Abraham jansz van diepenbeeck Stock Photos and Images
Abraham Jansz. van Diepenbeeck, Crucifixion, 1630-1640, pen and brown ink, brown and grey wash, over graphite on paper, 9 1/2 in. x 6 1/4 in. (24.13 cm. x 15.88 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-crucifixion-1630-1640-pen-and-brown-ink-brown-and-grey-wash-over-graphite-on-paper-9-12-in-x-6-14-in-2413-cm-x-1588-cm-image344469277.html
RM2B0BX25–Abraham Jansz. van Diepenbeeck, Crucifixion, 1630-1640, pen and brown ink, brown and grey wash, over graphite on paper, 9 1/2 in. x 6 1/4 in. (24.13 cm. x 15.88 cm.)
'Sleeping Bacchus', 17th century. Artist: Abraham Jansz van Diepenbeeck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleeping-bacchus-17th-century-artist-abraham-jansz-van-diepenbeeck-image60294992.html
RMDE2JTG–'Sleeping Bacchus', 17th century. Artist: Abraham Jansz van Diepenbeeck
The Flight into Egypt. Abraham van Diepenbeeck; Flemish, 1596-1675. Date: 1640-1660. Dimensions: 17 1/4 × 12 1/2 in. (43.8 × 31.8 cm). Oil on panel. Origin: Flanders. Museum: The Chicago Art Institute. Author: Abraham Jansz. van Diepenbeeck. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flight-into-egypt-abraham-van-diepenbeeck-flemish-1596-1675-date-1640-1660-dimensions-17-14-12-12-in-438-318-cm-oil-on-panel-origin-flanders-museum-the-chicago-art-institute-author-abraham-jansz-van-diepenbeeck-image239889602.html
RMRX7WHP–The Flight into Egypt. Abraham van Diepenbeeck; Flemish, 1596-1675. Date: 1640-1660. Dimensions: 17 1/4 × 12 1/2 in. (43.8 × 31.8 cm). Oil on panel. Origin: Flanders. Museum: The Chicago Art Institute. Author: Abraham Jansz. van Diepenbeeck.
Portrait of Abraham Jansz. van Diepenbeeck, Dutch painter of the Flemish school 1596-1675. Abraham Diepenbecks. Copperplate engraving after a self portrait by Abraham van Diepenbeeck from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-abraham-jansz-van-diepenbeeck-dutch-painter-of-the-flemish-school-1596-1675-abraham-diepenbecks-copperplate-engraving-after-a-self-portrait-by-abraham-van-diepenbeeck-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241708306.html
RMT16NBE–Portrait of Abraham Jansz. van Diepenbeeck, Dutch painter of the Flemish school 1596-1675. Abraham Diepenbecks. Copperplate engraving after a self portrait by Abraham van Diepenbeeck from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
Abraham Jansz. van Diepenbeeck, Proprium missarum de tempore, engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-proprium-missarum-de-tempore-engraving-image537599263.html
RM2P6HN9K–Abraham Jansz. van Diepenbeeck, Proprium missarum de tempore, engraving.
Abraham Jansz. van Diepenbeeck. The Flight into Egypt. 1640–1660. Flanders. Oil on panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-the-flight-into-egypt-16401660-flanders-oil-on-panel-image337948300.html
RM2AHPTE4–Abraham Jansz. van Diepenbeeck. The Flight into Egypt. 1640–1660. Flanders. Oil on panel
Abraham Jansz. van Diepenbeeck - The Flight into Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-the-flight-into-egypt-image593725030.html
RM2WDXE9A–Abraham Jansz. van Diepenbeeck - The Flight into Egypt
Catherine of this Catherine (); Diepenbeeck, Abraham JANSZ. Van (1596-1675); around 1650 (1648-00-00-1655-00-00);Katarzyna Alexandria (Saint - Ca 282 -Ca 300), Horses, Flemish painting, swords, Martyrdom of Christians, figures, sketches, purchase (provenance) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catherine-of-this-catherine-diepenbeeck-abraham-jansz-van-1596-1675-around-1650-1648-00-00-1655-00-00katarzyna-alexandria-saint-ca-282-ca-300-horses-flemish-painting-swords-martyrdom-of-christians-figures-sketches-purchase-provenance-image598806313.html
RM2WP5YFN–Catherine of this Catherine (); Diepenbeeck, Abraham JANSZ. Van (1596-1675); around 1650 (1648-00-00-1655-00-00);Katarzyna Alexandria (Saint - Ca 282 -Ca 300), Horses, Flemish painting, swords, Martyrdom of Christians, figures, sketches, purchase (provenance)
Abraham Jansz. van Diepenbeeck (1596-1675) - The Crucifixion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-1596-1675-the-crucifixion-image593725017.html
RM2WDXE8W–Abraham Jansz. van Diepenbeeck (1596-1675) - The Crucifixion
Angels among clouds; Verso, Column and obeliska studies; Diepenbeeck, Abraham JANSZ. Van (1596-1675), Schwarz, Christoph (Ca 1548-1592); 1580-1675 (1580-00-00-1675-00-00);Albrecht von (1685-1748), Albrecht von (1685-1748)-collections, Library of the church of St. Mary Magdalena (Wrocław - Ante 1865, Library of the church of St. Mary Magdalena (Wrocław - Ante 1865) - collections, Ernst Wilhelm von (1712-1787), Ernst Wilhelm von (1712-1787) - collections, Hubrig, Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945), Schlesisches Museum der Bildenden Künste (Wr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angels-among-clouds-verso-column-and-obeliska-studies-diepenbeeck-abraham-jansz-van-1596-1675-schwarz-christoph-ca-1548-1592-1580-1675-1580-00-00-1675-00-00albrecht-von-1685-1748-albrecht-von-1685-1748-collections-library-of-the-church-of-st-mary-magdalena-wrocaw-ante-1865-library-of-the-church-of-st-mary-magdalena-wrocaw-ante-1865-collections-ernst-wilhelm-von-1712-1787-ernst-wilhelm-von-1712-1787-collections-hubrig-magdalenaea-collection-schlesisches-museum-der-bildenden-knste-wrocaw-1880-1945-schlesisches-museum-der-bildenden-knste-wr-image599042808.html
RM2WPGN60–Angels among clouds; Verso, Column and obeliska studies; Diepenbeeck, Abraham JANSZ. Van (1596-1675), Schwarz, Christoph (Ca 1548-1592); 1580-1675 (1580-00-00-1675-00-00);Albrecht von (1685-1748), Albrecht von (1685-1748)-collections, Library of the church of St. Mary Magdalena (Wrocław - Ante 1865, Library of the church of St. Mary Magdalena (Wrocław - Ante 1865) - collections, Ernst Wilhelm von (1712-1787), Ernst Wilhelm von (1712-1787) - collections, Hubrig, Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945), Schlesisches Museum der Bildenden Künste (Wr
'Margaret Cavendish (née Lucas), Duchess of Newcastle upon Tyne', (c1846). Artist: William Greatbach. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/margaret-cavendish-ne-lucas-duchess-of-newcastle-upon-tyne-c1846-artist-william-greatbach-image218485406.html
RMPKCTA6–'Margaret Cavendish (née Lucas), Duchess of Newcastle upon Tyne', (c1846). Artist: William Greatbach.
Abraham Jansz. van Diepenbeeck, Architectural studies (b), 1596-1675, brush and black ink, grey wash and red chalk on paper, 7 1/2 in. x 5 5/8 in. (19.1 cm. x 14.3 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-architectural-studies-b-1596-1675-brush-and-black-ink-grey-wash-and-red-chalk-on-paper-7-12-in-x-5-58-in-191-cm-x-143-cm-image344469183.html
RM2B0BWXR–Abraham Jansz. van Diepenbeeck, Architectural studies (b), 1596-1675, brush and black ink, grey wash and red chalk on paper, 7 1/2 in. x 5 5/8 in. (19.1 cm. x 14.3 cm.)
'Portrait of the Bishop of Antwerp Ambrosius Cappelus', 17th century. Artist: Abraham Jansz van Diepenbeeck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-bishop-of-antwerp-ambrosius-cappelus-17th-century-image60419341.html
RMDE89DH–'Portrait of the Bishop of Antwerp Ambrosius Cappelus', 17th century. Artist: Abraham Jansz van Diepenbeeck
Portrait of Abraham Jansz. van Diepenbeeck, Dutch painter of the Flemish school 1596-1675. Abraham Diepenbecks. Copperplate engraving after a self portrait by Abraham van Diepenbeeck from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-abraham-jansz-van-diepenbeeck-dutch-painter-of-the-flemish-school-1596-1675-abraham-diepenbecks-copperplate-engraving-after-a-self-portrait-by-abraham-van-diepenbeeck-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image359072409.html
RM2BT54EH–Portrait of Abraham Jansz. van Diepenbeeck, Dutch painter of the Flemish school 1596-1675. Abraham Diepenbecks. Copperplate engraving after a self portrait by Abraham van Diepenbeeck from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
Abraham Jansz. van Diepenbeeck. Judgement of Solomon. 1616–1675. Flanders. Pen and brown ink, with brush and gray and brown wash, over black chalk, on ivory laid paper, laid down on card Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-judgement-of-solomon-16161675-flanders-pen-and-brown-ink-with-brush-and-gray-and-brown-wash-over-black-chalk-on-ivory-laid-paper-laid-down-on-card-image337924328.html
RM2AHNNX0–Abraham Jansz. van Diepenbeeck. Judgement of Solomon. 1616–1675. Flanders. Pen and brown ink, with brush and gray and brown wash, over black chalk, on ivory laid paper, laid down on card
Abraham Jansz. van Diepenbeeck (1596-1675) (attributed to) - The Last Communion of St Francis of Assisi (after Peter Paul Rubens) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-1596-1675-attributed-to-the-last-communion-of-st-francis-of-assisi-after-peter-paul-rubens-image593725027.html
RM2WDXE97–Abraham Jansz. van Diepenbeeck (1596-1675) (attributed to) - The Last Communion of St Francis of Assisi (after Peter Paul Rubens)
Abraham Jansz. van Diepenbeeck, Madonna and Child Enthroned, 1621-1630, pen and brown ink, brown wash, over traces ofgraphite and black chalk on paper, 5 1/16 in. x 3 15/16 in. (12.9 cm. x 10 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-madonna-and-child-enthroned-1621-1630-pen-and-brown-ink-brown-wash-over-traces-ofgraphite-and-black-chalk-on-paper-5-116-in-x-3-1516-in-129-cm-x-10-cm-image344469187.html
RM2B0BWXY–Abraham Jansz. van Diepenbeeck, Madonna and Child Enthroned, 1621-1630, pen and brown ink, brown wash, over traces ofgraphite and black chalk on paper, 5 1/16 in. x 3 15/16 in. (12.9 cm. x 10 cm.)
'The Feast of Herod', 17th century. Artist: Abraham Jansz van Diepenbeeck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-feast-of-herod-17th-century-artist-abraham-jansz-van-diepenbeeck-image60416218.html
RMDE85E2–'The Feast of Herod', 17th century. Artist: Abraham Jansz van Diepenbeeck
Judgement of Solomon. Attributed to Abraham Jansz. van Diepenbeeck (Flemish, 1596-1675); or Anthony van Dyck (Flemish, 1599-1641). Date: 1616-1675. Dimensions: 157 × 197 mm. Pen and brown ink, with brush and gray and brown wash, over black chalk, on ivory laid paper, laid down on card. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judgement-of-solomon-attributed-to-abraham-jansz-van-diepenbeeck-flemish-1596-1675-or-anthony-van-dyck-flemish-1599-1641-date-1616-1675-dimensions-157-197-mm-pen-and-brown-ink-with-brush-and-gray-and-brown-wash-over-black-chalk-on-ivory-laid-paper-laid-down-on-card-origin-flanders-museum-the-chicago-art-institute-image240027304.html
RMRXE57M–Judgement of Solomon. Attributed to Abraham Jansz. van Diepenbeeck (Flemish, 1596-1675); or Anthony van Dyck (Flemish, 1599-1641). Date: 1616-1675. Dimensions: 157 × 197 mm. Pen and brown ink, with brush and gray and brown wash, over black chalk, on ivory laid paper, laid down on card. Origin: Flanders. Museum: The Chicago Art Institute.
Geseling van Christus Christ is tied to a half-pillar in the house of Pilate. He was beaten by three soldiers scourge belts and rods. Rear left and right are groups of soldiers to watch the torture. Among the performance the verse Joh. 19: 1 in Latin and Nederlands. Manufacturer : print maker, Abraham J. Conradus (indicated on object) to a design by: Abraham of Diepenbeeck (indicated on object) publisher: Claes Jansz. Visscher (II) (listed building) Place manufacture: Amsterdam Date: ca. 1627 - ca. 1661 Physical features: car material: paper Technique: engra (printing process) Dimensions: plat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/geseling-van-christus-christ-is-tied-to-a-half-pillar-in-the-house-of-pilate-he-was-beaten-by-three-soldiers-scourge-belts-and-rods-rear-left-and-right-are-groups-of-soldiers-to-watch-the-torture-among-the-performance-the-verse-joh-19-1-in-latin-and-nederlands-manufacturer-print-maker-abraham-j-conradus-indicated-on-object-to-a-design-by-abraham-of-diepenbeeck-indicated-on-object-publisher-claes-jansz-visscher-ii-listed-building-place-manufacture-amsterdam-date-ca-1627-ca-1661-physical-features-car-material-paper-technique-engra-printing-process-dimensions-plat-image348376462.html
RM2B6NWME–Geseling van Christus Christ is tied to a half-pillar in the house of Pilate. He was beaten by three soldiers scourge belts and rods. Rear left and right are groups of soldiers to watch the torture. Among the performance the verse Joh. 19: 1 in Latin and Nederlands. Manufacturer : print maker, Abraham J. Conradus (indicated on object) to a design by: Abraham of Diepenbeeck (indicated on object) publisher: Claes Jansz. Visscher (II) (listed building) Place manufacture: Amsterdam Date: ca. 1627 - ca. 1661 Physical features: car material: paper Technique: engra (printing process) Dimensions: plat
Abraham Jansz. van Diepenbeeck, Madonna and Child Appearing to St. Ignatius (a), 1596-1675, brush and black ink, grey wash and red chalk on paper, 7 1/2 in. x 5 5/8 in. (19.1 cm. x 14.3 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-madonna-and-child-appearing-to-st-ignatius-a-1596-1675-brush-and-black-ink-grey-wash-and-red-chalk-on-paper-7-12-in-x-5-58-in-191-cm-x-143-cm-image344469182.html
RM2B0BWXP–Abraham Jansz. van Diepenbeeck, Madonna and Child Appearing to St. Ignatius (a), 1596-1675, brush and black ink, grey wash and red chalk on paper, 7 1/2 in. x 5 5/8 in. (19.1 cm. x 14.3 cm.)
Judgement of Solomon, n.d. Attributed to Abraham Jansz. van Diepenbeeck. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judgement-of-solomon-nd-attributed-to-abraham-jansz-van-diepenbeeck-image491542303.html
RM2KFKK67–Judgement of Solomon, n.d. Attributed to Abraham Jansz. van Diepenbeeck.
N/A. Christ before Caiaphas. before 1675. Abraham van Diepenbeeck (1596–1675) Alternative names Abraham Jansz. van Diepenbeeck, Abraham van Diepenbecke, Abraham van Diepenbeek, Abramo van Diepenbeke, Abramo van Diepenbecck Description Flemish painter, draughtsman, printmaker, stained-glass artist and tapestry designer Date of birth/death 9 May 1596 (baptised) 31 December 1675 Location of birth/death 's-Hertogenbosch Antwerp Work period 1622-1675 Work location Antwerp Authority control : Q330854 VIAF:24866132 ISNI:0000 0001 0880 3674 ULAN:500024425 LCCN:n82059515 NLA:36555490 Wor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-christ-before-caiaphas-before-1675-abraham-van-diepenbeeck-15961675-alternative-names-abraham-jansz-van-diepenbeeck-abraham-van-diepenbecke-abraham-van-diepenbeek-abramo-van-diepenbeke-abramo-van-diepenbecck-description-flemish-painter-draughtsman-printmaker-stained-glass-artist-and-tapestry-designer-date-of-birthdeath-9-may-1596-baptised-31-december-1675-location-of-birthdeath-s-hertogenbosch-antwerp-work-period-1622-1675-work-location-antwerp-authority-control-q330854-viaf24866132-isni0000-0001-0880-3674-ulan500024425-lccnn82059515-nla36555490-wor-image210019917.html
RMP5K6F9–N/A. Christ before Caiaphas. before 1675. Abraham van Diepenbeeck (1596–1675) Alternative names Abraham Jansz. van Diepenbeeck, Abraham van Diepenbecke, Abraham van Diepenbeek, Abramo van Diepenbeke, Abramo van Diepenbecck Description Flemish painter, draughtsman, printmaker, stained-glass artist and tapestry designer Date of birth/death 9 May 1596 (baptised) 31 December 1675 Location of birth/death 's-Hertogenbosch Antwerp Work period 1622-1675 Work location Antwerp Authority control : Q330854 VIAF:24866132 ISNI:0000 0001 0880 3674 ULAN:500024425 LCCN:n82059515 NLA:36555490 Wor
Holy Family, n.d., Attributed to Johann Boeckhorst (Flemish, 1605-1668), or Abraham Jansz. van Diepenbeeck (Flemish, 1596-1675), or circle of Peter Paul Rubens (Flemish, 1577-1640), Flanders, Pen and brown ink, with graphite, heightened with ochre and white gouache, on ivory laid paper, tipped onto cream laid paper, 130 × 90 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-family-nd-attributed-to-johann-boeckhorst-flemish-1605-1668-or-abraham-jansz-van-diepenbeeck-flemish-1596-1675-or-circle-of-peter-paul-rubens-flemish-1577-1640-flanders-pen-and-brown-ink-with-graphite-heightened-with-ochre-and-white-gouache-on-ivory-laid-paper-tipped-onto-cream-laid-paper-130-90-mm-image328623411.html
RM2A2J2EB–Holy Family, n.d., Attributed to Johann Boeckhorst (Flemish, 1605-1668), or Abraham Jansz. van Diepenbeeck (Flemish, 1596-1675), or circle of Peter Paul Rubens (Flemish, 1577-1640), Flanders, Pen and brown ink, with graphite, heightened with ochre and white gouache, on ivory laid paper, tipped onto cream laid paper, 130 × 90 mm
King Midas at the Contest Between Apollo and Pan, n.d. Style of Abraham Jansz Diepenbeeck. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-midas-at-the-contest-between-apollo-and-pan-nd-style-of-abraham-jansz-diepenbeeck-image491535007.html
RM2KFK9WK–King Midas at the Contest Between Apollo and Pan, n.d. Style of Abraham Jansz Diepenbeeck.
Judgement of Solomon, n.d., Attributed to Abraham Jansz. van Diepenbeeck (Flemish, 1596-1675), or Anthony van Dyck (Flemish, 1599-1641), Flanders, Pen and brown ink, with brush and gray and brown wash, over black chalk, on ivory laid paper, laid down on card, 157 × 197 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judgement-of-solomon-nd-attributed-to-abraham-jansz-van-diepenbeeck-flemish-1596-1675-or-anthony-van-dyck-flemish-1599-1641-flanders-pen-and-brown-ink-with-brush-and-gray-and-brown-wash-over-black-chalk-on-ivory-laid-paper-laid-down-on-card-157-197-mm-image328622488.html
RM2A2J19C–Judgement of Solomon, n.d., Attributed to Abraham Jansz. van Diepenbeeck (Flemish, 1596-1675), or Anthony van Dyck (Flemish, 1599-1641), Flanders, Pen and brown ink, with brush and gray and brown wash, over black chalk, on ivory laid paper, laid down on card, 157 × 197 mm
Design for a Title Page, 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-title-page-17th-century-image358992807.html
RM2BT1EYK–Design for a Title Page, 17th century.
. Allegorie auf die Erziehung des Jupiterknaben bei den Nymphen des Gebirges Ida . 17th century. Attributed to Abraham van Diepenbeeck (1596–1675) Alternative names Abraham Jansz. van Diepenbeeck, Abraham van Diepenbecke, Abraham van Diepenbeek, Abramo van Diepenbeke, Abramo van Diepenbecck Description Flemish painter, draughtsman, printmaker, stained-glass artist and tapestry designer Date of birth/death 9 May 1596 (baptised) 31 December 1675 Location of birth/death 's-Hertogenbosch Antwerp Work period 1622-1675 Work location Antwerp Authority control : Q330854 VIAF:?24866132 I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegorie-auf-die-erziehung-des-jupiterknaben-bei-den-nymphen-des-gebirges-ida-17th-century-attributed-to-abraham-van-diepenbeeck-15961675-alternative-names-abraham-jansz-van-diepenbeeck-abraham-van-diepenbecke-abraham-van-diepenbeek-abramo-van-diepenbeke-abramo-van-diepenbecck-description-flemish-painter-draughtsman-printmaker-stained-glass-artist-and-tapestry-designer-date-of-birthdeath-9-may-1596-baptised-31-december-1675-location-of-birthdeath-s-hertogenbosch-antwerp-work-period-1622-1675-work-location-antwerp-authority-control-q330854-viaf24866132-i-image185016782.html
RMMN06P6–. Allegorie auf die Erziehung des Jupiterknaben bei den Nymphen des Gebirges Ida . 17th century. Attributed to Abraham van Diepenbeeck (1596–1675) Alternative names Abraham Jansz. van Diepenbeeck, Abraham van Diepenbecke, Abraham van Diepenbeek, Abramo van Diepenbeke, Abramo van Diepenbecck Description Flemish painter, draughtsman, printmaker, stained-glass artist and tapestry designer Date of birth/death 9 May 1596 (baptised) 31 December 1675 Location of birth/death 's-Hertogenbosch Antwerp Work period 1622-1675 Work location Antwerp Authority control : Q330854 VIAF:?24866132 I
Abraham Jansz. van Diepenbeeck, Design for a Title Page, 1640-1675, pen and brown ink and black chalk on two sheets of paper, 13 1/2 in. x 8 13/16 in. (34.3 cm. x 22.4 cm.), Diepenbeeck designed this title page for a compendium of laws and regulations of the County of Flanders, compiled by Laurens van den Hane and titled 'Costumen van het Graefschap van Vlaenderen.' It was published in Antwerp and Ghent in 1674 with the title page engraved by Cornelis van Caukercken (1626--1680). With more than fifty title pages and book illustrations to his name, van Diepenbeeck catered to the needs of the th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-jansz-van-diepenbeeck-design-for-a-title-page-1640-1675-pen-and-brown-ink-and-black-chalk-on-two-sheets-of-paper-13-12-in-x-8-1316-in-343-cm-x-224-cm-diepenbeeck-designed-this-title-page-for-a-compendium-of-laws-and-regulations-of-the-county-of-flanders-compiled-by-laurens-van-den-hane-and-titled-costumen-van-het-graefschap-van-vlaenderen-it-was-published-in-antwerp-and-ghent-in-1674-with-the-title-page-engraved-by-cornelis-van-caukercken-1626-1680-with-more-than-fifty-title-pages-and-book-illustrations-to-his-name-van-diepenbeeck-catered-to-the-needs-of-the-th-image344469090.html
RM2B0BWRE–Abraham Jansz. van Diepenbeeck, Design for a Title Page, 1640-1675, pen and brown ink and black chalk on two sheets of paper, 13 1/2 in. x 8 13/16 in. (34.3 cm. x 22.4 cm.), Diepenbeeck designed this title page for a compendium of laws and regulations of the County of Flanders, compiled by Laurens van den Hane and titled 'Costumen van het Graefschap van Vlaenderen.' It was published in Antwerp and Ghent in 1674 with the title page engraved by Cornelis van Caukercken (1626--1680). With more than fifty title pages and book illustrations to his name, van Diepenbeeck catered to the needs of the th
The Family of William Cavendish, Marquess of Newcastle-upon-Tyne, 1656. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-family-of-william-cavendish-marquess-of-newcastle-upon-tyne-1656-image374737074.html
RM2CNJMXX–The Family of William Cavendish, Marquess of Newcastle-upon-Tyne, 1656.
. English: en:Acta Sanctorum, January volume, published in 1643 Русский: ru:Acta Sanctorum первый январский том, издан в 1643 году Русский: uk:Acta Sanctorum, гравюра з І січневого тому, 1643 . 1643. Abraham van Diepenbeeck (1596–1675) Alternative names Abraham Jansz. van Diepenbeeck, Abraham van Diepenbecke, Abraham van Diepenbeek, Abramo van Diepenbeke, Abramo van Diepenbecck Description Flemish painter, draughtsman, printmaker, stained-glass artist and tapestry designer Date of birth/death 9 May 1596 (baptised) 31 December 1675 Location of birth/death 's-Hertogenbosch Antwerp Wo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-enacta-sanctorum-january-volume-published-in-1643-ruacta-sanctorum-1643-ukacta-sanctorum-1643-1643-abraham-van-diepenbeeck-15961675-alternative-names-abraham-jansz-van-diepenbeeck-abraham-van-diepenbecke-abraham-van-diepenbeek-abramo-van-diepenbeke-abramo-van-diepenbecck-description-flemish-painter-draughtsman-printmaker-stained-glass-artist-and-tapestry-designer-date-of-birthdeath-9-may-1596-baptised-31-december-1675-location-of-birthdeath-s-hertogenbosch-antwerp-wo-image184878587.html
RMMMNXEK–. English: en:Acta Sanctorum, January volume, published in 1643 Русский: ru:Acta Sanctorum первый январский том, издан в 1643 году Русский: uk:Acta Sanctorum, гравюра з І січневого тому, 1643 . 1643. Abraham van Diepenbeeck (1596–1675) Alternative names Abraham Jansz. van Diepenbeeck, Abraham van Diepenbecke, Abraham van Diepenbeek, Abramo van Diepenbeke, Abramo van Diepenbecck Description Flemish painter, draughtsman, printmaker, stained-glass artist and tapestry designer Date of birth/death 9 May 1596 (baptised) 31 December 1675 Location of birth/death 's-Hertogenbosch Antwerp Wo
An Allegory of the Triumph over Heresy, with St. Dominic to the Fore, 1650-60. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-allegory-of-the-triumph-over-heresy-with-st-dominic-to-the-fore-1650-60-image358983513.html
RM2BT133N–An Allegory of the Triumph over Heresy, with St. Dominic to the Fore, 1650-60.
Saint Cecilia, . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-cecilia-image343010107.html
RM2AX1CTY–Saint Cecilia, .
Title Page to "Philosophia Universia", 1649. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-page-to-quotphilosophia-universiaquot-1649-image418809846.html
RM2F9AC6E–Title Page to "Philosophia Universia", 1649.
Old Man, 1651. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-man-1651-image418809995.html
RM2F9ACBR–Old Man, 1651.
Old Woman, 1651. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-woman-1651-image418810133.html
Philomela, Procne, and the Thracian King Tereus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philomela-procne-and-the-thracian-king-tereus-image506217258.html
RM2MBG57P–Philomela, Procne, and the Thracian King Tereus.
Madonna and Child with Rosary and Saint. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-with-rosary-and-saint-image506217276.html
RM2MBG58C–Madonna and Child with Rosary and Saint.
The Pope, 1651. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pope-1651-image418810002.html
RM2F9ACC2–The Pope, 1651.
Supper at Emmaus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/supper-at-emmaus-image506217213.html
The Conversion of Saint Paul, 1640s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conversion-of-saint-paul-1640s-image506217241.html