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64 8 81 3 cm Stock Photos and Images

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64 8 81 3 cm Stock Photos and Images

Art inspired by The Fishing Boat, 1865, Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), Courbet painted this work during an intensely productive visit to Trouville with James McNeill Whistler from September until, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTY0PF–Art inspired by The Fishing Boat, 1865, Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), Courbet painted this work during an intensely productive visit to Trouville with James McNeill Whistler from September until, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fragment, 17th century, Attributed to Turkey, Silk, H. 32 in. (81.3 cm), W. 25 1/2 in. (64.8 cm), Textiles-Woven Stock Photo
RM2B0HC0T–Fragment, 17th century, Attributed to Turkey, Silk, H. 32 in. (81.3 cm), W. 25 1/2 in. (64.8 cm), Textiles-Woven
The Fishing Boat. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1865. Courbet painted this work during an intensely productive visit to Trouville with James McNeill Whistler from September until November 1865; in a letter to his father, the artist boasted that he had executed 'thirty-five paintings' in a very short time, which 'stunned everybody.' In his choice of subject, Courbet followed in the wake of Eugène Isabey, Johan Barthold Jongkind, and Eugène Boudin; but unlike many of the canvases executed at the time, thi Stock Photo
RMPANWPE–The Fishing Boat. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1865. Courbet painted this work during an intensely productive visit to Trouville with James McNeill Whistler from September until November 1865; in a letter to his father, the artist boasted that he had executed 'thirty-five paintings' in a very short time, which 'stunned everybody.' In his choice of subject, Courbet followed in the wake of Eugène Isabey, Johan Barthold Jongkind, and Eugène Boudin; but unlike many of the canvases executed at the time, thi
Jean-Honoré Fragonard, French, 1732–1806, The Warrior, c. 1770, Oil on canvas, 32 1/16 x 25 3/8 in. (81.5 x 64.5 cm Stock Photo
RM2B0GP3R–Jean-Honoré Fragonard, French, 1732–1806, The Warrior, c. 1770, Oil on canvas, 32 1/16 x 25 3/8 in. (81.5 x 64.5 cm
Maria Clementina Sobieska *oil on canvas *81.3 x 64.8 cm *circa 1719 Maria Clementina Sobieska, by Venetian school of the 18th centur 857 Maria Clementina Sobieska, by Venetian school of the 18th century Stock Photo
RMMP6N9Y–Maria Clementina Sobieska *oil on canvas *81.3 x 64.8 cm *circa 1719 Maria Clementina Sobieska, by Venetian school of the 18th centur 857 Maria Clementina Sobieska, by Venetian school of the 18th century
Gustave Courbet, The Fishing Boat, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), 1865, Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), Paintings Stock Photo
RM2B0KK2J–Gustave Courbet, The Fishing Boat, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), 1865, Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), Paintings
Français : Medora Clark at the Clark Apartment, Paris oil on canvas Q296955/Q4259259 Height: 81.3 cm (32 in); Width: 64.8 cm (25.5 in). 1903 44 Frederick Carl Frieseke, 1903 - Medora Clark at the Clark Apartment Stock Photo
RMP6DF5W–Français : Medora Clark at the Clark Apartment, Paris oil on canvas Q296955/Q4259259 Height: 81.3 cm (32 in); Width: 64.8 cm (25.5 in). 1903 44 Frederick Carl Frieseke, 1903 - Medora Clark at the Clark Apartment
La Promenade; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1870; Oil on canvas; 81.3 × 64.8 cm (32 × 25 1/2 in.); 89.PA.41 Stock Photo
RF2WKM5TT–La Promenade; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1870; Oil on canvas; 81.3 × 64.8 cm (32 × 25 1/2 in.); 89.PA.41
La Promenade - 1870 - Oil on canvas 81.3 × 64.8 cm - re06Renoir Auguste Stock Photo
RF2HBTHA5–La Promenade - 1870 - Oil on canvas 81.3 × 64.8 cm - re06Renoir Auguste
La Promenade; Pierre-Auguste Renoir (French, 1841 - 1919); 1870; Oil on canvas; 81.3 × 64.8 cm (32 × 25 1/2 in.); 89.PA.41 Stock Photo
RM2AAJ9EF–La Promenade; Pierre-Auguste Renoir (French, 1841 - 1919); 1870; Oil on canvas; 81.3 × 64.8 cm (32 × 25 1/2 in.); 89.PA.41
Shiva Nataraja with Saints Indian. , mid 18th century. Tempera, color and gold on cloth, mounted on wood, Image: 32 x 25 1/2 in. (81.3 x 64.8 cm). Asian Art mid 18th century Stock Photo
RM2M9456D–Shiva Nataraja with Saints Indian. , mid 18th century. Tempera, color and gold on cloth, mounted on wood, Image: 32 x 25 1/2 in. (81.3 x 64.8 cm). Asian Art mid 18th century
La Promenade; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1870; Oil on canvas; 81.3 × 64.8 cm (32 × 25 1/2 in.); 89.PA.41Digital image courte Stock Photo
RMRW8B7D–La Promenade; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1870; Oil on canvas; 81.3 × 64.8 cm (32 × 25 1/2 in.); 89.PA.41Digital image courte
Cabinet MET 192957 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236) Stock Photo
RMKN4NM6–Cabinet MET 192957 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236)
La Promenade; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1870; Oil on canvas; 81.3 × 64.8 cm (32 × 25 1/2 in.); 89.PA.41 Stock Photo
RMRYEDW9–La Promenade; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1870; Oil on canvas; 81.3 × 64.8 cm (32 × 25 1/2 in.); 89.PA.41
Cabinet MET 180998 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236) Stock Photo
RMKN4NJ0–Cabinet MET 180998 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236)
Second progress report on the strength of structural timber . .4 0.42 ! : 3 CO JO ^ 15.530.09.0 13.119.08.0 9.614.5 0.0 12.730.0 20.427.212.4 19.828.110.3 oo m cm 00 CO OSi—1 CM 19.628.19.2 [ 25.8 36.81 18 0 [ 27.0{ 45.815.3 f 30.0{ 51.2[ 18.2 f 27.8{ 51.215.3 f 34.0{ 58.5I 25.8 f 41.5{ 64.2I 21.5 f 33.9{ 55.21 23.5 CM CM LO CO f t-i CO CO CM g CO CO © © CM O CO Average Maximum..Minimum... Average Maximum..1 Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Partiall Stock Photo
RM2AXCA3Y–Second progress report on the strength of structural timber . .4 0.42 ! : 3 CO JO ^ 15.530.09.0 13.119.08.0 9.614.5 0.0 12.730.0 20.427.212.4 19.828.110.3 oo m cm 00 CO OSi—1 CM 19.628.19.2 [ 25.8 36.81 18 0 [ 27.0{ 45.815.3 f 30.0{ 51.2[ 18.2 f 27.8{ 51.215.3 f 34.0{ 58.5I 25.8 f 41.5{ 64.2I 21.5 f 33.9{ 55.21 23.5 CM CM LO CO f t-i CO CO CM g CO CO © © CM O CO Average Maximum..Minimum... Average Maximum..1 Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Average Maximum..Minimum... Partiall
Cabinet MET 182381 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236) Stock Photo
RMKNE0TB–Cabinet MET 182381 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236)
Art inspired by The Boulevard Montmartre on a Winter Morning, 1897, Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), Paintings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), After spending six years in rural Éragny, Pissarro returned to Paris, where he, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8J4P–Art inspired by The Boulevard Montmartre on a Winter Morning, 1897, Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), Paintings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), After spending six years in rural Éragny, Pissarro returned to Paris, where he, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Boulevard Montmartre on a Winter Morning. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1897. After spending six years in rural Éragny, Pissarro returned to Paris, where he painted several series of the <i>grands boulevards</i>. Surveying the view from his lodgings at the Grand Hôtel de Russie in early 1897, Pissarro marveled that he could 'see down the whole length of the boulevards' with 'almost a bird's-eye view of carriages, omnibuses, people, between big trees, big houses that have to be set stra Stock Photo
RMPA9DH8–The Boulevard Montmartre on a Winter Morning. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 25 1/2 x 32 in. (64.8 x 81.3 cm). Date: 1897. After spending six years in rural Éragny, Pissarro returned to Paris, where he painted several series of the <i>grands boulevards</i>. Surveying the view from his lodgings at the Grand Hôtel de Russie in early 1897, Pissarro marveled that he could 'see down the whole length of the boulevards' with 'almost a bird's-eye view of carriages, omnibuses, people, between big trees, big houses that have to be set stra
Hyacinthe Rigaud and studio, French, 1659–1743, Portrait of a Man, c. 1705, Oil on canvas, 32 1/16 x 25 3/8 in. (81.5 x 64.4 cm Stock Photo
RM2B0H0YM–Hyacinthe Rigaud and studio, French, 1659–1743, Portrait of a Man, c. 1705, Oil on canvas, 32 1/16 x 25 3/8 in. (81.5 x 64.4 cm
Madame Pierre Henri Renoir - 1870 - Oil on canvas 64,8 x 81,3 cm - re09Renoir Auguste Stock Photo
RF2HGKBRF–Madame Pierre Henri Renoir - 1870 - Oil on canvas 64,8 x 81,3 cm - re09Renoir Auguste
Vegetable Garden, Overcast Morning, Eragny - 1901 - oil on canvas 64,8 x 81,3 cm - pi05Pissarro Camille Stock Photo
RF2HGM0D2–Vegetable Garden, Overcast Morning, Eragny - 1901 - oil on canvas 64,8 x 81,3 cm - pi05Pissarro Camille
Washerwomen at Goyen, 1917. Abel George Warshawsky (American, 1883-1962). Oil on canvas; framed: 77.5 x 93.5 x 9 cm (30 1/2 x 36 13/16 x 3 9/16 in.); unframed: 64.8 x 81.3 cm (25 1/2 x 32 in.). Stock Photo
RM2H11D83–Washerwomen at Goyen, 1917. Abel George Warshawsky (American, 1883-1962). Oil on canvas; framed: 77.5 x 93.5 x 9 cm (30 1/2 x 36 13/16 x 3 9/16 in.); unframed: 64.8 x 81.3 cm (25 1/2 x 32 in.).
Rocks at Belle-Ile, Port Domois - 1886 - Oil on canvas 81,3 x 64,8 cm - mo25Monet Claude Stock Photo
RF2HGK9XB–Rocks at Belle-Ile, Port Domois - 1886 - Oil on canvas 81,3 x 64,8 cm - mo25Monet Claude
The Boulevard Montmartre on a Winter Morning - 1897 - Oil on canvas 64.8 x 81.3 cm - pi07Pissarro Camille Stock Photo
RF2HGM16C–The Boulevard Montmartre on a Winter Morning - 1897 - Oil on canvas 64.8 x 81.3 cm - pi07Pissarro Camille
. Complete arithmetic . ent of land the squaredekameter is called an are (pronounced ^r) ; the squarehektometer is called a hektare (ha.). The hektare equals2.47 acres, or nearly 2^ acres. EXERCISE 196 Express as square meters: 1. 275 sq. km. 4. 4875 sq. cm. 2. 3.45 sq. km. 5. 9235 sq. cm. 3. 0.75 sq. km. 6. 64,275 sq. cm. 7. 123,450 sq. mm. 8. 2,250,000 sq. mm. 9. 37,375,000 sq. mm. Express as hehtares: 10. 10,000 sq. m. 12. 175,000 sq. m. 11. 45,000 sq. m. 13. 325,500 sq. m. 14. 24.7 acres. 15. 1482 acrea 16. How long is a square field that contains 0.81 ha. ? CUBIC MEASURE 351 371. Cubic Me Stock Photo
RM2CGHPCT–. Complete arithmetic . ent of land the squaredekameter is called an are (pronounced ^r) ; the squarehektometer is called a hektare (ha.). The hektare equals2.47 acres, or nearly 2^ acres. EXERCISE 196 Express as square meters: 1. 275 sq. km. 4. 4875 sq. cm. 2. 3.45 sq. km. 5. 9235 sq. cm. 3. 0.75 sq. km. 6. 64,275 sq. cm. 7. 123,450 sq. mm. 8. 2,250,000 sq. mm. 9. 37,375,000 sq. mm. Express as hehtares: 10. 10,000 sq. m. 12. 175,000 sq. m. 11. 45,000 sq. m. 13. 325,500 sq. m. 14. 24.7 acres. 15. 1482 acrea 16. How long is a square field that contains 0.81 ha. ? CUBIC MEASURE 351 371. Cubic Me
Cabinet MET ADA289 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236) Stock Photo
RMKNE0TC–Cabinet MET ADA289 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236)
Art inspired by A Female Allegorical Figure, 1740–50, Oil on canvas, gold ground, Oval, 32 x 25 3/8 in. (81.3 x 64.5 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8K51–Art inspired by A Female Allegorical Figure, 1740–50, Oil on canvas, gold ground, Oval, 32 x 25 3/8 in. (81.3 x 64.5 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Female Allegorical Figure. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval, 32 x 25 3/8 in. (81.3 x 64.5 cm). Date: 1740-50. This picture was painted for the same series as another picture in the Museum, also displayed in this gallery; two others from the series are in the Rijksmuseum, Amsterdam. The pictures probably served as overdoors, perhaps set into a stucco surround. The allegorical figure has not been identified. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPB1D8C–A Female Allegorical Figure. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval, 32 x 25 3/8 in. (81.3 x 64.5 cm). Date: 1740-50. This picture was painted for the same series as another picture in the Museum, also displayed in this gallery; two others from the series are in the Rijksmuseum, Amsterdam. The pictures probably served as overdoors, perhaps set into a stucco surround. The allegorical figure has not been identified. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Shiva Nataraja with Saints, Indian, Tempera, color and gold on cloth, mounted on wood, Andhra Pradesh, India, mid 18th century, Image: 32 x 25 1/2 in., 81.3 x 64.8 cm, Andhra Pradesh, Apasmara, Bull, Cloth, Color, Dancing, Demon, Dwarf, Gold, Makara, Nandi, Patanjali, Shiva, Shrine, South, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK4BTM–Inspired by Shiva Nataraja with Saints, Indian, Tempera, color and gold on cloth, mounted on wood, Andhra Pradesh, India, mid 18th century, Image: 32 x 25 1/2 in., 81.3 x 64.8 cm, Andhra Pradesh, Apasmara, Bull, Cloth, Color, Dancing, Demon, Dwarf, Gold, Makara, Nandi, Patanjali, Shiva, Shrine, South, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Censer, Swiss, before 1477, Made in Basel, Switzerland, Swiss, Silver, raised and cast, Overall: 31 7/8 x 5 3/4 in. (81 x 14.6 cm), censer without chain: 9 11/16 x 5 3/4 in. (24.6 x 14.6 cm), Lid: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm), Base: 2 11/16 x 5 3/4 in. (6.8 x 14.6 cm), Chain: 25 1/2in. (64.8cm), Metalwork-Silver Stock Photo
RM2B0M3T0–Censer, Swiss, before 1477, Made in Basel, Switzerland, Swiss, Silver, raised and cast, Overall: 31 7/8 x 5 3/4 in. (81 x 14.6 cm), censer without chain: 9 11/16 x 5 3/4 in. (24.6 x 14.6 cm), Lid: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm), Base: 2 11/16 x 5 3/4 in. (6.8 x 14.6 cm), Chain: 25 1/2in. (64.8cm), Metalwork-Silver
The Fishing Boat, 1865, Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 Stock Photo
RMKCD6FB–The Fishing Boat, 1865, Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877
Amaryllis lutea, c. 1800-1806, Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 18 1/2 x 13 1/4 in. (46.99 x 33.66 cm)25 1/2 × 19 7/8 in. (64.77 × 50.48 cm) (mat)26 3/8 × 20 7/8 × 1 1/2 in. (66.99 × 53.02 × 3.81 cm) (outer frame), Watercolor and graphite on vellum, Belgium, 18th-19th century, Pierre-Joseph Redouté was the foremost flower painter of the golden age of botanical illustration that spanned the century from 1750 to 1850. This drawing of the hardy bulbous perennial Amaryllis lutea exemplifies his extraordinary observational and artistic skills. Stock Photo
RM2T91BPX–Amaryllis lutea, c. 1800-1806, Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 18 1/2 x 13 1/4 in. (46.99 x 33.66 cm)25 1/2 × 19 7/8 in. (64.77 × 50.48 cm) (mat)26 3/8 × 20 7/8 × 1 1/2 in. (66.99 × 53.02 × 3.81 cm) (outer frame), Watercolor and graphite on vellum, Belgium, 18th-19th century, Pierre-Joseph Redouté was the foremost flower painter of the golden age of botanical illustration that spanned the century from 1750 to 1850. This drawing of the hardy bulbous perennial Amaryllis lutea exemplifies his extraordinary observational and artistic skills.
THEATRE, ROBERT-HOUDIN, 8. BOULD. DES ITALIENS, LE NAIN JAUNE, Grand Truc Extraordinaire, Designer, Lévy, Charles, Printer, Array, Graphic Arts, Print, Poster, Lithography, Dimensions - Work: Height: 81.8 cm, Width: 61.3 cm, Dimensions - Mounting:, Height: 85 cm, Width: 64.4 cm Stock Photo
RM2T8GHY9–THEATRE, ROBERT-HOUDIN, 8. BOULD. DES ITALIENS, LE NAIN JAUNE, Grand Truc Extraordinaire, Designer, Lévy, Charles, Printer, Array, Graphic Arts, Print, Poster, Lithography, Dimensions - Work: Height: 81.8 cm, Width: 61.3 cm, Dimensions - Mounting:, Height: 85 cm, Width: 64.4 cm
Glaucus and Nydia, 1867. Lawrence Alma-Tadema (British, 1836-1912). Oil on wood panel; framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in.). Stock Photo
RM2H10HW8–Glaucus and Nydia, 1867. Lawrence Alma-Tadema (British, 1836-1912). Oil on wood panel; framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in.).
La Promenade; Pierre-Auguste Renoir, French, 1841 - 1919, France; 1870; Oil on canvas; 81.3 × 64.8 cm, 32 × 25 1,2 in Stock Photo
RMPPXPN8–La Promenade; Pierre-Auguste Renoir, French, 1841 - 1919, France; 1870; Oil on canvas; 81.3 × 64.8 cm, 32 × 25 1,2 in
Isolated Rock (Le Rocher isolé) Gustave Courbet (French, 1819-1877). Isolated Rock (Le Rocher isolé), ca. 1862. Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm). Gustave Courbet’s paintings of the shorelines in Normandy portray the land as subject to continuous, if gradual, change. Here, he focuses on a single large rock at the edge of the water. Smaller rocks around it and the several just visible above the surf imply an ongoing process of erosion. Applying his paint with a palette knife in broad, rough patches and strokes, Courbet evokes the windblown clouds and the coarse texture of the roc Stock Photo
RM2M928Y6–Isolated Rock (Le Rocher isolé) Gustave Courbet (French, 1819-1877). Isolated Rock (Le Rocher isolé), ca. 1862. Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm). Gustave Courbet’s paintings of the shorelines in Normandy portray the land as subject to continuous, if gradual, change. Here, he focuses on a single large rock at the edge of the water. Smaller rocks around it and the several just visible above the surf imply an ongoing process of erosion. Applying his paint with a palette knife in broad, rough patches and strokes, Courbet evokes the windblown clouds and the coarse texture of the roc
Workshop of the Patanazzi Family, Pharmacy jar with subjects from The Campaigns of Julius Caesar, Italian, Urbino, Workshop of the Patanazzi Family (Italian, Urbino, late 16th–early 17th century), 1580–81, Italian, Urbino, Maiolica (tin-glazed earthenware), Overall: 25 3/16 × 12 3/4 × 11 3/4 in., 20 lb. (64 × 32.4 × 29.8 cm, 9.1 kg), Ceramics-Pottery Stock Photo
RM2B0KTN3–Workshop of the Patanazzi Family, Pharmacy jar with subjects from The Campaigns of Julius Caesar, Italian, Urbino, Workshop of the Patanazzi Family (Italian, Urbino, late 16th–early 17th century), 1580–81, Italian, Urbino, Maiolica (tin-glazed earthenware), Overall: 25 3/16 × 12 3/4 × 11 3/4 in., 20 lb. (64 × 32.4 × 29.8 cm, 9.1 kg), Ceramics-Pottery
Isolated Rock (Le Rocher isolé) Gustave Courbet (French, 1819-1877). Isolated Rock (Le Rocher isolé), ca. 1862. Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm). Gustave Courbet’s paintings of the shorelines in Normandy portray the land as subject to continuous, if gradual, change. Here, he focuses on a single large rock at the edge of the water. Smaller rocks around it and the several just visible above the surf imply an ongoing process of erosion. Applying his paint with a palette knife in broad, rough patches and strokes, Courbet evokes the windblown clouds and the coarse texture of the roc Stock Photo
RM2M928WM–Isolated Rock (Le Rocher isolé) Gustave Courbet (French, 1819-1877). Isolated Rock (Le Rocher isolé), ca. 1862. Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm). Gustave Courbet’s paintings of the shorelines in Normandy portray the land as subject to continuous, if gradual, change. Here, he focuses on a single large rock at the edge of the water. Smaller rocks around it and the several just visible above the surf imply an ongoing process of erosion. Applying his paint with a palette knife in broad, rough patches and strokes, Courbet evokes the windblown clouds and the coarse texture of the roc
Cabinet MET ADA3286 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236) Stock Photo
RMKNE0TA–Cabinet MET ADA3286 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236)
Beautiful Woman. Artist: Kaigetsudo Dohan (active 1710-16). Culture: Japan. Dimensions: Image: 32 3/16 x 13 3/16 in. (81.8 x 33.5 cm) Overall with mounting: 64 3/8 x 20 1/8 in. (163.5 x 51.1 cm). Date: 18th century. Kaigetsudo's vision of female beauty, though well received, was quite bold compared to that of his contemporaries. Statuesque figures colorfully dressed in striking patterns were the perfect foil for grand sweeps of his brush. This physically substantial femininity stands in stark contrast to the willowy figures favored by Suzuki Harunobu (1724-1770), a contemporary ukiyo-e artis Stock Photo
RMPAKTG3–Beautiful Woman. Artist: Kaigetsudo Dohan (active 1710-16). Culture: Japan. Dimensions: Image: 32 3/16 x 13 3/16 in. (81.8 x 33.5 cm) Overall with mounting: 64 3/8 x 20 1/8 in. (163.5 x 51.1 cm). Date: 18th century. Kaigetsudo's vision of female beauty, though well received, was quite bold compared to that of his contemporaries. Statuesque figures colorfully dressed in striking patterns were the perfect foil for grand sweeps of his brush. This physically substantial femininity stands in stark contrast to the willowy figures favored by Suzuki Harunobu (1724-1770), a contemporary ukiyo-e artis
Inspired by Isolated Rock, Le Rocher isolé, Gustave Courbet, French, 1819-1877, Oil on canvas, France, ca. 1862, 25 1/2 x 32 in., 64.8 x 81.3 cm, alone, beach, blue sky, Boudin, boulder, ca. 1862, canvas, clowds, Courbet, European, French painter, Havemeyer, heroic, horizon, isolate, late 19th, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK4R94–Inspired by Isolated Rock, Le Rocher isolé, Gustave Courbet, French, 1819-1877, Oil on canvas, France, ca. 1862, 25 1/2 x 32 in., 64.8 x 81.3 cm, alone, beach, blue sky, Boudin, boulder, ca. 1862, canvas, clowds, Courbet, European, French painter, Havemeyer, heroic, horizon, isolate, late 19th, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Crucifix, Spanish, ca. 1150–1200, Made in Castile-León, Spain, Spanish, White oak with paint, gold leaf, and tin leaf (corpus); softwood with paint and tin leaf (cross), Overall (cross): 102 1/2 x 81 3/4 in. (260.4 x 207.6 cm), Head: 10 1/4 x 4 in. (26 x 10.2 cm), Span of right arm: 25 3/8 in. (64.4 cm), Span of left arm: 26 5/16 in. (66.8 cm), Right foot–heel to small toe: 3 3/4 in. (9.5 cm), Right foot–heel to big toe: 9 1/8 in. (23.2 cm), Left foot–heel to small toe: 3 1/4 in. (8.3 cm), Left foot–heel to big toe: 9 in. (22.8 cm), Sculpture-Wood Stock Photo
RM2B0MPK5–Crucifix, Spanish, ca. 1150–1200, Made in Castile-León, Spain, Spanish, White oak with paint, gold leaf, and tin leaf (corpus); softwood with paint and tin leaf (cross), Overall (cross): 102 1/2 x 81 3/4 in. (260.4 x 207.6 cm), Head: 10 1/4 x 4 in. (26 x 10.2 cm), Span of right arm: 25 3/8 in. (64.4 cm), Span of left arm: 26 5/16 in. (66.8 cm), Right foot–heel to small toe: 3 3/4 in. (9.5 cm), Right foot–heel to big toe: 9 1/8 in. (23.2 cm), Left foot–heel to small toe: 3 1/4 in. (8.3 cm), Left foot–heel to big toe: 9 in. (22.8 cm), Sculpture-Wood
Isolated Rock (Le Rocher isolé) Gustave Courbet (French, 1819-1877). Isolated Rock (Le Rocher isolé), ca. 1862. Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm). Gustave Courbet’s paintings of the shorelines in Normandy portray the land as subject to continuous, if gradual, change. Here, he focuses on a single large rock at the edge of the water. Smaller rocks around it and the several just visible above the surf imply an ongoing process of erosion. Applying his paint with a palette knife in broad, rough patches and strokes, Courbet evokes the windblown clouds and the coarse texture of the roc Stock Photo
RM2M928WY–Isolated Rock (Le Rocher isolé) Gustave Courbet (French, 1819-1877). Isolated Rock (Le Rocher isolé), ca. 1862. Oil on canvas, 25 1/2 x 32 in. (64.8 x 81.3 cm). Gustave Courbet’s paintings of the shorelines in Normandy portray the land as subject to continuous, if gradual, change. Here, he focuses on a single large rock at the edge of the water. Smaller rocks around it and the several just visible above the surf imply an ongoing process of erosion. Applying his paint with a palette knife in broad, rough patches and strokes, Courbet evokes the windblown clouds and the coarse texture of the roc
Cabinet MET 235520 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236) Stock Photo
RMKNE0T5–Cabinet MET 235520 1078 American, Cabinet, ca. 1870, Rosewood, 81 x 66 1/4 x 20 in. (205.7 x 168.3 x 50.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1964 (64.236)
Rocks at Belle-lle, Port-Domois. Date/Period: 1886-01-01/1886-12-31. Oil on canvas. Width: 64.8 cm. Height: 81.3 cm. Author: CLAUDE MONET. Stock Photo
RMPNDER4–Rocks at Belle-lle, Port-Domois. Date/Period: 1886-01-01/1886-12-31. Oil on canvas. Width: 64.8 cm. Height: 81.3 cm. Author: CLAUDE MONET.
Art inspired by Shiva Nataraja with Saints, Indian, Tempera, color and gold on cloth, mounted on wood, Andhra Pradesh, India, mid 18th century, Image: 32 x 25 1/2 in., 81.3 x 64.8 cm, Andhra Pradesh, Apasmara, Bull, Cloth, Color, Dancing, Demon, Dwarf, Gold, Makara, Nandi, Patanjali, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKJTG8–Art inspired by Shiva Nataraja with Saints, Indian, Tempera, color and gold on cloth, mounted on wood, Andhra Pradesh, India, mid 18th century, Image: 32 x 25 1/2 in., 81.3 x 64.8 cm, Andhra Pradesh, Apasmara, Bull, Cloth, Color, Dancing, Demon, Dwarf, Gold, Makara, Nandi, Patanjali, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Shiva Nataraja with Saints, Indian, Tempera, color and gold on cloth, mounted on wood, Andhra Pradesh, India, mid 18th century, Image: 32 x 25 1/2 in., 81.3 x 64.8 cm, Andhra Pradesh, Apasmara, Bull, Cloth, Color, Dancing, Demon, Dwarf, Gold, Makara, Nandi, Patanjali, Shiva, Shrine, South India, Tempera, Wood Stock Photo
RM2HB1JG3–Shiva Nataraja with Saints, Indian, Tempera, color and gold on cloth, mounted on wood, Andhra Pradesh, India, mid 18th century, Image: 32 x 25 1/2 in., 81.3 x 64.8 cm, Andhra Pradesh, Apasmara, Bull, Cloth, Color, Dancing, Demon, Dwarf, Gold, Makara, Nandi, Patanjali, Shiva, Shrine, South India, Tempera, Wood
The Drive, Central Park, c. 1905. William Glackens (American, 1870-1938). Oil on canvas; framed: 84.1 x 99.4 x 9.5 cm (33 1/8 x 39 1/8 x 3 3/4 in.); unframed: 64.5 x 81 cm (25 3/8 x 31 7/8 in.); former: 84 x 99 x 11.5 cm (33 1/16 x 39 x 4 1/2 in.). Glackens derived much inspiration from New York’s Central Park, painting it several times during his early career. In this canvas he recorded the weekday ritual of wealthy Manhattanites parading through the park in their elegant horse-drawn carriages. This tradition drew spectators eager to witness the pageantry, and for all involved, it was an opp Stock Photo
RM2H0XT3B–The Drive, Central Park, c. 1905. William Glackens (American, 1870-1938). Oil on canvas; framed: 84.1 x 99.4 x 9.5 cm (33 1/8 x 39 1/8 x 3 3/4 in.); unframed: 64.5 x 81 cm (25 3/8 x 31 7/8 in.); former: 84 x 99 x 11.5 cm (33 1/16 x 39 x 4 1/2 in.). Glackens derived much inspiration from New York’s Central Park, painting it several times during his early career. In this canvas he recorded the weekday ritual of wealthy Manhattanites parading through the park in their elegant horse-drawn carriages. This tradition drew spectators eager to witness the pageantry, and for all involved, it was an opp
Evening dress MET CI.1982.528.7D.F 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c) Stock Photo
RMKNEC6J–Evening dress MET CI.1982.528.7D.F 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c)
Still life with peonies and mock orange. Date/Period: 1872 - 1877. Still life. Canvas and oil. Height: 81 cm (31.8 in); Width: 64.5 cm (25.3 in). Author: CAMILLE PISSARRO. PISSARRO, CAMILLE. Stock Photo
RMPNA06C–Still life with peonies and mock orange. Date/Period: 1872 - 1877. Still life. Canvas and oil. Height: 81 cm (31.8 in); Width: 64.5 cm (25.3 in). Author: CAMILLE PISSARRO. PISSARRO, CAMILLE.
Art inspired by Isolated Rock, Le Rocher isolé, Gustave Courbet, French, 1819-1877, Oil on canvas, France, ca. 1862, 25 1/2 x 32 in., 64.8 x 81.3 cm, alone, beach, blue sky, Boudin, boulder, ca. 1862, canvas, clowds, Courbet, European, French painter, Havemeyer, heroic, horizon, isolate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKK4FY–Art inspired by Isolated Rock, Le Rocher isolé, Gustave Courbet, French, 1819-1877, Oil on canvas, France, ca. 1862, 25 1/2 x 32 in., 64.8 x 81.3 cm, alone, beach, blue sky, Boudin, boulder, ca. 1862, canvas, clowds, Courbet, European, French painter, Havemeyer, heroic, horizon, isolate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Isolated Rock, Le Rocher isolé, Gustave Courbet, French, 1819-1877, Oil on canvas, France, ca. 1862, 25 1/2 x 32 in., 64.8 x 81.3 cm, alone, beach, blue sky, Boudin, boulder, ca. 1862, canvas, clowds, Courbet, European, French painter, Havemeyer, heroic, horizon, isolate, late 19th century painting, monumental, Normandy, oil, palette knife, rock, rocks, sea, seascape, sky, sublime, x-ray, xray Stock Photo
RM2HB2148–Isolated Rock, Le Rocher isolé, Gustave Courbet, French, 1819-1877, Oil on canvas, France, ca. 1862, 25 1/2 x 32 in., 64.8 x 81.3 cm, alone, beach, blue sky, Boudin, boulder, ca. 1862, canvas, clowds, Courbet, European, French painter, Havemeyer, heroic, horizon, isolate, late 19th century painting, monumental, Normandy, oil, palette knife, rock, rocks, sea, seascape, sky, sublime, x-ray, xray
Evening dress MET 1982.528.7b F 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c) Stock Photo
RMKNEC92–Evening dress MET 1982.528.7b F 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c)
Portrait of a Lady. French or Swiss. Date: 1725-1750. Dimensions: 81 x 64.5 cm (31 7/8 x 25 3/8 in.). Origin: Switzerland. Museum: The Chicago Art Institute. Author: (discard) French School. Stock Photo
RMRXHA3R–Portrait of a Lady. French or Swiss. Date: 1725-1750. Dimensions: 81 x 64.5 cm (31 7/8 x 25 3/8 in.). Origin: Switzerland. Museum: The Chicago Art Institute. Author: (discard) French School.
La Promenade, Pierre-Auguste Renoir (French, 1841 - 1919), France, 1870, Oil on canvas, 81.3 × 64.8 cm (32 × 25 1,2 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B9CN8T–La Promenade, Pierre-Auguste Renoir (French, 1841 - 1919), France, 1870, Oil on canvas, 81.3 × 64.8 cm (32 × 25 1,2 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Unknown (Italian), Cassone, late 15th century, Walnut, Overall: 32 × 81 × 25 1/2 inches (81.3 × 205.7 × 64.8 cm Stock Photo
RM2A2PEG1–Unknown (Italian), Cassone, late 15th century, Walnut, Overall: 32 × 81 × 25 1/2 inches (81.3 × 205.7 × 64.8 cm
Evening dress MET 1982.528.7b B 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c) Stock Photo
RMKNEC8Y–Evening dress MET 1982.528.7b B 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c)
Pectoral Amulet of the Goddess Bastet. Egyptian. Date: 664 BC-343 BC. Dimensions: 4.13 × 3.81 × .64 cm (1 5/8 × 1 1/2 × 1/4 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute. Author: Ancient Egyptian. Stock Photo
RMRX55A3–Pectoral Amulet of the Goddess Bastet. Egyptian. Date: 664 BC-343 BC. Dimensions: 4.13 × 3.81 × .64 cm (1 5/8 × 1 1/2 × 1/4 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute. Author: Ancient Egyptian.
La Promenade, Pierre-Auguste Renoir (French, 1841 - 1919), France, 1870, Oil on canvas, 81.3 × 64.8 cm (32 × 25 1,2 reimagined Stock Photo
RFRAE5CE–La Promenade, Pierre-Auguste Renoir (French, 1841 - 1919), France, 1870, Oil on canvas, 81.3 × 64.8 cm (32 × 25 1,2 reimagined
Gustave Courbet, French, 1819-1877, Bather Sleeping by a Brook, 1845, oil on canvas, Unframed: 32 × 25 1/2 inches (81.3 × 64.8 cm Stock Photo
RM2A2PBBC–Gustave Courbet, French, 1819-1877, Bather Sleeping by a Brook, 1845, oil on canvas, Unframed: 32 × 25 1/2 inches (81.3 × 64.8 cm
Evening dress MET CI.1982.528.7F.det 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c) Stock Photo
RMKNEC6P–Evening dress MET CI.1982.528.7F.det 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c)
Lady Reading the Letters of Heloise and Abelard. Auguste Bernard d'Agesci; French, 1756-1829. Date: 1770-1790. Dimensions: 32 × 25 1/2 in. (81.3 × 64.8 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute. Author: called Bernard d'Agesci Auguste Bernard. Stock Photo
RMRXHD9Y–Lady Reading the Letters of Heloise and Abelard. Auguste Bernard d'Agesci; French, 1756-1829. Date: 1770-1790. Dimensions: 32 × 25 1/2 in. (81.3 × 64.8 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute. Author: called Bernard d'Agesci Auguste Bernard.
Lady Reading the Letters of Heloise and Abelard, c. 1780, Auguste Bernard d’Agesci, French, 1756–1829, France, Oil on canvas, 32 × 25 1/2 in. (81.3 × 64.8 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B904K1–Lady Reading the Letters of Heloise and Abelard, c. 1780, Auguste Bernard d’Agesci, French, 1756–1829, France, Oil on canvas, 32 × 25 1/2 in. (81.3 × 64.8 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Lady Reading the Letters of Heloise and Abelard, c. 1780, Auguste Bernard d’Agesci, French, 1756–1829, France, Oil on canvas, 32 × 25 1/2 in. (81.3 × 64.8 cm Stock Photo
RM2A2KHXN–Lady Reading the Letters of Heloise and Abelard, c. 1780, Auguste Bernard d’Agesci, French, 1756–1829, France, Oil on canvas, 32 × 25 1/2 in. (81.3 × 64.8 cm
Evening dress MET CI.1982.528.7D.S 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c) Stock Photo
RMKNEC6N–Evening dress MET CI.1982.528.7D.S 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c)
Study for 'Bronzes'. Dated: 1890. Dimensions: image (irregular): 20.64 × 13.97 cm (8 1/8 × 5 1/2 in.) board: 23.81 × 15.24 cm (9 3/8 × 6 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser. Stock Photo
RMR359FC–Study for 'Bronzes'. Dated: 1890. Dimensions: image (irregular): 20.64 × 13.97 cm (8 1/8 × 5 1/2 in.) board: 23.81 × 15.24 cm (9 3/8 × 6 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser.
Pectoral Amulet of the Goddess Bastet, Late Period, Dynasty 26–30 (664–343 BC), Egyptian, Egypt, Faience, 4.13 × 3.81 × .64 cm (1 5/8 × 1 1/2 × 1/4 in Stock Photo
RM2A2HK6W–Pectoral Amulet of the Goddess Bastet, Late Period, Dynasty 26–30 (664–343 BC), Egyptian, Egypt, Faience, 4.13 × 3.81 × .64 cm (1 5/8 × 1 1/2 × 1/4 in
The Fall of Ninevah, John Martin, 1789–1854, British, 1829, Mezzotint on moderately thick, slightly textured, cream, wove paper, Sheet: 25 3/16 × 35 3/8 inches (64 × 89.9 cm) and Image: 21 1/4 × 31 15/16 inches (54 × 81.1 cm Stock Photo
RM2DHY4D1–The Fall of Ninevah, John Martin, 1789–1854, British, 1829, Mezzotint on moderately thick, slightly textured, cream, wove paper, Sheet: 25 3/16 × 35 3/8 inches (64 × 89.9 cm) and Image: 21 1/4 × 31 15/16 inches (54 × 81.1 cm
Evening dress MET CI.1982.528.7D.B 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c) Stock Photo
RMKNEC6H–Evening dress MET CI.1982.528.7D.B 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c)
American 19th Century, (artist), Lady Wearing Spectacles, c. 1840, oil on canvas, overall: 76.9 x 64 cm (30 1/4 x 25 3/16 in.), framed: 94.1 x 81.8 x 5.1 cm (37 1/16 x 32 3/16 x 2 in Stock Photo
RM2DC9RG9–American 19th Century, (artist), Lady Wearing Spectacles, c. 1840, oil on canvas, overall: 76.9 x 64 cm (30 1/4 x 25 3/16 in.), framed: 94.1 x 81.8 x 5.1 cm (37 1/16 x 32 3/16 x 2 in
Hurlingham. Dated: 1879. Dimensions: plate: 13.81 × 20 cm (5 7/16 × 7 7/8 in.) sheet: 20.64 × 27.94 cm (8 1/8 × 11 in.). Medium: etching and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL. Stock Photo
RMRG8RN6–Hurlingham. Dated: 1879. Dimensions: plate: 13.81 × 20 cm (5 7/16 × 7 7/8 in.) sheet: 20.64 × 27.94 cm (8 1/8 × 11 in.). Medium: etching and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL.
Glaucus and Nydia, 1867. Lawrence Alma-Tadema (British, 1836-1912). Oil on wood panel; framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in Stock Photo
RMRY5CMA–Glaucus and Nydia, 1867. Lawrence Alma-Tadema (British, 1836-1912). Oil on wood panel; framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in
J. H., (artist), American, active 1822, Abraham Clark and His Children, 1822, oil on wood, overall: 64.8 x 81.3 cm (25 1/2 x 32 in.), framed: 80.6 x 94.9 x 6.9 cm (31 3/4 x 37 3/8 x 2 11/16 in Stock Photo
RM2DCFYHN–J. H., (artist), American, active 1822, Abraham Clark and His Children, 1822, oil on wood, overall: 64.8 x 81.3 cm (25 1/2 x 32 in.), framed: 80.6 x 94.9 x 6.9 cm (31 3/4 x 37 3/8 x 2 11/16 in
Evening dress MET 1982.528.7ab F 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c) Stock Photo
RMKNEC6G–Evening dress MET 1982.528.7ab F 84892 Design House: Attributed to House of Lanvin, French, founded 1889, Designer: Attributed to Jeanne Lanvin, French, 1867?1946, Evening dress, ca. 1935, silk, Length at CB (a): 25 1/2 in. (64.8 cm) Length at CB (b): 50 in. (127 cm) Total Length (c): 32 in. (81.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Charles C. Paterson, 1982 (1982.528.7a?c)
Censer MET LC 17 190 359 d01 464338 Swiss or German, Censer, before 1842, Silver, Overall: 31 7/8 x 5 3/4 in. (81 x 14.6 cm) Censer without chain: 9 11/16 x 5 3/4 in. (24.6 x 14.6 cm) Lid: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm) Base: 2 11/16 x 5 3/4 in. (6.8 x 14.6 cm) Chain: 25 1/2in. (64.8cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.359) Stock Photo
RMKNDC7G–Censer MET LC 17 190 359 d01 464338 Swiss or German, Censer, before 1842, Silver, Overall: 31 7/8 x 5 3/4 in. (81 x 14.6 cm) Censer without chain: 9 11/16 x 5 3/4 in. (24.6 x 14.6 cm) Lid: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm) Base: 2 11/16 x 5 3/4 in. (6.8 x 14.6 cm) Chain: 25 1/2in. (64.8cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.359)
Portrait of Sarah Harrop (Mrs. Bates) as a Muse. Date/Period: 1780-81. Painting. Oil on canvas. Height: 142 cm (55.9 in); Width: 121 cm (47.6 in) / frame: Height: 163.8 cm (64.4 in); Width: 141 cm (55.5 in); Depth: 6.3 cm (2.4 in). Author: Angelica Kauffman. Stock Photo
RMPNEAMA–Portrait of Sarah Harrop (Mrs. Bates) as a Muse. Date/Period: 1780-81. Painting. Oil on canvas. Height: 142 cm (55.9 in); Width: 121 cm (47.6 in) / frame: Height: 163.8 cm (64.4 in); Width: 141 cm (55.5 in); Depth: 6.3 cm (2.4 in). Author: Angelica Kauffman.
Censer MET 38612 464338 Swiss or German, Censer, before 1842, Silver, Overall: 31 7/8 x 5 3/4 in. (81 x 14.6 cm) Censer without chain: 9 11/16 x 5 3/4 in. (24.6 x 14.6 cm) Lid: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm) Base: 2 11/16 x 5 3/4 in. (6.8 x 14.6 cm) Chain: 25 1/2in. (64.8cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.359) Stock Photo
RMKNYA11–Censer MET 38612 464338 Swiss or German, Censer, before 1842, Silver, Overall: 31 7/8 x 5 3/4 in. (81 x 14.6 cm) Censer without chain: 9 11/16 x 5 3/4 in. (24.6 x 14.6 cm) Lid: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm) Base: 2 11/16 x 5 3/4 in. (6.8 x 14.6 cm) Chain: 25 1/2in. (64.8cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.359)
Jurgan Frederick Huge, (painter), American, 1809 - 1878, Composite Harbor Scene with Castle, c. 1875, oil on canvas, overall: 64.8 x 101.6 cm (25 1/2 x 40 in.), framed: 81.3 x 118.1 x 3.8 cm (32 x 46 1/2 x 1 1/2 in Stock Photo
RM2DCG9T5–Jurgan Frederick Huge, (painter), American, 1809 - 1878, Composite Harbor Scene with Castle, c. 1875, oil on canvas, overall: 64.8 x 101.6 cm (25 1/2 x 40 in.), framed: 81.3 x 118.1 x 3.8 cm (32 x 46 1/2 x 1 1/2 in
Cottage Scenery. Dated: 1845. Dimensions: overall: 64.8 × 76.2 cm (25 1/2 × 30 in.) framed: 81.3 × 92.7 × 7.3 cm (32 × 36 1/2 × 2 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: George Caleb Bingham. Stock Photo
RMPKR7AH–Cottage Scenery. Dated: 1845. Dimensions: overall: 64.8 × 76.2 cm (25 1/2 × 30 in.) framed: 81.3 × 92.7 × 7.3 cm (32 × 36 1/2 × 2 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: George Caleb Bingham.
Antoine-Jean Gros, (painter), French, 1771 - 1835, Dr. Vignardonne, 1827, oil on canvas, overall: 81 x 64.3 cm (31 7/8 x 25 5/16 in.), framed: 101 x 84.8 x 8.9 cm (39 3/4 x 33 3/8 x 3 1/2 in Stock Photo
RM2DCFR55–Antoine-Jean Gros, (painter), French, 1771 - 1835, Dr. Vignardonne, 1827, oil on canvas, overall: 81 x 64.3 cm (31 7/8 x 25 5/16 in.), framed: 101 x 84.8 x 8.9 cm (39 3/4 x 33 3/8 x 3 1/2 in
Abraham Clark and His Children. Dated: 1822. Dimensions: overall: 64.8 x 81.3 cm (25 1/2 x 32 in.) framed: 80.6 x 94.9 x 6.9 cm (31 3/4 x 37 3/8 x 2 11/16 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: J. H. Stock Photo
RMPKY5FB–Abraham Clark and His Children. Dated: 1822. Dimensions: overall: 64.8 x 81.3 cm (25 1/2 x 32 in.) framed: 80.6 x 94.9 x 6.9 cm (31 3/4 x 37 3/8 x 2 11/16 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: J. H.
Anonymous Artist, (painter), Sir Henry Raeburn, (related artist), Scottish, 1756 - 1823, Miss Jean Christie, c. 1810/1830, oil on canvas, overall: 76.9 x 64.2 cm (30 1/4 x 25 1/4 in.), framed: 94.3 x 81.6 x 6.4 cm (37 1/8 x 32 1/8 x 2 1/2 in Stock Photo
RM2DCAH0W–Anonymous Artist, (painter), Sir Henry Raeburn, (related artist), Scottish, 1756 - 1823, Miss Jean Christie, c. 1810/1830, oil on canvas, overall: 76.9 x 64.2 cm (30 1/4 x 25 1/4 in.), framed: 94.3 x 81.6 x 6.4 cm (37 1/8 x 32 1/8 x 2 1/2 in
Animal Locomotion Plate 640, 1887, Eadweard Muybridge; Publisher: University of Pennsylvania, American (born England), American (born England), 1830 - 1904, 9 15/16 x 12 1/16 in. (25.24 x 30.64 cm) (image)18 1/2 x 23 9/16 in. (46.99 x 59.85 cm) (sheet)22 7/8 × 28 7/8 × 1 1/2 in. (58.1 × 73.34 × 3.81 cm) (outer frame), Collotype, 19th century Stock Photo
RM2T916XB–Animal Locomotion Plate 640, 1887, Eadweard Muybridge; Publisher: University of Pennsylvania, American (born England), American (born England), 1830 - 1904, 9 15/16 x 12 1/16 in. (25.24 x 30.64 cm) (image)18 1/2 x 23 9/16 in. (46.99 x 59.85 cm) (sheet)22 7/8 × 28 7/8 × 1 1/2 in. (58.1 × 73.34 × 3.81 cm) (outer frame), Collotype, 19th century
Dr. Vignardonne. Dated: 1827. Dimensions: overall: 81 x 64.3 cm (31 7/8 x 25 5/16 in.) framed: 101 x 84.8 x 8.9 cm (39 3/4 x 33 3/8 x 3 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Gros. Stock Photo
RMR31GH4–Dr. Vignardonne. Dated: 1827. Dimensions: overall: 81 x 64.3 cm (31 7/8 x 25 5/16 in.) framed: 101 x 84.8 x 8.9 cm (39 3/4 x 33 3/8 x 3 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Gros.
Border Fragment, 16 x 1 1/2 in. (40.64 x 3.81 cm) (approximate)3 1/4 x 18 1/8 in. (8.26 x 46.04 cm) (outer frame), Cotton (?), Peru Stock Photo
RM2T91G1G–Border Fragment, 16 x 1 1/2 in. (40.64 x 3.81 cm) (approximate)3 1/4 x 18 1/8 in. (8.26 x 46.04 cm) (outer frame), Cotton (?), Peru
Composite Harbor Scene with Castle. Dated: c. 1875. Dimensions: overall: 64.8 x 101.6 cm (25 1/2 x 40 in.) framed: 81.3 x 118.1 x 3.8 cm (32 x 46 1/2 x 1 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jurgan Frederick Huge. Stock Photo
RMPKY76N–Composite Harbor Scene with Castle. Dated: c. 1875. Dimensions: overall: 64.8 x 101.6 cm (25 1/2 x 40 in.) framed: 81.3 x 118.1 x 3.8 cm (32 x 46 1/2 x 1 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jurgan Frederick Huge.
The Violinist, c. 1878-1879, Edgar Degas, French, 1834 - 1917, 9 3/8 x 12 1/16 in. (23.81 x 30.64 cm) (image), Charcoal heightened with white chalk on grey laid paper, France, 19th century Stock Photo
RM2T90W78–The Violinist, c. 1878-1879, Edgar Degas, French, 1834 - 1917, 9 3/8 x 12 1/16 in. (23.81 x 30.64 cm) (image), Charcoal heightened with white chalk on grey laid paper, France, 19th century
Lady Wearing Spectacles. Dated: c. 1840. Dimensions: overall: 76.9 x 64 cm (30 1/4 x 25 3/16 in.) framed: 94.1 x 81.8 x 5.1 cm (37 1/16 x 32 3/16 x 2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: American 19th Century. Stock Photo
RMPKWX59–Lady Wearing Spectacles. Dated: c. 1840. Dimensions: overall: 76.9 x 64 cm (30 1/4 x 25 3/16 in.) framed: 94.1 x 81.8 x 5.1 cm (37 1/16 x 32 3/16 x 2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: American 19th Century.
Young Italian Street Musician, c. 1877, Thomas Couture, French, 1815 - 1879, 31 7/8 x 25 1/2 in. (80.96 x 64.77 cm) (sight)31 15/16 x 26 3/4 in. (81.12 x 67.95 cm) (canvas), Oil on canvas, France, 19th century Stock Photo
RM2T90RT8–Young Italian Street Musician, c. 1877, Thomas Couture, French, 1815 - 1879, 31 7/8 x 25 1/2 in. (80.96 x 64.77 cm) (sight)31 15/16 x 26 3/4 in. (81.12 x 67.95 cm) (canvas), Oil on canvas, France, 19th century
The Flirt. Dated: 1874. Dimensions: overall: 20.64 × 31.91 cm (8 1/8 × 12 9/16 in.) framed: 28.58 × 39.37 × 3.81 cm (11 1/4 × 15 1/2 × 1 1/2 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Winslow Homer. Stock Photo
RMRFH03W–The Flirt. Dated: 1874. Dimensions: overall: 20.64 × 31.91 cm (8 1/8 × 12 9/16 in.) framed: 28.58 × 39.37 × 3.81 cm (11 1/4 × 15 1/2 × 1 1/2 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Winslow Homer.
The Russian Dance, 1769, Jean-Baptiste Le Prince, French, 1734 - 1781, 11 7/8 x 9 3/8 in. (30.16 x 23.81 cm) (image)15 x 12 1/8 in. (38.1 x 30.8 cm) (plate)16 x 12 1/2 in. (40.64 x 31.75 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century Stock Photo
RM2T91JR6–The Russian Dance, 1769, Jean-Baptiste Le Prince, French, 1734 - 1781, 11 7/8 x 9 3/8 in. (30.16 x 23.81 cm) (image)15 x 12 1/8 in. (38.1 x 30.8 cm) (plate)16 x 12 1/2 in. (40.64 x 31.75 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century
Miss Jean Christie. Dated: c. 1810/1830. Dimensions: overall: 76.9 x 64.2 cm (30 1/4 x 25 1/4 in.) framed: 94.3 x 81.6 x 6.4 cm (37 1/8 x 32 1/8 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Style of Sir Henry Raeburn. Stock Photo
RMPKY3XE–Miss Jean Christie. Dated: c. 1810/1830. Dimensions: overall: 76.9 x 64.2 cm (30 1/4 x 25 1/4 in.) framed: 94.3 x 81.6 x 6.4 cm (37 1/8 x 32 1/8 x 2 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Style of Sir Henry Raeburn.
Attire Worn by Old Women from Moscow, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/2 x 3 5/8 in. (11.43 x 9.21 cm) (image)5 1/8 x 4 3/16 in. (13.02 x 10.64 cm) (plate)6 3/4 x 5 7/16 in. (17.15 x 13.81 cm) (sheet), Etching, France, 18th century Stock Photo
RM2T91JKC–Attire Worn by Old Women from Moscow, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/2 x 3 5/8 in. (11.43 x 9.21 cm) (image)5 1/8 x 4 3/16 in. (13.02 x 10.64 cm) (plate)6 3/4 x 5 7/16 in. (17.15 x 13.81 cm) (sheet), Etching, France, 18th century
L'Espagne Cintre du Salon de la Guerre en face de la Galerie (Spain, Center of the Salon of War Opposite the Gallery) [pl. 38]. Dated: published 1752. Dimensions: sheet: 64 × 91.6 cm (25 3/16 × 36 1/16 in.) plate: 36 × 81.8 cm (14 3/16 × 32 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Charles Dupuis (engraver) after Charles Le Brun. Stock Photo
RMR35KWE–L'Espagne Cintre du Salon de la Guerre en face de la Galerie (Spain, Center of the Salon of War Opposite the Gallery) [pl. 38]. Dated: published 1752. Dimensions: sheet: 64 × 91.6 cm (25 3/16 × 36 1/16 in.) plate: 36 × 81.8 cm (14 3/16 × 32 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Charles Dupuis (engraver) after Charles Le Brun.
Breaking up of the Agamemnon, 1870, Auguste Barry; Artist: After Francis Seymour Haden, English, British, 1818–1910, 7 1/2 × 16 in. (19.05 × 40.64 cm) (plate)9 1/4 × 17 3/4 in. (23.5 × 45.09 cm) (sight)17 5/8 × 25 1/2 × 1 1/2 in. (44.77 × 64.77 × 3.81 cm) (outer frame), Etching and drypoint, England, 19th century, This is a slightly reduced copy of an etching made by Francis Seymour Haden in 1870. Apart from this print, we know nothing of the copyist, who signed 'A. Barry.' The Agamemnon was one of the last wooden-hulled war ships built in England. The Keel was laid in 1849 Stock Photo
RM2T90JGJ–Breaking up of the Agamemnon, 1870, Auguste Barry; Artist: After Francis Seymour Haden, English, British, 1818–1910, 7 1/2 × 16 in. (19.05 × 40.64 cm) (plate)9 1/4 × 17 3/4 in. (23.5 × 45.09 cm) (sight)17 5/8 × 25 1/2 × 1 1/2 in. (44.77 × 64.77 × 3.81 cm) (outer frame), Etching and drypoint, England, 19th century, This is a slightly reduced copy of an etching made by Francis Seymour Haden in 1870. Apart from this print, we know nothing of the copyist, who signed 'A. Barry.' The Agamemnon was one of the last wooden-hulled war ships built in England. The Keel was laid in 1849
The Boulevard Montmartre on a Winter Morning, Camille Pissarro, 1897 Stock Photo
RMKCD6CW–The Boulevard Montmartre on a Winter Morning, Camille Pissarro, 1897
L'Allemagne Cintre du Salon de la Guerre du côté des appartemens du Roi (Germany, Center of the Salon of War next to the King's Chambers) [pl. 37]. Dated: published 1752. Dimensions: sheet: 64 × 90.6 cm (25 3/16 × 35 11/16 in.) plate: 36.5 × 81.9 cm (14 3/8 × 32 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Louis Desplaces (engraver) after Charles Le Brun. Stock Photo
RMR37NWE–L'Allemagne Cintre du Salon de la Guerre du côté des appartemens du Roi (Germany, Center of the Salon of War next to the King's Chambers) [pl. 37]. Dated: published 1752. Dimensions: sheet: 64 × 90.6 cm (25 3/16 × 35 11/16 in.) plate: 36.5 × 81.9 cm (14 3/8 × 32 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Louis Desplaces (engraver) after Charles Le Brun.
A Female Allegorical Figure, Giovanni Battista Tiepolo, 1740–50 Stock Photo
RMKCD1FG–A Female Allegorical Figure, Giovanni Battista Tiepolo, 1740–50
La Hollande Cintre du Salon de la Paix en face des Appartmens de la Reine (Holland, Center of the Salon of Peace Opposite the Queen's Apartments) [pl. 48]. Dated: published 1752. Dimensions: sheet: 64 × 90.2 cm (25 3/16 × 35 1/2 in.) plate: 36 × 81.8 cm (14 3/16 × 32 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Louis Desplaces (engraver) after Charles Le Brun. Stock Photo
RMR32TMR–La Hollande Cintre du Salon de la Paix en face des Appartmens de la Reine (Holland, Center of the Salon of Peace Opposite the Queen's Apartments) [pl. 48]. Dated: published 1752. Dimensions: sheet: 64 × 90.2 cm (25 3/16 × 35 1/2 in.) plate: 36 × 81.8 cm (14 3/16 × 32 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Louis Desplaces (engraver) after Charles Le Brun.
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