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Andre le breton Stock Photos and Images
Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving, with etching, on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-1760-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-with-etching-on-cream-laid-paper-400-260-mm-image328642570.htmlRM2A2JXXJ–Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving, with etching, on cream laid paper, 400 × 260 mm
Art of Engraving, from Encyclopédie. published by André le Breton (French, 1708-1779); Michel-Antoine David (French, c. 1707-1769); Laurent Durand (French, 1712-1763); Antoine-Claude Briasson (French, 1700-1775). Date: 1751-1777. Dimensions: 394 × 252 mm. Letterpress in black on cream laid paper with later covers of tan paper; sheets removed from books. Origin: France. Museum: The Chicago Art Institute. Author: André François Le Breton. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-of-engraving-from-encyclopdie-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-antoine-claude-briasson-french-1700-1775-date-1751-1777-dimensions-394-252-mm-letterpress-in-black-on-cream-laid-paper-with-later-covers-of-tan-paper-sheets-removed-from-books-origin-france-museum-the-chicago-art-institute-author-andr-franois-le-breton-image240112023.htmlRMRXJ19B–Art of Engraving, from Encyclopédie. published by André le Breton (French, 1708-1779); Michel-Antoine David (French, c. 1707-1769); Laurent Durand (French, 1712-1763); Antoine-Claude Briasson (French, 1700-1775). Date: 1751-1777. Dimensions: 394 × 252 mm. Letterpress in black on cream laid paper with later covers of tan paper; sheets removed from books. Origin: France. Museum: The Chicago Art Institute. Author: André François Le Breton.
ANDRE FRANCOIS LE BRETON (August 1708 - 5 October 1779) was a French publisher, with dancing girls Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andre-francois-le-breton-august-1708-5-october-1779-was-a-french-publisher-image69457557.htmlRME101R1–ANDRE FRANCOIS LE BRETON (August 1708 - 5 October 1779) was a French publisher, with dancing girls
Cover of André Breton's work: 'Qu'est-ce que le surréalisme ?' (What is surrealism ?) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cover-of-andr-bretons-work-quest-ce-que-le-surralisme-what-is-surrealism-49907530.htmlRMCW5DFP–Cover of André Breton's work: 'Qu'est-ce que le surréalisme ?' (What is surrealism ?)
Various Slanted Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/various-slanted-calligraphy-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-spe-image349715621.htmlRF2B8XWRH–Various Slanted Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, spe
Breton house in the sunlight, Le Val André, Brittany, France, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-breton-house-in-the-sunlight-le-val-andr-brittany-france-europe-31168797.htmlRMBPKT39–Breton house in the sunlight, Le Val André, Brittany, France, Europe
Sash badges of orders of chivalry. Cherubims et Seraphims 41, Amaranthe 42, St Andre 43, St Catherine 44, Aigle Noir 45, Aigle Blanc 46, St Etienne 47, Annonciade 48, St Maurice et St Lazare 49, Notre Dame de Gloire 50, Precieux Sang 51, St Georges 52, St Marie 53, St Georges a Genes 54, St Janvier 55, Livonie 56, Condeliene 57, St Blaise 58, St Antoine 59, St Catherine 60. Copperplate engraving by Robert Benard from Blason ou Art Heraldique, the heraldry section from Denis Diderot and Jean-Baptiste le Rond d’Alembert’s Encyclopedie, published by Brisson, David, Le Breton and Durand, Paris, 17 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sash-badges-of-orders-of-chivalry-cherubims-et-seraphims-41-amaranthe-42-st-andre-43-st-catherine-44-aigle-noir-45-aigle-blanc-46-st-etienne-47-annonciade-48-st-maurice-et-st-lazare-49-notre-dame-de-gloire-50-precieux-sang-51-st-georges-52-st-marie-53-st-georges-a-genes-54-st-janvier-55-livonie-56-condeliene-57-st-blaise-58-st-antoine-59-st-catherine-60-copperplate-engraving-by-robert-benard-from-blason-ou-art-heraldique-the-heraldry-section-from-denis-diderot-and-jean-baptiste-le-rond-dalemberts-encyclopedie-published-by-brisson-david-le-breton-and-durand-paris-17-image456169437.htmlRM2HE48NH–Sash badges of orders of chivalry. Cherubims et Seraphims 41, Amaranthe 42, St Andre 43, St Catherine 44, Aigle Noir 45, Aigle Blanc 46, St Etienne 47, Annonciade 48, St Maurice et St Lazare 49, Notre Dame de Gloire 50, Precieux Sang 51, St Georges 52, St Marie 53, St Georges a Genes 54, St Janvier 55, Livonie 56, Condeliene 57, St Blaise 58, St Antoine 59, St Catherine 60. Copperplate engraving by Robert Benard from Blason ou Art Heraldique, the heraldry section from Denis Diderot and Jean-Baptiste le Rond d’Alembert’s Encyclopedie, published by Brisson, David, Le Breton and Durand, Paris, 17
Français : Les poètes du Parnasse Tableau de Paul Chabas, « Chez Alphonse Lemerre, à Ville d’Avray », Salon de 1895 Le jardin de l’ancienne propriété du père de Camille Corot, rachetée par l’éditeur parisien Alphonse Lemerre, sert ici de toile de fond au peintre Paul Chabas pour immortaliser les poètes du Parnasse. Aux côtés de Paul Bourget (cercle), on remarque François Coppée, Leconte de Lisle, Marcel Prévost, Auguste Dorchain, Léon Dierx, Henri Cazalis, Alphonse Daudet, Sully-Prudhomme, Jules Breton, Paul Arène, André Theuriet, Jules Claretie, José-Maria de Heredia, Paul Hervieu, Henry Rouj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-les-potes-du-parnasse-tableau-de-paul-chabas-chez-alphonse-lemerre-ville-davray-salon-de-1895-le-jardin-de-lancienne-proprit-du-pre-de-camille-corot-rachete-par-lditeur-parisien-alphonse-lemerre-sert-ici-de-toile-de-fond-au-peintre-paul-chabas-pour-immortaliser-les-potes-du-parnasse-aux-cts-de-paul-bourget-cercle-on-remarque-franois-coppe-leconte-de-lisle-marcel-prvost-auguste-dorchain-lon-dierx-henri-cazalis-alphonse-daudet-sully-prudhomme-jules-breton-paul-arne-andr-theuriet-jules-claretie-jos-maria-de-heredia-paul-hervieu-henry-rouj-image210929400.htmlRMP74JGT–Français : Les poètes du Parnasse Tableau de Paul Chabas, « Chez Alphonse Lemerre, à Ville d’Avray », Salon de 1895 Le jardin de l’ancienne propriété du père de Camille Corot, rachetée par l’éditeur parisien Alphonse Lemerre, sert ici de toile de fond au peintre Paul Chabas pour immortaliser les poètes du Parnasse. Aux côtés de Paul Bourget (cercle), on remarque François Coppée, Leconte de Lisle, Marcel Prévost, Auguste Dorchain, Léon Dierx, Henri Cazalis, Alphonse Daudet, Sully-Prudhomme, Jules Breton, Paul Arène, André Theuriet, Jules Claretie, José-Maria de Heredia, Paul Hervieu, Henry Rouj
Portrait of Breton and Le Breton. André Dutertre (1753-1842). Portrait de Breton ou Le Breton. Eau-forte. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-breton-and-le-breton-andr-dutertre-1753-1842-portrait-de-breton-ou-le-breton-eau-forte-paris-muse-carnavalet-image350219629.htmlRM2B9NTKW–Portrait of Breton and Le Breton. André Dutertre (1753-1842). Portrait de Breton ou Le Breton. Eau-forte. Paris, musée Carnavalet.
France, Mayenne, Cosse le Vivien, La Frenouse, Robert Tatin Museum, the Alley of the Giants, Andre Breton Totem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-mayenne-cosse-le-vivien-la-frenouse-robert-tatin-museum-the-alley-of-the-giants-andre-breton-totem-image545997124.htmlRM2PM88W8–France, Mayenne, Cosse le Vivien, La Frenouse, Robert Tatin Museum, the Alley of the Giants, Andre Breton Totem
Le Monde moderne . s, dont léducation générale etlétude assuraient à leurs idées une valeur sérieuse,une élévation et une solidité que les journalistesdaujourdhui ne nous habituent guère à louer dansleurs feuilles. Aussi faut-il compter ceux qui senxonl. car il nen reste plus. Le xviu siècle a bien des honneurs ce mois-ci;voici deux volumes qui sont pleins de lui. M. André Le Breton, dans son livre le Romanau xviiii> siècle, paru chez Lecène. passe en rexueles principaux romanciers du siècle dernier. Cour-lilz de Sandras. Le Sage. Marivaux. Crébillon fils,labbé Prévost, Rousseau, Laclos, Be Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-monde-moderne-s-dont-lducation-gnrale-etltude-assuraient-leurs-ides-une-valeur-srieuseune-lvation-et-une-solidit-que-les-journalistesdaujourdhui-ne-nous-habituent-gure-louer-dansleurs-feuilles-aussi-faut-il-compter-ceux-qui-senxonl-car-il-nen-reste-plus-le-xviu-sicle-a-bien-des-honneurs-ce-mois-civoici-deux-volumes-qui-sont-pleins-de-lui-m-andr-le-breton-dans-son-livre-le-romanau-xviiiigt-sicle-paru-chez-lecne-passe-en-rexueles-principaux-romanciers-du-sicle-dernier-cour-lilz-de-sandras-le-sage-marivaux-crbillon-filslabb-prvost-rousseau-laclos-be-image339329045.htmlRM2AM1NJD–Le Monde moderne . s, dont léducation générale etlétude assuraient à leurs idées une valeur sérieuse,une élévation et une solidité que les journalistesdaujourdhui ne nous habituent guère à louer dansleurs feuilles. Aussi faut-il compter ceux qui senxonl. car il nen reste plus. Le xviu siècle a bien des honneurs ce mois-ci;voici deux volumes qui sont pleins de lui. M. André Le Breton, dans son livre le Romanau xviiii> siècle, paru chez Lecène. passe en rexueles principaux romanciers du siècle dernier. Cour-lilz de Sandras. Le Sage. Marivaux. Crébillon fils,labbé Prévost, Rousseau, Laclos, Be
Mezzotint, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mezzotint-from-encyclopxe9die-176277-image462403032.htmlRM2HT87P0–Mezzotint, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. Staff members view 'Erzulie', 1961, by Rigau Benoit. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-staff-members-view-erzulie-1961-by-rigau-benoit-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975258.htmlRMPRE85E–London, UK. 2 October 2018. Staff members view 'Erzulie', 1961, by Rigau Benoit. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
THE ROBERT TATIN MUSEUM, THE HOME OF THE CERAMIST, PAINTER, SCULPTOR WHO MADE HIS HOUSE AND GARDENS AN ENVIRONMENT OF ART, COSSE LE VIVIEN, (53) MAYENNE, PAYS DE LA LOIRE, FRANCE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-robert-tatin-museum-the-home-of-the-ceramist-painter-sculptor-who-made-his-house-and-gardens-an-environment-of-art-cosse-le-vivien-53-mayenne-pays-de-la-loire-france-image504104399.htmlRM2M83X8F–THE ROBERT TATIN MUSEUM, THE HOME OF THE CERAMIST, PAINTER, SCULPTOR WHO MADE HIS HOUSE AND GARDENS AN ENVIRONMENT OF ART, COSSE LE VIVIEN, (53) MAYENNE, PAYS DE LA LOIRE, FRANCE
france brittany emerald coast le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-le-val-andre-image1319760.htmlRFAM2351–france brittany emerald coast le val andre
le Chafaud Museum Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-chafaud-museum-perc-rock-perc-quebec-ca-image330039516.htmlRM2A4XGNG–le Chafaud Museum Percé Rock Percé, Quebec, CA
London UK 04 March 2022 Valentine Hugo, Painting that packed a punch, Portrait d’Arthur Rimbaud, leads Bonhams The Mind’s Eye / Surrealist Sale on Tuesday 8 March in London. The work has an estimate of £400,000-600,000. Valentine is considered to be one the great forgotten women of the Surrealist movement. She was notably excluded by André Breton from his seminal book Le Surréalisme et la Peinture (1928). Their love affair years later seemed to seal her fate, ending in a punch in the face for him, a suicide attempt by her. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-04-march-2022-valentine-hugo-painting-that-packed-a-punch-portrait-darthur-rimbaud-leads-bonhams-the-minds-eye-surrealist-sale-on-tuesday-8-march-in-london-the-work-has-an-estimate-of-400000-600000-valentine-is-considered-to-be-one-the-great-forgotten-women-of-the-surrealist-movement-she-was-notably-excluded-by-andr-breton-from-his-seminal-book-le-surralisme-et-la-peinture-1928-their-love-affair-years-later-seemed-to-seal-her-fate-ending-in-a-punch-in-the-face-for-him-a-suicide-attempt-by-her-paul-quezada-neimanalamy-live-news-image463003670.htmlRM2HW7HWA–London UK 04 March 2022 Valentine Hugo, Painting that packed a punch, Portrait d’Arthur Rimbaud, leads Bonhams The Mind’s Eye / Surrealist Sale on Tuesday 8 March in London. The work has an estimate of £400,000-600,000. Valentine is considered to be one the great forgotten women of the Surrealist movement. She was notably excluded by André Breton from his seminal book Le Surréalisme et la Peinture (1928). Their love affair years later seemed to seal her fate, ending in a punch in the face for him, a suicide attempt by her. Paul Quezada-Neiman/Alamy Live News
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395493748.htmlRF2DYC88M–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-image328642592.htmlRM2A2JXYC–Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm
Art of Writing, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving, with etching, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-with-etching-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240107276.htmlRMRXHR7T–Art of Writing, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving, with etching, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395187135.htmlRF2DXX967–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving, with etching, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-of-writing-from-encyclopdie-1760-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-with-etching-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349715609.htmlRF2B8XWR5–Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving, with etching, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
André François Le Breton (Publisher). Art of Engraving, from Encyclopédie. 1751–1777. France. Letterpress in black on cream laid paper with later covers of tan paper; sheets removed from books Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andr-franois-le-breton-publisher-art-of-engraving-from-encyclopdie-17511777-france-letterpress-in-black-on-cream-laid-paper-with-later-covers-of-tan-paper-sheets-removed-from-books-image337968716.htmlRM2AHRPF8–André François Le Breton (Publisher). Art of Engraving, from Encyclopédie. 1751–1777. France. Letterpress in black on cream laid paper with later covers of tan paper; sheets removed from books
Elements of Wood Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elements-of-wood-engraving-from-encyclopxe9die-176277-image462403154.htmlRM2HT87XA–Elements of Wood Engraving, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. Staff members view a sculpture by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-staff-members-view-a-sculpture-by-georges-liautaud-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975245.htmlRMPRE851–London, UK. 2 October 2018. Staff members view a sculpture by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
THE ROBERT TATIN MUSEUM, THE HOME OF THE CERAMIST, PAINTER, SCULPTOR WHO MADE HIS HOUSE AND GARDENS AN ENVIRONMENT OF ART, COSSE LE VIVIEN, (53) MAYENNE, PAYS DE LA LOIRE, FRANCE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-robert-tatin-museum-the-home-of-the-ceramist-painter-sculptor-who-made-his-house-and-gardens-an-environment-of-art-cosse-le-vivien-53-mayenne-pays-de-la-loire-france-image504104401.htmlRM2M83X8H–THE ROBERT TATIN MUSEUM, THE HOME OF THE CERAMIST, PAINTER, SCULPTOR WHO MADE HIS HOUSE AND GARDENS AN ENVIRONMENT OF ART, COSSE LE VIVIEN, (53) MAYENNE, PAYS DE LA LOIRE, FRANCE
france brittany emerald coast le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-le-val-andre-image1319738.htmlRFAM233B–france brittany emerald coast le val andre
le Chafaud Museum Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-chafaud-museum-perc-rock-perc-quebec-ca-image330039364.htmlRM2A4XGG4–le Chafaud Museum Percé Rock Percé, Quebec, CA
London UK 04 March 2022 Valentine Hugo, Painting that packed a punch, Portrait d’Arthur Rimbaud, leads Bonhams The Mind’s Eye / Surrealist Sale on Tuesday 8 March in London. The work has an estimate of £400,000-600,000. Valentine is considered to be one the great forgotten women of the Surrealist movement. She was notably excluded by André Breton from his seminal book Le Surréalisme et la Peinture (1928). Their love affair years later seemed to seal her fate, ending in a punch in the face for him, a suicide attempt by her. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-04-march-2022-valentine-hugo-painting-that-packed-a-punch-portrait-darthur-rimbaud-leads-bonhams-the-minds-eye-surrealist-sale-on-tuesday-8-march-in-london-the-work-has-an-estimate-of-400000-600000-valentine-is-considered-to-be-one-the-great-forgotten-women-of-the-surrealist-movement-she-was-notably-excluded-by-andr-breton-from-his-seminal-book-le-surralisme-et-la-peinture-1928-their-love-affair-years-later-seemed-to-seal-her-fate-ending-in-a-punch-in-the-face-for-him-a-suicide-attempt-by-her-paul-quezada-neimanalamy-live-news-image463003705.htmlRM2HW7HXH–London UK 04 March 2022 Valentine Hugo, Painting that packed a punch, Portrait d’Arthur Rimbaud, leads Bonhams The Mind’s Eye / Surrealist Sale on Tuesday 8 March in London. The work has an estimate of £400,000-600,000. Valentine is considered to be one the great forgotten women of the Surrealist movement. She was notably excluded by André Breton from his seminal book Le Surréalisme et la Peinture (1928). Their love affair years later seemed to seal her fate, ending in a punch in the face for him, a suicide attempt by her. Paul Quezada-Neiman/Alamy Live News
Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-facial-anatomy-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-image328642611.htmlRM2A2JY03–Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm
Wood Engraving, Tools, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Jacques Raymond Lucotte, (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 312 × 205 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-engraving-tools-from-encyclopdie-a-j-defehrt-french-active-18th-century-after-jacques-raymond-lucotte-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-312-205-mm-image-355-225-mm-plate-390-255-mm-sheet-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240099132.htmlRMRXHCW0–Wood Engraving, Tools, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Jacques Raymond Lucotte, (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 312 × 205 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395187147.htmlRF2DXX96K–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capital-letters-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revol-image349715618.htmlRF2B8XWRE–Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revol
Design: Camera Obscura, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-camera-obscura-from-encyclopxe9die-176277-image462402994.htmlRM2HT87MJ–Design: Camera Obscura, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. Staff members view a sculpture by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-staff-members-view-a-sculpture-by-georges-liautaud-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975240.htmlRMPRE84T–London, UK. 2 October 2018. Staff members view a sculpture by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
france brittany emerald coast le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-le-val-andre-image1319753.htmlRFAM234A–france brittany emerald coast le val andre
le Chafaud Museum Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-chafaud-museum-perc-rock-perc-quebec-ca-image330039393.htmlRM2A4XGH5–le Chafaud Museum Percé Rock Percé, Quebec, CA
London UK 04 March 2022 Valentine Hugo, Painting that packed a punch, Portrait d’Arthur Rimbaud, leads Bonhams The Mind’s Eye / Surrealist Sale on Tuesday 8 March in London. The work has an estimate of £400,000-600,000. Valentine is considered to be one the great forgotten women of the Surrealist movement. She was notably excluded by André Breton from his seminal book Le Surréalisme et la Peinture (1928). Their love affair years later seemed to seal her fate, ending in a punch in the face for him, a suicide attempt by her. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-04-march-2022-valentine-hugo-painting-that-packed-a-punch-portrait-darthur-rimbaud-leads-bonhams-the-minds-eye-surrealist-sale-on-tuesday-8-march-in-london-the-work-has-an-estimate-of-400000-600000-valentine-is-considered-to-be-one-the-great-forgotten-women-of-the-surrealist-movement-she-was-notably-excluded-by-andr-breton-from-his-seminal-book-le-surralisme-et-la-peinture-1928-their-love-affair-years-later-seemed-to-seal-her-fate-ending-in-a-punch-in-the-face-for-him-a-suicide-attempt-by-her-paul-quezada-neimanalamy-live-news-image463003684.htmlRM2HW7HWT–London UK 04 March 2022 Valentine Hugo, Painting that packed a punch, Portrait d’Arthur Rimbaud, leads Bonhams The Mind’s Eye / Surrealist Sale on Tuesday 8 March in London. The work has an estimate of £400,000-600,000. Valentine is considered to be one the great forgotten women of the Surrealist movement. She was notably excluded by André Breton from his seminal book Le Surréalisme et la Peinture (1928). Their love affair years later seemed to seal her fate, ending in a punch in the face for him, a suicide attempt by her. Paul Quezada-Neiman/Alamy Live News
Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/basic-shapes-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642581.htmlRM2A2JXY1–Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Copperplate Engraving, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Benoît-Louis Prévost (French, c. 1735-1809); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 320 × 208 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Etching, with engraving and stipple, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/copperplate-engraving-from-encyclopdie-a-j-defehrt-french-active-18th-century-after-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-320-208-mm-image-355-225-mm-plate-390-255-mm-sheet-etching-with-engraving-and-stipple-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240099735.htmlRMRXHDJF–Copperplate Engraving, from Encyclopédie. A. J. Defehrt (French, active 18th century); after Benoît-Louis Prévost (French, c. 1735-1809); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 320 × 208 mm (image); 355 × 225 mm (plate); 390 × 255 mm (sheet). Etching, with engraving and stipple, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395493746.htmlRF2DYC88J–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movemen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/various-rounded-style-calligraphy-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movemen-image349715617.htmlRF2B8XWRD–Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movemen
Design: Camera Obscura, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-camera-obscura-from-encyclopxe9die-176277-image462402997.htmlRM2HT87MN–Design: Camera Obscura, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. A staff member views sculptures by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-a-staff-member-views-sculptures-by-georges-liautaud-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975247.htmlRMPRE853–London, UK. 2 October 2018. A staff member views sculptures by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
france brittany emerald coast le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-le-val-andre-image1319772.htmlRFAM235D–france brittany emerald coast le val andre
le Chafaud Museum Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-chafaud-museum-perc-rock-perc-quebec-ca-image566616513.htmlRM2RWRH41–le Chafaud Museum Percé Rock Percé, Quebec, CA
Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capital-letters-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642587.htmlRM2A2JXY7–Capital Letters, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Card-Maker, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-maker-from-encyclopdie-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240002182.htmlRMRXD16E–Card-Maker, from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395494314.htmlRF2DYC90X–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cultu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-facial-anatomy-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-cultu-image349715637.htmlRF2B8XWT5–Design: Facial Anatomy from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cultu
Card-Maker, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-maker-from-encyclopxe9die-176277-image462403166.htmlRM2HT87XP–Card-Maker, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. Staff members view a sculpture by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-staff-members-view-a-sculpture-by-georges-liautaud-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975239.htmlRMPRE84R–London, UK. 2 October 2018. Staff members view a sculpture by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
france brittany emerald coast le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-le-val-andre-image1319754.htmlRFAM234B–france brittany emerald coast le val andre
Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perc-rock-perc-quebec-ca-image330037124.htmlRM2A4XDM4–Percé Rock Percé, Quebec, CA
Various Slanted Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/various-slanted-calligraphy-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642590.htmlRM2A2JXYA–Various Slanted Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Pen Positions, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pen-positions-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240137944.htmlRMRXK6B4–Pen Positions, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395187129.htmlRF2DXX961–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349715623.htmlRF2B8XWRK–Card-Maker, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Elements of Wood Engraving, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elements-of-wood-engraving-from-encyclopxe9die-176277-image462403156.htmlRM2HT87XC–Elements of Wood Engraving, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. Staff members view 'Erzulie', 1961, by Rigau Benoit. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-staff-members-view-erzulie-1961-by-rigau-benoit-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975257.htmlRMPRE85D–London, UK. 2 October 2018. Staff members view 'Erzulie', 1961, by Rigau Benoit. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
france brittany emerald coast le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-le-val-andre-image1319761.htmlRFAM2352–france brittany emerald coast le val andre
Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perc-rock-perc-quebec-ca-image330036873.htmlRM2A4XDB5–Percé Rock Percé, Quebec, CA
Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/various-rounded-style-calligraphy-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-image328642588.htmlRM2A2JXY8–Various Rounded-Style Calligraphy, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm
Preparatory Exercises, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/preparatory-exercises-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240102585.htmlRMRXHH89–Preparatory Exercises, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395494535.htmlRF2DYC98R–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revoluti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/basic-shapes-from-encyclopdie-1760-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-400-260-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revoluti-image349715612.htmlRF2B8XWR8–Basic Shapes, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 400 × 260 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revoluti
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395187111.htmlRF2DXX95B–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Card-Maker, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-maker-from-encyclopxe9die-176277-image462403145.htmlRM2HT87X1–Card-Maker, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. Staff members view a sculpture by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-staff-members-view-a-sculpture-by-georges-liautaud-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975236.htmlRMPRE84M–London, UK. 2 October 2018. Staff members view a sculpture by Georges Liautaud. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
france brittany emerald coast le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-le-val-andre-image1319793.htmlRMAM2372–france brittany emerald coast le val andre
Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perc-rock-perc-quebec-ca-image566616497.htmlRM2RWRH3D–Percé Rock Percé, Quebec, CA
Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 320 × 208 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etching-balotter-machine-from-encyclopdie-176277-robert-bnard-french-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-320-208-mm-image-355-225-mm-plate-390-255-mm-sheet-image328642621.htmlRM2A2JY0D–Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 320 × 208 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet
Round Letters of the Alphabet, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/round-letters-of-the-alphabet-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240102770.htmlRMRXHHEX–Round Letters of the Alphabet, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 320 × 208 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etching-balotter-machine-from-encyclopdie-176277-robert-bnard-french-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-320-208-mm-image-355-225-mm-plate-390-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movem-image349715649.htmlRF2B8XWTH–Etching, Balotter Machine, from Encyclopédie, 1762/77, Robert Bénard (French, 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 320 × 208 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movem
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395494528.htmlRF2DYC98G–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395493408.htmlRF2DYC7TG–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Wood Engraving, Tools, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-engraving-tools-from-encyclopxe9die-176277-image462402978.htmlRM2HT87M2–Wood Engraving, Tools, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. A staff member poses in a room full of Haitian paintings. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-a-staff-member-poses-in-a-room-full-of-haitian-paintings-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975261.htmlRMPRE85H–London, UK. 2 October 2018. A staff member poses in a room full of Haitian paintings. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
france brittany emerald coast le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-le-val-andre-image1319797.htmlRFAM2376–france brittany emerald coast le val andre
Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perc-rock-perc-quebec-ca-image330036663.htmlRM2A4XD3K–Percé Rock Percé, Quebec, CA
Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and mezzotint on cream laid paper, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mezzotint-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-and-mezzotint-on-cream-laid-paper-320-209-mm-image-355-225-mm-plate-390-255-mm-sheet-image328642628.htmlRM2A2JY0M–Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and mezzotint on cream laid paper, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet
Design: Facial Anatomy from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-facial-anatomy-from-encyclopdie-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1762-1777-dimensions-400-260-mm-etching-with-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240111192.htmlRMRXJ07M–Design: Facial Anatomy from Encyclopédie. A. J. Defehrt (French, active 18th century); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 400 × 260 mm. Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and mezzotint on cream laid paper, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mezzotint-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-and-mezzotint-on-cream-laid-paper-320-209-mm-image-355-225-mm-plate-390-255-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-image349715657.htmlRF2B8XWTW–Mezzotint, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving and mezzotint on cream laid paper, 320 × 209 mm (image), 355 × 225 mm (plate), 390 × 255 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology,
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395493735.htmlRF2DYC887–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Wood Engraving, Tools, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-engraving-tools-from-encyclopxe9die-176277-image462403013.htmlRM2HT87N9–Wood Engraving, Tools, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. A staff member poses in a room full of Haitian paintings. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-a-staff-member-poses-in-a-room-full-of-haitian-paintings-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975251.htmlRMPRE857–London, UK. 2 October 2018. A staff member poses in a room full of Haitian paintings. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
france brittany emerald coast harbour le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-harbour-le-val-andre-image1319792.htmlRMAM2371–france brittany emerald coast harbour le val andre
Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perc-rock-perc-quebec-ca-image566616496.htmlRM2RWRH3C–Percé Rock Percé, Quebec, CA
Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 325 × 209 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-325-209-mm-image-355-225-mm-plate-387-255-mm-sheet-image328642593.htmlRM2A2JXYD–Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 325 × 209 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet
Capital Letters, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capital-letters-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240123616.htmlRMRXJG3C–Capital Letters, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Design: Proportions of the Antinoüs Statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 317 × 206 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dyn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-proportions-of-the-antinos-statue-from-encyclopdie-176277-a-j-defehrt-french-active-18th-century-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-317-206-mm-image-355-225-mm-plate-400-260-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dyn-image349715658.htmlRF2B8XWTX–Design: Proportions of the Antinoüs Statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 317 × 206 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dyn
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395493766.htmlRF2DYC89A–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Card-Maker, from Encyclopédie, 1762/77. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-maker-from-encyclopxe9die-176277-image462403157.htmlRM2HT87XD–Card-Maker, from Encyclopédie, 1762/77.
London, UK. 2 October 2018. A staff member poses in a room full of Haitian paintings. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2-october-2018-a-staff-member-poses-in-a-room-full-of-haitian-paintings-preview-of-art-revolution-in-haiti-an-exhibition-at-the-gallery-of-everything-in-chiltern-street-the-exhibition-which-coincides-with-frieze-week-explores-when-surrealism-arrived-in-the-former-slave-colony-in-1945-works-from-artists-from-le-centre-dart-dhaiti-and-from-the-personal-collection-of-andre-breton-the-founder-of-surrealism-are-on-display-until-11-november-2018-credit-stephen-chung-alamy-live-news-image220975254.htmlRMPRE85A–London, UK. 2 October 2018. A staff member poses in a room full of Haitian paintings. Preview of 'Art + Revolution in Haiti', an exhibition at The Gallery of Everything in Chiltern Street. The exhibition, which coincides with Frieze Week, explores when Surrealism arrived in the former slave colony in 1945. Works from artists from le Centre d'Art d'Haiti and from the personal collection of Andre Breton, the founder of Surrealism, are on display until 11 November 2018. Credit: Stephen Chung / Alamy Live News
france brittany emerald coast harbour le val andre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-brittany-emerald-coast-harbour-le-val-andre-image1319735.htmlRFAM2338–france brittany emerald coast harbour le val andre
Percé Rock Percé, Quebec, CA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perc-rock-perc-quebec-ca-image330036941.htmlRM2A4XDDH–Percé Rock Percé, Quebec, CA
Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 208 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-maker-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-engraving-on-cream-laid-paper-315-208-mm-image-355-225-mm-plate-387-255-mm-sheet-image328642591.htmlRM2A2JXYB–Card-Maker, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Engraving on cream laid paper, 315 × 208 mm (image), 355 × 225 mm (plate), 387 × 255 mm (sheet
Joined Letters of the Alphabet, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joined-letters-of-the-alphabet-from-encyclopdie-aubin-french-active-18th-century-after-charles-paillasson-french-1718-1789-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-date-1760-dimensions-400-260-mm-engraving-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240105019.htmlRMRXHMB7–Joined Letters of the Alphabet, from Encyclopédie. Aubin (French, active 18th century); after Charles Paillasson (French, 1718-1789); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1760. Dimensions: 400 × 260 mm. Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Design: Proportions of the Farnese Hercules, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 320 × 206 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-proportions-of-the-farnese-hercules-from-encyclopdie-176277-benot-louis-prvost-french-c-1735-1809-published-by-andr-le-breton-french-1708-1779-michel-antoine-david-french-c-1707-1769-laurent-durand-french-1712-1763-and-antoine-claude-briasson-french-1700-1775-france-etching-with-engraving-on-cream-laid-paper-320-206-mm-image-355-225-mm-plate-400-260-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dy-image349715655.htmlRF2B8XWTR–Design: Proportions of the Farnese Hercules, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775), France, Etching, with engraving, on cream laid paper, 320 × 206 mm (image), 355 × 225 mm (plate), 400 × 260 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dy
FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fra-society-if-you-saw-us-reportage-on-the-nights-of-breton-youth-fra-societe-si-lon-nous-voyait-reportage-sur-les-nuits-de-la-jeuness-image395493409.htmlRF2DYC7TH–FRA - SOCIETY - 'IF YOU SAW US'. Reportage on the nights of Breton youth. FRA - SOCIETE - 'SI L'ON NOUS VOYAIT'. Reportage sur les nuits de la jeuness
Search Results for Andre le breton Stock Photos and Images (308)
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