Andrea del sarto Black & White Stock Photos
. Français : Esquisse d'Andrea del Sarto . 1531. Andrea del Sarto 1008 Pitturainfamantesketch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-esquisse-dandrea-del-sarto-1531-andrea-del-sarto-1008-pitturainfamantesketch-image185549211.htmlRMMNTDWF–. Français : Esquisse d'Andrea del Sarto . 1531. Andrea del Sarto 1008 Pitturainfamantesketch
THE MADONNA AND CHILD: with Elizabeth and St John Andrea Del Sarto, print 1835 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-madonna-and-child-with-elizabeth-and-st-john-andrea-del-sarto-105384110.htmlRFG3CJE6–THE MADONNA AND CHILD: with Elizabeth and St John Andrea Del Sarto, print 1835
Andrea del Sarto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-andrea-del-sarto-81248926.htmlRMEM55RA–Andrea del Sarto
ANDREA DEL SARTO Painting Madonna Sacco fresco 1847. Illustrated London News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-andrea-del-sarto-painting-madonna-sacco-fresco-1847-illustrated-london-122700364.htmlRFH3HDFT–ANDREA DEL SARTO Painting Madonna Sacco fresco 1847. Illustrated London News
Portrait of the artist, Andrea del Sarto. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-artist-andrea-del-sarto-image268815864.htmlRMWH9HAG–Portrait of the artist, Andrea del Sarto.
Andrea del Sarto, Pit, De Larmessin Sculp., Andrea del Sarto, half-length portrait, facing slightly right., Larmessin, Nicolas de, artist, 1695, Sarto, Andrea del, 1486-1530, Book illustrations, 1690-1700., Engravings, 1690-1700, Book illustrations, 1690-1700, 1 print: engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-pit-de-larmessin-sculp-andrea-del-sarto-half-length-portrait-facing-slightly-right-larmessin-nicolas-de-artist-1695-sarto-andrea-del-1486-1530-book-illustrations-1690-1700-engravings-1690-1700-book-illustrations-1690-1700-1-print-engraving-image599543821.htmlRM2WRBG79–Andrea del Sarto, Pit, De Larmessin Sculp., Andrea del Sarto, half-length portrait, facing slightly right., Larmessin, Nicolas de, artist, 1695, Sarto, Andrea del, 1486-1530, Book illustrations, 1690-1700., Engravings, 1690-1700, Book illustrations, 1690-1700, 1 print: engraving
ANDREA DEL SARTO (1486/1530) - PINTOR RENACENTISTA ITALIANO. Location: PRIVATE COLLECTION. MADRID. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-14861530-pintor-renacentista-italiano-location-private-collection-madrid-spain-image226518981.htmlRMR4ER7H–ANDREA DEL SARTO (1486/1530) - PINTOR RENACENTISTA ITALIANO. Location: PRIVATE COLLECTION. MADRID. SPAIN.
Andrea del Sarto, 1486–1530,an Italian painter from Florence Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-14861530an-italian-painter-from-florence-image261808636.htmlRMW5XBGC–Andrea del Sarto, 1486–1530,an Italian painter from Florence
Andrea del Sarto, Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore, ( 16. Juli 1486 - 29. September 1530) war ein Maler der italienischen Renaissance / Andrea del Sarto, Andrea d’Agnolo di Francesco di Luca di Paolo del Migliore, ( 16. Juli 1486 - 29. September 1530) war ein Maler der italienischen Renaissance, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-andrea-dagnolo-di-francesco-di-luca-di-paolo-del-migliore-16-juli-1486-29-september-1530-war-ein-maler-der-italienischen-renaissance-andrea-del-sarto-andrea-dagnolo-di-francesco-di-luca-di-paolo-del-migliore-16-juli-1486-29-september-1530-war-ein-maler-der-italienischen-renaissance-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image414110883.htmlRF2F1MAJB–Andrea del Sarto, Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore, ( 16. Juli 1486 - 29. September 1530) war ein Maler der italienischen Renaissance / Andrea del Sarto, Andrea d’Agnolo di Francesco di Luca di Paolo del Migliore, ( 16. Juli 1486 - 29. September 1530) war ein Maler der italienischen Renaissance, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
andrea del sarto - portrait of a man - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-portrait-of-a-man-image214684522.htmlRMPD7M8A–andrea del sarto - portrait of a man -
Hanged men pittura infamante andrea del sarto 6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hanged-men-pittura-infamante-andrea-del-sarto-6-163634192.htmlRMKE6528–Hanged men pittura infamante andrea del sarto 6
107 le vite, andrea del sarto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-107-le-vite-andrea-del-sarto-132596345.htmlRMHKM7YN–107 le vite, andrea del sarto
Andrea del Sarto, Pit / De Larmessin Sculp. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-pit-de-larmessin-sculp-image264122817.htmlRMW9KR9N–Andrea del Sarto, Pit / De Larmessin Sculp.
Madonna (nach Andrea del Sarto) 1875 by August Wolf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-nach-andrea-del-sarto-1875-by-august-wolf-image562406609.htmlRM2RJYRA9–Madonna (nach Andrea del Sarto) 1875 by August Wolf
LYCREZIA DEL SARTO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lycrezia-del-sarto-image65721649.htmlRMDPWTHN–LYCREZIA DEL SARTO
Lamentation of Christ by Three Angels, anonymous, after Agostino Veneziano, after Andrea del Sarto, c. 1510 - c. 1570 An angel supports Christ's body, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lamentation-of-christ-by-three-angels-anonymous-after-agostino-veneziano-after-andrea-del-sarto-c-1510-c-1570-an-angel-supports-christs-body-image488039900.htmlRF2KA03TC–Lamentation of Christ by Three Angels, anonymous, after Agostino Veneziano, after Andrea del Sarto, c. 1510 - c. 1570 An angel supports Christ's body,
EIGHTH ARMY : BRIDGEHEAD ACROSS THE ARNO - Italian civilians interested in S.P. guns parked in the Via Andrea Del Sarto British Army Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eighth-army-bridgehead-across-the-arno-italian-civilians-interested-in-sp-guns-parked-in-the-via-andrea-del-sarto-british-army-image603103297.htmlRM2X15MBD–EIGHTH ARMY : BRIDGEHEAD ACROSS THE ARNO - Italian civilians interested in S.P. guns parked in the Via Andrea Del Sarto British Army
A portrait by Andrea del Sarto, at the National Gallery in London, vintage engraved illustration. Magasin Pittoresque (1882). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-portrait-by-andrea-del-sarto-at-the-national-gallery-in-london-vintage-engraved-illustration-magasin-pittoresque-1882-image363165673.htmlRF2C2RHEH–A portrait by Andrea del Sarto, at the National Gallery in London, vintage engraved illustration. Magasin Pittoresque (1882).
The British Army in Italy 1944 M10 3-inch self-propelled guns parked in the Via Andrea Del Sarto in Florence, 13 August 1944. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-british-army-in-italy-1944-m10-3-inch-self-propelled-guns-parked-in-the-via-andrea-del-sarto-in-florence-13-august-1944-image568990719.htmlRM2T1KND3–The British Army in Italy 1944 M10 3-inch self-propelled guns parked in the Via Andrea Del Sarto in Florence, 13 August 1944.
111 Hanged-men-pittura-infamante-andrea-del-sarto-3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/111-hanged-men-pittura-infamante-andrea-del-sarto-3-image212866584.htmlRMPA8WE0–111 Hanged-men-pittura-infamante-andrea-del-sarto-3
Holy Family by Andrea del Sarto, in the Louvre Museum, vintage engraved illustration. Magasin Pittoresque 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holy-family-by-andrea-del-sarto-in-the-louvre-museum-vintage-engraved-illustration-magasin-pittoresque-1880-image363164194.htmlRF2C2RFHP–Holy Family by Andrea del Sarto, in the Louvre Museum, vintage engraved illustration. Magasin Pittoresque 1880.
Medieval and modern times : an introduction to the history of western Europe form the dissolution of the Roman empire to the present time . Ghibertis Doors at Florence. Holy Family by Andrea del Sarto Books and Science in the Middle Ages 265 During the sixteenth century the art of the Renaissance Height ofreached its highest development. Among all the great artists of ^^^^^^^^^this period three stand out in heroic proportions—Leonardo da B?yiVinci, Michael Angelo, and Raphael. The first two not only Angeio,practiced, but achieved distinction in, the three arts of archi-tecture, sculpture, and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medieval-and-modern-times-an-introduction-to-the-history-of-western-europe-form-the-dissolution-of-the-roman-empire-to-the-present-time-ghibertis-doors-at-florence-holy-family-by-andrea-del-sarto-books-and-science-in-the-middle-ages-265-during-the-sixteenth-century-the-art-of-the-renaissance-height-ofreached-its-highest-development-among-all-the-great-artists-of-this-period-three-stand-out-in-heroic-proportionsleonardo-da-byivinci-michael-angelo-and-raphael-the-first-two-not-only-angeiopracticed-but-achieved-distinction-in-the-three-arts-of-archi-tecture-sculpture-and-image338347166.htmlRM2AJD17A–Medieval and modern times : an introduction to the history of western Europe form the dissolution of the Roman empire to the present time . Ghibertis Doors at Florence. Holy Family by Andrea del Sarto Books and Science in the Middle Ages 265 During the sixteenth century the art of the Renaissance Height ofreached its highest development. Among all the great artists of ^^^^^^^^^this period three stand out in heroic proportions—Leonardo da B?yiVinci, Michael Angelo, and Raphael. The first two not only Angeio,practiced, but achieved distinction in, the three arts of archi-tecture, sculpture, and
RETRATO DE ANDREA DEL SARTO (1486/1530) - PINTOR DEL RENACIMIENTO ITALIANO. Location: PRIVATE COLLECTION. MADRID. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/retrato-de-andrea-del-sarto-14861530-pintor-del-renacimiento-italiano-location-private-collection-madrid-spain-image226543135.htmlRMR4FX27–RETRATO DE ANDREA DEL SARTO (1486/1530) - PINTOR DEL RENACIMIENTO ITALIANO. Location: PRIVATE COLLECTION. MADRID. SPAIN.
Andrea del Sarto - Portrait of Andrea del Sarto - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-portrait-of-andrea-del-sarto-image214684524.htmlRMPD7M8C–Andrea del Sarto - Portrait of Andrea del Sarto -
Hanged men pittura infamante andrea del sarto 4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hanged-men-pittura-infamante-andrea-del-sarto-4-163634188.htmlRMKE6524–Hanged men pittura infamante andrea del sarto 4
Hanged-men-pittura-infamante-andrea-del-sarto-4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hanged-men-pittura-infamante-andrea-del-sarto-4-132822139.htmlRMHM2FYR–Hanged-men-pittura-infamante-andrea-del-sarto-4
Madonna mit Heiligen (nach Andrea del Sarto) 1879 by August Wolf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-mit-heiligen-nach-andrea-del-sarto-1879-by-august-wolf-image562406601.htmlRM2RJYRA1–Madonna mit Heiligen (nach Andrea del Sarto) 1879 by August Wolf
LYCREZIA DEL SARTO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lycrezia-del-sarto-image65721658.htmlRMDPWTJ2–LYCREZIA DEL SARTO
DOMENICO PULIGO Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/domenico-puligo-image65714869.htmlRMDPWFYH–DOMENICO PULIGO
111 Hanged-men-pittura-infamante-andrea-del-sarto-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/111-hanged-men-pittura-infamante-andrea-del-sarto-5-image212866587.htmlRMPA8WE3–111 Hanged-men-pittura-infamante-andrea-del-sarto-5
History of Europe, ancient and medieval: Earliest man, the Orient, Greece and Rome . Courtesy of Braun et C^^ Fig. 126. Ghibertis Doors at Florence. Courtesy of Braim ct C* Fig. 127. Holy Family by Andrea del Sarto Books and Science in the Middle Ages 485 of Europe. The art-loving popes, Julius II and Leo X, took painsto secure the services of the most distinguished artists and archi-tects of the time in the building and adornment of St. Peters andthe Vatican; that is, the papal church and palace (see above,§670). 711. Height of Renaissance Art—Da Vinci, Michael Angelo,Raphael. During the sixt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-europe-ancient-and-medieval-earliest-man-the-orient-greece-and-rome-courtesy-of-braun-et-c-fig-126-ghibertis-doors-at-florence-courtesy-of-braim-ct-c-fig-127-holy-family-by-andrea-del-sarto-books-and-science-in-the-middle-ages-485-of-europe-the-art-loving-popes-julius-ii-and-leo-x-took-painsto-secure-the-services-of-the-most-distinguished-artists-and-archi-tects-of-the-time-in-the-building-and-adornment-of-st-peters-andthe-vatican-that-is-the-papal-church-and-palace-see-above670-711-height-of-renaissance-artda-vinci-michael-angeloraphael-during-the-sixt-image339111609.htmlRM2AKKT8W–History of Europe, ancient and medieval: Earliest man, the Orient, Greece and Rome . Courtesy of Braun et C^^ Fig. 126. Ghibertis Doors at Florence. Courtesy of Braim ct C* Fig. 127. Holy Family by Andrea del Sarto Books and Science in the Middle Ages 485 of Europe. The art-loving popes, Julius II and Leo X, took painsto secure the services of the most distinguished artists and archi-tects of the time in the building and adornment of St. Peters andthe Vatican; that is, the papal church and palace (see above,§670). 711. Height of Renaissance Art—Da Vinci, Michael Angelo,Raphael. During the sixt
The Body of Christ Supported by Three Angels. Artist: Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome); After Andrea del Sarto (Andrea d'Agnolo) (Italian, Florence 1486-1530 Florence). Dimensions: sheet: 11 5/16 x 8 5/8 in. (28.8 x 21.9 cm). Date: 1516. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-body-of-christ-supported-by-three-angels-artist-agostino-veneziano-agostino-dei-musi-italian-venice-ca-1490-after-1536-rome-after-andrea-del-sarto-andrea-dagnolo-italian-florence-1486-1530-florence-dimensions-sheet-11-516-x-8-58-in-288-x-219-cm-date-1516-museum-metropolitan-museum-of-art-new-york-usa-image213296815.htmlRMPB0E7B–The Body of Christ Supported by Three Angels. Artist: Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome); After Andrea del Sarto (Andrea d'Agnolo) (Italian, Florence 1486-1530 Florence). Dimensions: sheet: 11 5/16 x 8 5/8 in. (28.8 x 21.9 cm). Date: 1516. Museum: Metropolitan Museum of Art, New York, USA.
Andrea del Sarto, Pit - De Larmessin Sculp. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-pit-de-larmessin-sculp-image214684578.htmlRMPD7MAA–Andrea del Sarto, Pit - De Larmessin Sculp.
Hanged men pittura infamante andrea del sarto 5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hanged-men-pittura-infamante-andrea-del-sarto-5-163634196.htmlRMKE652C–Hanged men pittura infamante andrea del sarto 5
Hanged-men-pittura-infamante-andrea-del-sarto-3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hanged-men-pittura-infamante-andrea-del-sarto-3-132822137.htmlRMHM2FYN–Hanged-men-pittura-infamante-andrea-del-sarto-3
111 Hanged-men-pittura-infamante-andrea-del-sarto-2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/111-hanged-men-pittura-infamante-andrea-del-sarto-2-image212866582.htmlRMPA8WDX–111 Hanged-men-pittura-infamante-andrea-del-sarto-2
. The art of the Italian renaissance; a handbook for students and travellers. ^ of Ohirlandajos Madonna in the Uffizi (with two archangels and twokneeling saints) is closely akin to the famous and often copied study of drapery byLeonardo in the Louvre (Miiller-Walde, No. 18).. by Pollaiuulo. THE NEW PICTORIAL FORM 257 essential idea here is that the drapery shall not overload the-plasticmotive.^ Thejplds are to accentuate the body and not to intrude themselves onthe eye as something independent. Even with Andrea del Sarto, whodelighted to let his rustling stuffs gleam in picturesque folds, the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-art-of-the-italian-renaissance-a-handbook-for-students-and-travellers-of-ohirlandajos-madonna-in-the-uffizi-with-two-archangels-and-twokneeling-saints-is-closely-akin-to-the-famous-and-often-copied-study-of-drapery-byleonardo-in-the-louvre-miiller-walde-no-18-by-pollaiuulo-the-new-pictorial-form-257-essential-idea-here-is-that-the-drapery-shall-not-overload-the-plasticmotive-thejplds-are-to-accentuate-the-body-and-not-to-intrude-themselves-onthe-eye-as-something-independent-even-with-andrea-del-sarto-whodelighted-to-let-his-rustling-stuffs-gleam-in-picturesque-folds-the-image370780795.htmlRM2CF6EK7–. The art of the Italian renaissance; a handbook for students and travellers. ^ of Ohirlandajos Madonna in the Uffizi (with two archangels and twokneeling saints) is closely akin to the famous and often copied study of drapery byLeonardo in the Louvre (Miiller-Walde, No. 18).. by Pollaiuulo. THE NEW PICTORIAL FORM 257 essential idea here is that the drapery shall not overload the-plasticmotive.^ Thejplds are to accentuate the body and not to intrude themselves onthe eye as something independent. Even with Andrea del Sarto, whodelighted to let his rustling stuffs gleam in picturesque folds, the
Madonna and Child with St John. Date/Period: Late 16th century. Painting. Oil on panel Oil. Height: 854 mm (33.62 in); Width: 638 mm (25.11 in). Author: After del Sarto, Andrea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-with-st-john-dateperiod-late-16th-century-painting-oil-on-panel-oil-height-854-mm-3362-in-width-638-mm-2511-in-author-after-del-sarto-andrea-image219121312.htmlRMPMDRD4–Madonna and Child with St John. Date/Period: Late 16th century. Painting. Oil on panel Oil. Height: 854 mm (33.62 in); Width: 638 mm (25.11 in). Author: After del Sarto, Andrea.
Andrea del sarto pala di sarzana (distrutta 1945). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-pala-di-sarzana-distrutta-1945-image214684570.htmlRMPD7MA2–Andrea del sarto pala di sarzana (distrutta 1945).
Hanged men pittura infamante andrea del sarto 2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hanged-men-pittura-infamante-andrea-del-sarto-2-163634466.htmlRMKE65C2–Hanged men pittura infamante andrea del sarto 2
Andrea del sarto, pala di sarzana (distrutta 1945) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-andrea-del-sarto-pala-di-sarzana-distrutta-1945-132585995.htmlRMHKKPP3–Andrea del sarto, pala di sarzana (distrutta 1945)
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![. The art of the Italian renaissance; a handbook for students and travellers. liii with six Siiints (1.>-JI), liv Aiidr ANDREA DEL SARTO I7r>. Kaphaers versions of this thcanf. .Vndreas artistic aim also as toproduce rich effects in a siiiafi s])ace. He makes jiis figures stoopand l^neel, thus bringing them close to the bottom of the picture, andmaking knots of three, four, and five persons. The ground is usuallvblack. There is a series of pictures of the kind. The best are thosewhere the spectator is first impressed by the naturalness of the gestures,and afterwards thinks of the problem Stock Photo](https://c8.alamy.com/comp/2CF6KGC/the-art-of-the-italian-renaissance-a-handbook-for-students-and-travellers-liii-with-six-siiints-1gt-ji-liv-aiidr-andrea-del-sarto-i7rgt-kaphaers-versions-of-this-thcanf-vndreas-artistic-aim-also-as-toproduce-rich-effects-in-a-siiiafi-s-ace-he-makes-jiis-figures-stoopand-lneel-thus-bringing-them-close-to-the-bottom-of-the-picture-andmaking-knots-of-three-four-and-five-persons-the-ground-is-usuallvblack-there-is-a-series-of-pictures-of-the-kind-the-best-are-thosewhere-the-spectator-is-first-impressed-by-the-naturalness-of-the-gesturesand-afterwards-thinks-of-the-problem-2CF6KGC.jpg ". The art of the Italian renaissance; a handbook for students and travellers. liii with six Siiints (1.>-JI), liv Aiidr ANDREA DEL SARTO I7r>. Kaphaers versions of this thcanf. .Vndreas artistic aim also as toproduce rich effects in a siiiafi s])ace. He makes jiis figures stoopand l^neel, thus bringing them close to the bottom of the picture, andmaking knots of three, four, and five persons. The ground is usuallvblack. There is a series of pictures of the kind. The best are thosewhere the spectator is first impressed by the naturalness of the gestures,and afterwards thinks of the problem Stock Photo")
. The art of the Italian renaissance; a handbook for students and travellers. liii with six Siiints (1.>-JI), liv Aiidr ANDREA DEL SARTO I7r>. Kaphaers versions of this thcanf. .Vndreas artistic aim also as toproduce rich effects in a siiiafi s])ace. He makes jiis figures stoopand l^neel, thus bringing them close to the bottom of the picture, andmaking knots of three, four, and five persons. The ground is usuallvblack. There is a series of pictures of the kind. The best are thosewhere the spectator is first impressed by the naturalness of the gestures,and afterwards thinks of the problem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-art-of-the-italian-renaissance-a-handbook-for-students-and-travellers-liii-with-six-siiints-1gt-ji-liv-aiidr-andrea-del-sarto-i7rgt-kaphaers-versions-of-this-thcanf-vndreas-artistic-aim-also-as-toproduce-rich-effects-in-a-siiiafi-s-ace-he-makes-jiis-figures-stoopand-lneel-thus-bringing-them-close-to-the-bottom-of-the-picture-andmaking-knots-of-three-four-and-five-persons-the-ground-is-usuallvblack-there-is-a-series-of-pictures-of-the-kind-the-best-are-thosewhere-the-spectator-is-first-impressed-by-the-naturalness-of-the-gesturesand-afterwards-thinks-of-the-problem-image370784636.htmlRM2CF6KGC–. The art of the Italian renaissance; a handbook for students and travellers. liii with six Siiints (1.>-JI), liv Aiidr ANDREA DEL SARTO I7r>. Kaphaers versions of this thcanf. .Vndreas artistic aim also as toproduce rich effects in a siiiafi s])ace. He makes jiis figures stoopand l^neel, thus bringing them close to the bottom of the picture, andmaking knots of three, four, and five persons. The ground is usuallvblack. There is a series of pictures of the kind. The best are thosewhere the spectator is first impressed by the naturalness of the gestures,and afterwards thinks of the problem
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. Robert Browning . Froftt a drazving by Byam Shaiv ANDREA DEL SARTO (The Faultless Painter)(Reproduced from Poems by Robert Browning, by kind permission of Messrs. George Bell & Sons) ROBERT BROWNING 27 ROBERTBROWNING, Frovi a photograph by Cameron (Reproduced by permission of Mr. J. Caswall Smith). presumptuous to predict oblivion for a figure so great, for a heartso noble, for a soul so large; and, indeed, it is presumptuous topronounce any opinion as to the taste of our great-grandchildren,which may possibly be worse than our own. It is, however, lesspresumptuous to say that a contemporary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-browning-froftt-a-drazving-by-byam-shaiv-andrea-del-sarto-the-faultless-painterreproduced-from-poems-by-robert-browning-by-kind-permission-of-messrs-george-bell-sons-robert-browning-27-robertbrowning-frovi-a-photograph-by-cameron-reproduced-by-permission-of-mr-j-caswall-smith-presumptuous-to-predict-oblivion-for-a-figure-so-great-for-a-heartso-noble-for-a-soul-so-large-and-indeed-it-is-presumptuous-topronounce-any-opinion-as-to-the-taste-of-our-great-grandchildrenwhich-may-possibly-be-worse-than-our-own-it-is-however-lesspresumptuous-to-say-that-a-contemporary-image369740516.htmlRM2CDF3PC–. Robert Browning . Froftt a drazving by Byam Shaiv ANDREA DEL SARTO (The Faultless Painter)(Reproduced from Poems by Robert Browning, by kind permission of Messrs. George Bell & Sons) ROBERT BROWNING 27 ROBERTBROWNING, Frovi a photograph by Cameron (Reproduced by permission of Mr. J. Caswall Smith). presumptuous to predict oblivion for a figure so great, for a heartso noble, for a soul so large; and, indeed, it is presumptuous topronounce any opinion as to the taste of our great-grandchildren,which may possibly be worse than our own. It is, however, lesspresumptuous to say that a contemporary
Hanged-men-pittura-infamante-andrea-del-sarto-4. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hanged-men-pittura-infamante-andrea-del-sarto-4-image352656168.htmlRM2BDMTF4–Hanged-men-pittura-infamante-andrea-del-sarto-4.
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. Robert Browning . is once more turning towards a spiritual theology, based on therealities of religious experience rather than on the unrealities ofabstract ideas. Browning is, therefore, rapidly becoming a sociologicaldocument, a picture of a passing posture of the human spirit.A hundred years hence his works will be read only by theprofessional man of letters, unless some of his shorter poemsare preserved in twenty-first century anthologies. It may seem. Froftt a drazving by Byam Shaiv ANDREA DEL SARTO (The Faultless Painter)(Reproduced from Poems by Robert Browning, by kind permission of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-browning-is-once-more-turning-towards-a-spiritual-theology-based-on-therealities-of-religious-experience-rather-than-on-the-unrealities-ofabstract-ideas-browning-is-therefore-rapidly-becoming-a-sociologicaldocument-a-picture-of-a-passing-posture-of-the-human-spirita-hundred-years-hence-his-works-will-be-read-only-by-theprofessional-man-of-letters-unless-some-of-his-shorter-poemsare-preserved-in-twenty-first-century-anthologies-it-may-seem-froftt-a-drazving-by-byam-shaiv-andrea-del-sarto-the-faultless-painterreproduced-from-poems-by-robert-browning-by-kind-permission-of-image369740625.htmlRM2CDF3X9–. Robert Browning . is once more turning towards a spiritual theology, based on therealities of religious experience rather than on the unrealities ofabstract ideas. Browning is, therefore, rapidly becoming a sociologicaldocument, a picture of a passing posture of the human spirit.A hundred years hence his works will be read only by theprofessional man of letters, unless some of his shorter poemsare preserved in twenty-first century anthologies. It may seem. Froftt a drazving by Byam Shaiv ANDREA DEL SARTO (The Faultless Painter)(Reproduced from Poems by Robert Browning, by kind permission of
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. Andrea del sarto, pala di sarzana (distrutta 1945) . circa 1528. Andrea del sarto, pala di sarzana (distrutta 1945) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-pala-di-sarzana-distrutta-1945-circa-1528-andrea-del-sarto-pala-di-sarzana-distrutta-1945-image184891890.htmlRMMMPFDP–. Andrea del sarto, pala di sarzana (distrutta 1945) . circa 1528. Andrea del sarto, pala di sarzana (distrutta 1945)
Lives and legends of the great hermits and fathers of the church, with other contemporary saints . orence, and in Fra Angelicos Coronation ofthe Virgin in the Louvre, the figure of St. Catherine isespecially beautiful. In the Madonna Enthroned by Andreadel Sarto in the Berlin Museum, the martyred maidenkneels by her broken wheel; in Botticellis Madonna withtwo Seraphs, in the Academy, Florence, she is groupedwith Saints Barnabas, John the Evangelist, and Ambrose; inSebastiano del Piombos St. John Chrysostom, in S. GiovanniCrisostomo, she appears with Saints Agnes and Mary Magda-lene. Andrea de Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lives-and-legends-of-the-great-hermits-and-fathers-of-the-church-with-other-contemporary-saints-orence-and-in-fra-angelicos-coronation-ofthe-virgin-in-the-louvre-the-figure-of-st-catherine-isespecially-beautiful-in-the-madonna-enthroned-by-andreadel-sarto-in-the-berlin-museum-the-martyred-maidenkneels-by-her-broken-wheel-in-botticellis-madonna-withtwo-seraphs-in-the-academy-florence-she-is-groupedwith-saints-barnabas-john-the-evangelist-and-ambrose-insebastiano-del-piombos-st-john-chrysostom-in-s-giovannicrisostomo-she-appears-with-saints-agnes-and-mary-magda-lene-andrea-de-image338287262.htmlRM2AJA8RX–Lives and legends of the great hermits and fathers of the church, with other contemporary saints . orence, and in Fra Angelicos Coronation ofthe Virgin in the Louvre, the figure of St. Catherine isespecially beautiful. In the Madonna Enthroned by Andreadel Sarto in the Berlin Museum, the martyred maidenkneels by her broken wheel; in Botticellis Madonna withtwo Seraphs, in the Academy, Florence, she is groupedwith Saints Barnabas, John the Evangelist, and Ambrose; inSebastiano del Piombos St. John Chrysostom, in S. GiovanniCrisostomo, she appears with Saints Agnes and Mary Magda-lene. Andrea de
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. Illustration from 'Lives of the Most Excellent Painters, Sculptors, and Architects' by Giorgio Vasari, edition of 1568. . Portrait of Andrea del Sarto . 1568 14 107 le vite, andrea del sarto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-from-lives-of-the-most-excellent-painters-sculptors-and-architects-by-giorgio-vasari-edition-of-1568-portrait-of-andrea-del-sarto-1568-14-107-le-vite-andrea-del-sarto-image206596031.htmlRMP0379K–. Illustration from 'Lives of the Most Excellent Painters, Sculptors, and Architects' by Giorgio Vasari, edition of 1568. . Portrait of Andrea del Sarto . 1568 14 107 le vite, andrea del sarto
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Del Sarto, Andrea Madonna and Child with St John Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-del-sarto-andrea-madonna-and-child-with-st-john-google-art-project-137377955.htmlRMHYE2YF–Del Sarto, Andrea Madonna and Child with St John Google Art Project
. English: Drawing, in red chalk on white paper, of two men each hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. This drawing is part of the Duke of Devonshire Collection, Chatsworth, England. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-drawing-in-red-chalk-on-white-paper-of-two-men-each-hanged-by-one-foot-this-was-a-preparatory-sketch-for-a-pittura-infamante-or-shame-painting-this-drawing-is-part-of-the-duke-of-devonshire-collection-chatsworth-england-hanging-by-one-foot-was-a-method-of-execution-prolonged-and-particularly-degrading-in-germany-it-was-usually-associated-with-jews-and-called-the-jewish-execution-while-in-italy-it-was-usually-associated-with-traitors-shame-paintings-depicting-such-hanging-in-effigy-were-common-in-some-parts-of-italy-including-florence-andrea-del-sarto-drew-seven-such-image185009855.htmlRMMMYWXR–. English: Drawing, in red chalk on white paper, of two men each hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. This drawing is part of the Duke of Devonshire Collection, Chatsworth, England. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such
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. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-drawing-in-red-chalk-on-white-paper-of-a-man-hanged-by-one-foot-this-was-a-preparatory-sketch-for-a-pittura-infamante-or-shame-painting-it-is-located-in-the-galleria-degli-uffizi-florence-italy-hanging-by-one-foot-was-a-method-of-execution-prolonged-and-particularly-degrading-in-germany-it-was-usually-associated-with-jews-and-called-the-jewish-execution-while-in-italy-it-was-usually-associated-with-traitors-shame-paintings-depicting-such-hanging-in-effigy-were-common-in-some-parts-of-italy-including-florence-andrea-del-sarto-drew-seven-such-images-which-have-survive-image185009841.htmlRMMMYWX9–. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive
107 le vite andrea del sarto. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/107-le-vite-andrea-del-sarto-image209101680.htmlRMP45B94–107 le vite andrea del sarto.
. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-drawing-in-red-chalk-on-white-paper-of-a-man-hanged-by-one-foot-this-was-a-preparatory-sketch-for-a-pittura-infamante-or-shame-painting-it-is-located-in-the-galleria-degli-uffizi-florence-italy-hanging-by-one-foot-was-a-method-of-execution-prolonged-and-particularly-degrading-in-germany-it-was-usually-associated-with-jews-and-called-the-jewish-execution-while-in-italy-it-was-usually-associated-with-traitors-shame-paintings-depicting-such-hanging-in-effigy-were-common-in-some-parts-of-italy-including-florence-andrea-del-sarto-drew-seven-such-images-which-have-survive-image185009853.htmlRMMMYWXN–. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive
107 le vite andrea del sarto. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/107-le-vite-andrea-del-sarto-image209102741.htmlRMP45CK1–107 le vite andrea del sarto.
. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-drawing-in-red-chalk-on-white-paper-of-a-man-hanged-by-one-foot-this-was-a-preparatory-sketch-for-a-pittura-infamante-or-shame-painting-it-is-located-in-the-galleria-degli-uffizi-florence-italy-hanging-by-one-foot-was-a-method-of-execution-prolonged-and-particularly-degrading-in-germany-it-was-usually-associated-with-jews-and-called-the-jewish-execution-while-in-italy-it-was-usually-associated-with-traitors-shame-paintings-depicting-such-hanging-in-effigy-were-common-in-some-parts-of-italy-including-florence-andrea-del-sarto-drew-seven-such-images-which-have-survive-image185009842.htmlRMMMYWXA–. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive
Andrea del Sarto - Saint John the Baptist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-saint-john-the-baptist-image594366445.htmlRM2WEYMD1–Andrea del Sarto - Saint John the Baptist.
. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-drawing-in-red-chalk-on-white-paper-of-a-man-hanged-by-one-foot-this-was-a-preparatory-sketch-for-a-pittura-infamante-or-shame-painting-it-is-located-in-the-galleria-degli-uffizi-florence-italy-hanging-by-one-foot-was-a-method-of-execution-prolonged-and-particularly-degrading-in-germany-it-was-usually-associated-with-jews-and-called-the-jewish-execution-while-in-italy-it-was-usually-associated-with-traitors-shame-paintings-depicting-such-hanging-in-effigy-were-common-in-some-parts-of-italy-including-florence-andrea-del-sarto-drew-seven-such-images-which-have-survive-image185009840.htmlRMMMYWX8–. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive
Andrea del Sarto - Drei Akte, obj20155296. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-drei-akte-obj20155296-image594365738.htmlRM2WEYKFP–Andrea del Sarto - Drei Akte, obj20155296.
. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-drawing-in-red-chalk-on-white-paper-of-a-man-hanged-by-one-foot-this-was-a-preparatory-sketch-for-a-pittura-infamante-or-shame-painting-it-is-located-in-the-galleria-degli-uffizi-florence-italy-hanging-by-one-foot-was-a-method-of-execution-prolonged-and-particularly-degrading-in-germany-it-was-usually-associated-with-jews-and-called-the-jewish-execution-while-in-italy-it-was-usually-associated-with-traitors-shame-paintings-depicting-such-hanging-in-effigy-were-common-in-some-parts-of-italy-including-florence-andrea-del-sarto-drew-seven-such-images-which-have-survive-image185009838.htmlRMMMYWX6–. English: Drawing, in red chalk on white paper, of a man hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. It is located in the Galleria degli Uffizi, Florence, Italy. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such images which have survive
Andrea del Sarto, Pit - De Larmessin Sculp. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-pit-de-larmessin-sculp-image594366765.htmlRM2WEYMTD–Andrea del Sarto, Pit - De Larmessin Sculp.
Andrea del Sarto - Drei Akte, obj20155296 (cropped3). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-drei-akte-obj20155296-cropped3-image594365757.htmlRM2WEYKGD–Andrea del Sarto - Drei Akte, obj20155296 (cropped3).
Andrea del Sarto - Drei Akte, obj20155296 (cropped1). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-drei-akte-obj20155296-cropped1-image594365766.htmlRM2WEYKGP–Andrea del Sarto - Drei Akte, obj20155296 (cropped1).
Andrea del Sarto - Cartoon for the head of Isaac, NMH 1521863. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-cartoon-for-the-head-of-isaac-nmh-1521863-image594365759.htmlRM2WEYKGF–Andrea del Sarto - Cartoon for the head of Isaac, NMH 1521863.
1913-Vasari-le-Vite-pag-624-Andrea-del-Sarto. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1913-vasari-le-vite-pag-624-andrea-del-sarto-image593361929.htmlRM2WD9Y5D–1913-Vasari-le-Vite-pag-624-Andrea-del-Sarto.
Andrea del Sarto - Copy after - Madonna and Child, NMH 2721973. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-copy-after-madonna-and-child-nmh-2721973-image594365762.htmlRM2WEYKGJ–Andrea del Sarto - Copy after - Madonna and Child, NMH 2721973.
Andrea del Sarto - Copy after - Head of the Archangel Gabriel, NMH 1491863. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-copy-after-head-of-the-archangel-gabriel-nmh-1491863-image594365746.htmlRM2WEYKG2–Andrea del Sarto - Copy after - Head of the Archangel Gabriel, NMH 1491863.
Andrea del Sarto - Copy after - The birth of St. John the Baptist, NMH 1411863. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-copy-after-the-birth-of-st-john-the-baptist-nmh-1411863-image594365761.htmlRM2WEYKGH–Andrea del Sarto - Copy after - The birth of St. John the Baptist, NMH 1411863.
Andrea del Sarto - Thronende Maria mit dem Kind und acht Heiligen, 1528, 246. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-thronende-maria-mit-dem-kind-und-acht-heiligen-1528-246-image594366460.htmlRM2WEYMDG–Andrea del Sarto - Thronende Maria mit dem Kind und acht Heiligen, 1528, 246.
Anonimo, sdruccioli di orsanmichele, da via orsanmichele, col tabernacolo di andrea del sarto, 1880s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonimo-sdruccioli-di-orsanmichele-da-via-orsanmichele-col-tabernacolo-di-andrea-del-sarto-1880s-image594380917.htmlRM2WF0AWW–Anonimo, sdruccioli di orsanmichele, da via orsanmichele, col tabernacolo di andrea del sarto, 1880s.
Andrea del Sarto - Kristi lekamen. Efter målning i Accademia delle belle arte, Florens, NMH A 10351981. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-del-sarto-kristi-lekamen-efter-mlning-i-accademia-delle-belle-arte-florens-nmh-a-10351981-image594366093.htmlRM2WEYM0D–Andrea del Sarto - Kristi lekamen. Efter målning i Accademia delle belle arte, Florens, NMH A 10351981.
Search Results for Andrea del sarto Black & White Stock Photos and Images (84)
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