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Andrea vanni Stock Photos and Images
RMJ48692–Andrea Vanni (1332-1414). Italian painter. Early Renaissance, native Siena. Saint James, 1365. Tempera on wood. National Museum of Capodimonte, Naples, Italy.
RM2G17YBY–Andrea Vanni, Madonna and Child with saint Luke Evangelist, 1390, tempera and gold on wood panel, Uffizi Galleries, Florence, Italy.
RFK3EPAK–14th Century Polyptich by Andrea Vanni in the Baptistery of San Giovanni in Siena, depicting Saint John the Baptist (with the Latin text ECCE AGNUS DE
RMJF82M2–Mary with Child 1390-1400 by Andrea Vanni 1332 –1414 Italian painter of the early Renaissance, Siena Italy.
RMP3YKR4–SANTA CATALINA DE SIENA - SIGLO XV - PRIMER RENACIMIENTO. Author: Andrea Vanni (c. 1330-1414). Location: BASILICA DE SAN DOMENICO, SIENA, ITALIA.
RM2TCYEB0–Young woman playing a harp, 14th century. In headdress of black velvet with pink veil, pink robe with pendant sleeves, lined with ermine. From a painting by Andrea Vanni. Jeune dame du XIVe Siecle. Handcoloured woodcut engraving by At. Pannemaker from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
RM2TD2EY4–Italian woman in turban or bourrelet in gold net 1, bonnet from a painting by Andrea Vanni 2, gold turban from a manuscript Offices de la Sainte-Vierge 3, and woman in jeweled bourrelet with her hair tied in a kerchief 4. Coiffures de femmes. Handcoloured woodcut engraving from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
RM2E1977E–Italy, Tuscany: Siena. The Santa Maria Assunta Cathedral (Duomo di Siena). The “Madonna with Child and Saints' by artist Andrea Vanni
RMDDFPY5–The Blessed Virgin, Andreani, Andrea, approximately 1560-1623, Vanni, Francesco, 1563-1610, between 1590 and 1610
RMH4N3WR–Andrea Andreani after Francesco Vanni (Italian, 1558-1559 - 1629), Madonna and Child, 1591-93, chiaroscuro woodcut
RMP806BK–Andrea Vanni (1332-1414). Italian painter. Early Renaissance, native Siena. Saint James, 1365. Tempera on wood. National Museum of Capodimonte, Naples, Italy.
![Scenes from the Passion of Christ: The Crucifixion [middle panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Crucifixion (middle panel), 1380s Stock Photo](https://c8.alamy.com/comp/2AE6T1D/scenes-from-the-passion-of-christ-the-crucifixion-middle-panel-1380s-andrea-vanni-scenes-from-the-passion-of-christ-the-crucifixion-middle-panel-1380s-2AE6T1D.jpg "Scenes from the Passion of Christ: The Crucifixion [middle panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Crucifixion (middle panel), 1380s Stock Photo")
RM2AE6T1D–Scenes from the Passion of Christ: The Crucifixion [middle panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Crucifixion (middle panel), 1380s
RF2HJJA5G–ITALY - CIRCA 1962: a stamp printed in Italy shows St. Catherine of Siena, painting by Andrea Vanni, 500th anniversary of the canonization of St. Cath
RMCB3AX8–Polyptych (1400) by by Andrea Vanni showing the Virgin and the infant Jesus holding a Goldfinch, surrounded by saints, Siena Baptistry, Tuscany, Italy
RFK3EP3P–14th Century Polyptich by Andrea Vanni in the Siena Baptistery of San Giovanni at the Cathedral of Siena, depicting Mother Mary, Saints James the Grea
![Andrea Vanni Scenes from the Passion of Christ: The Crucifixion [middle panel] Stock Photo](https://c8.alamy.com/comp/2NH33JP/andrea-vanni-scenes-from-the-passion-of-christ-the-crucifixion-middle-panel-2NH33JP.jpg "Andrea Vanni Scenes from the Passion of Christ: The Crucifixion [middle panel] Stock Photo")
RMBFKXPA–Italy,Tuscany,Siena,the Andrea Vanni' altar piece in the inside of the Cathedral's baptistery
RF2AFA1DA–Andrea Pisu, player of 'launeddas', typical Sardinian musical instrument, and Vanni Masala player of accordion
RF2H4H0XG–ITALY - CIRCA 1962: stamp printed by Italy, shows Saint Catherine of Siena by Andrea Vanni, circa 1962
RM2E1977A–Italy, Tuscany: Siena. The Santa Maria Assunta Cathedral (Duomo di Siena). The “Madonna with Child and Saints' by artist Andrea Vanni
RM2HWJ51F–The Virgin Adoring the Sleeping Child. Woodcutter: Andrea Andreani, Italian, 1558/59–1629After: Francesco Vanni, Italian, 1564–1610
RM2R7KY7M–Pergine Valsugana, Italy. 16th June, 2023. 2023 Giro Next Gen - UCI U-23 European Tour Road Cycling 2023; BELTRAMI TSA TRE COLLI Piras Andrea (ITA) Vanni Michael (ITA) Credit: Action Plus Sports/Alamy Live News
RM2WFKFFC–Maria adores the Christkind, Andrea Andreani, Anonymous, After Francesco Vanni, c. 1595 print Maria adores the reclining Christ child. Italy paper Mary kneeling (on the ground), the Christ-child lying in front of her
RFRA8HG4–Andrea Andreani after Francesco Vanni (Italian, 1558-1559 - 1629), Madonna and Child, 1591-93, chiaroscuro woodcut reimagined
RMEDT84Y–Andrea Andreani after Francesco Vanni (Italian, 1558-1559 - 1629), Madonna and Child, 1591-93, chiaroscuro woodcut
![Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych]. Dated: 1380s. Dimensions: overall: 56.9 × 116.4 × 3.4 cm (22 3/8 × 45 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI. Stock Photo](https://c8.alamy.com/comp/PKJD5F/scenes-from-the-passion-of-christ-the-agony-in-the-garden-the-crucifixion-and-the-descent-into-limbo-entire-triptych-dated-1380s-dimensions-overall-569-1164-34-cm-22-38-45-1316-1-516-in-medium-tempera-on-panel-museum-national-gallery-of-art-washington-dc-author-andrea-vanni-PKJD5F.jpg "Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych]. Dated: 1380s. Dimensions: overall: 56.9 × 116.4 × 3.4 cm (22 3/8 × 45 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI. Stock Photo")
RMPKJD5F–Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych]. Dated: 1380s. Dimensions: overall: 56.9 × 116.4 × 3.4 cm (22 3/8 × 45 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Descent into Limbo (right panel), 1380s Stock Photo](https://c8.alamy.com/comp/2AE6T1B/scenes-from-the-passion-of-christ-the-descent-into-limbo-right-panel-1380s-andrea-vanni-scenes-from-the-passion-of-christ-the-descent-into-limbo-right-panel-1380s-2AE6T1B.jpg "Scenes from the Passion of Christ: The Descent into Limbo [right panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Descent into Limbo (right panel), 1380s Stock Photo")
RM2AE6T1B–Scenes from the Passion of Christ: The Descent into Limbo [right panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Descent into Limbo (right panel), 1380s
RM2A2J1NB–Kneeling Female Saint in Profile, n.d., Attributed to Lazzaro Tavarone (talian, 1556-1641), or Andrea Lilio (talian, 1555-1642), or Circle of Francesco Vanni (Italian, 1563-1610), Italy, Charcoal with brush and gray wash on ivory laid paper, laid down on ivory laid paper, 151 x 83 mm
![Scenes from the Passion of Christ: The Agony in the Garden [left panel], 1380s. Stock Photo](https://c8.alamy.com/comp/2F3CG3M/scenes-from-the-passion-of-christ-the-agony-in-the-garden-left-panel-1380s-2F3CG3M.jpg "Scenes from the Passion of Christ: The Agony in the Garden [left panel], 1380s. Stock Photo")
RFK3EP4G–14th Century Polyptich by Andrea Vanni in the Baptistery of San Giovanni in Siena, depicting Saint John the Baptist (with the Latin text ECCE AGNUS DE
![Andrea Vanni Scenes from the Passion of Christ: The Descent into Limbo [right panel] 1380s Stock Photo](https://c8.alamy.com/comp/2NH33M5/andrea-vanni-scenes-from-the-passion-of-christ-the-descent-into-limbo-right-panel-1380s-2NH33M5.jpg "Andrea Vanni Scenes from the Passion of Christ: The Descent into Limbo [right panel] 1380s Stock Photo")
RF2NH33M5–Andrea Vanni Scenes from the Passion of Christ: The Descent into Limbo [right panel] 1380s
RMRYE87D–The Blessed Virgin, Chiaroscuro Woodcut, Print Showing the Blessed Virgin Mary with the Infant Jesus
RM2AG91N8–. The spell of Italy. o dream dreams, and to see visions. A bitof the ancient pavement which she is known to havetrod was pointed out, and the pillar against whichshe leaned in her ecstasies; but the chief and mostprecious treasure is the authentic portrait of theSaint by Andrea di Vanni, her friend and contem-porary. Saint Catherines feast-day in Siena is April 29.On that day the awful relic, the Saints head, is ex-posed to view behind the bars of the shrine in herchapel. Embalmed immediately after death, theface is described as fair and white, like parchment,the features having the aspect of
RM2WFM9AN–Maria adores the Christkind, Andrea Andreani, Anonymous, After Francesco Vanni, c. 1595 print Maria adores the reclining Christ child. Italy paper Mary kneeling (on the ground), the Christ-child lying in front of her
RFRARENT–Andrea Andreani after Francesco Vanni (Italian, 1558-1559 - 1629), Madonna and Child, 1591-93, chiaroscuro woodcut reimagined
![Scenes from the Passion of Christ: The Crucifixion [middle panel]. Dated: 1380s. Dimensions: painted surface: 46.9 × 49 cm (18 7/16 × 19 5/16 in.) overall: 56.9 × 57.9 × 3.4 cm (22 3/8 × 22 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI. Stock Photo](https://c8.alamy.com/comp/PM08EA/scenes-from-the-passion-of-christ-the-crucifixion-middle-panel-dated-1380s-dimensions-painted-surface-469-49-cm-18-716-19-516-in-overall-569-579-34-cm-22-38-22-1316-1-516-in-medium-tempera-on-panel-museum-national-gallery-of-art-washington-dc-author-andrea-vanni-PM08EA.jpg "Scenes from the Passion of Christ: The Crucifixion [middle panel]. Dated: 1380s. Dimensions: painted surface: 46.9 × 49 cm (18 7/16 × 19 5/16 in.) overall: 56.9 × 57.9 × 3.4 cm (22 3/8 × 22 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI. Stock Photo")
RMPM08EA–Scenes from the Passion of Christ: The Crucifixion [middle panel]. Dated: 1380s. Dimensions: painted surface: 46.9 × 49 cm (18 7/16 × 19 5/16 in.) overall: 56.9 × 57.9 × 3.4 cm (22 3/8 × 22 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI.
![Scenes from the Passion of Christ: The Agony in the Garden [left panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Agony in the Garden (left panel), 1380s Stock Photo](https://c8.alamy.com/comp/2AE6T18/scenes-from-the-passion-of-christ-the-agony-in-the-garden-left-panel-1380s-andrea-vanni-scenes-from-the-passion-of-christ-the-agony-in-the-garden-left-panel-1380s-2AE6T18.jpg "Scenes from the Passion of Christ: The Agony in the Garden [left panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Agony in the Garden (left panel), 1380s Stock Photo")
RM2AE6T18–Scenes from the Passion of Christ: The Agony in the Garden [left panel]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Agony in the Garden (left panel), 1380s
![Scenes from the Passion of Christ: The Crucifixion [middle panel], 1380s. Stock Photo](https://c8.alamy.com/comp/2F3CG59/scenes-from-the-passion-of-christ-the-crucifixion-middle-panel-1380s-2F3CG59.jpg "Scenes from the Passion of Christ: The Crucifixion [middle panel], 1380s. Stock Photo")
![Andrea Vanni Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych] Stock Photo](https://c8.alamy.com/comp/2NH33JC/andrea-vanni-scenes-from-the-passion-of-christ-the-agony-in-the-garden-the-crucifixion-and-the-descent-into-limbo-entire-triptych-2NH33JC.jpg "Andrea Vanni Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych] Stock Photo")
RF2NH33JC–Andrea Vanni Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych]
RM2AM6T4W–A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . by me as a work of Vanni when it was in an Englishprivate collection. Like other Sienese artists of the period, Vanni is seen at hisbest in these small panels. In the church of S. Francesco is a large panel of theMadonna Enthroned, traditionally given to Pietro Lorenzetti, which has been rightlyattributed to Andrea di Vanni in a recent article by Mr. F. Mason Perkins in theBurlington Magazine (August, 1903). Of the other pictures newly attributed toVanni in this article the Madonna at S. Spir
RM2WFKG24–Maria adores the Christkind, Andrea Andreani, Anonymous, After Francesco Vanni, c. 1595 print Maria adores the reclining Christ child. Italy paper Mary kneeling (on the ground), the Christ-child lying in front of her
![Scenes from the Passion of Christ: The Agony in the Garden [left panel]. Dated: 1380s. Dimensions: painted surface: 47 × 23.8 cm (18 1/2 × 9 3/8 in.) overall: 56.7 × 29.3 × 3.3 cm (22 5/16 × 11 9/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI. Stock Photo](https://c8.alamy.com/comp/PKJCW7/scenes-from-the-passion-of-christ-the-agony-in-the-garden-left-panel-dated-1380s-dimensions-painted-surface-47-238-cm-18-12-9-38-in-overall-567-293-33-cm-22-516-11-916-1-516-in-medium-tempera-on-panel-museum-national-gallery-of-art-washington-dc-author-andrea-vanni-PKJCW7.jpg "Scenes from the Passion of Christ: The Agony in the Garden [left panel]. Dated: 1380s. Dimensions: painted surface: 47 × 23.8 cm (18 1/2 × 9 3/8 in.) overall: 56.7 × 29.3 × 3.3 cm (22 5/16 × 11 9/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI. Stock Photo")
RMPKJCW7–Scenes from the Passion of Christ: The Agony in the Garden [left panel]. Dated: 1380s. Dimensions: painted surface: 47 × 23.8 cm (18 1/2 × 9 3/8 in.) overall: 56.7 × 29.3 × 3.3 cm (22 5/16 × 11 9/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI.
![Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Agony in the Garden, the Crucifixion, and the Descent into Limbo (entire triptych), 1380s Stock Photo](https://c8.alamy.com/comp/2AE6T15/scenes-from-the-passion-of-christ-the-agony-in-the-garden-the-crucifixion-and-the-descent-into-limbo-entire-triptych-1380s-andrea-vanni-scenes-from-the-passion-of-christ-the-agony-in-the-garden-the-crucifixion-and-the-descent-into-limbo-entire-triptych-1380s-2AE6T15.jpg "Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Agony in the Garden, the Crucifixion, and the Descent into Limbo (entire triptych), 1380s Stock Photo")
RM2AE6T15–Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych]; 1380s Andrea Vanni, Scenes from the Passion of Christ - The Agony in the Garden, the Crucifixion, and the Descent into Limbo (entire triptych), 1380s
![Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych], 1380s. Stock Photo](https://c8.alamy.com/comp/2F3CG3K/scenes-from-the-passion-of-christ-the-agony-in-the-garden-the-crucifixion-and-the-descent-into-limbo-entire-triptych-1380s-2F3CG3K.jpg "Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych], 1380s. Stock Photo")
RM2F3CG3K–Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych], 1380s.
RM2ANA54Y–A history of painting../ with a preface by Frank Brangwyn . Torregiani, Bartolommeo, 65.Tristan, Luis, 131. PAINTERS Tucci, Giovanni Maria, 19.Turchi, Alessandro, 69. Udine, Giovanni da, 15. Vaccaro, Andrea, 62. Vaga, Perino del, 13, 14, 16. Valdes, Dona Luisa, 209. Valdes, Dona Maria, 209. Valdes, Llanos y, 150, 205, 221. Valdes, Lucas de, 209. Valdes Leal, Juan de, 207, 208, 209, 221.Valentin, Moses, 58.Van Eyck, Jan, 89.Vanni, Francesco, 19.Varela, Francisco, 114.Vargas, Luis de, 101, 102.Vasari, Giorgio, 17.Vasqucz, Alonso, 103.Vasquez, Juan Bautista, 103.Vecchia, Pietro della, 69. Velasco
RM2WFWKBK–Mozes breaks the Tables of the Law, Andrea Andreani, After Francesco Vanni, After Domenico Beccafumi, 1590 print Moses holds a stone tablet above his head, ready to throw it on the floor. On the right the Golden Calf that is honored by the people. On the left the Israelites who throw gold jewelry in the fire to forge the Golden Calf of it. print maker: Italyafter design by: Siena paper. ink brush / pen on seeing the idolaters Moses breaks the tables of the law
RMMMPFMM–St Francis of Assisi (detail). between 1355 and 1360. Andrea vanni, san francesco d'assisi 2
![Scenes from the Passion of Christ: The Descent into Limbo [right panel]. Dated: 1380s. Dimensions: painted surface: 47.2 × 25 cm (18 9/16 × 9 13/16 in.) overall: 56.7 × 29.2 × 3.3 cm (22 5/16 × 11 1/2 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI. Stock Photo](https://c8.alamy.com/comp/PM7H09/scenes-from-the-passion-of-christ-the-descent-into-limbo-right-panel-dated-1380s-dimensions-painted-surface-472-25-cm-18-916-9-1316-in-overall-567-292-33-cm-22-516-11-12-1-516-in-medium-tempera-on-panel-museum-national-gallery-of-art-washington-dc-author-andrea-vanni-PM7H09.jpg "Scenes from the Passion of Christ: The Descent into Limbo [right panel]. Dated: 1380s. Dimensions: painted surface: 47.2 × 25 cm (18 9/16 × 9 13/16 in.) overall: 56.7 × 29.2 × 3.3 cm (22 5/16 × 11 1/2 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI. Stock Photo")
RMPM7H09–Scenes from the Passion of Christ: The Descent into Limbo [right panel]. Dated: 1380s. Dimensions: painted surface: 47.2 × 25 cm (18 9/16 × 9 13/16 in.) overall: 56.7 × 29.2 × 3.3 cm (22 5/16 × 11 1/2 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI.
RM2AE6PT8–Madonna and Child; 1591/93 Andrea Andreani after Francesco Vanni, Madonna and Child, 1591-93
RM2AKW1FY–Le chroniche di Giovanni Sercambi, Lucchese . e ser Nicolao dello Stregho e lohanni Benectoni e alcuni 25altri ciptadini, li quali si trovònno a Pisa. E sentendo il dictomesser Iacopo et Vanni suo figluolo che era stato taglato la te-sta a Andrea soprascripto, volsero far taglare la testa a predictipresi; ma perchè non erano colpevili. Dio li campò. E di taltaglatura di capo ser lohanni da Castillioni dubitò • . , intan- 30to che doppo molti giorni si partìo di Luccha et del contado.Apresso il comune di Luccha riceveo lèctora dal conte di Virtùchiedendo di gratia che tucti quelli eh erano stat
RM2WFNY3R–Mozes breaks the Tables of the Law (fourth part), Andrea Andreani, After Francesco Vanni, After Domenico Beccafumi, 1590 print Moses holds a stone tablet above his head, ready to throw it down. On the right the Golden Calf that is honored by the people. On the left the Israelites who throw gold jewelry in the fire to forge the Golden Calf of it. print maker: Italyafter design by: Siena paper. ink brush / pen on seeing the idolaters Moses breaks the tables of the law
RMMYX496–. Saints Lucy and Agnes . circa 1434 20 Saints Lucy and Agnes by Francesco di Andrea Anguilla
RMT09N2G–'Ascension'. Italy, 1383-1385. Dimensions: 68x28 cm. Museum: State Hermitage, St. Petersburg. Author: Andrea di Vanni.
RMP5C8CD–Crucifixion with Virgin and Child in a madaillon Unknown date. N/A 99 Andrea Vanni - Kruisiging met Maria en kind in een medaillon
RMMMPFMT–. Italiano: Il dipinto è un pannello che faceva parte di un polittico, precocemente smembrato e disperso, un tempo nella chiesa del castello di Casaluce. St James the Greater (detail). between 1355 and 1360. Andrea vanni, san giacomo il maggiore 2
RM2WFPEE8–Mozes breaks the Tables of the Law (second part), Andrea Andreani, After Francesco Vanni, After Domenico Beccafumi, 1590 print Moses holds a stone tablet above his head, ready to throw it on the floor. On the right the Golden Calf that is honored by the people. On the left the Israelites who throw gold jewelry in the fire to forge the Golden Calf of it. print maker: Italyafter design by: Siena paper. ink brush / pen on seeing the idolaters Moses breaks the tables of the law
RMMMPFN4–. Italiano: Il dipinto (tempera su tavola) è un pannello che faceva parte di un polittico, precocemente smembrato e disperso, un tempo nella chiesa del castello di Casaluce. St James the Greater. between 1355 and 1360. Andrea vanni, san giacomo il maggiore
RMP03MA8–. Crocifissione . Unknown date. Andrea Vanni (1332–1414) Alternative names Andrea Vanni d'Andrea Salvani; Andrea Di Vanni; Andrea di Vanni d'Andrea Salvani; Andrea di Vanni; Andrea di Vanni d'Andrea; Vanni; Andrea Di Vanni D'Andrea Description Italian painter and diplomat Date of birth/death circa 1332 1414 Location of birth/death Siena Siena Work period Medieval Work location Siena Authority control : Q495226 VIAF:?44573230 ISNI:?0000 0000 8378 1375 ULAN:?500031690 LCCN:?nr91028537 WGA:?ANDREA di Vanni d'Andrea WorldCat 357 Andrea vanni, crocifissione
Search Results for Andrea vanni Stock Photos and Images (125)
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