RMPP5FWW–'RECORDANDO EL MAINE' THE WASHINGTON STAR - 17/8/1976.
RM2HC9R2R–Quadruple Alliance. Formed in London on 2 August 1718 by the Holy Roman Empire, the United Provinces of the Netherlands, France and Great Britain, with the aim of forming a coalition in response to Spanish belligerence that refused to abide by the Treaty of Utrecht of 1713 in relation to the former Spanish territories in Italy and the Netherlands. By signing the 'Treaty of The Hague' (17 February 1720), Spain acceded to the Treaty of the Quadruple Alliance, which reorganised a division of disputed territories. This treaty was ratified by King Philip V of Spain in Aranjuez on 20 May of that yea
RM2HC9R3P–Quadruple Alliance. Formed in London on 2 August 1718 by the Holy Roman Empire, the United Provinces of the Netherlands, France and Great Britain, with the aim of forming a coalition in response to Spanish belligerence that refused to abide by the Treaty of Utrecht of 1713 in relation to the former Spanish territories in Italy and the Netherlands. By signing the 'Treaty of The Hague' (17 February 1720), Spain acceded to the Treaty of the Quadruple Alliance, which reorganised a division of disputed territories. This treaty was ratified by King Philip V of Spain in Aranjuez on 20 May of that yea
RMP50BE8–Declaration of the Rights of Man and of the Citizen. Act passed in France by the Constituent Assembly on August 26, 1789 with seventeen articles that define the rights of citizens and the nation. It is a fundamental document of French Revolution. Carnavalet Museum. Paris. France.
RMPB1CB3–Book illustration or more likely a trademark with a coat of arms featuring a lion and a tower set within an arch. Artist: Anonymous, Italian, 16th century. Dimensions: Sheet: 11 13/16 × 17 15/16 in. (30 × 45.5 cm). Date: 16th century. Giustiniano degli Azzi Vitelleschi's article in the Mitteilungen der Gesellschaft für vervielfältigende Kunst (1929, nr .2/3, pp.37-45) describes a collection of woodcuts, including this print (number 4). Vitelleschi believes these prints are trade devices, not intended for book covers, but rather were used as covers to account books. In addition, these emblem
RMPAC1M7–Reclining Figure. Dimensions: Painting: H. 3 3/4 in. (9.5 cm) W. 6 15/16 in. (17.6 cm) Page: H. 3 3/4 in. (9.5 cm) W. 6 15/16 in. (17.6 cm) Mat: H. 14 1/4 in. (36.2 cm) W. 19 1/4 in. (48.9 cm). Date: 1630-40. This figure, elegantly draped over a cushion and dreamily gazing into the viewer's space, has traditionally been identified as a woman. Not only the leggings with a decorative border, but also the figure's voluminous thighs, pearl necklace and long hair are all associated with women in the Safavid period. However, the long floppy cap is an article of male clothing and suggests a d
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