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6th 7th century Stock Photos and Images
Stucco Bodhisattva Ming oi Shorchuck 6th 7th Century AD China Chinese Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stucco-bodhisattva-ming-oi-shorchuck-6th-7th-century-ad-china-chinese-18484237.htmlRMB220R9–Stucco Bodhisattva Ming oi Shorchuck 6th 7th Century AD China Chinese Asia
Icon depicting Abbott Mena with Christ, from Baoiut, 6th-7th century (tempura on panel) - Icon presented to Christ and tSt. Menas, Chi-Rho written to left of halo. - Coptic - in the Paris Louvre. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-depicting-abbott-mena-with-christ-from-baoiut-6th-7th-century-tempura-on-panel-icon-presented-to-christ-and-tst-menas-chi-rho-written-to-left-of-halo-coptic-in-the-paris-louvre-image268850187.htmlRMWHB54B–Icon depicting Abbott Mena with Christ, from Baoiut, 6th-7th century (tempura on panel) - Icon presented to Christ and tSt. Menas, Chi-Rho written to left of halo. - Coptic - in the Paris Louvre.
Relief Fragment with Floral Design, 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-relief-fragment-with-floral-design-6th7th-century-162563954.htmlRMKCDBYE–Relief Fragment with Floral Design, 6th–7th century
Vietnam: The Goddess Lakshmi, Funan Kingdom, Dong Thap Province, 6th-7th century. Funan, Phù Nam in Vietnamese, was the Chinese name for an ancient kingdom located around the Mekong Delta of southern Vietnam. The name is found in Chinese historical texts describing the kingdom, and its most extensive descriptions are largely based on the report of two Chinese diplomats representing the Wu Kingdom of Nanjing who sojourned in Funan in the mid-3rd century CE; however, the name 'Funan' is not found in any texts of local origin, and it is not known what name the locals gave to their country. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vietnam-the-goddess-lakshmi-funan-kingdom-dong-thap-province-6th-7th-century-funan-ph-nam-in-vietnamese-was-the-chinese-name-for-an-ancient-kingdom-located-around-the-mekong-delta-of-southern-vietnam-the-name-is-found-in-chinese-historical-texts-describing-the-kingdom-and-its-most-extensive-descriptions-are-largely-based-on-the-report-of-two-chinese-diplomats-representing-the-wu-kingdom-of-nanjing-who-sojourned-in-funan-in-the-mid-3rd-century-ce-however-the-name-funan-is-not-found-in-any-texts-of-local-origin-and-it-is-not-known-what-name-the-locals-gave-to-their-country-image344238920.htmlRM2B01C74–Vietnam: The Goddess Lakshmi, Funan Kingdom, Dong Thap Province, 6th-7th century. Funan, Phù Nam in Vietnamese, was the Chinese name for an ancient kingdom located around the Mekong Delta of southern Vietnam. The name is found in Chinese historical texts describing the kingdom, and its most extensive descriptions are largely based on the report of two Chinese diplomats representing the Wu Kingdom of Nanjing who sojourned in Funan in the mid-3rd century CE; however, the name 'Funan' is not found in any texts of local origin, and it is not known what name the locals gave to their country.
Queen Bertha of Kent, King Edwin of Northumbria, 6th, 7th century, Saxon England, stained glass, by J Powell & Son, 1900, Blakeney, Norfolk, England Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-bertha-of-kent-king-edwin-of-northumbria-6th-7th-century-saxon-england-stained-glass-by-j-powell-son-1900-blakeney-norfolk-england-image443463746.htmlRM2GNDEEX–Queen Bertha of Kent, King Edwin of Northumbria, 6th, 7th century, Saxon England, stained glass, by J Powell & Son, 1900, Blakeney, Norfolk, England
Art inspired by Plaque, 6th–7th century, Attributed to Egypt, Bone; carved, H. 7/8 in. (2.3 cm), Ivories and Bone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plaque-6th7th-century-attributed-to-egypt-bone-carved-h-78-in-23-cm-ivories-and-bone-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462821049.htmlRF2HTY8Y5–Art inspired by Plaque, 6th–7th century, Attributed to Egypt, Bone; carved, H. 7/8 in. (2.3 cm), Ivories and Bone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Fulgentius of Cartagena. 6th-7th century. Bishop of Ecija, Iberian Peninsula. Lithography, 1870. Drawing by Llanta (1839-1904). Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Murcia, 1870. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-fulgentius-of-cartagena-6th-7th-century-bishop-of-ecija-iberian-peninsula-lithography-1870-drawing-by-llanta-1839-1904-cronica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-murcia-1870-image241157714.htmlRMT09K3E–Saint Fulgentius of Cartagena. 6th-7th century. Bishop of Ecija, Iberian Peninsula. Lithography, 1870. Drawing by Llanta (1839-1904). Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Murcia, 1870.
An Ostrogothic turtle-shaped silver buckle, 6th/7th century. Heavy silver buckle plate with cast spiral decoration and rich settings of red glass stones. A man's and a woman's head in relief on the rim, terminating in an animal's head with glass eyes. The buckle ring in the shape of two horse heads, and the pin also in the shape of an animal. The buckle plate made of thin sheet silver with remnants of the leather belt. Two additional silver plates loosened from the buckle. Cleaned excavation piece. Length 20 cm. Weight 241 g. Unusually large, ver, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-ostrogothic-turtle-shaped-silver-buckle-6th7th-century-heavy-silver-buckle-plate-with-cast-spiral-decoration-and-rich-settings-of-red-glass-stones-a-mans-and-a-womans-head-in-relief-on-the-rim-terminating-in-an-animals-head-with-glass-eyes-the-buckle-ring-in-the-shape-of-two-horse-heads-and-the-pin-also-in-the-shape-of-an-animal-the-buckle-plate-made-of-thin-sheet-silver-with-remnants-of-the-leather-belt-two-additional-silver-plates-loosened-from-the-buckle-cleaned-excavation-piece-length-20-cm-weight-241-g-unusually-large-ver-additional-rights-clearance-info-not-available-image245838631.htmlRMT7XWK3–An Ostrogothic turtle-shaped silver buckle, 6th/7th century. Heavy silver buckle plate with cast spiral decoration and rich settings of red glass stones. A man's and a woman's head in relief on the rim, terminating in an animal's head with glass eyes. The buckle ring in the shape of two horse heads, and the pin also in the shape of an animal. The buckle plate made of thin sheet silver with remnants of the leather belt. Two additional silver plates loosened from the buckle. Cleaned excavation piece. Length 20 cm. Weight 241 g. Unusually large, ver, Additional-Rights-Clearance-Info-Not-Available
Pottery cremation urn, from a grave at Loveden Hill, Lincolnshire, Anglo-Saxon, 6th-7th century. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pottery-cremation-urn-from-a-grave-at-loveden-hill-lincolnshire-anglo-saxon-6th-7th-century-artist-unknown-image262770492.htmlRMW7E6CC–Pottery cremation urn, from a grave at Loveden Hill, Lincolnshire, Anglo-Saxon, 6th-7th century. Artist: Unknown
Gilt bronze ornament Buddhist style 6th-7th century AD Chinese Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gilt-bronze-ornament-buddhist-style-6th-7th-century-ad-chinese-57473433.htmlRMD9E3XH–Gilt bronze ornament Buddhist style 6th-7th century AD Chinese
String of 4 pear-shaped beads. Dimensions: l. 4.6 cm (1 13/16 in.). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/string-of-4-pear-shaped-beads-dimensions-l-46-cm-1-1316-in-date-6th-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image213118272.htmlRMPAMAET–String of 4 pear-shaped beads. Dimensions: l. 4.6 cm (1 13/16 in.). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
Badami Caves, carved out of solid rock in 6th to 7th century, carved out of solid rock, Badami, Karnataka, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-badami-caves-carved-out-of-solid-rock-in-6th-to-7th-century-carved-73318388.htmlRME77X9T–Badami Caves, carved out of solid rock in 6th to 7th century, carved out of solid rock, Badami, Karnataka, India
Buddha with Two Disciples, ca. 6th-7th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buddha-with-two-disciples-ca-6th-7th-century-image336851028.htmlRM2AG0TWT–Buddha with Two Disciples, ca. 6th-7th century.
Bhaisajyaguru, Khocho, Ruin E, probably 6th 7th century AD, bronze Ethnological Museum, Berlin DSC01427 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bhaisajyaguru-khocho-ruin-e-probably-6th-7th-century-ad-bronze-ethnological-170343663.htmlRMKW3R27–Bhaisajyaguru, Khocho, Ruin E, probably 6th 7th century AD, bronze Ethnological Museum, Berlin DSC01427
Clavus Band, 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clavus-band-6th7th-century-image260717868.htmlRMW44M8C–Clavus Band, 6th–7th century
102 Angster (guttrolf), Frankish, Oberflacht, grave 125, 6th-7th century AD, glass - Landesmuseum Württemberg - Stuttgart, Germany - DSC03357 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/102-angster-guttrolf-frankish-oberflacht-grave-125-6th-7th-century-ad-glass-landesmuseum-wrttemberg-stuttgart-germany-dsc03357-image209931875.htmlRMP5F66Y–102 Angster (guttrolf), Frankish, Oberflacht, grave 125, 6th-7th century AD, glass - Landesmuseum Württemberg - Stuttgart, Germany - DSC03357
Earrings disc-shaped ears. 6th-7th century BC. Circles plant decoration and central dimple. Gold. Filigree and granulation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-earrings-disc-shaped-ears-6th-7th-century-bc-circles-plant-decoration-103536074.htmlRMG0CD8X–Earrings disc-shaped ears. 6th-7th century BC. Circles plant decoration and central dimple. Gold. Filigree and granulation.
Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - Avalokiteshvara - Nepal - Licchavi Period 6th -7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-piedmont-turin-mazzonis-palace-mao-museum-museo-darte-orientale-museum-of-oriental-art-avalokiteshvara-nepal-licchavi-period-6th-7th-century-image332578940.htmlRM2A927R8–Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - Avalokiteshvara - Nepal - Licchavi Period 6th -7th century
Jerusalem. 24th Dec, 2015. Photo taken on Dec. 24, 2015 shows a Byzantine-era marble sculpture of a lamb unearthed in Israel. Archaeologists on Thusday unearthed a Byzantine-era marble sculpture of a lamb near the Ancient Caesarea Church in the Caesarea National Park, in northern Israel. Experts believe that the lamb served as part of the decoration in the 6th-7th century CE church that was discovered adjacent to the ancient port. Credit: JINIPIX/Nimrod Glikman/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jerusalem-24th-dec-2015-photo-taken-on-dec-24-2015-shows-a-byzantine-92423773.htmlRMFAA7D1–Jerusalem. 24th Dec, 2015. Photo taken on Dec. 24, 2015 shows a Byzantine-era marble sculpture of a lamb unearthed in Israel. Archaeologists on Thusday unearthed a Byzantine-era marble sculpture of a lamb near the Ancient Caesarea Church in the Caesarea National Park, in northern Israel. Experts believe that the lamb served as part of the decoration in the 6th-7th century CE church that was discovered adjacent to the ancient port. Credit: JINIPIX/Nimrod Glikman/Xinhua/Alamy Live News
Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/base-aux-larrons-6th-7th-siecle-hypogee-de-dunes-thieves-basis-for-6th-7th-century-poitier-vienna-hypogeum-of-dunes-at-muse-sainte-croix-france-french-base-with-the-thieves-sculpted-element-representing-the-biblical-scene-of-the-two-thieves-base-of-a-monumental-crucifixion-of-the-vi-viith-centuries-found-at-the-hypogeum-of-the-dunes-image343947719.htmlRM2AYG4R3–Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes )
Italy/Early civilisation/Etruscans: A bronze incense burner in the form of a dancing girl, 7th-6th century B.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyearly-civilisationetruscans-a-bronze-incense-burner-in-the-form-of-a-dancing-girl-7th-6th-century-bc-image268809970.htmlRMWH99T2–Italy/Early civilisation/Etruscans: A bronze incense burner in the form of a dancing girl, 7th-6th century B.C.
Relief Fragment with Floral Design, 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-relief-fragment-with-floral-design-6th7th-century-162563973.htmlRMKCDC05–Relief Fragment with Floral Design, 6th–7th century
Vietnam: A statue of Vishnu from Oc Eo, An Giang province, 6th-7th century CE. Óc Eo is an archaeological site in Thoại Sơn District in southern An Giang Province, Vietnam, in the Mekong River Delta region of Vietnam. It is also one of the modern day communes of Vietnam. Óc Eo may have been a busy port of the kingdom of Funan between the 1st and 7th centuries AD. Scholars use the term 'Óc Eo Culture' to refer to the ancient material culture of the Mekong Delta region that is typified by the artifacts recovered at Óc Eo through archeological investigation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vietnam-a-statue-of-vishnu-from-oc-eo-an-giang-province-6th-7th-century-ce-c-eo-is-an-archaeological-site-in-thoi-sn-district-in-southern-an-giang-province-vietnam-in-the-mekong-river-delta-region-of-vietnam-it-is-also-one-of-the-modern-day-communes-of-vietnam-c-eo-may-have-been-a-busy-port-of-the-kingdom-of-funan-between-the-1st-and-7th-centuries-ad-scholars-use-the-term-c-eo-culture-to-refer-to-the-ancient-material-culture-of-the-mekong-delta-region-that-is-typified-by-the-artifacts-recovered-at-c-eo-through-archeological-investigation-image344238802.htmlRM2B01C2X–Vietnam: A statue of Vishnu from Oc Eo, An Giang province, 6th-7th century CE. Óc Eo is an archaeological site in Thoại Sơn District in southern An Giang Province, Vietnam, in the Mekong River Delta region of Vietnam. It is also one of the modern day communes of Vietnam. Óc Eo may have been a busy port of the kingdom of Funan between the 1st and 7th centuries AD. Scholars use the term 'Óc Eo Culture' to refer to the ancient material culture of the Mekong Delta region that is typified by the artifacts recovered at Óc Eo through archeological investigation.
Monolithic rock temple, Pancha Ratha Complex (Five temples), Mahabalipuram, Tamil Nadu, India, Asia. Built in the 7th century, the Pancha Rathas temp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monolithic-rock-temple-pancha-ratha-complex-five-temples-mahabalipuram-tamil-nadu-india-asia-built-in-the-7th-century-the-pancha-rathas-temp-image621119200.htmlRM2Y2EBTG–Monolithic rock temple, Pancha Ratha Complex (Five temples), Mahabalipuram, Tamil Nadu, India, Asia. Built in the 7th century, the Pancha Rathas temp
Art inspired by Capital, 6th–7th century, Found Egypt, Saqqara, Limestone, H. 7 1/16 in. (17.9 cm), Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-capital-6th7th-century-found-egypt-saqqara-limestone-h-7-116-in-179-cm-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462823648.htmlRF2HTYC80–Art inspired by Capital, 6th–7th century, Found Egypt, Saqqara, Limestone, H. 7 1/16 in. (17.9 cm), Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Fulgentius of Cartagena. 6th-7th century. Bishop of Ecija, Iberian Peninsula. Lithography, 1870. Later colouration. Drawing by Llanta (1839-1904). Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Murcia, 1870. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-fulgentius-of-cartagena-6th-7th-century-bishop-of-ecija-iberian-peninsula-lithography-1870-later-colouration-drawing-by-llanta-1839-1904-cronica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-murcia-1870-image241157723.htmlRMT09K3R–Saint Fulgentius of Cartagena. 6th-7th century. Bishop of Ecija, Iberian Peninsula. Lithography, 1870. Later colouration. Drawing by Llanta (1839-1904). Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Murcia, 1870.
An Ostrogothic turtle-shaped silver buckle, 6th/7th century. Heavy silver buckle plate with cast spiral decoration and rich settings of red glass stones. A man's and a woman's head in relief on the rim, terminating in an animal's head with glass eyes. The buckle ring in the shape of two horse heads, and the pin also in the shape of an animal. The buckle plate made of thin sheet silver with remnants of the leather belt. Two additional silver plates loosened from the buckle. Cleaned excavation piece. Length 20 cm. Weight 241 g. Unusually large, ver, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-ostrogothic-turtle-shaped-silver-buckle-6th7th-century-heavy-silver-buckle-plate-with-cast-spiral-decoration-and-rich-settings-of-red-glass-stones-a-mans-and-a-womans-head-in-relief-on-the-rim-terminating-in-an-animals-head-with-glass-eyes-the-buckle-ring-in-the-shape-of-two-horse-heads-and-the-pin-also-in-the-shape-of-an-animal-the-buckle-plate-made-of-thin-sheet-silver-with-remnants-of-the-leather-belt-two-additional-silver-plates-loosened-from-the-buckle-cleaned-excavation-piece-length-20-cm-weight-241-g-unusually-large-ver-additional-rights-clearance-info-not-available-image245838625.htmlRMT7XWJW–An Ostrogothic turtle-shaped silver buckle, 6th/7th century. Heavy silver buckle plate with cast spiral decoration and rich settings of red glass stones. A man's and a woman's head in relief on the rim, terminating in an animal's head with glass eyes. The buckle ring in the shape of two horse heads, and the pin also in the shape of an animal. The buckle plate made of thin sheet silver with remnants of the leather belt. Two additional silver plates loosened from the buckle. Cleaned excavation piece. Length 20 cm. Weight 241 g. Unusually large, ver, Additional-Rights-Clearance-Info-Not-Available
Grianan of Aileach Hillfort, 6th-7th century. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grianan-of-aileach-hillfort-6th-7th-century-artist-unknown-image262772648.htmlRMW7E95C–Grianan of Aileach Hillfort, 6th-7th century. Artist: Unknown
Gilt bronze ornament Buddhist style 6th-7th century AD Chinese Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gilt-bronze-ornament-buddhist-style-6th-7th-century-ad-chinese-57473422.htmlRMD9E3X6–Gilt bronze ornament Buddhist style 6th-7th century AD Chinese
Bottle. Culture: Moche. Dimensions: Height: 10 5/16in. (26.2cm) Diameter: 9 3/16in. (23.4cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bottle-culture-moche-dimensions-height-10-516in-262cm-diameter-9-316in-234cm-date-6th-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image212909064.htmlRMPAARK4–Bottle. Culture: Moche. Dimensions: Height: 10 5/16in. (26.2cm) Diameter: 9 3/16in. (23.4cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
Roundel 6th–7th century by unknown artist (Coptic) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roundel-6th7th-century-by-unknown-artist-coptic-image545603410.htmlRM2PKJAM2–Roundel 6th–7th century by unknown artist (Coptic)
Pilgrim Flask (Bian Hu), Sui (581-618) or early Tang dynasty (618-907), c. late 6th/7th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pilgrim-flask-bian-hu-sui-581-618-or-early-tang-dynasty-618-907-c-late-6th7th-century-image457029209.htmlRM2HFFDBN–Pilgrim Flask (Bian Hu), Sui (581-618) or early Tang dynasty (618-907), c. late 6th/7th century.
Buddha statue, 6th-7th century, view 2, wood - National Museum of Vietnamese History - Hanoi, Vietnam - DSC05737 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-statue-6th-7th-century-view-2-wood-national-museum-of-vietnamese-172178398.htmlRMM03B8E–Buddha statue, 6th-7th century, view 2, wood - National Museum of Vietnamese History - Hanoi, Vietnam - DSC05737
Clavus Band (Egypt), 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clavus-band-egypt-6th7th-century-image260717836.htmlRMW44M78–Clavus Band (Egypt), 6th–7th century
. Ancha icon . English: Ancha Icon of the Savior, dated to the 6th/7th century (Art Museum of Georgia, Tbilisi) . 29 May 2011. Unknown 44 Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancha-icon-english-ancha-icon-of-the-savior-dated-to-the-6th7th-century-art-museum-of-georgia-tbilisi-29-may-2011-unknown-44-ancha-icon-of-the-savior-art-museum-of-georgia-tbilisi-image188179438.htmlRMMX48P6–. Ancha icon . English: Ancha Icon of the Savior, dated to the 6th/7th century (Art Museum of Georgia, Tbilisi) . 29 May 2011. Unknown 44 Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi)
Remains of Etruscan houses, 7th to 6th century BC, archaeological zone at San Giovenale, near Blera, Lazio, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/remains-of-etruscan-houses-7th-to-6th-century-bc-archaeological-zone-image62084392.htmlRMDH057M–Remains of Etruscan houses, 7th to 6th century BC, archaeological zone at San Giovenale, near Blera, Lazio, Italy, Europe
A Mezuzah with Samaritan inscription bearing excerpts from the Ten Commandments 6th-7th century CE displayed at the Archeology Wing of the Israel Museum in West Jerusalem Israel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-mezuzah-with-samaritan-inscription-bearing-excerpts-from-the-ten-85507744.htmlRMEY3600–A Mezuzah with Samaritan inscription bearing excerpts from the Ten Commandments 6th-7th century CE displayed at the Archeology Wing of the Israel Museum in West Jerusalem Israel
Israel. 24th Dec, 2015. Photo taken on Dec. 24, 2015 shows a Byzantine-era marble sculpture of a lamb in Israel. Archaeologists on Thursday unearthed a Byzantine-era marble sculpture of a lamb near the Ancient Caesarea Church in the Caesarea National Park, in northern Israel. Experts believe that the lamb served as part of the decoration in the 6th-7th century CE church that was discovered adjacent to the ancient port. Credit: JINIPIX/Nimrod Glikman/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-israel-24th-dec-2015-photo-taken-on-dec-24-2015-shows-a-byzantine-92435887.htmlRMFAAPWK–Israel. 24th Dec, 2015. Photo taken on Dec. 24, 2015 shows a Byzantine-era marble sculpture of a lamb in Israel. Archaeologists on Thursday unearthed a Byzantine-era marble sculpture of a lamb near the Ancient Caesarea Church in the Caesarea National Park, in northern Israel. Experts believe that the lamb served as part of the decoration in the 6th-7th century CE church that was discovered adjacent to the ancient port. Credit: JINIPIX/Nimrod Glikman/Xinhua/Alamy Live News
Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/base-aux-larrons-6th-7th-siecle-hypogee-de-dunes-thieves-basis-for-6th-7th-century-poitier-vienna-hypogeum-of-dunes-at-muse-sainte-croix-france-french-base-with-the-thieves-sculpted-element-representing-the-biblical-scene-of-the-two-thieves-base-of-a-monumental-crucifixion-of-the-vi-viith-centuries-found-at-the-hypogeum-of-the-dunes-image343947786.htmlRM2AYG4WE–Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes )
Pottery of Coria del Rio and candelabrum of Lebrija (replica). 6th-7th BCE. Tartessus. Archaeological Museum of Seville. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pottery-of-coria-del-rio-and-candelabrum-of-lebrija-replica-6th-7th-bce-tartessus-archaeological-museum-of-seville-spain-image247103084.htmlRMTA0EE4–Pottery of Coria del Rio and candelabrum of Lebrija (replica). 6th-7th BCE. Tartessus. Archaeological Museum of Seville. Spain.
Relief Fragment with Floral Design, 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-relief-fragment-with-floral-design-6th7th-century-162563985.htmlRMKCDC0H–Relief Fragment with Floral Design, 6th–7th century
China: Devotees listening to a sermon of the Buddha, mural from Kizil Thousand Buddha Caves, Kuqa, Xinjiang, 6th-7th century CE. The Kizil Caves (Qizil Ming Oy; Kizil Cave of a Thousand Buddhas) are 236 Buddhist rock-cut caves located near Kizil Township in Xinjiang. The site is located on the northern bank of the Muzat River 75 kilometres by road northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road. The caves are said to be the earliest major Buddhist cave complex in Xinjiang, with development occurring between the 3rd and 8th centuries. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-devotees-listening-to-a-sermon-of-the-buddha-mural-from-kizil-thousand-buddha-caves-kuqa-xinjiang-6th-7th-century-ce-the-kizil-caves-qizil-ming-oy-kizil-cave-of-a-thousand-buddhas-are-236-buddhist-rock-cut-caves-located-near-kizil-township-in-xinjiang-the-site-is-located-on-the-northern-bank-of-the-muzat-river-75-kilometres-by-road-northwest-of-kucha-kuqa-this-area-was-a-commercial-hub-of-the-silk-road-the-caves-are-said-to-be-the-earliest-major-buddhist-cave-complex-in-xinjiang-with-development-occurring-between-the-3rd-and-8th-centuries-image344239619.htmlRM2B01D43–China: Devotees listening to a sermon of the Buddha, mural from Kizil Thousand Buddha Caves, Kuqa, Xinjiang, 6th-7th century CE. The Kizil Caves (Qizil Ming Oy; Kizil Cave of a Thousand Buddhas) are 236 Buddhist rock-cut caves located near Kizil Township in Xinjiang. The site is located on the northern bank of the Muzat River 75 kilometres by road northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road. The caves are said to be the earliest major Buddhist cave complex in Xinjiang, with development occurring between the 3rd and 8th centuries.
Monolithic rock carving, Pancha Ratha Complex, mythical beast, Tamil Nadu, India, Asia. This magnificent relief, carved in the mid-seventh century, m Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monolithic-rock-carving-pancha-ratha-complex-mythical-beast-tamil-nadu-india-asia-this-magnificent-relief-carved-in-the-mid-seventh-century-m-image621113038.htmlRM2Y2E40E–Monolithic rock carving, Pancha Ratha Complex, mythical beast, Tamil Nadu, India, Asia. This magnificent relief, carved in the mid-seventh century, m
Art inspired by Plaque, 6th–7th century, Attributed to Egypt, Bone; carved, H. 5/8 in. (1.6 cm), Ivories and Bone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plaque-6th7th-century-attributed-to-egypt-bone-carved-h-58-in-16-cm-ivories-and-bone-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462823533.htmlRF2HTYC3W–Art inspired by Plaque, 6th–7th century, Attributed to Egypt, Bone; carved, H. 5/8 in. (1.6 cm), Ivories and Bone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Early Christian art. Greece. Clay stamps. 6th-7th century. Byzantine Museum. Athens. Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-early-christian-art-greece-clay-stamps-6th-7th-century-byzantine-museum-87548801.htmlRMF2C5AW–Early Christian art. Greece. Clay stamps. 6th-7th century. Byzantine Museum. Athens. Greece.
A Frankish sword, Central Europe, 6th/7th century Broad, double-edged blade with shallow fullers on both sides. Flat pointed oval guard, slightly tapered tang with a flat pommel plate. Cleaned excavation discovery. Length 87 cm. historic, historical, 7th century, sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, melee weapon, melee weapons, metal, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-frankish-sword-central-europe-6th7th-century-broad-double-edged-31477756.htmlRMBR5X5G–A Frankish sword, Central Europe, 6th/7th century Broad, double-edged blade with shallow fullers on both sides. Flat pointed oval guard, slightly tapered tang with a flat pommel plate. Cleaned excavation discovery. Length 87 cm. historic, historical, 7th century, sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, melee weapon, melee weapons, metal,
Coptic woodcarving with animals, 6th-7th century. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coptic-woodcarving-with-animals-6th-7th-century-artist-unknown-image186140520.htmlRMMPRC3M–Coptic woodcarving with animals, 6th-7th century. Artist: Unknown.
Sasanian sword blade of a silver-scabbarded sword. Made from gilded, crucible-steel; 6th-7th century AD, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sasanian-sword-blade-of-a-silver-scabbarded-sword-made-from-gilded-122927083.htmlRMH3YPMY–Sasanian sword blade of a silver-scabbarded sword. Made from gilded, crucible-steel; 6th-7th century AD, Iran
Fragment. Dimensions: 18 1/2 in. high 13/16 in. wide (47 cm high 2 cm wide). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-dimensions-18-12-in-high-1316-in-wide-47-cm-high-2-cm-wide-date-6th-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image213145087.htmlRMPANGMF–Fragment. Dimensions: 18 1/2 in. high 13/16 in. wide (47 cm high 2 cm wide). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
6th- 7th century Terracotta carved plaque with early Christian symbols, The Bardo National Museum Tunis, Tunisia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-6th-7th-century-terracotta-carved-plaque-with-early-christian-symbols-138520872.htmlRFJ1A4P0–6th- 7th century Terracotta carved plaque with early Christian symbols, The Bardo National Museum Tunis, Tunisia
Saint Demetrius of Thessaloniki with the donors, 6th-7th century. Artist: Master of Hagios Demetrios (End of 6th cen.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-demetrius-of-thessaloniki-with-the-donors-6th-7th-century-artist-image60367718.htmlRMDE5YHX–Saint Demetrius of Thessaloniki with the donors, 6th-7th century. Artist: Master of Hagios Demetrios (End of 6th cen.)
Buddha statue, 6th-7th century, view 3, wood - National Museum of Vietnamese History - Hanoi, Vietnam - DSC05740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-statue-6th-7th-century-view-3-wood-national-museum-of-vietnamese-172178399.htmlRMM03B8F–Buddha statue, 6th-7th century, view 3, wood - National Museum of Vietnamese History - Hanoi, Vietnam - DSC05740
Clavus Band (Egypt), 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clavus-band-egypt-6th7th-century-image260717835.htmlRMW44M77–Clavus Band (Egypt), 6th–7th century
. Ancha icon . English: Ancha Icon of the Savior, dated to the 6th/7th century (Art Museum of Georgia, Tbilisi) . 29 May 2011. Unknown 43 Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancha-icon-english-ancha-icon-of-the-savior-dated-to-the-6th7th-century-art-museum-of-georgia-tbilisi-29-may-2011-unknown-43-ancha-icon-of-the-savior-art-museum-of-georgia-tbilisi-image187627866.htmlRMMW7576–. Ancha icon . English: Ancha Icon of the Savior, dated to the 6th/7th century (Art Museum of Georgia, Tbilisi) . 29 May 2011. Unknown 43 Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi)
Remains of Etruscan houses, 7th to 6th century BC, archaeological zone at San Giovenale, near Blera, Lazio, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/remains-of-etruscan-houses-7th-to-6th-century-bc-archaeological-zone-image62084393.htmlRMDH057N–Remains of Etruscan houses, 7th to 6th century BC, archaeological zone at San Giovenale, near Blera, Lazio, Italy, Europe
Aesop, Ancient Greek Fabulist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aesop-ancient-greek-fabulist-image352775641.htmlRM2BDX8X1–Aesop, Ancient Greek Fabulist
Jerusalem. 24th Dec, 2015. Photo taken on Dec. 24, 2015 shows a Byzantine-era marble sculpture of a lamb unearthed in Israel. Archaeologists on Thusday unearthed a Byzantine-era marble sculpture of a lamb near the Ancient Caesarea Church in the Caesarea National Park, in northern Israel. Experts believe that the lamb served as part of the decoration in the 6th-7th century CE church that was discovered adjacent to the ancient port. Credit: JINIPIX/Nimrod Glikman/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jerusalem-24th-dec-2015-photo-taken-on-dec-24-2015-shows-a-byzantine-92423772.htmlRMFAA7D0–Jerusalem. 24th Dec, 2015. Photo taken on Dec. 24, 2015 shows a Byzantine-era marble sculpture of a lamb unearthed in Israel. Archaeologists on Thusday unearthed a Byzantine-era marble sculpture of a lamb near the Ancient Caesarea Church in the Caesarea National Park, in northern Israel. Experts believe that the lamb served as part of the decoration in the 6th-7th century CE church that was discovered adjacent to the ancient port. Credit: JINIPIX/Nimrod Glikman/Xinhua/Alamy Live News
Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/base-aux-larrons-6th-7th-siecle-hypogee-de-dunes-thieves-basis-for-6th-7th-century-poitier-vienna-hypogeum-of-dunes-at-muse-sainte-croix-france-french-base-with-the-thieves-sculpted-element-representing-the-biblical-scene-of-the-two-thieves-base-of-a-monumental-crucifixion-of-the-vi-viith-centuries-found-at-the-hypogeum-of-the-dunes-image343947777.htmlRM2AYG4W5–Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes )
Iranian silver and gilt fluted ewer, Sasanian period 6th-7th century CE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-iranian-silver-and-gilt-fluted-ewer-sasanian-period-6th-7th-century-59483124.htmlRMDCNK98–Iranian silver and gilt fluted ewer, Sasanian period 6th-7th century CE.
Belt Buckle with Struggling Animals, 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-belt-buckle-with-struggling-animals-6th7th-century-162435511.htmlRMKC7G47–Belt Buckle with Struggling Animals, 6th–7th century
China: Devotees listening to a sermon of the Buddha, mural from Kizil Thousand Buddha Caves, Kuqa, Xinjiang, 6th-7th century CE. The Kizil Caves (Qizil Ming Oy; Kizil Cave of a Thousand Buddhas) are 236 Buddhist rock-cut caves located near Kizil Township in Xinjiang. The site is located on the northern bank of the Muzat River 75 kilometres by road northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road. The caves are said to be the earliest major Buddhist cave complex in Xinjiang, with development occurring between the 3rd and 8th centuries. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-devotees-listening-to-a-sermon-of-the-buddha-mural-from-kizil-thousand-buddha-caves-kuqa-xinjiang-6th-7th-century-ce-the-kizil-caves-qizil-ming-oy-kizil-cave-of-a-thousand-buddhas-are-236-buddhist-rock-cut-caves-located-near-kizil-township-in-xinjiang-the-site-is-located-on-the-northern-bank-of-the-muzat-river-75-kilometres-by-road-northwest-of-kucha-kuqa-this-area-was-a-commercial-hub-of-the-silk-road-the-caves-are-said-to-be-the-earliest-major-buddhist-cave-complex-in-xinjiang-with-development-occurring-between-the-3rd-and-8th-centuries-image344239616.htmlRM2B01D40–China: Devotees listening to a sermon of the Buddha, mural from Kizil Thousand Buddha Caves, Kuqa, Xinjiang, 6th-7th century CE. The Kizil Caves (Qizil Ming Oy; Kizil Cave of a Thousand Buddhas) are 236 Buddhist rock-cut caves located near Kizil Township in Xinjiang. The site is located on the northern bank of the Muzat River 75 kilometres by road northwest of Kucha (Kuqa). This area was a commercial hub of the Silk Road. The caves are said to be the earliest major Buddhist cave complex in Xinjiang, with development occurring between the 3rd and 8th centuries.
Monolithic rock carving, Temple, Pancha Ratha Complex, mythical beast, Tamil Nadu, India, Asia. This magnificent relief, carved in the mid-seventh ce Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monolithic-rock-carving-temple-pancha-ratha-complex-mythical-beast-tamil-nadu-india-asia-this-magnificent-relief-carved-in-the-mid-seventh-ce-image621119376.htmlRM2Y2EC2T–Monolithic rock carving, Temple, Pancha Ratha Complex, mythical beast, Tamil Nadu, India, Asia. This magnificent relief, carved in the mid-seventh ce
Art inspired by Canine Bottle, 6th–7th century, Peru, Nasca or Wari, Ceramic, H. 5 in. (12.7 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-canine-bottle-6th7th-century-peru-nasca-or-wari-ceramic-h-5-in-127-cm-ceramics-containers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462797685.htmlRF2HTX74N–Art inspired by Canine Bottle, 6th–7th century, Peru, Nasca or Wari, Ceramic, H. 5 in. (12.7 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Visigothic. Church of Santa Maria de Lara, Quintanilla de las Vinas. Frieze with relief of vine tendrils and grapes. 6th-7th century. Province of Burgos. Castile-Leon. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-visigothic-church-of-santa-maria-de-lara-quintanilla-de-las-vinas-136781568.htmlRMHXEX80–Visigothic. Church of Santa Maria de Lara, Quintanilla de las Vinas. Frieze with relief of vine tendrils and grapes. 6th-7th century. Province of Burgos. Castile-Leon. Spain.
A Frankish sword, Central Europe, 6th/7th century Broad, double-edged blade with shallow fullers on both sides. Flat pointed oval guard, slightly tapered tang with a flat pommel plate. Cleaned excavation discovery. Length 87 cm. historic, historical, 7th century, sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, melee weapon, melee weapons, metal, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-frankish-sword-central-europe-6th7th-century-broad-double-edged-31477752.htmlRMBR5X5C–A Frankish sword, Central Europe, 6th/7th century Broad, double-edged blade with shallow fullers on both sides. Flat pointed oval guard, slightly tapered tang with a flat pommel plate. Cleaned excavation discovery. Length 87 cm. historic, historical, 7th century, sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, melee weapon, melee weapons, metal,
Coptic wooden carving of lion, 6th-7th century. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coptic-wooden-carving-of-lion-6th-7th-century-artist-unknown-image186140528.htmlRMMPRC40–Coptic wooden carving of lion, 6th-7th century. Artist: Unknown.
Harihara. Composite half Vishnu (Hari) and half Shiva (Hara). Hari means 'yellow' color beneficial draped Krishna, incarnation of Vishnu, while Hara means 'destroyer. ' 6th - 7th century, Phnom Da style sandstone sculpture from Asram Maha Rosei (sanctuary), Cambodia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-harihara-composite-half-vishnu-hari-and-half-shiva-hara-hari-means-57362290.htmlRMD99256–Harihara. Composite half Vishnu (Hari) and half Shiva (Hara). Hari means 'yellow' color beneficial draped Krishna, incarnation of Vishnu, while Hara means 'destroyer. ' 6th - 7th century, Phnom Da style sandstone sculpture from Asram Maha Rosei (sanctuary), Cambodia
Band. Dimensions: H. 7 1/2 in. (19.1 cm) W. 4 3/4 in. (12.1 cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/band-dimensions-h-7-12-in-191-cm-w-4-34-in-121-cm-date-6th-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image212871784.htmlRMPA943M–Band. Dimensions: H. 7 1/2 in. (19.1 cm) W. 4 3/4 in. (12.1 cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
6th- 7th century Terracotta carved plaque with early Christian symbols, The Bardo National Museum Tunis, Tunisia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-6th-7th-century-terracotta-carved-plaque-with-early-christian-symbols-138520864.htmlRFJ1A4NM–6th- 7th century Terracotta carved plaque with early Christian symbols, The Bardo National Museum Tunis, Tunisia
Gold Choker, 6th-7th century, Visigothic period. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-choker-6th-7th-century-visigothic-period-image212469650.htmlRMP9JR5P–Gold Choker, 6th-7th century, Visigothic period.
Buddha statue, 6th-7th century, view 1, wood - National Museum of Vietnamese History - Hanoi, Vietnam - DSC05734 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-statue-6th-7th-century-view-1-wood-national-museum-of-vietnamese-172178397.htmlRMM03B8D–Buddha statue, 6th-7th century, view 1, wood - National Museum of Vietnamese History - Hanoi, Vietnam - DSC05734
Eye mask, 2 of 2, Astana Karakhoja tombs, China, Qushi Gaochangguo period to Tang dynasty, 6th-7th century AD, metal - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eye-mask-2-of-2-astana-karakhoja-tombs-china-qushi-gaochangguo-period-to-tang-dynasty-6th-7th-century-ad-metal-image328916241.htmlRM2A33C0H–Eye mask, 2 of 2, Astana Karakhoja tombs, China, Qushi Gaochangguo period to Tang dynasty, 6th-7th century AD, metal -
. Ancha icon . English: Ancha Icon of the Savior, dated to the 6th/7th century (Art Museum of Georgia, Tbilisi) . 29 May 2011. Unknown 38 Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancha-icon-english-ancha-icon-of-the-savior-dated-to-the-6th7th-century-art-museum-of-georgia-tbilisi-29-may-2011-unknown-38-ancha-icon-of-the-savior-art-museum-of-georgia-tbilisi-image188905804.htmlRMMY9B7T–. Ancha icon . English: Ancha Icon of the Savior, dated to the 6th/7th century (Art Museum of Georgia, Tbilisi) . 29 May 2011. Unknown 38 Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi)
6th-7th century icons depicting Christ in the Great Basilica of the Transfiguration in the Holy Monastery of St. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-6th-7th-century-icons-depicting-christ-in-the-great-basilica-of-the-29919814.htmlRMBMJY0P–6th-7th century icons depicting Christ in the Great Basilica of the Transfiguration in the Holy Monastery of St.
Aesop, Ancient Greek Fabulist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aesop-ancient-greek-fabulist-image352775660.htmlRM2BDX8XM–Aesop, Ancient Greek Fabulist
Treasure of Ebora. Sanlucar de Barrameda, Spain. 7th-6thBCE. Tartessus. Archaeological Museum of Seville. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/treasure-of-ebora-sanlucar-de-barrameda-spain-7th-6thbce-tartessus-archaeological-museum-of-seville-spain-image247103101.htmlRMTA0EEN–Treasure of Ebora. Sanlucar de Barrameda, Spain. 7th-6thBCE. Tartessus. Archaeological Museum of Seville. Spain.
Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/base-aux-larrons-6th-7th-siecle-hypogee-de-dunes-thieves-basis-for-6th-7th-century-poitier-vienna-hypogeum-of-dunes-at-muse-sainte-croix-france-french-base-with-the-thieves-sculpted-element-representing-the-biblical-scene-of-the-two-thieves-base-of-a-monumental-crucifixion-of-the-vi-viith-centuries-found-at-the-hypogeum-of-the-dunes-image343947746.htmlRM2AYG4T2–Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes )
A statue of Saint Fiacre of Breuilm, a 6th/7th century hermit, at St. Fiachra's Gardens, at the Irish National Stud in Kildare. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-statue-of-saint-fiacre-of-breuilm-a-6th7th-century-hermit-at-st-image66762726.htmlRMDTH8F2–A statue of Saint Fiacre of Breuilm, a 6th/7th century hermit, at St. Fiachra's Gardens, at the Irish National Stud in Kildare.
Relief Fragment with Floral Design, 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-relief-fragment-with-floral-design-6th7th-century-162563943.htmlRMKCDBY3–Relief Fragment with Floral Design, 6th–7th century
Japan: The 'Asuka Bijin' or 'Beautiful women of the Asuka Period', Takamatsuzuka Tomb, 6th-7th century CE. The Takamatsuzuka Tomb (Takamatsuzuka Kofun or 'Tall Pine Tree Ancient Burial Mound' is an ancient circular tomb in Asuka village, Nara prefecture, Japan. Dating from the 6th-7th century CE, it contains painted fresco wall paintings of courtiers in Goguryeo-style garb. The paintings are in full color with red, blue, gold, and silver foil representing four male followers and four abigails together with the Azure Dragon, Black Tortoise, White Tiger, and Vermilion Bird groups of stars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-the-asuka-bijin-or-beautiful-women-of-the-asuka-period-takamatsuzuka-tomb-6th-7th-century-ce-the-takamatsuzuka-tomb-takamatsuzuka-kofun-or-tall-pine-tree-ancient-burial-mound-is-an-ancient-circular-tomb-in-asuka-village-nara-prefecture-japan-dating-from-the-6th-7th-century-ce-it-contains-painted-fresco-wall-paintings-of-courtiers-in-goguryeo-style-garb-the-paintings-are-in-full-color-with-red-blue-gold-and-silver-foil-representing-four-male-followers-and-four-abigails-together-with-the-azure-dragon-black-tortoise-white-tiger-and-vermilion-bird-groups-of-stars-image344226383.htmlRM2B00T7B–Japan: The 'Asuka Bijin' or 'Beautiful women of the Asuka Period', Takamatsuzuka Tomb, 6th-7th century CE. The Takamatsuzuka Tomb (Takamatsuzuka Kofun or 'Tall Pine Tree Ancient Burial Mound' is an ancient circular tomb in Asuka village, Nara prefecture, Japan. Dating from the 6th-7th century CE, it contains painted fresco wall paintings of courtiers in Goguryeo-style garb. The paintings are in full color with red, blue, gold, and silver foil representing four male followers and four abigails together with the Azure Dragon, Black Tortoise, White Tiger, and Vermilion Bird groups of stars.
Monolithic rock temples, Pancha Ratha Complex (Five temples), Mahabalipuram, Tamil Nadu, India, Asia. i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monolithic-rock-temples-pancha-ratha-complex-five-temples-mahabalipuram-tamil-nadu-india-asia-i-image621118952.htmlRM2Y2EBFM–Monolithic rock temples, Pancha Ratha Complex (Five temples), Mahabalipuram, Tamil Nadu, India, Asia. i
Art inspired by Monkey Bottle, 6th–7th century, Peru, Nasca or Wari, Ceramic, H. 7 in. (17.8 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-monkey-bottle-6th7th-century-peru-nasca-or-wari-ceramic-h-7-in-178-cm-ceramics-containers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462797669.htmlRF2HTX745–Art inspired by Monkey Bottle, 6th–7th century, Peru, Nasca or Wari, Ceramic, H. 7 in. (17.8 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Treasure of El Carambolo. Golden plates. Tartessian. Reproduction. Orientalizing Period. Late 7th-6th century BC. El Carambolo (Camas, province of Seville, Andalusia). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/treasure-of-el-carambolo-golden-plates-tartessian-reproduction-orientalizing-period-late-7th-6th-century-bc-el-carambolo-camas-province-of-seville-andalusia-national-archaeological-museum-madrid-spain-image225865876.htmlRMR3D26C–Treasure of El Carambolo. Golden plates. Tartessian. Reproduction. Orientalizing Period. Late 7th-6th century BC. El Carambolo (Camas, province of Seville, Andalusia). National Archaeological Museum. Madrid. Spain.
A Central European Frankish sax, 6th/7th century Heavy single-edged blade with a fuller on one side. Broad, slightly tapering tang. Cleaned and conserved condition. Length 68 cm. Provenance: A Hessian private collection, historic, historical, 7th century, sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, melee weapon, melee weapons, metal, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-central-european-frankish-sax-6th7th-century-heavy-single-edged-51547128.htmlRMCYT4TT–A Central European Frankish sax, 6th/7th century Heavy single-edged blade with a fuller on one side. Broad, slightly tapering tang. Cleaned and conserved condition. Length 68 cm. Provenance: A Hessian private collection, historic, historical, 7th century, sword, swords, weapons, arms, weapon, arm, fighting device, military, militaria, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, melee weapon, melee weapons, metal, Additional-Rights-Clearences-Not Available
Sassanian Silver-Gilt Dish of Goddess and Bird, 6th-7th century. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sassanian-silver-gilt-dish-of-goddess-and-bird-6th-7th-century-artist-unknown-image186098724.htmlRMMPNER0–Sassanian Silver-Gilt Dish of Goddess and Bird, 6th-7th century. Artist: Unknown.
Skanda, 6th century, 7th century, Pre-Angkorian period (1st-7th century A.D) sandstone sculpture from Kdei Ang, Cambodia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-skanda-6th-century-7th-century-pre-angkorian-period-1st-7th-century-57362397.htmlRMD99291–Skanda, 6th century, 7th century, Pre-Angkorian period (1st-7th century A.D) sandstone sculpture from Kdei Ang, Cambodia
Tunic. Dimensions: H. 40 1/2 in. (102.9 cm) W. 62 in. (157.5 cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tunic-dimensions-h-40-12-in-1029-cm-w-62-in-1575-cm-date-6th-7th-century-museum-metropolitan-museum-of-art-new-york-usa-image213260828.htmlRMPAXTA4–Tunic. Dimensions: H. 40 1/2 in. (102.9 cm) W. 62 in. (157.5 cm). Date: 6th-7th century. Museum: Metropolitan Museum of Art, New York, USA.
6th- 7th century Terracotta carved plaque with early Christian symbols, The Bardo National Museum Tunis, Tunisia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-6th-7th-century-terracotta-carved-plaque-with-early-christian-symbols-138520869.htmlRFJ1A4NW–6th- 7th century Terracotta carved plaque with early Christian symbols, The Bardo National Museum Tunis, Tunisia
Necklace and earrings, Visigothic culture, 6th-7th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/necklace-and-earrings-visigothic-culture-6th-7th-century-image212467561.htmlRMP9JMF5–Necklace and earrings, Visigothic culture, 6th-7th century.
Buddha, Trung Dien, Vinh Long, 6th-7th century AD, sandstone - Museum of Vietnamese History - Ho Chi Minh City - DDSC06067 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-trung-dien-vinh-long-6th-7th-century-ad-sandstone-museum-of-172178436.htmlRMM03B9T–Buddha, Trung Dien, Vinh Long, 6th-7th century AD, sandstone - Museum of Vietnamese History - Ho Chi Minh City - DDSC06067
Eye mask, 1 of 2, Astana Karakhoja tombs, China, Qushi Gaochangguo period to Tang dynasty, 6th-7th century AD, metal - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eye-mask-1-of-2-astana-karakhoja-tombs-china-qushi-gaochangguo-period-to-tang-dynasty-6th-7th-century-ad-metal-image328916285.htmlRM2A33C25–Eye mask, 1 of 2, Astana Karakhoja tombs, China, Qushi Gaochangguo period to Tang dynasty, 6th-7th century AD, metal -
. English: Ancha Icon of the Savior, dated to the 6th/7th century (Art Museum of Georgia, Tbilisi) Ancha icon. 29 May 2011. Unknown 43 Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ancha-icon-of-the-savior-dated-to-the-6th7th-century-art-museum-of-georgia-tbilisi-ancha-icon-29-may-2011-unknown-43-ancha-icon-of-the-savior-art-museum-of-georgia-tbilisi-image184853947.htmlRMMMMR2K–. English: Ancha Icon of the Savior, dated to the 6th/7th century (Art Museum of Georgia, Tbilisi) Ancha icon. 29 May 2011. Unknown 43 Ancha Icon of the Savior (Art Museum of Georgia, Tbilisi)
Bronze Cross from Athlone. National Museum of Ireland, Dublin. 6th 0r 7th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-cross-from-athlone-national-museum-of-ireland-dublin-6th-0r-7th-century-image268824144.htmlRMWH9YX8–Bronze Cross from Athlone. National Museum of Ireland, Dublin. 6th 0r 7th Century.
Aesop, Ancient Greek Fabulist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aesop-ancient-greek-fabulist-image352775628.htmlRM2BDX8WG–Aesop, Ancient Greek Fabulist
DARK AGES EUROPE: in 565 600 650 & 720 AD. 6th 7th & 8th centuries, 1902 map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dark-ages-europe-in-565-600-650-720-ad-6th-7th-8th-centuries-1902-94075646.htmlRFFD1ECE–DARK AGES EUROPE: in 565 600 650 & 720 AD. 6th 7th & 8th centuries, 1902 map
Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/base-aux-larrons-6th-7th-siecle-hypogee-de-dunes-thieves-basis-for-6th-7th-century-poitier-vienna-hypogeum-of-dunes-at-muse-sainte-croix-france-french-base-with-the-thieves-sculpted-element-representing-the-biblical-scene-of-the-two-thieves-base-of-a-monumental-crucifixion-of-the-vi-viith-centuries-found-at-the-hypogeum-of-the-dunes-image343947727.htmlRM2AYG4RB–Base aux Larrons 6th-7th Siecle hypogee de Dunes, Thieves basis for 6th-7th Century Poitier (Vienna), hypogeum of Dunes. At musée Sainte-Croix France, French, ( Base with the thieves , sculpted element representing the biblical scene of the Two Thieves, base of a monumental Crucifixion of the VI-VIIth centuries found at the Hypogeum of the Dunes )
Shell Frankish 6th–7th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shell-frankish-6th7th-century-image569495519.htmlRM2T2EN9K–Shell Frankish 6th–7th century
Capital, 6th–7th century, Found Egypt, Saqqara, Limestone, Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capital-6th7th-century-found-egypt-saqqara-limestone-sculpture-image344676183.htmlRM2B0N9YK–Capital, 6th–7th century, Found Egypt, Saqqara, Limestone, Sculpture
Japan: Mural of a group of women of the Asuka Period, Takamatsuzuka Tomb, 6th-7th century CE. The Takamatsuzuka Tomb (Takamatsuzuka Kofun or 'Tall Pine Tree Ancient Burial Mound' is an ancient circular tomb in Asuka village, Nara prefecture, Japan. Dating from the 6th-7th century CE, it contains painted fresco wall paintings of courtiers in Goguryeo-style garb. The paintings are in full color with red, blue, gold, and silver foil representing four male followers and four abigails together with the Azure Dragon, Black Tortoise, White Tiger, and Vermilion Bird groups of stars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-mural-of-a-group-of-women-of-the-asuka-period-takamatsuzuka-tomb-6th-7th-century-ce-the-takamatsuzuka-tomb-takamatsuzuka-kofun-or-tall-pine-tree-ancient-burial-mound-is-an-ancient-circular-tomb-in-asuka-village-nara-prefecture-japan-dating-from-the-6th-7th-century-ce-it-contains-painted-fresco-wall-paintings-of-courtiers-in-goguryeo-style-garb-the-paintings-are-in-full-color-with-red-blue-gold-and-silver-foil-representing-four-male-followers-and-four-abigails-together-with-the-azure-dragon-black-tortoise-white-tiger-and-vermilion-bird-groups-of-stars-image344226388.htmlRM2B00T7G–Japan: Mural of a group of women of the Asuka Period, Takamatsuzuka Tomb, 6th-7th century CE. The Takamatsuzuka Tomb (Takamatsuzuka Kofun or 'Tall Pine Tree Ancient Burial Mound' is an ancient circular tomb in Asuka village, Nara prefecture, Japan. Dating from the 6th-7th century CE, it contains painted fresco wall paintings of courtiers in Goguryeo-style garb. The paintings are in full color with red, blue, gold, and silver foil representing four male followers and four abigails together with the Azure Dragon, Black Tortoise, White Tiger, and Vermilion Bird groups of stars.
Statue of St Mango; Kelvin Grove Art Gallery and Museum, Glasgow, Scotland, UK - Bishop St Mungo; two females, one reading and one playing a musical i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-st-mango-kelvin-grove-art-gallery-and-museum-glasgow-scotland-uk-bishop-st-mungo-two-females-one-reading-and-one-playing-a-musical-i-image606436542.htmlRM2X6HFYX–Statue of St Mango; Kelvin Grove Art Gallery and Museum, Glasgow, Scotland, UK - Bishop St Mungo; two females, one reading and one playing a musical i
Search Results for 6th 7th century Stock Photos and Images (5,999)
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