeed, were regarded by the county as itsbenefactors, and throughout the summer there were barbe-cues and fireworks, dinners and speeches in their honor. Theservice rendered Old Sangamon by the present delegationwas a continually recurring toast at every gathering. At onesumptuous dinner the internal improvement scheme in allits phases was toasted again and again by the banqueters. The Long Nine of Old Sangamon—well done, good and
RMKC5BT8–Terracotta kylix (drinking cup), mid-5th century B.C
RM2P1CBPW–Un banquet de barbistes, 19th century.The beautiful days of life - A barista banquet
RMKC79WN–Limestone group: banquet, end of the 6th century B.C
RM2R4DJ21–Presentation of a Sword to Major Hibbert, at Macclesfield, 1856. 'The sword is described in the Macclesfield Courier as "a splendid specimen of the cutler's art." The blade is richly embossed, and bears on one side an inscription of the several engagements in which Major Hugh Robert Hibbert, 7th Fusiliers, has been engaged, each in a scroll, diagonally: Bulgaria; the Alma; Sortie, 26th Oct., 1854; Inkerman; the Trenches; Redan, 18th June; Redan, 8th September; Sebastopol...[The sword was presented to Major Hibbert] in acknowledgment and admiration of his heroic and gallant services t
RM2B9DTKX–Certainly we have fun too Guillochard! [...] /8.(titre registered) |. The banqueters (as a whole)
RM2WTG40W–Banquet of Agamemnon with Clytaemnestra and Aegisthus . unknown c. 1660 Tapestry Dimensions: H 7'9' x W 13'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. N. L. McCready 7/3/1917; sold to J. Goldman 3/18/1925. King (?) & queen seated at head of table (L) as man in robe & wearing laurel wreath approaches; banqueters seated around table as 1 attendant brings in peacock on platter & another brings a bowl of fruit; curtain on L & tree on R Borders missing. French & Co. sent to Chateauvert for cleaning & repairin
RMPPFMRF–Etruscan Art. Italy. Sarcophagus of the Spouses. Terracotta with polychrome. Ca. 520-510 B.C. From Cerveteri (Banditaccia Necropolis). Detail. Louvre Museum. Paris. France.
RM2CDCEHE–. The Rotunda . he week-end at Blackstone. Margaret Rickaretts and MarthaMoore spent the week-end at the homeof the latter in Lexington. Mary Buford Epes spent the week-end at Chase City. Allie Oliver spent the week-end inLynchburg. Martha Seabury spent the week-endin Petersburg. ROTUNDA BANQUET The College Tea Room which forweeks past has been the frequentingplace of banqueters was again thescene of feastivities last Thursdayevening when the old and new Rotun-da staffs were entertained. The ban-quet room was particularly lovely andinviting with its tables decorated withcandles and cut flowers
RM2P1FCNT–The Feast of Herod. Salome Bringing the Head of St John the Baptist on a Charger, 1600-1699.
RM2K03XNJ–Fete to Officers of the English and French Forces, and the Greek Army and Navy, in the Acropolis at Athens, 1854. Scene during the Crimean War: a banquet for officers of the '...Army of Occupation, as well as to those of the men-of-war of the two Powers and of the Austrian vessels...The banquet was given in the interior of the Temple of Minerva, in the Acropolis, and thus borrowed from the locality a grandeur which forcibly struck all the foreigners present..The Fete was attended by General Magnan, and the officers (military and naval) of the French expeditionary force; Colonel Lockyer, K.H.,
RM2B9DTKE–Rofolard, contemplated by the English [...] / 7. (registered title) | The banqueters (as a whole).
RM2R6ETW8–The Banquet of Cleopatra. oil on canvas. Date: 1660. Museum: Smithsonian American Art Museum.
RM2WRGX12–Farewell banquet to the 109th Regiment at Kurrachee, [modern Karachi, Pakistan], 1864. '...the European residents...gave a farewell entertainment to that gallant corps...the whole regiment, including the women and children, were invited to dinner. Two long rows of tents...were pitched, beautifully decorated and lighted for the occasion...Some nine hundred persons sat down to the repast provided, which was of the most substantial land, while the hospitable folks of Kurrachee, both ladies and gentlemen, moved along the ranges of tables to see that their guests were properly served. Cheer after c
RM2B9DT2Y–The railway journey is less fun [...] / 2. (registered title) | The banqueters (as a whole).
RMRRNDN1–. Florists' review [microform]. Floriculture. u The Florists' Review MABCH 9, 1916. down in the evening at the tables in the large banquet hall of the Moline Commercial Club. • After a most satis- fying repast, the company was re- galed with a paper on Christmas and Easter flowering and foliage plants, read by W. E. Tricker, of Western Springs. The banqueters showed their appreciation by a rising vote of thanks. Then came a treat in the form of a serenade by a local glee club. Prof. Dorner's talks are always most welcome, and his remarks on what the Division of Floriculture is doing were recei
RM2FN92TE–Das Gastmahl des Trimalchio: pl. II (The Banquet of Trimalchio: pl. II), 1919.
RM2HT6CN1–Jubilee Dinner of the Clerkenwell Parochial Charity Schools, [London], 1850. 'The Schools were founded...for the purpose of educating and bringing up the children of the poor of the parish of Clerkenwell...from 500 to 600 children have been in daily attendance, of which number 105 boys and 70 girls are clothed as well as educated...The boys are instructed in reading, writing, and arithmetic; and the girls, in addition, in needlework. The upper school-room, in which the dinner took place, is a spacious but plain building...The guests numbered 150...the elder children, boys and girls, taking an
RM2B9DW5E–Rifolard is more charmed than ever [...] / 4 (registered title) | The banqueters (as a whole).
RMRRGE0R–. Florists' review [microform]. Floriculture. •*v;.»^r--T".f. ?' r /'? ".' -, r 1^ ? 14 UlaeFkdsts* ^-i.. JVLT 39, XMt banquet was held in the company's serv- ice room, which is 150 feet long and was decorated to represent an arbor, with Spanish moss hanging from the ceiling. Eobert C. Kerr, of Houston, the first president of the association, was toastmaster and a number of speeches, brief, witty and to the point, were made by visitors and local florists. In addition to the after-dinner speeches, Mr. Taylor, leader of the Kewanna quar- tet, of Fort Worth, led the banqueters in singin
RM2K5DH7R–Esquisse pour la mairie de Bagnolet : Un toast, 1893. Sketch for the town hall of Bagnolet (Seine-Saint-Denis). Open-air banquet at the foot of a windmill - a toast.
RM2E2JB8H–The Royal Banquet, at Rosenau, 1845. Dinner at the birthplace and boyhood home of Prince Albert in Germany. From "Illustrated London News", 1845, Vol VII.
RM2B9DT2X–Rifolard, opens the ball and runs [...] / 5. (registered title) | The banqueters (as a whole).
RM2K5E9CY–Sketch fo the Hôtel de Ville, Paris : garden party, c.1906. (Esquisse pour l'Hôtel de Ville de Paris : Fête champêtre).
RM2WRGXKB–Banquet given at the Exchange, Gottenburg, on the occasion of opening the railway between Gottenburg to Stockholm - from a sketch by our special artist, 1862. '...there was a ball at the Exchange, attended by about 1500 ladies and gentlemen. On the following evening a banquet was served in the same grand saloon. The King [Charles XV of Sweden and Norway], Prince Oscar, Prince August, and all the high dignitaries of State being seated at the upper end of the room, the remaining guests, in number about 600, taking dinner at the other tables standing. This was succeeded by a concert in the theatr
RM2B9DTK3–Several National Guards who had not thought [...] / 6. (registered title) |. The banqueters (as a whole)
RM2F99K64–Marriage at Cana.
RM2HT6998–Banquet in the Egyptian Hall, at the Mansion-House, 1850. Dinner celebrating plans for the Great Exhibition of 1851: 'the Prince Consort taking the seat of honour on the right of the Lord Mayor...the hall presented an extremely brilliant and gay aspect. The tables were loaded with a profusion of plate, costly vases, fruit, and rare exotics, many beautiful emblematical devices of art, trade, and manufactures being interspersed with more substantial viands. The pillars surrounding the hall were hung with banners bearing the arms of the several counties of England, Scotland, and Wales, and at eit
RM2B9DT2N–The National Guard Rifolard, not being released [...] / 1. (registered title) | The banqueters (as a whole).
RM2R8YMH3–Banquet of Distinguished Turkish Women, c.1720-c.1737.
RM2J3H4C4–Grand Dinner in the Masonic Hall, at Montreal, 1850. '...the citizens of Montreal [in Canada, decided on] the necessity of preparing a suitable display of Canadian industry, for exposition at the Great Industrial Congress of 1851 [to be held in London. It was therefore] '...decided to hold a Grand Provincial Industrial Exhibition, in the city of Montreal...[A dinner] was given by the Mayor and Corporation of the city, in the beautiful rooms of the Masonic Hall...The room...was tastefully decorated with fanciful devices of evergreens and flowers and the banners of all the national societies wer
RM2GPPE6F–The Feast in the House of Simon, 1608/14.
RM2HT6AB9–The Banquet in the Guildhall at York, 1850. 'At seven o'clock, his Royal Highness Prince Albert, accompanied by the Lord Mayor of York, entered the hall amidst loud cheers from the assembled company. His Royal Highness appeared to be much struck with the magnificent coup d'oeil...After grace had been pronounced at the close as at the beginning of the banquet by the Rev. Canon Trevor, "the loving cup" was passed round, after the customary greeting delivered in the name of the Lord Mayor to all his guests, in the usual civic fashion, by Mr. Harker, the London toastmaster, and a flouris
RM2K5E10J–Esquisse pour la salle des mariages de la mairie du 14ème : Repas nuptial, 1889. Wedding feast.
RM2R4DJA7–Dinner given by Frances Marchioness of Londonderry to Pitmen, on Chilton Moor, 1856. A 'great festal meeting' at a coalmine between Sunderland and Seaham in the north of England. Chilton was '...the largest colliery property in England in the hands of one individual...Producing an average approaching one million tons of coal per annum...a finer body of men than those 3000 sturdy pitmen who turned out at the bidding of their noble mistress could not have been assembled in any agricultural or manufacturing district in the kingdom...The walls were hung with coloured drapery...there were thirty ta
RM2T6CXRP–Feasting and musicians, 1290. Page from the Beaupré Antiphonary, vol. 2.
RM2HT656N–Grand Banquet to the Lord Mayor of London, at Hastings, [Sussex], 1850. 'The banquet took place in an elegant room, embellished with statues of the Muses. On a table, in the centre of the room, stood...the vast silver punch-bowl presented by the Barons who attended the coronation of King George II. and Queen Caroline...The more distinguished of the guests occupied a table...situated on a slightly elevated dais. Behind and above them were the national colours and the corporation arms. [The banquet] was provided by Mr. Carswell, of the Swan Hotel, assisted by Messrs. Ring and Brymer...'. The May
RM2T6BT8T–January: A Kitchen, published 1599. From The Twelve Months I, pl. 1.
RM2HT6BK4–Entertainment to the Non-Commissioned Officers and Privates of the Coldstream Guards, at the Portman-Street Barracks, 1850. British soldiers and their families at an event in London '...to celebrate the two hundredth anniversary of the enrolment of that distinguished corps by the gallant and celebrated General Monck...The men having sat down, grace was said by Sergeant-Major Hurle, who presided. His Royal Highness the Duke of Cambridge occupied a seat amongst the privates. The fare consisted of about 1400 lb. of beef, with a liberal supply of pudding and beer...The Sergeant, in eloquent terms,
RM2R8YJ3W–Night Banquet and Masquerade, 1580-1630. Copy after Joos van Winghe.
RM2HT6782–Banquet given at Wellington to Native Chiefs of New Zealand, 1850. '...an Entertainment lately given...by Dr. Fitzgerald...on the occasion of having received from Earl Grey a portrait of her Majesty Queen Victoria...At the head of the apartment, over the chair, was the portrait of her Majesty...Underneath were two splendid native war spears, forming...a triangle, from the apex of which a magnificent "mere pounamia," or greenstone club, was suspended; these, being emblems of New Zealand chieftainship, were intended to represent the cession of sovereignty to her Majesty the Queen. On e
RM2KFF9PX–Banquet in the Park of a French Castle, c. 1550.
RM2X21WX9–The International Naval Festival at Portsmouth: the Mayor's Banquet to the officers of the French fleet, 1865. 'The decorations, which had been intrusted to Mr. Dillon, of London, were of a novel and effective style...[The banquet was held in] one of Edgington's tents, 138 ft. long and 36 ft. wide, floored over, and lined with crimson and white cloth, also decorated with flags and coloured lamps. At the upper end, behind the Mayor's chair, was a bust of the Emperor Napoleon, above a shield bearing the arms of the town of Portsmouth, with the Mayor's chain and badge. On his right hand were the
RM2GPPFG3–The Wedding at Cana, c. 1686.
RM2HT663A–Reform Banquet in the Theatre, Wellington, New Zealand, 1850. 'Nearly two hundred guests sat down to a sumptuous dinner...On the stage was the chairman's table, from which three tables extended...towards the footlights...The stage was embellished with flags, evergreens, &c. A new scene, painted by Mr. Marriott, expressly for the occasion, tapestried the wall behind the chair; representing a Roman arch, flanked by columns, and surmounted by figures of Justice and Victory. The whole of the theatre and the staircase leading to the stage were hung with chandeliers of lights, whose brilliance s
RM2HFG0B9–Foreigners from Five Nations at a Banquet (Gokakoku ijin shuen no zu), 1861.
RM2WG0JY8–The Preston Guild Festival: the Royal North Lancashire Agricultural Society's dinner, 1862. 'The dinner on Wednesday afternoon was a grand success, so far as attendance was concerned. The congregation of 1700 people to satisfy the pangs of hunger presents an impressive scene, but when this force is seen to bivouac under umbrellas it becomes highly amusing. There is something unique in the sight of men thus sheltered performing gastronomic duets. What the rain could make uneatable was rendered so; but, as soon as the remainder had been discussed, Lord Derby - who had been conveyed from the Mayo
RM2G4GF4Y–The Banquet of Alexander the Great, 1544/46.
RM2HT67XP–Banquet given by the Mayor of Southampton to the Lord Mayor and Sheriffs of London, 1850. Dinner given by Richard Andrews, Mayor of Southampton in Hampshire, '...to celebrate the successful progress in South Hants of public feeling in favour of the Great Industrial Exhibition ot 1851'. The banquet took place in Southampton Town Hall, of which '...both the interior and exterior were fitted up magnificently...On the tables were vases filled with flowers, and the top of the hall was wreathed with flowers and evergreens...The judicial bench formed a dais at which the principal guests sat'. Many to
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