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Allegory of fortune Stock Photos and Images

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Allegory of fortune Stock Photos and Images

Allegory of Fortune. Date/Period: Ca. 1658 - 1659. Painting. Oil on canvas. Height: 2,007 mm (79.01 in); Width: 1,330 mm (52.36 in). Author: SALVATOR ROSA. Stock Photo
RMPNDR5C–Allegory of Fortune. Date/Period: Ca. 1658 - 1659. Painting. Oil on canvas. Height: 2,007 mm (79.01 in); Width: 1,330 mm (52.36 in). Author: SALVATOR ROSA.
Allegory of Fortune. Museum: YALE UNIVERSITY. Stock Photo
RMP9AKG5–Allegory of Fortune. Museum: YALE UNIVERSITY.
Allegory of Fortune or Nemesis. Museum: PRIVATE COLLECTION. Author: PORTELLI, CARLO. Stock Photo
RMRCXDGF–Allegory of Fortune or Nemesis. Museum: PRIVATE COLLECTION. Author: PORTELLI, CARLO.
Allegory of Fortune. Museum: Musee du Louvre, Paris. Author: Francken, Frans, the Younger. Stock Photo
RM2R6T7PN–Allegory of Fortune. Museum: Musee du Louvre, Paris. Author: Francken, Frans, the Younger.
Allegory of Fortune. Date/Period: Ca. 1530. Painting. Oil on canvas. Height: 1,791 mm (70.51 in); Width: 2,172 mm (85.51 in). Author: DOSSO DOSSI. Stock Photo
RMPNA11W–Allegory of Fortune. Date/Period: Ca. 1530. Painting. Oil on canvas. Height: 1,791 mm (70.51 in); Width: 2,172 mm (85.51 in). Author: DOSSO DOSSI.
Allegory of Fortune. Dated: c. 1475. Dimensions: diameter: 4.55 cm (1 13/16 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Circle of Gianfrancesco Enzola. Stock Photo
RMPKH5NT–Allegory of Fortune. Dated: c. 1475. Dimensions: diameter: 4.55 cm (1 13/16 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Circle of Gianfrancesco Enzola.
Allegory of Fortune: Man Holding Fortune by her Forelock. Dated: c. 1500. Dimensions: overall (diameter with rim): 6.2 cm (2 7/16 in.) gross weight: 65 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian 16th Century. Stock Photo
RMR3018M–Allegory of Fortune: Man Holding Fortune by her Forelock. Dated: c. 1500. Dimensions: overall (diameter with rim): 6.2 cm (2 7/16 in.) gross weight: 65 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian 16th Century.
Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros. Stock Photo
RMPKY5FW–Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros. Stock Photo
RMPKNFK3–Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
Fortune. Museum: Muzeum Narodowe, Warsaw. Author: Kuntze, Tadeusz. Stock Photo
RMRCWG1Y–Fortune. Museum: Muzeum Narodowe, Warsaw. Author: Kuntze, Tadeusz.
The Wheel of Fortune. Museum: Musée d'Orsay, Paris. Stock Photo
RMP9C884–The Wheel of Fortune. Museum: Musée d'Orsay, Paris.
Fortune. Museum: Galleria degli Uffizi, Florence. Author: LIGOZZI, JACOPO. Stock Photo
RMRCXWB8–Fortune. Museum: Galleria degli Uffizi, Florence. Author: LIGOZZI, JACOPO.
Four Allegories: Fortune. Museum: Gallerie dell' Accademia, Venice. Author: BELLINI, GIOVANNI. Stock Photo
RMRCXC0H–Four Allegories: Fortune. Museum: Gallerie dell' Accademia, Venice. Author: BELLINI, GIOVANNI.
Fortune-telling. Museum: Museo Carmen Thyssen, Málaga. Author: ROMERO DE TORRES, JULIO. Stock Photo
RMRCX4RP–Fortune-telling. Museum: Museo Carmen Thyssen, Málaga. Author: ROMERO DE TORRES, JULIO.
La Fortune passe. Museum: Musée des Beaux-Arts, Reims. Author: Albert Pierre-René Maignan. Stock Photo
RM2R6T40C–La Fortune passe. Museum: Musée des Beaux-Arts, Reims. Author: Albert Pierre-René Maignan.
The Wheel of Fortune (From Furnemmste Historien und exempel von widerwertigem Glück...). Museum: PRIVATE COLLECTION. Author: Burgkmair, Hans the Elder. Stock Photo
RMR5MK6Y–The Wheel of Fortune (From Furnemmste Historien und exempel von widerwertigem Glück...). Museum: PRIVATE COLLECTION. Author: Burgkmair, Hans the Elder.
Wheel Of Fortune. Tarot card. Museum: Pinacoteca di Brera, Milan. Stock Photo
RMP8DRPC–Wheel Of Fortune. Tarot card. Museum: Pinacoteca di Brera, Milan.
The Wheel of Fortune (from an manuscript of Troy Book by John Lydgate). Museum: John Rylands University Library. Stock Photo
RMP9D449–The Wheel of Fortune (from an manuscript of Troy Book by John Lydgate). Museum: John Rylands University Library.
Fortune-telling of Svetlana. Museum: State Art Museum, Nizhny Novgorod. Author: Briullov, Karl Pavlovich. Stock Photo
RMRCWJW0–Fortune-telling of Svetlana. Museum: State Art Museum, Nizhny Novgorod. Author: Briullov, Karl Pavlovich.
Svetlana. Christmas Eve fortune telling. Museum: Local Heritage Museum, Volsk. Author: Novoskoltsev, Alexander Nikanorovich. Stock Photo
RMRCJ7KN–Svetlana. Christmas Eve fortune telling. Museum: Local Heritage Museum, Volsk. Author: Novoskoltsev, Alexander Nikanorovich.
Wheel of Fortune or Rota Fortuane. Concept in medieval and anceint philosophy referring to the capricious nature of Fate. Miniature, 15th century. France. Stock Photo
RMPP8506–Wheel of Fortune or Rota Fortuane. Concept in medieval and anceint philosophy referring to the capricious nature of Fate. Miniature, 15th century. France.
Spain. Barcelona. Porxos d'en Xifre . Edifice neo-classical build commanded by Josep Xifre i Cases. 1836. It was named 'Porxos' after the long arcades encircling the buildings. Detail relief. Allegory of the Sea. Stock Photo
RMPNWHK6–Spain. Barcelona. Porxos d'en Xifre . Edifice neo-classical build commanded by Josep Xifre i Cases. 1836. It was named 'Porxos' after the long arcades encircling the buildings. Detail relief. Allegory of the Sea.
Spain. Barcelona. Porxos d'en Xifre . Edifice neo-classical build commanded by Josep Xifre i Cases. 1836. It was named 'Porxos' after the long arcades encircling the buildings. Detail relief. Allegory of the Sea. Stock Photo
RMPNWHFE–Spain. Barcelona. Porxos d'en Xifre . Edifice neo-classical build commanded by Josep Xifre i Cases. 1836. It was named 'Porxos' after the long arcades encircling the buildings. Detail relief. Allegory of the Sea.
The Michelfeldt Tapestry (Allegory on Social Injustice), first part of three. Attributed to Albrecht Dürer; German, 1471-1528. Date: 1526. Dimensions: 153 x 311 mm (sheet). Woodcut in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX561C–The Michelfeldt Tapestry (Allegory on Social Injustice), first part of three. Attributed to Albrecht Dürer; German, 1471-1528. Date: 1526. Dimensions: 153 x 311 mm (sheet). Woodcut in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute.
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted b Stock Photo
RMR3DP0A–Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted b
The Fortune-Teller. Artist: Georges de La Tour (French, Vic-sur-Seille 1593-1653 Lunéville). Dimensions: 40 1/8 x 48 5/8 in. (101.9 x 123.5 cm). Date: probably 1630s. While an old gypsy crone tells his fortune, a naive youth is robbed by her accomplices, a subject popular among Caravaggesque painters throughout Europe in the seventeenth century. La Tour's painting can be interpreted as a genre or theatrical scene, or as an allusion to the parable of the prodigal son. The inscription on the painting includes the name of the town where La Tour lived, Lunéville in Lorraine. Museum: Metropolitan Stock Photo
RMPPKTE3–The Fortune-Teller. Artist: Georges de La Tour (French, Vic-sur-Seille 1593-1653 Lunéville). Dimensions: 40 1/8 x 48 5/8 in. (101.9 x 123.5 cm). Date: probably 1630s. While an old gypsy crone tells his fortune, a naive youth is robbed by her accomplices, a subject popular among Caravaggesque painters throughout Europe in the seventeenth century. La Tour's painting can be interpreted as a genre or theatrical scene, or as an allusion to the parable of the prodigal son. The inscription on the painting includes the name of the town where La Tour lived, Lunéville in Lorraine. Museum: Metropolitan
Ebisu, God of Fortune, with a fish. Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: KAWANABE KYOSAI. Stock Photo
RMRCEE3Y–Ebisu, God of Fortune, with a fish. Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: KAWANABE KYOSAI.
Seven Gods of Good Fortune. Museum: PRIVATE COLLECTION. Stock Photo
RMP99660–Seven Gods of Good Fortune. Museum: PRIVATE COLLECTION.
Allegory of Fortune. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century. Stock Photo
RMR32PM2–Allegory of Fortune. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.
Allegory of Fortune. Artist: attributed to Pietro Testa (Italian, Lucca 1612-1650 Rome). Dimensions: 12 x 8 3/8in. (30.5 x 21.3cm). Date: 1612-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPANGP1–Allegory of Fortune. Artist: attributed to Pietro Testa (Italian, Lucca 1612-1650 Rome). Dimensions: 12 x 8 3/8in. (30.5 x 21.3cm). Date: 1612-50. Museum: Metropolitan Museum of Art, New York, USA.
The juvenile flight. Museum: State Tretyakov Gallery, Moscow. Author: Chernyshev, Nikolai Mikhailovich. Stock Photo
RMRCXGD1–The juvenile flight. Museum: State Tretyakov Gallery, Moscow. Author: Chernyshev, Nikolai Mikhailovich.
Child and Fortuna. Museum: Musée des Beaux-Arts, Rouen. Author: BOUILLON, PIERRE. Stock Photo
RMRC884C–Child and Fortuna. Museum: Musée des Beaux-Arts, Rouen. Author: BOUILLON, PIERRE.
Fortuna with a purse. Museum: Musei Vaticani in Viale Vaticano, Rome. Author: GUIDO RENI. Stock Photo
RM2AGR7GA–Fortuna with a purse. Museum: Musei Vaticani in Viale Vaticano, Rome. Author: GUIDO RENI.
Fortuna with a purse. Museum: PRIVATE COLLECTION. Author: GUIDO RENI. Stock Photo
RM2AGR7X6–Fortuna with a purse. Museum: PRIVATE COLLECTION. Author: GUIDO RENI.
Fortuna with a crown. Museum: Accademia di San Luca. Author: RENI, GUIDO. Stock Photo
RMRCD0JB–Fortuna with a crown. Museum: Accademia di San Luca. Author: RENI, GUIDO.
Fortuna shares her gifts. Museum: Rijksmuseum, Amsterdam. Stock Photo
RMPA7HDT–Fortuna shares her gifts. Museum: Rijksmuseum, Amsterdam.
Fortuna on a wheel. Museum: PRIVATE COLLECTION. Author: ANONYMOUS. Stock Photo
RMRCP61W–Fortuna on a wheel. Museum: PRIVATE COLLECTION. Author: ANONYMOUS.
Landscape with a Scene of Enchantment. Museum: National Gallery, London. Author: FIAMMINGO, PAOLO. Stock Photo
RMRC4XW0–Landscape with a Scene of Enchantment. Museum: National Gallery, London. Author: FIAMMINGO, PAOLO.
Young Man at the Crossroads. Museum: PRIVATE COLLECTION. Author: Beaumont, Charles-Édouard de. Stock Photo
RMRCXMRF–Young Man at the Crossroads. Museum: PRIVATE COLLECTION. Author: Beaumont, Charles-Édouard de.
Tenkeisei, God of Heavenly Punishment (Part of the set of five hanging scrolls 'Extermination of Evil'). Museum: Nara National Museum. Author: ANONYMOUS. Stock Photo
RMRCP8YN–Tenkeisei, God of Heavenly Punishment (Part of the set of five hanging scrolls 'Extermination of Evil'). Museum: Nara National Museum. Author: ANONYMOUS.
Illustration to the book 'Ship of Fools' by Sebastian Brant. Museum: PRIVATE COLLECTION. Author: ANONYMOUS. Stock Photo
RM2AGR7JW–Illustration to the book 'Ship of Fools' by Sebastian Brant. Museum: PRIVATE COLLECTION. Author: ANONYMOUS.
Illustration to the book 'Ship of Fools' by Sebastian Brant. Museum: PRIVATE COLLECTION. Author: ANONYMOUS. Stock Photo
RM2AGPTCT–Illustration to the book 'Ship of Fools' by Sebastian Brant. Museum: PRIVATE COLLECTION. Author: ANONYMOUS.
King of Cups. Tarot card. Museum: Pinacoteca di Brera, Milan. Stock Photo
RMP8DRPE–King of Cups. Tarot card. Museum: Pinacoteca di Brera, Milan.
The Apostle James the Great and the prophet Zephaniah. Museum: Apostolic Palace, Vatican. Author: Pinturicchio, Bernardino, Workshop of. Stock Photo
RMRDD5GW–The Apostle James the Great and the prophet Zephaniah. Museum: Apostolic Palace, Vatican. Author: Pinturicchio, Bernardino, Workshop of.
Fortuna Distributing her Largesse. Dating: 1617 - 1671. Place: Northern Netherlands. Measurements: h 74 cm × w 105 cm; d 8 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Cornelis de Baellieur (I) (attributed to). Baellieur, Cornelis de, the Elder. Stock Photo
RMREPDR1–Fortuna Distributing her Largesse. Dating: 1617 - 1671. Place: Northern Netherlands. Measurements: h 74 cm × w 105 cm; d 8 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Cornelis de Baellieur (I) (attributed to). Baellieur, Cornelis de, the Elder.
The Magic Mirror. Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum. Stock Photo
RM2R6EW5J–The Magic Mirror. Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum.
The Tapestry at Michelfeld. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 1/4 x 12 in. (13.3 x 30.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMR2K5RE–The Tapestry at Michelfeld. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 1/4 x 12 in. (13.3 x 30.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Eugene Delacroix / 'The Abduction of Rebecca, 1858, Oil on canvas, 105 x 82 cm. Museum: METROPOLITAN MUSEUM OF ART. Stock Photo
RMPTNH9B–Eugene Delacroix / 'The Abduction of Rebecca, 1858, Oil on canvas, 105 x 82 cm. Museum: METROPOLITAN MUSEUM OF ART.
Roman Art. Marble sarcophagus with flying erotes holding a clipeus portrait. At the bottom, the Earth and the Ocean. Dated between 190-200. Severan period. Metropolitan Museum of Art. New York. United States. Stock Photo
RMPNTNP4–Roman Art. Marble sarcophagus with flying erotes holding a clipeus portrait. At the bottom, the Earth and the Ocean. Dated between 190-200. Severan period. Metropolitan Museum of Art. New York. United States.
'Infant Hercules Strangling Serpents'. Great Britain, 1786. Dimensions: 303x297 cm. Museum: State Hermitage, St. Petersburg. Author: SIR JOSHUA REYNOLDS . JOSHUA REYNOLDS. Stock Photo
RMT09H46–'Infant Hercules Strangling Serpents'. Great Britain, 1786. Dimensions: 303x297 cm. Museum: State Hermitage, St. Petersburg. Author: SIR JOSHUA REYNOLDS . JOSHUA REYNOLDS.
Good Luck. Date/Period: Between 1594 and 1595. Painting. Oil on canvas. Height: 1,150 mm (45.27 in); Width: 1,500 mm (59.05 in). Author: CARAVAGGIO. Stock Photo
RMPNED0P–Good Luck. Date/Period: Between 1594 and 1595. Painting. Oil on canvas. Height: 1,150 mm (45.27 in); Width: 1,500 mm (59.05 in). Author: CARAVAGGIO.
Hudibras beats Sidrophel and his man Whacum. Dated: 1725/1726. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth. HOGARTH, WILLIAM. Stock Photo
RMR2TXDJ–Hudibras beats Sidrophel and his man Whacum. Dated: 1725/1726. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth. HOGARTH, WILLIAM.
Daikoku, god of great Darkness, with a rat. Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: KAWANABE KYOSAI. Stock Photo
RMRCC61A–Daikoku, god of great Darkness, with a rat. Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: KAWANABE KYOSAI.
Fortune. Dated: 1541. Dimensions: sheet (trimmed to plate mark): 8.1 x 5.1 cm (3 3/16 x 2 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham. BEHAM, HANS SEBALD. Stock Photo
RMR371KE–Fortune. Dated: 1541. Dimensions: sheet (trimmed to plate mark): 8.1 x 5.1 cm (3 3/16 x 2 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham. BEHAM, HANS SEBALD.
Fortune. Sebald Beham; German, 1500-1550. Date: 1541. Dimensions: 78 x 50 mm (image); 78 x 51 mm (sheet, trimmed unevenly to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photo
RMRX50GJ–Fortune. Sebald Beham; German, 1500-1550. Date: 1541. Dimensions: 78 x 50 mm (image); 78 x 51 mm (sheet, trimmed unevenly to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute.
The Little Fortune. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 × 2 5/8 in. (11.8 × 6.7 cm). Date: 1495-96. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMRENKGY–The Little Fortune. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 × 2 5/8 in. (11.8 × 6.7 cm). Date: 1495-96. Museum: Metropolitan Museum of Art, New York, USA.
Fortune and Misfortune, or The Broken Pitcher. Artist: Louis Philibert Debucourt (French, Paris 1755-1832 Paris). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA. Author: LOUIS PHILIBERT DEBUCOURT. Philibert-Louis Debucourt. Stock Photo
RMR2K35C–Fortune and Misfortune, or The Broken Pitcher. Artist: Louis Philibert Debucourt (French, Paris 1755-1832 Paris). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA. Author: LOUIS PHILIBERT DEBUCOURT. Philibert-Louis Debucourt.
Allegorical figure of Fortune of Antioch in heliotrope. Tyche, goddess of Fortune, in mural crown, holding the Horn of Amalthea, filled with wheat. In heliotrope. Fortuna d'Antiochia, in elitropia. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685. Stock Photo
RM2T68WDC–Allegorical figure of Fortune of Antioch in heliotrope. Tyche, goddess of Fortune, in mural crown, holding the Horn of Amalthea, filled with wheat. In heliotrope. Fortuna d'Antiochia, in elitropia. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685.
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