Angelique Allais, (artist), French, active 18th century, Charlotte Corday, color aquatint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelique-allais-artist-french-active-18th-century-charlotte-corday-color-aquatint-image386359802.html
RM2DCG5TA–Angelique Allais, (artist), French, active 18th century, Charlotte Corday, color aquatint
Art inspired by Angel, Attributed to Salvatore di Franco (active 18th century), second half 18th century, Italian, Naples, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, H. 14 3/8 in. (36.5 cm.), Crèche, Attributed to Salvatore di, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-angel-attributed-to-salvatore-di-franco-active-18th-century-second-half-18th-century-italian-naples-polychromed-terracotta-head-wooden-limbs-and-wings-body-of-wire-wrapped-in-tow-various-fabrics-h-14-38-in-365-cm-crche-attributed-to-salvatore-di-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921659.html
RF2HW3W8B–Art inspired by Angel, Attributed to Salvatore di Franco (active 18th century), second half 18th century, Italian, Naples, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, H. 14 3/8 in. (36.5 cm.), Crèche, Attributed to Salvatore di, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Composer William Byrd. Artist: Haym, Niccolò Francesco (active 18th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/composer-william-byrd-artist-haym-niccol-francesco-active-18th-century-image60393950.html
RMDE752P–Composer William Byrd. Artist: Haym, Niccolò Francesco (active 18th century)
Oval Portrait of a Man in an Elaborate Frame with a Cartouche. Artist: Antonino Grano (Italian, active 18th century). Dimensions: Sheet: 9 5/8 × 6 13/16 in. (24.4 × 17.3 cm). Date: ca. 1724. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-portrait-of-a-man-in-an-elaborate-frame-with-a-cartouche-artist-antonino-grano-italian-active-18th-century-dimensions-sheet-9-58-6-1316-in-244-173-cm-date-ca-1724-museum-metropolitan-museum-of-art-new-york-usa-image213299305.html
RMPB0HC9–Oval Portrait of a Man in an Elaborate Frame with a Cartouche. Artist: Antonino Grano (Italian, active 18th century). Dimensions: Sheet: 9 5/8 × 6 13/16 in. (24.4 × 17.3 cm). Date: ca. 1724. Museum: Metropolitan Museum of Art, New York, USA.
Attributed to Khushala, Indian, active late 18th century - The Gods Sing and Dance for Shiva Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attributed-to-khushala-indian-active-late-18th-century-the-gods-sing-100512063.html
RMFREM4F–Attributed to Khushala, Indian, active late 18th century - The Gods Sing and Dance for Shiva
Woodcut, colour. The Courtesans Matsura and Yosoi of the Matsuba-ya. Print shows two courtesans, bust portraits, facing left by Tsukimaro, Kitagawa, active 18th century-19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woodcut-colour-the-courtesans-matsura-and-yosoi-of-the-matsuba-ya-90846219.html
RMF7PB7R–Woodcut, colour. The Courtesans Matsura and Yosoi of the Matsuba-ya. Print shows two courtesans, bust portraits, facing left by Tsukimaro, Kitagawa, active 18th century-19th century.
Diwan Nawal Singh Prime Minister of Datia. Maharaja of Datia (Indian, active 18th century)Ray E. Lewis (1923 - 2005)Ralph and Catherine BenkaimCatherine Glynn BenkaimFrom 1750 to ?The Maharaja of the princely State of Datia.To 1964Ray E. Lewis (1923-2005), San Francisco, California. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diwan-nawal-singh-prime-minister-of-datia-maharaja-of-datia-indian-active-18th-centuryray-e-lewis-1923-2005ralph-and-catherine-benkaimcatherine-glynn-benkaimfrom-1750-to-the-maharaja-of-the-princely-state-of-datiato-1964ray-e-lewis-1923-2005-san-francisco-california-image353519776.html
RM2BF4628–Diwan Nawal Singh Prime Minister of Datia. Maharaja of Datia (Indian, active 18th century)Ray E. Lewis (1923 - 2005)Ralph and Catherine BenkaimCatherine Glynn BenkaimFrom 1750 to ?The Maharaja of the princely State of Datia.To 1964Ray E. Lewis (1923-2005), San Francisco, California.
NM00680-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nm00680-00new-mexico-church-san-francisco-de-asis-a-spanish-colonial-church-in-ranchos-de-taos-image601118737.html
RM2WWY929–NM00680-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos.
Derashot Fragment from an ancient 18th century Jewish sermons Manuscript written on paper in Oriental script in Hebrew. by Berakhah, Yitsḥaḳ; Kaẓin, Judah ben Yom Tov, 1708-1783; Landaʼu Eliyahu; Deṿiḳ, Avraham; ʻAṭiyah Ḥayyim; ʻAntebi, Yitsḥaḳ; Shemuʼel, Eliyahu; Tsiag, ʻEzra; Mantsur Marzuḳ, active 18th century; Algazi, Yom Ṭov ben Israel Jacob, 1727-1802; Modaʻi, Ḥayyim Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/derashot-fragment-from-an-ancient-18th-century-jewish-sermons-manuscript-written-on-paper-in-oriental-script-in-hebrew-by-berakhah-yitshak-kazin-judah-ben-yom-tov-1708-1783-landau-eliyahu-devik-avraham-atiyah-hayyim-antebi-yitshak-shemuel-eliyahu-tsiag-ezra-mantsur-marzuk-active-18th-century-algazi-yom-tov-ben-israel-jacob-1727-1802-modai-hayyim-image342944637.html
RM2AWXDAN–Derashot Fragment from an ancient 18th century Jewish sermons Manuscript written on paper in Oriental script in Hebrew. by Berakhah, Yitsḥaḳ; Kaẓin, Judah ben Yom Tov, 1708-1783; Landaʼu Eliyahu; Deṿiḳ, Avraham; ʻAṭiyah Ḥayyim; ʻAntebi, Yitsḥaḳ; Shemuʼel, Eliyahu; Tsiag, ʻEzra; Mantsur Marzuḳ, active 18th century; Algazi, Yom Ṭov ben Israel Jacob, 1727-1802; Modaʻi, Ḥayyim
18th century - Diana and Cupid, 1761 - Pompeo Batoni Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18th-century-diana-and-cupid-1761-pompeo-batoni-philippe-sauvan-magnet-59411434.html
RMDCJBTX–18th century - Diana and Cupid, 1761 - Pompeo Batoni Philippe Sauvan-Magnet / Active Museum
Indonesia: Mount Mirabie in Banyuwangi, eastern Java. Watercolour painting by an unknown artist, late 18th century. Mount Merapi, Gunung Merapi (literally Fire Mountain in Indonesian/Javanese), is an active stratovolcano located on the border between Central Java and Yogyakarta, Indonesia. It is the most active volcano in Indonesia and has erupted regularly since 1548. It is located approximately 28 km north of Yogyakarta city, and thousands of people live on the flanks of the volcano, with villages as high as 1,700 metres (5,600 ft) above sea level. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indonesia-mount-mirabie-in-banyuwangi-eastern-java-watercolour-painting-by-an-unknown-artist-late-18th-century-mount-merapi-gunung-merapi-literally-fire-mountain-in-indonesianjavanese-is-an-active-stratovolcano-located-on-the-border-between-central-java-and-yogyakarta-indonesia-it-is-the-most-active-volcano-in-indonesia-and-has-erupted-regularly-since-1548-it-is-located-approximately-28-km-north-of-yogyakarta-city-and-thousands-of-people-live-on-the-flanks-of-the-volcano-with-villages-as-high-as-1700-metres-5600-ft-above-sea-level-image344224596.html
RM2B00NYG–Indonesia: Mount Mirabie in Banyuwangi, eastern Java. Watercolour painting by an unknown artist, late 18th century. Mount Merapi, Gunung Merapi (literally Fire Mountain in Indonesian/Javanese), is an active stratovolcano located on the border between Central Java and Yogyakarta, Indonesia. It is the most active volcano in Indonesia and has erupted regularly since 1548. It is located approximately 28 km north of Yogyakarta city, and thousands of people live on the flanks of the volcano, with villages as high as 1,700 metres (5,600 ft) above sea level.
A crater on the island of Vulcano in Italy's Aeolian Islands, Colored aquatint, 1812, after Luigi Mayer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-crater-on-the-island-of-vulcano-in-italys-aeolian-islands-colored-aquatint-1812-after-luigi-mayer-image440582742.html
RF2GGP7NX–A crater on the island of Vulcano in Italy's Aeolian Islands, Colored aquatint, 1812, after Luigi Mayer.
Butterfly and moths from Magazin des Thierreichs (Journal of the animal kingdom) by Reich, Gottfried Christian, 1769-1848, editor; Walther, Wolfgang, active 18th century, publisher; Leitner, Johann, engraver; Vogel, G. (Georg), 1767-approximately 1810, engraver; Volckart, Johann Friedrich, 1750-1812, engraver; Richmond, Charles Wallace, 1868-1932, former owner. DSI; Carus, Julius Victor, 1823-1903, former owner. DSI Published in Germany 1793-1795 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/butterfly-and-moths-from-magazin-des-thierreichs-journal-of-the-animal-kingdom-by-reich-gottfried-christian-1769-1848-editor-walther-wolfgang-active-18th-century-publisher-leitner-johann-engraver-vogel-g-georg-1767-approximately-1810-engraver-volckart-johann-friedrich-1750-1812-engraver-richmond-charles-wallace-1868-1932-former-owner-dsi-carus-julius-victor-1823-1903-former-owner-dsi-published-in-germany-1793-1795-image349569802.html
RM2B8M7RP–Butterfly and moths from Magazin des Thierreichs (Journal of the animal kingdom) by Reich, Gottfried Christian, 1769-1848, editor; Walther, Wolfgang, active 18th century, publisher; Leitner, Johann, engraver; Vogel, G. (Georg), 1767-approximately 1810, engraver; Volckart, Johann Friedrich, 1750-1812, engraver; Richmond, Charles Wallace, 1868-1932, former owner. DSI; Carus, Julius Victor, 1823-1903, former owner. DSI Published in Germany 1793-1795
Andres de Islas (painter active during the second half of the 18th century). Castas, No. 9. De indio y mestiza, nace coyote (From Indian and Mestiza, a coyote is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andres-de-islas-painter-active-during-the-second-half-of-the-18th-century-castas-no-9-de-indio-y-mestiza-nace-coyote-from-indian-and-mestiza-a-coyote-is-born-1774-oil-on-canvas-75-x-54-cm-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image263958725.html
RMW9CA19–Andres de Islas (painter active during the second half of the 18th century). Castas, No. 9. De indio y mestiza, nace coyote (From Indian and Mestiza, a coyote is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-wheellock-sporting-rifle-sebastian-scheidger-salzburg-circa-1730-31655671.html
RMBRE13K–A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we,
KIFTSGATE COURT, Chipping Camden, Gloucestershire. A distant view of the house from the road. The origins of the house are late 18th century - it was built for Walwyn Graves (born 1744, died 1813) with the remainder of house built in a 17th century style between 1887-91. Photographed by Henry Taunt (active 1860 - 1922). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kiftsgate-court-chipping-camden-gloucestershire-a-distant-view-of-the-house-from-the-road-the-origins-of-the-house-are-late-18th-century-it-was-built-for-walwyn-graves-born-1744-died-1813-with-the-remainder-of-house-built-in-a-17th-century-style-between-1887-91-photographed-by-henry-taunt-active-1860-1922-image379783205.html
RM2D1TH9W–KIFTSGATE COURT, Chipping Camden, Gloucestershire. A distant view of the house from the road. The origins of the house are late 18th century - it was built for Walwyn Graves (born 1744, died 1813) with the remainder of house built in a 17th century style between 1887-91. Photographed by Henry Taunt (active 1860 - 1922).
Santiago early 18th century by Master of 'La Merced', active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santiago-early-18th-century-by-master-of-la-merced-active-18th-century-image556000060.html
RM2R8FYN0–Santiago early 18th century by Master of 'La Merced', active 18th century
Piano, circa 1750, attributed to Francisco Perez Mirabel who was active in Seville, Spain in the mid 18th century. On display in the Museo de Belles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piano-circa-1750-attributed-to-francisco-perez-mirabel-who-was-active-in-seville-spain-in-the-mid-18th-century-on-display-in-the-museo-de-belles-image475703944.html
RM2JHX56G–Piano, circa 1750, attributed to Francisco Perez Mirabel who was active in Seville, Spain in the mid 18th century. On display in the Museo de Belles
Admiral of the Fleet John Jervis, (1735 – 1823) served throughout the latter half of the 18th century and into the 19th, and was an active commander during the Seven Years' War, American War of Independence, French Revolutionary War and the Napoleonic Wars. He is best known for his victory at the 1797 Battle of Cape Saint Vincent, from which he earned his titles. He was also a Member of Parliament. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-admiral-of-the-fleet-john-jervis-1735-1823-served-throughout-the-latter-110917719.html
RMGCCMK3–Admiral of the Fleet John Jervis, (1735 – 1823) served throughout the latter half of the 18th century and into the 19th, and was an active commander during the Seven Years' War, American War of Independence, French Revolutionary War and the Napoleonic Wars. He is best known for his victory at the 1797 Battle of Cape Saint Vincent, from which he earned his titles. He was also a Member of Parliament.
Ornament tailpiece, still image, Prints, 1701 - 1800, Miserotti, Domenico, active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornament-tailpiece-still-image-prints-1701-1800-miserotti-domenico-active-18th-century-image376441578.html
RM2CTCB22–Ornament tailpiece, still image, Prints, 1701 - 1800, Miserotti, Domenico, active 18th century
Art inspired by St. Joseph, Attributed to Salvatore di Franco (active 18th century), second half 18th century, Italian, Naples, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; various fabrics; silver-gilt halo and staff, a) Figure: H. 16 in. (40.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-st-joseph-attributed-to-salvatore-di-franco-active-18th-century-second-half-18th-century-italian-naples-polychromed-terracotta-head-and-wooden-limbs-body-of-wire-wrapped-in-tow-various-fabrics-silver-gilt-halo-and-staff-a-figure-h-16-in-406-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921664.html
RF2HW3W8G–Art inspired by St. Joseph, Attributed to Salvatore di Franco (active 18th century), second half 18th century, Italian, Naples, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; various fabrics; silver-gilt halo and staff, a) Figure: H. 16 in. (40.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Composer Thomas Tallis. Artist: Haym, Niccolò Francesco (active 18th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/composer-thomas-tallis-artist-haym-niccol-francesco-active-18th-century-image60393948.html
RMDE752M–Composer Thomas Tallis. Artist: Haym, Niccolò Francesco (active 18th century)
Itinerant Actors. Artist: Kengetsudo (Japanese, active 18th century). Culture: Japan. Dimensions: Image: 41 7/8 × 18 3/8 in. (106.4 × 46.7 cm) Overall with mounting: 65 7/8 × 23 3/16 in. (167.3 × 58.9 cm) Overall with knobs: 65 7/8 × 25 3/8 in. (167.3 × 64.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/itinerant-actors-artist-kengetsudo-japanese-active-18th-century-culture-japan-dimensions-image-41-78-18-38-in-1064-467-cm-overall-with-mounting-65-78-23-316-in-1673-589-cm-overall-with-knobs-65-78-25-38-in-1673-645-cm-museum-metropolitan-museum-of-art-new-york-usa-image213154236.html
RMPAP0B8–Itinerant Actors. Artist: Kengetsudo (Japanese, active 18th century). Culture: Japan. Dimensions: Image: 41 7/8 × 18 3/8 in. (106.4 × 46.7 cm) Overall with mounting: 65 7/8 × 23 3/16 in. (167.3 × 58.9 cm) Overall with knobs: 65 7/8 × 25 3/8 in. (167.3 × 64.5 cm). Museum: Metropolitan Museum of Art, New York, USA.
Teaspoon. Maker: John Wood, British, active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teaspoon-maker-john-wood-british-active-18th-century-image463298954.html
RM2HWN2F6–Teaspoon. Maker: John Wood, British, active 18th century
Pierre Le Turcq (18th century) French (pirate) privateer, active for only a short period of time, from 1781 to 1782, but it was enough for him to become renowned as a privateer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pierre-le-turcq-18th-century-french-pirate-privateer-active-for-only-104952873.html
RMG2N0CW–Pierre Le Turcq (18th century) French (pirate) privateer, active for only a short period of time, from 1781 to 1782, but it was enough for him to become renowned as a privateer.
Drawing, Design for a Stage: A Cemetery; Designed by Pasquale Canna (Italian, active 18th century); Italy; pen and ink, brush and wash on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-a-stage-a-cemetery-designed-by-pasquale-canna-italian-active-18th-century-italy-pen-and-ink-brush-and-wash-on-paper-image546087931.html
RM2PMCCMB–Drawing, Design for a Stage: A Cemetery; Designed by Pasquale Canna (Italian, active 18th century); Italy; pen and ink, brush and wash on paper
NM00677-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nm00677-00new-mexico-church-san-francisco-de-asis-a-spanish-colonial-church-in-ranchos-de-taos-image601118678.html
RM2WWY906–NM00677-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos.
Derashot Fragment from an ancient 18th century Jewish sermons Manuscript written on paper in Oriental script in Hebrew. by Berakhah, Yitsḥaḳ; Kaẓin, Judah ben Yom Tov, 1708-1783; Landaʼu Eliyahu; Deṿiḳ, Avraham; ʻAṭiyah Ḥayyim; ʻAntebi, Yitsḥaḳ; Shemuʼel, Eliyahu; Tsiag, ʻEzra; Mantsur Marzuḳ, active 18th century; Algazi, Yom Ṭov ben Israel Jacob, 1727-1802; Modaʻi, Ḥayyim Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/derashot-fragment-from-an-ancient-18th-century-jewish-sermons-manuscript-written-on-paper-in-oriental-script-in-hebrew-by-berakhah-yitshak-kazin-judah-ben-yom-tov-1708-1783-landau-eliyahu-devik-avraham-atiyah-hayyim-antebi-yitshak-shemuel-eliyahu-tsiag-ezra-mantsur-marzuk-active-18th-century-algazi-yom-tov-ben-israel-jacob-1727-1802-modai-hayyim-image342944644.html
RM2AWXDB0–Derashot Fragment from an ancient 18th century Jewish sermons Manuscript written on paper in Oriental script in Hebrew. by Berakhah, Yitsḥaḳ; Kaẓin, Judah ben Yom Tov, 1708-1783; Landaʼu Eliyahu; Deṿiḳ, Avraham; ʻAṭiyah Ḥayyim; ʻAntebi, Yitsḥaḳ; Shemuʼel, Eliyahu; Tsiag, ʻEzra; Mantsur Marzuḳ, active 18th century; Algazi, Yom Ṭov ben Israel Jacob, 1727-1802; Modaʻi, Ḥayyim
18th century - The Church and the Salute, 1768 Antonio Canal, Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18th-century-the-church-and-the-salute-1768-antonio-canal-philippe-59505498.html
RMDCPKTA–18th century - The Church and the Salute, 1768 Antonio Canal, Philippe Sauvan-Magnet / Active Museum
Indonesia: Artjoeno Mountains near Pasoeroean, eastern Java. Watercolour painting by an unknown artist, late 18th century. Pasuruan or Pasoeroean is a city in eastern Java, Indonesia, on the Madura Strait. Established by the Dutch in 1707, it remains an active seaport. It has shipyards, sugar and rice mills, and various factories. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indonesia-artjoeno-mountains-near-pasoeroean-eastern-java-watercolour-painting-by-an-unknown-artist-late-18th-century-pasuruan-or-pasoeroean-is-a-city-in-eastern-java-indonesia-on-the-madura-strait-established-by-the-dutch-in-1707-it-remains-an-active-seaport-it-has-shipyards-sugar-and-rice-mills-and-various-factories-image344224595.html
RM2B00NYF–Indonesia: Artjoeno Mountains near Pasoeroean, eastern Java. Watercolour painting by an unknown artist, late 18th century. Pasuruan or Pasoeroean is a city in eastern Java, Indonesia, on the Madura Strait. Established by the Dutch in 1707, it remains an active seaport. It has shipyards, sugar and rice mills, and various factories.
The island of Stromboli, with smoke erupting from its volcanic peak. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-island-of-stromboli-with-smoke-erupting-from-its-volcanic-peak-image440582732.html
RF2GGP7NG–The island of Stromboli, with smoke erupting from its volcanic peak.
Butterfly and moths from Magazin des Thierreichs (Journal of the animal kingdom) by Reich, Gottfried Christian, 1769-1848, editor; Walther, Wolfgang, active 18th century, publisher; Leitner, Johann, engraver; Vogel, G. (Georg), 1767-approximately 1810, engraver; Volckart, Johann Friedrich, 1750-1812, engraver; Richmond, Charles Wallace, 1868-1932, former owner. DSI; Carus, Julius Victor, 1823-1903, former owner. DSI Published in Germany 1793-1795 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/butterfly-and-moths-from-magazin-des-thierreichs-journal-of-the-animal-kingdom-by-reich-gottfried-christian-1769-1848-editor-walther-wolfgang-active-18th-century-publisher-leitner-johann-engraver-vogel-g-georg-1767-approximately-1810-engraver-volckart-johann-friedrich-1750-1812-engraver-richmond-charles-wallace-1868-1932-former-owner-dsi-carus-julius-victor-1823-1903-former-owner-dsi-published-in-germany-1793-1795-image349569915.html
RM2B8M7YR–Butterfly and moths from Magazin des Thierreichs (Journal of the animal kingdom) by Reich, Gottfried Christian, 1769-1848, editor; Walther, Wolfgang, active 18th century, publisher; Leitner, Johann, engraver; Vogel, G. (Georg), 1767-approximately 1810, engraver; Volckart, Johann Friedrich, 1750-1812, engraver; Richmond, Charles Wallace, 1868-1932, former owner. DSI; Carus, Julius Victor, 1823-1903, former owner. DSI Published in Germany 1793-1795
Andres de Islas (painter active during the second half of the 18th century). Castas, No. 4. De español y negra, nace mulata (From Spaniard and Black, a Mulatta is born), 1774. Oil on canvas (75 x 54 cm). Mexico. Viceroyalty of New Spain. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andres-de-islas-painter-active-during-the-second-half-of-the-18th-century-castas-no-4-de-espaol-y-negra-nace-mulata-from-spaniard-and-black-a-mulatta-is-born-1774-oil-on-canvas-75-x-54-cm-mexico-viceroyalty-of-new-spain-museum-of-the-americas-madrid-spain-image263958593.html
RMW9C9TH–Andres de Islas (painter active during the second half of the 18th century). Castas, No. 4. De español y negra, nace mulata (From Spaniard and Black, a Mulatta is born), 1774. Oil on canvas (75 x 54 cm). Mexico. Viceroyalty of New Spain. Museum of the Americas. Madrid, Spain.
A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-wheellock-sporting-rifle-sebastian-scheidger-salzburg-circa-1730-31655688.html
RMBRE148–A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we,
The caption of this print reads—Shunzan: Centre sheet of triptych. A group of a ladies in a garden by a lake; signed Shunzan; publisher, Yeijudo. The Japanese painter Katsukawa Shunzan was active c. 1782-1798. Shunzan was noted for his wood prints. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-caption-of-this-print-readsshunzan-centre-sheet-of-triptych-a-164006276.html
RFKER3K0–The caption of this print reads—Shunzan: Centre sheet of triptych. A group of a ladies in a garden by a lake; signed Shunzan; publisher, Yeijudo. The Japanese painter Katsukawa Shunzan was active c. 1782-1798. Shunzan was noted for his wood prints.
San Jose early 18th century by Master of 'La Merced', active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/san-jose-early-18th-century-by-master-of-la-merced-active-18th-century-image555984131.html
RM2R8F7C3–San Jose early 18th century by Master of 'La Merced', active 18th century
The Tiber and Ponte Rotto by artsit active in Rome in the 18th century - Museo di Roma, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tiber-and-ponte-rotto-by-artsit-active-in-rome-in-the-18th-century-museo-di-roma-italy-image598575468.html
RM2WNRD38–The Tiber and Ponte Rotto by artsit active in Rome in the 18th century - Museo di Roma, Italy
Nicolas Verrien, also spelled Nicolas Verien. French designer, active between 1685 and 1724 who drew monograms. After an engraving by Gérard Edelinck. From Histoire de La Gravure, published 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-verrien-also-spelled-nicolas-verien-french-designer-active-between-1685-and-1724-who-drew-monograms-after-an-engraving-by-grard-edelinck-from-histoire-de-la-gravure-published-1880-image555864765.html
RM2R89R51–Nicolas Verrien, also spelled Nicolas Verien. French designer, active between 1685 and 1724 who drew monograms. After an engraving by Gérard Edelinck. From Histoire de La Gravure, published 1880
Ornament tailpiece, still image, Prints, 1701 - 1800, Miserotti, Domenico, active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornament-tailpiece-still-image-prints-1701-1800-miserotti-domenico-active-18th-century-image376442695.html
RM2CTCCDY–Ornament tailpiece, still image, Prints, 1701 - 1800, Miserotti, Domenico, active 18th century
Art inspired by Angel, Attributed to Salvatore di Franco (active 18th century), second half 18th century, Italian, Naples, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; silk garments and silver-gilt censer, Height: 17 3/8 in. (44.1 cm), Crèche, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-angel-attributed-to-salvatore-di-franco-active-18th-century-second-half-18th-century-italian-naples-polychromed-terracotta-head-wooden-limbs-and-wings-body-of-wire-wrapped-in-tow-silk-garments-and-silver-gilt-censer-height-17-38-in-441-cm-crche-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921663.html
RF2HW3W8F–Art inspired by Angel, Attributed to Salvatore di Franco (active 18th century), second half 18th century, Italian, Naples, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; silk garments and silver-gilt censer, Height: 17 3/8 in. (44.1 cm), Crèche, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Immanuel Kant (1724-1804), 1765. Artist: Springer, Friedrich Wilhelm (active 18th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-immanuel-kant-1724-1804-1765-artist-springer-friedrich-135245934.html
RMHT0YFX–Portrait of Immanuel Kant (1724-1804), 1765. Artist: Springer, Friedrich Wilhelm (active 18th century)
Virgin. Culture: Italian, Naples. Dimensions: (a) H. 14 1/4 in. (36.2 cm.); (b) Diam. 3 5/8 in. (9.2 cm.). Maker: Attributed to Salvatore di Franco (active 18th century). Date: second half 18th century. In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-culture-italian-naples-dimensions-a-h-14-14-in-362-cm-b-diam-3-58-in-92-cm-maker-attributed-to-salvatore-di-franco-active-18th-century-date-second-half-18th-century-in-1964-loretta-hines-howard-generously-presented-to-the-museum-over-140-neapolitan-crche-figures-dating-from-the-second-half-of-the-eighteenth-century-the-varied-assortment-includes-figures-from-the-three-traditional-scenes-of-a-complete-neapolitan-presepio-the-nativity-with-angels-shepherds-and-sheep-the-procession-of-the-three-magi-with-their-colorful-retinue-of-attendants-and-th-image212863200.html
RMPA8N54–Virgin. Culture: Italian, Naples. Dimensions: (a) H. 14 1/4 in. (36.2 cm.); (b) Diam. 3 5/8 in. (9.2 cm.). Maker: Attributed to Salvatore di Franco (active 18th century). Date: second half 18th century. In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and th
T. Rickards, active 18th century, Royal Artillery Hospital. Aquatint. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/t-rickards-active-18th-century-royal-artillery-hospital-aquatint-image398370471.html
RM2E439GR–T. Rickards, active 18th century, Royal Artillery Hospital. Aquatint.
St Isidore the Labourer (active 1130) Patron Saint of Madrid. Anonymous 18th century. Oil on wood. Private collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-isidore-the-labourer-active-1130-patron-saint-of-madrid-anonymous-57293862.html
RMD95XWA–St Isidore the Labourer (active 1130) Patron Saint of Madrid. Anonymous 18th century. Oil on wood. Private collection.
Bound Print, Cabriolet; Designed by Jean-François Chopard (French, active 18th century); Published by Nicolas Jean Baptiste de Poilly (France, 1712 – ca. 1758); France; engraving on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bound-print-cabriolet-designed-by-jean-franois-chopard-french-active-18th-century-published-by-nicolas-jean-baptiste-de-poilly-france-1712-ca-1758-france-engraving-on-paper-image546179855.html
RM2PMGHYB–Bound Print, Cabriolet; Designed by Jean-François Chopard (French, active 18th century); Published by Nicolas Jean Baptiste de Poilly (France, 1712 – ca. 1758); France; engraving on paper
NM00678-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nm00678-00new-mexico-church-san-francisco-de-asis-a-spanish-colonial-church-in-ranchos-de-taos-image601118691.html
RM2WWY90K–NM00678-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos.
Angel MET LC-64 164 5 204106 Maker: Attributed to Salvatore di Franco, active 18th century, Angel, second half 18th century, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; silk garments and silver-gilt censer, Height: 17 3/8 in. (44.1 cm). The Metropolitan Museum of Art, New York. Gift of Loretta Hines Howard, 1964 (64.164.5a?c) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-angel-met-lc-64-164-5-204106-maker-attributed-to-salvatore-di-franco-168039164.html
RMKNARJM–Angel MET LC-64 164 5 204106 Maker: Attributed to Salvatore di Franco, active 18th century, Angel, second half 18th century, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; silk garments and silver-gilt censer, Height: 17 3/8 in. (44.1 cm). The Metropolitan Museum of Art, New York. Gift of Loretta Hines Howard, 1964 (64.164.5a?c)
18th century - Head of a Bishop, 1770 - Gaetano Gandolfi Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18th-century-head-of-a-bishop-1770-gaetano-gandolfi-philippe-sauvan-59411513.html
RMDCJBYN–18th century - Head of a Bishop, 1770 - Gaetano Gandolfi Philippe Sauvan-Magnet / Active Museum
'The Foundling Hospital, a bird's eye view' 1753. By Thomas Bowles Jr (1689 or 1690-1767) after Louis Philippe Boitard, active (1734-1760). The Foundling Hospital in London, England was founded in 1741 by Thomas Coram (c1668-1751). It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The Hospital was designed by Theodore Jacobsen (d1772). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-foundling-hospital-a-birds-eye-view-1753-by-thomas-bowles-jr-1689-or-1690-1767-after-louis-philippe-boitard-active-1734-1760-the-foundling-hospital-in-london-england-was-founded-in-1741-by-thomas-coram-c1668-1751-it-was-a-childrens-home-established-for-the-education-and-maintenance-of-exposed-and-deserted-young-children-the-hospital-was-designed-by-theodore-jacobsen-d1772-image241951562.html
RMT1HRK6–'The Foundling Hospital, a bird's eye view' 1753. By Thomas Bowles Jr (1689 or 1690-1767) after Louis Philippe Boitard, active (1734-1760). The Foundling Hospital in London, England was founded in 1741 by Thomas Coram (c1668-1751). It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The Hospital was designed by Theodore Jacobsen (d1772).
. English: Penglai (detail), depiction of one of the mythical islands. Hanging scroll, ink and colors on silk. 18th century. Yuan Yao (active in the 18th century) 415 Penglai mythical island Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-penglai-detail-depiction-of-one-of-the-mythical-islands-hanging-scroll-ink-and-colors-on-silk-18th-century-yuan-yao-active-in-the-18th-century-415-penglai-mythical-island-image189168296.html
RMMYNA2G–. English: Penglai (detail), depiction of one of the mythical islands. Hanging scroll, ink and colors on silk. 18th century. Yuan Yao (active in the 18th century) 415 Penglai mythical island
Commercial Buildings and Exchange, now known as The Assembly Rooms, built in 1769 by Arthur Chichester, 1st Marquess of Donegall, Belfast City, Northern Ireland. Painted by William Henry Maguire, a member of the Association of Artists founded in Belfast in 1836 and active c.1820–1840. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/commercial-buildings-and-exchange-now-known-as-the-assembly-rooms-built-in-1769-by-arthur-chichester-1st-marquess-of-donegall-belfast-city-northern-ireland-painted-by-william-henry-maguire-a-member-of-the-association-of-artists-founded-in-belfast-in-1836-and-active-c18201840-image618199998.html
RM2XWNCBA–Commercial Buildings and Exchange, now known as The Assembly Rooms, built in 1769 by Arthur Chichester, 1st Marquess of Donegall, Belfast City, Northern Ireland. Painted by William Henry Maguire, a member of the Association of Artists founded in Belfast in 1836 and active c.1820–1840.
Andres de Islas (painter active during the second half of the 18th century). Castas, No. 15. De barcino y cambuja, nace calpamulato (From Barcino and Cambuja, a Calpamulato is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andres-de-islas-painter-active-during-the-second-half-of-the-18th-century-castas-no-15-de-barcino-y-cambuja-nace-calpamulato-from-barcino-and-cambuja-a-calpamulato-is-born-1774-oil-on-canvas-75-x-54-cm-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image263958736.html
RMW9CA1M–Andres de Islas (painter active during the second half of the 18th century). Castas, No. 15. De barcino y cambuja, nace calpamulato (From Barcino and Cambuja, a Calpamulato is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-wheellock-sporting-rifle-sebastian-scheidger-salzburg-circa-1730-31655679.html
RMBRE13Y–A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we,
The caption of this print reads—Shunzan: Centre sheet of triptych. A group of a ladies in a garden by a lake; signed Shunzan; publisher, Yeijudo. The Japanese painter Katsukawa Shunzan was active c. 1782-1798. Shunzan was noted for his wood prints. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-caption-of-this-print-readsshunzan-centre-sheet-of-triptych-a-164006277.html
RFKER3K1–The caption of this print reads—Shunzan: Centre sheet of triptych. A group of a ladies in a garden by a lake; signed Shunzan; publisher, Yeijudo. The Japanese painter Katsukawa Shunzan was active c. 1782-1798. Shunzan was noted for his wood prints.
San Juan Nepomuceno early 18th century by Master of 'La Merced', active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/san-juan-nepomuceno-early-18th-century-by-master-of-la-merced-active-18th-century-image555985502.html
RM2R8F952–San Juan Nepomuceno early 18th century by Master of 'La Merced', active 18th century
Miss Elizabeth Bride, English actress and dancer., died 1826. Active on the London stage, later the mistress of John Calcraft the Elder, army agent and politician. She wears her hair up decorated with braids and ribbons. Copperplate engraving from Town and Country Magazine, A. Hamilton, London, 1770s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-elizabeth-bride-english-actress-and-dancer-died-1826-active-on-the-london-stage-later-the-mistress-of-john-calcraft-the-elder-army-agent-and-politician-she-wears-her-hair-up-decorated-with-braids-and-ribbons-copperplate-engraving-from-town-and-country-magazine-a-hamilton-london-1770s-image376713733.html
RM2CTTP5W–Miss Elizabeth Bride, English actress and dancer., died 1826. Active on the London stage, later the mistress of John Calcraft the Elder, army agent and politician. She wears her hair up decorated with braids and ribbons. Copperplate engraving from Town and Country Magazine, A. Hamilton, London, 1770s.
An eruption on July 18, 1787 from the central crater produced lapilli and ash fall on the south-eastern flank. Ash fell on Malta Island. Mount Etna is an active stratovolcano on the east coast of Sicily, Italy. Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and the broad Plain of Catania to the south. Engraving by W. Byrne and T. Medland, 1788, after J. Smith. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-eruption-on-july-18-1787-from-the-central-crater-produced-lapilli-and-ash-fall-on-the-south-eastern-flank-ash-fell-on-malta-island-mount-etna-is-an-active-stratovolcano-on-the-east-coast-of-sicily-italy-mount-etna-is-one-of-the-most-active-volcanoes-in-the-world-and-is-in-an-almost-constant-state-of-activity-the-fertile-volcanic-soils-support-extensive-agriculture-with-vineyards-and-orchards-spread-across-the-lower-slopes-of-the-mountain-and-the-broad-plain-of-catania-to-the-south-engraving-by-w-byrne-and-t-medland-1788-after-j-smith-image246621237.html
RMT96FW9–An eruption on July 18, 1787 from the central crater produced lapilli and ash fall on the south-eastern flank. Ash fell on Malta Island. Mount Etna is an active stratovolcano on the east coast of Sicily, Italy. Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and the broad Plain of Catania to the south. Engraving by W. Byrne and T. Medland, 1788, after J. Smith.
Ornament tailpiece, still image, Prints, 1701 - 1800, Miserotti, Domenico, active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornament-tailpiece-still-image-prints-1701-1800-miserotti-domenico-active-18th-century-image376424784.html
RM2CTBHJ8–Ornament tailpiece, still image, Prints, 1701 - 1800, Miserotti, Domenico, active 18th century
Art inspired by Traité des Pierres Précieuses et de la maniere de les employer en Parure, 1762, Engraving, Overall: 10 1/4 x 8 1/16 x 1 1/8 in. (26 x 20.5 x 2.9 cm), Books, Jean Baptiste Piauger (French, active 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-trait-des-pierres-prcieuses-et-de-la-maniere-de-les-employer-en-parure-1762-engraving-overall-10-14-x-8-116-x-1-18-in-26-x-205-x-29-cm-books-jean-baptiste-piauger-french-active-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960929.html
RF2HW5KAW–Art inspired by Traité des Pierres Précieuses et de la maniere de les employer en Parure, 1762, Engraving, Overall: 10 1/4 x 8 1/16 x 1 1/8 in. (26 x 20.5 x 2.9 cm), Books, Jean Baptiste Piauger (French, active 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Traité des Pierres Précieuses et de la maniere de les employer en Parure. Artist: Jean Baptiste Piauger (French, active 18th century). Dimensions: Overall: 10 1/4 x 8 1/16 x 1 1/8 in. (26 x 20.5 x 2.9 cm). Engraver: Engraved by Pierre François Courtois (French, Paris 1736-1763 Rochefort); Engraved by Mlle. Raimbau (French). Published in: Paris. Publisher: Published by Pouget fils , Paris; Published by Jean-Baptiste Tilliard (French, 1740?-1813). Date: 1762. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trait-des-pierres-prcieuses-et-de-la-maniere-de-les-employer-en-parure-artist-jean-baptiste-piauger-french-active-18th-century-dimensions-overall-10-14-x-8-116-x-1-18-in-26-x-205-x-29-cm-engraver-engraved-by-pierre-franois-courtois-french-paris-1736-1763-rochefort-engraved-by-mlle-raimbau-french-published-in-paris-publisher-published-by-pouget-fils-paris-published-by-jean-baptiste-tilliard-french-1740-1813-date-1762-museum-metropolitan-museum-of-art-new-york-usa-image212911696.html
RMPAAY14–Traité des Pierres Précieuses et de la maniere de les employer en Parure. Artist: Jean Baptiste Piauger (French, active 18th century). Dimensions: Overall: 10 1/4 x 8 1/16 x 1 1/8 in. (26 x 20.5 x 2.9 cm). Engraver: Engraved by Pierre François Courtois (French, Paris 1736-1763 Rochefort); Engraved by Mlle. Raimbau (French). Published in: Paris. Publisher: Published by Pouget fils , Paris; Published by Jean-Baptiste Tilliard (French, 1740?-1813). Date: 1762. Museum: Metropolitan Museum of Art, New York, USA.
La Clochette. Artist: J. C. Lemaire, French, active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laclochette-artist-j-c-lemaire-french-active-18th-century-image463137617.html
RM2HWDMN5–La Clochette. Artist: J. C. Lemaire, French, active 18th century
St. Peter in the Chair 1774 - 1775Anton Raphael Mengs 1728 – 1779 German painter, active in Dresden, Rome, and Madrid, Rococo period of the mid-18th century, became one of the precursors to, Neoclassical painting, which replaced Rococo , the dominant painting style in Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-peter-in-the-chair-1774-1775anton-raphael-mengs-1728-1779-german-painter-active-in-dresden-rome-and-madrid-rococo-period-of-the-mid-18th-century-became-one-of-the-precursors-to-neoclassical-painting-which-replaced-rococo-the-dominant-painting-style-in-europe-image451467879.html
RM2H6E3TR–St. Peter in the Chair 1774 - 1775Anton Raphael Mengs 1728 – 1779 German painter, active in Dresden, Rome, and Madrid, Rococo period of the mid-18th century, became one of the precursors to, Neoclassical painting, which replaced Rococo , the dominant painting style in Europe
Bound Print, Cabriolet; Designed by Jean-François Chopard (French, active 18th century); Published by Nicolas Jean Baptiste de Poilly (France, 1712 – ca. 1758); France; engraving on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bound-print-cabriolet-designed-by-jean-franois-chopard-french-active-18th-century-published-by-nicolas-jean-baptiste-de-poilly-france-1712-ca-1758-france-engraving-on-paper-image546155052.html
RM2PMFE9G–Bound Print, Cabriolet; Designed by Jean-François Chopard (French, active 18th century); Published by Nicolas Jean Baptiste de Poilly (France, 1712 – ca. 1758); France; engraving on paper
NM00679-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nm00679-00new-mexico-church-san-francisco-de-asis-a-spanish-colonial-church-in-ranchos-de-taos-image601118699.html
RM2WWY90Y–NM00679-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos.
As a world-famous work of art, it is an important tourist destination for all visitors to the city. Zwinger pond Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/as-a-world-famous-work-of-art-it-is-an-important-tourist-destination-for-all-visitors-to-the-city-zwinger-pond-image576311115.html
RM2TDH6KR–As a world-famous work of art, it is an important tourist destination for all visitors to the city. Zwinger pond
18th century - Italian landscape - Joseph Wright (1790) Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18th-century-italian-landscape-joseph-wright-1790-philippe-sauvan-59472251.html
RMDCN5CY–18th century - Italian landscape - Joseph Wright (1790) Philippe Sauvan-Magnet / Active Museum
China: ‘The Map of Cooper Peak’. Hanging scroll painting by Li Shan (c. 1686-1762), 18th century. Li Shan (c. 1686-1762) was a Chinese painter from Jiangsu active during the Qing Dynasty. Already a noteworthy painter by the time he turned 16, Li Shan was inspired by Ming Dynasty painter Shitao and developed a style known for an unrestricted quality. He became known as the one of the Eight Eccentrics of Yangzhou, and also served as a magistrate for a county in Shandong. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-the-map-of-cooper-peak-hanging-scroll-painting-by-li-shan-c-1686-1762-18th-century-li-shan-c-1686-1762-was-a-chinese-painter-from-jiangsu-active-during-the-qing-dynasty-already-a-noteworthy-painter-by-the-time-he-turned-16-li-shan-was-inspired-by-ming-dynasty-painter-shitao-and-developed-a-style-known-for-an-unrestricted-quality-he-became-known-as-the-one-of-the-eight-eccentrics-of-yangzhou-and-also-served-as-a-magistrate-for-a-county-in-shandong-image436531753.html
RM2GA5MKN–China: ‘The Map of Cooper Peak’. Hanging scroll painting by Li Shan (c. 1686-1762), 18th century. Li Shan (c. 1686-1762) was a Chinese painter from Jiangsu active during the Qing Dynasty. Already a noteworthy painter by the time he turned 16, Li Shan was inspired by Ming Dynasty painter Shitao and developed a style known for an unrestricted quality. He became known as the one of the Eight Eccentrics of Yangzhou, and also served as a magistrate for a county in Shandong.
. English: Penglai (detail), depiction of one of the mythical islands. Hanging scroll, ink and colors on silk. 18th century. Yuan Yao (active in the 18th century) 475 Penglai mythical island Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-penglai-detail-depiction-of-one-of-the-mythical-islands-hanging-scroll-ink-and-colors-on-silk-18th-century-yuan-yao-active-in-the-18th-century-475-penglai-mythical-island-image187438333.html
RMMTXFE5–. English: Penglai (detail), depiction of one of the mythical islands. Hanging scroll, ink and colors on silk. 18th century. Yuan Yao (active in the 18th century) 475 Penglai mythical island
A view of Coleraine near the mouth of the River Bann in County Derry, Northern Ireland. Painting by Irish landscape painter Henry Hulley, active 1783-1790. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-coleraine-near-the-mouth-of-the-river-bann-in-county-derry-northern-ireland-painting-by-irish-landscape-painter-henry-hulley-active-1783-1790-image618200179.html
RM2XWNCHR–A view of Coleraine near the mouth of the River Bann in County Derry, Northern Ireland. Painting by Irish landscape painter Henry Hulley, active 1783-1790.
Andres de Islas (painter active during the second half of the 18th century). Castas, No. 6. De español y morisca, nace albino (From Spaniard and Morisca, an Albino is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andres-de-islas-painter-active-during-the-second-half-of-the-18th-century-castas-no-6-de-espaol-y-morisca-nace-albino-from-spaniard-and-morisca-an-albino-is-born-1774-oil-on-canvas-75-x-54-cm-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image263958710.html
RMW9CA0P–Andres de Islas (painter active during the second half of the 18th century). Castas, No. 6. De español y morisca, nace albino (From Spaniard and Morisca, an Albino is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-wheellock-sporting-rifle-sebastian-scheidger-salzburg-circa-1730-31655690.html
RMBRE14A–A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we,
This illustration features several aspects of Ben Franklin's life. From top, left to right, they are: Printer, Errand boy, The court of France,' Bottom, left to right: Experimenting, Journey to Philladelphia. Benjamin Franklin (1706-1790) was born in Boston and then in 1723 went to work in Philadelphia as a printer. One of the Founding Fathers of the United States, Franklin was an American polymath who was active as a writer, scientist, inventor, statesman, diplomat, printer, publisher and political philosopher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-illustration-features-several-aspects-of-ben-franklins-life-from-top-left-to-right-they-are-printer-errand-boy-the-court-of-france-bottom-left-to-right-experimenting-journey-to-philladelphia-benjamin-franklin-1706-1790-was-born-in-boston-and-then-in-1723-went-to-work-in-philadelphia-as-a-printer-one-of-the-founding-fathers-of-the-united-states-franklin-was-an-american-polymath-who-was-active-as-a-writer-scientist-inventor-statesman-diplomat-printer-publisher-and-political-philosopher-image459897497.html
RF2HM63XH–This illustration features several aspects of Ben Franklin's life. From top, left to right, they are: Printer, Errand boy, The court of France,' Bottom, left to right: Experimenting, Journey to Philladelphia. Benjamin Franklin (1706-1790) was born in Boston and then in 1723 went to work in Philadelphia as a printer. One of the Founding Fathers of the United States, Franklin was an American polymath who was active as a writer, scientist, inventor, statesman, diplomat, printer, publisher and political philosopher.
Cautivo de la Virgen de la Merced early 18th century by Master of 'La Merced', active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cautivo-de-la-virgen-de-la-merced-early-18th-century-by-master-of-la-merced-active-18th-century-image555984173.html
RM2R8F7DH–Cautivo de la Virgen de la Merced early 18th century by Master of 'La Merced', active 18th century
Etching of the Spanish ship Hermione captured by the active and favourite. Etched by R. Wright. Dated 1762 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-etching-of-the-spanish-ship-hermione-captured-by-the-active-and-favourite-84968295.html
RMEX6HWY–Etching of the Spanish ship Hermione captured by the active and favourite. Etched by R. Wright. Dated 1762
Godard van Reede, 1st Earl of Athlone, Baron van Reede, Lord of Ginkel, 1644 - 1703. Dutch general active in the Williamite War in Ireland. After an 18th century work by Bernard Picart. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/godard-van-reede-1st-earl-of-athlone-baron-van-reede-lord-of-ginkel-1644-1703-dutch-general-active-in-the-williamite-war-in-ireland-after-an-18th-century-work-by-bernard-picart-image560674334.html
RM2RG4WRA–Godard van Reede, 1st Earl of Athlone, Baron van Reede, Lord of Ginkel, 1644 - 1703. Dutch general active in the Williamite War in Ireland. After an 18th century work by Bernard Picart.
Richardson's House of North End, Hammersmith, T. Rickards, active 18th century, 1804, Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richardsons-house-of-north-end-hammersmith-t-rickards-active-18th-century-1804-engraving-image389692998.html
RM2DJ01B2–Richardson's House of North End, Hammersmith, T. Rickards, active 18th century, 1804, Engraving
Art inspired by Virgin, Attributed to Salvatore di Franco (active 18th century), second half 18th century, Italian, Naples, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; silver-gilt halo; silk and linen garments, (a) H. 14 1/4 in. (36.2 cm.); (b) Diam. 3 5/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-virgin-attributed-to-salvatore-di-franco-active-18th-century-second-half-18th-century-italian-naples-polychromed-terracotta-head-and-wooden-limbs-body-of-wire-wrapped-in-tow-silver-gilt-halo-silk-and-linen-garments-a-h-14-14-in-362-cm-b-diam-3-5-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462921632.html
RF2HW3W7C–Art inspired by Virgin, Attributed to Salvatore di Franco (active 18th century), second half 18th century, Italian, Naples, Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; silver-gilt halo; silk and linen garments, (a) H. 14 1/4 in. (36.2 cm.); (b) Diam. 3 5/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pilgrims Travelling to Ise. Artist: Chogo (Japanese, active 18th century). Culture: Japan. Dimensions: Image: 18 7/8 × 21 5/8 in. (48 × 55 cm) Overall with mounting: 54 1/2 × 24 3/4 in. (138.5 × 62.8 cm) Overall with knobs: 54 1/2 × 26 15/16 in. (138.5 × 68.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pilgrims-travelling-to-ise-artist-chogo-japanese-active-18th-century-culture-japan-dimensions-image-18-78-21-58-in-48-55-cm-overall-with-mounting-54-12-24-34-in-1385-628-cm-overall-with-knobs-54-12-26-1516-in-1385-685-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213372575.html
RMPB3XW3–Pilgrims Travelling to Ise. Artist: Chogo (Japanese, active 18th century). Culture: Japan. Dimensions: Image: 18 7/8 × 21 5/8 in. (48 × 55 cm) Overall with mounting: 54 1/2 × 24 3/4 in. (138.5 × 62.8 cm) Overall with knobs: 54 1/2 × 26 15/16 in. (138.5 × 68.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
San Norberto, Madrid. Artist: G. A. Sanz, Spanish, active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/san-norbertomadrid-artist-g-a-sanz-spanish-active-18th-century-image463165058.html
RM2HWEYN6–San Norberto, Madrid. Artist: G. A. Sanz, Spanish, active 18th century
Hanging scroll titled 'Beauty with a cat' by Joran (active late 1790s - early 1800s). Dated 18th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hanging-scroll-titled-beauty-with-a-cat-by-joran-active-late-1790s-early-1800s-dated-18th-century-image330684306.html
RM2A5YY5P–Hanging scroll titled 'Beauty with a cat' by Joran (active late 1790s - early 1800s). Dated 18th Century
Bound Print, Calèche à Bancs; Designed by Jean-François Chopard (French, active 18th century); Published by Nicolas Jean Baptiste de Poilly (France, 1712 – ca. 1758); France; engraving on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bound-print-calche-bancs-designed-by-jean-franois-chopard-french-active-18th-century-published-by-nicolas-jean-baptiste-de-poilly-france-1712-ca-1758-france-engraving-on-paper-image546105272.html
RM2PMD6RM–Bound Print, Calèche à Bancs; Designed by Jean-François Chopard (French, active 18th century); Published by Nicolas Jean Baptiste de Poilly (France, 1712 – ca. 1758); France; engraving on paper
NM00681-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nm00681-00new-mexico-church-san-francisco-de-asis-a-spanish-colonial-church-in-ranchos-de-taos-image601118784.html
RM2WWY940–NM00681-00....NEW MEXICO - Church San Francisco De Asis. A Spanish Colonial Church in Ranchos De Taos.
As a world-famous work of art, it is an important tourist destination for all visitors to the city. Zwinger pond Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/as-a-world-famous-work-of-art-it-is-an-important-tourist-destination-for-all-visitors-to-the-city-zwinger-pond-image576311111.html
RM2TDH6KK–As a world-famous work of art, it is an important tourist destination for all visitors to the city. Zwinger pond
18th century - The French Comedians, 1720 - Antoine Watteau Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18th-century-the-french-comedians-1720-antoine-watteau-philippe-sauvan-59411763.html
RMDCJC8K–18th century - The French Comedians, 1720 - Antoine Watteau Philippe Sauvan-Magnet / Active Museum
Portrait of Admiral of the Fleet John Jervis, 1st Earl of St Vincent (1735 – 1823) an admiral in the Royal Navy and Member of Parliament in the United Kingdom. Jervis served throughout the latter half of the 18th century and into the 19th, and was an active commander during the Seven Years' War, American War of Independence, French Revolutionary War and the Napoleonic Wars. He is best known for his victory at the 1797 Battle of Cape Saint Vincent, from which he earned his titles, and as a patron of Horatio Nelson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-admiral-of-the-fleet-john-jervis-1st-earl-of-st-vincent-1735-1823-an-admiral-in-the-royal-navy-and-member-of-parliament-in-the-united-kingdom-jervis-served-throughout-the-latter-half-of-the-18th-century-and-into-the-19th-and-was-an-active-commander-during-the-seven-years-war-american-war-of-independence-french-revolutionary-war-and-the-napoleonic-wars-he-is-best-known-for-his-victory-at-the-1797-battle-of-cape-saint-vincent-from-which-he-earned-his-titles-and-as-a-patron-of-horatio-nelson-image597788814.html
RM2WMFHME–Portrait of Admiral of the Fleet John Jervis, 1st Earl of St Vincent (1735 – 1823) an admiral in the Royal Navy and Member of Parliament in the United Kingdom. Jervis served throughout the latter half of the 18th century and into the 19th, and was an active commander during the Seven Years' War, American War of Independence, French Revolutionary War and the Napoleonic Wars. He is best known for his victory at the 1797 Battle of Cape Saint Vincent, from which he earned his titles, and as a patron of Horatio Nelson.
. English: Penglai (detail), depiction of one of the mythical islands. Hanging scroll, ink and colors on silk. 18th century. Yuan Yao (active in the 18th century) 476 Penglai mythical island Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-penglai-detail-depiction-of-one-of-the-mythical-islands-hanging-scroll-ink-and-colors-on-silk-18th-century-yuan-yao-active-in-the-18th-century-476-penglai-mythical-island-image187924208.html
RMMWMK6T–. English: Penglai (detail), depiction of one of the mythical islands. Hanging scroll, ink and colors on silk. 18th century. Yuan Yao (active in the 18th century) 476 Penglai mythical island
Jacques-Louis David (1748 –1825) was an influential French painter in the Neoclassical style. He became an active supporter of the French Revolution and friend of Maximilien Robespierre. He virtually became dictator of the arts under the French Republic, but was imprisoned after Robespierre's fall from power. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacques-louis-david-1748-1825-was-an-influential-french-painter-in-111805784.html
RMGDW5BM–Jacques-Louis David (1748 –1825) was an influential French painter in the Neoclassical style. He became an active supporter of the French Revolution and friend of Maximilien Robespierre. He virtually became dictator of the arts under the French Republic, but was imprisoned after Robespierre's fall from power.
Andres de Islas (painter active during the second half of the 18th century). Castas, No. 5. De español y mulata, nace morisco (From Spaniard and Mulatta, a Morisco is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andres-de-islas-painter-active-during-the-second-half-of-the-18th-century-castas-no-5-de-espaol-y-mulata-nace-morisco-from-spaniard-and-mulatta-a-morisco-is-born-1774-oil-on-canvas-75-x-54-cm-viceroyalty-of-new-spain-mexico-museum-of-the-americas-madrid-spain-image263958857.html
RMW9CA61–Andres de Islas (painter active during the second half of the 18th century). Castas, No. 5. De español y mulata, nace morisco (From Spaniard and Mulatta, a Morisco is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.
A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-wheellock-sporting-rifle-sebastian-scheidger-salzburg-circa-1730-31655685.html
RMBRE145–A wheellock sporting rifle, Sebastian Scheidöger, Salzburg, circa 1730. Slightly swamped, rifled octagonal barrel in 15 mm calibre with a brass front sight and cut rear sight. Wheellock is finely engraved with vines and bears the inscription, 'Sebastian Scheidtögger in Salzburg'. Ebonised fruitwood stock with patch box and moderate bone inlays. Iron furniture. Replacement ramrod. Length 84 cm. Sebastian Scheidöger (also Scheidögger or Scheidtögger), was active between 1720 and 1760. Cf. Stöckel. 1937. p. 270. historic, historical, 18th century, shoulder arm, we,
Portait medallions of Jan van Belcamp and George Geldorp. John van Belcamp (1610-1653), Flemish painter active in England. George Geldorp (1580-1665), Flemish painter of portraits and history paintings. From a copperplate engraving by 18th century printmaker Alexander Bannerman. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portait-medallions-of-jan-van-belcamp-and-george-geldorp-john-van-belcamp-1610-1653-flemish-painter-active-in-england-george-geldorp-1580-1665-flemish-painter-of-portraits-and-history-paintings-from-a-copperplate-engraving-by-18th-century-printmaker-alexander-bannerman-image358037408.html
RM2BPE0A8–Portait medallions of Jan van Belcamp and George Geldorp. John van Belcamp (1610-1653), Flemish painter active in England. George Geldorp (1580-1665), Flemish painter of portraits and history paintings. From a copperplate engraving by 18th century printmaker Alexander Bannerman.
Louis XVII n.d. by C. Hourdain, French, active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xvii-nd-by-c-hourdain-french-active-18th-century-image555884160.html
RM2R8AKWM–Louis XVII n.d. by C. Hourdain, French, active 18th century
Hanging scroll titled 'Beauty with a cat' by Joran (active late 1790s - early 1800s). Dated 18th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hanging-scroll-titled-beauty-with-a-cat-by-joran-active-late-1790s-90842305.html
RMF7P681–Hanging scroll titled 'Beauty with a cat' by Joran (active late 1790s - early 1800s). Dated 18th Century
Transmission Electron Microscope (TEM) of the Vaccinia virus. A member of the poxvirus family, it is very close to the smallpox virus. As a result, it is commonly used to make the vaccine against the smallpox. Vaccinia virus (VACV or VV) is a large, complex, enveloped virus with a linear, double-stranded DNA genome. Smallpox was the first disease to be widely prevented by vaccination due to pioneering work by Edward Jenner in the 18th century. Vaccinia virus is the active constituent of the vaccine that eradicated smallpox, making it the first human disease to be eradicated. Vaccinia virus is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/transmission-electron-microscope-tem-of-the-vaccinia-virus-a-member-of-the-poxvirus-family-it-is-very-close-to-the-smallpox-virus-as-a-result-it-is-commonly-used-to-make-the-vaccine-against-the-smallpox-vaccinia-virus-vacv-or-vv-is-a-large-complex-enveloped-virus-with-a-linear-double-stranded-dna-genome-smallpox-was-the-first-disease-to-be-widely-prevented-by-vaccination-due-to-pioneering-work-by-edward-jenner-in-the-18th-century-vaccinia-virus-is-the-active-constituent-of-the-vaccine-that-eradicated-smallpox-making-it-the-first-human-disease-to-be-eradicated-vaccinia-virus-is-image352825323.html
RM2BE0G8B–Transmission Electron Microscope (TEM) of the Vaccinia virus. A member of the poxvirus family, it is very close to the smallpox virus. As a result, it is commonly used to make the vaccine against the smallpox. Vaccinia virus (VACV or VV) is a large, complex, enveloped virus with a linear, double-stranded DNA genome. Smallpox was the first disease to be widely prevented by vaccination due to pioneering work by Edward Jenner in the 18th century. Vaccinia virus is the active constituent of the vaccine that eradicated smallpox, making it the first human disease to be eradicated. Vaccinia virus is
P. Frieselhem, (artist), German, active 18th century, Charles Henri, Comte d'Estaing, c. 1780, color etching and mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/p-frieselhem-artist-german-active-18th-century-charles-henri-comte-destaing-c-1780-color-etching-and-mezzotint-image386331562.html
RM2DCEWRP–P. Frieselhem, (artist), German, active 18th century, Charles Henri, Comte d'Estaing, c. 1780, color etching and mezzotint
Art inspired by ガルダ木彫根付, Garuda, Edo period (1615–1868), 18th century, Japan, Wood; dark brown, H. 1 7/8 in. (4.8 cm); W. 1 5/8 in. (4.1 cm), Netsuke, Tori (Japanese, active 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-garuda-edo-period-16151868-18th-century-japan-wood-dark-brown-h-1-78-in-48-cm-w-1-58-in-41-cm-netsuke-tori-japanese-active-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462773159.html
RF2HTW3TR–Art inspired by ガルダ木彫根付, Garuda, Edo period (1615–1868), 18th century, Japan, Wood; dark brown, H. 1 7/8 in. (4.8 cm); W. 1 5/8 in. (4.1 cm), Netsuke, Tori (Japanese, active 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of a Young Man (Wolfgang Amadeus Mozart), 1772. Artist: Delahaye, J. B. (active 18th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-young-man-wolfgang-amadeus-mozart-1772-artist-delahaye-image60344289.html
RMDE4WN5–Portrait of a Young Man (Wolfgang Amadeus Mozart), 1772. Artist: Delahaye, J. B. (active 18th century)
The Gentleman and Cabinet-Maker's Director. Artist: Matthew Darly (British, ca. 1720-80 London); Tobias Müller (active London 1760s); Johann Sebastian Müller (German, Nuremberg 1715-1785 London); Cornelius Heinrich Hemmerich (active Britain, 18th century); Butler Clowes (British, active London ca. 1760-1782); Edward Rooker (British, London 1711-1774 London); Isaac Taylor, I (British, Worcester 1730-1807 Edmonton, Greater London); William Foster (British, 18th century); Thomas Morris (British, active 1750-1800); James Hullett (British, active 18th century). Artist and publisher: Thomas Chippend Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gentleman-and-cabinet-makers-director-artist-matthew-darly-british-ca-1720-80-london-tobias-mller-active-london-1760s-johann-sebastian-mller-german-nuremberg-1715-1785-london-cornelius-heinrich-hemmerich-active-britain-18th-century-butler-clowes-british-active-london-ca-1760-1782-edward-rooker-british-london-1711-1774-london-isaac-taylor-i-british-worcester-1730-1807-edmonton-greater-london-william-foster-british-18th-century-thomas-morris-british-active-1750-1800-james-hullett-british-active-18th-century-artist-and-publisher-thomas-chippend-image213113060.html
RMPAM3TM–The Gentleman and Cabinet-Maker's Director. Artist: Matthew Darly (British, ca. 1720-80 London); Tobias Müller (active London 1760s); Johann Sebastian Müller (German, Nuremberg 1715-1785 London); Cornelius Heinrich Hemmerich (active Britain, 18th century); Butler Clowes (British, active London ca. 1760-1782); Edward Rooker (British, London 1711-1774 London); Isaac Taylor, I (British, Worcester 1730-1807 Edmonton, Greater London); William Foster (British, 18th century); Thomas Morris (British, active 1750-1800); James Hullett (British, active 18th century). Artist and publisher: Thomas Chippend
D’Estaing, Charles Henri, Compte. Artist, possibly by: P. Frieselhem, German, active 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/destaing-charles-henricompte-artist-possibly-by-p-frieselhem-german-active-18th-century-image463200501.html
RM2HWGGY1–D’Estaing, Charles Henri, Compte. Artist, possibly by: P. Frieselhem, German, active 18th century
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