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9 3 4 x 14 7 8 Stock Photos and Images
Unknown Artist, Landscape with Military Encampment, 1700-1800, pen and black ink with grey wash on paper, 9 3/4 in. x 14 7/8 in. (24.8 cm. x 37.8 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-landscape-with-military-encampment-1700-1800-pen-and-black-ink-with-grey-wash-on-paper-9-34-in-x-14-78-in-248-cm-x-378-cm-image344469861.htmlRM2B0BXR1–Unknown Artist, Landscape with Military Encampment, 1700-1800, pen and black ink with grey wash on paper, 9 3/4 in. x 14 7/8 in. (24.8 cm. x 37.8 cm.)
Mii no Bansho Vesper Bells at Mii Temple. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm). Date: 1797-1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mii-no-bansho-vesper-bells-at-mii-temple-artist-utagawa-hiroshige-japanese-tokyo-edo-1797-1858-tokyo-edo-culture-japan-dimensions-9-34-x-14-78-in-248-x-378-cm-date-1797-1858-museum-metropolitan-museum-of-art-new-york-usa-image233229970.htmlRMRFCF5P–Mii no Bansho Vesper Bells at Mii Temple. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm). Date: 1797-1858. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by 木曽海道六拾九次之内 望月, Mochizuki Station, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mochizuki-station-edo-period-16151868-ca-1835-japan-polychrome-woodblock-print-ink-and-color-on-paper-9-34-x-14-78-in-248-x-378-cm-prints-utagawa-hiroshige-japanese-tokyo-edo-17971858-tokyo-edo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905642.htmlRF2HW34TA–Art inspired by 木曽海道六拾九次之内 望月, Mochizuki Station, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Design for a cloth as place of an inscription; Carlo Marchionni (Italian, 1702–1786); Italy; graphite, brush and gray watercolor on laid paper; 24.7 x 37.8 cm (9 3/4 x 14 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-a-cloth-as-place-of-an-inscription-carlo-marchionni-italian-17021786-italy-graphite-brush-and-gray-watercolor-on-laid-paper-247-x-378-cm-9-34-x-14-78-in-image546116428.htmlRM2PMDN24–Drawing, Design for a cloth as place of an inscription; Carlo Marchionni (Italian, 1702–1786); Italy; graphite, brush and gray watercolor on laid paper; 24.7 x 37.8 cm (9 3/4 x 14 7/8 in.)
. English: Creation Date: ca. 1830 Display Dimensions: 9 3/8 in. x 7 1/4 in. (23.8 cm x 18.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1220 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:40. English: thesandiegomuseumofartcollection 845 Maharaja Gulab Singh receives his shield and sword from Rama (6124524375) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1830-display-dimensions-9-38-in-x-7-14-in-238-cm-x-184-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901220-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140840-english-thesandiegomuseumofartcollection-845-maharaja-gulab-singh-receives-his-shield-and-sword-from-rama-6124524375-image185706262.htmlRMMP3J6E–. English: Creation Date: ca. 1830 Display Dimensions: 9 3/8 in. x 7 1/4 in. (23.8 cm x 18.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1220 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:08:40. English: thesandiegomuseumofartcollection 845 Maharaja Gulab Singh receives his shield and sword from Rama (6124524375)
Copy of group photo submitted in 12017/2720; Lim Fook Yin; Nat(ive) Dptg (Departing); X (= ) Applicant; (??? hard to read) 2-19-14. Father, Lym Tye; 2- Mother, Chin Shee; 3- Sister, Lym Yong; 4- Sister, Lim Yoke; 5- Bro, Lym F. Ling (? hard to read); 6- Robt F. Lym.; 7- Lym F. Yin; X; Arthur Lym; 8- Lym F. Wing; 9- Lym F. Wah.; Scope and content: In addition to records generated by federal agencies, immigration agency investigative case files related to the Chinese Exclusion Acts (1882-1943) frequently contain documents collected by the agencies as evidence, such as individual and family phot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/copy-of-group-photo-submitted-in-120172720-lim-fook-yin-native-dptg-departing-x-=-applicant-hard-to-read-2-19-14-father-lym-tye-2-mother-chin-shee-3-sister-lym-yong-4-sister-lim-yoke-5-bro-lym-f-ling-hard-to-read-6-robt-f-lym-7-lym-f-yin-x-arthur-lym-8-lym-f-wing-9-lym-f-wah-scope-and-content-in-addition-to-records-generated-by-federal-agencies-immigration-agency-investigative-case-files-related-to-the-chinese-exclusion-acts-1882-1943-frequently-contain-documents-collected-by-the-agencies-as-evidence-such-as-individual-and-family-phot-image261661458.htmlRMW5KKT2–Copy of group photo submitted in 12017/2720; Lim Fook Yin; Nat(ive) Dptg (Departing); X (= ) Applicant; (??? hard to read) 2-19-14. Father, Lym Tye; 2- Mother, Chin Shee; 3- Sister, Lym Yong; 4- Sister, Lim Yoke; 5- Bro, Lym F. Ling (? hard to read); 6- Robt F. Lym.; 7- Lym F. Yin; X; Arthur Lym; 8- Lym F. Wing; 9- Lym F. Wah.; Scope and content: In addition to records generated by federal agencies, immigration agency investigative case files related to the Chinese Exclusion Acts (1882-1943) frequently contain documents collected by the agencies as evidence, such as individual and family phot
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image235128797.htmlRMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/irish-members-in-their-seats-in-the-house-of-parliament-1886-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoher-image330688927.htmlRM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489962.htmlRF2RAYT3P–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Brocade, 1800s. India, Benares ?, 19th century. Brocade, 'kimkhwab'; silk and gold; overall: 7.9 x 14.6 cm (3 1/8 x 5 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brocade-1800s-india-benares-19th-century-brocade-kimkhwab-silk-and-gold-overall-79-x-146-cm-3-18-x-5-34-in-image448079248.htmlRM2H0YNJ8–Brocade, 1800s. India, Benares ?, 19th century. Brocade, 'kimkhwab'; silk and gold; overall: 7.9 x 14.6 cm (3 1/8 x 5 3/4 in.).
'Jacques Callot, Beggar with Wooden Leg, c. 1622, etching, plate: 13.7 x 8.8 cm (5 3/8 x 3 7/16 in.) sheet: 14.6 x 9.6 cm (5 3/4 x 3 3/4 in.), Rosenwald Collection, 1949.5.294' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-beggar-with-wooden-leg-c-1622-etching-plate-137-x-88-cm-5-38-x-3-716-in-sheet-146-x-96-cm-5-34-x-3-34-in-rosenwald-collection-19495294-image560394310.htmlRM2RFM4JE–'Jacques Callot, Beggar with Wooden Leg, c. 1622, etching, plate: 13.7 x 8.8 cm (5 3/8 x 3 7/16 in.) sheet: 14.6 x 9.6 cm (5 3/4 x 3 3/4 in.), Rosenwald Collection, 1949.5.294'
Compote MET DP235771 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-compote-met-dp235771-2218-french-compote-181530-porcelain-11-38-x-168008278.htmlRMKN9C7J–Compote MET DP235771 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1)
Archive image from page 253 of Cyclopedia of farm crops . Cyclopedia of farm crops : a popular survey of crops and crop-making methods in the United States and Canada cyclopediaoffarm00bailuoft Year: 1922, c1907 Grain Straw Flour Middlings Hulls Number of analyses . . . Water Ash 8.0 12.6 2.0 10.0 8.7 64.5 2.2 3.0 9.9 5.5 5.2 43.0 35.1 1.3 4.0 14.6 1.0 6.9 .3 75:8 1.4 6.0 12.7 5.1 28.1 4.2 42.4 7.6 3.0 10.1 20 Protein (N x 6.25) . . . Crude fiber Nitrogen-free extract . . Fat 4.8 44.7 37.7 9 Fig. 311. Buckwheat (Fagopyrum esculenlum). consumed. It has been cultivated for centuries in England Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-253-of-cyclopedia-of-farm-crops-cyclopedia-of-farm-crops-a-popular-survey-of-crops-and-crop-making-methods-in-the-united-states-and-canada-cyclopediaoffarm00bailuoft-year-1922-c1907-grain-straw-flour-middlings-hulls-number-of-analyses-water-ash-80-126-20-100-87-645-22-30-99-55-52-430-351-13-40-146-10-69-3-758-14-60-127-51-281-42-424-76-30-101-20-protein-n-x-625-crude-fiber-nitrogen-free-extract-fat-48-447-377-9-fig-311-buckwheat-fagopyrum-esculenlum-consumed-it-has-been-cultivated-for-centuries-in-england-image259545599.htmlRMW2791K–Archive image from page 253 of Cyclopedia of farm crops . Cyclopedia of farm crops : a popular survey of crops and crop-making methods in the United States and Canada cyclopediaoffarm00bailuoft Year: 1922, c1907 Grain Straw Flour Middlings Hulls Number of analyses . . . Water Ash 8.0 12.6 2.0 10.0 8.7 64.5 2.2 3.0 9.9 5.5 5.2 43.0 35.1 1.3 4.0 14.6 1.0 6.9 .3 75:8 1.4 6.0 12.7 5.1 28.1 4.2 42.4 7.6 3.0 10.1 20 Protein (N x 6.25) . . . Crude fiber Nitrogen-free extract . . Fat 4.8 44.7 37.7 9 Fig. 311. Buckwheat (Fagopyrum esculenlum). consumed. It has been cultivated for centuries in England
Vintage illustrations of Guns 1900s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustrations-of-guns-1900s-image389793283.htmlRF2DJ4H8K–Vintage illustrations of Guns 1900s.
. Gray's new manual of botany. A handbook of the flowering plants and ferns of the central and northeastern United States and adjacent Canada. Botany. T. E. arvense. Crose- Bection of stem x 12. in threes ; centrum J eter.—Alluvial soil, N. S. and Que. to Alaska, southw. to w. Mass., N. J., and la., chiefly in calcareous re- gions. April, May. (Eurasia.) Figs. 8,9. 3. E. sylviticum L. Stems 0.7-4.5 dm. high; both kinds developing com- pound branches; centrum half the diameter ; ridges 8-14, flat, with a row of recurved spinules on each side; sheaths green, with the papery brown teeth coherent; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grays-new-manual-of-botany-a-handbook-of-the-flowering-plants-and-ferns-of-the-central-and-northeastern-united-states-and-adjacent-canada-botany-t-e-arvense-crose-bection-of-stem-x-12-in-threes-centrum-j-eteralluvial-soil-n-s-and-que-to-alaska-southw-to-w-mass-n-j-and-la-chiefly-in-calcareous-re-gions-april-may-eurasia-figs-89-3-e-sylviticum-l-stems-07-45-dm-high-both-kinds-developing-com-pound-branches-centrum-half-the-diameter-ridges-8-14-flat-with-a-row-of-recurved-spinules-on-each-side-sheaths-green-with-the-papery-brown-teeth-coherent-image216352422.htmlRMPFYKM6–. Gray's new manual of botany. A handbook of the flowering plants and ferns of the central and northeastern United States and adjacent Canada. Botany. T. E. arvense. Crose- Bection of stem x 12. in threes ; centrum J eter.—Alluvial soil, N. S. and Que. to Alaska, southw. to w. Mass., N. J., and la., chiefly in calcareous re- gions. April, May. (Eurasia.) Figs. 8,9. 3. E. sylviticum L. Stems 0.7-4.5 dm. high; both kinds developing com- pound branches; centrum half the diameter ; ridges 8-14, flat, with a row of recurved spinules on each side; sheaths green, with the papery brown teeth coherent;
Illustration Axis Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-axis-icon-image241525726.htmlRFT0XCEP–Illustration Axis Icon
Ribbon, French, 18th century, French, Silk, 2 3/4 x 14 1/8 inches (7.0 x 35.9 cm), Textiles-Trimmings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ribbon-french-18th-century-french-silk-2-34-x-14-18-inches-70-x-359-cm-textiles-trimmings-image344619060.htmlRM2B0JN3G–Ribbon, French, 18th century, French, Silk, 2 3/4 x 14 1/8 inches (7.0 x 35.9 cm), Textiles-Trimmings
Yabase no Kihan Fishing Boats Returning to Yabase. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm). Date: 1797-1858. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yabase-no-kihan-fishing-boats-returning-to-yabase-artist-utagawa-hiroshige-japanese-tokyo-edo-1797-1858-tokyo-edo-culture-japan-dimensions-9-34-x-14-78-in-248-x-378-cm-date-1797-1858-museum-metropolitan-museum-of-art-new-york-usa-image233289479.htmlRMRFF733–Yabase no Kihan Fishing Boats Returning to Yabase. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm). Date: 1797-1858. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Edo hakkei, Eight Views of Edo, Edo period (1615–1868), ca. 1771, Japan, Bound book of polychrome woodblock prints; ink and color on paper, Overall: 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Illustrated Books, Utagawa Toyohiro (Japanese, 1763–1828, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-edo-hakkei-eight-views-of-edo-edo-period-16151868-ca-1771-japan-bound-book-of-polychrome-woodblock-prints-ink-and-color-on-paper-overall-9-34-x-14-78-in-248-x-378-cm-illustrated-books-utagawa-toyohiro-japanese-17631828-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910230.htmlRF2HW3AM6–Art inspired by Edo hakkei, Eight Views of Edo, Edo period (1615–1868), ca. 1771, Japan, Bound book of polychrome woodblock prints; ink and color on paper, Overall: 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Illustrated Books, Utagawa Toyohiro (Japanese, 1763–1828, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Okitsu River, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi); Ando Hiroshige (Japanese, 1797 - 1858); Japan; woodblock print in colored ink on paper ; 24.8 x 37.8 cm (9 3/4 x 14 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-okitsu-river-in-the-fifty-three-stations-of-the-tokaido-road-tokaido-gojusan-tsugi-no-uchi-ando-hiroshige-japanese-1797-1858-japan-woodblock-print-in-colored-ink-on-paper-248-x-378-cm-9-34-x-14-78-in-image546174382.htmlRM2PMGAYX–Print, Okitsu River, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi); Ando Hiroshige (Japanese, 1797 - 1858); Japan; woodblock print in colored ink on paper ; 24.8 x 37.8 cm (9 3/4 x 14 7/8 in.)
. English: Display Artist: Mir Kalan Khan Creation Date: late 17th century Display Dimensions: 8 7/32 in. x 5 3/4 in. (20.9 cm x 14.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.509 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:59. English: thesandiegomuseumofartcollection 1179 The Prophet Muhammad's ascent to heaven- the Mi'raj (6125052426) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-mir-kalan-khan-creation-date-late-17th-century-display-dimensions-8-732-in-x-5-34-in-209-cm-x-146-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990509-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140559-english-thesandiegomuseumofartcollection-1179-the-prophet-muhammads-ascent-to-heaven-the-miraj-6125052426-image185546265.htmlRMMNTA49–. English: Display Artist: Mir Kalan Khan Creation Date: late 17th century Display Dimensions: 8 7/32 in. x 5 3/4 in. (20.9 cm x 14.6 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.509 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:59. English: thesandiegomuseumofartcollection 1179 The Prophet Muhammad's ascent to heaven- the Mi'raj (6125052426)
(Artist) James McNeill Whistler; United States; 1858; Pencil on white paper; H x W: 10.7 x 14.9 cm (4 3/16 x 5 7/8 in); Gift of Charles Lang Freer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-james-mcneill-whistler-united-states-1858-pencil-on-white-paper-h-x-w-107-x-149-cm-4-316-x-5-78-in-gift-of-charles-lang-freer-image353573276.htmlRM2BF6J90–(Artist) James McNeill Whistler; United States; 1858; Pencil on white paper; H x W: 10.7 x 14.9 cm (4 3/16 x 5 7/8 in); Gift of Charles Lang Freer
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image387336939.htmlRM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489957.htmlRF2RAYT3H–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Woman Writing, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.6 x 24.8 cm (14 7/16 x 9 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-writing-1753-1806-kitagawa-utamaro-japanese-1753-1806-color-woodblock-print-sheet-366-x-248-cm-14-716-x-9-34-in-image448068428.htmlRM2H0Y7RT–Woman Writing, 1753-1806. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 36.6 x 24.8 cm (14 7/16 x 9 3/4 in.).
'Jacques Callot, Beggar Woman Receiving Charity, c. 1622, etching, plate: 13.9 x 8.8 cm (5 1/2 x 3 7/16 in.) sheet: 14.6 x 9.6 cm (5 3/4 x 3 3/4 in.), Rosenwald Collection, 1949.5.303' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-beggar-woman-receiving-charity-c-1622-etching-plate-139-x-88-cm-5-12-x-3-716-in-sheet-146-x-96-cm-5-34-x-3-34-in-rosenwald-collection-19495303-image560394379.htmlRM2RFM4MY–'Jacques Callot, Beggar Woman Receiving Charity, c. 1622, etching, plate: 13.9 x 8.8 cm (5 1/2 x 3 7/16 in.) sheet: 14.6 x 9.6 cm (5 3/4 x 3 3/4 in.), Rosenwald Collection, 1949.5.303'
Compote MET 188903 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-compote-met-188903-2218-french-compote-181530-porcelain-11-38-x-14-168197435.htmlRMKNJ1F7–Compote MET 188903 2218 French, Compote, 1815?30, Porcelain, 11 3/8 x 14 1/4 x 7 3/8 in. (28.9 x 36.2 x 18.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Alan W. Carrick, 1967 (Inst.67.15.1)
Archive image from page 41 of The Danish Ingolf-Expedition (1921). The Danish Ingolf-Expedition danishingolfexpe0509ingo Year: 1921 34 ACTINIARIA Habitat nemathybomes capitu- lum tentacles n. sp. actinopharynx n (a) n (a) n (b) i) Vaderoame 2) Kristlneberg 3) Styrso 4) Varholmen 5) Drobalc 6) Bohuslan Zool. St. 7) Kattegat 8) - 9) Samso Belt 58-62 X 2.5fl 53-65 41-58 X 2.5 43-61 X 2 41-48 X 2 48 X 2 36-50 X 2 about 46 X 2 43-55 X 2 4S-81 X 4-511 48-86 41-72 X 4-5 46-67 X 3.5 (-5) 41-58 X 4 (5) 48-65 X 3.5-4-5 36-61 X 3.5-4 38-53 X 3.5-4 43-65 X 3.5 (5) 19-23 X 2fl 17-22 X 2(2.5) 14-17,' 14-1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-41-of-the-danish-ingolf-expedition-1921-the-danish-ingolf-expedition-danishingolfexpe0509ingo-year-1921-34-actiniaria-habitat-nemathybomes-capitu-lum-tentacles-n-sp-actinopharynx-n-a-n-a-n-b-i-vaderoame-2-kristlneberg-3-styrso-4-varholmen-5-drobalc-6-bohuslan-zool-st-7-kattegat-8-9-samso-belt-58-62-x-25fl-53-65-41-58-x-25-43-61-x-2-41-48-x-2-48-x-2-36-50-x-2-about-46-x-2-43-55-x-2-4s-81-x-4-511-48-86-41-72-x-4-5-46-67-x-35-5-41-58-x-4-5-48-65-x-35-4-5-36-61-x-35-4-38-53-x-35-4-43-65-x-35-5-19-23-x-2fl-17-22-x-225-14-17-14-1-image259543121.htmlRMW275W5–Archive image from page 41 of The Danish Ingolf-Expedition (1921). The Danish Ingolf-Expedition danishingolfexpe0509ingo Year: 1921 34 ACTINIARIA Habitat nemathybomes capitu- lum tentacles n. sp. actinopharynx n (a) n (a) n (b) i) Vaderoame 2) Kristlneberg 3) Styrso 4) Varholmen 5) Drobalc 6) Bohuslan Zool. St. 7) Kattegat 8) - 9) Samso Belt 58-62 X 2.5fl 53-65 41-58 X 2.5 43-61 X 2 41-48 X 2 48 X 2 36-50 X 2 about 46 X 2 43-55 X 2 4S-81 X 4-511 48-86 41-72 X 4-5 46-67 X 3.5 (-5) 41-58 X 4 (5) 48-65 X 3.5-4-5 36-61 X 3.5-4 38-53 X 3.5-4 43-65 X 3.5 (5) 19-23 X 2fl 17-22 X 2(2.5) 14-17,' 14-1
Vintage illustrations of Guns 1900s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustrations-of-guns-1900s-image389793288.htmlRF2DJ4H8T–Vintage illustrations of Guns 1900s.
![. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo](https://c8.alamy.com/comp/PFYFDM/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-PFYFDM.jpg ". Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo")
. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-image216349104.htmlRMPFYFDM–. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx:
Illustration Axis Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-axis-icon-image241525654.htmlRFT0XCC6–Illustration Axis Icon
David Clarkson, American, ca. 1845, American, Oil on panel, 6 3/4 x 5 7/8 in. (sight) (17.1 x 14.9 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-clarkson-american-ca-1845-american-oil-on-panel-6-34-x-5-78-in-sight-171-x-149-cm-paintings-image344608890.htmlRM2B0J84A–David Clarkson, American, ca. 1845, American, Oil on panel, 6 3/4 x 5 7/8 in. (sight) (17.1 x 14.9 cm), Paintings
Lake Suwa in Shinano Province (Shinshu Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm). Date: ca. 1830-32. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-suwa-in-shinano-province-shinshu-suwako-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjurokkei-artist-katsushika-hokusai-japanese-tokyo-edo-1760-1849-tokyo-edo-culture-japan-dimensions-9-34-x-14-78-in-248-x-378-cm-date-ca-1830-32-museum-metropolitan-museum-of-art-new-york-usa-image212862944.htmlRMPA8MT0–Lake Suwa in Shinano Province (Shinshu Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm). Date: ca. 1830-32. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Mii no Bansho, 近江八景の内 三井晩鍾, Vesper Bells at Mii Temple, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mii-no-bansho-vesper-bells-at-mii-temple-edo-period-16151868-17971858-japan-polychrome-woodblock-print-ink-and-color-on-paper-9-34-x-14-78-in-248-x-378-cm-prints-utagawa-hiroshige-japanese-tokyo-edo-17971858-tokyo-edo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462918975.htmlRF2HW3NTF–Art inspired by Mii no Bansho, 近江八景の内 三井晩鍾, Vesper Bells at Mii Temple, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Wood Block, associated with 1983-29-1 to 21; USA; wood, metal; 37 x 29.5 x 7 cm (14 9/16 x 11 5/8 x 2 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-block-associated-with-1983-29-1-to-21-usa-wood-metal-37-x-295-x-7-cm-14-916-x-11-58-x-2-34-in-image546118637.htmlRM2PMDRW1–Wood Block, associated with 1983-29-1 to 21; USA; wood, metal; 37 x 29.5 x 7 cm (14 9/16 x 11 5/8 x 2 3/4 in.)
. English: Display Artist: Rahim Khan Creation Date: ca. 1670 Display Dimensions: 7 27/32 in. x 9 3/4 in. (19.9 cm x 24.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.483 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:52. English: thesandiegomuseumofartcollection 1085 Saint Shah Raju seated against a bolster (6125049392) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-rahim-khan-creation-date-ca-1670-display-dimensions-7-2732-in-x-9-34-in-199-cm-x-248-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990483-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140552-english-thesandiegomuseumofartcollection-1085-saint-shah-raju-seated-against-a-bolster-6125049392-image185742529.htmlRMMP58DN–. English: Display Artist: Rahim Khan Creation Date: ca. 1670 Display Dimensions: 7 27/32 in. x 9 3/4 in. (19.9 cm x 24.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.483 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:05:52. English: thesandiegomuseumofartcollection 1085 Saint Shah Raju seated against a bolster (6125049392)
Copy of group photo submitted in 12017/2720; Lim Fook Yin; Nat(ive) Dptg (Departing); X (= ) Applicant; (??? hard to read) 2-19-14. Father, Lym Tye; 2- Mother, Chin Shee; 3- Sister, Lym Yong; 4- Sister, Lim Yoke; 5- Bro, Lym F. Ling (? hard to read); 6- Robt F. Lym.; 7- Lym F. Yin; X; Arthur Lym; 8- Lym F. Wing; 9- Lym F. Wah.; Scope and content: In addition to records generated by federal agencies, immigration agency investigative case files related to the Chinese Exclusion Acts (1882-1943) frequently contain documents collected by the agencies as evidence, such as individual and family phot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/copy-of-group-photo-submitted-in-120172720-lim-fook-yin-native-dptg-departing-x-=-applicant-hard-to-read-2-19-14-father-lym-tye-2-mother-chin-shee-3-sister-lym-yong-4-sister-lim-yoke-5-bro-lym-f-ling-hard-to-read-6-robt-f-lym-7-lym-f-yin-x-arthur-lym-8-lym-f-wing-9-lym-f-wah-scope-and-content-in-addition-to-records-generated-by-federal-agencies-immigration-agency-investigative-case-files-related-to-the-chinese-exclusion-acts-1882-1943-frequently-contain-documents-collected-by-the-agencies-as-evidence-such-as-individual-and-family-phot-image257542489.htmlRMTY0221–Copy of group photo submitted in 12017/2720; Lim Fook Yin; Nat(ive) Dptg (Departing); X (= ) Applicant; (??? hard to read) 2-19-14. Father, Lym Tye; 2- Mother, Chin Shee; 3- Sister, Lym Yong; 4- Sister, Lim Yoke; 5- Bro, Lym F. Ling (? hard to read); 6- Robt F. Lym.; 7- Lym F. Yin; X; Arthur Lym; 8- Lym F. Wing; 9- Lym F. Wah.; Scope and content: In addition to records generated by federal agencies, immigration agency investigative case files related to the Chinese Exclusion Acts (1882-1943) frequently contain documents collected by the agencies as evidence, such as individual and family phot
Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-shows-from-back-to-front-1-alexander-blane-2-jd-sheehan-3-sir-joseph-n-mkenna-4-donal-sullivan-5-patrick-ohea-6-dr-fox-7-joseph-nolan-8-edw-harrington-9-jf-smithwick-10-william-obrien-11-e-mulhallen-marum-12-thomas-ohanlon-13-james-leahy-14-pj-foley-15-jfx-obrien-16-jl-carew-17-john-finucane-18-j-oconnor-lord-mayor-19-dr-andrew-commins-20-edward-shiel-21-james-e-odoherty-22-michael-conway-23-p-mdonald-24-laurence-connolly-25-henry-j-gill-26-kevin-izod-odoherty-md-27-bernard-kelly-28-john-stack-29-image261850251.htmlRMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-knots-used-in-wrecking-1-commencement-of-a-bowline-2-single-bowline-3-double-bowline-on-a-bight-4-single-bowline-on-a-bight-5-running-bowline-6-double-garrick-bend-7-flat-knot-8-fishermans-bend-9-short-splice-10-long-splice-11-overhand-knot-12-two-half-hitches-13-timber-hitch-14-eye-spliced-in-end-of-line-15-stopper-on-line-16-shroud-knot-used-for-putting-two-lines-together-when-end-is-short-17-figure-8-18-cats-paw-19-mast-head-knot-the-engineering-magazine-devoted-to-industrial-progress-volume-x-october-1896-new-york-the-engineering-magazin-image557489973.htmlRF2RAYT45–Some Knots used in Wrecking 1 — Commencement of a bowline. 2 -Single bowline, 3- Double bowline on a bight. 4 — Single bowline on a bight. 5 — Running bowline. 6— Double Garrick bend. 7 — Flat knot. 8— Fisherman's bend. 9 — Short splice. 10 — Long splice. 11— Overhand knot. 12 — Two half hitches. 13— Timber hitch. 14- Eye spliced in end of line. 15— Stopper on line. 16— Shroud knot used for putting two lines together when end is short. 17 — Figure 8. 18— Cats-paw. 19 — Mast-head knot. The Engineering Magazine DEVOTED TO INDUSTRIAL PROGRESS Volume X October 1896 NEW YORK The Engineering Magazin
Ornament, AD 250-550. Mexico or Central America, Maya style (250-900). Jadeite; overall: 14.9 x 3.2 cm (5 7/8 x 1 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornament-ad-250-550-mexico-or-central-america-maya-style-250-900-jadeite-overall-149-x-32-cm-5-78-x-1-14-in-image448103758.htmlRM2H10TWJ–Ornament, AD 250-550. Mexico or Central America, Maya style (250-900). Jadeite; overall: 14.9 x 3.2 cm (5 7/8 x 1 1/4 in.).
'Franz Cleyn, The Sacrifice of Marcus Curtius, 1640s, black chalk on laid paper, Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.), Ailsa Mellon Bruce Fund, 1984.45.1' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franz-cleyn-the-sacrifice-of-marcus-curtius-1640s-black-chalk-on-laid-paper-overall-181-x-289-cm-7-18-x-11-38-in-support-26-x-373-cm-10-14-x-14-1116-in-ailsa-mellon-bruce-fund-1984451-image559844140.htmlRM2RER2WG–'Franz Cleyn, The Sacrifice of Marcus Curtius, 1640s, black chalk on laid paper, Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.), Ailsa Mellon Bruce Fund, 1984.45.1'
Basket MET DP283353 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basket-met-dp283353-364-maker-myer-myers-17231795-basket-177076-silver-168035695.htmlRMKNAK6R–Basket MET DP283353 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167)
Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-31-of-denkschriften-sterreichische-akademie-der-denkschriften-sterreichische-akademie-der-wissenschaften-denkschriftens871912akad-year-1850-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-x-411-55-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-image259539534.htmlRMW27192–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39
. The Danish Ingolf-Expedition. Scientific expeditions; Arctic Ocean. THE INGOLF-EXPEDITION 1895 —1896.. THE LOCALITIES, DEPTHS, AND BOTTOMTEMPERATURES OF THE STATIONS Station Nr. Lat. X. Long. W. Depth in Bottom- Danish fathoms temp. Station Xr. Lat. X. Long. W. Depth in Danish fathoms Bottom- temp. Station Xr. Lat. X. Long. W. Depth in Danish fathoms Bottom- temp. i 2 3 4 5 6 7 8 9 io II 12 13 14 15 16 17 18 19 20 21 22 23 62 ° 30' 63° 04' 63° 35' 64° 07' 64° 40' °3° 43' &3C 13' 630 56' 640 18' 64° 24' 64° 34' 64° 38' 64° 47' 64° 45' 66° 18' 65° 43' 62° 49' 61° 44' 6o° 29' 58° 20' 58° 01 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-danish-ingolf-expedition-scientific-expeditions-arctic-ocean-the-ingolf-expedition-1895-1896-the-localities-depths-and-bottomtemperatures-of-the-stations-station-nr-lat-x-long-w-depth-in-bottom-danish-fathoms-temp-station-xr-lat-x-long-w-depth-in-danish-fathoms-bottom-temp-station-xr-lat-x-long-w-depth-in-danish-fathoms-bottom-temp-i-2-3-4-5-6-7-8-9-io-ii-12-13-14-15-16-17-18-19-20-21-22-23-62-30-63-04-63-35-64-07-64-40-3-43-amp3c-13-630-56-640-18-64-24-64-34-64-38-64-47-64-45-66-18-65-43-62-49-61-44-6o-29-58-20-58-01-image216138008.htmlRMPFHX6G–. The Danish Ingolf-Expedition. Scientific expeditions; Arctic Ocean. THE INGOLF-EXPEDITION 1895 —1896.. THE LOCALITIES, DEPTHS, AND BOTTOMTEMPERATURES OF THE STATIONS Station Nr. Lat. X. Long. W. Depth in Bottom- Danish fathoms temp. Station Xr. Lat. X. Long. W. Depth in Danish fathoms Bottom- temp. Station Xr. Lat. X. Long. W. Depth in Danish fathoms Bottom- temp. i 2 3 4 5 6 7 8 9 io II 12 13 14 15 16 17 18 19 20 21 22 23 62 ° 30' 63° 04' 63° 35' 64° 07' 64° 40' °3° 43' &3C 13' 630 56' 640 18' 64° 24' 64° 34' 64° 38' 64° 47' 64° 45' 66° 18' 65° 43' 62° 49' 61° 44' 6o° 29' 58° 20' 58° 01
Illustration Axis Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-axis-icon-image241525532.htmlRFT0XC7T–Illustration Axis Icon
Band, Italian or Greek, 16th–17th century, Italian or Greek, Silk on linen, L. 14 1/8 x W. 2 3/4 inches, 35.9 x 7 cm, Textiles-Embroidered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/band-italian-or-greek-16th17th-century-italian-or-greek-silk-on-linen-l-14-18-x-w-2-34-inches-359-x-7-cm-textiles-embroidered-image344590137.htmlRM2B0HC6H–Band, Italian or Greek, 16th–17th century, Italian or Greek, Silk on linen, L. 14 1/8 x W. 2 3/4 inches, 35.9 x 7 cm, Textiles-Embroidered
View of Leafy Cherry Trees along the Sumida River (Sumidagawa hazakura no kei), from the series 'Famous Views of the Eastern Capital (Toto Meisho)'. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1826-1836. Dimensions: 24.3 x 38 cm (9 3/4 x 14 7/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-leafy-cherry-trees-along-the-sumida-river-sumidagawa-hazakura-no-kei-from-the-series-famous-views-of-the-eastern-capital-toto-meisho-utagawa-hiroshige-japanese-1797-1858-date-1826-1836-dimensions-243-x-38-cm-9-34-x-14-78-in-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image239919397.htmlRMRX97HW–View of Leafy Cherry Trees along the Sumida River (Sumidagawa hazakura no kei), from the series 'Famous Views of the Eastern Capital (Toto Meisho)'. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1826-1836. Dimensions: 24.3 x 38 cm (9 3/4 x 14 7/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
Art inspired by Yabase no Kihan, 近江八景之内 矢橋帰帆, Fishing Boats Returning to Yabase, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-yabase-no-kihan-fishing-boats-returning-to-yabase-edo-period-16151868-17971858-japan-polychrome-woodblock-print-ink-and-color-on-paper-9-34-x-14-78-in-248-x-378-cm-prints-utagawa-hiroshige-japanese-tokyo-edo-17971858-tokyo-edo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462918970.htmlRF2HW3NTA–Art inspired by Yabase no Kihan, 近江八景之内 矢橋帰帆, Fishing Boats Returning to Yabase, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, The Fishing Temple, Virginia Water; Frederick Crace (English, 1779–1859); England; pen and brown ink on white wove paper; 14.9 x 19.7 cm (5 7/8 x 7 3/4 in. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-the-fishing-temple-virginia-water-frederick-crace-english-17791859-england-pen-and-brown-ink-on-white-wove-paper-149-x-197-cm-5-78-x-7-34-in-image546078169.htmlRM2PMC07N–Drawing, The Fishing Temple, Virginia Water; Frederick Crace (English, 1779–1859); England; pen and brown ink on white wove paper; 14.9 x 19.7 cm (5 7/8 x 7 3/4 in. )
. English: Series Title: Kalpasutra Creation Date: 15th century Display Dimensions: 4 9/32 in. x 3 1/16 in. (10.9 cm x 7.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.182 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:31:30. English: thesandiegomuseumofartcollection 765 King Gardabhilla in court; Verso- Kalaka before Gardabhilla (6125058094) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-kalpasutra-creation-date-15th-century-display-dimensions-4-932-in-x-3-116-in-109-cm-x-78-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990182-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-143130-english-thesandiegomuseumofartcollection-765-king-gardabhilla-in-court-verso-kalaka-before-gardabhilla-6125058094-image185819911.htmlRMMP8R5B–. English: Series Title: Kalpasutra Creation Date: 15th century Display Dimensions: 4 9/32 in. x 3 1/16 in. (10.9 cm x 7.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.182 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:31:30. English: thesandiegomuseumofartcollection 765 King Gardabhilla in court; Verso- Kalaka before Gardabhilla (6125058094)
Tile- Brown with Yellow Central Motif, c 1500s. Holland/ Netherlands, 16th century. Glazed ceramic; overall: 14.6 x 14.9 cm (5 3/4 x 5 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tile-brown-with-yellow-central-motif-c-1500s-holland-netherlands-16th-century-glazed-ceramic-overall-146-x-149-cm-5-34-x-5-78-in-image448087461.htmlRM2H1043H–Tile- Brown with Yellow Central Motif, c 1500s. Holland/ Netherlands, 16th century. Glazed ceramic; overall: 14.6 x 14.9 cm (5 3/4 x 5 7/8 in.).
'Antoine de Marcenay de Ghuy, River Landscape with an Angler, 1773, etching on wove paper, plate: 4.8 x 12.1 cm (1 7/8 x 4 3/4 in.) sheet: 6.9 x 14.6 cm (2 11/16 x 5 3/4 in.), Gift of the Estate of Leo Steinberg, 2011.139.128' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antoine-de-marcenay-de-ghuy-river-landscape-with-an-angler-1773-etching-on-wove-paper-plate-48-x-121-cm-1-78-x-4-34-in-sheet-69-x-146-cm-2-1116-x-5-34-in-gift-of-the-estate-of-leo-steinberg-2011139128-image559695745.htmlRM2REG9HN–'Antoine de Marcenay de Ghuy, River Landscape with an Angler, 1773, etching on wove paper, plate: 4.8 x 12.1 cm (1 7/8 x 4 3/4 in.) sheet: 6.9 x 14.6 cm (2 11/16 x 5 3/4 in.), Gift of the Estate of Leo Steinberg, 2011.139.128'
Basket MET DP228047 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basket-met-dp228047-364-maker-myer-myers-17231795-basket-177076-silver-168029260.htmlRMKNAB10–Basket MET DP228047 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167)
Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-31-of-denkschriften-sterreichische-akademie-der-denkschriften-sterreichische-akademie-der-wissenschaften-denkschriftens871912akad-year-1850-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-x-411-55-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-image259539542.htmlRMW2719A–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77
![. Der wald. Forests and forestry; Trees. 335. S)tC i'dxä)t, La rix europaea Decaudolle. 1. @m BiT^sig ititt einem ^ang= imb mel^reren Äurstriebcn, imb mit einer 3)nrd)= it)ad;fnng eineg ß'il^fci^^ — 2. ein '^xikIq mit männlid)en ((j') nnb ireiMidKn ^lüt^en (5); — 3. ein mäitnüc^es ^(ütBenfäl^d^cn, 3 mal iKX(^x.; — 4. 5. 6. @tanb^ gefä^e, noä) geji^Icffen (4. 5.) nnb anTgei>ningcn (6.); — 7. 8. eine SediAn^^^v i^cn an^en nnb üon innen; — 9. eine i8lütf)enidni^]pe; — 10. ein reifer 3^4'Kn; — II. 12. 13. eine 3a):fen]d;u|))3e i>cn au^en nnb innen (mit ben 2amcn nnb (13.) ebne bieje); — 14. Stock Photo](https://c8.alamy.com/comp/PFA01D/der-wald-forests-and-forestry-trees-335-stc-idxt-la-rix-europaea-decaudolle-1-@m-bitsig-ititt-einem-ang=-imb-melreren-urstriebcn-imb-mit-einer-3nrd=-itadfnng-eineg-ilfci-2-ein-xikiq-mit-mnnliden-j-nnb-ireimidkn-lten-5-3-ein-mitnces-tbenfldcn-3-mal-ikxx-4-5-6-@tanb-gefe-no-gejiicffen-4-5-nnb-antgeigtningcn-6-7-8-eine-sedianv-icn-anen-nnb-on-innen-9-eine-i8ltfenidni-pe-10-ein-reifer-34kn-ii-12-13-eine-3afen-du3e-igtcn-auen-nnb-innen-mit-ben-2amcn-nnb-13-ebne-bieje-14-PFA01D.jpg ". Der wald. Forests and forestry; Trees. 335. S)tC i'dxä)t, La rix europaea Decaudolle. 1. @m BiT^sig ititt einem ^ang= imb mel^reren Äurstriebcn, imb mit einer 3)nrd)= it)ad;fnng eineg ß'il^fci^^ — 2. ein '^xikIq mit männlid)en ((j') nnb ireiMidKn ^lüt^en (5); — 3. ein mäitnüc^es ^(ütBenfäl^d^cn, 3 mal iKX(^x.; — 4. 5. 6. @tanb^ gefä^e, noä) geji^Icffen (4. 5.) nnb anTgei>ningcn (6.); — 7. 8. eine SediAn^^^v i^cn an^en nnb üon innen; — 9. eine i8lütf)enidni^]pe; — 10. ein reifer 3^4'Kn; — II. 12. 13. eine 3a):fen]d;u|))3e i>cn au^en nnb innen (mit ben 2amcn nnb (13.) ebne bieje); — 14. Stock Photo")
. Der wald. Forests and forestry; Trees. 335. S)tC i'dxä)t, La rix europaea Decaudolle. 1. @m BiT^sig ititt einem ^ang= imb mel^reren Äurstriebcn, imb mit einer 3)nrd)= it)ad;fnng eineg ß'il^fci^^ — 2. ein '^xikIq mit männlid)en ((j') nnb ireiMidKn ^lüt^en (5); — 3. ein mäitnüc^es ^(ütBenfäl^d^cn, 3 mal iKX(^x.; — 4. 5. 6. @tanb^ gefä^e, noä) geji^Icffen (4. 5.) nnb anTgei>ningcn (6.); — 7. 8. eine SediAn^^^v i^cn an^en nnb üon innen; — 9. eine i8lütf)enidni^]pe; — 10. ein reifer 3^4'Kn; — II. 12. 13. eine 3a):fen]d;u|))3e i>cn au^en nnb innen (mit ben 2amcn nnb (13.) ebne bieje); — 14. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/der-wald-forests-and-forestry-trees-335-stc-idxt-la-rix-europaea-decaudolle-1-@m-bitsig-ititt-einem-ang=-imb-melreren-urstriebcn-imb-mit-einer-3nrd=-itadfnng-eineg-ilfci-2-ein-xikiq-mit-mnnliden-j-nnb-ireimidkn-lten-5-3-ein-mitnces-tbenfldcn-3-mal-ikxx-4-5-6-@tanb-gefe-no-gejiicffen-4-5-nnb-antgeigtningcn-6-7-8-eine-sedianv-icn-anen-nnb-on-innen-9-eine-i8ltfenidni-pe-10-ein-reifer-34kn-ii-12-13-eine-3afen-du3e-igtcn-auen-nnb-innen-mit-ben-2amcn-nnb-13-ebne-bieje-14-image215963817.htmlRMPFA01D–. Der wald. Forests and forestry; Trees. 335. S)tC i'dxä)t, La rix europaea Decaudolle. 1. @m BiT^sig ititt einem ^ang= imb mel^reren Äurstriebcn, imb mit einer 3)nrd)= it)ad;fnng eineg ß'il^fci^^ — 2. ein '^xikIq mit männlid)en ((j') nnb ireiMidKn ^lüt^en (5); — 3. ein mäitnüc^es ^(ütBenfäl^d^cn, 3 mal iKX(^x.; — 4. 5. 6. @tanb^ gefä^e, noä) geji^Icffen (4. 5.) nnb anTgei>ningcn (6.); — 7. 8. eine SediAn^^^v i^cn an^en nnb üon innen; — 9. eine i8lütf)enidni^]pe; — 10. ein reifer 3^4'Kn; — II. 12. 13. eine 3a):fen]d;u|))3e i>cn au^en nnb innen (mit ben 2amcn nnb (13.) ebne bieje); — 14.
Illustration Axis Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-axis-icon-image241525898.htmlRFT0XCMX–Illustration Axis Icon
Unknown Artist, The Visitation (recto), 1600-1700, brush and brown ink over graphite on paper, 5 7/8 in. x 4 13/16 in. (14.9 cm. x 12.3 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-the-visitation-recto-1600-1700-brush-and-brown-ink-over-graphite-on-paper-5-78-in-x-4-1316-in-149-cm-x-123-cm-image344469031.htmlRM2B0BWNB–Unknown Artist, The Visitation (recto), 1600-1700, brush and brown ink over graphite on paper, 5 7/8 in. x 4 13/16 in. (14.9 cm. x 12.3 cm.)
George Washington. Dimensions: 5 7/8 x 4 3/4 in. (14.9 x 12.1 cm). Date: 1800-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-washington-dimensions-5-78-x-4-34-in-149-x-121-cm-date-1800-30-museum-metropolitan-museum-of-art-new-york-usa-image212907391.htmlRMPAANFB–George Washington. Dimensions: 5 7/8 x 4 3/4 in. (14.9 x 12.1 cm). Date: 1800-30. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Karasaki no Yau, 近江八景の内 唐崎夜雨, Evening Rain at Karasaki, Pine Tree, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-karasaki-no-yau-evening-rain-at-karasaki-pine-tree-edo-period-16151868-17971858-japan-polychrome-woodblock-print-ink-and-color-on-paper-9-34-x-14-78-in-248-x-378-cm-prints-utagawa-hiroshige-japanese-tokyo-edo-17971858-tokyo-edo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462918965.htmlRF2HW3NT5–Art inspired by Karasaki no Yau, 近江八景の内 唐崎夜雨, Evening Rain at Karasaki, Pine Tree, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Spoon (USA); Manufactured by Gorham Manufacturing Company (United States); enameled and gilt silver; L x W x D: 14.9 x 3.2 x 1.6 cm (5 7/8 x 1 1/4 x 5/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spoon-usa-manufactured-by-gorham-manufacturing-company-united-states-enameled-and-gilt-silver-l-x-w-x-d-149-x-32-x-16-cm-5-78-x-1-14-x-58-in-image546121979.htmlRM2PME04B–Spoon (USA); Manufactured by Gorham Manufacturing Company (United States); enameled and gilt silver; L x W x D: 14.9 x 3.2 x 1.6 cm (5 7/8 x 1 1/4 x 5/8 in.)
. English: Series Title: Devasano Pado Bhandara ''Kalpasutra'' and ''Kalakacharya Katha'' Display Artist: Artist Unknown Creation Date: ca. 1475 Display Dimensions: 4 7/16 in. x 10 9/16 in. (11.3 cm x 26.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.190 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:04:30. English: thesandiegomuseumofartcollection 1175 The Heavenly Court of Indra (6124496535) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-devasano-pado-bhandara-kalpasutra-and-kalakacharya-katha-display-artist-artist-unknown-creation-date-ca-1475-display-dimensions-4-716-in-x-10-916-in-113-cm-x-268-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990190-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140430-english-thesandiegomuseumofartcollection-1175-the-heavenly-court-of-indra-6124496535-image185731617.htmlRMMP4PG1–. English: Series Title: Devasano Pado Bhandara ''Kalpasutra'' and ''Kalakacharya Katha'' Display Artist: Artist Unknown Creation Date: ca. 1475 Display Dimensions: 4 7/16 in. x 10 9/16 in. (11.3 cm x 26.8 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.190 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:04:30. English: thesandiegomuseumofartcollection 1175 The Heavenly Court of Indra (6124496535)
Watching the Crows Winslow Homer (American, 1836-1910). , 1868. Wood engraving, Image: 5 7/8 x 3 3/4 in. (14.9 x 9.5 cm). American Art 1868 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/watching-the-crows-winslow-homer-american-1836-1910-1868-wood-engraving-image-5-78-x-3-34-in-149-x-95-cm-american-art-1868-image504727011.htmlRM2M948CK–Watching the Crows Winslow Homer (American, 1836-1910). , 1868. Wood engraving, Image: 5 7/8 x 3 3/4 in. (14.9 x 9.5 cm). American Art 1868
'Hubert François Gravelot, Coat of Arms with Two Eagles, 0, graphite, incised for transfer on laid paper; laid down, sheet: 14.1 x 8.3 cm (5 9/16 x 3 1/4 in.) support: 27.9 x 19 cm (11 x 7 1/2 in.), Gift of Arthur L. Liebman, 1992.87.18' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hubert-franois-gravelot-coat-of-arms-with-two-eagles-0-graphite-incised-for-transfer-on-laid-paper-laid-down-sheet-141-x-83-cm-5-916-x-3-14-in-support-279-x-19-cm-11-x-7-12-in-gift-of-arthur-l-liebman-19928718-image559640811.htmlRM2REDRFR–'Hubert François Gravelot, Coat of Arms with Two Eagles, 0, graphite, incised for transfer on laid paper; laid down, sheet: 14.1 x 8.3 cm (5 9/16 x 3 1/4 in.) support: 27.9 x 19 cm (11 x 7 1/2 in.), Gift of Arthur L. Liebman, 1992.87.18'
Basket MET DP228049 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basket-met-dp228049-364-maker-myer-myers-17231795-basket-177076-silver-168029267.htmlRMKNAB17–Basket MET DP228049 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167)
Archive image from page 240 of Deutsche Südpolar-Expedition, 1901-1903, im Auftrage. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern . deutschesdpola1311deut Year: 1911 Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':7.x- Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO 4{P 2) « 751? i«' 3i' 3) :> 7ra ÖS' liS' (080) 3) r 7 7S0 15 <0— 5 76ff lO-O. SS- 7) 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-240-of-deutsche-sdpolar-expedition-1901-1903-im-auftrage-deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-deutschesdpola1311deut-year-1911-nr-s4i-30-koreinlier-1003-nr-83-30-noiember-1903-h-7x-hoch-1-vgt-70-16fj-w-b-wsw-tibf-1-rs-7s0-uv-w-8-2-c-izo-4p-2-751-i-3i-3-gt-7ra-s-lis-080-3-r-7-7s0-15-lt0-5-76ff-lo-o-ss-7-75-y-as-ol-3-5-7w-w-so-91-c-770-trs-uy-45-lono-tief-it-c-760-115-14-1-75fi-kgt-9-c-760-25-0-soh5-10-gt-7fifi-fi-image258910073.htmlRMW16AC9–Archive image from page 240 of Deutsche Südpolar-Expedition, 1901-1903, im Auftrage. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern . deutschesdpola1311deut Year: 1911 Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':7.x- Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO 4{P 2) « 751? i«' 3i' 3) :> 7ra ÖS' liS' (080) 3) r 7 7S0 15 <0— 5 76ff lO-O. SS- 7) 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi'
![. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':^7.x^-. Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO* 4{P 2) «^ 751? i«' 3i' 3) :> 7ra ÖS' liS" (080) 3) r 7 7S0 15* <0— 5 76ff lO-O. SS- 7) ^ 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1^ 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' (SNW) 11) /-> 7« H0° SO' 12) v-- 755 147' .fO' (SSO). Please note t Stock Photo](https://c8.alamy.com/comp/PF9CMR/deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-gauss-ship-scientific-expeditions-nr-s4i-30-koreinlier-1003-nr-83-30-noiember-1903-h-7x-hoch-1-vgt-70-16fj-w-b-wsw-tibf-1-rs-7s0-uv-w-8-2-c-izo-4p-2-751-i-3i-3-gt-7ra-s-lisquot-080-3-r-7-7s0-15-lt0-5-76ff-lo-o-ss-7-75-y-as-ol-3-5-7w-w-so-91-c-770-trs-uy-45-lono-tief-it-c-760-115-14-1-75fi-kgt-9-c-760-25-0-soh5-10-gt-7fifi-fi-snw-11-gt-7-h0-so-12-v-755-147-fo-sso-please-note-t-PF9CMR.jpg ". Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':^7.x^-. Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO* 4{P 2) «^ 751? i«' 3i' 3) :> 7ra ÖS' liS" (080) 3) r 7 7S0 15* <0— 5 76ff lO-O. SS- 7) ^ 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1^ 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' (SNW) 11) /-> 7« H0° SO' 12) v-- 755 147' .fO' (SSO). Please note t Stock Photo")
. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':^7.x^-. Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO* 4{P 2) «^ 751? i«' 3i' 3) :> 7ra ÖS' liS" (080) 3) r 7 7S0 15* <0— 5 76ff lO-O. SS- 7) ^ 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1^ 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' (SNW) 11) /-> 7« H0° SO' 12) v-- 755 147' .fO' (SSO). Please note t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-gauss-ship-scientific-expeditions-nr-s4i-30-koreinlier-1003-nr-83-30-noiember-1903-h-7x-hoch-1-vgt-70-16fj-w-b-wsw-tibf-1-rs-7s0-uv-w-8-2-c-izo-4p-2-751-i-3i-3-gt-7ra-s-lisquot-080-3-r-7-7s0-15-lt0-5-76ff-lo-o-ss-7-75-y-as-ol-3-5-7w-w-so-91-c-770-trs-uy-45-lono-tief-it-c-760-115-14-1-75fi-kgt-9-c-760-25-0-soh5-10-gt-7fifi-fi-snw-11-gt-7-h0-so-12-v-755-147-fo-sso-please-note-t-image215951815.htmlRMPF9CMR–. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. S4i. 30. Koreinlier 1003 Nr. 8(3. 30. Noiember 1903 H ':^7.x^-. Hoch 1) v> 7?0 16fj' W. «' B. (WSW) TiBf 1) rs 7S0 UV W. ää'8. 2) C ?« iZO* 4{P 2) «^ 751? i«' 3i' 3) :> 7ra ÖS' liS" (080) 3) r 7 7S0 15* <0— 5 76ff lO-O. SS- 7) ^ 7Ö5 •(y as- (Ol «) 3 ?«5 7W ¥«• |W, SO) 91 C 770 trs-uy 45° lONO) Tief i;t) C) 760 1.15° 14) 1^ 75fi K>° 9) C) 760 25' 0. SO—.H5' 10) /-> 7fifi :«' #fi' (SNW) 11) /-> 7« H0° SO' 12) v-- 755 147' .fO' (SSO). Please note t
Illustration Axis Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-axis-icon-image241525841.htmlRFT0XCJW–Illustration Axis Icon
Unknown Artist, Compositional sketch (verso), 1600-1700, brush and brown ink over graphite on paper, 5 7/8 in. x 4 13/16 in. (14.9 cm. x 12.3 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-compositional-sketch-verso-1600-1700-brush-and-brown-ink-over-graphite-on-paper-5-78-in-x-4-1316-in-149-cm-x-123-cm-image344469032.htmlRM2B0BWNC–Unknown Artist, Compositional sketch (verso), 1600-1700, brush and brown ink over graphite on paper, 5 7/8 in. x 4 13/16 in. (14.9 cm. x 12.3 cm.)
Plaque. Culture: American. Dimensions: 5 7/8 x 4 1/16 in. (14.9 x 10.3 cm). Date: 1800-1883. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plaque-culture-american-dimensions-5-78-x-4-116-in-149-x-103-cm-date-1800-1883-museum-metropolitan-museum-of-art-new-york-usa-image212897017.htmlRMPAA88W–Plaque. Culture: American. Dimensions: 5 7/8 x 4 1/16 in. (14.9 x 10.3 cm). Date: 1800-1883. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Lake Suwa in Shinano Province (Shinshū Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 信州諏訪湖, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-lake-suwa-in-shinano-province-shinsh-suwako-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjrokkei-edo-period-16151868-ca-183032-japan-polychrome-woodblock-print-ink-and-color-on-paper-9-34-x-14-78-in-248-x-378-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462758158.htmlRF2HTTCN2–Art inspired by Lake Suwa in Shinano Province (Shinshū Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 信州諏訪湖, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Overdoor; Italy; pen and brown ink, brown wash, black chalk support: white laid paper; 14.4 x 7.3 cm (5 11/16 x 2 7/8 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-overdoor-italy-pen-and-brown-ink-brown-wash-black-chalk-support-white-laid-paper-144-x-73-cm-5-1116-x-2-78-in-mat-406-x-559-cm-16-x-22-in-image546084716.htmlRM2PMC8HG–Drawing, Overdoor; Italy; pen and brown ink, brown wash, black chalk support: white laid paper; 14.4 x 7.3 cm (5 11/16 x 2 7/8 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)
. English: Accession Number: 1957.389 Display Artist: Utagawa Kunisada Display Title: 'The actor Iwai Hanshiro V as the Greengrocer's daughter, Oshichi' Series Title: The Great Hits of the Stage (Oatari kyogen no uchi) Suite Name: Oatari kyogen no uchi Yaoya Oshichi Creation Date: ca. 1815 Medium: Woodblock Height: 14 3/4 in. Width: 9 7/8 in. Display Dimensions: 14 3/4 in. x 9 7/8 in. (37.47 cm x 25.08 cm) Publisher: Kawaguchiya Uhei Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of the most memorable characters in Kabuki, Oshichi is the heroine in a drama of forbidden love. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-1957389-display-artist-utagawa-kunisada-display-title-the-actor-iwai-hanshiro-v-as-the-greengrocers-daughter-oshichi-series-title-the-great-hits-of-the-stage-oatari-kyogen-no-uchi-suite-name-oatari-kyogen-no-uchi-yaoya-oshichi-creation-date-ca-1815-medium-woodblock-height-14-34-in-width-9-78-in-display-dimensions-14-34-in-x-9-78-in-3747-cm-x-2508-cm-publisher-kawaguchiya-uhei-credit-line-bequest-of-mrs-cora-timken-burnett-label-copy-one-of-the-most-memorable-characters-in-kabuki-oshichi-is-the-heroine-in-a-drama-of-forbidden-love-image185823608.htmlRMMP8YWC–. English: Accession Number: 1957.389 Display Artist: Utagawa Kunisada Display Title: 'The actor Iwai Hanshiro V as the Greengrocer's daughter, Oshichi' Series Title: The Great Hits of the Stage (Oatari kyogen no uchi) Suite Name: Oatari kyogen no uchi Yaoya Oshichi Creation Date: ca. 1815 Medium: Woodblock Height: 14 3/4 in. Width: 9 7/8 in. Display Dimensions: 14 3/4 in. x 9 7/8 in. (37.47 cm x 25.08 cm) Publisher: Kawaguchiya Uhei Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: 'One of the most memorable characters in Kabuki, Oshichi is the heroine in a drama of forbidden love.
Marine Attributed to Willem van de Velde the Elder (Dutch, 1611-1683).. Watercolor, Sheet: 5 7/8 x 16 1/4 in. (14.9 x 41.3 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marine-attributed-to-willem-van-de-velde-the-elder-dutch-1611-1683-watercolor-sheet-5-78-x-16-14-in-149-x-413-cm-european-art-image504725980.htmlRM2M9473T–Marine Attributed to Willem van de Velde the Elder (Dutch, 1611-1683).. Watercolor, Sheet: 5 7/8 x 16 1/4 in. (14.9 x 41.3 cm). European Art
'Mariano Fortuny y Carbó, Croquis (Two Arabian Figures), c. 1865, etching on laid paper, plate: 14.7 x 24.8 cm (5 13/16 x 9 3/4 in.) sheet: 24 x 32.5 cm (9 7/16 x 12 13/16 in.), Gift of Frank Anderson Trapp, 1999.111.16' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mariano-fortuny-y-carb-croquis-two-arabian-figures-c-1865-etching-on-laid-paper-plate-147-x-248-cm-5-1316-x-9-34-in-sheet-24-x-325-cm-9-716-x-12-1316-in-gift-of-frank-anderson-trapp-199911116-image557408796.htmlRM2RAT4H0–'Mariano Fortuny y Carbó, Croquis (Two Arabian Figures), c. 1865, etching on laid paper, plate: 14.7 x 24.8 cm (5 13/16 x 9 3/4 in.) sheet: 24 x 32.5 cm (9 7/16 x 12 13/16 in.), Gift of Frank Anderson Trapp, 1999.111.16'
Basket MET DP228036 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basket-met-dp228036-364-maker-myer-myers-17231795-basket-177076-silver-168029288.htmlRMKNAB20–Basket MET DP228036 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167)
The Eastern Bering Sea Shelf The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder easternberingsea00hood Year: 1981 Acartia longiremis (0 CM E 0) n in E O 3 ^' z X CM Calanus plumchrus Eucalanus bungii bungii 2 3 4 5 6 Stations 7 8 9 10 11 12 13 14 1516 17 18 19 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eastern-bering-sea-shelf-the-eastern-bering-sea-shelf-oceanography-and-resources-edited-by-donald-w-hood-and-john-a-calder-easternberingsea00hood-year-1981-acartia-longiremis-0-cm-e-0-n-in-e-o-3-z-x-cm-calanus-plumchrus-eucalanus-bungii-bungii-2-3-4-5-6-stations-7-8-9-10-11-12-13-14-1516-17-18-19-image241229656.htmlRMT0CXTT–The Eastern Bering Sea Shelf The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder easternberingsea00hood Year: 1981 Acartia longiremis (0 CM E 0) n in E O 3 ^' z X CM Calanus plumchrus Eucalanus bungii bungii 2 3 4 5 6 Stations 7 8 9 10 11 12 13 14 1516 17 18 19
. Cytological and genetic studies of sterility in inbred and hybrid maize. Sterility in plants; Corn; Corn; Hybrid corn; Hybrid corn. Sterility In lvl>i'Cil (ind riijhrid Maize 715 Tablk 7. Progeny of Plants Heterozygous for Inversion on Chromosome 1. No. of plants No of semi- Percent with Type of cross witho Lit inversion sterile plants Total inversion Hybrid ear open-polinatec 4-8 X R4 11 s' 19 42.1 540 X 4-8 22 18' 40 45.0 187-2 X 4-8A 15 14^ 29 48.3 Iowa Hybrid 13 22 3 25 12.0 Selfed ears from 187-2 X 4-8A 2 15^ 17 88.2 10 6 16 37.5 5 7 12 58.3 3 9 12 75.0 Heterozygous inversion X or on Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cytological-and-genetic-studies-of-sterility-in-inbred-and-hybrid-maize-sterility-in-plants-corn-corn-hybrid-corn-hybrid-corn-sterility-in-lvlgticil-ind-riijhrid-maize-715-tablk-7-progeny-of-plants-heterozygous-for-inversion-on-chromosome-1-no-of-plants-no-of-semi-percent-with-type-of-cross-witho-lit-inversion-sterile-plants-total-inversion-hybrid-ear-open-polinatec-4-8-x-r4-11-s-19-421-540-x-4-8-22-18-40-450-187-2-x-4-8a-15-14-29-483-iowa-hybrid-13-22-3-25-120-selfed-ears-from-187-2-x-4-8a-2-15-17-882-10-6-16-375-5-7-12-583-3-9-12-750-heterozygous-inversion-x-or-on-image216162693.htmlRMPFK1M5–. Cytological and genetic studies of sterility in inbred and hybrid maize. Sterility in plants; Corn; Corn; Hybrid corn; Hybrid corn. Sterility In lvl>i'Cil (ind riijhrid Maize 715 Tablk 7. Progeny of Plants Heterozygous for Inversion on Chromosome 1. No. of plants No of semi- Percent with Type of cross witho Lit inversion sterile plants Total inversion Hybrid ear open-polinatec 4-8 X R4 11 s' 19 42.1 540 X 4-8 22 18' 40 45.0 187-2 X 4-8A 15 14^ 29 48.3 Iowa Hybrid 13 22 3 25 12.0 Selfed ears from 187-2 X 4-8A 2 15^ 17 88.2 10 6 16 37.5 5 7 12 58.3 3 9 12 75.0 Heterozygous inversion X or on
Illustration Axis Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-axis-icon-image241525783.htmlRFT0XCGR–Illustration Axis Icon
The Lime-Burner, James Abbott McNeill Whistler (American, 1834-1903), 1859, etching and drypoint, 9-7/8 x 6-3/4 in. (image) 14 x 9 in. (sheet), series, Sixteen Etchings on the Thames Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lime-burner-james-abbott-mcneill-whistler-american-1834-1903-1859-etching-and-drypoint-9-78-x-6-34-in-image-14-x-9-in-sheet-series-sixteen-etchings-on-the-thames-image328782611.htmlRM2A2W9G3–The Lime-Burner, James Abbott McNeill Whistler (American, 1834-1903), 1859, etching and drypoint, 9-7/8 x 6-3/4 in. (image) 14 x 9 in. (sheet), series, Sixteen Etchings on the Thames
Les jambes. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 11.1 x 14.9 cm (4 3/8 x 5 7/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-jambes-artist-pierre-louis-pierson-french-1822-1913-dimensions-111-x-149-cm-4-38-x-5-78-in-date-1860s-museum-metropolitan-museum-of-art-new-york-usa-image212862424.htmlRMPA8M5C–Les jambes. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 11.1 x 14.9 cm (4 3/8 x 5 7/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 相州箱根湖水, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-lake-at-hakone-in-sagami-province-ssh-hakone-kosui-from-the-series-thirty-six-views-of-mount-fuji-fugaku-sanjrokkei-edo-period-16151868-ca-183032-japan-polychrome-woodblock-print-ink-and-color-on-paper-9-34-x-14-78-in-248-x-37-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462770075.htmlRF2HTTYXK–Art inspired by The Lake at Hakone in Sagami Province (Sōshū Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 相州箱根湖水, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Textile (France); linen warp, cotton weft; Warp x Weft (two pieces joined): 38 x 20 cm (14 15/16 x 7 7/8 in.) Repeat H x W: 24.8 x 17.8 cm (9 3/4 x 7 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-france-linen-warp-cotton-weft-warp-x-weft-two-pieces-joined-38-x-20-cm-14-1516-x-7-78-in-repeat-h-x-w-248-x-178-cm-9-34-x-7-in-image546113154.htmlRM2PMDGW6–Textile (France); linen warp, cotton weft; Warp x Weft (two pieces joined): 38 x 20 cm (14 15/16 x 7 7/8 in.) Repeat H x W: 24.8 x 17.8 cm (9 3/4 x 7 in.)
Print; etching with touches of drypoint; plate: 12.7 x 9.7 cm (5 x 3 13/16 in.) sheet: 14.3 x 11.4 cm (5 5/8 x 4 1/2 in.); Abraham Casting Out Hagar and Ishmael Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-etching-with-touches-of-drypoint-plate-127-x-97-cm-5-x-3-1316-in-sheet-143-x-114-cm-5-58-x-4-12-in-abraham-casting-out-hagar-and-ishmael-image185014333.htmlRMMN03JN–Print; etching with touches of drypoint; plate: 12.7 x 9.7 cm (5 x 3 13/16 in.) sheet: 14.3 x 11.4 cm (5 5/8 x 4 1/2 in.); Abraham Casting Out Hagar and Ishmael
Pair of Boxes, early 1700s. Bagard (French). Wood; each: 37.5 x 23.8 x 11.2 cm (14 3/4 x 9 3/8 x 4 7/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-boxes-early-1700s-bagard-french-wood-each-375-x-238-x-112-cm-14-34-x-9-38-x-4-716-in-image448061706.htmlRM2H0XY7P–Pair of Boxes, early 1700s. Bagard (French). Wood; each: 37.5 x 23.8 x 11.2 cm (14 3/4 x 9 3/8 x 4 7/16 in.).
'Albert Besnard, Edmond Pigalle, 1908, etching in black on cream laid paper, plate: 19.9 x 14.7 cm (7 13/16 x 5 13/16 in.) sheet: 23.8 x 18.5 cm (9 3/8 x 7 5/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-besnard-edmond-pigalle-1908-etching-in-black-on-cream-laid-paper-plate-199-x-147-cm-7-1316-x-5-1316-in-sheet-238-x-185-cm-9-38-x-7-516-in-gift-of-mr-and-mrs-daniel-bell-199442-image557243248.htmlRM2RAGHCG–'Albert Besnard, Edmond Pigalle, 1908, etching in black on cream laid paper, plate: 19.9 x 14.7 cm (7 13/16 x 5 13/16 in.) sheet: 23.8 x 18.5 cm (9 3/8 x 7 5/16 in.), Gift of Mr. and Mrs. Daniel Bell, 1994.4.2'
Basket MET DP283354 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basket-met-dp283354-364-maker-myer-myers-17231795-basket-177076-silver-168035698.htmlRMKNAK6X–Basket MET DP283354 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167)
Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-240-of-the-directional-spectrum-of-a-the-directional-spectrum-of-a-wind-generated-sea-as-determined-from-data-obtained-by-the-stereo-wave-observation-project-directionalspect00chas-year-1957-cm-13-12-11-10-9-8-7-6-5-4-3-2-1-0-10-fl-cz-c3-x-c4-0-c5-rn-gtv-0-0-n-ce-0-x-0-0-i0-20-30-1-1-ii-ik-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-figure-1130-cp-and-yp-as-a-function-of-k-229-image242266434.htmlRMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
. Cyclopedia of farm crops : a popular survey of crops and crop-making methods in the United States and Canada. Agriculture -- Canada; Agriculture -- United States; Farm produce -- Canada; Farm produce -- United States. Grain Straw Flour Middlings Hulls Number of analyses . . Water Ash 8.0 12.6 2.0 10.0 8.7 64.5 2.2 3.0 9.9 5.5 5.2 43.0 35.1 1.3 4.0 14.6 1.0 6.9 .3 75:8 1.4 6.0 12.7 5.1 28.1 4.2 42.4 7.6 3.0 10.1 20 Protein (N x 6.25) . . Crude fiber Nitrogen-free extract . Fat 4.8 44.7 37.7 9 Fig. 311. Buckwheat (Fagopyrum esculenlum). consumed. It has been cultivated for centuries in England Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cyclopedia-of-farm-crops-a-popular-survey-of-crops-and-crop-making-methods-in-the-united-states-and-canada-agriculture-canada-agriculture-united-states-farm-produce-canada-farm-produce-united-states-grain-straw-flour-middlings-hulls-number-of-analyses-water-ash-80-126-20-100-87-645-22-30-99-55-52-430-351-13-40-146-10-69-3-758-14-60-127-51-281-42-424-76-30-101-20-protein-n-x-625-crude-fiber-nitrogen-free-extract-fat-48-447-377-9-fig-311-buckwheat-fagopyrum-esculenlum-consumed-it-has-been-cultivated-for-centuries-in-england-image216162977.htmlRMPFK229–. Cyclopedia of farm crops : a popular survey of crops and crop-making methods in the United States and Canada. Agriculture -- Canada; Agriculture -- United States; Farm produce -- Canada; Farm produce -- United States. Grain Straw Flour Middlings Hulls Number of analyses . . Water Ash 8.0 12.6 2.0 10.0 8.7 64.5 2.2 3.0 9.9 5.5 5.2 43.0 35.1 1.3 4.0 14.6 1.0 6.9 .3 75:8 1.4 6.0 12.7 5.1 28.1 4.2 42.4 7.6 3.0 10.1 20 Protein (N x 6.25) . . Crude fiber Nitrogen-free extract . Fat 4.8 44.7 37.7 9 Fig. 311. Buckwheat (Fagopyrum esculenlum). consumed. It has been cultivated for centuries in England
Illustration Axis Icon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-axis-icon-image241525660.htmlRFT0XCCC–Illustration Axis Icon
Paul de Lamerie, English, 1688–1751, Coffeepot, 1731/32, Silver and wood, 8 1/4 x 6 3/16 x 5 9/16 in. (21 x 15.7 x 14.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-de-lamerie-english-16881751-coffeepot-173132-silver-and-wood-8-14-x-6-316-x-5-916-in-21-x-157-x-141-cm-image344573064.htmlRM2B0GJCT–Paul de Lamerie, English, 1688–1751, Coffeepot, 1731/32, Silver and wood, 8 1/4 x 6 3/16 x 5 9/16 in. (21 x 15.7 x 14.1 cm
Glass Panel of Head of Angel. Culture: German or Swiss. Dimensions: Overall: 5 7/8 x 5 3/4 in. (14.9 x 14.6 cm). Date: late 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-panel-of-head-of-angel-culture-german-or-swiss-dimensions-overall-5-78-x-5-34-in-149-x-146-cm-date-late-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image212903693.htmlRMPAAGR9–Glass Panel of Head of Angel. Culture: German or Swiss. Dimensions: Overall: 5 7/8 x 5 3/4 in. (14.9 x 14.6 cm). Date: late 15th century. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Watching the Crows, Winslow Homer, American, 1836-1910, Wood engraving, 1868, Image: 5 7/8 x 3 3/4 in., 14.9 x 9.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-watching-the-crows-winslow-homer-american-1836-1910-wood-engraving-1868-image-5-78-x-3-34-in-149-x-95-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248184.htmlRF2HK4FMT–Inspired by Watching the Crows, Winslow Homer, American, 1836-1910, Wood engraving, 1868, Image: 5 7/8 x 3 3/4 in., 14.9 x 9.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing, Design for a Bracelet; Attributed to Salvatori (Italian, active 19th century); Italy; graphite support: off-white wove paper; 9.6 x 22.3 cm (3 3/4 x 8 3/4 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-a-bracelet-attributed-to-salvatori-italian-active-19th-century-italy-graphite-support-off-white-wove-paper-96-x-223-cm-3-34-x-8-34-in-mat-356-x-457-cm-14-x-18-in-image546087274.htmlRM2PMCBTX–Drawing, Design for a Bracelet; Attributed to Salvatori (Italian, active 19th century); Italy; graphite support: off-white wove paper; 9.6 x 22.3 cm (3 3/4 x 8 3/4 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)
Painting; oil on paper on canvas; overall: 25.1 x 32.4 cm (9 7/8 x 12 3/4 in.) framed: 42.6 x 54.9 x 4.8 cm (16 3/4 x 21 5/8 x 1 7/8 in.); 14 Lion Defending its Prey A-6850205 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-paper-on-canvas-overall-251-x-324-cm-9-78-x-12-34-in-framed-426-x-549-x-48-cm-16-34-x-21-58-x-1-78-in-14-lion-defending-its-prey-a-6850205-image206554221.htmlRMP01A0D–Painting; oil on paper on canvas; overall: 25.1 x 32.4 cm (9 7/8 x 12 3/4 in.) framed: 42.6 x 54.9 x 4.8 cm (16 3/4 x 21 5/8 x 1 7/8 in.); 14 Lion Defending its Prey A-6850205
Young Man Writing at a Table, c. 1800. Utagawa Toyohiro (Japanese, 1733-1828). Color woodblock print; sheet: 37.8 x 24.8 cm (14 7/8 x 9 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-man-writing-at-a-table-c-1800-utagawa-toyohiro-japanese-1733-1828-color-woodblock-print-sheet-378-x-248-cm-14-78-x-9-34-in-image448066445.htmlRM2H0Y591–Young Man Writing at a Table, c. 1800. Utagawa Toyohiro (Japanese, 1733-1828). Color woodblock print; sheet: 37.8 x 24.8 cm (14 7/8 x 9 3/4 in.).
'James Gillray, French Liberty and British Slavery, 1792, etching, hand-colored with watercolor by the publisher, on laid paper, plate: 24.4 x 35.2 cm (9 5/8 x 13 7/8 in.) sheet: 25.9 x 36.2 cm (10 3/16 x 14 1/4 in.), Ailsa Mellon Bruce Fund, 2012.45.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-french-liberty-and-british-slavery-1792-etching-hand-colored-with-watercolor-by-the-publisher-on-laid-paper-plate-244-x-352-cm-9-58-x-13-78-in-sheet-259-x-362-cm-10-316-x-14-14-in-ailsa-mellon-bruce-fund-2012452-image559239162.htmlRM2RDRF76–'James Gillray, French Liberty and British Slavery, 1792, etching, hand-colored with watercolor by the publisher, on laid paper, plate: 24.4 x 35.2 cm (9 5/8 x 13 7/8 in.) sheet: 25.9 x 36.2 cm (10 3/16 x 14 1/4 in.), Ailsa Mellon Bruce Fund, 2012.45.2'
Basket MET DP283355 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-basket-met-dp283355-364-maker-myer-myers-17231795-basket-177076-silver-168035694.htmlRMKNAK6P–Basket MET DP283355 364 Maker: Myer Myers, 1723?1795, Basket, 1770?76, Silver, 11 3/16 x 14 7/16 x 11 3/8 in. (28.4 x 36.7 x 28.9 cm); 41 oz. 5 dwt. (1282.7 g). The Metropolitan Museum of Art, New York. Morris K. Jesup Fund, 1954 (54.167)
Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-92-of-diptera-argentine-1900-diptera-argentine-dipteraargentine01shan-year-1900-r-c-shannon-y-e-del-ponte-721-el-dorado-1-44-varn-2-25-3-23-4-10-5-23-gt-gt-6-32-7-19-gt-8-49-9-17-10-50-mujer-11-25-varn-12-2-i-13-9-14-10-15-12-16-x-17-27-gt-18-10-meses-19-14-aos-20-10-21-31-mujer-22-10-23-12-varn-24-9-gtgt-25-10-1-y2-mes-2-meses-5-aos-3-meses-2-2-2-2-4-4-2-4-4-4-4-2-meses-1-mes-1-2-meses-4-4-aos-3-image242249898.htmlRMT23C62–Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3
![. The Danish Ingolf-expedition. Marine animals -- Arctic regions; Scientific expeditions; Arctic regions. 34 ACTINIARIA Habitat nemathybomes capitu- liun n. tentacles n. sp. n(a) actinopharvnx n(a)' n{b) i) Vaderoame 2) Kristineberg 3) StjTSO 4) Varholmen 5) Drobak 6) Bohusliin Zool. St. 7) Kattegat 8) - 9) Samso Belt 58 62 X â 2-5," 53 65 41 -58 X 2-5 43 â 61 X 2 41 .48 X 2 48 X 2 36 â 50 X 2 about 46 X 2 43-55 X 2 48-81 X 4-51/ 48-86 41-72 X 4-5 46-67 X 3-5 (-5) 41-58 X 4 (5) 48-65 X 3.5-4.5 36-61 X 3.5-4 38-53 X 3-5-4 43-65 X 3-5 (5) 19-23 X 2U 17-22 X 2(2.5) 14-17 U '14 X 2 U 14-17 14 Stock Photo](https://c8.alamy.com/comp/PFJMER/the-danish-ingolf-expedition-marine-animals-arctic-regions-scientific-expeditions-arctic-regions-34-actiniaria-habitat-nemathybomes-capitu-liun-n-tentacles-n-sp-na-actinopharvnx-na-nb-i-vaderoame-2-kristineberg-3-stjtso-4-varholmen-5-drobak-6-bohusliin-zool-st-7-kattegat-8-9-samso-belt-58-62-x-2-5quot-53-65-41-58-x-2-5-43-61-x-2-41-48-x-2-48-x-2-36-50-x-2-about-46-x-2-43-55-x-2-48-81-x-4-51-48-86-41-72-x-4-5-46-67-x-3-5-5-41-58-x-4-5-48-65-x-35-45-36-61-x-35-4-38-53-x-3-5-4-43-65-x-3-5-5-19-23-x-2u-17-22-x-225-14-17-u-14-x-2-u-14-17-14-PFJMER.jpg ". The Danish Ingolf-expedition. Marine animals -- Arctic regions; Scientific expeditions; Arctic regions. 34 ACTINIARIA Habitat nemathybomes capitu- liun n. tentacles n. sp. n(a) actinopharvnx n(a)' n{b) i) Vaderoame 2) Kristineberg 3) StjTSO 4) Varholmen 5) Drobak 6) Bohusliin Zool. St. 7) Kattegat 8) - 9) Samso Belt 58 62 X â 2-5," 53 65 41 -58 X 2-5 43 â 61 X 2 41 .48 X 2 48 X 2 36 â 50 X 2 about 46 X 2 43-55 X 2 48-81 X 4-51/ 48-86 41-72 X 4-5 46-67 X 3-5 (-5) 41-58 X 4 (5) 48-65 X 3.5-4.5 36-61 X 3.5-4 38-53 X 3-5-4 43-65 X 3-5 (5) 19-23 X 2U 17-22 X 2(2.5) 14-17 U '14 X 2 U 14-17 14 Stock Photo")
. The Danish Ingolf-expedition. Marine animals -- Arctic regions; Scientific expeditions; Arctic regions. 34 ACTINIARIA Habitat nemathybomes capitu- liun n. tentacles n. sp. n(a) actinopharvnx n(a)' n{b) i) Vaderoame 2) Kristineberg 3) StjTSO 4) Varholmen 5) Drobak 6) Bohusliin Zool. St. 7) Kattegat 8) - 9) Samso Belt 58 62 X â 2-5," 53 65 41 -58 X 2-5 43 â 61 X 2 41 .48 X 2 48 X 2 36 â 50 X 2 about 46 X 2 43-55 X 2 48-81 X 4-51/ 48-86 41-72 X 4-5 46-67 X 3-5 (-5) 41-58 X 4 (5) 48-65 X 3.5-4.5 36-61 X 3.5-4 38-53 X 3-5-4 43-65 X 3-5 (5) 19-23 X 2U 17-22 X 2(2.5) 14-17 U '14 X 2 U 14-17 14 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-danish-ingolf-expedition-marine-animals-arctic-regions-scientific-expeditions-arctic-regions-34-actiniaria-habitat-nemathybomes-capitu-liun-n-tentacles-n-sp-na-actinopharvnx-na-nb-i-vaderoame-2-kristineberg-3-stjtso-4-varholmen-5-drobak-6-bohusliin-zool-st-7-kattegat-8-9-samso-belt-58-62-x-2-5quot-53-65-41-58-x-2-5-43-61-x-2-41-48-x-2-48-x-2-36-50-x-2-about-46-x-2-43-55-x-2-48-81-x-4-51-48-86-41-72-x-4-5-46-67-x-3-5-5-41-58-x-4-5-48-65-x-35-45-36-61-x-35-4-38-53-x-3-5-4-43-65-x-3-5-5-19-23-x-2u-17-22-x-225-14-17-u-14-x-2-u-14-17-14-image216155487.htmlRMPFJMER–. The Danish Ingolf-expedition. Marine animals -- Arctic regions; Scientific expeditions; Arctic regions. 34 ACTINIARIA Habitat nemathybomes capitu- liun n. tentacles n. sp. n(a) actinopharvnx n(a)' n{b) i) Vaderoame 2) Kristineberg 3) StjTSO 4) Varholmen 5) Drobak 6) Bohusliin Zool. St. 7) Kattegat 8) - 9) Samso Belt 58 62 X â 2-5," 53 65 41 -58 X 2-5 43 â 61 X 2 41 .48 X 2 48 X 2 36 â 50 X 2 about 46 X 2 43-55 X 2 48-81 X 4-51/ 48-86 41-72 X 4-5 46-67 X 3-5 (-5) 41-58 X 4 (5) 48-65 X 3.5-4.5 36-61 X 3.5-4 38-53 X 3-5-4 43-65 X 3-5 (5) 19-23 X 2U 17-22 X 2(2.5) 14-17 U '14 X 2 U 14-17 14
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