Print, New Year's Wish for Germany; Germany; stipple and line engraving on paper; 10.2 × 6.3 cm (4 in. × 2 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-new-years-wish-for-germany-germany-stipple-and-line-engraving-on-paper-102-63-cm-4-in-2-12-in-image546236127.html
RM2PMK5N3–Print, New Year's Wish for Germany; Germany; stipple and line engraving on paper; 10.2 × 6.3 cm (4 in. × 2 1/2 in.)
RM2PMDBER–Wall Tile (Ottoman Empire (present day Syria)); lead-glazed earthenware
Double-handled Vase (USA); Company: Biloxi Art Pottery (United States); Ceramist: George E. Ohr (American, 1857–1918); glazed earthenware Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-handled-vase-usa-company-biloxi-art-pottery-united-states-ceramist-george-e-ohr-american-18571918-glazed-earthenware-image546260114.html
RM2PMM89P–Double-handled Vase (USA); Company: Biloxi Art Pottery (United States); Ceramist: George E. Ohr (American, 1857–1918); glazed earthenware
Drawing, Military Trophy; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and ink, brush and brown wash on paper; 14.4 × 9.7 cm (5 11/16 × 3 13/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-military-trophy-jan-van-der-straet-called-stradanus-flemish-15231605-netherlands-pen-and-ink-brush-and-brown-wash-on-paper-144-97-cm-5-1116-3-1316-in-image546252520.html
RM2PMKXJG–Drawing, Military Trophy; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and ink, brush and brown wash on paper; 14.4 × 9.7 cm (5 11/16 × 3 13/16 in.)
Drawing, The Planet Mars; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and brown ink, brush and wash on laid paper; 9.6 × 6.8 cm (3 3/4 × 2 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-the-planet-mars-jan-van-der-straet-called-stradanus-flemish-15231605-netherlands-pen-and-brown-ink-brush-and-wash-on-laid-paper-96-68-cm-3-34-2-1116-in-image546184501.html
RM2PMGRW9–Drawing, The Planet Mars; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and brown ink, brush and wash on laid paper; 9.6 × 6.8 cm (3 3/4 × 2 11/16 in.)
Drawing, The Last Judgment; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Engraved by Adriaen Collaert (Flemish, ca. 1560 – 1618); Collaborator: Luigi Alamanni (Italian, 1558–1603); Netherlands; pen and ink, brush and brown wash, black chalk on laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-the-last-judgment-jan-van-der-straet-called-stradanus-flemish-15231605-engraved-by-adriaen-collaert-flemish-ca-1560-1618-collaborator-luigi-alamanni-italian-15581603-netherlands-pen-and-ink-brush-and-brown-wash-black-chalk-on-laid-paper-image546170738.html
RM2PMG69P–Drawing, The Last Judgment; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Engraved by Adriaen Collaert (Flemish, ca. 1560 – 1618); Collaborator: Luigi Alamanni (Italian, 1558–1603); Netherlands; pen and ink, brush and brown wash, black chalk on laid paper
Drawing, Apollonius Curing a Young Athenian Possessed of a Demon [above]; Apollonius Raising a Girl from the Dead in Rome [below]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Subject: Philostratus, The Athenian (Greek, 170 - 247 CE); Netherlands; pen and brown ink, brush and brown wash on paper; 14.6 × 10.1 cm (5 3/4 in. × 4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-apollonius-curing-a-young-athenian-possessed-of-a-demon-above-apollonius-raising-a-girl-from-the-dead-in-rome-below-jan-van-der-straet-called-stradanus-flemish-15231605-subject-philostratus-the-athenian-greek-170-247-ce-netherlands-pen-and-brown-ink-brush-and-brown-wash-on-paper-146-101-cm-5-34-in-4-in-image546249486.html
RM2PMKPP6–Drawing, Apollonius Curing a Young Athenian Possessed of a Demon [above]; Apollonius Raising a Girl from the Dead in Rome [below]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Subject: Philostratus, The Athenian (Greek, 170 - 247 CE); Netherlands; pen and brown ink, brush and brown wash on paper; 14.6 × 10.1 cm (5 3/4 in. × 4 in.)
Drawing, Wooded Landscape with Elijah Awakened and Nourished by an Angel on Mount Horeb [above left]; The Banquet of King Ahasuerus [above right]; Christ Surrounded by Angels with the Arma Christi [below right]; Annunciation [below left]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and brown ink, brush and gray and gray-brown wash, over black chalk on laid paper; 15.5 × 21.1 cm (6 1/8 × 8 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-wooded-landscape-with-elijah-awakened-and-nourished-by-an-angel-on-mount-horeb-above-left-the-banquet-of-king-ahasuerus-above-right-christ-surrounded-by-angels-with-the-arma-christi-below-right-annunciation-below-left-jan-van-der-straet-called-stradanus-flemish-15231605-netherlands-pen-and-brown-ink-brush-and-gray-and-gray-brown-wash-over-black-chalk-on-laid-paper-155-211-cm-6-18-8-516-in-image546266757.html
RM2PMMGR1–Drawing, Wooded Landscape with Elijah Awakened and Nourished by an Angel on Mount Horeb [above left]; The Banquet of King Ahasuerus [above right]; Christ Surrounded by Angels with the Arma Christi [below right]; Annunciation [below left]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and brown ink, brush and gray and gray-brown wash, over black chalk on laid paper; 15.5 × 21.1 cm (6 1/8 × 8 5/16 in.)
Drawing, Hare Hunt with Falcons; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and ink, brush and brown wash over graphite on laid paper; 7.4 × 10.4 cm (2 15/16 × 4 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-hare-hunt-with-falcons-jan-van-der-straet-called-stradanus-flemish-15231605-netherlands-pen-and-ink-brush-and-brown-wash-over-graphite-on-laid-paper-74-104-cm-2-1516-4-18-in-image546177511.html
RM2PMGEYK–Drawing, Hare Hunt with Falcons; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and ink, brush and brown wash over graphite on laid paper; 7.4 × 10.4 cm (2 15/16 × 4 1/8 in.)
Drawing, Escutcheon with arms of Ferdinand I de' Medici, Cardinal and Grand Duke of Tuscany; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; recto: pen and ink, brush and brown wash over black chalk on laid paper verso: pen and ink over black chalk on laid paper; 14.7 × 11.1 cm (5 13/16 × 4 3/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-escutcheon-with-arms-of-ferdinand-i-de-medici-cardinal-and-grand-duke-of-tuscany-jan-van-der-straet-called-stradanus-flemish-15231605-netherlands-recto-pen-and-ink-brush-and-brown-wash-over-black-chalk-on-laid-paper-verso-pen-and-ink-over-black-chalk-on-laid-paper-147-111-cm-5-1316-4-38-in-image546258168.html
RM2PMM5T8–Drawing, Escutcheon with arms of Ferdinand I de' Medici, Cardinal and Grand Duke of Tuscany; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; recto: pen and ink, brush and brown wash over black chalk on laid paper verso: pen and ink over black chalk on laid paper; 14.7 × 11.1 cm (5 13/16 × 4 3/8 in.)
Drawing, Crucifixion with the Four Evangelists [left]; Saint Bridget [right, above]; Hospital Scene [right, below]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and ink, brush and brown wash, black chalk on laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-crucifixion-with-the-four-evangelists-left-saint-bridget-right-above-hospital-scene-right-below-jan-van-der-straet-called-stradanus-flemish-15231605-netherlands-pen-and-ink-brush-and-brown-wash-black-chalk-on-laid-paper-image546252140.html
RM2PMKX50–Drawing, Crucifixion with the Four Evangelists [left]; Saint Bridget [right, above]; Hospital Scene [right, below]; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Netherlands; pen and ink, brush and brown wash, black chalk on laid paper
Eyeglass Case (China); silk, metallic thread, glass bead Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eyeglass-case-china-silk-metallic-thread-glass-bead-image546111145.html
RM2PMDE9D–Eyeglass Case (China); silk, metallic thread, glass bead
Figure of a Dog Figure; Manufactured by Meissen Porcelain Factory (Germany), Meissen Porcelain Manufactory (Germany); After Johann Joachim Kändler (German, 1706–1775); Germany; hard paste porcelain, vitreous enamel, gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-of-a-dog-figure-manufactured-by-meissen-porcelain-factory-germany-meissen-porcelain-manufactory-germany-after-johann-joachim-kndler-german-17061775-germany-hard-paste-porcelain-vitreous-enamel-gold-image546251412.html
RM2PMKW70–Figure of a Dog Figure; Manufactured by Meissen Porcelain Factory (Germany), Meissen Porcelain Manufactory (Germany); After Johann Joachim Kändler (German, 1706–1775); Germany; hard paste porcelain, vitreous enamel, gold
Mustard Pot with Attached Stand and Spoon (Moutardier à Plateau; Cuillère à Moutarde) Mustard Pot With Stand; Spoon; Manufactured by Chantilly Porcelain Manufactory (France); France; soft paste porcelain, vitreous enamel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mustard-pot-with-attached-stand-and-spoon-moutardier-plateau-cuillre-moutarde-mustard-pot-with-stand-spoon-manufactured-by-chantilly-porcelain-manufactory-france-france-soft-paste-porcelain-vitreous-enamel-image546260028.html
RM2PMM86M–Mustard Pot with Attached Stand and Spoon (Moutardier à Plateau; Cuillère à Moutarde) Mustard Pot With Stand; Spoon; Manufactured by Chantilly Porcelain Manufactory (France); France; soft paste porcelain, vitreous enamel
Sugar Bowl and Stand, from a Dessert Service (Sucrier et son Plateau) Sugar Bowl And Stand; Manufactured by Chantilly Porcelain Manufactory (France); France; soft paste porcelain, vitreous enamel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sugar-bowl-and-stand-from-a-dessert-service-sucrier-et-son-plateau-sugar-bowl-and-stand-manufactured-by-chantilly-porcelain-manufactory-france-france-soft-paste-porcelain-vitreous-enamel-image546271471.html
RM2PMMPRB–Sugar Bowl and Stand, from a Dessert Service (Sucrier et son Plateau) Sugar Bowl And Stand; Manufactured by Chantilly Porcelain Manufactory (France); France; soft paste porcelain, vitreous enamel
Cap Crown (Belgium); linen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cap-crown-belgium-linen-image546249282.html
RM2PMKPEX–Cap Crown (Belgium); linen
Allegorical Centerpiece of the 'Four Continents' Centerpiece; Attributed to Johann Göz (1732–1762); Manufactured by Ludwigsburg Pottery & Porcelain Factory; Germany; hard paste porcelain, vitreous enamel, gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-centerpiece-of-the-four-continents-centerpiece-attributed-to-johann-gz-17321762-manufactured-by-ludwigsburg-pottery-porcelain-factory-germany-hard-paste-porcelain-vitreous-enamel-gold-image546266464.html
RM2PMMGCG–Allegorical Centerpiece of the 'Four Continents' Centerpiece; Attributed to Johann Göz (1732–1762); Manufactured by Ludwigsburg Pottery & Porcelain Factory; Germany; hard paste porcelain, vitreous enamel, gold
Figure of a Servant Figure; Attributed to Peter Reinicke (German, 1715–1768); Made by Meissen Porcelain Factory (Germany); Manufactured by Meissen Porcelain Manufactory (Germany); hard paste porcelain, vitreous enamel, gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-of-a-servant-figure-attributed-to-peter-reinicke-german-17151768-made-by-meissen-porcelain-factory-germany-manufactured-by-meissen-porcelain-manufactory-germany-hard-paste-porcelain-vitreous-enamel-gold-image546267449.html
RM2PMMHKN–Figure of a Servant Figure; Attributed to Peter Reinicke (German, 1715–1768); Made by Meissen Porcelain Factory (Germany); Manufactured by Meissen Porcelain Manufactory (Germany); hard paste porcelain, vitreous enamel, gold
Bowl (Netherlands); Lambertus Cleffius; Manufactured by Metalen Pot [de] (the Metal Pot Factory); tin-glazed earthenware Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-netherlands-lambertus-cleffius-manufactured-by-metalen-pot-de-the-metal-pot-factory-tin-glazed-earthenware-image546270229.html
RM2PMMN71–Bowl (Netherlands); Lambertus Cleffius; Manufactured by Metalen Pot [de] (the Metal Pot Factory); tin-glazed earthenware
Damascus Plate; glazed earthenware, transfer-printed decoration; 25.5 diameter x 3.5 cm (10 1/16 x 1 3/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/damascus-plate-glazed-earthenware-transfer-printed-decoration-255-diameter-x-35-cm-10-116-x-1-38-in-image546125574.html
RM2PME4MP–Damascus Plate; glazed earthenware, transfer-printed decoration; 25.5 diameter x 3.5 cm (10 1/16 x 1 3/8 in.)
Teapot And Cover; unglazed stoneware ('black basalt'); 15.5 x 22 cm (6 1/8 x 8 11/16 in.) with handle down: 15.5 x 17.5 cm (6 1/8 x 6 7/8 in.); Bequest of Erskine Hewitt; 1938-57-305-a,b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/teapot-and-cover-unglazed-stoneware-black-basalt-155-x-22-cm-6-18-x-8-1116-in-with-handle-down-155-x-175-cm-6-18-x-6-78-in-bequest-of-erskine-hewitt-1938-57-305-ab-image546113338.html
RM2PMDH3P–Teapot And Cover; unglazed stoneware ('black basalt'); 15.5 x 22 cm (6 1/8 x 8 11/16 in.) with handle down: 15.5 x 17.5 cm (6 1/8 x 6 7/8 in.); Bequest of Erskine Hewitt; 1938-57-305-a,b
Pitcher; Manufactured by John Turner (Lane End, Staffordshire, England, 1759 - 1780); unglazed stoneware (“black basalt”); 11 x 14.5 x 6 cm (4 5/16 x 5 11/16 x 2 3/8 in.); Bequest of Erskine Hewitt; 1938-57-304 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pitcher-manufactured-by-john-turner-lane-end-staffordshire-england-1759-1780-unglazed-stoneware-black-basalt-11-x-145-x-6-cm-4-516-x-5-1116-x-2-38-in-bequest-of-erskine-hewitt-1938-57-304-image546085711.html
RM2PMC9W3–Pitcher; Manufactured by John Turner (Lane End, Staffordshire, England, 1759 - 1780); unglazed stoneware (“black basalt”); 11 x 14.5 x 6 cm (4 5/16 x 5 11/16 x 2 3/8 in.); Bequest of Erskine Hewitt; 1938-57-304
Button (Haiti); Attributed to Agostino Brunias (Italian, ca. 1730–1796); Made for Toussaint L'Ouverture; gouache paint on tin verre fixé, ivory (backing), glass, gilt metal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/button-haiti-attributed-to-agostino-brunias-italian-ca-17301796-made-for-toussaint-louverture-gouache-paint-on-tin-verre-fix-ivory-backing-glass-gilt-metal-image546247981.html
RM2PMKMTD–Button (Haiti); Attributed to Agostino Brunias (Italian, ca. 1730–1796); Made for Toussaint L'Ouverture; gouache paint on tin verre fixé, ivory (backing), glass, gilt metal
Button (Haiti); Attributed to Agostino Brunias (Italian, ca. 1730–1796); Made for Toussaint L'Ouverture; gouache paint on tin verre fixé, ivory (backing), glass, gilt metal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/button-haiti-attributed-to-agostino-brunias-italian-ca-17301796-made-for-toussaint-louverture-gouache-paint-on-tin-verre-fix-ivory-backing-glass-gilt-metal-image546248963.html
RM2PMKP3F–Button (Haiti); Attributed to Agostino Brunias (Italian, ca. 1730–1796); Made for Toussaint L'Ouverture; gouache paint on tin verre fixé, ivory (backing), glass, gilt metal
Dish in Shape of a Silver Sauceboat Stand (One of a Pair) Dish; Designed by Nicholas Sprimont (Flemish, active in England, baptized 1716, died 1771); Manufactured by Chelsea Porcelain Manufactory (United Kingdom); England; soft paste porcelain, vitreous enamel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-in-shape-of-a-silver-sauceboat-stand-one-of-a-pair-dish-designed-by-nicholas-sprimont-flemish-active-in-england-baptized-1716-died-1771-manufactured-by-chelsea-porcelain-manufactory-united-kingdom-england-soft-paste-porcelain-vitreous-enamel-image546260730.html
RM2PMM93P–Dish in Shape of a Silver Sauceboat Stand (One of a Pair) Dish; Designed by Nicholas Sprimont (Flemish, active in England, baptized 1716, died 1771); Manufactured by Chelsea Porcelain Manufactory (United Kingdom); England; soft paste porcelain, vitreous enamel
Inkwell Inkwell; Designed by Charles Greber (1853–1935); France; stoneware Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inkwell-inkwell-designed-by-charles-greber-18531935-france-stoneware-image546259801.html
RM2PMM7XH–Inkwell Inkwell; Designed by Charles Greber (1853–1935); France; stoneware
Black Basalt Teapot with Sybil Finial Teapot And Cover; Manufactured by Wedgwood (United Kingdom); England; stoneware Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-basalt-teapot-with-sybil-finial-teapot-and-cover-manufactured-by-wedgwood-united-kingdom-england-stoneware-image546263414.html
RM2PMMCFJ–Black Basalt Teapot with Sybil Finial Teapot And Cover; Manufactured by Wedgwood (United Kingdom); England; stoneware
Bound Print, Design for a Carriage; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper; 40.8 x 64.2 cm (16 1/16 x 25 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bound-print-design-for-a-carriage-designed-by-johann-michael-hoppenhaupt-ii-german-1709ca-1778-print-maker-i-w-meil-german-germany-etching-and-engraving-on-white-laid-paper-408-x-642-cm-16-116-x-25-14-in-image546256179.html
RM2PMM397–Bound Print, Design for a Carriage; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper; 40.8 x 64.2 cm (16 1/16 x 25 1/4 in
Print, Elevation of an Interior with Niche and Console Table; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper tipped into cream laid paper; Sheet: 40.6 x 64.1 cm (16 in. x 25 1/4 in.) Platemark: 40.6 x 33.3 cm (16 in. x 13 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-elevation-of-an-interior-with-niche-and-console-table-designed-by-johann-michael-hoppenhaupt-ii-german-1709ca-1778-print-maker-i-w-meil-german-germany-etching-and-engraving-on-white-laid-paper-tipped-into-cream-laid-paper-sheet-406-x-641-cm-16-in-x-25-14-in-platemark-406-x-333-cm-16-in-x-13-18-in-image546254290.html
RM2PMM0WP–Print, Elevation of an Interior with Niche and Console Table; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper tipped into cream laid paper; Sheet: 40.6 x 64.1 cm (16 in. x 25 1/4 in.) Platemark: 40.6 x 33.3 cm (16 in. x 13 1/8 in.)
Print, Elevation of Interior with Clock over a Chimneypiece; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper; 57.7 x 40.3 cm (22 11/16 x 15 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-elevation-of-interior-with-clock-over-a-chimneypiece-designed-by-johann-michael-hoppenhaupt-ii-german-1709ca-1778-print-maker-i-w-meil-german-germany-etching-and-engraving-on-white-laid-paper-577-x-403-cm-22-1116-x-15-78-in-image546265409.html
RM2PMMF2W–Print, Elevation of Interior with Clock over a Chimneypiece; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper; 57.7 x 40.3 cm (22 11/16 x 15 7/8 in.)
Print, Elevation of an Interior with Chimneypiece; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper tipped into cream laid paper; Sheet: 40.6 x 64.3 cm (16 in. x 25 5/16 in.) Platemark: 39.8 x 57.2 cm (15 11/16 x 22 1/2 in.), irregular Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-elevation-of-an-interior-with-chimneypiece-designed-by-johann-michael-hoppenhaupt-ii-german-1709ca-1778-print-maker-i-w-meil-german-germany-etching-and-engraving-on-white-laid-paper-tipped-into-cream-laid-paper-sheet-406-x-643-cm-16-in-x-25-516-in-platemark-398-x-572-cm-15-1116-x-22-12-in-irregular-image546263668.html
RM2PMMCTM–Print, Elevation of an Interior with Chimneypiece; Designed by Johann Michael Hoppenhaupt II (German, 1709–ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper tipped into cream laid paper; Sheet: 40.6 x 64.3 cm (16 in. x 25 5/16 in.) Platemark: 39.8 x 57.2 cm (15 11/16 x 22 1/2 in.), irregular
Cup and Saucer Cup And Saucer; Manufactured by Meissen Porcelain Factory (Germany), Meissen Porcelain Manufactory (Germany); Germany; hard paste porcelain, vitreous enamel, gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cup-and-saucer-cup-and-saucer-manufactured-by-meissen-porcelain-factory-germany-meissen-porcelain-manufactory-germany-germany-hard-paste-porcelain-vitreous-enamel-gold-image546261627.html
RM2PMMA7R–Cup and Saucer Cup And Saucer; Manufactured by Meissen Porcelain Factory (Germany), Meissen Porcelain Manufactory (Germany); Germany; hard paste porcelain, vitreous enamel, gold
Drawing, Hunting Ducks using Pumpkins in the West Indies; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Subject: Gonzalo Fernándo de Oviedo y Valdés (Spanish, 1478 – 1557); Netherlands; pen and ink, brush and brown wash on laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-hunting-ducks-using-pumpkins-in-the-west-indies-jan-van-der-straet-called-stradanus-flemish-15231605-subject-gonzalo-fernndo-de-oviedo-y-valds-spanish-1478-1557-netherlands-pen-and-ink-brush-and-brown-wash-on-laid-paper-image546250854.html
RM2PMKTF2–Drawing, Hunting Ducks using Pumpkins in the West Indies; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Subject: Gonzalo Fernándo de Oviedo y Valdés (Spanish, 1478 – 1557); Netherlands; pen and ink, brush and brown wash on laid paper
Drawing, The Invention of Distillation; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Client: Luigi Alamanni (Italian, 1558–1603); Netherlands; pen and brown ink, brush and gray wash, black chalk on laid paper; 9.9 × 14.5 cm (3 7/8 × 5 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-the-invention-of-distillation-jan-van-der-straet-called-stradanus-flemish-15231605-client-luigi-alamanni-italian-15581603-netherlands-pen-and-brown-ink-brush-and-gray-wash-black-chalk-on-laid-paper-99-145-cm-3-78-5-1116-in-image546264999.html
RM2PMMEG7–Drawing, The Invention of Distillation; Jan van der Straet, called Stradanus (Flemish, 1523–1605); Client: Luigi Alamanni (Italian, 1558–1603); Netherlands; pen and brown ink, brush and gray wash, black chalk on laid paper; 9.9 × 14.5 cm (3 7/8 × 5 11/16 in.)
Print, Winter at Sea – Taking in Sail off the Coast; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 23.3 × 35.2 cm (9 3/16 × 13 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-winter-at-sea-taking-in-sail-off-the-coast-winslow-homer-american-18361910-published-by-harpers-weekly-usa-wood-engraving-in-black-ink-on-paper-image-233-352-cm-9-316-13-78-in-image546264592.html
RM2PMME1M–Print, Winter at Sea – Taking in Sail off the Coast; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 23.3 × 35.2 cm (9 3/16 × 13 7/8 in.)
Print, Spring Farm Work – Grafting; Published by Harper's Weekly; After Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on paper; Image: 17.5 x 23.2 cm (6 7/8 x 9 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-spring-farm-work-grafting-published-by-harpers-weekly-after-winslow-homer-american-18361910-usa-wood-engraving-in-black-ink-on-paper-image-175-x-232-cm-6-78-x-9-18-in-image546262956.html
RM2PMMBY8–Print, Spring Farm Work – Grafting; Published by Harper's Weekly; After Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on paper; Image: 17.5 x 23.2 cm (6 7/8 x 9 1/8 in.)
Print, Crew of the U.S. Steam-sloop 'Colorado,' Shipped at Boston, June 1861, from Harper's Weekly, July 13, 1861, p. 439.; Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on newsprint paper; Overall: 26.6 x 37.9 cm (10 1/2 x 14 15/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-crew-of-the-us-steam-sloop-colorado-shipped-at-boston-june-1861-from-harpers-weekly-july-13-1861-p-439-winslow-homer-american-18361910-usa-wood-engraving-in-black-ink-on-newsprint-paper-overall-266-x-379-cm-10-12-x-14-1516-in-image546264949.html
RM2PMMEED–Print, Crew of the U.S. Steam-sloop 'Colorado,' Shipped at Boston, June 1861, from Harper's Weekly, July 13, 1861, p. 439.; Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on newsprint paper; Overall: 26.6 x 37.9 cm (10 1/2 x 14 15/16 in.)
Print, The Dance after the Husking; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 15.2 × 23.7 cm (6 × 9 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-dance-after-the-husking-winslow-homer-american-18361910-published-by-harpers-weekly-usa-wood-engraving-in-black-ink-on-paper-image-152-237-cm-6-9-516-in-image546174294.html
RM2PMGATP–Print, The Dance after the Husking; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 15.2 × 23.7 cm (6 × 9 5/16 in.)
Print, Thanksgiving Day – Arrival at the Old Home; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 16.8 × 23.5 cm (6 5/8 × 9 1/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-thanksgiving-day-arrival-at-the-old-home-winslow-homer-american-18361910-published-by-harpers-weekly-usa-wood-engraving-in-black-ink-on-paper-image-168-235-cm-6-58-9-14-in-image546170323.html
RM2PMG5PY–Print, Thanksgiving Day – Arrival at the Old Home; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 16.8 × 23.5 cm (6 5/8 × 9 1/4 in.)
Print, The Union Cavalry and Artillery Starting in Pursuit of the Rebels up the Yorktown Turnpike; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 23.5 × 35 cm (9 1/4 × 13 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-union-cavalry-and-artillery-starting-in-pursuit-of-the-rebels-up-the-yorktown-turnpike-winslow-homer-american-18361910-published-by-harpers-weekly-usa-wood-engraving-in-black-ink-on-paper-image-235-35-cm-9-14-13-34-in-image546263061.html
RM2PMMC31–Print, The Union Cavalry and Artillery Starting in Pursuit of the Rebels up the Yorktown Turnpike; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 23.5 × 35 cm (9 1/4 × 13 3/4 in.)
Print, Jurors Listening to Counsel, Supreme Court, New City Hall, New York; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 23 × 35 cm (9 1/16 × 13 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-jurors-listening-to-counsel-supreme-court-new-city-hall-new-york-winslow-homer-american-18361910-published-by-harpers-weekly-usa-wood-engraving-in-black-ink-on-paper-image-23-35-cm-9-116-13-34-in-image546265609.html
RM2PMMFA1–Print, Jurors Listening to Counsel, Supreme Court, New City Hall, New York; Winslow Homer (American, 1836–1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 23 × 35 cm (9 1/16 × 13 3/4 in.)
Print, Spring Blossoms; Published by Harper's Weekly; After Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on paper; Image: 23.3 x 35 cm (9 3/16 x 13 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-spring-blossoms-published-by-harpers-weekly-after-winslow-homer-american-18361910-usa-wood-engraving-in-black-ink-on-paper-image-233-x-35-cm-9-316-x-13-34-in-image546267512.html
RM2PMMHP0–Print, Spring Blossoms; Published by Harper's Weekly; After Winslow Homer (American, 1836–1910); USA; wood engraving in black ink on paper; Image: 23.3 x 35 cm (9 3/16 x 13 3/4 in.)
Print, Fighting Horses, from the fourth set of 'Equile Joannis Austriaci'; Designed by Jan van der Straet, called Stradanus (Flemish, 1523–1605); Print Maker: Hieronymus Wierix; Netherlands; engraving on paper; 20.8 × 27.7 cm (8 3/16 × 10 7/8 in.); Bequest of George Campbell Cooper; 1896-3-96 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-fighting-horses-from-the-fourth-set-of-equile-joannis-austriaci-designed-by-jan-van-der-straet-called-stradanus-flemish-15231605-print-maker-hieronymus-wierix-netherlands-engraving-on-paper-208-277-cm-8-316-10-78-in-bequest-of-george-campbell-cooper-1896-3-96-image546263393.html
RM2PMMCEW–Print, Fighting Horses, from the fourth set of 'Equile Joannis Austriaci'; Designed by Jan van der Straet, called Stradanus (Flemish, 1523–1605); Print Maker: Hieronymus Wierix; Netherlands; engraving on paper; 20.8 × 27.7 cm (8 3/16 × 10 7/8 in.); Bequest of George Campbell Cooper; 1896-3-96
Print, Designs for Headboards; Daniel Marot (French, active in the Netherlands and England, 1661–1752); Netherlands; etching and black ink on white laid paper ; Overall: 34 x 22.5cm (13 3/8 x 8 7/8in.) Platemark: 27.5 x 19 cm (10 13/16 x 7 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-designs-for-headboards-daniel-marot-french-active-in-the-netherlands-and-england-16611752-netherlands-etching-and-black-ink-on-white-laid-paper-overall-34-x-225cm-13-38-x-8-78in-platemark-275-x-19-cm-10-1316-x-7-12-in-image546253656.html
RM2PMM034–Print, Designs for Headboards; Daniel Marot (French, active in the Netherlands and England, 1661–1752); Netherlands; etching and black ink on white laid paper ; Overall: 34 x 22.5cm (13 3/8 x 8 7/8in.) Platemark: 27.5 x 19 cm (10 13/16 x 7 1/2 in.)
Print, Frieze, from the set, 'Ornemens à la Mode'; Jacques Androuet Du Cerceau the Elder (French, ca. 1515 - after 1584); France; engraving on laid paper; Plate: 26.4 × 20.8 cm (10 3/8 × 8 3/16 in.) Paper: 32.5 × 24.8 cm (12 13/16 × 9 3/4 in.); 1944-36-1-2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-frieze-from-the-set-ornemens-la-mode-jacques-androuet-du-cerceau-the-elder-french-ca-1515-after-1584-france-engraving-on-laid-paper-plate-264-208-cm-10-38-8-316-in-paper-325-248-cm-12-1316-9-34-in-1944-36-1-2-image546258066.html
RM2PMM5MJ–Print, Frieze, from the set, 'Ornemens à la Mode'; Jacques Androuet Du Cerceau the Elder (French, ca. 1515 - after 1584); France; engraving on laid paper; Plate: 26.4 × 20.8 cm (10 3/8 × 8 3/16 in.) Paper: 32.5 × 24.8 cm (12 13/16 × 9 3/4 in.); 1944-36-1-2
Drawing, Cotton Tree Roots Growing on a Slope, Jamaica; Frederic Edwin Church (American, 1826–1900); Jamaica; graphite, brush and white gouache on gray wove paper; Sheet: 44.3 x 27.4 cm (17 7/16 x 10 13/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-cotton-tree-roots-growing-on-a-slope-jamaica-frederic-edwin-church-american-18261900-jamaica-graphite-brush-and-white-gouache-on-gray-wove-paper-sheet-443-x-274-cm-17-716-x-10-1316-in-image546231765.html
RM2PMK059–Drawing, Cotton Tree Roots Growing on a Slope, Jamaica; Frederic Edwin Church (American, 1826–1900); Jamaica; graphite, brush and white gouache on gray wove paper; Sheet: 44.3 x 27.4 cm (17 7/16 x 10 13/16 in.)
Drawing, Coconut Palm, Jamaica; Frederic Edwin Church (American, 1826–1900); Jamaica; graphite on green-gray paper; Sheet: 27.3 x 21.4 cm (10 3/4 x 8 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-coconut-palm-jamaica-frederic-edwin-church-american-18261900-jamaica-graphite-on-green-gray-paper-sheet-273-x-214-cm-10-34-x-8-716-in-image546225391.html
RM2PMJM1K–Drawing, Coconut Palm, Jamaica; Frederic Edwin Church (American, 1826–1900); Jamaica; graphite on green-gray paper; Sheet: 27.3 x 21.4 cm (10 3/4 x 8 7/16 in.)
Fragments (Italy); linen; a) H x W: 15.5 x 27 cm (6 1/8 x 10 5/8 in.) b) H x W: 15.8 x 26.2 cm (6 1/4 x 10 5/16 in.); Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma Greenleaf; 1962-50-185-a,b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragments-italy-linen-a-h-x-w-155-x-27-cm-6-18-x-10-58-in-b-h-x-w-158-x-262-cm-6-14-x-10-516-in-bequest-of-richard-cranch-greenleaf-in-memory-of-his-mother-adeline-emma-greenleaf-1962-50-185-ab-image546255478.html
RM2PMM2C6–Fragments (Italy); linen; a) H x W: 15.5 x 27 cm (6 1/8 x 10 5/8 in.) b) H x W: 15.8 x 26.2 cm (6 1/4 x 10 5/16 in.); Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma Greenleaf; 1962-50-185-a,b
Drawing, Design for a door; France; pen and brown ink, brush and water color, graphite on paper; 31.2 × 16.6 cm (12 5/16 × 6 9/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-door-france-pen-and-brown-ink-brush-and-water-color-graphite-on-paper-312-166-cm-12-516-6-916-in-image546253853.html
RM2PMM0A5–Drawing, Design for a door; France; pen and brown ink, brush and water color, graphite on paper; 31.2 × 16.6 cm (12 5/16 × 6 9/16 in.)
Doily, Flora's Retinue: Poppy; Designed by Walter Crane ((English, 1845–1915)); Produced by John Wilson & Sons (United Kingdom); Great Britain; linen warp, silk weft; 18 x 18 cm (7 1/16 x 7 1/16 in.) fringed on all sides Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/doily-floras-retinue-poppy-designed-by-walter-crane-english-18451915-produced-by-john-wilson-sons-united-kingdom-great-britain-linen-warp-silk-weft-18-x-18-cm-7-116-x-7-116-in-fringed-on-all-sides-image546244863.html
RM2PMKGW3–Doily, Flora's Retinue: Poppy; Designed by Walter Crane ((English, 1845–1915)); Produced by John Wilson & Sons (United Kingdom); Great Britain; linen warp, silk weft; 18 x 18 cm (7 1/16 x 7 1/16 in.) fringed on all sides
Drawing, Woods in Autumn; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint on thin cream paperboard; 32.9 × 24.1 cm (12 15/16 × 9 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-woods-in-autumn-frederic-edwin-church-american-18261900-usa-brush-and-oil-paint-on-thin-cream-paperboard-329-241-cm-12-1516-9-12-in-image546265891.html
RM2PMMFM3–Drawing, Woods in Autumn; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint on thin cream paperboard; 32.9 × 24.1 cm (12 15/16 × 9 1/2 in.)
Drawing, Cloud study; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on cardboard; 18.9 x 30.6 cm (7 7/16 x 12 1/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-cloud-study-frederic-edwin-church-american-18261900-usa-brush-and-oil-on-cardboard-189-x-306-cm-7-716-x-12-116-in-image546261177.html
RM2PMM9KN–Drawing, Cloud study; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on cardboard; 18.9 x 30.6 cm (7 7/16 x 12 1/16 in.)
Drawing, Landscape with Large Rock, possibly North Carolina; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint on paperboard; 32.6 × 22.7 cm (12 13/16 × 8 15/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-landscape-with-large-rock-possibly-north-carolina-frederic-edwin-church-american-18261900-usa-brush-and-oil-paint-on-paperboard-326-227-cm-12-1316-8-1516-in-image546262014.html
RM2PMMANJ–Drawing, Landscape with Large Rock, possibly North Carolina; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint on paperboard; 32.6 × 22.7 cm (12 13/16 × 8 15/16 in.)
Drawing, Genip Tree in the Mountains, Jamaica; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint on thin cream board; 19.3 × 28.8 cm (7 5/8 × 11 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-genip-tree-in-the-mountains-jamaica-frederic-edwin-church-american-18261900-usa-brush-and-oil-paint-on-thin-cream-board-193-288-cm-7-58-11-516-in-image546265321.html
RM2PMMEYN–Drawing, Genip Tree in the Mountains, Jamaica; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint on thin cream board; 19.3 × 28.8 cm (7 5/8 × 11 5/16 in.)
Drawing, Clouds and Sunset, Jamaica; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite traces on thin paperboard; 25.7 × 30.5 cm (10 1/8 × 12 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-clouds-and-sunset-jamaica-frederic-edwin-church-american-18261900-usa-brush-and-oil-paint-graphite-traces-on-thin-paperboard-257-305-cm-10-18-12-in-image546245698.html
RM2PMKHXX–Drawing, Clouds and Sunset, Jamaica; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite traces on thin paperboard; 25.7 × 30.5 cm (10 1/8 × 12 in.)
Drawing, Floating Icebergs; Frederic Edwin Church (American, 1826–1900); USA; graphite on light brown paper; 11.5 × 20.2 cm (4 1/2 × 7 15/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-floating-icebergs-frederic-edwin-church-american-18261900-usa-graphite-on-light-brown-paper-115-202-cm-4-12-7-1516-in-image546248177.html
RM2PMKN3D–Drawing, Floating Icebergs; Frederic Edwin Church (American, 1826–1900); USA; graphite on light brown paper; 11.5 × 20.2 cm (4 1/2 × 7 15/16 in.)
Drawing, Floating Icebergs; Frederic Edwin Church (American, 1826–1900); USA; graphite, brush and white gouache on light brown paper; 11.5 × 20.5 cm (4 1/2 × 8 1/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-floating-icebergs-frederic-edwin-church-american-18261900-usa-graphite-brush-and-white-gouache-on-light-brown-paper-115-205-cm-4-12-8-116-in-image546248681.html
RM2PMKNND–Drawing, Floating Icebergs; Frederic Edwin Church (American, 1826–1900); USA; graphite, brush and white gouache on light brown paper; 11.5 × 20.5 cm (4 1/2 × 8 1/16 in.)
Drawing, Distant View over Hilltops; Frederic Edwin Church (American, 1826–1900); USA; graphite, oil on paperboard with orange back; Height 22 x Width 30.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-distant-view-over-hilltops-frederic-edwin-church-american-18261900-usa-graphite-oil-on-paperboard-with-orange-back-height-22-x-width-305-cm-image546249979.html
RM2PMKRBR–Drawing, Distant View over Hilltops; Frederic Edwin Church (American, 1826–1900); USA; graphite, oil on paperboard with orange back; Height 22 x Width 30.5 cm
Drawing, Landscape in Jamaica; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on paperboard; 29.3 x 29.5 cm (11 9/16 x 11 5/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-landscape-in-jamaica-frederic-edwin-church-american-18261900-usa-brush-and-oil-paint-graphite-on-paperboard-293-x-295-cm-11-916-x-11-58-in-image546253596.html
RM2PMM010–Drawing, Landscape in Jamaica; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on paperboard; 29.3 x 29.5 cm (11 9/16 x 11 5/8 in.)
Drawing, Floating Icebergs; Frederic Edwin Church (American, 1826–1900); USA; graphite, brush and white gouache on light brown paper; 11.5 × 20.3 cm (4 1/2 × 8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-floating-icebergs-frederic-edwin-church-american-18261900-usa-graphite-brush-and-white-gouache-on-light-brown-paper-115-203-cm-4-12-8-in-image546246851.html
RM2PMKKC3–Drawing, Floating Icebergs; Frederic Edwin Church (American, 1826–1900); USA; graphite, brush and white gouache on light brown paper; 11.5 × 20.3 cm (4 1/2 × 8 in.)
Drawing, 'I Don't Think It's Going Up; I Know It's Going Up!'; William Robinson Leigh; graphite, black crayon, brush and white gouache on cream illustration board; 58.6 x 43.4 cm (23 1/16 x 17 1/16 in.); 1952-134-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-i-dont-think-its-going-up-i-know-its-going-up!-william-robinson-leigh-graphite-black-crayon-brush-and-white-gouache-on-cream-illustration-board-586-x-434-cm-23-116-x-17-116-in-1952-134-1-image546270482.html
RM2PMMNG2–Drawing, 'I Don't Think It's Going Up; I Know It's Going Up!'; William Robinson Leigh; graphite, black crayon, brush and white gouache on cream illustration board; 58.6 x 43.4 cm (23 1/16 x 17 1/16 in.); 1952-134-1
Drawing, Evergreen Tree Near the Shore with a Detail of the Lighthouse and a House, Mount Desert, Maine; Frederic Edwin Church (American, 1826–1900); USA; black and white crayon on light olivish paper; Sheet: 16.5 x 27.5 cm (6 1/2 x 10 13/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-evergreen-tree-near-the-shore-with-a-detail-of-the-lighthouse-and-a-house-mount-desert-maine-frederic-edwin-church-american-18261900-usa-black-and-white-crayon-on-light-olivish-paper-sheet-165-x-275-cm-6-12-x-10-1316-in-image546175425.html
RM2PMGC95–Drawing, Evergreen Tree Near the Shore with a Detail of the Lighthouse and a House, Mount Desert, Maine; Frederic Edwin Church (American, 1826–1900); USA; black and white crayon on light olivish paper; Sheet: 16.5 x 27.5 cm (6 1/2 x 10 13/16 in.)
Drawing, Recto, Design for a door handle with alternative suggestions; Designed by Jean Le Pautre (French, 1618–1682); France; pen and bistre ink, graphite, on laid paper; 24 × 18.2 cm (9 7/16 × 7 3/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-recto-design-for-a-door-handle-with-alternative-suggestions-designed-by-jean-le-pautre-french-16181682-france-pen-and-bistre-ink-graphite-on-laid-paper-24-182-cm-9-716-7-316-in-image546255770.html
RM2PMM2PJ–Drawing, Recto, Design for a door handle with alternative suggestions; Designed by Jean Le Pautre (French, 1618–1682); France; pen and bistre ink, graphite, on laid paper; 24 × 18.2 cm (9 7/16 × 7 3/16 in.)
Drawing, Design for a Carved Mirror Frame; Attributed to Gilles-Marie Oppenord (French, 1672–1742); France; pen and black ink, brush and watercolors, black chalk on off-white laid paper.; Overall: 11.8 x 13.2 cm (4 5/8 x 5 3/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-carved-mirror-frame-attributed-to-gilles-marie-oppenord-french-16721742-france-pen-and-black-ink-brush-and-watercolors-black-chalk-on-off-white-laid-paper-overall-118-x-132-cm-4-58-x-5-316-in-image546207596.html
RM2PMHWA4–Drawing, Design for a Carved Mirror Frame; Attributed to Gilles-Marie Oppenord (French, 1672–1742); France; pen and black ink, brush and watercolors, black chalk on off-white laid paper.; Overall: 11.8 x 13.2 cm (4 5/8 x 5 3/16 in.)
Drawing, Study of Fern, Jamaica; Frederic Edwin Church (American, 1826–1900); Jamaica; brush and oil paint, graphite on cardboard; 12.9 x 17.7 cm (5 1/16 x 6 15/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-of-fern-jamaica-frederic-edwin-church-american-18261900-jamaica-brush-and-oil-paint-graphite-on-cardboard-129-x-177-cm-5-116-x-6-1516-in-image546251080.html
RM2PMKTR4–Drawing, Study of Fern, Jamaica; Frederic Edwin Church (American, 1826–1900); Jamaica; brush and oil paint, graphite on cardboard; 12.9 x 17.7 cm (5 1/16 x 6 15/16 in.)
Drawing, Design for a Monochrome Painting, Church of Corpus Domini, Bologna, Italy; Designed by Marc Antonio Franceschini (Italian, 1648 – 1729); Italy; pen and ink, brush and black wash, black chalk on paper; 41.3 × 29 cm (16 1/4 × 11 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-a-monochrome-painting-church-of-corpus-domini-bologna-italy-designed-by-marc-antonio-franceschini-italian-1648-1729-italy-pen-and-ink-brush-and-black-wash-black-chalk-on-paper-413-29-cm-16-14-11-716-in-image546255795.html
RM2PMM2RF–Drawing, Design for a Monochrome Painting, Church of Corpus Domini, Bologna, Italy; Designed by Marc Antonio Franceschini (Italian, 1648 – 1729); Italy; pen and ink, brush and black wash, black chalk on paper; 41.3 × 29 cm (16 1/4 × 11 7/16 in.)
Drawing, Sketch of Classical Sculpture of the Venus Pudica Type; Designed by Benozzo Gozzoli (Italian, ca. 1421-1497); Italy; silverpoint, heightened with brush and white gouache on laid paper mounted on laid paper; 17.2 × 8.4 cm (6 3/4 × 3 5/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-sketch-of-classical-sculpture-of-the-venus-pudica-type-designed-by-benozzo-gozzoli-italian-ca-1421-1497-italy-silverpoint-heightened-with-brush-and-white-gouache-on-laid-paper-mounted-on-laid-paper-172-84-cm-6-34-3-516-in-image546250592.html
RM2PMKT5M–Drawing, Sketch of Classical Sculpture of the Venus Pudica Type; Designed by Benozzo Gozzoli (Italian, ca. 1421-1497); Italy; silverpoint, heightened with brush and white gouache on laid paper mounted on laid paper; 17.2 × 8.4 cm (6 3/4 × 3 5/16 in.)
Print, March and April; Designed by Hans Sebald Beham (German, 1500–1550); Germany; engraving on off-white laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-march-and-april-designed-by-hans-sebald-beham-german-15001550-germany-engraving-on-off-white-laid-paper-image546183009.html
RM2PMGP01–Print, March and April; Designed by Hans Sebald Beham (German, 1500–1550); Germany; engraving on off-white laid paper
Print, July and August; Designed by Hans Sebald Beham (German, 1500–1550); Germany; engraving on off-white laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-july-and-august-designed-by-hans-sebald-beham-german-15001550-germany-engraving-on-off-white-laid-paper-image546168982.html
RM2PMG432–Print, July and August; Designed by Hans Sebald Beham (German, 1500–1550); Germany; engraving on off-white laid paper
Print, The Year's End; Designed by Hans Sebald Beham (German, 1500–1550); Germany; engraving on off-white laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-the-years-end-designed-by-hans-sebald-beham-german-15001550-germany-engraving-on-off-white-laid-paper-image546184083.html
RM2PMGRAB–Print, The Year's End; Designed by Hans Sebald Beham (German, 1500–1550); Germany; engraving on off-white laid paper
Print, Peasant's Brawl; Print Maker: Hans Sebald Beham (German, 1500–1550); Germany; engraving on off-white laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-peasants-brawl-print-maker-hans-sebald-beham-german-15001550-germany-engraving-on-off-white-laid-paper-image546193564.html
RM2PMH7D0–Print, Peasant's Brawl; Print Maker: Hans Sebald Beham (German, 1500–1550); Germany; engraving on off-white laid paper
Drawing, The Walking Wounded; Possibly by Winslow Homer (American, 1836–1910); USA; pen and brown ink, graphite on light-brown wove paper; 12.2 x 19.1 cm (4 13/16 x 7 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-the-walking-wounded-possibly-by-winslow-homer-american-18361910-usa-pen-and-brown-ink-graphite-on-light-brown-wove-paper-122-x-191-cm-4-1316-x-7-12-in-image546242062.html
RM2PMKD92–Drawing, The Walking Wounded; Possibly by Winslow Homer (American, 1836–1910); USA; pen and brown ink, graphite on light-brown wove paper; 12.2 x 19.1 cm (4 13/16 x 7 1/2 in.)
Tea Caddy with Chinoiserie Vignettes Tea Caddy; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tea-caddy-with-chinoiserie-vignettes-tea-caddy-manufactured-by-royal-porcelain-manufactory-berlin-germany-style-of-jacques-gabriel-huquier-french-1730-1805-franois-boucher-french-17031770-germany-hard-paste-porcelain-vitreous-enamel-gold-image546260122.html
RM2PMM8A2–Tea Caddy with Chinoiserie Vignettes Tea Caddy; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold
Cup and Saucer with Chinoiserie Vignettes Cup And Saucer; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cup-and-saucer-with-chinoiserie-vignettes-cup-and-saucer-manufactured-by-royal-porcelain-manufactory-berlin-germany-style-of-jacques-gabriel-huquier-french-1730-1805-franois-boucher-french-17031770-germany-hard-paste-porcelain-vitreous-enamel-gold-image546212394.html
RM2PMJ3DE–Cup and Saucer with Chinoiserie Vignettes Cup And Saucer; Manufactured by Royal Porcelain Manufactory, Berlin (Germany); Style of Jacques-Gabriel Huquier (French, 1730 - 1805), François Boucher (French, 1703–1770); Germany; hard paste porcelain, vitreous enamel, gold
Drawing, Bell tower, probably for Ferdinand IV of Naples; Germany; pen and brown ink, brush and brown and gray wash, green chalk, on laid paper; 54.9 × 36.7 cm (21 5/8 × 14 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-bell-tower-probably-for-ferdinand-iv-of-naples-germany-pen-and-brown-ink-brush-and-brown-and-gray-wash-green-chalk-on-laid-paper-549-367-cm-21-58-14-716-in-image546270200.html
RM2PMMN60–Drawing, Bell tower, probably for Ferdinand IV of Naples; Germany; pen and brown ink, brush and brown and gray wash, green chalk, on laid paper; 54.9 × 36.7 cm (21 5/8 × 14 7/16 in.)
Drawing, Cross-section of the domed central part of a palace; Designed by Matthäus Daniel Pöppelmann; Germany; pen and black ink, with gray and rose watercolors on paper; 52 × 49.8 cm (20 1/2 × 19 5/8 in.); 1960-223-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-cross-section-of-the-domed-central-part-of-a-palace-designed-by-matthus-daniel-pppelmann-germany-pen-and-black-ink-with-gray-and-rose-watercolors-on-paper-52-498-cm-20-12-19-58-in-1960-223-1-image546265474.html
RM2PMMF56–Drawing, Cross-section of the domed central part of a palace; Designed by Matthäus Daniel Pöppelmann; Germany; pen and black ink, with gray and rose watercolors on paper; 52 × 49.8 cm (20 1/2 × 19 5/8 in.); 1960-223-1
Box And Cover (England); Silversmith Thomas Whitehouse (British, active 1848-98); Retailed by Asprey & Son Co. (United Kingdom); coromandel-veneered joined wood, lined with silk, gilded and tooled calfskin leather, raised, chased and engraved silver, cut glass, mirrored glass, carved mother-of-pearl (handles), cut and engraved brass (hinges and tools), gilt-metal, forged steel (im Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/box-and-cover-england-silversmith-thomas-whitehouse-british-active-1848-98-retailed-by-asprey-son-co-united-kingdom-coromandel-veneered-joined-wood-lined-with-silk-gilded-and-tooled-calfskin-leather-raised-chased-and-engraved-silver-cut-glass-mirrored-glass-carved-mother-of-pearl-handles-cut-and-engraved-brass-hinges-and-tools-gilt-metal-forged-steel-im-image546125424.html
RM2PME4FC–Box And Cover (England); Silversmith Thomas Whitehouse (British, active 1848-98); Retailed by Asprey & Son Co. (United Kingdom); coromandel-veneered joined wood, lined with silk, gilded and tooled calfskin leather, raised, chased and engraved silver, cut glass, mirrored glass, carved mother-of-pearl (handles), cut and engraved brass (hinges and tools), gilt-metal, forged steel (im
Covered Bowl with Gold Palmettes Bowl; Manufactured by Meissen Porcelain Manufactory (Germany); hard paste porcelain, gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/covered-bowl-with-gold-palmettes-bowl-manufactured-by-meissen-porcelain-manufactory-germany-hard-paste-porcelain-gold-image546226973.html
RM2PMJP25–Covered Bowl with Gold Palmettes Bowl; Manufactured by Meissen Porcelain Manufactory (Germany); hard paste porcelain, gold
Band (Italy); linen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/band-italy-linen-image546209937.html
RM2PMJ09N–Band (Italy); linen
Band (France); linen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/band-france-linen-image546125252.html
RM2PME498–Band (France); linen
Print, Parade Float with the Virgin and Child riding a Dragon, plate 8 from A. Isacchi, 'Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...],' (Account by Alfonso Isachi regarding the Origin, Festivities, Procession, and Miracles of the Madonna of Reggio); Print Maker: Giovanni Luigi Valesio (Italian, 1561 - 1650); Italy; engraving and etching on cream laid paper; Platemark: 20 × 31 cm (7 7/8 × 12 3/16 in.) Sheet: 23.2 × 32.5 cm (9 1/8 × 12 13/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-parade-float-with-the-virgin-and-child-riding-a-dragon-plate-8-from-a-isacchi-relatione-di-alfonso-isachi-intorno-lorigine-solennit-traslatione-et-miracoli-della-madonna-di-reggio-account-by-alfonso-isachi-regarding-the-origin-festivities-procession-and-miracles-of-the-madonna-of-reggio-print-maker-giovanni-luigi-valesio-italian-1561-1650-italy-engraving-and-etching-on-cream-laid-paper-platemark-20-31-cm-7-78-12-316-in-sheet-232-325-cm-9-18-12-1316-in-mat-356-457-cm-14-18-in-image546247165.html
RM2PMKKR9–Print, Parade Float with the Virgin and Child riding a Dragon, plate 8 from A. Isacchi, 'Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...],' (Account by Alfonso Isachi regarding the Origin, Festivities, Procession, and Miracles of the Madonna of Reggio); Print Maker: Giovanni Luigi Valesio (Italian, 1561 - 1650); Italy; engraving and etching on cream laid paper; Platemark: 20 × 31 cm (7 7/8 × 12 3/16 in.) Sheet: 23.2 × 32.5 cm (9 1/8 × 12 13/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.)
Drawing, Elevation and Plan for a Staircase Model in the English Style; Designed by Francoise Gillet (French, active 1836); France; pen and black ink, brush and pink, yellow, and grey watercolor on cream wove paper; 49.5 x 33.3 cm (19 1/2 x 13 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-elevation-and-plan-for-a-staircase-model-in-the-english-style-designed-by-francoise-gillet-french-active-1836-france-pen-and-black-ink-brush-and-pink-yellow-and-grey-watercolor-on-cream-wove-paper-495-x-333-cm-19-12-x-13-18-in-image546243143.html
RM2PMKEKK–Drawing, Elevation and Plan for a Staircase Model in the English Style; Designed by Francoise Gillet (French, active 1836); France; pen and black ink, brush and pink, yellow, and grey watercolor on cream wove paper; 49.5 x 33.3 cm (19 1/2 x 13 1/8 in.)
Sample Book (USA); Designed by Unknown; Manufactured by Henry Bosch Company (United States), William Campbell W.P., York Card & Paper Co., Hobbs, Benton & Heath; Distributed by Harry W. Mee Co. Distributors; machine-printed paper, embossed; 62.9 x 47.0 x 5.1 cm (24.75 x 18.5 x 2 in. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sample-book-usa-designed-by-unknown-manufactured-by-henry-bosch-company-united-states-william-campbell-wp-york-card-paper-co-hobbs-benton-heath-distributed-by-harry-w-mee-co-distributors-machine-printed-paper-embossed-629-x-470-x-51-cm-2475-x-185-x-2-in-image546261597.html
RM2PMMA6N–Sample Book (USA); Designed by Unknown; Manufactured by Henry Bosch Company (United States), William Campbell W.P., York Card & Paper Co., Hobbs, Benton & Heath; Distributed by Harry W. Mee Co. Distributors; machine-printed paper, embossed; 62.9 x 47.0 x 5.1 cm (24.75 x 18.5 x 2 in. )
Bag (Austria); cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bag-austria-cotton-image546248104.html
RM2PMKN0T–Bag (Austria); cotton
Album, Album of Prints: Premier Essai de Papilloneries Humaines and Mes petits bouquets dédiés à Madame La Duchesse de Chevreuse by Charles-Germain de Saint-Aubin; Designed by Charles-Germain de Saint-Aubin (French, 1721–1786); Print Maker: Étienne Fessard (French, 1714–1777); Published by Marguerite Caillou Chéreau (French, active 1729–1755); bound volume of etchings on laid paper; 40.8 × 25.7 × 1.1 cm (16 1/16 × 10 1/8 × 7/16 in.) Open: 40.8 × 50.8 cm (16 1/16 × 20 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-album-of-prints-premier-essai-de-papilloneries-humaines-and-mes-petits-bouquets-ddis-madame-la-duchesse-de-chevreuse-by-charles-germain-de-saint-aubin-designed-by-charles-germain-de-saint-aubin-french-17211786-print-maker-tienne-fessard-french-17141777-published-by-marguerite-caillou-chreau-french-active-17291755-bound-volume-of-etchings-on-laid-paper-408-257-11-cm-16-116-10-18-716-in-open-408-508-cm-16-116-20-in-image546259800.html
RM2PMM7XG–Album, Album of Prints: Premier Essai de Papilloneries Humaines and Mes petits bouquets dédiés à Madame La Duchesse de Chevreuse by Charles-Germain de Saint-Aubin; Designed by Charles-Germain de Saint-Aubin (French, 1721–1786); Print Maker: Étienne Fessard (French, 1714–1777); Published by Marguerite Caillou Chéreau (French, active 1729–1755); bound volume of etchings on laid paper; 40.8 × 25.7 × 1.1 cm (16 1/16 × 10 1/8 × 7/16 in.) Open: 40.8 × 50.8 cm (16 1/16 × 20 in.)
Drawing, Study for 'Rocky Coast and Gulls'; Winslow Homer (American, 1836–1910); USA; graphite on wove paper; 11.2 × 25.4 cm (4 7/16 × 10 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-for-rocky-coast-and-gulls-winslow-homer-american-18361910-usa-graphite-on-wove-paper-112-254-cm-4-716-10-in-image546185453.html
RM2PMGW39–Drawing, Study for 'Rocky Coast and Gulls'; Winslow Homer (American, 1836–1910); USA; graphite on wove paper; 11.2 × 25.4 cm (4 7/16 × 10 in.)
Drawing, Study for 'Penn's Treaty with the Indians'; (Benjamin West, American, 1738 - 1820); USA; graphite, pen and ink on cream laid paper; 13.5 × 20.5 cm (5 5/16 × 8 1/16 in.); 1915-13-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-for-penns-treaty-with-the-indians-benjamin-west-american-1738-1820-usa-graphite-pen-and-ink-on-cream-laid-paper-135-205-cm-5-516-8-116-in-1915-13-1-image546130632.html
RM2PMEB5C–Drawing, Study for 'Penn's Treaty with the Indians'; (Benjamin West, American, 1738 - 1820); USA; graphite, pen and ink on cream laid paper; 13.5 × 20.5 cm (5 5/16 × 8 1/16 in.); 1915-13-1
Painting, Sunlight and Shadow; Winslow Homer (American, 1836–1910); USA; brush and oil paint on canvas; 40.2 x 57.6 cm (15 13/16 x 22 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-sunlight-and-shadow-winslow-homer-american-18361910-usa-brush-and-oil-paint-on-canvas-402-x-576-cm-15-1316-x-22-1116-in-image546117881.html
RM2PMDPX1–Painting, Sunlight and Shadow; Winslow Homer (American, 1836–1910); USA; brush and oil paint on canvas; 40.2 x 57.6 cm (15 13/16 x 22 11/16 in.)
Painting, The Bean Picker; Winslow Homer (American, 1836–1910); USA; brush and oil paint on canvas ; 57.6 × 40.2 cm (22 11/16 × 15 13/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-the-bean-picker-winslow-homer-american-18361910-usa-brush-and-oil-paint-on-canvas-576-402-cm-22-1116-15-1316-in-image546113301.html
RM2PMDH2D–Painting, The Bean Picker; Winslow Homer (American, 1836–1910); USA; brush and oil paint on canvas ; 57.6 × 40.2 cm (22 11/16 × 15 13/16 in.)
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