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7 1 8 x 5 Stock Photos and Images
RMKC9KFX–An Engraver, n.d., Graphite, 7 1/8 x 5 5/8 in. (18.1 x 14.3 cm), Drawings, attributed to Edouard Jeanmaire (French, La Chaux-de
RF2HW2JRH–Art inspired by Tumbler, 1700–1800, Made in Bohemia, Czech Republic, Glass with engraved decoration, 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm), Glass, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAXBM2–Fragment. Culture: French. Dimensions: Overall: 7 1/8 x 5/16 in. (18.1 x 0.8 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.
RMMP38C9–. Self-portrait. Oil on panel, 185 x 140 mm (7 1/8 x 5 1/2'). Cheltenham Art Gallery and Museum. August 1635. 1110 Self-portrait by Gerrit Dou
RM2B0GT45–Berthe Morisot, French, 1841–1895, The Drawing Lesson: Berthe Morisot and Her Daughter, Drypoint on paper, image: 7 1/8 x 5 1/4 in. (18.1 x 13.3 cm
RF2HW5X6E–Art inspired by Design for a Covered Vase, 18th century, Red chalk, sheet: 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm), Attributed to Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAAT7W–Portrait of Henry VII. Artist: Anonymous, Italian, 16th century. Dimensions: sheet: 7 1/8 x 5 3/8 in. (18.1 x 13.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
RMMYK9NT–. This PNG image has a thumbnail version at File: Matilda of Flanders.jpg. Generally, the thumbnail version should be used when displaying the file from Commons, in order to reduce the file size of thumbnail images. Any edits to the image should be based on this PNG version in order to prevent generational loss, and both versions should be updated. See here for more information. Deutsch | English | suomi | français | македонски | മലയാളം | português | русский | +/− Matilda of Flanders, c.1031-83. Unknown artist. Pen, ink and watercolour, 18 x 13.3cm (7 1/8' x 5 1/2'). National Portrait Gal
RM2B0MR89–Head of a female, Babylonian, Old Babylonian, Date ca. 2000–1600 B.C., Southern Mesopotamia, Babylonian, Ceramic, 7 1/8 x 5 in. (18 x 12.7 cm), Ceramics-Sculpture
RF2HW6CGG–Art inspired by Portrait of Henry VII, 16th century, Red and black chalk, sheet: 7 1/8 x 5 3/8 in. (18.1 x 13.6 cm), Drawings, Anonymous, Italian, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1BTM–Portrait of a Man. Artist: Joseph Bordes (French, 1773-after 1835). Dimensions: Oval, 7 1/8 x 5 7/8 in. (181 x 149 mm). Date: ca. 1810. Museum: Metropolitan Museum of Art, New York, USA.
RMMXCNBB–. This PNG image has a thumbnail version at File: Matilda of Flanders.jpg. Generally, the thumbnail version should be used when displaying the file from Commons, in order to reduce the file size of thumbnail images. Any edits to the image should be based on this PNG version in order to prevent generational loss, and both versions should be updated. See here for more information. Deutsch | English | suomi | français | македонски | മലയാളം | português | русский | +/− Matilda of Flanders, c.1031-83. Unknown artist. Pen, ink and watercolour, 18 x 13.3cm (7 1/8' x 5 1/2'). National Portrait Gal
RM2B0GHK9–Maker's mark PR, English, Sugar Basket (marks altered), c. 1780–90, Silver, 8 13/16 x 7 1/8 x 5 in. (22.4 x 18.1 x 12.7 cm
RF2HTY08K–Art inspired by Portrait of a Man, ca. 1810, Ivory set into card, Oval, 7 1/8 x 5 7/8 in. (181 x 149 mm), Miniatures, Joseph Bordes (French, 1773–after 1835, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPATH37–An Engraver. Artist: attributed to Edouard Jeanmaire (French, La Chaux-de-Fonds 1847-1916 La Chaux-de-Fonds). Dimensions: 7 1/8 x 5 5/8 in. (18.1 x 14.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
RMMWH1BC–. This PNG image has a thumbnail version at File: Matilda of Flanders.jpg. Generally, the thumbnail version should be used when displaying the file from Commons, in order to reduce the file size of thumbnail images. Any edits to the image should be based on this PNG version in order to prevent generational loss, and both versions should be updated. See here for more information. Deutsch | English | suomi | français | македонски | മലയാളം | português | русский | +/− Matilda of Flanders, c.1031-83. Unknown artist. Pen, ink and watercolour, 18 x 13.3cm (7 1/8' x 5 1/2'). National Portrait Gal
RM2B0GYXE–Army Medical Museum photographer, American, late 19th century, Necrosis of Right Tibia Following Gunshot Fracture, 1873, Albumen print from wet-collodion-on-glass negative, Overall: 7 1/8 x 5 7/8 in. (18.1 x 14.9 cm
RF2HTYXRE–Art inspired by Fragment, 14th century, French, Colored and colorless glass, silver stain, and vitreous paint, Overall: 7 1/8 x 5/16 in. (18.1 x 0.8 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAMB7G–Female Figure. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0M28H–Ernst Oppler, Lillebil Christensen IV, Ernst Oppler (German, Hannover 1867–1929 Berlin), 1920, Etching, plate: 7 1/8 x 5 1/2 in. (18.1 x 14 cm), sheet: 12 x 8 11/16 in. (30.5 x 22.1 cm), Prints
RF2HTXRRF–Art inspired by Pietà, 1596, Engraving; second state of two, sheet: 7 1/8 x 5 3/16 in. (18.1 x 13.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1GC9–Ex Cathedra ('ex catedra'). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0C34K–Master MZ, Aristotle and Phyllis, ca. 1500, engraving on paper, 7 1/8 in. x 5 1/16 in. (18.1 cm. x 12.9 cm.)
RF2HTXDC5–Art inspired by An Engraver, n.d., Graphite, 7 1/8 x 5 5/8 in. (18.1 x 14.3 cm), Drawings, attributed to Edouard Jeanmaire (French, La Chaux-de-Fonds 1847–1916 La Chaux-de-Fonds, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFDED8–Les Enfants physiciens. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gilles Demarteau (French, Liège 1722-1776 Paris). Dimensions: sheet: 7 1/8 x 5 7/16 in. (18.1 x 13.8 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMKCC66G–A Peasant with a Bird, Oil on wood, Oval 7 1/8 x 5 1/2 in. (18.1 x 14 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9
RF2HTXD92–Art inspired by Female Figure, 16th century, Pen and brown ink, 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA9A6E–Dust to Dust ('Et in pulverem reverteris'). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.
RM2A2PX0X–Unknown (Belgian), Figure, middle 19th Century, 7 1/8 x 5 x 3 1/4 in. (18.1 x 12.7 x 8.3 cm
RF2HTXDW5–Art inspired by Men singing, 1882, Pen and ink, brush and wash, sheet: 7 1/8 x 5 in. (18.1 x 12.7 cm), Drawings, Francisco Domingo y Marqués (Spanish, Valencia 1842–1920 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Long Live the Chains! ('Vivan las caenas [cadenas]'). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-3/8 in. (18.1 x 13.7 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAB1CA/long-live-the-chains!-vivan-las-caenas-cadenas-artist-leonardo-alenza-y-nieto-spanish-madrid-1807-1845-madrid-dimensions-7-18-x-5-38-in-181-x-137-cm-date-1807-45-museum-metropolitan-museum-of-art-new-york-usa-PAB1CA.jpg "Long Live the Chains! ('Vivan las caenas [cadenas]'). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-3/8 in. (18.1 x 13.7 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
RMPAB1CA–Long Live the Chains! ('Vivan las caenas [cadenas]'). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-3/8 in. (18.1 x 13.7 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.
RMKCDNHB–Fragment, 14th century, French, Colored and colorless glass, silver stain, and vitreous paint, Overall: 7 1/8 x 5/16 in. (18.1
RF2HW632G–Art inspired by Group in a Storm (Gruppe im Sturm), 1919, Woodcut, block: 7 1/8 x 5 1/16 (18.1 x 12.9 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAP037–His Excellency is Not at Home ('No recibe in Excel.ª'). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.
RMKCAXKB–The Actress Ellen Andrée, 1879, Drypoint on laid paper; second state of three (unique impression), sheet: 7 1/8 x 5 in. (18.1 x
RF2HTXF7W–Art inspired by The Actress Ellen Andrée, 1879, Drypoint on laid paper; second state of three (unique impression), sheet: 7 1/8 x 5 in. (18.1 x 12.7 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB52T6–Flask. Culture: British. Dimensions: Overall: 7 1/8 x 5 1/2 in. (18.1 x 14 cm). Date: 1400-1600. This unusually shaped container probably required a cord, threaded through the two piercings, to facilitate pouring or to suspend it for storage. Museum: Metropolitan Museum of Art, New York, USA.
RMKCBB2M–Pietà, 1596, Engraving; second state of two, sheet: 7 1/8 x 5 3/16 in. (18.1 x 13.1 cm), Prints, Hendrick Goltzius
RF2HTXPN4–Art inspired by Les Enfants physiciens, chalk manner, sheet: 7 1/8 x 5 7/16 in. (18.1 x 13.8 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAC0M8–Men singing. Artist: Francisco Domingo y Marqués (Spanish, Valencia 1842-1920 Madrid). Dedicatee: Samuel Putnam Avery Sr. (American, New York 1822-1904 New York). Dimensions: sheet: 7 1/8 x 5 in. (18.1 x 12.7 cm). Date: 1882. Museum: Metropolitan Museum of Art, New York, USA.
RMKCC6D5–Portrait of a Man, ca. 1810, Ivory set into card, Oval, 7 1/8 x 5 7/8 in. (181 x 149 mm), Miniatures, Joseph Bordes (French
RF2HW679K–Art inspired by Jack Ashore (The Small Plate), 1923, Etching; second state of two, plate: 7 1/8 x 5 1/4 in. (18.1 x 13.3 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAB077–Design Drawing for Perfume Container Exhibited at 1893 Columbian Exposition in Chicago. Artist: Tiffany & Co. (1837-present). Culture: American. Dimensions: Sheet: 7 1/8 x 5 1/2 in. (18.1 x 14 cm). Date: ca. 1893. Museum: Metropolitan Museum of Art, New York, USA.
RMKC8AWE–Men singing, 1882, Pen and ink, brush and wash, sheet: 7 1/8 x 5 in. (18.1 x 12.7 cm), Drawings, Francisco Domingo y Marqués
RF2HW0101–Art inspired by Flask, 1400–1600, Made in Surrey, England, British, Partially glazed earthenware, Overall: 7 1/8 x 5 1/2 in. (18.1 x 14 cm), Ceramics, This unusually shaped container probably required a cord, threaded through the two piercings, to facilitate pouring or to suspend it, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPANWW9–Design for a Covered Vase. Artist: Attributed to Anonymous, French, 18th century. Dimensions: sheet: 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm) sheet: 8 1/2 x 6 in. (21.6 x 15.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RMKC1K5F–Tumbler, 1700–1800, Made in Bohemia, Czech Republic, Glass with engraved decoration, 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm), Glass
RF2HW51WF–Art inspired by Ex Cathedra ('ex catedra'), 1807–45, Pen and dark brown ink with some brush and gray-brown wash on off-white paper, 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm), Drawings, Leonardo Alenza y Nieto (Spanish, Madrid 1807–1845 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA96PA–A Peasant with a Bird. Artist: Adriaen Brouwer (Flemish, Oudenaarde 1605/6-1638 Antwerp). Dimensions: Oval 7 1/8 x 5 1/2 in. (18.1 x 14 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMKCDCCY–Flask, 1400–1600, Made in Surrey, England, British, Partially glazed earthenware, Overall: 7 1/8 x 5 1/2 in. (18.1 x 14 cm
RF2HW9E97–Art inspired by Plate Nine from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie, ca. 1660, Paris, French, Paris, Engraving, sheet: 7 1/8 x 5 in. (18.1 x 5 cm), Works on Paper-Engravings, Little is known about the royal gunmakers, Thuraine and Le, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAAWPR–Anne Elizabeth Cholmley (1769-1788), Later Lady Mulgrave. Artist: Gainsborough Dupont (British, Sudbury, Suffolk 1754-1797 London). Dimensions: Overall 7 1/8 x 5 3/4 in. (18.1 x 14.6 cm); painted surface 6 x 4 3/4 in. (15.2 x 12.1 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMKC8DBA–Female Figure, 16th century, Pen and brown ink, 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm), Drawings, Anonymous, Italian, 16th century
RF2HTY0B2–Art inspired by A Peasant with a Bird, Oil on wood, Oval 7 1/8 x 5 1/2 in. (18.1 x 14 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 cm), Paintings, Adriaen Brouwer (Flemish, Oudenaarde 1605/6–1638 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA96G1–A Peasant Woman Picking Fleas off a Dog. Artist: Adriaen Brouwer (Flemish, Oudenaarde 1605/6-1638 Antwerp). Dimensions: Oval 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 cm). Date: ca. 1626-27. Museum: Metropolitan Museum of Art, New York, USA.
RMKCBC50–Les Enfants physiciens, chalk manner, sheet: 7 1/8 x 5 7/16 in. (18.1 x 13.8 cm), Prints, Gilles Demarteau (French, Liège 1722
RF2HW8GFH–Art inspired by Anne Elizabeth Cholmley (1769–1788), Later Lady Mulgrave, Oil on wood, Overall 7 1/8 x 5 3/4 in. (18.1 x 14.6 cm); painted surface 6 x 4 3/4 in. (15.2 x 12.1 cm), Paintings, Gainsborough Dupont (British, Sudbury, Suffolk 1754–1797 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB6768–Plate Nine from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie. Culture: French, Paris. Dimensions: sheet: 7 1/8 x 5 in. (18.1 x 5 cm). Engraver: C. Jacquinet (French, Paris, active mid-17th century). Publisher: Thuraine (French, Paris, active mid-17th century); Le Hollandois (French, Paris, active mid-17th century). Date: ca. 1660. Little is known about the royal gunmakers, Thuraine and Le Hollandois, who published the pattern book from which this sheet comes. It remains a rare and important document of Parisian gunmaking and the leading style of fire
RM2B0GNMB–Vincent van Gogh, Dutch, 1853–1890, Man Smoking a Pipe: Portrait of Dr. Gachet, 1890, Etching on laid paper, plate: 7 1/8 x 5 7/8 in. (18.1 x 15 cm
RF2HW8FXH–Art inspired by A Peasant Woman Picking Fleas off a Dog, ca. 1626–27, Oil on wood, Oval 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 cm), Paintings, Adriaen Brouwer (Flemish, Oudenaarde 1605/6–1638 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA9APT–Porringer. Culture: American. Dimensions: 1 5/8 x 7 1/8 x 5 in. (4.1 x 18.1 x 12.7 cm). Maker: William Billings (ca. 1768-1813). Date: 1791-1806. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0GWJ3–Julien Leopold Boilly, French, 1796–1874, After Pierre-Paul Prud'hon, (French, 1758–1823), Self-Portrait, 1806–1874, Etching in red ink on wove paper, image: 7 1/8 x 5 1/8 in. (18.1 x 13 cm
RF2HW2D4R–Art inspired by Porringer, 1761–99, Made in New York, New York, United States, American, Pewter, 1 3/4 x 7 1/8 x 5 in. (4.4 x 18.1 x 12.7 cm), Metal, Frederick Bassett (1740–1800, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR37RBH–Saint Jerome beside a Pollard Willow. Dated: 1648. Dimensions: plate: 17.8 x 13.2 cm (7 x 5 3/16 in.) sheet: 18.1 x 13.6 cm (7 1/8 x 5 3/8 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN. Rembrandt (Rembrandt van Rijn).
RM2A2WBRJ–A Quiet Hour, Henry Wolf (American, 1852-1916), After John White Alexander (American, 1856-1915), 1903, ink on paper, wood engraving, 7-1/8 x 5 in. (image) 11 x 8-1/4 in. (sheet), Signed in pencil, below image, lower right: Henry Wolf
RF2HW4NEX–Art inspired by Portrait of a Seated Gentleman, ca. 1856–59, Albumen silver print, 18.1 x 14.3 cm (7 1/8 x 5 5/8 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB4N1G–Elizabeth Page Bakewell and her Grandson, Frank B. James. Artist: John Plumbe Jr. (American, born Wales, 1809-1857). Dimensions: Image: 12 x 9.1 cm (4 3/4 x 3 9/16 in.) Frame: 34.6 x 31.1 cm (13 5/8 x 12 1/4 in.) Mat: 18.1 x 14.6 cm (7 1/8 x 5 3/4 in.). Date: ca. 1846. Museum: Metropolitan Museum of Art, New York, USA.
RM2B0J8D8–Pavel Petrovich Svinin, Upper Falls of Solomon's Creek (after an Engraving in The Port Folio Magazine, December 1809), American, Pavel Petrovich Svinin (1787/88–1839), 1811–ca. 1813, American, Watercolor and gouache on white laid paper, 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm), Drawings
RF2HW2D5R–Art inspired by Porringer, 1791–1806, Made in Providence, Rhode Island, United States, American, Pewter, 1 5/8 x 7 1/8 x 5 in. (4.1 x 18.1 x 12.7 cm), Metal, William Billings (ca. 1768–1813, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR35FRJ–Antoine De Parcieux. Dated: 1771. Dimensions: sheet (trimmed within plate mark): 18.1 x 12.8 cm (7 1/8 x 5 1/16 in.). Medium: engraving over etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Augustin de Saint-Aubin after Charles-Nicolas Cochin I. Augustin de Saint-Aubin. After Charles Nicolas Cochin II.
RM2B0KWD6–John C. Moore, Sugar Bowl, American, John C. Moore (ca. 1802–1874), 1850, Made in New York, New York, United States, American, Silver, Overall: 8 15/16 x 7 1/8 x 5 5/16 in. (22.7 x 18.1 x 13.5 cm); 25 oz. (776.9 g), Foot: Diam. 4 11/16 in. (11.9 cm), Body: H. 7 1/8 in. (18.1 cm); 21 oz. 8 dwt. (664.9 g), Cover: 2 1/8 x 3 9/16 in. (5.4 x 9 cm); 3 oz. 12 dwt. (112 g), Silver
RF2HW2DD6–Art inspired by Porringer, ca. 1800, Made in Westtown, Pennsylvania, United States, American, Pewter, 2 3/8 x 7 1/8 x 5 3/8 in. (6 x 18.1 x 13.7 cm), Metal, Possibly Samuel Pennock (1754–ca3, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFDEC4–Studies of Seated and Reclining Figures. Dimensions: overall: 18.1 x 13 cm (7 1/8 x 5 1/8 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.
RM2DJ1T9N–Songs of Innocence and of Experience, Plate 5, 'The Ecchoing Green' (Bentley 6), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/4 x 2 3/4 inches (10.8 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), ball, bat, branches, children, hoop, leaf, literary theme, men, sitting, stick, text, trees, vine, walking, women
RF2HW2D9T–Art inspired by Porringer, 1774–1809, Made in Providence, Rhode Island, United States, American, Pewter, 1 7/8 x 7 1/8 x 5 1/8 in. (4.8 x 18.1 x 13 cm), Metal, Gershom Jones (1751–1809, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR32E52–Armband. Dated: 1935/1942. Dimensions: overall: 18.1 x 13.1 cm (7 1/8 x 5 3/16 in.). Medium: colored pencil and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: George B. Wally.
RM2DJ1H1W–Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), angel, baby, children, flute, Horn (Musical instrument), literary theme, man, pipe, religious and mythological subject, sheep, shepherd, trees, trumpet, vines
RF2HW2D93–Art inspired by Porringer, 1780–90, Made in York, Pennsylvania, United States, American, Pewter, 2 1/8 x 7 1/8 x 5 3/8 in. (5.4 x 18.1 x 13.7 cm), Metal, Elisha Kirk (active 1780–90, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR32KGM–Saint George and the Dragon. Dated: c. 1480/1490. Dimensions: sheet: 18.1 x 12.8 cm (7 1/8 x 5 1/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master FVB and Israhel van Meckenem.
RM2DJ1J62–Songs of Innocence and of Experience, Plate 14, 'The Shepherd' (Bentley 5), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), birds, boy, branches, crook, shepherd's, grazing, hills, leaf, literary theme, man, sheep, shepherd, staffs (walking sticks), text, trees
RF2HW4W3D–Art inspired by Water Deity (Chalchiuhtlicue), 15th–early 16th century, Mexico, Mesoamerica, Aztec, Basalt, pigment, Overall: 11 5/8 x 7 1/8 x 5 1/2 in. (29.46 x 18.11 x 14 cm), Stone-Sculpture, The finely carved figure belongs to a sizable group of kneeling females that display, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRXF45D–Casket. Nevers, France. Date: 1675-1699. Dimensions: 18.1 x 13.3 x 15.2 cm (7 1/8 x 5 1/4 x 6 in.). Wood, silk, embroidery, verre de Nevers, metal, and gilding. Origin: Nevers. Museum: The Chicago Art Institute.
RM2DJ1W11–Songs of Innocence and of Experience, Plate 7, 'The Chimney Sweeper' (Bentley 12), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), branches, children, leaf, literary theme, text, trees, vine, women
RF2HW2217–Art inspired by Sugar Bowl, 1850, Made in New York, New York, United States, American, Silver, Overall: 8 15/16 x 7 1/8 x 5 5/16 in. (22.7 x 18.1 x 13.5 cm); 25 oz. (776.9 g), Silver, John C. Moore (ca. 1802–1874), In 1850, Marshall Lefferts, president of the New York and New England, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1G5H–Lillebil Christensen IV. Artist: Ernst Oppler (German, Hannover 1867-1929 Berlin). Dimensions: plate: 7 1/8 x 5 1/2 in. (18.1 x 14 cm) sheet: 12 x 8 11/16 in. (30.5 x 22.1 cm). Date: 1920. Museum: Metropolitan Museum of Art, New York, USA.
RM2DJ1W0C–Songs of Innocence and of Experience, Plate 6, 'The Ecchoing Green' (Bentley 7), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/4 x 2 5/8 inches (10.8 x 6.7 cm), and Spine: 7 3/8 inches (18.7 cm), bat, branches, children, fruit, grapes, kite, leaf, literary theme, men, text, trees, vine, women
RF2HW8RT4–Art inspired by Beheading of Anabaptist Martyrs, ca. 1640, Dutch, Pen and brown ink with brush and brown and gray wash., 7 1/8 x 5 1/4 in. (18.1 x 13.3 cm), Drawings, School of Rembrandt van Rijn (Dutch, 1606–1669, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMR2TPK3–An Elderly Man with a Flowing Beard. Dimensions: sheet: 15.5 x 11.2 cm (6 1/8 x 4 7/16 in.) mount: 18.1 x 13.7 cm (7 1/8 x 5 3/8 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Spanish 17th Century.
RM2DJ1W0X–Songs of Innocence and of Experience, Plate 8, 'The Little Black Boy' (Bentley 9), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), branches, child, children, dusk, leaf, literary theme, mother, sitting, sunset, text, tree, vine, women
RF2HK660P–Inspired by Covered Box for Tea Implements (urushi-e chabako), Shibata Zeshin, Japanese, 1807–1891, Meiji period, 1868–1912, mid- to late 19th century, Lacquer on papier-mâché, Made in Japan, Asia, Lacquerware, 3 7/8 x 7 1/8 x 5 in. (9.8 x 18.1 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMR347P1–Nahum. Dated: published 1613. Dimensions: plate: 18.1 x 13.7 cm (7 1/8 x 5 3/8 in.) sheet: 24.3 x 19 cm (9 9/16 x 7 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Theodor Galle after Jan van der Straet.
RM2DJ36T1–Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9), Print made by George Bickham, 1683/4–1758, British, after Francis Barlow, ca. 1626–1704, British, Published by Henry Overton, 1675/6–1751, British, 1731, Etching on medium, smooth, cream laid paper, Sheet: 11 1/8 x 7 5/16 inches (28.3 x 18.6 cm), Plate: 8 3/8 x 6 3/16 inches (21.3 x 15.7 cm), and Image: 7 1/8 x 5 1/8 inches (18.1 x 13 cm), animal art, birds, drapery, hills, plants, sandpipers
RF2HK4614–Inspired by Zacharias Killed Between the Temple and the Altar, Zacharie tué entre le temple et l'autel, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 7 1/8 x 5 1/, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMR3AR2M–Bearded Man in a Fur Cap, Facing Left. Dated: c. 1645/1647. Dimensions: plate: 18.1 x 14.8 cm (7 1/8 x 5 13/16 in.) sheet: 18.4 x 15.1 cm (7 1/4 x 5 15/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.
RF2HK466G–Inspired by The Corner Stone, Le pierre angulaire, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 7 1/8 x 5 1/4 in., 18.1 x 13.3 cm, Bible, biblical, Biblical Art, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPAX41C–Head of a female. Culture: Babylonian. Dimensions: 7 1/8 x 5 in. (18 x 12.7 cm). Date: ca. 2000-1600 B.C.. This head, broken at the neck and hollow on the inside, depicts a female figure with shoulder length hair arranged in bands of braids around her head and alongside her face. She has large eyes, a small thin smile, and large ears protrude from her hair. Seven bands around her neck represent a multi-strand necklace. The head appears to have been hand-formed out of wads of clay, then fired and painted. The quality of the clay - tempered with organic matter - may account, in part, for its po
RF2HW36P1–Art inspired by Three Ladies in a Palace Interior: Page from a Dispersed Laur Chanda (Romance of Laurak and Chanda), Sultanate period, 1520–30, Northern India (Mandu?), Ink, opaque watercolor, and gold on paper, Image: 7 1/8 x 5 in. (18.1 x 12.7 cm), Paintings, The majority of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRXJFPK–Covered Bowl and Stand (Écuelle). Sèvres Porcelain Manufactory; French, founded 1740; Painted by Jean-Jacques Pierre (French, active 1763-1800); Gilded by Henri-Martin Prévost III (French, active 1757-1797). Date: 1779. Dimensions: Overall H. 12.7 cm (5 in.); Stand: 4.5 x 23.9 x 21.6 cm (1 3/4 x 9 3/8 x 8 1/2 in.); Bowl: 11.4 x 18.1 x 14.3 cm (4 1/2 x 7 1/8 x 5 5/8 in.). Soft-paste porcelain, polychrome enamels, and gilding. Origin: Sèvres. Museum: The Chicago Art Institute. Author: Manufacture nationale de Sevres.
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