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Assyrian crown Stock Photos and Images
The image shows the Assyrian king. He is the god of the Assyrian state. He holds the long stick and the second-hand sword. He has a crown on his head, Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-image-shows-the-assyrian-king-he-is-the-god-of-the-assyrian-state-he-holds-the-long-stick-and-the-second-hand-sword-he-has-a-crown-on-his-head-image244545692.htmlRFT5T0EM–The image shows the Assyrian king. He is the god of the Assyrian state. He holds the long stick and the second-hand sword. He has a crown on his head,
Assyrian Crown Prince MET hb32 143 13 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-assyrian-crown-prince-met-hb32-143-13-170084587.htmlRMKTM0HF–Assyrian Crown Prince MET hb32 143 13
Assyrian Crown-Prince. Culture: Assyrian. Dimensions: 26 1/8 x 14 x 1 1/8 in. (66.5 x 35.5 x 2.8 cm). Date: ca. 704-681 B.C.. This relief fragment dates to the time of Sennacherib (r. 704-681 B.C.), and comes from the great Southwest Palace, called by Sennacherib the 'Palace Without Rival,' at Nineveh. It originally formed part of a procession scene, and depicts in low relief the upper part of a male figure whose beard, clothing, and jewelry indicate particularly high status. His diadem, with incised decoration representing embroidered rosettes and a thin length of fabric running from its bac Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrian-crown-prince-culture-assyrian-dimensions-26-18-x-14-x-1-18-in-665-x-355-x-28-cm-date-ca-704-681-bc-this-relief-fragment-dates-to-the-time-of-sennacherib-r-704-681-bc-and-comes-from-the-great-southwest-palace-called-by-sennacherib-the-palace-without-rival-at-nineveh-it-originally-formed-part-of-a-procession-scene-and-depicts-in-low-relief-the-upper-part-of-a-male-figure-whose-beard-clothing-and-jewelry-indicate-particularly-high-status-his-diadem-with-incised-decoration-representing-embroidered-rosettes-and-a-thin-length-of-fabric-running-from-its-bac-image213262787.htmlRMPAXXT3–Assyrian Crown-Prince. Culture: Assyrian. Dimensions: 26 1/8 x 14 x 1 1/8 in. (66.5 x 35.5 x 2.8 cm). Date: ca. 704-681 B.C.. This relief fragment dates to the time of Sennacherib (r. 704-681 B.C.), and comes from the great Southwest Palace, called by Sennacherib the 'Palace Without Rival,' at Nineveh. It originally formed part of a procession scene, and depicts in low relief the upper part of a male figure whose beard, clothing, and jewelry indicate particularly high status. His diadem, with incised decoration representing embroidered rosettes and a thin length of fabric running from its bac
Art inspired by Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 2 13/16 x W. 1 5/8 x D. 2 7/16 in. (7.1 x 4.1 x 6.2 cm), Ivory/Bone-Vessels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-with-falcon-headed-re-wearing-crown-of-upper-and-lower-egypt-neo-assyrian-ca-8th7th-century-bc-mesopotamia-nimrud-ancient-kalhu-assyrian-ivory-h-2-1316-x-w-1-58-x-d-2-716-in-71-x-41-x-62-cm-ivorybone-vessels-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462944842.htmlRF2HW4XTA–Art inspired by Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 2 13/16 x W. 1 5/8 x D. 2 7/16 in. (7.1 x 4.1 x 6.2 cm), Ivory/Bone-Vessels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Assyrian Crown-Prince Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrian-crown-prince-image232331117.htmlRMRDYGKW–Assyrian Crown-Prince
The objects pictured are from ancient times: European, Sarmatian, Assyrian, and Jewish. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-objects-pictured-are-from-ancient-times-european-sarmatian-assyrian-34509504.htmlRFC04168–The objects pictured are from ancient times: European, Sarmatian, Assyrian, and Jewish.
Assyrian Crown-Prince Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrian-crown-prince-image232331118.htmlRMRDYGKX–Assyrian Crown-Prince
Assyrian Crown-Prince ca. 704–681 B.C. Assyrian This relief fragment dates to the time of Sennacherib (r. 704-681 B.C.), and comes from the great Southwest Palace, called by Sennacherib the 'Palace Without Rival,' at Nineveh. It originally formed part of a procession scene, and depicts in low relief the upper part of a male figure whose beard, clothing, and jewelry indicate particularly high status. His diadem, with incised decoration representing embroidered rosettes and a thin length of fabric running from its back, is an attribute often associated in this period with the Assyrian crown-prin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assyrian-crown-prince-ca-704681-bc-assyrian-this-relief-fragment-dates-to-the-time-of-sennacherib-r-704-681-bc-and-comes-from-the-great-southwest-palace-called-by-sennacherib-the-palace-without-rival-at-nineveh-it-originally-formed-part-of-a-procession-scene-and-depicts-in-low-relief-the-upper-part-of-a-male-figure-whose-beard-clothing-and-jewelry-indicate-particularly-high-status-his-diadem-with-incised-decoration-representing-embroidered-rosettes-and-a-thin-length-of-fabric-running-from-its-back-is-an-attribute-often-associated-in-this-period-with-the-assyrian-crown-prin-image457880408.htmlRM2HGX73M–Assyrian Crown-Prince ca. 704–681 B.C. Assyrian This relief fragment dates to the time of Sennacherib (r. 704-681 B.C.), and comes from the great Southwest Palace, called by Sennacherib the 'Palace Without Rival,' at Nineveh. It originally formed part of a procession scene, and depicts in low relief the upper part of a male figure whose beard, clothing, and jewelry indicate particularly high status. His diadem, with incised decoration representing embroidered rosettes and a thin length of fabric running from its back, is an attribute often associated in this period with the Assyrian crown-prin
Relief King Ashurnasirpal II with ceremonial bowl. 883-859 B.C. Neo-Assyrian. Reign of Ashurnasirpal. Nimrud. Mesopotamia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-relief-king-ashurnasirpal-ii-with-ceremonial-bowl-883-859-bc-neo-assyrian-119719177.htmlRMGXNK0W–Relief King Ashurnasirpal II with ceremonial bowl. 883-859 B.C. Neo-Assyrian. Reign of Ashurnasirpal. Nimrud. Mesopotamia.
Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt, ca. 8th–7th century B.C Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-plaque-with-falcon-headed-re-wearing-crown-of-upper-and-lower-egypt-162402782.htmlRMKC62BA–Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt, ca. 8th–7th century B.C
carved stone relief of King Sargon in procession, Assyrian palace of Dur-Sharrukin, Khorsabad, Iraq, now in the Iraq Museum, Baghdad, Iraq Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carved-stone-relief-of-king-sargon-in-procession-assyrian-palace-of-dur-sharrukin-khorsabad-iraq-now-in-the-iraq-museum-baghdad-iraq-image592969295.htmlRM2WCM2AR–carved stone relief of King Sargon in procession, Assyrian palace of Dur-Sharrukin, Khorsabad, Iraq, now in the Iraq Museum, Baghdad, Iraq
Unknown Artist, Assyrian Relief: Winged Spirit or Apkallu Anointing Ashurnasirpal II from Kalhu (Nimrud), Iraq, ca. 875–860 B.C.E., gypsum (Mosul alabaster), 65 11/16 in. x 78 1/8 in. x 6 3/8 in. (166.8 cm. x 198.5 cm. x 16.2 cm.), This relief shows the king Ashurnasirpal with a protective spirit, or apkallu figure behind. The king wears the fez-and-tiara crown that signals his regal status. His robe is long and tasseled with daggers tucked into the folds. Holding a bow in his left hand Ashurnasirpal raises his right. The protective spirit behind wears a horned crown, short kilt, and sports wi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-assyrian-relief-winged-spirit-or-apkallu-anointing-ashurnasirpal-ii-from-kalhu-nimrud-iraq-ca-875860-bce-gypsum-mosul-alabaster-65-1116-in-x-78-18-in-x-6-38-in-1668-cm-x-1985-cm-x-162-cm-this-relief-shows-the-king-ashurnasirpal-with-a-protective-spirit-or-apkallu-figure-behind-the-king-wears-the-fez-and-tiara-crown-that-signals-his-regal-status-his-robe-is-long-and-tasseled-with-daggers-tucked-into-the-folds-holding-a-bow-in-his-left-hand-ashurnasirpal-raises-his-right-the-protective-spirit-behind-wears-a-horned-crown-short-kilt-and-sports-wi-image344469408.htmlRM2B0BX6T–Unknown Artist, Assyrian Relief: Winged Spirit or Apkallu Anointing Ashurnasirpal II from Kalhu (Nimrud), Iraq, ca. 875–860 B.C.E., gypsum (Mosul alabaster), 65 11/16 in. x 78 1/8 in. x 6 3/8 in. (166.8 cm. x 198.5 cm. x 16.2 cm.), This relief shows the king Ashurnasirpal with a protective spirit, or apkallu figure behind. The king wears the fez-and-tiara crown that signals his regal status. His robe is long and tasseled with daggers tucked into the folds. Holding a bow in his left hand Ashurnasirpal raises his right. The protective spirit behind wears a horned crown, short kilt, and sports wi
'The Mother Goddess Ishtar', 1916. Artist: Evelyn Paul Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mother-goddess-ishtar-1916-artist-evelyn-paul-image60228977.htmlRMDDYJJW–'The Mother Goddess Ishtar', 1916. Artist: Evelyn Paul
Gold crown from the treasures found in Assyrian palace in the Iraqi city of Nimrud Photograph taken in the Baghdad Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gold-crown-from-the-treasures-found-in-assyrian-palace-in-the-iraqi-15696630.htmlRMAP72RK–Gold crown from the treasures found in Assyrian palace in the Iraqi city of Nimrud Photograph taken in the Baghdad Museum
Replica of Assyrian Queen crown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/replica-of-assyrian-queen-crown-image480383446.htmlRF2JWF9YJ–Replica of Assyrian Queen crown
Figure of a Lamassu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-of-a-lamassu-image572406626.htmlRF2T77ADP–Figure of a Lamassu
Ceremonial helmet? / funerary crown? inscribed for the Osiris Hor-Psamtik 664–525 B.C. Late Period Generally described as a helmet because of a very general resemblance to Assyrian helmets of this time, this piece was created in relatively fragile faience and is unlikely to be intended for actual battle. Another possibility is that it is a squat approximation of an Egyptian white crown, typically worn by Osiris along with the kings. The purpose must be ceremonial and / or funerary, although nothing similar is known, nor is the practice of supplying life-size faience funerary accessories docume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceremonial-helmet-funerary-crown-inscribed-for-the-osiris-hor-psamtik-664525-bc-late-period-generally-described-as-a-helmet-because-of-a-very-general-resemblance-to-assyrian-helmets-of-this-time-this-piece-was-created-in-relatively-fragile-faience-and-is-unlikely-to-be-intended-for-actual-battle-another-possibility-is-that-it-is-a-squat-approximation-of-an-egyptian-white-crown-typically-worn-by-osiris-along-with-the-kings-the-purpose-must-be-ceremonial-and-or-funerary-although-nothing-similar-is-known-nor-is-the-practice-of-supplying-life-size-faience-funerary-accessories-docume-image458497540.htmlRM2HHXA84–Ceremonial helmet? / funerary crown? inscribed for the Osiris Hor-Psamtik 664–525 B.C. Late Period Generally described as a helmet because of a very general resemblance to Assyrian helmets of this time, this piece was created in relatively fragile faience and is unlikely to be intended for actual battle. Another possibility is that it is a squat approximation of an Egyptian white crown, typically worn by Osiris along with the kings. The purpose must be ceremonial and / or funerary, although nothing similar is known, nor is the practice of supplying life-size faience funerary accessories docume
Antique engraving of Sennacherib, Assyrian king. Illustration published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Ency Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-engraving-of-sennacherib-assyrian-king-illustration-published-in-systematischer-bilder-atlas-zum-conversations-lexikon-ikonographische-ency-image381533513.htmlRF2D4M9TW–Antique engraving of Sennacherib, Assyrian king. Illustration published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Ency
Cloisonne furniture plaque with an infant on a lotus flower ca. 8th century B.C. Assyrian An infant sits in profile on an elaborately carved lotus flower that emerges from a double volute in this fragmentary plaque. Wearing a long robe, he presses one finger to his lips. This Egyptianizing motif, as well as the slender, flowing carving style and embellishments with the cloisonné inlay technique, are all characteristic of Phoenician artistry. Several other elements also drawn from Egyptian art include the wesekh broad collar, sidelock, and crown with a horizontal ram’s horn. The motif of an inf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cloisonne-furniture-plaque-with-an-infant-on-a-lotus-flower-ca-8th-century-bc-assyrian-an-infant-sits-in-profile-on-an-elaborately-carved-lotus-flower-that-emerges-from-a-double-volute-in-this-fragmentary-plaque-wearing-a-long-robe-he-presses-one-finger-to-his-lips-this-egyptianizing-motif-as-well-as-the-slender-flowing-carving-style-and-embellishments-with-the-cloisonn-inlay-technique-are-all-characteristic-of-phoenician-artistry-several-other-elements-also-drawn-from-egyptian-art-include-the-wesekh-broad-collar-sidelock-and-crown-with-a-horizontal-rams-horn-the-motif-of-an-inf-image458188755.htmlRM2HHC8C3–Cloisonne furniture plaque with an infant on a lotus flower ca. 8th century B.C. Assyrian An infant sits in profile on an elaborately carved lotus flower that emerges from a double volute in this fragmentary plaque. Wearing a long robe, he presses one finger to his lips. This Egyptianizing motif, as well as the slender, flowing carving style and embellishments with the cloisonné inlay technique, are all characteristic of Phoenician artistry. Several other elements also drawn from Egyptian art include the wesekh broad collar, sidelock, and crown with a horizontal ram’s horn. The motif of an inf
The image shows Assyria. He is the god of the Assyrian state. He holds the long stick and the second-hand sword. He has a crown on his head, vintage l Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-image-shows-assyria-he-is-the-god-of-the-assyrian-state-he-holds-the-long-stick-and-the-second-hand-sword-he-has-a-crown-on-his-head-vintage-l-image244568067.htmlRFT5W11R–The image shows Assyria. He is the god of the Assyrian state. He holds the long stick and the second-hand sword. He has a crown on his head, vintage l
Assyrian Crown-Prince MET hb32 143 13 322620 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-assyrian-crown-prince-met-hb32-143-13-322620-168474833.htmlRMKP2KA9–Assyrian Crown-Prince MET hb32 143 13 322620
Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt. Culture: Assyrian. Dimensions: H. 2 13/16 x W. 1 5/8 x D. 2 7/16 in. (7.1 x 4.1 x 6.2 cm). Date: ca. 8th-7th century B.C.. This curved, trapezoidal ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a figure with the head of a falcon kneeling with elbows bent and palms held outwards, facing a stylized tree to the right. The figure wears a type of Egyptian headdress called a lappet w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-falcon-headed-re-wearing-crown-of-upper-and-lower-egypt-culture-assyrian-dimensions-h-2-1316-x-w-1-58-x-d-2-716-in-71-x-41-x-62-cm-date-ca-8th-7th-century-bc-this-curved-trapezoidal-ivory-plaque-was-found-in-a-storage-room-in-fort-shalmaneser-a-royal-building-at-nimrud-that-was-used-to-store-booty-and-tribute-collected-by-the-assyrians-while-on-military-campaign-it-depicts-a-figure-with-the-head-of-a-falcon-kneeling-with-elbows-bent-and-palms-held-outwards-facing-a-stylized-tree-to-the-right-the-figure-wears-a-type-of-egyptian-headdress-called-a-lappet-w-image213303510.htmlRMPB0PPE–Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt. Culture: Assyrian. Dimensions: H. 2 13/16 x W. 1 5/8 x D. 2 7/16 in. (7.1 x 4.1 x 6.2 cm). Date: ca. 8th-7th century B.C.. This curved, trapezoidal ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a figure with the head of a falcon kneeling with elbows bent and palms held outwards, facing a stylized tree to the right. The figure wears a type of Egyptian headdress called a lappet w
The image shows the Assyrian princess in full dress. She holds weapons in her hand. She has a beautiful crown on her head, vintage line drawing or eng Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-image-shows-the-assyrian-princess-in-full-dress-she-holds-weapons-in-her-hand-she-has-a-beautiful-crown-on-her-head-vintage-line-drawing-or-eng-image244551008.htmlRFT5T78G–The image shows the Assyrian princess in full dress. She holds weapons in her hand. She has a beautiful crown on her head, vintage line drawing or eng
Nimrud Ivory from Room S10 Fort Shalmaneser within the Assyrian city of Nimrud, northern Iraq, photographed in the Institute of Archaeology, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nimrud-ivory-from-room-s10-fort-shalmaneser-within-the-assyrian-city-of-nimrud-northern-iraq-photographed-in-the-institute-of-archaeology-london-image233653215.htmlRMRG3R1K–Nimrud Ivory from Room S10 Fort Shalmaneser within the Assyrian city of Nimrud, northern Iraq, photographed in the Institute of Archaeology, London.
Ancient Assyrian items: four armlets, fan, diadem, water vessel, four ear pendants, tiara, throne, footstool, seat, table. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-assyrian-items-four-armlets-fan-diadem-water-vessel-four-ear-34509717.htmlRFC041DW–Ancient Assyrian items: four armlets, fan, diadem, water vessel, four ear pendants, tiara, throne, footstool, seat, table.
Ram-headed sphinx: Nimrud Ivory from Room SW37 Fort Shalmaneser within the Assyrian city of Nimrud, northern Iraq, photographed in Birmingham Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ram-headed-sphinx-nimrud-ivory-from-room-sw37-fort-shalmaneser-within-the-assyrian-city-of-nimrud-northern-iraq-photographed-in-birmingham-museum-image233653208.htmlRMRG3R1C–Ram-headed sphinx: Nimrud Ivory from Room SW37 Fort Shalmaneser within the Assyrian city of Nimrud, northern Iraq, photographed in Birmingham Museum.
Two genii wearing a pharaoh's double crown (pschent) unfurl their wings around a child emerging from a lotus. Around 800-700BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-genii-wearing-a-pharaohs-double-crown-pschent-unfurl-their-wings-around-a-child-emerging-from-a-lotus-around-800-700bc-image327387314.htmlRF2A0HNT2–Two genii wearing a pharaoh's double crown (pschent) unfurl their wings around a child emerging from a lotus. Around 800-700BC.
Relief King Ashurnasirpal II with ceremonial bowl. 883-859 B.C. Neo-Assyrian. Reign of Ashurnasirpal. Nimrud. Mesopotamia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-relief-king-ashurnasirpal-ii-with-ceremonial-bowl-883-859-bc-neo-assyrian-119719295.htmlRMGXNK53–Relief King Ashurnasirpal II with ceremonial bowl. 883-859 B.C. Neo-Assyrian. Reign of Ashurnasirpal. Nimrud. Mesopotamia.
Art inspired by Silver-gilt bowl, Archaic, ca. 725–675 B.C., Cypriot, Gilt silver, H. 1 1/4 in. (3.1 cm), Gold and Silver, The central tondo shows a winged deity of Assyrian type felling a rampant lion with a sword. The surrounding frieze presents a variety of animal and narrative, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-silver-gilt-bowl-archaic-ca-725675-bc-cypriot-gilt-silver-h-1-14-in-31-cm-gold-and-silver-the-central-tondo-shows-a-winged-deity-of-assyrian-type-felling-a-rampant-lion-with-a-sword-the-surrounding-frieze-presents-a-variety-of-animal-and-narrative-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462782735.htmlRF2HTWG2R–Art inspired by Silver-gilt bowl, Archaic, ca. 725–675 B.C., Cypriot, Gilt silver, H. 1 1/4 in. (3.1 cm), Gold and Silver, The central tondo shows a winged deity of Assyrian type felling a rampant lion with a sword. The surrounding frieze presents a variety of animal and narrative, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Nimrud palace wall relief (Iraq). Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II in a chariot. Detail horses. Exposition Th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nimrud-palace-wall-relief-iraq-neo-assyrian-empire-875-860-bc-alabaster-the-monarch-ashurnasirpal-ii-in-a-chariot-detail-horses-exposition-th-image570043266.htmlRM2T3BM02–Nimrud palace wall relief (Iraq). Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II in a chariot. Detail horses. Exposition Th
Unknown Artist, Assyrian Relief: Winged Spirit or Apkallu and Sacred Tree from Kalhu (Nimrud), Iraq, Northwest Palace, Room T, panel 6, ca. 875–860 B.C.E., gypsum (Mosul alabaster), 91 7/16 in. x 73 3/16 in. x 5 7/16 in. (232.2 cm. x 185.9 cm. x 13.8 cm.), The winged figure, or apkallu spirit, is often mentioned in Assyrian texts. With magical and protective powers, he serves to guard the king and his realm. The horned crown announces his divinity, though his portrait bears an uncanny resemblance to Ashurnasirpal himself. He holds a bucket in his left hand, while in his right, he sprinkles a s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-assyrian-relief-winged-spirit-or-apkallu-and-sacred-tree-from-kalhu-nimrud-iraq-northwest-palace-room-t-panel-6-ca-875860-bce-gypsum-mosul-alabaster-91-716-in-x-73-316-in-x-5-716-in-2322-cm-x-1859-cm-x-138-cm-the-winged-figure-or-apkallu-spirit-is-often-mentioned-in-assyrian-texts-with-magical-and-protective-powers-he-serves-to-guard-the-king-and-his-realm-the-horned-crown-announces-his-divinity-though-his-portrait-bears-an-uncanny-resemblance-to-ashurnasirpal-himself-he-holds-a-bucket-in-his-left-hand-while-in-his-right-he-sprinkles-a-s-image344469409.htmlRM2B0BX6W–Unknown Artist, Assyrian Relief: Winged Spirit or Apkallu and Sacred Tree from Kalhu (Nimrud), Iraq, Northwest Palace, Room T, panel 6, ca. 875–860 B.C.E., gypsum (Mosul alabaster), 91 7/16 in. x 73 3/16 in. x 5 7/16 in. (232.2 cm. x 185.9 cm. x 13.8 cm.), The winged figure, or apkallu spirit, is often mentioned in Assyrian texts. With magical and protective powers, he serves to guard the king and his realm. The horned crown announces his divinity, though his portrait bears an uncanny resemblance to Ashurnasirpal himself. He holds a bucket in his left hand, while in his right, he sprinkles a s
Nimrud, Iraq, 1989 - Carved stone reliefs, stele and cuneiform inscriptions at the Royal Palace of King Ashurnasirapal II on the Nineveh plains just south of Mosul. Nimrud was a major Assyrian city flourishing from 1250BC - 610BC. Archaeological excavations at the site began in 1845, and have continued since. Agatha Christie lived at Nimrud in the 1940s-50s, accompanying her husband Max Mallowan who led a British School of Archaeology team. In 1988, Iraqi archaeologist Muzahem Mahmoud made Iraq's discovery of the century by unearthing over 600 precious gold jewelry and precious stones und Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nimrud-iraq-1989-carved-stone-reliefs-stele-and-cuneiform-inscriptions-91122246.htmlRMF86Y9X–Nimrud, Iraq, 1989 - Carved stone reliefs, stele and cuneiform inscriptions at the Royal Palace of King Ashurnasirapal II on the Nineveh plains just south of Mosul. Nimrud was a major Assyrian city flourishing from 1250BC - 610BC. Archaeological excavations at the site began in 1845, and have continued since. Agatha Christie lived at Nimrud in the 1940s-50s, accompanying her husband Max Mallowan who led a British School of Archaeology team. In 1988, Iraqi archaeologist Muzahem Mahmoud made Iraq's discovery of the century by unearthing over 600 precious gold jewelry and precious stones und
Lilith, a powerful female figure, stands with raised hands and spread wings, atop lions. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lilith-a-powerful-female-figure-stands-with-raised-hands-and-spread-wings-atop-lions-image593792091.htmlRF2WE1FTB–Lilith, a powerful female figure, stands with raised hands and spread wings, atop lions.
King of Babylon Nebuchadnezzar II Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-of-babylon-nebuchadnezzar-ii-image565097801.htmlRF2RRAC09–King of Babylon Nebuchadnezzar II
Antique engraving of Sennacherib, Assyrian king. Illustration published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Ency Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-engraving-of-sennacherib-assyrian-king-illustration-published-in-systematischer-bilder-atlas-zum-conversations-lexikon-ikonographische-ency-image413446350.htmlRF2F0J312–Antique engraving of Sennacherib, Assyrian king. Illustration published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Ency
Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt ca. 8th–7th century B.C. Assyrian This curved, trapezoidal ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a figure with the head of a falcon kneeling with elbows bent and palms held outwards, facing a stylized tree to the right. The figure wears a type of Egyptian headdress called a lappet wig, topped by a version of the Egyptian double crown which has a curled element added at th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-falcon-headed-re-wearing-crown-of-upper-and-lower-egypt-ca-8th7th-century-bc-assyrian-this-curved-trapezoidal-ivory-plaque-was-found-in-a-storage-room-in-fort-shalmaneser-a-royal-building-at-nimrud-that-was-used-to-store-booty-and-tribute-collected-by-the-assyrians-while-on-military-campaign-it-depicts-a-figure-with-the-head-of-a-falcon-kneeling-with-elbows-bent-and-palms-held-outwards-facing-a-stylized-tree-to-the-right-the-figure-wears-a-type-of-egyptian-headdress-called-a-lappet-wig-topped-by-a-version-of-the-egyptian-double-crown-which-has-a-curled-element-added-at-th-image458140608.htmlRM2HHA30G–Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt ca. 8th–7th century B.C. Assyrian This curved, trapezoidal ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a figure with the head of a falcon kneeling with elbows bent and palms held outwards, facing a stylized tree to the right. The figure wears a type of Egyptian headdress called a lappet wig, topped by a version of the Egyptian double crown which has a curled element added at th
Antique 19th-century illustration depicting relief figure from Nineveh, Assyria. Engraving published in Systematischer Bilder Atlas - Bauwesen, Ikonog Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-19th-century-illustration-depicting-relief-figure-from-nineveh-assyria-engraving-published-in-systematischer-bilder-atlas-bauwesen-ikonog-image383510583.htmlRF2D7XBJF–Antique 19th-century illustration depicting relief figure from Nineveh, Assyria. Engraving published in Systematischer Bilder Atlas - Bauwesen, Ikonog
Assyrian Crown-Prince MET hb32 143 13 322620 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-assyrian-crown-prince-met-hb32-143-13-322620-168308428.htmlRMKNR338–Assyrian Crown-Prince MET hb32 143 13 322620
Openwork furniture plaque with winged sphinx. Culture: Assyrian. Dimensions: 3.19 x 1.97 x 0.35 in. (8.1 x 5 x 0.89 cm). Date: ca. 9th-8th century B.C.. This ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a sphinx, a fantastic creature with the body of a winged lion and a human head, in profile facing right. The sphinx wears an Egyptian-style headdress called a nemes headcloth, topped by the Egyptian double crown. A patterned apron hangs down ove Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/openwork-furniture-plaque-with-winged-sphinx-culture-assyrian-dimensions-319-x-197-x-035-in-81-x-5-x-089-cm-date-ca-9th-8th-century-bc-this-ivory-plaque-was-found-in-a-storage-room-in-fort-shalmaneser-a-royal-building-at-nimrud-that-was-used-to-store-booty-and-tribute-collected-by-the-assyrians-while-on-military-campaign-it-depicts-a-sphinx-a-fantastic-creature-with-the-body-of-a-winged-lion-and-a-human-head-in-profile-facing-right-the-sphinx-wears-an-egyptian-style-headdress-called-a-nemes-headcloth-topped-by-the-egyptian-double-crown-a-patterned-apron-hangs-down-ove-image213119015.htmlRMPAMBDB–Openwork furniture plaque with winged sphinx. Culture: Assyrian. Dimensions: 3.19 x 1.97 x 0.35 in. (8.1 x 5 x 0.89 cm). Date: ca. 9th-8th century B.C.. This ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a sphinx, a fantastic creature with the body of a winged lion and a human head, in profile facing right. The sphinx wears an Egyptian-style headdress called a nemes headcloth, topped by the Egyptian double crown. A patterned apron hangs down ove
Openwork furniture plaque with winged sphinx ca. 9th–8th century B.C. Assyrian This ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a sphinx, a fantastic creature with the body of a winged lion and a human head, in profile facing right. The sphinx wears an Egyptian-style headdress called a nemes headcloth, topped by the Egyptian double crown. A patterned apron hangs down over the sphinx’s chest. Parts of the wings and crown, and all of the tail, ha Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/openwork-furniture-plaque-with-winged-sphinx-ca-9th8th-century-bc-assyrian-this-ivory-plaque-was-found-in-a-storage-room-in-fort-shalmaneser-a-royal-building-at-nimrud-that-was-used-to-store-booty-and-tribute-collected-by-the-assyrians-while-on-military-campaign-it-depicts-a-sphinx-a-fantastic-creature-with-the-body-of-a-winged-lion-and-a-human-head-in-profile-facing-right-the-sphinx-wears-an-egyptian-style-headdress-called-a-nemes-headcloth-topped-by-the-egyptian-double-crown-a-patterned-apron-hangs-down-over-the-sphinxs-chest-parts-of-the-wings-and-crown-and-all-of-the-tail-ha-image458411385.htmlRM2HHPCB5–Openwork furniture plaque with winged sphinx ca. 9th–8th century B.C. Assyrian This ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a sphinx, a fantastic creature with the body of a winged lion and a human head, in profile facing right. The sphinx wears an Egyptian-style headdress called a nemes headcloth, topped by the Egyptian double crown. A patterned apron hangs down over the sphinx’s chest. Parts of the wings and crown, and all of the tail, ha
The image shows an Asyrian. It is made of stone and is the face on one side. It has a lid like a crown, vintage line drawing or engraving illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-image-shows-an-asyrian-it-is-made-of-stone-and-is-the-face-on-one-side-it-has-a-lid-like-a-crown-vintage-line-drawing-or-engraving-illustration-image244548065.htmlRFT5T3FD–The image shows an Asyrian. It is made of stone and is the face on one side. It has a lid like a crown, vintage line drawing or engraving illustration
Silver-gilt bowl ca. 725–675 B.C. Cypriot The central tondo shows a winged deity of Assyrian type felling a rampant lion with a sword. The surrounding frieze presents a variety of animal and narrative motifs, including two specifically Egyptian subjects: a sphinx wearing the Egyptian double crown and a lion treading over a dead man, symbolizing the pharaoh dominating his enemies. The broad outer band features a variety of combats. Of greatest importance, however, are two inscriptions. At the top, above an Assyrianizing figure killing a lion, a Cypriot syllabic inscription reads, 'I am [the bow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silver-gilt-bowl-ca-725675-bc-cypriot-the-central-tondo-shows-a-winged-deity-of-assyrian-type-felling-a-rampant-lion-with-a-sword-the-surrounding-frieze-presents-a-variety-of-animal-and-narrative-motifs-including-two-specifically-egyptian-subjects-a-sphinx-wearing-the-egyptian-double-crown-and-a-lion-treading-over-a-dead-man-symbolizing-the-pharaoh-dominating-his-enemies-the-broad-outer-band-features-a-variety-of-combats-of-greatest-importance-however-are-two-inscriptions-at-the-top-above-an-assyrianizing-figure-killing-a-lion-a-cypriot-syllabic-inscription-reads-i-am-the-bow-image458177769.htmlRM2HHBPBN–Silver-gilt bowl ca. 725–675 B.C. Cypriot The central tondo shows a winged deity of Assyrian type felling a rampant lion with a sword. The surrounding frieze presents a variety of animal and narrative motifs, including two specifically Egyptian subjects: a sphinx wearing the Egyptian double crown and a lion treading over a dead man, symbolizing the pharaoh dominating his enemies. The broad outer band features a variety of combats. Of greatest importance, however, are two inscriptions. At the top, above an Assyrianizing figure killing a lion, a Cypriot syllabic inscription reads, 'I am [the bow
Sphinx subdues boy: Nimrud Ivory from Room SW37 Fort Shalmaneser within the Assyrian city of Nimrud, northern Iraq, photographed in Birmingham Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sphinx-subdues-boy-nimrud-ivory-from-room-sw37-fort-shalmaneser-within-the-assyrian-city-of-nimrud-northern-iraq-photographed-in-birmingham-museum-image233653373.htmlRMRG3R79–Sphinx subdues boy: Nimrud Ivory from Room SW37 Fort Shalmaneser within the Assyrian city of Nimrud, northern Iraq, photographed in Birmingham Museum.
Two genii wearing a pharaoh's double crown (pschent) unfurl their wings around a child emerging from a lotus. Around 800-700BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-genii-wearing-a-pharaohs-double-crown-pschent-unfurl-their-wings-around-a-child-emerging-from-a-lotus-around-800-700bc-image327387315.htmlRF2A0HNT3–Two genii wearing a pharaoh's double crown (pschent) unfurl their wings around a child emerging from a lotus. Around 800-700BC.
Nimrud palace wall relief (Iraq). Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II as a war hero in a chariot accompanied by s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nimrud-palace-wall-relief-iraq-neo-assyrian-empire-875-860-bc-alabaster-the-monarch-ashurnasirpal-ii-as-a-war-hero-in-a-chariot-accompanied-by-s-image570043264.htmlRM2T3BM00–Nimrud palace wall relief (Iraq). Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II as a war hero in a chariot accompanied by s
Unknown Artist, Assyrian Relief: WInged Spirit of Apkallu from Kalhu (Nimrud), Iraq, Northwest Palace, Room S, panel 17, ca. 875–860 B.C.E., gypsum (Mosul alabaster), 90 9/16 in. x 58 3/4 in. x 6 7/16 in. (230 cm. x 149.3 cm. x 16.3 cm.), The winged figure in this relief is often connected to the apkallu spirit mentioned in Assyrian texts. Imbued with magical and protective powers, this spirit possesses a stout physique with exaggerated musculature. The horned crown announces his divinity, though his portrait bears an uncanny resemblance to Ashurnasirpal himself. He holds a bucket in his left Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-assyrian-relief-winged-spirit-of-apkallu-from-kalhu-nimrud-iraq-northwest-palace-room-s-panel-17-ca-875860-bce-gypsum-mosul-alabaster-90-916-in-x-58-34-in-x-6-716-in-230-cm-x-1493-cm-x-163-cm-the-winged-figure-in-this-relief-is-often-connected-to-the-apkallu-spirit-mentioned-in-assyrian-texts-imbued-with-magical-and-protective-powers-this-spirit-possesses-a-stout-physique-with-exaggerated-musculature-the-horned-crown-announces-his-divinity-though-his-portrait-bears-an-uncanny-resemblance-to-ashurnasirpal-himself-he-holds-a-bucket-in-his-left-image344469407.htmlRM2B0BX6R–Unknown Artist, Assyrian Relief: WInged Spirit of Apkallu from Kalhu (Nimrud), Iraq, Northwest Palace, Room S, panel 17, ca. 875–860 B.C.E., gypsum (Mosul alabaster), 90 9/16 in. x 58 3/4 in. x 6 7/16 in. (230 cm. x 149.3 cm. x 16.3 cm.), The winged figure in this relief is often connected to the apkallu spirit mentioned in Assyrian texts. Imbued with magical and protective powers, this spirit possesses a stout physique with exaggerated musculature. The horned crown announces his divinity, though his portrait bears an uncanny resemblance to Ashurnasirpal himself. He holds a bucket in his left
Nineveh, Iraq - A pastoral view of old houses at Nineveh on the banks of the Tigris not far from Nimrud, near Mosul. Nimrud was a major Assyrian city flourishing from 1250BC - 610BC. Archaeological excavations at the site began in 1845, and have continued since. Agatha Christie lived at Nimrud in the 1940s-50s, accompanying her husband Max Mallowan who led a British School of Archaeology team. In 1988, Iraqi archaeologist Muzahem Mahmoud made Iraq's discovery of the century by unearthing over 600 precious gold jewelry and precious stones under the floor of the Royal Palace at Nimrud, now Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nineveh-iraq-a-pastoral-view-of-old-houses-at-nineveh-on-the-banks-91121473.htmlRMF86XA9–Nineveh, Iraq - A pastoral view of old houses at Nineveh on the banks of the Tigris not far from Nimrud, near Mosul. Nimrud was a major Assyrian city flourishing from 1250BC - 610BC. Archaeological excavations at the site began in 1845, and have continued since. Agatha Christie lived at Nimrud in the 1940s-50s, accompanying her husband Max Mallowan who led a British School of Archaeology team. In 1988, Iraqi archaeologist Muzahem Mahmoud made Iraq's discovery of the century by unearthing over 600 precious gold jewelry and precious stones under the floor of the Royal Palace at Nimrud, now
Nebuchadnezzar II was the second king of the Neo-Babylonian Empire Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nebuchadnezzar-ii-was-the-second-king-of-the-neo-babylonian-empire-image565097891.htmlRF2RRAC3F–Nebuchadnezzar II was the second king of the Neo-Babylonian Empire
RELIEVE DEL PALACIO DE ASURBANIPAL - ASURBANIPAL SOBRE UN CARRO EN UN DESFILE - SIGLO VII AC - ARTE ASIRIO. Location: MUSEO DEL LOUVRE-ESCULTURAS. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/relieve-del-palacio-de-asurbanipal-asurbanipal-sobre-un-carro-en-un-desfile-siglo-vii-ac-arte-asirio-location-museo-del-louvre-esculturas-france-image220169278.htmlRMPP5G4E–RELIEVE DEL PALACIO DE ASURBANIPAL - ASURBANIPAL SOBRE UN CARRO EN UN DESFILE - SIGLO VII AC - ARTE ASIRIO. Location: MUSEO DEL LOUVRE-ESCULTURAS. France.
Furniture plaque carved in high relief with two Egyptianizing figures flanking a volute tree ca. 9th–8th century B.C. Assyrian During the ninth to seventh centuries B.C., vast quantities of luxury goods, often embellished with carved ivory in local, Syrian, and Phoenician styles, accumulated in Assyrian palaces, much of it as booty or tribute. This plaque, once part of a piece of furniture, is carved in high relief in a typical Phoenician style with Egyptian themes and motifs. Two pharaoh-like figures, standing on either side of a branching tree, wear a version of the double crown of Egypt wit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/furniture-plaque-carved-in-high-relief-with-two-egyptianizing-figures-flanking-a-volute-tree-ca-9th8th-century-bc-assyrian-during-the-ninth-to-seventh-centuries-bc-vast-quantities-of-luxury-goods-often-embellished-with-carved-ivory-in-local-syrian-and-phoenician-styles-accumulated-in-assyrian-palaces-much-of-it-as-booty-or-tribute-this-plaque-once-part-of-a-piece-of-furniture-is-carved-in-high-relief-in-a-typical-phoenician-style-with-egyptian-themes-and-motifs-two-pharaoh-like-figures-standing-on-either-side-of-a-branching-tree-wear-a-version-of-the-double-crown-of-egypt-wit-image458179166.htmlRM2HHBT5J–Furniture plaque carved in high relief with two Egyptianizing figures flanking a volute tree ca. 9th–8th century B.C. Assyrian During the ninth to seventh centuries B.C., vast quantities of luxury goods, often embellished with carved ivory in local, Syrian, and Phoenician styles, accumulated in Assyrian palaces, much of it as booty or tribute. This plaque, once part of a piece of furniture, is carved in high relief in a typical Phoenician style with Egyptian themes and motifs. Two pharaoh-like figures, standing on either side of a branching tree, wear a version of the double crown of Egypt wit
Hero & griffin: Nimrud Ivory from Room NE59 Fort Shalmaneser within the Assyrian city of Nimrud, northern Iraq, photographed in Birmingham Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hero-griffin-nimrud-ivory-from-room-ne59-fort-shalmaneser-within-the-assyrian-city-of-nimrud-northern-iraq-photographed-in-birmingham-museum-image233653250.htmlRMRG3R2X–Hero & griffin: Nimrud Ivory from Room NE59 Fort Shalmaneser within the Assyrian city of Nimrud, northern Iraq, photographed in Birmingham Museum.
Two genii wearing a pharaoh's double crown (pschent) unfurl their wings around a child emerging from a lotus. Around 800-700BC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-genii-wearing-a-pharaohs-double-crown-pschent-unfurl-their-wings-around-a-child-emerging-from-a-lotus-around-800-700bc-image327387320.htmlRF2A0HNT8–Two genii wearing a pharaoh's double crown (pschent) unfurl their wings around a child emerging from a lotus. Around 800-700BC.
Seated pharaoh figure: Nimrud Ivory from Room SW12 Fort Shalmaneser within the Assyrian city of Nimrud, Iraq, photographed in the Iraq Museum, Baghdad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-pharaoh-figure-nimrud-ivory-from-room-sw12-fort-shalmaneser-within-the-assyrian-city-of-nimrud-iraq-photographed-in-the-iraq-museum-baghdad-image233784401.htmlRMRG9PAW–Seated pharaoh figure: Nimrud Ivory from Room SW12 Fort Shalmaneser within the Assyrian city of Nimrud, Iraq, photographed in the Iraq Museum, Baghdad
Nimrud palace wall relief (Iraq). Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II as a war hero in a chariot accompanied by s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nimrud-palace-wall-relief-iraq-neo-assyrian-empire-875-860-bc-alabaster-the-monarch-ashurnasirpal-ii-as-a-war-hero-in-a-chariot-accompanied-by-s-image570043254.htmlRM2T3BKYJ–Nimrud palace wall relief (Iraq). Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II as a war hero in a chariot accompanied by s
Unknown Artist, Assyrian Relief: Head of Ashurnasirpal II from Kalhu (Nimrud), Iraq, Northwest Palace, Room B, panel 14, ca. 875 - 860 B.C.E., gypsum (Mosul alabaster), 13 9/16 in. x 7 1/16 in. (34.5 cm. x 18 cm.), This portrait of the Assyrian king came from a large relief, the majority of which still resides in Iraq. This portrait once adorned the throne room of the palace. The remarkable state of preservation suggests that the sculpture lay unexposed from the sac of the site, in ca. 614 B.C.E., until its excavation in the nineteenth century. Paint is still visible around the eye, the beard, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-assyrian-relief-head-of-ashurnasirpal-ii-from-kalhu-nimrud-iraq-northwest-palace-room-b-panel-14-ca-875-860-bce-gypsum-mosul-alabaster-13-916-in-x-7-116-in-345-cm-x-18-cm-this-portrait-of-the-assyrian-king-came-from-a-large-relief-the-majority-of-which-still-resides-in-iraq-this-portrait-once-adorned-the-throne-room-of-the-palace-the-remarkable-state-of-preservation-suggests-that-the-sculpture-lay-unexposed-from-the-sac-of-the-site-in-ca-614-bce-until-its-excavation-in-the-nineteenth-century-paint-is-still-visible-around-the-eye-the-beard-image344469559.htmlRM2B0BXC7–Unknown Artist, Assyrian Relief: Head of Ashurnasirpal II from Kalhu (Nimrud), Iraq, Northwest Palace, Room B, panel 14, ca. 875 - 860 B.C.E., gypsum (Mosul alabaster), 13 9/16 in. x 7 1/16 in. (34.5 cm. x 18 cm.), This portrait of the Assyrian king came from a large relief, the majority of which still resides in Iraq. This portrait once adorned the throne room of the palace. The remarkable state of preservation suggests that the sculpture lay unexposed from the sac of the site, in ca. 614 B.C.E., until its excavation in the nineteenth century. Paint is still visible around the eye, the beard,
Nimrud, Iraq, 1989 - Archaelogical excavations being conducted by the British Museum at the Royal Palace of King Ashurnasirapal II on the Nineveh plains just south of Mosul. Nimrud was a major Assyrian city flourishing from 1250BC - 610BC. Archaeological excavations at the site began in 1845, and have continued since. Agatha Christie lived at Nimrud in the 1940s-50s, accompanying her husband Max Mallowan who led a British School of Archaeology team. In 1988, Iraqi archaeologist Muzahem Mahmoud made Iraq's discovery of the century by unearthing over 600 precious gold jewelry and precious s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nimrud-iraq-1989-archaelogical-excavations-being-conducted-by-the-91124572.htmlRMF87290–Nimrud, Iraq, 1989 - Archaelogical excavations being conducted by the British Museum at the Royal Palace of King Ashurnasirapal II on the Nineveh plains just south of Mosul. Nimrud was a major Assyrian city flourishing from 1250BC - 610BC. Archaeological excavations at the site began in 1845, and have continued since. Agatha Christie lived at Nimrud in the 1940s-50s, accompanying her husband Max Mallowan who led a British School of Archaeology team. In 1988, Iraqi archaeologist Muzahem Mahmoud made Iraq's discovery of the century by unearthing over 600 precious gold jewelry and precious s
Silver-gilt bowl, Archaic, ca. 725–675 B.C., Cypriot, Gilt silver, H. 1 1/4 in. (3.1 cm), Gold and Silver, The central tondo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-silver-gilt-bowl-archaic-ca-725675-bc-cypriot-gilt-silver-h-1-14-in-162536446.htmlRMKCC4W2–Silver-gilt bowl, Archaic, ca. 725–675 B.C., Cypriot, Gilt silver, H. 1 1/4 in. (3.1 cm), Gold and Silver, The central tondo
Nebuchadnezzar the Great, Nebuchadnezzar II Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nebuchadnezzar-the-great-nebuchadnezzar-ii-image565098671.htmlRF2RRAD3B–Nebuchadnezzar the Great, Nebuchadnezzar II
ESTELA DE LA VICTORIA DE NARAM-SIN - PROCEDENTE DE SUSA - 2250 AC - IMPERIO ACADIO - XII DINASTIA. Location: MUSEO DEL LOUVRE-ESCULTURAS, FRANCE. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/estela-de-la-victoria-de-naram-sin-procedente-de-susa-2250-ac-imperio-acadio-xii-dinastia-location-museo-del-louvre-esculturas-france-image208305293.htmlRMP2W3EN–ESTELA DE LA VICTORIA DE NARAM-SIN - PROCEDENTE DE SUSA - 2250 AC - IMPERIO ACADIO - XII DINASTIA. Location: MUSEO DEL LOUVRE-ESCULTURAS, FRANCE.
Standing male figure: Nimrud Ivory from Room SW37 Fort Shalmaneser within the Assyrian city of Nimrud, Iraq, photographed in the Iraq Museum, Baghdad. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-male-figure-nimrud-ivory-from-room-sw37-fort-shalmaneser-within-the-assyrian-city-of-nimrud-iraq-photographed-in-the-iraq-museum-baghdad-image233784267.htmlRMRG9P63–Standing male figure: Nimrud Ivory from Room SW37 Fort Shalmaneser within the Assyrian city of Nimrud, Iraq, photographed in the Iraq Museum, Baghdad.
Nimrud palace wall relief (Iraq). Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II as a war hero in a chariot accompanied by s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nimrud-palace-wall-relief-iraq-neo-assyrian-empire-875-860-bc-alabaster-the-monarch-ashurnasirpal-ii-as-a-war-hero-in-a-chariot-accompanied-by-s-image570043249.htmlRM2T3BKYD–Nimrud palace wall relief (Iraq). Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II as a war hero in a chariot accompanied by s
Pharaohs, tree & winged disc: Nimrud Ivory from Room SW12 Fort Shalmaneser within the Assyrian city of Nimrud, Iraq, photographed in Birmingham Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pharaohs-tree-winged-disc-nimrud-ivory-from-room-sw12-fort-shalmaneser-within-the-assyrian-city-of-nimrud-iraq-photographed-in-birmingham-museum-image233653824.htmlRMRG3RRC–Pharaohs, tree & winged disc: Nimrud Ivory from Room SW12 Fort Shalmaneser within the Assyrian city of Nimrud, Iraq, photographed in Birmingham Museum
Nebuchadnezzar II the King of Babylon Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nebuchadnezzar-ii-the-king-of-babylon-image565098268.htmlRF2RRACH0–Nebuchadnezzar II the King of Babylon
The Beast with Two Horns Like a Lamb, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm) plate: 15 3/8 x 11 in. (39.1 x 27.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-beast-with-two-horns-like-a-lamb-from-the-apocalypse-artist-albrecht-drer-german-nuremberg-1471-1528-nuremberg-dimensions-sheet-17-38-x-12-in-441-x-305-cm-plate-15-38-x-11-in-391-x-279-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image232816305.htmlRMRENKG1–The Beast with Two Horns Like a Lamb, from The Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm) plate: 15 3/8 x 11 in. (39.1 x 27.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Nimrud palace wall relief, Iraq. Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II in a chariot. Exposition The Human Image. Or Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nimrud-palace-wall-relief-iraq-neo-assyrian-empire-875-860-bc-alabaster-the-monarch-ashurnasirpal-ii-in-a-chariot-exposition-the-human-image-or-image570730271.htmlRM2T4F07Y–Nimrud palace wall relief, Iraq. Neo-Assyrian Empire. 875-860 BC. Alabaster. The monarch Ashurnasirpal II in a chariot. Exposition The Human Image. Or
King of the Neo-Babylonian Empire Nebuchadnezzar II Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-of-the-neo-babylonian-empire-nebuchadnezzar-ii-image565098329.htmlRF2RRACK5–King of the Neo-Babylonian Empire Nebuchadnezzar II
Search Results for Assyrian crown Stock Photos and Images (68)
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