Paulus Pontius (Engraver) Portrait Jacob de Breuck. Copper engraving print 1630-1645 , 1630/1645 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paulus-pontius-engraver-portrait-jacob-de-breuck-copper-engraving-print-1630-1645-16301645-image573001731.html
RM2T86DFF–Paulus Pontius (Engraver) Portrait Jacob de Breuck. Copper engraving print 1630-1645 , 1630/1645
Joseph Fischer (An der Entstehung Beteiligte r) Pierre Paul Rubens Vol.IV. Parts engraved by Swanenburg - Stock, Matham - Muller, de Jode - Galle, Lommelin - Caukerken and others. etching after 1822 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-fischer-an-der-entstehung-beteiligte-r-pierre-paul-rubens-voliv-parts-engraved-by-swanenburg-stock-matham-muller-de-jode-galle-lommelin-caukerken-and-others-etching-after-1822-image572998545.html
RM2T869DN–Joseph Fischer (An der Entstehung Beteiligte r) Pierre Paul Rubens Vol.IV. Parts engraved by Swanenburg - Stock, Matham - Muller, de Jode - Galle, Lommelin - Caukerken and others. etching after 1822
Anton Hanak Studies on a Joseph Haydn monument in Oberberg near Eisenstadt in Burgenland, 1926-1930 '. Feder in black September 1933 , 1933-09 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-hanak-studies-on-a-joseph-haydn-monument-in-oberberg-near-eisenstadt-in-burgenland-1926-1930-feder-in-black-september-1933-1933-09-image572691175.html
RM2T7M9C7–Anton Hanak Studies on a Joseph Haydn monument in Oberberg near Eisenstadt in Burgenland, 1926-1930 '. Feder in black September 1933 , 1933-09
Carl von Jagemann Portrait of the singer Luise Liebhardt or the singer Betty Bury . Albumin paper, on the box box 1864 or earlier Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-von-jagemann-portrait-of-the-singer-luise-liebhardt-or-the-singer-betty-bury-albumin-paper-on-the-box-box-1864-or-earlier-image572984044.html
RM2T85JYT–Carl von Jagemann Portrait of the singer Luise Liebhardt or the singer Betty Bury . Albumin paper, on the box box 1864 or earlier
Carl von Hasenauer Wien XIII, Hermesvilla. Pencil on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-von-hasenauer-wien-xiii-hermesvilla-pencil-on-paper-image572792669.html
RM2T7TXW1–Carl von Hasenauer Wien XIII, Hermesvilla. Pencil on paper
Francisco José de Goya y Lucientes The disasters of war: everything is scrambled - Alles Geht Schief. etching 1815-1820, 1. Ausgabe 1863 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francisco-jos-de-goya-y-lucientes-the-disasters-of-war-everything-is-scrambled-alles-geht-schief-etching-1815-1820-1-ausgabe-1863-image572797751.html
RM2T7W5AF–Francisco José de Goya y Lucientes The disasters of war: everything is scrambled - Alles Geht Schief. etching 1815-1820, 1. Ausgabe 1863
Wilhelm Burger Knidos - Turkish hut. Heliogravure on Japanese paper, on the box box 1884 , 1884 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wilhelm-burger-knidos-turkish-hut-heliogravure-on-japanese-paper-on-the-box-box-1884-1884-image572981295.html
RM2T85FDK–Wilhelm Burger Knidos - Turkish hut. Heliogravure on Japanese paper, on the box box 1884 , 1884
Lucas Cranach d. J. The apostle Paul. Woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lucas-cranach-d-j-the-apostle-paul-woodcut-image572803974.html
RM2T7WD8P–Lucas Cranach d. J. The apostle Paul. Woodcut
unbestimmt (An der Entstehung Beteiligte r) Laxenburg, castle, blue farm, floor plan, ground floor. Paper; Pen drawing; Graphite (before) drawing, spring in black, olive green and red lavated; Verso: black stamp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unbestimmt-an-der-entstehung-beteiligte-r-laxenburg-castle-blue-farm-floor-plan-ground-floor-paper-pen-drawing-graphite-before-drawing-spring-in-black-olive-green-and-red-lavated-verso-black-stamp-image572788032.html
RM2T7TMYC–unbestimmt (An der Entstehung Beteiligte r) Laxenburg, castle, blue farm, floor plan, ground floor. Paper; Pen drawing; Graphite (before) drawing, spring in black, olive green and red lavated; Verso: black stamp
Martin von Molitor On the way from Stixenstein to Puchberg. Pencil 1780-1812 , 1780/1812 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martin-von-molitor-on-the-way-from-stixenstein-to-puchberg-pencil-1780-1812-17801812-image572865880.html
RM2T8087M–Martin von Molitor On the way from Stixenstein to Puchberg. Pencil 1780-1812 , 1780/1812
Moyses van Uyttenbroeck (Ausführende r Künstler in) Shepherd and shepherd; Animals: cows, horses, goats. etching 1610-1648 , 1610/1648 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moyses-van-uyttenbroeck-ausfhrende-r-knstler-in-shepherd-and-shepherd-animals-cows-horses-goats-etching-1610-1648-16101648-image572996081.html
RM2T8669N–Moyses van Uyttenbroeck (Ausführende r Künstler in) Shepherd and shepherd; Animals: cows, horses, goats. etching 1610-1648 , 1610/1648
Victor Angerer Still life with pieces from the Ambras collection and a model of the Danube female by Hans Gasser. Technical Collotype 1882 , 1882 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victor-angerer-still-life-with-pieces-from-the-ambras-collection-and-a-model-of-the-danube-female-by-hans-gasser-technical-collotype-1882-1882-image572968055.html
RM2T84XGR–Victor Angerer Still life with pieces from the Ambras collection and a model of the Danube female by Hans Gasser. Technical Collotype 1882 , 1882
Francesco Borromini (Entwerfer in) Rome, San Giovanni in Laterano, window with coat of arms innocent x .. Paper, medium -strong; Graphite sketch; Sketch in graphite Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-borromini-entwerfer-in-rome-san-giovanni-in-laterano-window-with-coat-of-arms-innocent-x-paper-medium-strong-graphite-sketch-sketch-in-graphite-image572791372.html
RM2T7TW6M–Francesco Borromini (Entwerfer in) Rome, San Giovanni in Laterano, window with coat of arms innocent x .. Paper, medium -strong; Graphite sketch; Sketch in graphite
Johann Georg Wagner Knights of a young lady with a mirror in his hand. Leading handle, brush in brown, laved 1760/1761 , 1760/1761 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-georg-wagner-knights-of-a-young-lady-with-a-mirror-in-his-hand-leading-handle-brush-in-brown-laved-17601761-17601761-image572699777.html
RM2T7MMBD–Johann Georg Wagner Knights of a young lady with a mirror in his hand. Leading handle, brush in brown, laved 1760/1761 , 1760/1761
Alexander Rothaug Different sketches; 'DAVID'. Pencil around 1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-rothaug-different-sketches-david-pencil-around-1928-image572695000.html
RM2T7ME8T–Alexander Rothaug Different sketches; 'DAVID'. Pencil around 1928
August Rokert Convallaria Majalis l - mashöckchen. Watercolor 1835-1855 , 1835/1855 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/august-rokert-convallaria-majalis-l-mashckchen-watercolor-1835-1855-18351855-image572654116.html
Félix Bonfils Obelisk von Heliopolis. Albumin paper, on the box box / stereo format ca. 1867-1878 , 1867/1878 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flix-bonfils-obelisk-von-heliopolis-albumin-paper-on-the-box-box-stereo-format-ca-1867-1878-18671878-image572970975.html
RM2T85293–Félix Bonfils Obelisk von Heliopolis. Albumin paper, on the box box / stereo format ca. 1867-1878 , 1867/1878
Heinrich Aldegrever The most important deeds of the Hercules. Copper engraving print 16. Century , 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heinrich-aldegrever-the-most-important-deeds-of-the-hercules-copper-engraving-print-16-century-16th-century-image572876824.html
RM2T80P6G–Heinrich Aldegrever The most important deeds of the Hercules. Copper engraving print 16. Century , 16th century
Annibale Carracci Jüngling with a jug in motion to the right, the view to the left at the bottom. Ink, feather Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annibale-carracci-jngling-with-a-jug-in-motion-to-the-right-the-view-to-the-left-at-the-bottom-ink-feather-image572657907.html
RM2T7JR03–Annibale Carracci Jüngling with a jug in motion to the right, the view to the left at the bottom. Ink, feather
Friedrich Gauermann Indistinct sketch. Pencil 1837 , 1837 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/friedrich-gauermann-indistinct-sketch-pencil-1837-1837-image572666712.html
Michel Picquenot (Engraver) View of the city and Lake Geneve. etching 1780-1786 , 1780/1786 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michel-picquenot-engraver-view-of-the-city-and-lake-geneve-etching-1780-1786-17801786-image572948821.html
RM2T8421W–Michel Picquenot (Engraver) View of the city and Lake Geneve. etching 1780-1786 , 1780/1786
Tina Blau Waldstudie. Pencil 1870 , 1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tina-blau-waldstudie-pencil-1870-1870-image572676887.html
Otto Schmidt Wanten. Heliogravure, partly stock stains before 1902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/otto-schmidt-wanten-heliogravure-partly-stock-stains-before-1902-image572964447.html
RM2T84NYY–Otto Schmidt Wanten. Heliogravure, partly stock stains before 1902
Johann Aman (Architekt in) Vienna I, Hofburg, conversion and new construction project, overall plan, ground floor, floor plan. Chalk (presentation); Feder in black, ink in pink and black; multicolored 1814/15 , 1814/1815 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-aman-architekt-in-vienna-i-hofburg-conversion-and-new-construction-project-overall-plan-ground-floor-floor-plan-chalk-presentation-feder-in-black-ink-in-pink-and-black-multicolored-181415-18141815-image572788390.html
RM2T7TNC6–Johann Aman (Architekt in) Vienna I, Hofburg, conversion and new construction project, overall plan, ground floor, floor plan. Chalk (presentation); Feder in black, ink in pink and black; multicolored 1814/15 , 1814/1815
Giovanni Guerra Bomarzo. Feder, Bister, brown laved Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-guerra-bomarzo-feder-bister-brown-laved-image572692681.html
RM2T7MBA1–Giovanni Guerra Bomarzo. Feder, Bister, brown laved
Josef von Führich The Holy Wenceslas and his servant. Pencil on gray paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/josef-von-fhrich-the-holy-wenceslas-and-his-servant-pencil-on-gray-paper-image572662728.html
RM2T7K148–Josef von Führich The Holy Wenceslas and his servant. Pencil on gray paper
Anton Hanak A relaxation trip to Gmunden, 1923: diary entry. Feder in black 17.9.1923 , 1923-09-17 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-hanak-a-relaxation-trip-to-gmunden-1923-diary-entry-feder-in-black-1791923-1923-09-17-image572689272.html
RM2T7M708–Anton Hanak A relaxation trip to Gmunden, 1923: diary entry. Feder in black 17.9.1923 , 1923-09-17
Martin Gerlach jun. Shot from the Vienna exhibition on Loos' 60th birthday. Silbergelatine 1930 , 1930 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martin-gerlach-jun-shot-from-the-vienna-exhibition-on-loos-60th-birthday-silbergelatine-1930-1930-image572783127.html
RM2T7TEM7–Martin Gerlach jun. Shot from the Vienna exhibition on Loos' 60th birthday. Silbergelatine 1930 , 1930
Jean-Baptiste Camille Corot Forest path with a view of a chapel -like building. Coal on browned, foxed paper; Dismissions around 1870-1875 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-camille-corot-forest-path-with-a-view-of-a-chapel-like-building-coal-on-browned-foxed-paper-dismissions-around-1870-1875-image572661596.html
RM2T7JYKT–Jean-Baptiste Camille Corot Forest path with a view of a chapel -like building. Coal on browned, foxed paper; Dismissions around 1870-1875
Emerich Alexius Swoboda Draft for a monument (horse and rider). Pencil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emerich-alexius-swoboda-draft-for-a-monument-horse-and-rider-pencil-image572679869.html
RM2T7KR0D–Emerich Alexius Swoboda Draft for a monument (horse and rider). Pencil
Luca Giordano A kneeling mother protects her child from cutting a executioner. Feather; White grown; olive -colored paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-giordano-a-kneeling-mother-protects-her-child-from-cutting-a-executioner-feather-white-grown-olive-colored-paper-image572644193.html
RM2T7J5E9–Luca Giordano A kneeling mother protects her child from cutting a executioner. Feather; White grown; olive -colored paper
Meister der kleinen Landschaften Small landscapes. etching 1561 , 1561 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/meister-der-kleinen-landschaften-small-landscapes-etching-1561-1561-image572988764.html
RM2T85W0C–Meister der kleinen Landschaften Small landscapes. etching 1561 , 1561
Carl Pischinger Dog looking from a window. Pencil, watercolor 1851 , 1851 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-pischinger-dog-looking-from-a-window-pencil-watercolor-1851-1851-image572706864.html
RM2T7N1CG–Carl Pischinger Dog looking from a window. Pencil, watercolor 1851 , 1851
Hans Makart Two -time presentation for the painting 'lady on the spinet'. Pencil, paper around 1871 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-makart-two-time-presentation-for-the-painting-lady-on-the-spinet-pencil-paper-around-1871-image572671166.html
RM2T7KBWJ–Hans Makart Two -time presentation for the painting 'lady on the spinet'. Pencil, paper around 1871
Marcantonio Raimondi Marriage of Mary. Copper engraving print (1. Hälfte 16. Century) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marcantonio-raimondi-marriage-of-mary-copper-engraving-print-1-hlfte-16-century-image572819566.html
RM2T7X55J–Marcantonio Raimondi Marriage of Mary. Copper engraving print (1. Hälfte 16. Century)
Martin von Molitor Roman landscape with flock of sheep. Ink lavated 1793 , 1793 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martin-von-molitor-roman-landscape-with-flock-of-sheep-ink-lavated-1793-1793-image572655691.html
RM2T7JM4Y–Martin von Molitor Roman landscape with flock of sheep. Ink lavated 1793 , 1793
Johann Baptist Reiner Knappenberg, Carinthia. Albumin paper, on the box box / stereo format 1862-1880 , 1862/1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-baptist-reiner-knappenberg-carinthia-albumin-paper-on-the-box-box-stereo-format-1862-1880-18621880-image572971951.html
RM2T853FY–Johann Baptist Reiner Knappenberg, Carinthia. Albumin paper, on the box box / stereo format 1862-1880 , 1862/1880
Wenzel Hollar (Engraver) Fireworks in Hemissem. etching around 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wenzel-hollar-engraver-fireworks-in-hemissem-etching-around-1650-image572994480.html
RM2T8648G–Wenzel Hollar (Engraver) Fireworks in Hemissem. etching around 1650
Charles Thurston Thompson Santiago de Compostela: Portico de la Gloria, Southern Pier, Showing The Clustered Columns .. Albumin paper, on the box box Aufnahme zwischen 27. Juli und 3. September 1866 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-thurston-thompson-santiago-de-compostela-portico-de-la-gloria-southern-pier-showing-the-clustered-columns-albumin-paper-on-the-box-box-aufnahme-zwischen-27-juli-und-3-september-1866-image572960413.html
RM2T84GRW–Charles Thurston Thompson Santiago de Compostela: Portico de la Gloria, Southern Pier, Showing The Clustered Columns .. Albumin paper, on the box box Aufnahme zwischen 27. Juli und 3. September 1866
Anonym A jetty over rocks in a rapid fast, on it a mule driver. Graphite pencil and black chalk, gray. Few stains. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-a-jetty-over-rocks-in-a-rapid-fast-on-it-a-mule-driver-graphite-pencil-and-black-chalk-gray-few-stains-image572782613.html
RM2T7TE1W–Anonym A jetty over rocks in a rapid fast, on it a mule driver. Graphite pencil and black chalk, gray. Few stains.
Carl Gauermann Homestead. Pencil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-gauermann-homestead-pencil-image572696564.html
RM2T7MG8M–Carl Gauermann Homestead. Pencil
Francesco la Marra Female figure kneeling to the left. Money; Feather; composed of 7 parts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-la-marra-female-figure-kneeling-to-the-left-money-feather-composed-of-7-parts-image572685334.html
RM2T7M1YJ–Francesco la Marra Female figure kneeling to the left. Money; Feather; composed of 7 parts
Martin Gerlach jun. Spitzerberg airfield. Silbergelatine after 1931 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martin-gerlach-jun-spitzerberg-airfield-silbergelatine-after-1931-image572965798.html
RM2T84RM6–Martin Gerlach jun. Spitzerberg airfield. Silbergelatine after 1931
Paul Klee Without title (faces). Lithography 1923 , 1923 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-klee-without-title-faces-lithography-1923-1923-image572840661.html
RM2T7Y431–Paul Klee Without title (faces). Lithography 1923 , 1923
Victor Angerer Vienna, high market, view of the Wipplingerstrasse. Albumin paper, on the box box 1890 , 1890 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victor-angerer-vienna-high-market-view-of-the-wipplingerstrasse-albumin-paper-on-the-box-box-1890-1890-image572961506.html
RM2T84J6X–Victor Angerer Vienna, high market, view of the Wipplingerstrasse. Albumin paper, on the box box 1890 , 1890
Léon & Lévy Paris. Place du Chatelet. Albumin paper, on the box box / stereo format around 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lon-lvy-paris-place-du-chatelet-albumin-paper-on-the-box-box-stereo-format-around-1865-image572985986.html
RM2T85ND6–Léon & Lévy Paris. Place du Chatelet. Albumin paper, on the box box / stereo format around 1865
Francesco Fracanzano Allegory. (Venus sitting on clouds, to the right of her amor, Hercules on the left, to whom she reaches an apple). Brush in brown; White grown; Blue paper; Bombed and rounded bezel limitation in brushes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-fracanzano-allegory-venus-sitting-on-clouds-to-the-right-of-her-amor-hercules-on-the-left-to-whom-she-reaches-an-apple-brush-in-brown-white-grown-blue-paper-bombed-and-rounded-bezel-limitation-in-brushes-image572781454.html
RM2T7TCGE–Francesco Fracanzano Allegory. (Venus sitting on clouds, to the right of her amor, Hercules on the left, to whom she reaches an apple). Brush in brown; White grown; Blue paper; Bombed and rounded bezel limitation in brushes
Agostino Veneziano (Engraver) Eros in a make -up boat between Venus and a ducking man. Copper engraving print 1516-1520 , 1516/1520 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/agostino-veneziano-engraver-eros-in-a-make-up-boat-between-venus-and-a-ducking-man-copper-engraving-print-1516-1520-15161520-image572843513.html
RM2T7Y7MW–Agostino Veneziano (Engraver) Eros in a make -up boat between Venus and a ducking man. Copper engraving print 1516-1520 , 1516/1520
Paul Pretsch Cockham on the Thames. Fotogal vanography (high pressure) 1861 , 1861 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-pretsch-cockham-on-the-thames-fotogal-vanography-high-pressure-1861-1861-image572960873.html
RM2T84HC9–Paul Pretsch Cockham on the Thames. Fotogal vanography (high pressure) 1861 , 1861
Hans Brosamer New Testament: scenes from the life of Christ. Woodcut 1495-1554 , 1495/1554 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-brosamer-new-testament-scenes-from-the-life-of-christ-woodcut-1495-1554-14951554-image572874744.html
RM2T80KG8–Hans Brosamer New Testament: scenes from the life of Christ. Woodcut 1495-1554 , 1495/1554
Anonym Battle between riders and infantrymen. Feder in brown, black chalk, brush, brown and greenish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-battle-between-riders-and-infantrymen-feder-in-brown-black-chalk-brush-brown-and-greenish-image572645799.html
RM2T7J7FK–Anonym Battle between riders and infantrymen. Feder in brown, black chalk, brush, brown and greenish
Anonym Christ collapses under the scourge. Ink, feather Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-christ-collapses-under-the-scourge-ink-feather-image572664521.html
RM2T7K3C9–Anonym Christ collapses under the scourge. Ink, feather
Alexandre Jean-Baptiste Le Blond Rissing a staircase en face. Feder in black, brush, gray lavated, deck white increase; In the area around the mascarone, the papers of the paper can be seen, which indicate overlap or inserting the Brunn details in question 1699 , 1699 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexandre-jean-baptiste-le-blond-rissing-a-staircase-en-face-feder-in-black-brush-gray-lavated-deck-white-increase-in-the-area-around-the-mascarone-the-papers-of-the-paper-can-be-seen-which-indicate-overlap-or-inserting-the-brunn-details-in-question-1699-1699-image572646341.html
RM2T7J871–Alexandre Jean-Baptiste Le Blond Rissing a staircase en face. Feder in black, brush, gray lavated, deck white increase; In the area around the mascarone, the papers of the paper can be seen, which indicate overlap or inserting the Brunn details in question 1699 , 1699
Christoph Schwarz The engagement of St. Katharina. Feder in brown, gray chalk, white increase, on yellowish paper, squared around 1580 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christoph-schwarz-the-engagement-of-st-katharina-feder-in-brown-gray-chalk-white-increase-on-yellowish-paper-squared-around-1580-image572684846.html
RM2T7M1A6–Christoph Schwarz The engagement of St. Katharina. Feder in brown, gray chalk, white increase, on yellowish paper, squared around 1580
Anonym Place from Concorde to Paris. Salt paper, on an underground box / stereo format around 1855 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-place-from-concorde-to-paris-salt-paper-on-an-underground-box-stereo-format-around-1855-image572969549.html
RM2T850E5–Anonym Place from Concorde to Paris. Salt paper, on an underground box / stereo format around 1855
Anonym Cigarette paper rosette. Color around 1910 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-cigarette-paper-rosette-color-around-1910-image572825218.html
RM2T7XCBE–Anonym Cigarette paper rosette. Color around 1910
Charles François Gabriel Levachez (Engraver) Napoleon on the return from Elba Island. Aquatinta 1809-1828 , 1809/1828 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-franois-gabriel-levachez-engraver-napoleon-on-the-return-from-elba-island-aquatinta-1809-1828-18091828-image572946832.html
RM2T83YET–Charles François Gabriel Levachez (Engraver) Napoleon on the return from Elba Island. Aquatinta 1809-1828 , 1809/1828
Franz Schütz The Rhinefall near Schaffhausen. Black chalk, heighted with white chalk, on blue paper 1777-78 , 1777/1778 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franz-schtz-the-rhinefall-near-schaffhausen-black-chalk-heighted-with-white-chalk-on-blue-paper-1777-78-17771778-image572651084.html
RM2T7JE8C–Franz Schütz The Rhinefall near Schaffhausen. Black chalk, heighted with white chalk, on blue paper 1777-78 , 1777/1778
Wilhelm Burger Xanthos. Heliogravure on Japanese paper, on the box box 1884 , 1884 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wilhelm-burger-xanthos-heliogravure-on-japanese-paper-on-the-box-box-1884-1884-image572981254.html
RM2T85FC6–Wilhelm Burger Xanthos. Heliogravure on Japanese paper, on the box box 1884 , 1884
Be read. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/be-read-image572872992.html
RM2T80H9M–Be read.
Anonym Church or temple portal in conversation with two men. Feder in brown, brown and gray lavated, yellow chalk, over black chalk. 1650er Jahre Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-church-or-temple-portal-in-conversation-with-two-men-feder-in-brown-brown-and-gray-lavated-yellow-chalk-over-black-chalk-1650er-jahre-image572709643.html
RM2T7N4YR–Anonym Church or temple portal in conversation with two men. Feder in brown, brown and gray lavated, yellow chalk, over black chalk. 1650er Jahre
Ignaz Unterberger Trinity. Black chalk, reddish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ignaz-unterberger-trinity-black-chalk-reddish-image572672725.html
RM2T7KDW9–Ignaz Unterberger Trinity. Black chalk, reddish
Martin Schongauer Horizontal ornament with hop tendrils. Copper engraving print letztes Drittel des 15. Centurys Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martin-schongauer-horizontal-ornament-with-hop-tendrils-copper-engraving-print-letztes-drittel-des-15-centurys-image572799280.html
RM2T7W794–Martin Schongauer Horizontal ornament with hop tendrils. Copper engraving print letztes Drittel des 15. Centurys
Jacob de Gheyn II. (Engraver) The robber to the right of Christ; Paul. Copper engraving print around 1595 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacob-de-gheyn-ii-engraver-the-robber-to-the-right-of-christ-paul-copper-engraving-print-around-1595-image572997702.html
RM2T868BJ–Jacob de Gheyn II. (Engraver) The robber to the right of Christ; Paul. Copper engraving print around 1595
Bernard Picart (Engraver) Allegory with the Duke of Orléans, Minerva and the music as a personification. Copper engraving, etching 1704 , 1704 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bernard-picart-engraver-allegory-with-the-duke-of-orlans-minerva-and-the-music-as-a-personification-copper-engraving-etching-1704-1704-image572887970.html
RM2T818CJ–Bernard Picart (Engraver) Allegory with the Duke of Orléans, Minerva and the music as a personification. Copper engraving, etching 1704 , 1704
Michel Dissard (Engraver) The constant friendship. Etching, punctuation manner 1803-1850 , 1803/1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michel-dissard-engraver-the-constant-friendship-etching-punctuation-manner-1803-1850-18031850-image572946550.html
Gustav Härtwig H. GRUSON factory and machine factory in Buckau-Magdeburg. Pigment printing, on the box box around 1875 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gustav-hrtwig-h-gruson-factory-and-machine-factory-in-buckau-magdeburg-pigment-printing-on-the-box-box-around-1875-image572986163.html
RM2T85NKF–Gustav Härtwig H. GRUSON factory and machine factory in Buckau-Magdeburg. Pigment printing, on the box box around 1875
John Hassall D'OYLY CARTE OPERA COMPANY. Color around 1895 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-hassall-doyly-carte-opera-company-color-around-1895-image572831211.html
RM2T7XM1F–John Hassall D'OYLY CARTE OPERA COMPANY. Color around 1895
Marcantonio Raimondi A man attractive. Copper engraving print 1510-1527 , 1510/1527 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marcantonio-raimondi-a-man-attractive-copper-engraving-print-1510-1527-15101527-image572841616.html
RM2T7Y594–Marcantonio Raimondi A man attractive. Copper engraving print 1510-1527 , 1510/1527
Bartolomeo Altomonte St. Andreas and Saint John. Black chalk around 1720 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-altomonte-st-andreas-and-saint-john-black-chalk-around-1720-image572672293.html
RM2T7KD9W–Bartolomeo Altomonte St. Andreas and Saint John. Black chalk around 1720
Anton Hanak Diary entry. Feder in black 1918 , 1918 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-hanak-diary-entry-feder-in-black-1918-1918-image572689942.html
RM2T7M7T6–Anton Hanak Diary entry. Feder in black 1918 , 1918
Anonym The seven deadly sins and the devil. Woodcut, colored around 1480-1490 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-the-seven-deadly-sins-and-the-devil-woodcut-colored-around-1480-1490-image572806366.html
RM2T7WGA6–Anonym The seven deadly sins and the devil. Woodcut, colored around 1480-1490
Albrecht Dürer The world map of Johannes Stibius (Mappa Mundi): eastern hemisphere (right side, south pole). Wooden stick 1515 , 1515 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albrecht-drer-the-world-map-of-johannes-stibius-mappa-mundi-eastern-hemisphere-right-side-south-pole-wooden-stick-1515-1515-image572990073.html
RM2T85XK5–Albrecht Dürer The world map of Johannes Stibius (Mappa Mundi): eastern hemisphere (right side, south pole). Wooden stick 1515 , 1515
Be read. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/be-read-image572858112.html
RM2T7YXA8–Be read.
Anonym World exhibition in Paris 1878: Pavilion Algeria. Albumin paper, on the box box / stereo format 1878 , 1878 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-world-exhibition-in-paris-1878-pavilion-algeria-albumin-paper-on-the-box-box-stereo-format-1878-1878-image572972403.html
RM2T85443–Anonym World exhibition in Paris 1878: Pavilion Algeria. Albumin paper, on the box box / stereo format 1878 , 1878
Bernhard Rode Willhelm Tell. Redtel, brush in light brown, laved Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bernhard-rode-willhelm-tell-redtel-brush-in-light-brown-laved-image572699094.html
RM2T7MKF2–Bernhard Rode Willhelm Tell. Redtel, brush in light brown, laved
Bartolomeo Pinelli (Ausführende r Künstler in) The history of the city of Rome. etching 1818 , 1818 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-ausfhrende-r-knstler-in-the-history-of-the-city-of-rome-etching-1818-1818-image573029779.html
RM2T87N97–Bartolomeo Pinelli (Ausführende r Künstler in) The history of the city of Rome. etching 1818 , 1818
Jean Massard (Engraver) Support of St. Paul in the sky. Copper engraving, etching 1803-1818 , 1803/1818 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-massard-engraver-support-of-st-paul-in-the-sky-copper-engraving-etching-1803-1818-18031818-image572956997.html
RM2T84CDW–Jean Massard (Engraver) Support of St. Paul in the sky. Copper engraving, etching 1803-1818 , 1803/1818
Arthur von Hübl Recording with perforated camera. Loud 1906-1907 , 1906/1907 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arthur-von-hbl-recording-with-perforated-camera-loud-1906-1907-19061907-image572968578.html
RM2T84Y7E–Arthur von Hübl Recording with perforated camera. Loud 1906-1907 , 1906/1907
Adriaen Pietersz. van de Venne Dancing begging female with broken plate (17). Brush in gray, gray lavated, about graphite pencil. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adriaen-pietersz-van-de-venne-dancing-begging-female-with-broken-plate-17-brush-in-gray-gray-lavated-about-graphite-pencil-image572710314.html
RM2T7N5RP–Adriaen Pietersz. van de Venne Dancing begging female with broken plate (17). Brush in gray, gray lavated, about graphite pencil.
Anton Hanak Anton Hanak The darling of the gods that they startle every day and every hour so that his nerves calm down and he performs peacefully his gone work .. Feder in black 1924 , 1924 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-hanak-anton-hanak-the-darling-of-the-gods-that-they-startle-every-day-and-every-hour-so-that-his-nerves-calm-down-and-he-performs-peacefully-his-gone-work-feder-in-black-1924-1924-image572689308.html
RM2T7M71G–Anton Hanak Anton Hanak The darling of the gods that they startle every day and every hour so that his nerves calm down and he performs peacefully his gone work .. Feder in black 1924 , 1924
François de Poilly der Ältere (Engraver) St. Hieronymus in the grotto. Copper engraving, etching 1640-1693 , 1640/1693 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franois-de-poilly-der-ltere-engraver-st-hieronymus-in-the-grotto-copper-engraving-etching-1640-1693-16401693-image572953359.html
RM2T847RY–François de Poilly der Ältere (Engraver) St. Hieronymus in the grotto. Copper engraving, etching 1640-1693 , 1640/1693
Adolphe Block Switzerland and Savoien: tip of the grepper. Albumin paper, on the box box / stereo format around 1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adolphe-block-switzerland-and-savoien-tip-of-the-grepper-albumin-paper-on-the-box-box-stereo-format-around-1870-image572969412.html
RM2T85098–Adolphe Block Switzerland and Savoien: tip of the grepper. Albumin paper, on the box box / stereo format around 1870
Jan de Visscher (Engraver) Shepherds on a river; The clothes. Etching, copper engraving 1670 , 1670 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-de-visscher-engraver-shepherds-on-a-river-the-clothes-etching-copper-engraving-1670-1670-image573020583.html
RM2T879GR–Jan de Visscher (Engraver) Shepherds on a river; The clothes. Etching, copper engraving 1670 , 1670
Joseph von Rheden Flowering fruit tree in front of a wooden shed. Autochrom ca. 1916-1926 , 1916/1926 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-von-rheden-flowering-fruit-tree-in-front-of-a-wooden-shed-autochrom-ca-1916-1926-19161926-image572971158.html
RM2T852FJ–Joseph von Rheden Flowering fruit tree in front of a wooden shed. Autochrom ca. 1916-1926 , 1916/1926
Johann Heinrich Roos Pissing shepherd next to his herd of cattle and sheep. Feder in brown and grayavings 1672 -1675 , 1672/1675 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-heinrich-roos-pissing-shepherd-next-to-his-herd-of-cattle-and-sheep-feder-in-brown-and-grayavings-1672-1675-16721675-image572691663.html
RM2T7MA1K–Johann Heinrich Roos Pissing shepherd next to his herd of cattle and sheep. Feder in brown and grayavings 1672 -1675 , 1672/1675
Claude Mellan (Ausführende r Künstler in) The Veronika sweat cloth. Copper engraving print 1649 , 1649 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-mellan-ausfhrende-r-knstler-in-the-veronika-sweat-cloth-copper-engraving-print-1649-1649-image572950520.html
RM2T8446G–Claude Mellan (Ausführende r Künstler in) The Veronika sweat cloth. Copper engraving print 1649 , 1649
Anonym Resolution of the Lazarus. Woodcut around 1530 - 1540 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-resolution-of-the-lazarus-woodcut-around-1530-1540-image572814470.html
RM2T7WXKJ–Anonym Resolution of the Lazarus. Woodcut around 1530 - 1540
Karl Schmoll von Eisenwerth The walk. Colored woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/karl-schmoll-von-eisenwerth-the-walk-colored-woodcut-image572795794.html
RM2T7W2TJ–Karl Schmoll von Eisenwerth The walk. Colored woodcut
Pierre Dufour (Engraver) The path of human life (allegory). Copper engraving print 1570 , 1570 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-dufour-engraver-the-path-of-human-life-allegory-copper-engraving-print-1570-1570-image572997006.html
RM2T867EP–Pierre Dufour (Engraver) The path of human life (allegory). Copper engraving print 1570 , 1570
Philipp Neuss (Engraver) Circle of Eleonore Magdalena von Pfalz-Neuburg, wife of Emperor Leopold I, on the Roman-German Empress on January 19, 1690 in the Augsburg Cathedral. Copper engraving on paper 1690 , 1690 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philipp-neuss-engraver-circle-of-eleonore-magdalena-von-pfalz-neuburg-wife-of-emperor-leopold-i-on-the-roman-german-empress-on-january-19-1690-in-the-augsburg-cathedral-copper-engraving-on-paper-1690-1690-image572845956.html
RM2T7YAT4–Philipp Neuss (Engraver) Circle of Eleonore Magdalena von Pfalz-Neuburg, wife of Emperor Leopold I, on the Roman-German Empress on January 19, 1690 in the Augsburg Cathedral. Copper engraving on paper 1690 , 1690
Lerse side through withdrawal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lerse-side-through-withdrawal-image573039888.html
RM2T88668–Lerse side through withdrawal.
Jean Morin (Engraver) Meadows with shepherd and farmhouse; Mead of the landscape with farmers and wagons. etching 1625-1650 , 1625/1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-morin-engraver-meadows-with-shepherd-and-farmhouse-mead-of-the-landscape-with-farmers-and-wagons-etching-1625-1650-16251650-image572951102.html
RM2T844YA–Jean Morin (Engraver) Meadows with shepherd and farmhouse; Mead of the landscape with farmers and wagons. etching 1625-1650 , 1625/1650
Moritz von Schwind (Zeichner in der Vorlage) Mörike, Eduard: 'The Third Laughing', in: The History of the Beautiful Lau (Illustration). Wood engraving (after outline) after 1868 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moritz-von-schwind-zeichner-in-der-vorlage-mrike-eduard-the-third-laughing-in-the-history-of-the-beautiful-lau-illustration-wood-engraving-after-outline-after-1868-image572841473.html
RM2T7Y541–Moritz von Schwind (Zeichner in der Vorlage) Mörike, Eduard: 'The Third Laughing', in: The History of the Beautiful Lau (Illustration). Wood engraving (after outline) after 1868
Alfred Castelliz (Zeichner in) Cologne, St. Gereon, Details of the choir stalls, on the left. Paper, medium -strong; Pencil drawing around 1892 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alfred-castelliz-zeichner-in-cologne-st-gereon-details-of-the-choir-stalls-on-the-left-paper-medium-strong-pencil-drawing-around-1892-image572785527.html
RM2T7THNY–Alfred Castelliz (Zeichner in) Cologne, St. Gereon, Details of the choir stalls, on the left. Paper, medium -strong; Pencil drawing around 1892