Alamy logo

Attic 400 Stock Photos and Images

(256)See attic 400 stock video clips
Quick filters:

Attic 400 Stock Photos and Images

Fragment of a marble grave stele of a woman Greek Attic 400-390 BC daughter of Omenes Stock Photo
RMCXTD1G–Fragment of a marble grave stele of a woman Greek Attic 400-390 BC daughter of Omenes
Classical antiquity, vase, hydria, kalpis, earthenware, red configuration, Attic, 8.6 cm, ø 4.9 cm, classical, red configuration, Attic -400, -300, Libya Stock Photo
RM2B0ERBK–Classical antiquity, vase, hydria, kalpis, earthenware, red configuration, Attic, 8.6 cm, ø 4.9 cm, classical, red configuration, Attic -400, -300, Libya
Tomb stone of Hegeso, daughter of Proxenos, Attic artwork, Greece 400 bc Stock Photo
RM2M4B5PK–Tomb stone of Hegeso, daughter of Proxenos, Attic artwork, Greece 400 bc
Dionysus & Ariadne escorted by Eros, on an Attic cup 400-390BC -. Dionysus or Dionysos associated with Roman Liber, the Greek god of wine, represents not only the intoxicating power of wine, but also its social and beneficial influences. He was also known as Bacchus. He is viewed as the promoter of civilization, a lawgiver, and lover of skeptic as well as the patron deity of agriculture and the theatre. He was also known as the Liberator -. Ariadne, later became the consort of the god Dionysus -. Eros is depicted as an angel who wears a white robe, carries a bow with heart shaped arrows and a Stock Photo
RMWHB4E0–Dionysus & Ariadne escorted by Eros, on an Attic cup 400-390BC -. Dionysus or Dionysos associated with Roman Liber, the Greek god of wine, represents not only the intoxicating power of wine, but also its social and beneficial influences. He was also known as Bacchus. He is viewed as the promoter of civilization, a lawgiver, and lover of skeptic as well as the patron deity of agriculture and the theatre. He was also known as the Liberator -. Ariadne, later became the consort of the god Dionysus -. Eros is depicted as an angel who wears a white robe, carries a bow with heart shaped arrows and a
Greek attic pottery depicting Greek women wearing festive clothing collecting water for a bride from the fountain Callirrhoe. Dated 400 B.C. Stock Photo
RME1GG62–Greek attic pottery depicting Greek women wearing festive clothing collecting water for a bride from the fountain Callirrhoe. Dated 400 B.C.
The Grave Stele of Hegeso (c. 410–400 BC) is one of the best surviving examples of Attic grave stelae. A contemplative seated woman picks jewelry from a box held for her by a standing slave-girl. The jewelry would have been painted on to the marble surface. The deceased woman’s name is inscribed above (Hegeso daughter of Proxenos). The relief was found in the ancient cemetery of Athens, the Kerameikos. From around 450, Athenian funerary monuments increasingly depicted women, as their civic importance increased. Stock Photo
RF2GJ4GM5–The Grave Stele of Hegeso (c. 410–400 BC) is one of the best surviving examples of Attic grave stelae. A contemplative seated woman picks jewelry from a box held for her by a standing slave-girl. The jewelry would have been painted on to the marble surface. The deceased woman’s name is inscribed above (Hegeso daughter of Proxenos). The relief was found in the ancient cemetery of Athens, the Kerameikos. From around 450, Athenian funerary monuments increasingly depicted women, as their civic importance increased.
Art inspired by Rhyton fragment, Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; red-figure, H. 6.91 cm., Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWW5T–Art inspired by Rhyton fragment, Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; red-figure, H. 6.91 cm., Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A drinking vessel with a dedicatory inscription to Aphrodite 400-300 BC Attic Kantharos Greek Greece Stock Photo
RMDT3637–A drinking vessel with a dedicatory inscription to Aphrodite 400-300 BC Attic Kantharos Greek Greece
Grave Stele of Hegeso. Relief depicting Hegeso picking a jewel from the open pyxis (jewelry box), seated before her young servant, ca. 410-400 BC. Pentelic marble. From the Kerameikos cemetery, Athens. National Archaeological Museum. Athens, Greece. Stock Photo
RM2ATK79W–Grave Stele of Hegeso. Relief depicting Hegeso picking a jewel from the open pyxis (jewelry box), seated before her young servant, ca. 410-400 BC. Pentelic marble. From the Kerameikos cemetery, Athens. National Archaeological Museum. Athens, Greece.
Etruscan goddess Menvra 400 BC modelled on Greek figures of Pallas Athena, or Palladion, with raised spear (or lance) and shield and wearing the aegis. The helmet, similar in form to the Attic helmet worn on Greek copies of the Athena Parthenos is shown with the cheek flaps raised. Unusually, the goddess is barefoot, lacking the usual sandals . Etruria, Tuscany, Italy, Stock Photo
RMHPTT19–Etruscan goddess Menvra 400 BC modelled on Greek figures of Pallas Athena, or Palladion, with raised spear (or lance) and shield and wearing the aegis. The helmet, similar in form to the Attic helmet worn on Greek copies of the Athena Parthenos is shown with the cheek flaps raised. Unusually, the goddess is barefoot, lacking the usual sandals . Etruria, Tuscany, Italy,
Terracotta miniature Panathenaic amphora. Culture: Greek, Attic. Dimensions: H. 3 1/16 in. (7.8 cm). Date: ca. 400 B.C.. Obverse, Athena. Reverse, seated athlete. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAA530–Terracotta miniature Panathenaic amphora. Culture: Greek, Attic. Dimensions: H. 3 1/16 in. (7.8 cm). Date: ca. 400 B.C.. Obverse, Athena. Reverse, seated athlete. Museum: Metropolitan Museum of Art, New York, USA.
Marble bust of Athenian historian Thucydides (460-400 BC). Roman copy from the 2nd century AD after a Greek original from the early 4th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy. Stock Photo
RMJ57ATT–Marble bust of Athenian historian Thucydides (460-400 BC). Roman copy from the 2nd century AD after a Greek original from the early 4th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy.
N/A. English: Lekythos. Attic black-glaze ceramic. Français : Lécythe. Céramique attique à vernis noir. . between circa 500 and circa 400 BC. N/A 207 Black-glaze lekythos Louvre LL99 Stock Photo
RMP5R627–N/A. English: Lekythos. Attic black-glaze ceramic. Français : Lécythe. Céramique attique à vernis noir. . between circa 500 and circa 400 BC. N/A 207 Black-glaze lekythos Louvre LL99
Komos procession, Attic red-figure bell-krater, by The Painter of London F 1, 400-380 BC Stock Photo
RM2DDRWDY–Komos procession, Attic red-figure bell-krater, by The Painter of London F 1, 400-380 BC
Marbel grave stele of a young woman. Greek. Attic, ca. 400-390 B.C. Metropolitan Museum of Art. Ny. USA. Stock Photo
RMEP8H72–Marbel grave stele of a young woman. Greek. Attic, ca. 400-390 B.C. Metropolitan Museum of Art. Ny. USA.
Toys in a box in an attic of a house. Here are small toy cars, Opel Ascona 400 rally car. Stock Photo
RM2JH1D40–Toys in a box in an attic of a house. Here are small toy cars, Opel Ascona 400 rally car.
Attic Red-Figure Kantharoid Skyphos. Aison (Greek (Attic), active 425 - 400 B.C.) Stock Photo
RM2F5EGNE–Attic Red-Figure Kantharoid Skyphos. Aison (Greek (Attic), active 425 - 400 B.C.)
The Great Central Railway Station at Newcastle-Upon-Tyne, 1850. '...on the 30th of July last, his fellow-townsmen and friends entertained [British engineer Robert Stephenson] at a banquet, to which upwards of 400 persons sat down, in the new Great Central Railway Station...[at Neville-street]'. The exterior '...is unusually picturesque. Its lofty open arches, its coupled bold Roman-Doric columns and stylobate, and its cleverly panelled attic (where it is proposed to place colossal statues) are very effective features of this grand architectural composition by Mr. Dobson...'. The station opened Stock Photo
RM2HT65W2–The Great Central Railway Station at Newcastle-Upon-Tyne, 1850. '...on the 30th of July last, his fellow-townsmen and friends entertained [British engineer Robert Stephenson] at a banquet, to which upwards of 400 persons sat down, in the new Great Central Railway Station...[at Neville-street]'. The exterior '...is unusually picturesque. Its lofty open arches, its coupled bold Roman-Doric columns and stylobate, and its cleverly panelled attic (where it is proposed to place colossal statues) are very effective features of this grand architectural composition by Mr. Dobson...'. The station opened
Greece, Athens. Area of Kerameikos (Ceramicus). Replica of the funerary Stele of Hegeso, c. 410-400 BC. The original piece is located at the National Archaeological Museum of Athens. Stock Photo
RM2B489P1–Greece, Athens. Area of Kerameikos (Ceramicus). Replica of the funerary Stele of Hegeso, c. 410-400 BC. The original piece is located at the National Archaeological Museum of Athens.
Urbach, Germany. 01st Dec, 2022. Firefighters extinguish a fire from a turntable ladder. A fire in the family house caused damage of about 400 000 euros. The 56-year-old homeowner had placed a pot with hot ashes on the terrace on Thursday evening. According to the report, the pot had ignited and started a fire that spread to the facade, the house entrance and finally the attic. (to dpa: 'Pot with hot ash on balcony: residential building burns down') Credit: Kohls/SDMG/dpa/Alamy Live News Stock Photo
RM2KYRA4F–Urbach, Germany. 01st Dec, 2022. Firefighters extinguish a fire from a turntable ladder. A fire in the family house caused damage of about 400 000 euros. The 56-year-old homeowner had placed a pot with hot ashes on the terrace on Thursday evening. According to the report, the pot had ignited and started a fire that spread to the facade, the house entrance and finally the attic. (to dpa: 'Pot with hot ash on balcony: residential building burns down') Credit: Kohls/SDMG/dpa/Alamy Live News
Classical antiquity, vase, lekythos, belly lekythos, aryballos, earthenware, red-shaped, Attic, 8.5 cm, ø 5.3 cm, classical, red-shaped, Attic -400, -350, Libya Stock Photo
RM2B0EREF–Classical antiquity, vase, lekythos, belly lekythos, aryballos, earthenware, red-shaped, Attic, 8.5 cm, ø 5.3 cm, classical, red-shaped, Attic -400, -350, Libya
The Pronomos Vase, c. 400 BC. Found in the Collection of Museo Archeologico Nazionale di Napoli. Stock Photo
RMWWJWWF–The Pronomos Vase, c. 400 BC. Found in the Collection of Museo Archeologico Nazionale di Napoli.
Two deer, askos, Greek-Attic, c. 425-400 BC, red-figure terracotta Stock Photo
RM2JT4CPM–Two deer, askos, Greek-Attic, c. 425-400 BC, red-figure terracotta
Attic pottery relief ware oil flask. From Italy. Dated 400 BC Stock Photo
RMG1CEGX–Attic pottery relief ware oil flask. From Italy. Dated 400 BC
Greece, Athens. Area of Kerameikos (Ceramicus). Replica of the funerary Stele of Hegeso, c. 410-400 BC. The original piece is located at the National Stock Photo
RM2H0N5C4–Greece, Athens. Area of Kerameikos (Ceramicus). Replica of the funerary Stele of Hegeso, c. 410-400 BC. The original piece is located at the National
Art inspired by Pelike, Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, 9 1/2 × 6 5/8 in. (24.1 × 16.8 cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWWW4–Art inspired by Pelike, Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, 9 1/2 × 6 5/8 in. (24.1 × 16.8 cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Etruscan, bronze votive statuette of a warrior with a shield, wearing an Attic helmet and a scale cuirass, about 420-400 BC From Mount Falterona. The style reflects Greek sculpture of the late 5th century BC, and the style is related to bronzes of central Stock Photo
RMEX70PW–Etruscan, bronze votive statuette of a warrior with a shield, wearing an Attic helmet and a scale cuirass, about 420-400 BC From Mount Falterona. The style reflects Greek sculpture of the late 5th century BC, and the style is related to bronzes of central
Amphoriskos in the form of an almond MET 41162162 254333 Greek, Attic, Amphoriskos in the form of an almond, ca. 400 B.C., Terracotta, Other: 1 7/8 ? 1 3/8 ? 3 7/8 ? 7/8 in. (4.7 ? 3.5 ? 9.9 ? 2.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1941 (41.162.162) Stock Photo
RMKND6MC–Amphoriskos in the form of an almond MET 41162162 254333 Greek, Attic, Amphoriskos in the form of an almond, ca. 400 B.C., Terracotta, Other: 1 7/8 ? 1 3/8 ? 3 7/8 ? 7/8 in. (4.7 ? 3.5 ? 9.9 ? 2.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1941 (41.162.162)
Etruscan goddess Menvra 400 BC modelled on Greek figures of Pallas Athena, or Palladion, with raised spear (or lance) and shield and wearing the aegis. The helmet, similar in form to the Attic helmet worn on Greek copies of the Athena Parthenos is shown with the cheek flaps raised. Unusually, the goddess is barefoot, lacking the usual sandals . Etruria, Tuscany, Italy, Stock Photo
RMHPTT1B–Etruscan goddess Menvra 400 BC modelled on Greek figures of Pallas Athena, or Palladion, with raised spear (or lance) and shield and wearing the aegis. The helmet, similar in form to the Attic helmet worn on Greek copies of the Athena Parthenos is shown with the cheek flaps raised. Unusually, the goddess is barefoot, lacking the usual sandals . Etruria, Tuscany, Italy,
Terracotta lekythos (oil flask). Culture: Greek, Attic. Dimensions: H.: 17 3/4 in. (45.1 cm). Date: ca. 420-400 B.C.. Youth seated at a tomb with bearded, draped man. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAKN70–Terracotta lekythos (oil flask). Culture: Greek, Attic. Dimensions: H.: 17 3/4 in. (45.1 cm). Date: ca. 420-400 B.C.. Youth seated at a tomb with bearded, draped man. Museum: Metropolitan Museum of Art, New York, USA.
Marble bust of Athenian historian Thucydides (460-400 BC). Roman copy from the 2nd century AD after a Greek original from the early 4th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy. Stock Photo
RMJ57A9K–Marble bust of Athenian historian Thucydides (460-400 BC). Roman copy from the 2nd century AD after a Greek original from the early 4th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy.
Aspasia, c. 470 BC-c. 400 BC, Greek philosopher and orator Stock Photo
RMJ2AJCJ–Aspasia, c. 470 BC-c. 400 BC, Greek philosopher and orator
Lambert's suburban architecture . 400 River St., Paterson, N. J. Branch Office in BUILDERS EXCHANGE. 22 CLINTON STREET, NEWARK, N.J. HILLS PATENT INSIDE SLIDINGBLINDS. Oxxmei* of Patent fov f4euu Jersey and ma^yland of HILLS PATENT INSIDE SLIDING BLINDS. IMPROVED VENETIAN BLINDS. And Sole Representative in that Territory of the Burlington Blind Company, Burlington, Vt. MANUFACTURERS OF BALDWINS IMPROVED VENETIAN BLINDS, and FAVORITE SLIDING WINDOW SCREENS and SCREEN DOORS. SEND FOR ESTIMATES ^ - <^ LAMBERTS SUBURBAN ARCHITECTURE. 99 The Proverbial Cueamber IS NOT COOLER THAN AN. ATTIC VENTI Stock Photo
RM2AN34MG–Lambert's suburban architecture . 400 River St., Paterson, N. J. Branch Office in BUILDERS EXCHANGE. 22 CLINTON STREET, NEWARK, N.J. HILLS PATENT INSIDE SLIDINGBLINDS. Oxxmei* of Patent fov f4euu Jersey and ma^yland of HILLS PATENT INSIDE SLIDING BLINDS. IMPROVED VENETIAN BLINDS. And Sole Representative in that Territory of the Burlington Blind Company, Burlington, Vt. MANUFACTURERS OF BALDWINS IMPROVED VENETIAN BLINDS, and FAVORITE SLIDING WINDOW SCREENS and SCREEN DOORS. SEND FOR ESTIMATES ^ - <^ LAMBERTS SUBURBAN ARCHITECTURE. 99 The Proverbial Cueamber IS NOT COOLER THAN AN. ATTIC VENTI
Marbel grave stele of a young woman. Greek. Attic, ca. 400-390 B.C. Metropolitan Museum of Art. Ny. USA. Stock Photo
RMEP8H76–Marbel grave stele of a young woman. Greek. Attic, ca. 400-390 B.C. Metropolitan Museum of Art. Ny. USA.
Toys in a box in an attic of a house. Here are small toy cars, Opel Ascona 400 rally car. Stock Photo
RM2JH1D38–Toys in a box in an attic of a house. Here are small toy cars, Opel Ascona 400 rally car.
Attic Red-Figure Calyx Krater. Near Nekyia Painter (Greek (Attic), active 450 - 400 B.C.) Stock Photo
RM2F5DTT3–Attic Red-Figure Calyx Krater. Near Nekyia Painter (Greek (Attic), active 450 - 400 B.C.)
The house in village. Life on a farm. Summer holiday Stock Vector
RF2R7NG2N–The house in village. Life on a farm. Summer holiday
Urbach, Germany. 01st Dec, 2022. A fire department set-up man secures a hydrant. A fire in the family house caused damage of about 400 000 euros. The 56-year-old homeowner had put a pot with hot ashes on the terrace on Thursday evening. According to the report, the pot had ignited and started a fire that spread to the facade, the house entrance and finally the attic. (to dpa: 'Pot with hot ash on balcony: residential building burns down') Credit: Kohls/SDMG/dpa/Alamy Live News Stock Photo
RM2KYRA4E–Urbach, Germany. 01st Dec, 2022. A fire department set-up man secures a hydrant. A fire in the family house caused damage of about 400 000 euros. The 56-year-old homeowner had put a pot with hot ashes on the terrace on Thursday evening. According to the report, the pot had ignited and started a fire that spread to the facade, the house entrance and finally the attic. (to dpa: 'Pot with hot ash on balcony: residential building burns down') Credit: Kohls/SDMG/dpa/Alamy Live News
Attic red-figure alabastron. Network. Attentive red-figured alabaster. Mesh., Vase, alabaster, earthenware, redfinish, Attic, 13.4 cm, ø 3.4 cm, classic, redfinish, Attic -400 Stock Photo
RM2B0ERE9–Attic red-figure alabastron. Network. Attentive red-figured alabaster. Mesh., Vase, alabaster, earthenware, redfinish, Attic, 13.4 cm, ø 3.4 cm, classic, redfinish, Attic -400
The Pronomos Vase, c. 400 BC. Found in the Collection of Museo Archeologico Nazionale di Napoli. Stock Photo
RMWWJWRP–The Pronomos Vase, c. 400 BC. Found in the Collection of Museo Archeologico Nazionale di Napoli.
Attic black-glaze bolsal. Attic black-nested cup or bolsal. Stamped circles and palmetten., Vase, cup, bolsal, earthenware, black varnished, Attic, 4.3 cm, ø 9.7 cm, black varnished, Attic -400 Stock Photo
RM2B0ERJ2–Attic black-glaze bolsal. Attic black-nested cup or bolsal. Stamped circles and palmetten., Vase, cup, bolsal, earthenware, black varnished, Attic, 4.3 cm, ø 9.7 cm, black varnished, Attic -400
Art inspired by Terracotta miniature Panathenaic amphora, Classical, ca. 400 B.C., Greek, Attic, Terracotta; black-figure, H. 3 1/16 in. (7.8 cm), Vases, Obverse, Athena., Reverse, seated athlete, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4BPP–Art inspired by Terracotta miniature Panathenaic amphora, Classical, ca. 400 B.C., Greek, Attic, Terracotta; black-figure, H. 3 1/16 in. (7.8 cm), Vases, Obverse, Athena., Reverse, seated athlete, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Etruscan, bronze votive statuette of a warrior with a shield, wearing an Attic helmet and a scale cuirass, about 420-400 BC From Mount Falterona. The style reflects Greek sculpture of the late 5th century BC, and the style is related to bronzes of central Stock Photo
RMEX70PR–Etruscan, bronze votive statuette of a warrior with a shield, wearing an Attic helmet and a scale cuirass, about 420-400 BC From Mount Falterona. The style reflects Greek sculpture of the late 5th century BC, and the style is related to bronzes of central
Art inspired by Terracotta skyphos (deep drinking cup), Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; black-glaze, 3in. (7.6cm), Vases, Black glazed skyphos with reserved foot, band at rim, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW454T–Art inspired by Terracotta skyphos (deep drinking cup), Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; black-glaze, 3in. (7.6cm), Vases, Black glazed skyphos with reserved foot, band at rim, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Aryballos in the form of a foot MET 41162124 254296 Greek, Attic, Aryballos in the form of a foot, ca. 400 B.C., Terracotta, Other: 3 1/2 ? 1 3/8 ? 4 3/16 ? 1 5/16 in. (8.9 ? 3.6 ? 10.6 ? 3.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1941 (41.162.124) Stock Photo
RMKND6KH–Aryballos in the form of a foot MET 41162124 254296 Greek, Attic, Aryballos in the form of a foot, ca. 400 B.C., Terracotta, Other: 3 1/2 ? 1 3/8 ? 4 3/16 ? 1 5/16 in. (8.9 ? 3.6 ? 10.6 ? 3.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1941 (41.162.124)
Aryballos in the form of a foot. Culture: Greek, Attic. Dimensions: Other: 3/8 × 1 5/16 × 3 7/16 × 1 in. (1 × 3.3 × 8.8 × 2.6 cm). Date: ca. 400 B.C.. In the shape of a left foot. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAPCTM–Aryballos in the form of a foot. Culture: Greek, Attic. Dimensions: Other: 3/8 × 1 5/16 × 3 7/16 × 1 in. (1 × 3.3 × 8.8 × 2.6 cm). Date: ca. 400 B.C.. In the shape of a left foot. Museum: Metropolitan Museum of Art, New York, USA.
History and description of New EnglandNew Hampshire . , 60 wide, andlive stories high, besides basement and attic. These contain about00,000 si)indles and 1,500 looms; employ 400 male and 1,200 femaleoperatives; consume weekly 22,000 pounds of cotton and 25,000 poundsof wool; manufacture 14,560,000 yards annually, consisting of de laiiies,lierages, prints, Persian cloths, and cassimeres. Ujion the same canal,below these mills, was the old ])nnting establishment of this company.The main building, built in 1845, was six stories high, 300 feet long,and 60 wide. In 1850, an addition or L was added Stock Photo
RM2AX7CPN–History and description of New EnglandNew Hampshire . , 60 wide, andlive stories high, besides basement and attic. These contain about00,000 si)indles and 1,500 looms; employ 400 male and 1,200 femaleoperatives; consume weekly 22,000 pounds of cotton and 25,000 poundsof wool; manufacture 14,560,000 yards annually, consisting of de laiiies,lierages, prints, Persian cloths, and cassimeres. Ujion the same canal,below these mills, was the old ])nnting establishment of this company.The main building, built in 1845, was six stories high, 300 feet long,and 60 wide. In 1850, an addition or L was added
Marbel grave stele of a young woman. Greek. Attic, ca. 400-390 B.C. Metropolitan Museum of Art. Ny. USA. Stock Photo
RMEP8H7D–Marbel grave stele of a young woman. Greek. Attic, ca. 400-390 B.C. Metropolitan Museum of Art. Ny. USA.
Toys in a box in an attic of a house. Here are small toy cars, Opel Ascona 400 rally car. Stock Photo
RM2JH1D3W–Toys in a box in an attic of a house. Here are small toy cars, Opel Ascona 400 rally car.
Attic Red-Figure Hydria. Attributed to Painter of London E543 (Greek (Attic), active 420 B.C. - 400 B.C.) Stock Photo
RM2F5E8KB–Attic Red-Figure Hydria. Attributed to Painter of London E543 (Greek (Attic), active 420 B.C. - 400 B.C.)
Two storey housewith mansard on white Stock Vector
RF2R7MY9E–Two storey housewith mansard on white
Kanold Paul (1874-1946), Prince Palace in Berlin. Schinkel competition 1901 (14.03.1901): Grundriss attic 1: 400. Ink on cardboard, 62.7 x 48 cm (including scan edges) Kanold Paul (1874-1946): Prinzliches Palais, Berlin. Schinkelwettbewerb 1901 Stock Photo
RM2JMW601–Kanold Paul (1874-1946), Prince Palace in Berlin. Schinkel competition 1901 (14.03.1901): Grundriss attic 1: 400. Ink on cardboard, 62.7 x 48 cm (including scan edges) Kanold Paul (1874-1946): Prinzliches Palais, Berlin. Schinkelwettbewerb 1901
Grünisen Felix (born 1844), single -family house. Monthly competition January 1912 (01.1912): floor plan ground floor, 1st and 2nd floor, attic 1: 200; Riß street view 1: 100; Cross section (sketch) 1: 400. Ink and colored pencil on cardboard, 73.7 x 51.9 cm (including scan edges) Grüneisen Felix (geb. 1844): Einfamilienhaus. Monatskonkurrenz Januar 1912 Stock Photo
RM2JMWNJW–Grünisen Felix (born 1844), single -family house. Monthly competition January 1912 (01.1912): floor plan ground floor, 1st and 2nd floor, attic 1: 200; Riß street view 1: 100; Cross section (sketch) 1: 400. Ink and colored pencil on cardboard, 73.7 x 51.9 cm (including scan edges) Grüneisen Felix (geb. 1844): Einfamilienhaus. Monatskonkurrenz Januar 1912
Grave Stela, 400-350 BC. Carved in high relief, the original composition of this Attic grave marker can be reconstructed by comparison with the famous stele of Hegeso in Athens. With downcast eyes, the seated matron dressed in a himation (cloak) in the Cleveland stele is being approached by her maid, who holds a pyxis (small container for personal items) in her left hand. Much of the lintel above is missing. It would have included an inscription with her name. The deceased is represented in a common domestic setting. The mood is somber and contemplative without any overt expression of mourning Stock Photo
RM2A511HK–Grave Stela, 400-350 BC. Carved in high relief, the original composition of this Attic grave marker can be reconstructed by comparison with the famous stele of Hegeso in Athens. With downcast eyes, the seated matron dressed in a himation (cloak) in the Cleveland stele is being approached by her maid, who holds a pyxis (small container for personal items) in her left hand. Much of the lintel above is missing. It would have included an inscription with her name. The deceased is represented in a common domestic setting. The mood is somber and contemplative without any overt expression of mourning
Attic black-glass small bowl (saltcellar). Plain. Attic black-nested little bowl ('salt bowl')., Vase, bowl, earthenware, black varnished, Attic, 2.8 cm, ø 8.1 cm, black varnished, Attic -400 Stock Photo
RM2B0EM92–Attic black-glass small bowl (saltcellar). Plain. Attic black-nested little bowl ('salt bowl')., Vase, bowl, earthenware, black varnished, Attic, 2.8 cm, ø 8.1 cm, black varnished, Attic -400
Attic Red-Figure Lebes Gamikos. Unknown about 400 B.C. Stock Photo
RM2WT1DDD–Attic Red-Figure Lebes Gamikos. Unknown about 400 B.C.
Etruscan, bronze votive statuette of a warrior with a shield, wearing an Attic helmet and a scale cuirass, about 420-400 BC From Mount Falterona. The style reflects Greek sculpture of the late 5th century BC, and the style is related to bronzes of central Stock Photo
RMEX70PX–Etruscan, bronze votive statuette of a warrior with a shield, wearing an Attic helmet and a scale cuirass, about 420-400 BC From Mount Falterona. The style reflects Greek sculpture of the late 5th century BC, and the style is related to bronzes of central
Art inspired by Terracotta lekythos (oil flask), Classical, ca. 420–400 B.C., Greek, Attic, Terracotta; white-ground, H.: 17 3/4 in. (45.1 cm), Vases, Youth seated at a tomb with bearded, draped man, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWKG7–Art inspired by Terracotta lekythos (oil flask), Classical, ca. 420–400 B.C., Greek, Attic, Terracotta; white-ground, H.: 17 3/4 in. (45.1 cm), Vases, Youth seated at a tomb with bearded, draped man, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Terracotta oinochoe: chous (jug), Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, 4in. (10.2cm), Vases, Boy driving goat-drawn chariot preceded by boy with chous. The representation, with the lively animals and polychromy, is particularly engaging, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWR0A–Art inspired by Terracotta oinochoe: chous (jug), Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, 4in. (10.2cm), Vases, Boy driving goat-drawn chariot preceded by boy with chous. The representation, with the lively animals and polychromy, is particularly engaging, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Squat lekythos, miniature. Culture: Greek, Attic. Dimensions: Diameter: 1 3/4 × 1 × 1 9/16 in. (4.5 × 2.6 × 4 cm) Height: 2 7/8 in. (7.4 cm). Date: ca. 425-400 B.C.. Pointed amphora on belly. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB1H7D–Squat lekythos, miniature. Culture: Greek, Attic. Dimensions: Diameter: 1 3/4 × 1 × 1 9/16 in. (4.5 × 2.6 × 4 cm) Height: 2 7/8 in. (7.4 cm). Date: ca. 425-400 B.C.. Pointed amphora on belly. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Terracotta covered bowl, Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; black-glaze, H. with cover 3 7/8 in. (9.8 cm); H. without cover 2 1/4 in. (5.7 cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWRHN–Art inspired by Terracotta covered bowl, Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; black-glaze, H. with cover 3 7/8 in. (9.8 cm); H. without cover 2 1/4 in. (5.7 cm), Vases, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Bell telephone magazine . Alexander Graham Bell, and his formerassistant, Thomas A. Watson, officiallyinaugurate the opening of the first trans-continental telephone line 50 years ago.Bell talked from A.T.&T. headquartersin New York and Watson from theoffices of the Pacific Telephone and Tele-graph Company in San Francisco—adistance of 3,400 miles. The date: Janu-ary 25, 1915—39 years after Bell, stand-ing in an attic in Boston, had spoken tohis associate over a crude telephone, Moment of triumph: on June 17, 1914, thelast pole was raised at Wendover, Utah andtopped with the American flag. C Stock Photo
RM2CNC4J6–. Bell telephone magazine . Alexander Graham Bell, and his formerassistant, Thomas A. Watson, officiallyinaugurate the opening of the first trans-continental telephone line 50 years ago.Bell talked from A.T.&T. headquartersin New York and Watson from theoffices of the Pacific Telephone and Tele-graph Company in San Francisco—adistance of 3,400 miles. The date: Janu-ary 25, 1915—39 years after Bell, stand-ing in an attic in Boston, had spoken tohis associate over a crude telephone, Moment of triumph: on June 17, 1914, thelast pole was raised at Wendover, Utah andtopped with the American flag. C
Art inspired by Terracotta pyxis (box), Classical, ca. 425–400 B.C., Greek, Attic, Terracotta; red-figure, H. 4 1/2 in. (11.4 cm), Vases, These women are playing knucklebones and another game. The finial on the lid is in the shape of a knucklebone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWKGP–Art inspired by Terracotta pyxis (box), Classical, ca. 425–400 B.C., Greek, Attic, Terracotta; red-figure, H. 4 1/2 in. (11.4 cm), Vases, These women are playing knucklebones and another game. The finial on the lid is in the shape of a knucklebone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Toys in a box in an attic of a house. Here are small toy cars, Opel Ascona 400 rally car. Stock Photo
RM2JH1D44–Toys in a box in an attic of a house. Here are small toy cars, Opel Ascona 400 rally car.
Art inspired by Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. 14 in. (35.5 cm), Vases, Obverse, combat of Greeks against Amazons, Reverse, satyr and maenad, followers of Dionysos, the god of wine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4C1K–Art inspired by Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. 14 in. (35.5 cm), Vases, Obverse, combat of Greeks against Amazons, Reverse, satyr and maenad, followers of Dionysos, the god of wine, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Six story house with mansard on white Stock Vector
RF2R7MC4T–Six story house with mansard on white
Art inspired by Terracotta lekanis (covered dish), Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, Overall: 7 9/16in. (19.2cm), Vases, On the lid, woman, youths, and Erotes. Many covered dishes of this type were decorated with scenes of women. Apparently, they were often, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWPKT–Art inspired by Terracotta lekanis (covered dish), Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, Overall: 7 9/16in. (19.2cm), Vases, On the lid, woman, youths, and Erotes. Many covered dishes of this type were decorated with scenes of women. Apparently, they were often, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Terracotta lekythos (oil flask), Classical, ca. 420–400 B.C., Greek, Attic, Terracotta; white-ground, H. 16 in. (40.6 cm), Vases, Youth seated at tomb between youth and woman. The youth in the center, undoubtedly the deceased, is seated on the steps of his tomb. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWKPP–Art inspired by Terracotta lekythos (oil flask), Classical, ca. 420–400 B.C., Greek, Attic, Terracotta; white-ground, H. 16 in. (40.6 cm), Vases, Youth seated at tomb between youth and woman. The youth in the center, undoubtedly the deceased, is seated on the steps of his tomb. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lekythos (Oil Jar), 410-400 BCE. Stock Photo
RM2J895RF–Lekythos (Oil Jar), 410-400 BCE.
Attic red-figure pyxis member. Large ovules. Attic red-figured pyrite cover., Lid pyxis, earthenware, red-figured, Attic, 1.9 cm, ø 9.5 cm, classic, hellenistic, red-figured, Attic -400 Stock Photo
RM2B0EM5W–Attic red-figure pyxis member. Large ovules. Attic red-figured pyrite cover., Lid pyxis, earthenware, red-figured, Attic, 1.9 cm, ø 9.5 cm, classic, hellenistic, red-figured, Attic -400
Attic Red-Figure Lebes Gamikos. Unknown about 400 B.C. Stock Photo
RM2WT1F38–Attic Red-Figure Lebes Gamikos. Unknown about 400 B.C.
Attic Red-Figure Lebes Gamikos Lid. Unknown about 400 B.C. Stock Photo
RM2WT17YE–Attic Red-Figure Lebes Gamikos Lid. Unknown about 400 B.C.
Etruscan, bronze votive statuette of a warrior with a shield, wearing an Attic helmet and a scale cuirass, about 420-400 BC From Mount Falterona. The style reflects Greek sculpture of the late 5th century BC, and the style is related to bronzes of central Stock Photo
RMEX70PT–Etruscan, bronze votive statuette of a warrior with a shield, wearing an Attic helmet and a scale cuirass, about 420-400 BC From Mount Falterona. The style reflects Greek sculpture of the late 5th century BC, and the style is related to bronzes of central
Red-figure pelike. Artist: Group G, Greek, Attic, c. 400 B.C. Stock Photo
RM2HWBN01–Red-figure pelike. Artist: Group G, Greek, Attic, c. 400 B.C.
Dancing youth. Detail of a wall painting from the Tomb of the Triclinium, Tarquinia. Atticizing phase of Greco Etruscan painting (c. 475-400 BC). A number of Etruscan tomb paintings reveal an affinity in style with Attic vase paintings of the latter phase of the Archaic style, dated in the first third of the fifth century BC. Stock Photo
RMEC7XXB–Dancing youth. Detail of a wall painting from the Tomb of the Triclinium, Tarquinia. Atticizing phase of Greco Etruscan painting (c. 475-400 BC). A number of Etruscan tomb paintings reveal an affinity in style with Attic vase paintings of the latter phase of the Archaic style, dated in the first third of the fifth century BC.
Black -refyed cup; Unknown attic workshop; 4th century BC (-400-00-00--301-00-00); Stock Photo
RM2WP38P8–Black -refyed cup; Unknown attic workshop; 4th century BC (-400-00-00--301-00-00);
Terracotta covered bowl. Culture: Greek, Attic. Dimensions: H. with cover 3 7/8 in. (9.8 cm); H. without cover 2 1/4 in. (5.7 cm). Date: ca. 450-400 B.C.. This vase is related to the covered bowl with one handle (23.43a, b) displayed nearby. They represent basically the same shape adapted to different functions by the presence or absence of a handle. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAB2XY–Terracotta covered bowl. Culture: Greek, Attic. Dimensions: H. with cover 3 7/8 in. (9.8 cm); H. without cover 2 1/4 in. (5.7 cm). Date: ca. 450-400 B.C.. This vase is related to the covered bowl with one handle (23.43a, b) displayed nearby. They represent basically the same shape adapted to different functions by the presence or absence of a handle. Museum: Metropolitan Museum of Art, New York, USA.
Black -cone lamp; Unknown attic workshop; 425-400 BC (-425-00-00--400-00-00);Polish excavations in Myrmekion Stock Photo
RM2WP451E–Black -cone lamp; Unknown attic workshop; 425-400 BC (-425-00-00--400-00-00);Polish excavations in Myrmekion
. Coast watch. Marine resources; Oceanography; Coastal zone management; Coastal ecology. would get up at 4 a.m. on Monday, pack fish, then take a shower and go to school." Mikey and his siblings lived in a four- bedroom, frame house on the island. Most of the children slept in a 400-square-foot room in the attic — the boys were on one side, the girls on the other. "Everybody slept two to a bed," he says. To keep up with her large family, Maude would set off a siren at mealtime. "You'd hear it all over the island," says Maude. "If the children were not home in time Stock Photo
RMREJXBB–. Coast watch. Marine resources; Oceanography; Coastal zone management; Coastal ecology. would get up at 4 a.m. on Monday, pack fish, then take a shower and go to school." Mikey and his siblings lived in a four- bedroom, frame house on the island. Most of the children slept in a 400-square-foot room in the attic — the boys were on one side, the girls on the other. "Everybody slept two to a bed," he says. To keep up with her large family, Maude would set off a siren at mealtime. "You'd hear it all over the island," says Maude. "If the children were not home in time
Skyphos ca. 450–400 B.C. Greek, Attic. Skyphos. Greek, Attic. ca. 450–400 B.C.. Terracotta; black-glaze. Classical. Vases Stock Photo
RM2HGTK30–Skyphos ca. 450–400 B.C. Greek, Attic. Skyphos. Greek, Attic. ca. 450–400 B.C.. Terracotta; black-glaze. Classical. Vases
3-story old house cartoon cross section with basement Stock Vector
RF2R83674–3-story old house cartoon cross section with basement
Art inspired by Terracotta miniature Panathenaic amphora, Classical, ca. 400 B.C., Greek, Attic, Terracotta; black-figure, H.: 3 5/16 in. (8.4 cm), Vases, Obverse, Athena, Reverse, seated athlete. The Bulas Group specialized in miniature versions of Panathenaic prize amphorae. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4736–Art inspired by Terracotta miniature Panathenaic amphora, Classical, ca. 400 B.C., Greek, Attic, Terracotta; black-figure, H.: 3 5/16 in. (8.4 cm), Vases, Obverse, Athena, Reverse, seated athlete. The Bulas Group specialized in miniature versions of Panathenaic prize amphorae. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Attic black-glaze cup-skyphos. Attic black-nested cup-skyphos. Inside an imprinted decoration of a circle, decorated with ovolos, containing four palmettes, vase, skyphos, cup-skyphos, pottery, black varnished, Attic, 6 cm, ø 13.2 cm, black varnished, Attic -400 Stock Photo
RM2B0ERHD–Attic black-glaze cup-skyphos. Attic black-nested cup-skyphos. Inside an imprinted decoration of a circle, decorated with ovolos, containing four palmettes, vase, skyphos, cup-skyphos, pottery, black varnished, Attic, 6 cm, ø 13.2 cm, black varnished, Attic -400
Art inspired by Squat lekythos, miniature, Classical, ca. 425–400 B.C., Greek, Attic, Terracotta; red-figure, Diameter: 1 3/4 × 1 × 1 9/16 in. (4.5 × 2.6 × 4 cm), Vases, Pointed amphora on belly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWTK1–Art inspired by Squat lekythos, miniature, Classical, ca. 425–400 B.C., Greek, Attic, Terracotta; red-figure, Diameter: 1 3/4 × 1 × 1 9/16 in. (4.5 × 2.6 × 4 cm), Vases, Pointed amphora on belly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Terracotta miniature Panathenaic amphora. Culture: Greek, Attic. Dimensions: H.: 3 5/16 in. (8.4 cm). Date: ca. 400 B.C.. Obverse, Athena Reverse, seated athlete The Bulas Group specialized in miniature versions of Panathenaic prize amphorae. The shape and the representation of Athena follow the models quite closely. The seated athlete holding what might be a fillet is a narrative vignette that would not have appeared on a prize vase. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAM0F0–Terracotta miniature Panathenaic amphora. Culture: Greek, Attic. Dimensions: H.: 3 5/16 in. (8.4 cm). Date: ca. 400 B.C.. Obverse, Athena Reverse, seated athlete The Bulas Group specialized in miniature versions of Panathenaic prize amphorae. The shape and the representation of Athena follow the models quite closely. The seated athlete holding what might be a fillet is a narrative vignette that would not have appeared on a prize vase. Museum: Metropolitan Museum of Art, New York, USA.
Pelike ca. 400 B.C. Attributed to the Black Thyrsus Painter. Pelike. Greek, Attic. ca. 400 B.C.. Terracotta; red-figure. Classical. Vases Stock Photo
RM2HGTM3D–Pelike ca. 400 B.C. Attributed to the Black Thyrsus Painter. Pelike. Greek, Attic. ca. 400 B.C.. Terracotta; red-figure. Classical. Vases
Red-Figure Squat Lekythos (Oil Vessel): Eros and Woman, c. 400-380 BC. Greece, Attic. Ceramic; overall: 11.7 cm (4 5/8 in.). Stock Photo
RM2H10W4R–Red-Figure Squat Lekythos (Oil Vessel): Eros and Woman, c. 400-380 BC. Greece, Attic. Ceramic; overall: 11.7 cm (4 5/8 in.).
Terracotta skyphos (deep drinking cup) ca. 450–400 B.C. Greek, Attic Black glazed skyphos with reserved foot, band at rim.. Terracotta skyphos (deep drinking cup) 244747 Stock Photo
RM2HH8WAX–Terracotta skyphos (deep drinking cup) ca. 450–400 B.C. Greek, Attic Black glazed skyphos with reserved foot, band at rim.. Terracotta skyphos (deep drinking cup) 244747
Amphoriskos in the form of an almond ca. 400 B.C. Greek, Attic Body patterns with punched dots.. Amphoriskos in the form of an almond. Greek, Attic. ca. 400 B.C.. Terracotta. Late Classical. Vases Stock Photo
RM2HGTFWH–Amphoriskos in the form of an almond ca. 400 B.C. Greek, Attic Body patterns with punched dots.. Amphoriskos in the form of an almond. Greek, Attic. ca. 400 B.C.. Terracotta. Late Classical. Vases
Attic black-glaze cup-skyphos. Stamped palmettes and ovules. Attic black-nested cup-skyphos. Inside a stamped decoration of a circle of ovolos and four palmettes in it., Vase, cup, skyphos, earthenware, black varnished, Attic, 5.8 cm, ø 12.6 cm, black varnished, Attic -400 Stock Photo
RM2B0EM99–Attic black-glaze cup-skyphos. Stamped palmettes and ovules. Attic black-nested cup-skyphos. Inside a stamped decoration of a circle of ovolos and four palmettes in it., Vase, cup, skyphos, earthenware, black varnished, Attic, 5.8 cm, ø 12.6 cm, black varnished, Attic -400
Art inspired by Marble grave stele of a young woman and servant, Classical, ca. 400–390 B.C., Greek, Attic, Marble, Pentelic, H. 70 1/16 in. (178 cm), Stone Sculpture, The young woman leans against the framing pilaster of her grave stele in a pose that may have been inspired by a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4BC1–Art inspired by Marble grave stele of a young woman and servant, Classical, ca. 400–390 B.C., Greek, Attic, Marble, Pentelic, H. 70 1/16 in. (178 cm), Stone Sculpture, The young woman leans against the framing pilaster of her grave stele in a pose that may have been inspired by a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Terracotta pyxis (box), Classical, ca. 425–400 B.C., Greek, Attic, Terracotta; red-figure, H. with lid 3 1/2 in. (8.9 cm), Vases, Erotes pursuing women. The pyxis was a container for small items and toilet articles. The decoration of Erotes rushing in hot but endless, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWKGM–Art inspired by Terracotta pyxis (box), Classical, ca. 425–400 B.C., Greek, Attic, Terracotta; red-figure, H. with lid 3 1/2 in. (8.9 cm), Vases, Erotes pursuing women. The pyxis was a container for small items and toilet articles. The decoration of Erotes rushing in hot but endless, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Fragment of a marble grave stele of a woman, Classical, ca. 400–390 B.C., Greek, Attic, Marble, Pentelic, H. 26 7/8 in. (68.2 cm), Stone Sculpture, Inscribed on the architrave 'the daughter of omenes'. The regular features and simplified planes of this face impart a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4B43–Art inspired by Fragment of a marble grave stele of a woman, Classical, ca. 400–390 B.C., Greek, Attic, Marble, Pentelic, H. 26 7/8 in. (68.2 cm), Stone Sculpture, Inscribed on the architrave 'the daughter of omenes'. The regular features and simplified planes of this face impart a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Terracotta lekanis (covered dish). Culture: Greek, Attic. Dimensions: Overall: 7 9/16in. (19.2cm) Other (total height): 7 9/16 x 11 3/4in. (19.2 x 29.9cm). Date: ca. 400 B.C.. On the lid, woman, youths, and Erotes Many covered dishes of this type were decorated with scenes of women. Apparently, they were often brought to brides to fill with food and other gifts. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAJ9TD–Terracotta lekanis (covered dish). Culture: Greek, Attic. Dimensions: Overall: 7 9/16in. (19.2cm) Other (total height): 7 9/16 x 11 3/4in. (19.2 x 29.9cm). Date: ca. 400 B.C.. On the lid, woman, youths, and Erotes Many covered dishes of this type were decorated with scenes of women. Apparently, they were often brought to brides to fill with food and other gifts. Museum: Metropolitan Museum of Art, New York, USA.
Squat lekythos, miniature ca. 425–400 B.C. Greek, Attic Pointed amphora on belly.. Squat lekythos, miniature. Greek, Attic. ca. 425–400 B.C.. Terracotta; red-figure. Classical. Vases Stock Photo
RM2HGTJ41–Squat lekythos, miniature ca. 425–400 B.C. Greek, Attic Pointed amphora on belly.. Squat lekythos, miniature. Greek, Attic. ca. 425–400 B.C.. Terracotta; red-figure. Classical. Vases
Attic red-figure oinochoe shape 10 or epichysis. Decoration of seated Aphrodite with Eros. In between rhyton. Atticular red-pointed oinochoë form 10 or epichysis. Decoration of Afrodite and Eros. In middle rhyton., Vase, earthenware, red-figure, Attic, 18.2 cm, ø 10.9 cm, red-figure, Attic -400 Stock Photo
RM2B0ERC3–Attic red-figure oinochoe shape 10 or epichysis. Decoration of seated Aphrodite with Eros. In between rhyton. Atticular red-pointed oinochoë form 10 or epichysis. Decoration of Afrodite and Eros. In middle rhyton., Vase, earthenware, red-figure, Attic, 18.2 cm, ø 10.9 cm, red-figure, Attic -400
Art inspired by Terracotta pyxis (box), Classical, ca. 420–400 B.C., Greek, Attic, Terracotta; red-figure, H. 6 7/8 in. (17.5 cm), Vases, Preparations for wedding. The frieze presents a rather full picture of a bride's preparations. At the beginning, she bathes with the help of Eros, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTWWDN–Art inspired by Terracotta pyxis (box), Classical, ca. 420–400 B.C., Greek, Attic, Terracotta; red-figure, H. 6 7/8 in. (17.5 cm), Vases, Preparations for wedding. The frieze presents a rather full picture of a bride's preparations. At the beginning, she bathes with the help of Eros, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. 14 1/16 in. (35.8 cm), Vases, Obverse, combat of Greeks against Amazons, Reverse, three youths. This vase is complementary in its main scene to the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4C3B–Art inspired by Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. 14 1/16 in. (35.8 cm), Vases, Obverse, combat of Greeks against Amazons, Reverse, three youths. This vase is complementary in its main scene to the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Terracotta pyxis (box). Culture: Greek, Attic. Dimensions: Other: 2 3/4 x 4 5/8 in. (7 x 11.7 cm). Date: ca. 400 B.C.. Women, youths, and Erotes The setting for the figures here seems to be outdoors, due to the rocky formation on which one woman places her foot. The youth reclining on a vaguely shaped object with legs may introduce a Dionysiac reference. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAM0R0–Terracotta pyxis (box). Culture: Greek, Attic. Dimensions: Other: 2 3/4 x 4 5/8 in. (7 x 11.7 cm). Date: ca. 400 B.C.. Women, youths, and Erotes The setting for the figures here seems to be outdoors, due to the rocky formation on which one woman places her foot. The youth reclining on a vaguely shaped object with legs may introduce a Dionysiac reference. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Base of a terracotta lebes gamikos (jar associated with weddings), Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. as restored 17 3/4 in. (45.11 cm), Vases, Athena between Herakles and Iolaos; woman or goddess in front of Zeus or Poseidon. In Attic, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW4885–Art inspired by Base of a terracotta lebes gamikos (jar associated with weddings), Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. as restored 17 3/4 in. (45.11 cm), Vases, Athena between Herakles and Iolaos; woman or goddess in front of Zeus or Poseidon. In Attic, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Next page
Page 1 of 3