Landscapes with ruins, numbered top right Pl. III., print maker: Robert Benard, publisher: Antoine-Claude Briasson, France, 1777, paper, etching, letterpress printing, height 397 mm × height 233 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscapes-with-ruins-numbered-top-right-pl-iii-print-maker-robert-benard-publisher-antoine-claude-briasson-france-1777-paper-etching-letterpress-printing-height-397-mm-height-233-mm-print-image599478035.html
RM2WR8G9R–Landscapes with ruins, numbered top right Pl. III., print maker: Robert Benard, publisher: Antoine-Claude Briasson, France, 1777, paper, etching, letterpress printing, height 397 mm × height 233 mm, print
Copper-Plate Etching, from Encyclopédie. Claude-Antoine Littret de Montigny (French, c. 1735-1775); after Prévost (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1765. Dimensions: 320 × 209 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Etching with engraving on cream laid paper taken from book. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copper-plate-etching-from-encyclopdie-claude-antoine-littret-de-montigny-french-c-1735-1775-after-prvost-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1765-dimensions-320-209-mm-image-355-225-mm-plate-390-255-mm-sheet-etching-with-engraving-on-cream-laid-paper-taken-from-book-origin-france-museum-the-chicago-art-institute-image240138143.html
RMRXK6J7–Copper-Plate Etching, from Encyclopédie. Claude-Antoine Littret de Montigny (French, c. 1735-1775); after Prévost (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1765. Dimensions: 320 × 209 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Etching with engraving on cream laid paper taken from book. Origin: France. Museum: The Chicago Art Institute.
Copper-Plate Etching, from Encyclopédie, 1765, Claude-Antoine Littret de Montigny (French, c. 1735-1775), after Prévost (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching with engraving on cream laid paper taken from book, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copper-plate-etching-from-encyclopdie-1765-claude-antoine-littret-de-montigny-french-c-1735-1775-after-prvost-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-taken-from-book-320-209-mm-image-355-225-mm-plate-390-255-mm-sheet-image328642596.html
RM2A2JXYG–Copper-Plate Etching, from Encyclopédie, 1765, Claude-Antoine Littret de Montigny (French, c. 1735-1775), after Prévost (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching with engraving on cream laid paper taken from book, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet
Copper-Plate Etching, from Encyclopédie, 1765, Claude-Antoine Littret de Montigny (French, c. 1735-1775), after Prévost (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching with engraving on cream laid paper taken from book, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copper-plate-etching-from-encyclopdie-1765-claude-antoine-littret-de-montigny-french-c-1735-1775-after-prvost-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-taken-from-book-320-209-mm-image-355-225-mm-plate-390-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-image349715625.html
RF2B8XWRN–Copper-Plate Etching, from Encyclopédie, 1765, Claude-Antoine Littret de Montigny (French, c. 1735-1775), after Prévost (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching with engraving on cream laid paper taken from book, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist.
Mezzotint, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mezzotint-from-encyclopxe9die-176277-image462403032.html
RM2HT87P0–Mezzotint, from Encyclopédie, 1762/77.
Art of Writing, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving, with etching, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-with-etching-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240107276.html
RMRXHR7T–Art of Writing, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving, with etching, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-image328642592.html
RM2A2JXYC–Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm
Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349715623.html
RF2B8XWRK–Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Elements of Wood Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elements-of-wood-engraving-from-encyclopxe9die-176277-image462403154.html
RM2HT87XA–Elements of Wood Engraving, from Encyclopédie, 1762/77.
Card-Maker, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopdie-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240002182.html
RMRXD16E–Card-Maker, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and mezzotint on cream laid paper, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mezzotint-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-and-mezzotint-on-cream-laid-paper-320-209-mm-image-355-225-mm-plate-390-255-mm-sheet-image328642628.html
RM2A2JY0M–Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and mezzotint on cream laid paper, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet
Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and mezzotint on cream laid paper, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mezzotint-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-and-mezzotint-on-cream-laid-paper-320-209-mm-image-355-225-mm-plate-390-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-image349715657.html
RF2B8XWTW–Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and mezzotint on cream laid paper, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology,
Design: Camera Obscura, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-camera-obscura-from-encyclopxe9die-176277-image462402994.html
RM2HT87MJ–Design: Camera Obscura, from Encyclopédie, 1762/77.
Pen Positions, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-positions-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240137944.html
RMRXK6B4–Pen Positions, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 325 × 209 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-325-209-mm-image-355-225-mm-plate-387-255-mm-sheet-image328642593.html
RM2A2JXYD–Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 325 × 209 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet
Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 208 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-315-208-mm-image-355-225-mm-plate-387-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-spe-image349715622.html
RF2B8XWRJ–Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 208 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe
Design: Camera Obscura, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-camera-obscura-from-encyclopxe9die-176277-image462402997.html
RM2HT87MN–Design: Camera Obscura, from Encyclopédie, 1762/77.
Preparatory Exercises, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/preparatory-exercises-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240102585.html
RMRXHH89–Preparatory Exercises, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 208 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-315-208-mm-image-355-225-mm-plate-387-255-mm-sheet-image328642591.html
RM2A2JXYB–Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 208 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet
Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 325 × 209 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-325-209-mm-image-355-225-mm-plate-387-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-spe-image349715624.html
RF2B8XWRM–Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 325 × 209 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe
Card-Maker, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopxe9die-176277-image462403166.html
RM2HT87XP–Card-Maker, from Encyclopédie, 1762/77.
Round Letters of the Alphabet, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-letters-of-the-alphabet-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240102770.html
RMRXHHEX–Round Letters of the Alphabet, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Crayon-Manner Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and crayon-manner engraving on cream laid paper, 320 × 210 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crayon-manner-engraving-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-and-crayon-manner-engraving-on-cream-laid-paper-320-210-mm-image-355-225-mm-plate-390-255-mm-sheet-image328642635.html
RM2A2JY0Y–Crayon-Manner Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and crayon-manner engraving on cream laid paper, 320 × 210 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet
Gem Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 200 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gem-engraving-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-antoine-gaspard-boucher-dargis-french-1708-1791-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-315-200-mm-image-355-225-mm-plate-390-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-image349715595.html
RF2B8XWPK–Gem Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 200 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism
Elements of Wood Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elements-of-wood-engraving-from-encyclopxe9die-176277-image462403156.html
RM2HT87XC–Elements of Wood Engraving, from Encyclopédie, 1762/77.
Design: Facial Anatomy from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-facial-anatomy-from-encyclopdie-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-etching-with-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240111192.html
RMRXJ07M–Design: Facial Anatomy from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Gem Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 200 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gem-engraving-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-antoine-gaspard-boucher-dargis-french-1708-1791-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-315-200-mm-image-355-225-mm-plate-390-255-mm-sheet-image328642523.html
RM2A2JXTY–Gem Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 200 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet
Crayon-Manner Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and crayon-manner engraving on cream laid paper, 320 × 210 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crayon-manner-engraving-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-and-crayon-manner-engraving-on-cream-laid-paper-320-210-mm-image-355-225-mm-plate-390-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-e-image349715661.html
RF2B8XWW1–Crayon-Manner Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and crayon-manner engraving on cream laid paper, 320 × 210 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic e
Card-Maker, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopxe9die-176277-image462403145.html
RM2HT87X1–Card-Maker, from Encyclopédie, 1762/77.
Capital Letters, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/capital-letters-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240123616.html
RMRXJG3C–Capital Letters, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Seal Engraving, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 311 × 205 mm (image), 355 × 228 mm (plate), 390 × 250 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seal-engraving-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-after-antoine-gaspard-boucher-dargis-french-1708-1791-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-311-205-mm-image-355-228-mm-plate-390-250-mm-sheet-image328642524.html
RM2A2JXW0–Seal Engraving, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 311 × 205 mm (image), 355 × 228 mm (plate), 390 × 250 mm (sheet
Seal Engraving, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 311 × 205 mm (image), 355 × 228 mm (plate), 390 × 250 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futuris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seal-engraving-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-after-antoine-gaspard-boucher-dargis-french-1708-1791-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-311-205-mm-image-355-228-mm-plate-390-250-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futuris-image349715599.html
RF2B8XWPR–Seal Engraving, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 311 × 205 mm (image), 355 × 228 mm (plate), 390 × 250 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futuris
Wood Engraving, Tools, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-engraving-tools-from-encyclopxe9die-176277-image462402978.html
RM2HT87M2–Wood Engraving, Tools, from Encyclopédie, 1762/77.
Joined Letters of the Alphabet, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joined-letters-of-the-alphabet-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240105019.html
RMRXHMB7–Joined Letters of the Alphabet, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Seal Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 200 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seal-engraving-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-antoine-gaspard-boucher-dargis-french-1708-1791-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-315-200-mm-image-355-225-mm-plate-390-255-mm-sheet-image328642525.html
RM2A2JXW1–Seal Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 200 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet
Seal Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 200 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futuris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seal-engraving-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-antoine-gaspard-boucher-dargis-french-1708-1791-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-315-200-mm-image-355-225-mm-plate-390-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futuris-image349715600.html
RF2B8XWPT–Seal Engraving, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Antoine-Gaspard Boucher d’Argis (French, 1708-1791), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 200 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futuris
Wood Engraving, Tools, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-engraving-tools-from-encyclopxe9die-176277-image462403013.html
RM2HT87N9–Wood Engraving, Tools, from Encyclopédie, 1762/77.
Various Slanted Calligraphy, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/various-slanted-calligraphy-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240112210.html
RMRXJ1G2–Various Slanted Calligraphy, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving, with etching, on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-1760-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-with-etching-on-cream-laid-paper-400-260-mm-image328642570.html
RM2A2JXXJ–Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving, with etching, on cream laid paper, 400 × 260 mm
Various Slanted Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/various-slanted-calligraphy-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-spe-image349715621.html
RF2B8XWRH–Various Slanted Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe
Card-Maker, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopxe9die-176277-image462403157.html
RM2HT87XD–Card-Maker, from Encyclopédie, 1762/77.
Basic Shapes, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/basic-shapes-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240001976.html
RMRXD0Y4–Basic Shapes, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-facial-anatomy-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-image328642611.html
RM2A2JY03–Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm
Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving, with etching, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-1760-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-with-etching-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349715609.html
RF2B8XWR5–Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving, with etching, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Card-Maker, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopxe9die-176277-image462403153.html
RM2HT87X9–Card-Maker, from Encyclopédie, 1762/77.
Art of Writing, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240098267.html
RMRXHBP3–Art of Writing, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642556.html
RM2A2JXX4–Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolu-image349715611.html
RF2B8XWR7–Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolu
Design: Facial Anatomy from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-facial-anatomy-from-encyclopxe9die-176277-image462403167.html
RM2HT87XR–Design: Facial Anatomy from Encyclopédie, 1762/77.
Card-Maker, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/card-maker-from-encyclopdie-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-etching-with-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240132652.html
RMRXJYJ4–Card-Maker, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642579.html
RM2A2JXXY–Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Height, Breadth and Slope of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, move Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/height-breadth-and-slope-of-writing-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-move-image349715613.html
RF2B8XWR9–Height, Breadth and Slope of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, move
Crayon-Manner Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crayon-manner-engraving-from-encyclopxe9die-176277-image462403011.html
RM2HT87N7–Crayon-Manner Engraving, from Encyclopédie, 1762/77.
Strokes and Positions of the Pen, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/strokes-and-positions-of-the-pen-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240153580.html
RMRXKX9G–Strokes and Positions of the Pen, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/basic-shapes-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642581.html
RM2A2JXY1–Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/capital-letters-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revol-image349715618.html
RF2B8XWRE–Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revol
Design: Draped Figures, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-draped-figures-from-encyclopxe9die-176277-image462402984.html
RM2HT87M8–Design: Draped Figures, from Encyclopédie, 1762/77.
Various Joined Calligraphy, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/various-joined-calligraphy-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240101859.html
RMRXHGAB–Various Joined Calligraphy, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/capital-letters-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642587.html
RM2A2JXY7–Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movemen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/various-rounded-style-calligraphy-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movemen-image349715617.html
RF2B8XWRD–Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movemen
Topographic, Geographic and Music Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/topographic-geographic-and-music-engraving-from-encyclopxe9die-176277-image462403004.html
RM2HT87N0–Topographic, Geographic and Music Engraving, from Encyclopédie, 1762/77.
Art of Writing, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240103835.html
RMRXHJTY–Art of Writing, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Round Letters of the Alphabet, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-letters-of-the-alphabet-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642583.html
RM2A2JXY3–Round Letters of the Alphabet, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cultu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-facial-anatomy-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-cultu-image349715637.html
RF2B8XWT5–Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cultu
Wood Engraving, Tools, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-engraving-tools-from-encyclopxe9die-176277-image462402983.html
RM2HT87M7–Wood Engraving, Tools, from Encyclopédie, 1762/77.
Various Rounded-Style Calligraphy, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/various-rounded-style-calligraphy-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240105701.html
RMRXHN7H–Various Rounded-Style Calligraphy, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Various Slanted Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/various-slanted-calligraphy-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642590.html
RM2A2JXYA–Various Slanted Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Round Letters of the Alphabet, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/round-letters-of-the-alphabet-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-s-image349715615.html
RF2B8XWRB–Round Letters of the Alphabet, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, s
Wood Engraving, Tools, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-engraving-tools-from-encyclopxe9die-176277-image462403028.html
RM2HT87NT–Wood Engraving, Tools, from Encyclopédie, 1762/77.
Design: Mannequin Parts, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Louis-Jaques Goussier (French, 1722-1799); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-mannequin-parts-from-encyclopdie-a-j-defehrt-french-active-18th-century-after-louis-jaques-goussier-french-1722-1799-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240107406.html
RMRXHRCE–Design: Mannequin Parts, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Louis-Jaques Goussier (French, 1722-1799); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/various-rounded-style-calligraphy-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642588.html
RM2A2JXY8–Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolu-image349715608.html
RF2B8XWR4–Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolu
Art of Writing, from Encyclopédie, 1760. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-writing-from-encyclopxe9die-1760-image462403147.html
RM2HT87X3–Art of Writing, from Encyclopédie, 1760.
Art of Engraving, from Encyclopédie. published by André le Breton (French, 1708-1779); Michel-Antoine David (French, c. 1707-1769); Laurent Durand (French, 1712-1763); Antoine-Claude Briasson (French, 1700-1775). Date: 1751-1777. Dimensions: 394 × 252 mm. Letterpress in black on cream laid paper with later covers of tan paper; sheets removed from books. Origin: France. Museum: The Chicago Art Institute. Author: André François Le Breton. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-engraving-from-encyclopdie-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-antoine-claude-briasson-french-1700-1775-date-1751-1777-dimensions-394-252-mm-letterpress-in-black-on-cream-laid-paper-with-later-covers-of-tan-paper-sheets-removed-from-books-origin-france-museum-the-chicago-art-institute-author-andr-franois-le-breton-image240112023.html
RMRXJ19B–Art of Engraving, from Encyclopédie. published by André le Breton (French, 1708-1779); Michel-Antoine David (French, c. 1707-1769); Laurent Durand (French, 1712-1763); Antoine-Claude Briasson (French, 1700-1775). Date: 1751-1777. Dimensions: 394 × 252 mm. Letterpress in black on cream laid paper with later covers of tan paper; sheets removed from books. Origin: France. Museum: The Chicago Art Institute. Author: André François Le Breton.
Height, Breadth and Slope of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/height-breadth-and-slope-of-writing-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642582.html
RM2A2JXY2–Height, Breadth and Slope of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revoluti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/basic-shapes-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revoluti-image349715612.html
RF2B8XWR8–Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revoluti
Design: Drapery Arranged On a Model, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-drapery-arranged-on-a-model-from-encyclopxe9die-176277-image462403023.html
RM2HT87NK–Design: Drapery Arranged On a Model, from Encyclopédie, 1762/77.
Design: Camera Obscura, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Louis-Jaques Goussier (French, 1722-1799); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-camera-obscura-from-encyclopdie-a-j-defehrt-french-active-18th-century-after-louis-jaques-goussier-french-1722-1799-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240002454.html
RMRXD1G6–Design: Camera Obscura, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Louis-Jaques Goussier (French, 1722-1799); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 320 × 208 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etching-balotter-machine-from-encyclopdie-176277-robert-bnard-french-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-320-208-mm-image-355-225-mm-plate-390-255-mm-sheet-image328642621.html
RM2A2JY0D–Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 320 × 208 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet
Design: General Proportions of the Male, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Charles-Nicholas Cochin, the younger (French, 1715-1790), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-general-proportions-of-the-male-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-charles-nicholas-cochin-the-younger-french-1715-1790-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embr-image349715643.html
RF2B8XWTB–Design: General Proportions of the Male, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Charles-Nicholas Cochin, the younger (French, 1715-1790), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embr
Drawing: Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-expressions-of-emotion-hate-or-jealousy-anger-desire-physical-pain-from-encyclopxe9die-176277-image462402993.html
RM2HT87MH–Drawing: Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from Encyclopédie, 1762/77.
Design: Camera Obscura, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Louis-Jaques Goussier (French, 1722-1799); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-camera-obscura-from-encyclopdie-a-j-defehrt-french-active-18th-century-after-louis-jaques-goussier-french-1722-1799-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240103079.html
RMRXHHWY–Design: Camera Obscura, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Louis-Jaques Goussier (French, 1722-1799); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Design: Mannequin Parts, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-mannequin-parts-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-louis-jaques-goussier-french-1722-1799-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642608.html
RM2A2JY00–Design: Mannequin Parts, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 320 × 208 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etching-balotter-machine-from-encyclopdie-176277-robert-bnard-french-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-320-208-mm-image-355-225-mm-plate-390-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movem-image349715649.html
RF2B8XWTH–Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 320 × 208 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movem
Design: Mannequin Parts, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-mannequin-parts-from-encyclopxe9die-176277-image462403003.html
RM2HT87MY–Design: Mannequin Parts, from Encyclopédie, 1762/77.
Height, Breadth and Slope of Writing, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/height-breadth-and-slope-of-writing-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240001478.html
RMRXD09A–Height, Breadth and Slope of Writing, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Design: Camera Obscura, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-camera-obscura-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-louis-jaques-goussier-french-1722-1799-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642602.html
RM2A2JXYP–Design: Camera Obscura, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Design: Proportions of the Antinoüs Statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 317 × 206 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dyn Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-proportions-of-the-antinos-statue-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-317-206-mm-image-355-225-mm-plate-400-260-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dyn-image349715658.html
RF2B8XWTX–Design: Proportions of the Antinoüs Statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 317 × 206 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dyn
Seal Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seal-engraving-from-encyclopxe9die-176277-image462402891.html
RM2HT87GY–Seal Engraving, from Encyclopédie, 1762/77.
Design: Academic Figure, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Charles-Nicholas Cochin, the younger (French, 1715-1790); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-academic-figure-from-encyclopdie-a-j-defehrt-french-active-18th-century-after-charles-nicholas-cochin-the-younger-french-1715-1790-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-etching-with-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240139648.html
RMRXK8G0–Design: Academic Figure, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Charles-Nicholas Cochin, the younger (French, 1715-1790); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Design: Camera Obscura, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-camera-obscura-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-louis-jaques-goussier-french-1722-1799-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642603.html
RM2A2JXYR–Design: Camera Obscura, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Louis-Jaques Goussier (French, 1722-1799), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Design: Proportions of the Farnese Hercules, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 320 × 206 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-proportions-of-the-farnese-hercules-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-320-206-mm-image-355-225-mm-plate-400-260-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dy-image349715655.html
RF2B8XWTR–Design: Proportions of the Farnese Hercules, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 320 × 206 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dy
Gem Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gem-engraving-from-encyclopxe9die-176277-image462402896.html
RM2HT87H4–Gem Engraving, from Encyclopédie, 1762/77.
Design: Hands, from Encyclopédie. Benoît-Louis Prévost (French, c. 1735-1809); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 322 × 210 mm (image); 352 × 225 mm (plate); 400 × 260 mm (sheet). Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-hands-from-encyclopdie-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-322-210-mm-image-352-225-mm-plate-400-260-mm-sheet-etching-with-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240139825.html
RMRXK8P9–Design: Hands, from Encyclopédie. Benoît-Louis Prévost (French, c. 1735-1809); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 322 × 210 mm (image); 352 × 225 mm (plate); 400 × 260 mm (sheet). Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Design: General Proportions of the Male, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Charles-Nicholas Cochin, the younger (French, 1715-1790), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-general-proportions-of-the-male-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-after-charles-nicholas-cochin-the-younger-french-1715-1790-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-image328642616.html
RM2A2JY08–Design: General Proportions of the Male, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Charles-Nicholas Cochin, the younger (French, 1715-1790), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm
Design: Proportions of the Laocoon statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 320 × 215 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dyna Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-proportions-of-the-laocoon-statue-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-320-215-mm-image-355-225-mm-plate-400-260-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dyna-image349715659.html
RF2B8XWTY–Design: Proportions of the Laocoon statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 320 × 215 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dyna
Gem Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gem-engraving-from-encyclopxe9die-176277-image462402886.html
RM2HT87GP–Gem Engraving, from Encyclopédie, 1762/77.
Etching, 'Balotter' Machine, from Encyclopédie. Robert Bénard (French, 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 320 × 208 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etching-balotter-machine-from-encyclopdie-robert-bnard-french-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-320-208-mm-image-355-225-mm-plate-390-255-mm-sheet-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240163947.html
RMRXMBFR–Etching, 'Balotter' Machine, from Encyclopédie. Robert Bénard (French, 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 320 × 208 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Design: Hands, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 322 × 210 mm (image), 352 × 225 mm (plate), 400 × 260 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-hands-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-322-210-mm-image-352-225-mm-plate-400-260-mm-sheet-image328642614.html
RM2A2JY06–Design: Hands, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 322 × 210 mm (image), 352 × 225 mm (plate), 400 × 260 mm (sheet
Design: Proportions of the Medici Venus, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 316 × 207 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynami Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-proportions-of-the-medici-venus-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-316-207-mm-image-355-225-mm-plate-400-260-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynami-image349715660.html
RF2B8XWW0–Design: Proportions of the Medici Venus, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 316 × 207 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynami
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