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Paschal lamb Stock Photos and Images
The Eating of the Paschal Lamb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-eating-of-the-paschal-lamb-image184280120.htmlRMMKPK4T–The Eating of the Paschal Lamb
A paschal lamb and easter table with flying angels. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-paschal-lamb-and-easter-table-with-flying-angels-image186171795.htmlRMMPTT0K–A paschal lamb and easter table with flying angels.
Paschal lamb select, Parallel Title: Separate Easter Lamb, Signed: G. D. Heuman sculp, Copperplate, Plate CXXXVII (Vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey Christian Ulrich Wagner, 1731-1735 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paschal-lamb-select-parallel-title-separate-easter-lamb-signed-g-d-heuman-sculp-copperplate-plate-cxxxvii-vol-1-fssli-johann-melchior-heumann-georg-daniel-sculp-1731-johann-jakob-scheuchzer-kupfer-bibel-augspurg-und-ulm-gedruckt-bey-christian-ulrich-wagner-1731-1735-image328751552.htmlRM2A2RWXT–Paschal lamb select, Parallel Title: Separate Easter Lamb, Signed: G. D. Heuman sculp, Copperplate, Plate CXXXVII (Vol. 1), Füssli, Johann Melchior; Heumann, Georg Daniel (sculp.), 1731, Johann Jakob Scheuchzer: Kupfer-Bibel (...). Augspurg und Ulm: gedruckt bey Christian Ulrich Wagner, 1731-1735
A paschal lamb. Museum: PRIVATE COLLECTION. Author: PIROSMANI, NIKO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-paschal-lamb-museum-private-collection-author-pirosmani-niko-image231339347.htmlRMRCABKF–A paschal lamb. Museum: PRIVATE COLLECTION. Author: PIROSMANI, NIKO.
Beuckelaer-paschal-lamb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beuckelaer-paschal-lamb-139537241.htmlRMJ30D4W–Beuckelaer-paschal-lamb
The paschal lamb between 1580 and 1581. 955 Palma il Giovane - Passover - WGA16901 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-paschal-lamb-between-1580-and-1581-955-palma-il-giovane-passover-wga16901-image185498225.htmlRMMNP4TH–The paschal lamb between 1580 and 1581. 955 Palma il Giovane - Passover - WGA16901
Beuckelaer-paschal-lamb. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beuckelaer-paschal-lamb-image218363068.htmlRMPK7890–Beuckelaer-paschal-lamb.
Original WW1 era postcard of young recruits at an Officer training camp - they were Officer Training Corps (junior division) from Charterhouse School of the Queens Royal West Surrey Regiment (The Queens) - which was based at Stoughton Barracks, in Guildford. On their cap badges the recruits have a version of the Queens badge with a Charterhouse banner instead of a Queens banner underneath the Paschal lamb symbol. On the RH tent is written corps 8 hut, the boys have a Charterhouse 19 sign at their feet. The older recruit holding the baton is perhaps a leader or mentor to the younger boys. U.K. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-ww1-era-postcard-of-young-recruits-at-an-officer-training-camp-they-were-officer-training-corps-junior-division-from-charterhouse-school-of-the-queens-royal-west-surrey-regiment-the-queens-which-was-based-at-stoughton-barracks-in-guildford-on-their-cap-badges-the-recruits-have-a-version-of-the-queens-badge-with-a-charterhouse-banner-instead-of-a-queens-banner-underneath-the-paschal-lamb-symbol-on-the-rh-tent-is-written-corps-8-hut-the-boys-have-a-charterhouse-19-sign-at-their-feet-the-older-recruit-holding-the-baton-is-perhaps-a-leader-or-mentor-to-the-younger-boys-uk-image456031937.htmlRM2HDX1AW–Original WW1 era postcard of young recruits at an Officer training camp - they were Officer Training Corps (junior division) from Charterhouse School of the Queens Royal West Surrey Regiment (The Queens) - which was based at Stoughton Barracks, in Guildford. On their cap badges the recruits have a version of the Queens badge with a Charterhouse banner instead of a Queens banner underneath the Paschal lamb symbol. On the RH tent is written corps 8 hut, the boys have a Charterhouse 19 sign at their feet. The older recruit holding the baton is perhaps a leader or mentor to the younger boys. U.K.
The Paschal Lamb 1575 by Palma il Giovane Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-paschal-lamb-1575-by-palma-il-giovane-image557809604.htmlRM2RBEBRG–The Paschal Lamb 1575 by Palma il Giovane
Inspired by Last Supper, The Little Passion, Stupid Passion, Christ sits with his disciples at the Last Supper. John lays his head against Christ's chest. The paschal lamb lies on a platter on the table. In the foreground Judas with the bag of silver pieces in his hand. Print is part of a book, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-last-supper-the-little-passion-stupid-passion-christ-sits-with-his-disciples-at-the-last-supper-john-lays-his-head-against-christs-chest-the-paschal-lamb-lies-on-a-platter-on-the-table-in-the-foreground-judas-with-the-bag-of-silver-pieces-in-his-hand-print-is-part-of-a-book-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459365532.htmlRF2HK9WBT–Inspired by Last Supper, The Little Passion, Stupid Passion, Christ sits with his disciples at the Last Supper. John lays his head against Christ's chest. The paschal lamb lies on a platter on the table. In the foreground Judas with the bag of silver pieces in his hand. Print is part of a book, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![Ideal state of the Sainte Abbaye. La Sainte Abbaye. France [Paris or Maubuisson?]; between 1290 and 12. [Whole folio] In centre, God in mandorla, blessing, and holding an orb, with the Holy Spirit above, and the Paschal Lamb below. Either side, the Virgin and St Peter; and in the corners, the Evangelists' symbols, and seraphs and angels holding rolls. Below; a tower with battlements and elaborate ironwork. On left, Mistress of the Novices with birch rod, and two novices. On right; the abbess and a nun kneel, looking up at the Lamb Image taken from La Sainte Abbaye. Originally published/produ Stock Photo](https://c8.alamy.com/comp/R5GANG/ideal-state-of-the-sainte-abbaye-la-sainte-abbaye-france-paris-or-maubuisson-between-1290-and-12-whole-folio-in-centre-god-in-mandorla-blessing-and-holding-an-orb-with-the-holy-spirit-above-and-the-paschal-lamb-below-either-side-the-virgin-and-st-peter-and-in-the-corners-the-evangelists-symbols-and-seraphs-and-angels-holding-rolls-below-a-tower-with-battlements-and-elaborate-ironwork-on-left-mistress-of-the-novices-with-birch-rod-and-two-novices-on-right-the-abbess-and-a-nun-kneel-looking-up-at-the-lamb-image-taken-from-la-sainte-abbaye-originally-publishedprodu-R5GANG.jpg "Ideal state of the Sainte Abbaye. La Sainte Abbaye. France [Paris or Maubuisson?]; between 1290 and 12. [Whole folio] In centre, God in mandorla, blessing, and holding an orb, with the Holy Spirit above, and the Paschal Lamb below. Either side, the Virgin and St Peter; and in the corners, the Evangelists' symbols, and seraphs and angels holding rolls. Below; a tower with battlements and elaborate ironwork. On left, Mistress of the Novices with birch rod, and two novices. On right; the abbess and a nun kneel, looking up at the Lamb Image taken from La Sainte Abbaye. Originally published/produ Stock Photo")
Ideal state of the Sainte Abbaye. La Sainte Abbaye. France [Paris or Maubuisson?]; between 1290 and 12. [Whole folio] In centre, God in mandorla, blessing, and holding an orb, with the Holy Spirit above, and the Paschal Lamb below. Either side, the Virgin and St Peter; and in the corners, the Evangelists' symbols, and seraphs and angels holding rolls. Below; a tower with battlements and elaborate ironwork. On left, Mistress of the Novices with birch rod, and two novices. On right; the abbess and a nun kneel, looking up at the Lamb Image taken from La Sainte Abbaye. Originally published/produ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ideal-state-of-the-sainte-abbaye-la-sainte-abbaye-france-paris-or-maubuisson-between-1290-and-12-whole-folio-in-centre-god-in-mandorla-blessing-and-holding-an-orb-with-the-holy-spirit-above-and-the-paschal-lamb-below-either-side-the-virgin-and-st-peter-and-in-the-corners-the-evangelists-symbols-and-seraphs-and-angels-holding-rolls-below-a-tower-with-battlements-and-elaborate-ironwork-on-left-mistress-of-the-novices-with-birch-rod-and-two-novices-on-right-the-abbess-and-a-nun-kneel-looking-up-at-the-lamb-image-taken-from-la-sainte-abbaye-originally-publishedprodu-image227167740.htmlRMR5GANG–Ideal state of the Sainte Abbaye. La Sainte Abbaye. France [Paris or Maubuisson?]; between 1290 and 12. [Whole folio] In centre, God in mandorla, blessing, and holding an orb, with the Holy Spirit above, and the Paschal Lamb below. Either side, the Virgin and St Peter; and in the corners, the Evangelists' symbols, and seraphs and angels holding rolls. Below; a tower with battlements and elaborate ironwork. On left, Mistress of the Novices with birch rod, and two novices. On right; the abbess and a nun kneel, looking up at the Lamb Image taken from La Sainte Abbaye. Originally published/produ
Offering of the Paschal Lamb from the German Bible published by Anton Koberger, Nürnberg, 1483. Anonymous. Woodcut with hand coloring; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/offering-of-the-paschal-lamb-from-the-german-bible-published-by-anton-koberger-nrnberg-1483-anonymous-woodcut-with-hand-coloring-image448117049.htmlRM2H11DT9–Offering of the Paschal Lamb from the German Bible published by Anton Koberger, Nürnberg, 1483. Anonymous. Woodcut with hand coloring;
The investiture of the Easter lamb. Book Moses, Exodus 12,14. Old Testament, Old 19th century engraved illustration from History of the Bible 1883 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-investiture-of-the-easter-lamb-book-moses-exodus-1214-old-testament-old-19th-century-engraved-illustration-from-history-of-the-bible-1883-image415219752.htmlRM2F3EW0T–The investiture of the Easter lamb. Book Moses, Exodus 12,14. Old Testament, Old 19th century engraved illustration from History of the Bible 1883
. Glass. one of theearliest forms of the tradition of the Holy Graal. (I follow here the account givenby the late Mr. Thomas Arnold in an article by him in the Encydopadia Britan-7iica.) According to this tradition, Joseph of Arimathea, at the time of theCrucifixion, proceeded first to the upper room where the Last Supper had beencelebrated and found there the shallow bowl that had held the Paschal Lamb.Taking this vessel with him, and returning to the scene of the Crucifixion, hereceived in it drops of blood from the side of our Lord. The double service ofthe bowl is the essence of this tradi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-one-of-theearliest-forms-of-the-tradition-of-the-holy-graal-i-follow-here-the-account-givenby-the-late-mr-thomas-arnold-in-an-article-by-him-in-the-encydopadia-britan-7iica-according-to-this-tradition-joseph-of-arimathea-at-the-time-of-thecrucifixion-proceeded-first-to-the-upper-room-where-the-last-supper-had-beencelebrated-and-found-there-the-shallow-bowl-that-had-held-the-paschal-lambtaking-this-vessel-with-him-and-returning-to-the-scene-of-the-crucifixion-hereceived-in-it-drops-of-blood-from-the-side-of-our-lord-the-double-service-ofthe-bowl-is-the-essence-of-this-tradi-image336955934.htmlRM2AG5JME–. Glass. one of theearliest forms of the tradition of the Holy Graal. (I follow here the account givenby the late Mr. Thomas Arnold in an article by him in the Encydopadia Britan-7iica.) According to this tradition, Joseph of Arimathea, at the time of theCrucifixion, proceeded first to the upper room where the Last Supper had beencelebrated and found there the shallow bowl that had held the Paschal Lamb.Taking this vessel with him, and returning to the scene of the Crucifixion, hereceived in it drops of blood from the side of our Lord. The double service ofthe bowl is the essence of this tradi
Sachs, Hans, 5.11.1494 - 19.1.1576, German author / writer, Meistersinger, works, 'Die Wittenbergische Nachtigall' (The Wittenberg Nightingale), title page, woodcut, Nuremberg, 1523, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sachs-hans-5111494-1911576-german-author-writer-meistersinger-works-106899116.htmlRMG5WJWG–Sachs, Hans, 5.11.1494 - 19.1.1576, German author / writer, Meistersinger, works, 'Die Wittenbergische Nachtigall' (The Wittenberg Nightingale), title page, woodcut, Nuremberg, 1523,
ears look glancing see view looking peeking looking at sheep wool small tiny Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ears-look-glancing-see-view-looking-peeking-looking-at-sheep-wool-141117346.htmlRFJ5GCH6–ears look glancing see view looking peeking looking at sheep wool small tiny
![Mouton dOr of King Jean le Bon of France, 1350-1364 , 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photo](https://c8.alamy.com/comp/2A51KN1/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-1350-1364-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-quotgolden-sheepquot-mouton-dor-in-french-2A51KN1.jpg "Mouton dOr of King Jean le Bon of France, 1350-1364 , 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photo")
Mouton dOr of King Jean le Bon of France, 1350-1364 , 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-1350-1364-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-quotgolden-sheepquot-mouton-dor-in-french-image330107709.htmlRM2A51KN1–Mouton dOr of King Jean le Bon of France, 1350-1364 , 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French.
Last Supper, The Little Passion (series title), Stupid Passion (series title), Christ sits with his disciples at the Last Supper. John lays his head against Christ's chest. The paschal lamb lies on a platter on the table. In the foreground Judas with the bag of silver pieces in his hand. Print is part of a book., print maker: Jacob Cornelisz van Oostsanen (mentioned on object), publisher: Doen Pietersz., Amsterdam, 1520 - 1521 and/or c. 1530, paper, height 111 mm × width 80 mmheight 159 mm × width 102 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/last-supper-the-little-passion-series-title-stupid-passion-series-title-christ-sits-with-his-disciples-at-the-last-supper-john-lays-his-head-against-christs-chest-the-paschal-lamb-lies-on-a-platter-on-the-table-in-the-foreground-judas-with-the-bag-of-silver-pieces-in-his-hand-print-is-part-of-a-book-print-maker-jacob-cornelisz-van-oostsanen-mentioned-on-object-publisher-doen-pietersz-amsterdam-1520-1521-andor-c-1530-paper-height-111-mm-width-80-mmheight-159-mm-width-102-mm-image454356723.htmlRM2HB5MHR–Last Supper, The Little Passion (series title), Stupid Passion (series title), Christ sits with his disciples at the Last Supper. John lays his head against Christ's chest. The paschal lamb lies on a platter on the table. In the foreground Judas with the bag of silver pieces in his hand. Print is part of a book., print maker: Jacob Cornelisz van Oostsanen (mentioned on object), publisher: Doen Pietersz., Amsterdam, 1520 - 1521 and/or c. 1530, paper, height 111 mm × width 80 mmheight 159 mm × width 102 mm
A paschal lamb and easter table with flying angels. Museum: State Georgian Art Museum, Tiflis (Tbilisi). Author: PIROSMANI, NIKO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-paschal-lamb-and-easter-table-with-flying-angels-museum-state-georgian-art-museum-tiflis-tbilisi-author-pirosmani-niko-image231671940.htmlRMRCWFWT–A paschal lamb and easter table with flying angels. Museum: State Georgian Art Museum, Tiflis (Tbilisi). Author: PIROSMANI, NIKO.
Art inspired by Last Supper, The Little Passion (series title), Stupid Passion (series title), Christ sits with his disciples at the Last Supper. John lays his head against Christ's chest. The paschal lamb lies on a platter on the table. In the foreground Judas with the bag of silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-last-supper-the-little-passion-series-title-stupid-passion-series-title-christ-sits-with-his-disciples-at-the-last-supper-john-lays-his-head-against-christs-chest-the-paschal-lamb-lies-on-a-platter-on-the-table-in-the-foreground-judas-with-the-bag-of-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459714703.htmlRF2HKWPP7–Art inspired by Last Supper, The Little Passion (series title), Stupid Passion (series title), Christ sits with his disciples at the Last Supper. John lays his head against Christ's chest. The paschal lamb lies on a platter on the table. In the foreground Judas with the bag of silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Unidentified boy, three-quarter length portrait, seated, Photographer unidentified., Hallmark: [asterisk double paschal lamb] 30., Case: plain brown leather with decorative motif in each corner., Gift; Charles W. Millard; 1976; (DLC/PP-1976:096)., Forms part of: Daguerreotype collection , . Stock Photo](https://c8.alamy.com/comp/2X7CJW4/unidentified-boy-three-quarter-length-portrait-seated-photographer-unidentified-hallmark-asterisk-double-paschal-lamb-30-case-plain-brown-leather-with-decorative-motif-in-each-corner-gift-charles-w-millard-1976-dlcpp-1976096-forms-part-of-daguerreotype-collection-2X7CJW4.jpg "Unidentified boy, three-quarter length portrait, seated, Photographer unidentified., Hallmark: [asterisk double paschal lamb] 30., Case: plain brown leather with decorative motif in each corner., Gift; Charles W. Millard; 1976; (DLC/PP-1976:096)., Forms part of: Daguerreotype collection , . Stock Photo")
Unidentified boy, three-quarter length portrait, seated, Photographer unidentified., Hallmark: [asterisk double paschal lamb] 30., Case: plain brown leather with decorative motif in each corner., Gift; Charles W. Millard; 1976; (DLC/PP-1976:096)., Forms part of: Daguerreotype collection , . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-boy-three-quarter-length-portrait-seated-photographer-unidentified-hallmark-asterisk-double-paschal-lamb-30-case-plain-brown-leather-with-decorative-motif-in-each-corner-gift-charles-w-millard-1976-dlcpp-1976096-forms-part-of-daguerreotype-collection-image606943712.htmlRM2X7CJW4–Unidentified boy, three-quarter length portrait, seated, Photographer unidentified., Hallmark: [asterisk double paschal lamb] 30., Case: plain brown leather with decorative motif in each corner., Gift; Charles W. Millard; 1976; (DLC/PP-1976:096)., Forms part of: Daguerreotype collection , .
The New Testament of our Lord and Saviour Jesus ChristTranslated from the Latin Vulgate: and diligently compared with the original Greek . vi?.. In a visible manner, aa when conversant here onearth, and as we have the poor, whom we may daily a.-sist and relieve. t The feast of the unleavened bread. J The paschal lamb. § Ver. .J6. This is my body. He docs not say, this is the figure of my body—but this is my body, (2 Counrilof Nice, Act vi.) Neither doe.-< lie say in this, or with this is my tmdy; but absolutely, this is my body: whichplainly implies tninsub.siantiation. II Ver. 27. Drinkye Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-new-testament-of-our-lord-and-saviour-jesus-christtranslated-from-the-latin-vulgate-and-diligently-compared-with-the-original-greek-vi-in-a-visible-manner-aa-when-conversant-here-onearth-and-as-we-have-the-poor-whom-we-may-daily-a-sist-and-relieve-t-the-feast-of-the-unleavened-bread-j-the-paschal-lamb-ver-j6-this-is-my-body-he-docs-not-say-this-is-the-figure-of-my-bodybut-this-is-my-body-2-counrilof-nice-act-vi-neither-doe-lt-lie-say-in-this-or-with-this-is-my-tmdy-but-absolutely-this-is-my-body-whichplainly-implies-tninsubsiantiation-ii-ver-27-drinkye-image342719820.htmlRM2AWG6HG–The New Testament of our Lord and Saviour Jesus ChristTranslated from the Latin Vulgate: and diligently compared with the original Greek . vi?.. In a visible manner, aa when conversant here onearth, and as we have the poor, whom we may daily a.-sist and relieve. t The feast of the unleavened bread. J The paschal lamb. § Ver. .J6. This is my body. He docs not say, this is the figure of my body—but this is my body, (2 Counrilof Nice, Act vi.) Neither doe.-< lie say in this, or with this is my tmdy; but absolutely, this is my body: whichplainly implies tninsub.siantiation. II Ver. 27. Drinkye
curious nosey nosy ears look glancing see view looking peeking looking at sheep Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-curious-nosey-nosy-ears-look-glancing-see-view-looking-peeking-looking-141117345.htmlRFJ5GCH5–curious nosey nosy ears look glancing see view looking peeking looking at sheep
![Mouton dOr of King Jean le Bon of France, 1350-1364 (reverse), 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photo](https://c8.alamy.com/comp/2A51KN0/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-reverse-1350-1364-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-quotgolden-sheepquot-mouton-dor-in-french-2A51KN0.jpg "Mouton dOr of King Jean le Bon of France, 1350-1364 (reverse), 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photo")
Mouton dOr of King Jean le Bon of France, 1350-1364 (reverse), 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-reverse-1350-1364-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-quotgolden-sheepquot-mouton-dor-in-french-image330107708.htmlRM2A51KN0–Mouton dOr of King Jean le Bon of France, 1350-1364 (reverse), 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French.
A ligated lamb besides a basket of eggs (Allegory of Easter). Museum: PRIVATE COLLECTION. Author: Giovan Battista Recco. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-ligated-lamb-besides-a-basket-of-eggs-allegory-of-easter-museum-private-collection-author-giovan-battista-recco-image369028294.htmlRM2CCAK9X–A ligated lamb besides a basket of eggs (Allegory of Easter). Museum: PRIVATE COLLECTION. Author: Giovan Battista Recco.
Mosaic in the Basilica of Sant'Apollinare in Classe in Ravenna, representing the sacrifice of a lamb, c. 1875 - c. 1900 photograph Basilica of Sant'Apollinare in Classe cardboard. photographic support albumen print interior of church. art (+ mosaic making). sacrifice of the paschal lamb Jewish religion Basilica of Sant'Apollinare in Classe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mosaic-in-the-basilica-of-santapollinare-in-classe-in-ravenna-representing-the-sacrifice-of-a-lamb-c-1875-c-1900-photograph-basilica-of-santapollinare-in-classe-cardboard-photographic-support-albumen-print-interior-of-church-art-mosaic-making-sacrifice-of-the-paschal-lamb-jewish-religion-basilica-of-santapollinare-in-classe-image591949612.htmlRM2WB1HNG–Mosaic in the Basilica of Sant'Apollinare in Classe in Ravenna, representing the sacrifice of a lamb, c. 1875 - c. 1900 photograph Basilica of Sant'Apollinare in Classe cardboard. photographic support albumen print interior of church. art (+ mosaic making). sacrifice of the paschal lamb Jewish religion Basilica of Sant'Apollinare in Classe
Our day in the light of prophecy and providence . n to cease.^ Dan. 9: 27. Christs death upon the cross made the sacrifice and theoblation to cease/ so far as their appointed force was con-cerned. After three years and a half of ministry, in themidst of this seven-year period, the prophetic week, the Mes-siah was lifted up on Calvary. For centuries the sure wordof prophecy had pointed to this supreme hour in the work-ing out of the plan of salvation. When the time was ful-filled, the promise of God was fulfilled also, and the divineSacrifice was offered. Paschal Lamb, by God appointed, All our Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-day-in-the-light-of-prophecy-and-providence-n-to-cease-dan-9-27-christs-death-upon-the-cross-made-the-sacrifice-and-theoblation-to-cease-so-far-as-their-appointed-force-was-con-cerned-after-three-years-and-a-half-of-ministry-in-themidst-of-this-seven-year-period-the-prophetic-week-the-mes-siah-was-lifted-up-on-calvary-for-centuries-the-sure-wordof-prophecy-had-pointed-to-this-supreme-hour-in-the-work-ing-out-of-the-plan-of-salvation-when-the-time-was-ful-filled-the-promise-of-god-was-fulfilled-also-and-the-divinesacrifice-was-offered-paschal-lamb-by-god-appointed-all-our-image343131572.htmlRM2AX6YR0–Our day in the light of prophecy and providence . n to cease.^ Dan. 9: 27. Christs death upon the cross made the sacrifice and theoblation to cease/ so far as their appointed force was con-cerned. After three years and a half of ministry, in themidst of this seven-year period, the prophetic week, the Mes-siah was lifted up on Calvary. For centuries the sure wordof prophecy had pointed to this supreme hour in the work-ing out of the plan of salvation. When the time was ful-filled, the promise of God was fulfilled also, and the divineSacrifice was offered. Paschal Lamb, by God appointed, All our
holiday graphic easter party celebration bunny bunnies egg conspicuous Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-holiday-graphic-easter-party-celebration-bunny-bunnies-egg-conspicuous-142048855.htmlRFJ72TNB–holiday graphic easter party celebration bunny bunnies egg conspicuous
![Mouton dOr of King Jean le Bon of France, 1350-1364 (obverse), 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photo](https://c8.alamy.com/comp/2A51KM8/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-obverse-1350-1364-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-quotgolden-sheepquot-mouton-dor-in-french-2A51KM8.jpg "Mouton dOr of King Jean le Bon of France, 1350-1364 (obverse), 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photo")
Mouton dOr of King Jean le Bon of France, 1350-1364 (obverse), 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-obverse-1350-1364-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-quotgolden-sheepquot-mouton-dor-in-french-image330107688.htmlRM2A51KM8–Mouton dOr of King Jean le Bon of France, 1350-1364 (obverse), 1350-1364. Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a "Golden Sheep"--Mouton dOr in French.
CORDERO DE DIOS - AGNUS DEI - SIGUIENDO A ZURBARAN - 1660-1670 - PINTURA BARROCA PORTUGUESA. Author: Josefa de Obidos (1634-1684). Location: MUSEO, EVORA, PORTUGAL. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cordero-de-dios-agnus-dei-siguiendo-a-zurbaran-1660-1670-pintura-barroca-portuguesa-author-josefa-de-obidos-1634-1684-location-museo-evora-portugal-image209380829.htmlRMP4J3AN–CORDERO DE DIOS - AGNUS DEI - SIGUIENDO A ZURBARAN - 1660-1670 - PINTURA BARROCA PORTUGUESA. Author: Josefa de Obidos (1634-1684). Location: MUSEO, EVORA, PORTUGAL.
![Occupational portrait of two unidentified surveyors with their tools, a level and a theodolite, Photographer unidentified., Hallmark: [asterisk double paschal lamb]., Case: variant of Rinhart 137., Purchase/exchange; Gary Vroegindewey; 1981; (DLC/PP-1981:380R)., Forms part of: Daguerreotype collection Laborers, 1850-1860. , Surveying equipment, 1850-1860. Stock Photo](https://c8.alamy.com/comp/2X7CJRX/occupational-portrait-of-two-unidentified-surveyors-with-their-tools-a-level-and-a-theodolite-photographer-unidentified-hallmark-asterisk-double-paschal-lamb-case-variant-of-rinhart-137-purchaseexchange-gary-vroegindewey-1981-dlcpp-1981380r-forms-part-of-daguerreotype-collection-laborers-1850-1860-surveying-equipment-1850-1860-2X7CJRX.jpg "Occupational portrait of two unidentified surveyors with their tools, a level and a theodolite, Photographer unidentified., Hallmark: [asterisk double paschal lamb]., Case: variant of Rinhart 137., Purchase/exchange; Gary Vroegindewey; 1981; (DLC/PP-1981:380R)., Forms part of: Daguerreotype collection Laborers, 1850-1860. , Surveying equipment, 1850-1860. Stock Photo")
Occupational portrait of two unidentified surveyors with their tools, a level and a theodolite, Photographer unidentified., Hallmark: [asterisk double paschal lamb]., Case: variant of Rinhart 137., Purchase/exchange; Gary Vroegindewey; 1981; (DLC/PP-1981:380R)., Forms part of: Daguerreotype collection Laborers, 1850-1860. , Surveying equipment, 1850-1860. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/occupational-portrait-of-two-unidentified-surveyors-with-their-tools-a-level-and-a-theodolite-photographer-unidentified-hallmark-asterisk-double-paschal-lamb-case-variant-of-rinhart-137-purchaseexchange-gary-vroegindewey-1981-dlcpp-1981380r-forms-part-of-daguerreotype-collection-laborers-1850-1860-surveying-equipment-1850-1860-image606943678.htmlRM2X7CJRX–Occupational portrait of two unidentified surveyors with their tools, a level and a theodolite, Photographer unidentified., Hallmark: [asterisk double paschal lamb]., Case: variant of Rinhart 137., Purchase/exchange; Gary Vroegindewey; 1981; (DLC/PP-1981:380R)., Forms part of: Daguerreotype collection Laborers, 1850-1860. , Surveying equipment, 1850-1860.
Old English glassesAn account of glass drinking vessels in England, from early times to the end of the eighteenth centuryWith introductory notices, original documents, etc . lity is. Similarly the Sacro Journal, vol. xiv. p. 8. Paper on the Precious Objects Catino at Genoa has been variously asserted to be the in the Church at Monza, by W. Purges, dish which held the Paschal Lamb at the Last Supper, or - See Archaeologia, vol. xlii. p. 3S7, On a Lamp of the vessel in which Joseph of Arimathea received the Persian Ware, etc., paper by Mr. C. D. E. Fortnum.Blood from the Pierced Side; it is a he Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-english-glassesan-account-of-glass-drinking-vessels-in-england-from-early-times-to-the-end-of-the-eighteenth-centurywith-introductory-notices-original-documents-etc-lity-is-similarly-the-sacro-journal-vol-xiv-p-8-paper-on-the-precious-objects-catino-at-genoa-has-been-variously-asserted-to-be-the-in-the-church-at-monza-by-w-purges-dish-which-held-the-paschal-lamb-at-the-last-supper-or-see-archaeologia-vol-xlii-p-3s7-on-a-lamp-of-the-vessel-in-which-joseph-of-arimathea-received-the-persian-ware-etc-paper-by-mr-c-d-e-fortnumblood-from-the-pierced-side-it-is-a-he-image340242149.htmlRM2ANFA99–Old English glassesAn account of glass drinking vessels in England, from early times to the end of the eighteenth centuryWith introductory notices, original documents, etc . lity is. Similarly the Sacro Journal, vol. xiv. p. 8. Paper on the Precious Objects Catino at Genoa has been variously asserted to be the in the Church at Monza, by W. Purges, dish which held the Paschal Lamb at the Last Supper, or - See Archaeologia, vol. xlii. p. 3S7, On a Lamp of the vessel in which Joseph of Arimathea received the Persian Ware, etc., paper by Mr. C. D. E. Fortnum.Blood from the Pierced Side; it is a he
Offering of the Paschal Lamb from the German Bible published by Anton Koberger, Nürnberg, 1483. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/offering-of-the-paschal-lamb-from-the-german-bible-published-by-anton-koberger-nxfcrnberg-1483-image330108698.htmlRM2A51N0A–Offering of the Paschal Lamb from the German Bible published by Anton Koberger, Nürnberg, 1483.
BIBLIA S XIII- MS 553- MOISES OFRECIENDO- LETRA U- PG 36V-MINIATURA GOTICA. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/biblia-s-xiii-ms-553-moises-ofreciendo-letra-u-pg-36v-miniatura-gotica-location-biblioteca-nacional-coleccion-madrid-spain-image208288567.htmlRMP2TA5B–BIBLIA S XIII- MS 553- MOISES OFRECIENDO- LETRA U- PG 36V-MINIATURA GOTICA. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.
![Unidentified man, head-and-shoulders portrait, facing slightly right, Hallmark: 40 [paschal lamb]., Case: back only, central floral design within floral wreath., Gift; Mrs. Alexander Macomb; 1976; (DLC/PP-1976:307)., Forms part of: Rodgers Family Papers, 1740-1977 , Forms part of: Daguerreotype collection , . Stock Photo](https://c8.alamy.com/comp/2X7CK5R/unidentified-man-head-and-shoulders-portrait-facing-slightly-right-hallmark-40-paschal-lamb-case-back-only-central-floral-design-within-floral-wreath-gift-mrs-alexander-macomb-1976-dlcpp-1976307-forms-part-of-rodgers-family-papers-1740-1977-forms-part-of-daguerreotype-collection-2X7CK5R.jpg "Unidentified man, head-and-shoulders portrait, facing slightly right, Hallmark: 40 [paschal lamb]., Case: back only, central floral design within floral wreath., Gift; Mrs. Alexander Macomb; 1976; (DLC/PP-1976:307)., Forms part of: Rodgers Family Papers, 1740-1977 , Forms part of: Daguerreotype collection , . Stock Photo")
Unidentified man, head-and-shoulders portrait, facing slightly right, Hallmark: 40 [paschal lamb]., Case: back only, central floral design within floral wreath., Gift; Mrs. Alexander Macomb; 1976; (DLC/PP-1976:307)., Forms part of: Rodgers Family Papers, 1740-1977 , Forms part of: Daguerreotype collection , . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-man-head-and-shoulders-portrait-facing-slightly-right-hallmark-40-paschal-lamb-case-back-only-central-floral-design-within-floral-wreath-gift-mrs-alexander-macomb-1976-dlcpp-1976307-forms-part-of-rodgers-family-papers-1740-1977-forms-part-of-daguerreotype-collection-image606943955.htmlRM2X7CK5R–Unidentified man, head-and-shoulders portrait, facing slightly right, Hallmark: 40 [paschal lamb]., Case: back only, central floral design within floral wreath., Gift; Mrs. Alexander Macomb; 1976; (DLC/PP-1976:307)., Forms part of: Rodgers Family Papers, 1740-1977 , Forms part of: Daguerreotype collection , .
The Holy Land and the Bible; . hem and sujiported theAvooden rafters. Synagogues seem to have nearly always had somereligious emblem over their main entrance—a seven-branched candle-stick, or a Paschal lamb:^ tlie device over this one, still seen on alarge stone, Avas a pot of manna, Avhich is very striking if this Averethe building frequented by Christ. Perhaps it Avas in sight of it thatHe cried, I am that bread of life. Your fathers did eat manna in thewilderness, and are dead. ^ The ruins of the ancient town covera space about a half a mile in length and half as broad. On the northside are Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-holy-land-and-the-bible-hem-and-sujiported-theavooden-rafters-synagogues-seem-to-have-nearly-always-had-somereligious-emblem-over-their-main-entrancea-seven-branched-candle-stick-or-a-paschal-lamb-tlie-device-over-this-one-still-seen-on-alarge-stone-avas-a-pot-of-manna-avhich-is-very-striking-if-this-averethe-building-frequented-by-christ-perhaps-it-avas-in-sight-of-it-thathe-cried-i-am-that-bread-of-life-your-fathers-did-eat-manna-in-thewilderness-and-are-dead-the-ruins-of-the-ancient-town-covera-space-about-a-half-a-mile-in-length-and-half-as-broad-on-the-northside-are-image339450295.htmlRM2AM788R–The Holy Land and the Bible; . hem and sujiported theAvooden rafters. Synagogues seem to have nearly always had somereligious emblem over their main entrance—a seven-branched candle-stick, or a Paschal lamb:^ tlie device over this one, still seen on alarge stone, Avas a pot of manna, Avhich is very striking if this Averethe building frequented by Christ. Perhaps it Avas in sight of it thatHe cried, I am that bread of life. Your fathers did eat manna in thewilderness, and are dead. ^ The ruins of the ancient town covera space about a half a mile in length and half as broad. On the northside are
The Lamb. Artist: Klee, Paul (1879-1940) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-lamb-artist-klee-paul-1879-1940-74094399.htmlRME8F84F–The Lamb. Artist: Klee, Paul (1879-1940)
Mouton d'Or of King Jean le Bon of France, 1350-1364 (obverse), 1350-1364. France, Gothic period, 14th century. Gold; diameter: 3.1 cm (1 1/4 in.). Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a 'Golden Sheep'--Mouton d'Or in French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-obverse-1350-1364-france-gothic-period-14th-century-gold-diameter-31-cm-1-14-in-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-golden-sheep-mouton-dor-in-french-image448061092.htmlRM2H0XXDT–Mouton d'Or of King Jean le Bon of France, 1350-1364 (obverse), 1350-1364. France, Gothic period, 14th century. Gold; diameter: 3.1 cm (1 1/4 in.). Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a 'Golden Sheep'--Mouton d'Or in French.
. The story of architecture: an outline of the styles in all countries. in elaborate sculp-ture, the four beasts of the Apocalypse, Theseus, theMinotaur, the Paschal Lamb, Lazarus, sirens, the 254 EARLY CHRISTIAN ARCHITECTURE. Zodiac, the peacock, the fish, the goat, the vine,Daniel, Jonas, David and Goliath, and hundreds ofScandinavian dragons, eagles, dogs, and sea ser-pents; all of which evidently affected later Gothicart, as shown in the gargoyles, monsters, and gro-tesques in the cathedrals of the thirteenth, fourteenth,and fifteenth centuries. The Church of San Michele was at one time co Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-story-of-architecture-an-outline-of-the-styles-in-all-countries-in-elaborate-sculp-ture-the-four-beasts-of-the-apocalypse-theseus-theminotaur-the-paschal-lamb-lazarus-sirens-the-254-early-christian-architecture-zodiac-the-peacock-the-fish-the-goat-the-vinedaniel-jonas-david-and-goliath-and-hundreds-ofscandinavian-dragons-eagles-dogs-and-sea-ser-pents-all-of-which-evidently-affected-later-gothicart-as-shown-in-the-gargoyles-monsters-and-gro-tesques-in-the-cathedrals-of-the-thirteenth-fourteenthand-fifteenth-centuries-the-church-of-san-michele-was-at-one-time-co-image370416812.htmlRM2CEHXBT–. The story of architecture: an outline of the styles in all countries. in elaborate sculp-ture, the four beasts of the Apocalypse, Theseus, theMinotaur, the Paschal Lamb, Lazarus, sirens, the 254 EARLY CHRISTIAN ARCHITECTURE. Zodiac, the peacock, the fish, the goat, the vine,Daniel, Jonas, David and Goliath, and hundreds ofScandinavian dragons, eagles, dogs, and sea ser-pents; all of which evidently affected later Gothicart, as shown in the gargoyles, monsters, and gro-tesques in the cathedrals of the thirteenth, fourteenth,and fifteenth centuries. The Church of San Michele was at one time co
A ligated lamb besides a basket of eggs (Allegory of Easter), Second Half of the 17th cen.. Private Collection. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-ligated-lamb-besides-a-basket-of-eggs-allegory-of-easter-second-half-of-the-17th-cen-private-collection-image374801556.htmlRM2CNNK5T–A ligated lamb besides a basket of eggs (Allegory of Easter), Second Half of the 17th cen.. Private Collection.
![Unidentified woman, three-quarter length portrait, facing front, seated with arm resting on table with tablecloth, Photographer unidentified., Was part of LOT 8775., Hallmark: [double paschal lamb] 40., Case: variant of Rinhart 53., Transfer; Manuscript Division; 1960., Forms part of: Robert Wickliffe Woolley Papers, 1842-1958 , Forms part of: Daguerreotype collection , . Stock Photo](https://c8.alamy.com/comp/2X7CJPX/unidentified-woman-three-quarter-length-portrait-facing-front-seated-with-arm-resting-on-table-with-tablecloth-photographer-unidentified-was-part-of-lot-8775-hallmark-double-paschal-lamb-40-case-variant-of-rinhart-53-transfer-manuscript-division-1960-forms-part-of-robert-wickliffe-woolley-papers-1842-1958-forms-part-of-daguerreotype-collection-2X7CJPX.jpg "Unidentified woman, three-quarter length portrait, facing front, seated with arm resting on table with tablecloth, Photographer unidentified., Was part of LOT 8775., Hallmark: [double paschal lamb] 40., Case: variant of Rinhart 53., Transfer; Manuscript Division; 1960., Forms part of: Robert Wickliffe Woolley Papers, 1842-1958 , Forms part of: Daguerreotype collection , . Stock Photo")
Unidentified woman, three-quarter length portrait, facing front, seated with arm resting on table with tablecloth, Photographer unidentified., Was part of LOT 8775., Hallmark: [double paschal lamb] 40., Case: variant of Rinhart 53., Transfer; Manuscript Division; 1960., Forms part of: Robert Wickliffe Woolley Papers, 1842-1958 , Forms part of: Daguerreotype collection , . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unidentified-woman-three-quarter-length-portrait-facing-front-seated-with-arm-resting-on-table-with-tablecloth-photographer-unidentified-was-part-of-lot-8775-hallmark-double-paschal-lamb-40-case-variant-of-rinhart-53-transfer-manuscript-division-1960-forms-part-of-robert-wickliffe-woolley-papers-1842-1958-forms-part-of-daguerreotype-collection-image606943650.htmlRM2X7CJPX–Unidentified woman, three-quarter length portrait, facing front, seated with arm resting on table with tablecloth, Photographer unidentified., Was part of LOT 8775., Hallmark: [double paschal lamb] 40., Case: variant of Rinhart 53., Transfer; Manuscript Division; 1960., Forms part of: Robert Wickliffe Woolley Papers, 1842-1958 , Forms part of: Daguerreotype collection , .
. The story of architecture: an outline of the styles in all countries. Wr£—.- ■l/^-ftj-:1^^-— ^TfS. I Fig. 99.—Elevation of Sta. Maria Toscanella. especially in bands along the front, in modillions letinto the wall, and in the decorations which filled andcovered the heads and lintels of the doorways. Itwas made up of a heterogeneous collection of pagan,Christian, and Scandinavian symbols. In the samechurch one might see wrought in elaborate sculp-ture, the four beasts of the Apocalypse, Theseus, theMinotaur, the Paschal Lamb, Lazarus, sirens, the 254 EARLY CHRISTIAN ARCHITECTURE. Zodiac, the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-story-of-architecture-an-outline-of-the-styles-in-all-countries-wr-l-ftj-1-tfs-i-fig-99elevation-of-sta-maria-toscanella-especially-in-bands-along-the-front-in-modillions-letinto-the-wall-and-in-the-decorations-which-filled-andcovered-the-heads-and-lintels-of-the-doorways-itwas-made-up-of-a-heterogeneous-collection-of-paganchristian-and-scandinavian-symbols-in-the-samechurch-one-might-see-wrought-in-elaborate-sculp-ture-the-four-beasts-of-the-apocalypse-theseus-theminotaur-the-paschal-lamb-lazarus-sirens-the-254-early-christian-architecture-zodiac-the-image370417015.htmlRM2CEHXK3–. The story of architecture: an outline of the styles in all countries. Wr£—.- ■l/^-ftj-:1^^-— ^TfS. I Fig. 99.—Elevation of Sta. Maria Toscanella. especially in bands along the front, in modillions letinto the wall, and in the decorations which filled andcovered the heads and lintels of the doorways. Itwas made up of a heterogeneous collection of pagan,Christian, and Scandinavian symbols. In the samechurch one might see wrought in elaborate sculp-ture, the four beasts of the Apocalypse, Theseus, theMinotaur, the Paschal Lamb, Lazarus, sirens, the 254 EARLY CHRISTIAN ARCHITECTURE. Zodiac, the
Mouton d'Or of King Jean le Bon of France, 1350-1364 , 1350-1364. France, Gothic period, 14th century. Gold; diameter: 3.1 cm (1 1/4 in.). Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a 'Golden Sheep'--Mouton d'Or in French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-1350-1364-france-gothic-period-14th-century-gold-diameter-31-cm-1-14-in-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-golden-sheep-mouton-dor-in-french-image448061046.htmlRM2H0XXC6–Mouton d'Or of King Jean le Bon of France, 1350-1364 , 1350-1364. France, Gothic period, 14th century. Gold; diameter: 3.1 cm (1 1/4 in.). Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a 'Golden Sheep'--Mouton d'Or in French.
The Westminster hymnal : the only collection authorized by the hierarchy of England and Wales . :^^ Christians, haste your vows to pay ;Offer ye your praises meetAt the Paschal A^ictims feet :For the sheep the Lamb hath bled,Sinless in the sinners stead.Christ the Lord is risii on high ;Now He lives, no more to die. Say, O wondring Mary, say.What thou sawest on thy way. I beheld, where Christ had lain,Empty tomb and angels twain;I beheld the glory brightOf the rising Lord of light:Christ my hope is risn again ;Now He lives, and lives to reign. Christ, the Victim undefild,Man to God hath reconc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-westminster-hymnal-the-only-collection-authorized-by-the-hierarchy-of-england-and-wales-christians-haste-your-vows-to-pay-offer-ye-your-praises-meetat-the-paschal-aictims-feet-for-the-sheep-the-lamb-hath-bledsinless-in-the-sinners-steadchrist-the-lord-is-risii-on-high-now-he-lives-no-more-to-die-say-o-wondring-mary-saywhat-thou-sawest-on-thy-way-i-beheld-where-christ-had-lainempty-tomb-and-angels-twaini-beheld-the-glory-brightof-the-rising-lord-of-lightchrist-my-hope-is-risn-again-now-he-lives-and-lives-to-reign-christ-the-victim-undefildman-to-god-hath-reconc-image340248970.htmlRM2ANFK0X–The Westminster hymnal : the only collection authorized by the hierarchy of England and Wales . :^^ Christians, haste your vows to pay ;Offer ye your praises meetAt the Paschal A^ictims feet :For the sheep the Lamb hath bled,Sinless in the sinners stead.Christ the Lord is risii on high ;Now He lives, no more to die. Say, O wondring Mary, say.What thou sawest on thy way. I beheld, where Christ had lain,Empty tomb and angels twain;I beheld the glory brightOf the rising Lord of light:Christ my hope is risn again ;Now He lives, and lives to reign. Christ, the Victim undefild,Man to God hath reconc
Mouton d'Or of King Jean le Bon of France, 1350-1364 (reverse), 1350-1364. France, Gothic period, 14th century. Gold; diameter: 3.1 cm (1 1/4 in.). Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a 'Golden Sheep'--Mouton d'Or in French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mouton-dor-of-king-jean-le-bon-of-france-1350-1364-reverse-1350-1364-france-gothic-period-14th-century-gold-diameter-31-cm-1-14-in-because-this-gold-coin-represents-the-paschal-lamb-a-symbol-of-christ-on-one-of-its-faces-it-is-known-as-a-golden-sheep-mouton-dor-in-french-image448061066.htmlRM2H0XXCX–Mouton d'Or of King Jean le Bon of France, 1350-1364 (reverse), 1350-1364. France, Gothic period, 14th century. Gold; diameter: 3.1 cm (1 1/4 in.). Because this gold coin represents the Paschal Lamb, a symbol of Christ, on one of its faces, it is known as a 'Golden Sheep'--Mouton d'Or in French.
The Westminster hymnal : the only collection authorized by the hierarchy of England and Wales . J I J U , t:| ^—^-| 1 I I I I. 4=U-l^J- P^^?^^^^ ?^=g^^: 122; Victimae Paschali CHRIST the Lord is risen to-day :Christians, haste your vows to pay ;Offer ye your praises meetAt the Paschal Victims feet ;For the sheep the Lamb hath bled,Sinless in the sinners stead.Christ the Lord is risn on high ;Now He lives, no more to die. Christ, the Victim undefild,Man to God hath reconcild ;When in strange and a--ful strifeMet together death and life ;Christians, on this happy dayHaste with joy your vows Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-westminster-hymnal-the-only-collection-authorized-by-the-hierarchy-of-england-and-wales-j-i-j-u-t-1-i-i-i-i-4=u-lj-p-=g-122-victimae-paschali-christ-the-lord-is-risen-to-day-christians-haste-your-vows-to-pay-offer-ye-your-praises-meetat-the-paschal-victims-feet-for-the-sheep-the-lamb-hath-bledsinless-in-the-sinners-steadchrist-the-lord-is-risn-on-high-now-he-lives-no-more-to-die-christ-the-victim-undefildman-to-god-hath-reconcild-when-in-strange-and-a-ful-strifemet-together-death-and-life-christians-on-this-happy-dayhaste-with-joy-your-vows-image340247733.htmlRM2ANFHCN–The Westminster hymnal : the only collection authorized by the hierarchy of England and Wales . J I J U , t:| ^—^-| 1 I I I I. 4=U-l^J- P^^?^^^^ ?^=g^^: 122; Victimae Paschali CHRIST the Lord is risen to-day :Christians, haste your vows to pay ;Offer ye your praises meetAt the Paschal Victims feet ;For the sheep the Lamb hath bled,Sinless in the sinners stead.Christ the Lord is risn on high ;Now He lives, no more to die. Christ, the Victim undefild,Man to God hath reconcild ;When in strange and a--ful strifeMet together death and life ;Christians, on this happy dayHaste with joy your vows
![Washington Hunt, half-length portrait, slightly to right, Identification from engraving by A.H. Ritchie, Dagpe. by Brady., Scratched on back of plate: 17., Hallmark: [paschal lamb] A. Gaudin 40()., Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Hunt, Washington, 1811-1867. Stock Photo](https://c8.alamy.com/comp/2X7CJMP/washington-hunt-half-length-portrait-slightly-to-right-identification-from-engraving-by-ah-ritchie-dagpe-by-brady-scratched-on-back-of-plate-17-hallmark-paschal-lamb-a-gaudin-40-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-hunt-washington-1811-1867-2X7CJMP.jpg "Washington Hunt, half-length portrait, slightly to right, Identification from engraving by A.H. Ritchie, Dagpe. by Brady., Scratched on back of plate: 17., Hallmark: [paschal lamb] A. Gaudin 40()., Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Hunt, Washington, 1811-1867. Stock Photo")
Washington Hunt, half-length portrait, slightly to right, Identification from engraving by A.H. Ritchie, Dagpe. by Brady., Scratched on back of plate: 17., Hallmark: [paschal lamb] A. Gaudin 40()., Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Hunt, Washington, 1811-1867. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washington-hunt-half-length-portrait-slightly-to-right-identification-from-engraving-by-ah-ritchie-dagpe-by-brady-scratched-on-back-of-plate-17-hallmark-paschal-lamb-a-gaudin-40-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-hunt-washington-1811-1867-image606943590.htmlRM2X7CJMP–Washington Hunt, half-length portrait, slightly to right, Identification from engraving by A.H. Ritchie, Dagpe. by Brady., Scratched on back of plate: 17., Hallmark: [paschal lamb] A. Gaudin 40()., Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Hunt, Washington, 1811-1867.
Brief poems . re.It was a long lost Hebrew air. Oft hymnd on hills where prophets trod ;And, while they sang, as Heavn it were, To look upon the Lamb of God. M -Y-V -^1^ The Paschal moon was shining bright On Olivet and tower and tree ; —In every house a burning light, In every soul a jubilee ;Save in that lonely upper room, With fear and anguish hearts were wrung;Dim shadows, of to-morrows doom Above the Cross on Calvry hung. 3 The trembling stars then watchd on high The garden of Gethsemane;While Powers of Darkness o^atherd nio-h That timid flock of Galilee !Thrice prayd our Lord—worn out, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brief-poems-reit-was-a-long-lost-hebrew-air-oft-hymnd-on-hills-where-prophets-trod-and-while-they-sang-as-heavn-it-were-to-look-upon-the-lamb-of-god-m-y-v-1-the-paschal-moon-was-shining-bright-on-olivet-and-tower-and-tree-in-every-house-a-burning-light-in-every-soul-a-jubilee-save-in-that-lonely-upper-room-with-fear-and-anguish-hearts-were-wrungdim-shadows-of-to-morrows-doom-above-the-cross-on-calvry-hung-3-the-trembling-stars-then-watchd-on-high-the-garden-of-gethsemanewhile-powers-of-darkness-oatherd-nio-h-that-timid-flock-of-galilee-!thrice-prayd-our-lordworn-out-image338333405.htmlRM2AJCBKW–Brief poems . re.It was a long lost Hebrew air. Oft hymnd on hills where prophets trod ;And, while they sang, as Heavn it were, To look upon the Lamb of God. M -Y-V -^1^ The Paschal moon was shining bright On Olivet and tower and tree ; —In every house a burning light, In every soul a jubilee ;Save in that lonely upper room, With fear and anguish hearts were wrung;Dim shadows, of to-morrows doom Above the Cross on Calvry hung. 3 The trembling stars then watchd on high The garden of Gethsemane;While Powers of Darkness o^atherd nio-h That timid flock of Galilee !Thrice prayd our Lord—worn out,
![Two unidentified girls, about three and five years of age, the younger child seated in high chair, older one standing beside her on left, both nearly facing front, Scratched on back of plate: 98., Hallmark: [paschal lamb] 40 [Upside down A], Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio. Stock Photo](https://c8.alamy.com/comp/2X7CK3E/two-unidentified-girls-about-three-and-five-years-of-age-the-younger-child-seated-in-high-chair-older-one-standing-beside-her-on-left-both-nearly-facing-front-scratched-on-back-of-plate-98-hallmark-paschal-lamb-40-upside-down-a-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-2X7CK3E.jpg "Two unidentified girls, about three and five years of age, the younger child seated in high chair, older one standing beside her on left, both nearly facing front, Scratched on back of plate: 98., Hallmark: [paschal lamb] 40 [Upside down A], Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio. Stock Photo")
Two unidentified girls, about three and five years of age, the younger child seated in high chair, older one standing beside her on left, both nearly facing front, Scratched on back of plate: 98., Hallmark: [paschal lamb] 40 [Upside down A], Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-unidentified-girls-about-three-and-five-years-of-age-the-younger-child-seated-in-high-chair-older-one-standing-beside-her-on-left-both-nearly-facing-front-scratched-on-back-of-plate-98-hallmark-paschal-lamb-40-upside-down-a-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-image606943890.htmlRM2X7CK3E–Two unidentified girls, about three and five years of age, the younger child seated in high chair, older one standing beside her on left, both nearly facing front, Scratched on back of plate: 98., Hallmark: [paschal lamb] 40 [Upside down A], Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.
. Annual catalogue. AN BAKER, Esq.,Prof. PASCHAL CARTER,W. P. KERR, Esq.,Rev. D. SHEPARDSON,HENRY C. TAYLOR, Esq.,Rev. J. B. SACKETT,Rev. D. E. THOMAS,Rev. E. T. BROWN,W. M. GARVY, Esq.,Rev. ORSAMUS ALLEN,P. LOTHROP, Esq.,Rev. WILLIAM SEDWICK,J. A. SINNET, Esq.,Rev. S. B. WEBSTER,Rev. T. G. LAMB,ALVIN AUSTIN, Esq.,Rev. S. T. GRISWOLD,E. M. DOWNER, Esq. OFFICERS OF THE BOARD. JEREMIAH HALL, D.D President. Rev. THOMAS G. LAMB Secretary. Prof. FLETCHER 0. MARSH. .Treasurer. W.P.KERR, ESQ ••• I Auditors. J. A. SINNET, Esq J EXECUTIVE COMMITTEE. JEREMIAH HALL, E. F. BRYAN, ORSAMUS ALLEN, E. M. DOWN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annual-catalogue-an-baker-esqprof-paschal-carterw-p-kerr-esqrev-d-shepardsonhenry-c-taylor-esqrev-j-b-sackettrev-d-e-thomasrev-e-t-brownw-m-garvy-esqrev-orsamus-allenp-lothrop-esqrev-william-sedwickj-a-sinnet-esqrev-s-b-websterrev-t-g-lambalvin-austin-esqrev-s-t-griswolde-m-downer-esq-officers-of-the-board-jeremiah-hall-dd-president-rev-thomas-g-lamb-secretary-prof-fletcher-0-marsh-treasurer-wpkerr-esq-i-auditors-j-a-sinnet-esq-j-executive-committee-jeremiah-hall-e-f-bryan-orsamus-allen-e-m-down-image336952181.htmlRM2AG5DXD–. Annual catalogue. AN BAKER, Esq.,Prof. PASCHAL CARTER,W. P. KERR, Esq.,Rev. D. SHEPARDSON,HENRY C. TAYLOR, Esq.,Rev. J. B. SACKETT,Rev. D. E. THOMAS,Rev. E. T. BROWN,W. M. GARVY, Esq.,Rev. ORSAMUS ALLEN,P. LOTHROP, Esq.,Rev. WILLIAM SEDWICK,J. A. SINNET, Esq.,Rev. S. B. WEBSTER,Rev. T. G. LAMB,ALVIN AUSTIN, Esq.,Rev. S. T. GRISWOLD,E. M. DOWNER, Esq. OFFICERS OF THE BOARD. JEREMIAH HALL, D.D President. Rev. THOMAS G. LAMB Secretary. Prof. FLETCHER 0. MARSH. .Treasurer. W.P.KERR, ESQ ••• I Auditors. J. A. SINNET, Esq J EXECUTIVE COMMITTEE. JEREMIAH HALL, E. F. BRYAN, ORSAMUS ALLEN, E. M. DOWN
Symbols of faith, death and suffering / quotation table with lamb, anonymous, after Aegidius Sadeler (II), 1666 print An emblem with two performances. Above various symbols of faith, death and suffering: a cross, Bible, skull, hourglass and scourge. Under a quotation table with a lamb. These are the foreignovers of Pope Paul IV and Pius IV. paper engraving / letterpress printing sacrifice of the paschal lamb Jewish religion. skull as symbol of 'Vanitas'. hourglass. instruments of torture, execution or punishment: scourge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/symbols-of-faith-death-and-suffering-quotation-table-with-lamb-anonymous-after-aegidius-sadeler-ii-1666-print-an-emblem-with-two-performances-above-various-symbols-of-faith-death-and-suffering-a-cross-bible-skull-hourglass-and-scourge-under-a-quotation-table-with-a-lamb-these-are-the-foreignovers-of-pope-paul-iv-and-pius-iv-paper-engraving-letterpress-printing-sacrifice-of-the-paschal-lamb-jewish-religion-skull-as-symbol-of-vanitas-hourglass-instruments-of-torture-execution-or-punishment-scourge-image594312380.htmlRM2WEW7E4–Symbols of faith, death and suffering / quotation table with lamb, anonymous, after Aegidius Sadeler (II), 1666 print An emblem with two performances. Above various symbols of faith, death and suffering: a cross, Bible, skull, hourglass and scourge. Under a quotation table with a lamb. These are the foreignovers of Pope Paul IV and Pius IV. paper engraving / letterpress printing sacrifice of the paschal lamb Jewish religion. skull as symbol of 'Vanitas'. hourglass. instruments of torture, execution or punishment: scourge
. The Open court. ng: thetree of life in Paradise, Noahs Ark, the staff of Moses, the rod ofAaron, the pole on which Moses erects the serpent, the wood of theburnt-offering on the altar of Abraham, the arms of Moses upheldin prayer for his people, the horn of the unicorn, the four quartersof the compass, the posture of the swimmer, the attitude of adora-tion, the nose of the human face, the combination of ideas as acrossing of thoughts, the pole of a wagon, the spit of the paschal STAlROI.AIRX-. 549 lamb, the letter T, the military standard, the anchor, the sail yardof a ship, and the oars of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-open-court-ng-thetree-of-life-in-paradise-noahs-ark-the-staff-of-moses-the-rod-ofaaron-the-pole-on-which-moses-erects-the-serpent-the-wood-of-theburnt-offering-on-the-altar-of-abraham-the-arms-of-moses-upheldin-prayer-for-his-people-the-horn-of-the-unicorn-the-four-quartersof-the-compass-the-posture-of-the-swimmer-the-attitude-of-adora-tion-the-nose-of-the-human-face-the-combination-of-ideas-as-acrossing-of-thoughts-the-pole-of-a-wagon-the-spit-of-the-paschal-stalroiairx-549-lamb-the-letter-t-the-military-standard-the-anchor-the-sail-yardof-a-ship-and-the-oars-of-image370454989.htmlRM2CEKK39–. The Open court. ng: thetree of life in Paradise, Noahs Ark, the staff of Moses, the rod ofAaron, the pole on which Moses erects the serpent, the wood of theburnt-offering on the altar of Abraham, the arms of Moses upheldin prayer for his people, the horn of the unicorn, the four quartersof the compass, the posture of the swimmer, the attitude of adora-tion, the nose of the human face, the combination of ideas as acrossing of thoughts, the pole of a wagon, the spit of the paschal STAlROI.AIRX-. 549 lamb, the letter T, the military standard, the anchor, the sail yardof a ship, and the oars of
Religious performances, 1800 - 1833 print Leaf with 8 religious representations, including David in prayer, the descent of the Holy Spirit with Pentecost and the Lamb of God on an altar. A caption under each performance. Numbered in the middle: No. 213. Turnwood paper letterpress printing Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4). David penitent. sacrifice of the paschal lamb Jewish religion Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religious-performances-1800-1833-print-leaf-with-8-religious-representations-including-david-in-prayer-the-descent-of-the-holy-spirit-with-pentecost-and-the-lamb-of-god-on-an-altar-a-caption-under-each-performance-numbered-in-the-middle-no-213-turnwood-paper-letterpress-printing-pentecost-the-holy-ghost-descends-upon-mary-and-the-apostles-sometimes-paul-andor-representatives-of-the-nations-present-acts-21-4-david-penitent-sacrifice-of-the-paschal-lamb-jewish-religion-image594875705.htmlRM2WFPX0W–Religious performances, 1800 - 1833 print Leaf with 8 religious representations, including David in prayer, the descent of the Holy Spirit with Pentecost and the Lamb of God on an altar. A caption under each performance. Numbered in the middle: No. 213. Turnwood paper letterpress printing Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4). David penitent. sacrifice of the paschal lamb Jewish religion
![Forbes Winslow, three-quarter length portrait, three-quarters to the right, eyes front, seated in chair at table with escritoire, holding quill pen, Alternative identification: Dr. Winston (cat. 5)., Scratched on back of plate: 152., Hallmark: [asterisk double paschal lamb] J.P. 30., Transfer; U.S. War College; 1920. (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Winslow, Forbes, 1810-1874. Stock Photo](https://c8.alamy.com/comp/2X7CJPE/forbes-winslow-three-quarter-length-portrait-three-quarters-to-the-right-eyes-front-seated-in-chair-at-table-with-escritoire-holding-quill-pen-alternative-identification-dr-winston-cat-5-scratched-on-back-of-plate-152-hallmark-asterisk-double-paschal-lamb-jp-30-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-winslow-forbes-1810-1874-2X7CJPE.jpg "Forbes Winslow, three-quarter length portrait, three-quarters to the right, eyes front, seated in chair at table with escritoire, holding quill pen, Alternative identification: Dr. Winston (cat. 5)., Scratched on back of plate: 152., Hallmark: [asterisk double paschal lamb] J.P. 30., Transfer; U.S. War College; 1920. (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Winslow, Forbes, 1810-1874. Stock Photo")
Forbes Winslow, three-quarter length portrait, three-quarters to the right, eyes front, seated in chair at table with escritoire, holding quill pen, Alternative identification: Dr. Winston (cat. 5)., Scratched on back of plate: 152., Hallmark: [asterisk double paschal lamb] J.P. 30., Transfer; U.S. War College; 1920. (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Winslow, Forbes, 1810-1874. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forbes-winslow-three-quarter-length-portrait-three-quarters-to-the-right-eyes-front-seated-in-chair-at-table-with-escritoire-holding-quill-pen-alternative-identification-dr-winston-cat-5-scratched-on-back-of-plate-152-hallmark-asterisk-double-paschal-lamb-jp-30-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-winslow-forbes-1810-1874-image606943638.htmlRM2X7CJPE–Forbes Winslow, three-quarter length portrait, three-quarters to the right, eyes front, seated in chair at table with escritoire, holding quill pen, Alternative identification: Dr. Winston (cat. 5)., Scratched on back of plate: 152., Hallmark: [asterisk double paschal lamb] J.P. 30., Transfer; U.S. War College; 1920. (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Winslow, Forbes, 1810-1874.
![Samuel G. Goodrich, head-and-shoulders portrait, three-quarters to the right, Identification from engraving by Bannister in Memorial History of Hartford County, Conn., 1886, 1:162., Scratched on back of plate: 217., Hallmark: [asterisk paschal lamb] Brevite 40., Copy of DAG no. 166., Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Goodrich, Samuel G., (Samuel Griswold), 1793-1860. Stock Photo](https://c8.alamy.com/comp/2X7CJKK/samuel-g-goodrich-head-and-shoulders-portrait-three-quarters-to-the-right-identification-from-engraving-by-bannister-in-memorial-history-of-hartford-county-conn-1886-1162-scratched-on-back-of-plate-217-hallmark-asterisk-paschal-lamb-brevite-40-copy-of-dag-no-166-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-goodrich-samuel-g-samuel-griswold-1793-1860-2X7CJKK.jpg "Samuel G. Goodrich, head-and-shoulders portrait, three-quarters to the right, Identification from engraving by Bannister in Memorial History of Hartford County, Conn., 1886, 1:162., Scratched on back of plate: 217., Hallmark: [asterisk paschal lamb] Brevite 40., Copy of DAG no. 166., Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Goodrich, Samuel G., (Samuel Griswold), 1793-1860. Stock Photo")
Samuel G. Goodrich, head-and-shoulders portrait, three-quarters to the right, Identification from engraving by Bannister in Memorial History of Hartford County, Conn., 1886, 1:162., Scratched on back of plate: 217., Hallmark: [asterisk paschal lamb] Brevite 40., Copy of DAG no. 166., Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Goodrich, Samuel G., (Samuel Griswold), 1793-1860. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-g-goodrich-head-and-shoulders-portrait-three-quarters-to-the-right-identification-from-engraving-by-bannister-in-memorial-history-of-hartford-county-conn-1886-1162-scratched-on-back-of-plate-217-hallmark-asterisk-paschal-lamb-brevite-40-copy-of-dag-no-166-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-goodrich-samuel-g-samuel-griswold-1793-1860-image606943559.htmlRM2X7CJKK–Samuel G. Goodrich, head-and-shoulders portrait, three-quarters to the right, Identification from engraving by Bannister in Memorial History of Hartford County, Conn., 1886, 1:162., Scratched on back of plate: 217., Hallmark: [asterisk paschal lamb] Brevite 40., Copy of DAG no. 166., Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Goodrich, Samuel G., (Samuel Griswold), 1793-1860.
![Thomas Corwin, full-length portrait, three-quarters to the left, standing by table with tablecloth, backdrop or reflector screen prominent on left, Scratched on face of plate: 100; Corwin Thos. Scratched on back of plate: Hon. Thos. Corwin (Ohio)., Corners trimmed., Hallmark: [asterisk double paschal lamb], Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Corwin, Thomas, 1794-1865. Stock Photo](https://c8.alamy.com/comp/2X7CJAH/thomas-corwin-full-length-portrait-three-quarters-to-the-left-standing-by-table-with-tablecloth-backdrop-or-reflector-screen-prominent-on-left-scratched-on-face-of-plate-100-corwin-thos-scratched-on-back-of-plate-hon-thos-corwin-ohio-corners-trimmed-hallmark-asterisk-double-paschal-lamb-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-corwin-thomas-1794-1865-2X7CJAH.jpg "Thomas Corwin, full-length portrait, three-quarters to the left, standing by table with tablecloth, backdrop or reflector screen prominent on left, Scratched on face of plate: 100; Corwin Thos. Scratched on back of plate: Hon. Thos. Corwin (Ohio)., Corners trimmed., Hallmark: [asterisk double paschal lamb], Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Corwin, Thomas, 1794-1865. Stock Photo")
Thomas Corwin, full-length portrait, three-quarters to the left, standing by table with tablecloth, backdrop or reflector screen prominent on left, Scratched on face of plate: 100; Corwin Thos. Scratched on back of plate: Hon. Thos. Corwin (Ohio)., Corners trimmed., Hallmark: [asterisk double paschal lamb], Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Corwin, Thomas, 1794-1865. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-corwin-full-length-portrait-three-quarters-to-the-left-standing-by-table-with-tablecloth-backdrop-or-reflector-screen-prominent-on-left-scratched-on-face-of-plate-100-corwin-thos-scratched-on-back-of-plate-hon-thos-corwin-ohio-corners-trimmed-hallmark-asterisk-double-paschal-lamb-transfer-us-war-college-1920-dlcpp-192046153-forms-part-of-daguerreotype-collection-produced-by-mathew-bradys-studio-corwin-thomas-1794-1865-image606943305.htmlRM2X7CJAH–Thomas Corwin, full-length portrait, three-quarters to the left, standing by table with tablecloth, backdrop or reflector screen prominent on left, Scratched on face of plate: 100; Corwin Thos. Scratched on back of plate: Hon. Thos. Corwin (Ohio)., Corners trimmed., Hallmark: [asterisk double paschal lamb], Transfer; U.S. War College; 1920; (DLC/PP-1920:46153)., Forms part of: Daguerreotype collection , Produced by Mathew Brady's studio.. Corwin, Thomas, 1794-1865.
![Samuel Anderson Emery as Robin Roughhead in Fortunes frolics, full-length portrait, standing, holding flail, in front of backdrop with mountain and tree, Image is very faint and hard to see, so the portrait is described in the title in some detail., Scratched on face of plate: 33; Emery., Hallmark: [asterisk double paschal lamb] 50., Identification from engraving by G. Greatbach of a daguerreotype by Mayall in Tallis's drawing-room table book of theatrical portraits, memoirs and anecdotes, opp. p. 46., Possibly a copy of a daguerreotype by John Jabez Mayall., Title devised by Library staff., T Stock Photo](https://c8.alamy.com/comp/2X7CJNT/samuel-anderson-emery-as-robin-roughhead-in-fortunes-frolics-full-length-portrait-standing-holding-flail-in-front-of-backdrop-with-mountain-and-tree-image-is-very-faint-and-hard-to-see-so-the-portrait-is-described-in-the-title-in-some-detail-scratched-on-face-of-plate-33-emery-hallmark-asterisk-double-paschal-lamb-50-identification-from-engraving-by-g-greatbach-of-a-daguerreotype-by-mayall-in-talliss-drawing-room-table-book-of-theatrical-portraits-memoirs-and-anecdotes-opp-p-46-possibly-a-copy-of-a-daguerreotype-by-john-jabez-mayall-title-devised-by-library-staff-t-2X7CJNT.jpg "Samuel Anderson Emery as Robin Roughhead in Fortunes frolics, full-length portrait, standing, holding flail, in front of backdrop with mountain and tree, Image is very faint and hard to see, so the portrait is described in the title in some detail., Scratched on face of plate: 33; Emery., Hallmark: [asterisk double paschal lamb] 50., Identification from engraving by G. Greatbach of a daguerreotype by Mayall in Tallis's drawing-room table book of theatrical portraits, memoirs and anecdotes, opp. p. 46., Possibly a copy of a daguerreotype by John Jabez Mayall., Title devised by Library staff., T Stock Photo")
Samuel Anderson Emery as Robin Roughhead in Fortunes frolics, full-length portrait, standing, holding flail, in front of backdrop with mountain and tree, Image is very faint and hard to see, so the portrait is described in the title in some detail., Scratched on face of plate: 33; Emery., Hallmark: [asterisk double paschal lamb] 50., Identification from engraving by G. Greatbach of a daguerreotype by Mayall in Tallis's drawing-room table book of theatrical portraits, memoirs and anecdotes, opp. p. 46., Possibly a copy of a daguerreotype by John Jabez Mayall., Title devised by Library staff., T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samuel-anderson-emery-as-robin-roughhead-in-fortunes-frolics-full-length-portrait-standing-holding-flail-in-front-of-backdrop-with-mountain-and-tree-image-is-very-faint-and-hard-to-see-so-the-portrait-is-described-in-the-title-in-some-detail-scratched-on-face-of-plate-33-emery-hallmark-asterisk-double-paschal-lamb-50-identification-from-engraving-by-g-greatbach-of-a-daguerreotype-by-mayall-in-talliss-drawing-room-table-book-of-theatrical-portraits-memoirs-and-anecdotes-opp-p-46-possibly-a-copy-of-a-daguerreotype-by-john-jabez-mayall-title-devised-by-library-staff-t-image606943620.htmlRM2X7CJNT–Samuel Anderson Emery as Robin Roughhead in Fortunes frolics, full-length portrait, standing, holding flail, in front of backdrop with mountain and tree, Image is very faint and hard to see, so the portrait is described in the title in some detail., Scratched on face of plate: 33; Emery., Hallmark: [asterisk double paschal lamb] 50., Identification from engraving by G. Greatbach of a daguerreotype by Mayall in Tallis's drawing-room table book of theatrical portraits, memoirs and anecdotes, opp. p. 46., Possibly a copy of a daguerreotype by John Jabez Mayall., Title devised by Library staff., T
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